Yellow Bananas Quotes

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That's the van? It looks like a rotting banana." This was undeniable - Eric had painted the van a neon shade of yellow, and it was blotched with dings and rust like splotches of decay.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You should see what she’s wearing, Callie. It’s velvet. Canary yellow velvet. Turban to match. She looks like a furry banana.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Yellow is a very favorable vibration for mental or intellectual activity, as it promotes a clear state of mind. Yellow heightens your awareness and alleviates depression, sadness, or any kind of despondency. Yellow vibration foods are: pineapples, bananas, grapefruit, lemons and corn.
Tae Yun Kim (The First Element: Secrets to Maximizing Your Energy)
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
Being called "closed-minded" by religious people is like being called yellow by a bunch of bananas.
Pat Condell
Yes, sir, but the Librarian likes bananas, sir." "Very nourishin' fruit, Mr Stibbons." "Yes, sir. Although, funnily enough it's not actually a fruit, sir." "Really?" "Yes, sir. Botanically, it's a type of fish, sir. According to my theory it's cladistically associated with the Krullian pipefish, sir, which of course is also yellow and goes around in bunches or shoals." "And lives in trees?" "Well, not usually, sir. The banana is obviously exploiting a new niche." "Good heavens, really? It's a funny thing, but I've never much liked bananas and I've always been a bit suspicious of fish, too. That'd explain it.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
In the history of show business, there probably never was a straighter straight man than banana-yellow Bert, the paper clip collector and pigeon fancier.
Michael Davis (Street Gang: The Complete History of Sesame Street)
She walks away as if she were going to disappear. I wonder if I’ll ever see her again." I turned and saw her yellow blouse receding into the distance as she walked along the busy street. She looked like a balloon someone had let loose in the sky. We watched her go.
Banana Yoshimoto (N.P)
THE BOUNTY In her kitchen, she saw many things she would like to eat. On the counter, there was a bunch of new bananas, yellow as a Van Gogh chair, and two apples, pristine. The cabinet was open and she saw a box of crackers, a new box of cereal, a tube of curved chips. She felt overwhelmed, seeing all of the food there, that it was all hers. And there was more in the refrigerator! There were juices, half a melon, a dozen bagels, salmon, a steak, yogurt in a dozen colors. It would take her a week to eat all of this food. She does not deserve this, she thought. It really isn't fair, she thought. You're correct, God said, and then struck dead 65,000 Malaysians.
Dave Eggers (How We Are Hungry: Stories)
Wow," said Samirah as we approached the dock. "You're right, Alex. That ship is really yellow." I sighed. "Not you, too." Alex grinned. "I vote we name it the Big Banana. All in favour?" "Don't you dare," I said. "I love it," Mallory said, throwing Alex a mooring line. Keen and Gunderson had emerged from belowdecks in an apparent truce, though both sported fresh black eyes. "It's decided, then!" bellowed Halfborn. "The good ship Mikillgulr!" T.J. scratched his head. "There's an Old Norse term for big banana?" "Well, not exactly," Halfborn admitted. "The Vikings never sailed far enough south to discover bananas. But Mikillgulr means big yellow. That's close enough!" I looked skyward with a silent prayer: Frey, god of summer, Dad, thanks for the boat. But could I suggest that forest green is also a great summery colour, and please stop embarrassing me in front of my friends? Amen.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects. ...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making. The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
If Mrs. Charles were a color, she'd be yellow - bright, cheerful, golden rays of sunshine. A ripe banana, a fresh highlighter, sweet like pineapples, tart like lemons, you could lose her in a field of dandelions. One drop of her coloring could turn plain buttercream frosting into the sweetest Easter cake. But one drop of another color could spoil her brightness. Leave her out in the heat too long and her banana peel would start to rot. The tip of her highlighter blackens with wear. The prickling of her pineapple skin sometimes leaves her impossible to open. And dandelions are nothing but pretty weeds." -Claudia
Tiffany D. Jackson (Monday's Not Coming)
Oh, do shut up, Martha. Wearing sensible shoes doesn’t make a woman a feminist or a lesbian any more than wearing that hideous yellow dress makes you a goddamn banana,” Violet snarked, shaking her head. “I swear with women like you, I don’t know why my mother fought so hard to win the right to vote.
Onley James (Intoxicating (Elite Protection Services, #1))
We were like bananas. Stuck together, we were ripe and yellow. But the moment one was torn apart, all the rest turned black and rotten.
Kit Lyman (Satan's Garden)
If you pray and ask God to make bananas red, God won’t, because there is nothing wrong with bananas being yellow. If you pray and ask God to change your health, finances, relationships, employment, and possessions to make you happy, God won’t, because changing them won’t make you happy. Not only is there nothing wrong with the impermanence of the world, Jesus said that the Kingdom of God is present in this world of impermanence.
Jim Palmer (Notes from (over) the Edge: Unmasking the Truth to End Your Suffering)
No seriously. She looks like a banana. She's wearing bright yellow and brown. It's making me hungry just looking at her.
Jane Green (Swapping Lives)
And why is an orange the only fruit that has to share its name with its color? A banana isn’t called yellow. It’s not fair. If I were an orange, I would complain.
Wendy Mass (Heaven Looks a Lot Like the Mall)
Why are Marines like bananas?” Bobby asked. “Because they’re both yellow and die in big bunches,
Suzanne Brockmann (Harvard's Education (Tall, Dark & Dangerous, #5))
Privately Kate thought that for a guy in a banana-yellow suit he was turning out to be a pretty sharp operator.
Lev Grossman (The Silver Arrow (The Silver Arrow, #1))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Once upon a time there was a banana and it grew. It grew until it was large, firm, yellow and fragrant. Then it fell to the ground and someone came upon it and ate it and afterwards that person felt better.
Martel, Yann
than where I grew up, so I look different from most of the people I know. People in my own country look at me like I’m a foreigner. Even the people who do look like me call me a banana.” “A banana?” Farrah asked. “Yellow on the outside, white on the inside,
Shirtaloon (He Who Fights with Monsters (He Who Fights with Monsters, #1))
I brought you a gift." In his hand is a small, yellow box of Tokyo Bananas. The cream-filled cakes are all over the airport. He offers them to me with both hands. Bringing an omiyage is tradition. I can't refuse. I accept the box with both hands and say, "Thank you.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
I wake up in the morning one day and do my chores. I go outside and see a banana on the ground in a sack. Hasn't been touched! I take it to the orphanage and give it to the child who's been there for 10 years. I hope I get to do that everyday. Her face was as bright as that yellow on the banana.
Ami Riechman-Bennett
Eliza. I need to borrow you for a little while.” Mrs. Grier has a bad habit of grabbing the first student who walks through her door when she needs something, and today I’m the unlucky plebe she gets her happy teacher hands on. She beams at me, looking the picture of joy in an unseasonal yellow sundress and earrings shaped like bananas. I ease my arm out of her hand so it doesn’t seem like I don’t want her to touch me. I don’t mind Mrs. Grier. Most days I like her. I wish I had her for an actual class instead of just homeroom, because she doesn’t make me talk if I don’t want to, and she counts showing up to class as your entire participation grade.
Francesca Zappia (Eliza and Her Monsters)
short red pants with purple suspenders over a bright yellow and black sweat shirt. On my feet I put my purple push-down socks and a pair of red hightop sneakers. I added jewelry — a big necklace with wooden bananas and oranges strung on it, and dangly earrings shaped like sunglasses. I fixed my hair. I brushed it until it was full and shiny. Then I rolled up a red scarf and tied it in my hair
Ann M. Martin (Welcome Back, Stacey (The Baby-Sitters Club, #28))
The Mercy The ship that took my mother to Ellis Island eighty-three years ago was named "The Mercy." She remembers trying to eat a banana without first peeling it and seeing her first orange in the hands of a young Scot, a seaman who gave her a bite and wiped her mouth for her with a red bandana and taught her the word, "orange," saying it patiently over and over. A long autumn voyage, the days darkening with the black waters calming as night came on, then nothing as far as her eyes could see and space without limit rushing off to the corners of creation. She prayed in Russian and Yiddish to find her family in New York, prayers unheard or misunderstood or perhaps ignored by all the powers that swept the waves of darkness before she woke, that kept "The Mercy" afloat while smallpox raged among the passengers and crew until the dead were buried at sea with strange prayers in a tongue she could not fathom. "The Mercy," I read on the yellowing pages of a book I located in a windowless room of the library on 42nd Street, sat thirty-one days offshore in quarantine before the passengers disembarked. There a story ends. Other ships arrived, "Tancred" out of Glasgow, "The Neptune" registered as Danish, "Umberto IV," the list goes on for pages, November gives way to winter, the sea pounds this alien shore. Italian miners from Piemonte dig under towns in western Pennsylvania only to rediscover the same nightmare they left at home. A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.
Philip Levine (The Mercy)
(From where I sit and write at this moment, I look out the window, across the quiet guest-house garden, with the four banana trees and the big red and yellow flowers around Our Lady’s statue. I can see the door where Dan entered and where I entered. Beyond the Porter’s Lodge is a low green hill where there was wheat this summer. And out there, yonder, I can hear the racket of the diesel tractor: I don’t know what they are ploughing.)
Thomas Merton (The Seven Storey Mountain)
Neptune’s Lost Banana by Stewart Stafford O lost banana of Neptune, Do you wonder why you’ve washed ashore? Do people see a yellow fruit in the water? Or a Portuguese Man O’War? You were so near the fingertips of power, Did fortune peel away your chances too quick? Or do you see yourself in an ivory tower? Of a split-away banana republic? You could have been top banana, Now you’re potential poetic justice, For someone with bad karma to slip on, And go skidding as you go squish. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
Whether you're a bride or a birthday boy, your options are much the same. Cake comes in chocolate, yellow, or white. Frosting comes in chocolate or vanilla buttercream, or you can opt for whipped cream. Fillings are either chocolate or vanilla custard, fresh bananas, or strawberries or raspberries in season. For birthday cakes, you can have either flowers or balloons in your choice of colors. For wedding cakes, you can add either fondant or marzipan covering, or either smooth or basket-weave buttercream, in white or ivory, with either pearl-like dots or ribbony swags made of frosting, and fondant faux flowers are extra.
Stacey Ballis (Wedding Girl)
Behind the last door is oblivion. Standing before it, one can go forwards or backwards; but beside it are not the places of exquisite pleasure: the faces of pure ones confined to pavilions, reclining on green cushions and beautiful carpets amid thornless lote-trees and banana trees, one over another; for these have gone with the smoke of the opium. What remains, four years afterwards, are the haunted rooms of the departed: of a young, vigorous man with red hair and an old man left in his blood in a bothy; of a henchman dragged from his horse with an arrow in him, and another, darker of skin, dead of fighting in a Greek courtyard. Of a man returning from perilous seas to drown, seeking his son, near his homeland; of a girl dying blind behind yellow silk curtains, and another burning at night in an African pavilion. And a child, a son … an only son … playing with shells at the feet of the father who shortly would kill it. One does not, of set purpose, linger long on such a threshold. Sooner or later, the chains must give way; the accusing, querulous voices cease; and the insistent, imperious summons, saying over and over, ‘Aucassins, damoisiax, sire! Ja sui jou li vostre amie, Et vos ne me haés mie!
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
THE FIRST TIME she left the house with her sleeping son in her arms, still unsteady on her legs, gripping the railing tightly, she surveyed the yard, astonished. It was at once familiar and strange. Something was different, though she could not immediately put her finger on it. The morning sun beamed through the bushes. The leaves of the banana plants seemed greener, their fruit larger and yellower. The hibiscus and the bougainvillea had never looked so beautiful. A warm breeze caressed her skin. Maung Sein was perched on a log below her, chopping kindling. Stroke by stroke he would split branches as thick as a fist. The uniformity of his movements radiated something infinitely reassuring. Nu Nu looked at Ko Gyi in her arms. He had her nose. Her mouth. Her cinnamon skin. She cautiously took one of his little hands. It was warm. And would always remain so. Suddenly he opened one blinking eye, and then quickly the other. He had her eyes, too, without a doubt. Ko Gyi regarded his mother earnestly, intently. She smiled. His deep brown eyes did not move. They looked for a long time at each other. Then a quiet smile drifted across his face. No one had ever smiled at her that
Jan-Philipp Sendker (A Well-Tempered Heart)
Green bananas are a go, and yellow bananas are a caution: these are too mushy to consume.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
When volunteers looked at a black-and-white picture of a banana, tests showed they saw it as slightly yellow—even though in fact it was purely gray. The researchers demonstrated this by asking the volunteers to adjust the background on a screen until it was the same color as the banana shape. Without realizing it, the volunteers selected a background with a slight yellow tinge. They had such a strong presumption that the banana would be yellow that their brains decided it actually was.6
Caroline Webb (How to Have a Good Day: Harness the Power of Behavioral Science to Transform Your Working Life)
There isn't anything bad in eating an white ice cream it really doesn't matter is it in a pail or in a cornet. (You are now thinking... oh, oh, oh an ice cream, I can do one for you. I have loads of just come to "Where I live" and I can fill you with a lot of ice cream. You won't want to go home...). The banana eating, what's bad?? To go in a public and to eat one normal banana,... I'm talking about the fruit called banana which is yellow as an a colour... (O..., o..., (off I hate this moment as far as now when everything in your head is about sex and you just connect it), "I'm sure that you like it", I have one in my home and it's one large you will like it and in the end there is little suprise for the people with patience)... What's bad or awful to eat an a cucumber???? OFFF, OFF, OFF you just again did this you connected it with this... what's bad of choosing sour cream or milk? Off, off, again and again all the time with this pornography it's like it's planted in your mind, like a bomb and in replace of the time you connect everything with pussy and dick. One moment with your dick sperm making it as an a milk, sour cream, ice cream so many faces… Then you connect it and with banana because in reality the banana is kind of fruit which can be sucked so you put replace of banana, your dick... even when you write "woman eating banana" in the google engine it will show some kind a pornography. But why do you connect it?? Even with the pussy which cums, how woman touches it... WOW, WOW!
Deyth Banger
WEEK#1 SHOPPING LIST   *FRUITS & VEGETABLES ALL ORGANIC AND/OR WILD *MEATS FREE RANGE, NO ANTIBIOTICS OR HORMONES ADDED *FISH OCEAN WISE & WILD *Remember to always read the ingredients and check for added sugars, chemicals and MSG etc.   1 LEMON 2 LIMES 4 MEDIUM YELLOW ONIONS 1 BUNDLE ORGANIC GREEN ONIONS 1 RED ONION 1 GINGER ROOT 2 WHOLE GARLIC 1 BUNDLE OF ASPARGUS 2 CAULIFLOWER HEADS 2 ORGANIC RED PEPPERS 2 GREEN PEPPERS 3 AVOCADOS 1 PACK BOK CHOY 15 ORGANIC TOMATOES 1 SPAGHETTI SQUASH 3 SWEET POTATOES 1 YAM 2 BUNDLES OF ORGANIC BROCCOLI 6 ZUCCHINI 4 CARROTS 3 BEETS 12-15 BROWN MUSHROOMS 1 SMALL BAG/BOX ARUGULA SALAD 1 BUNDLE OF ROMAINE LETTUCE 1 BUNDLE FRESH BASIL   2 APPLES 1 BANANA 1 SMALL PACKAGE FRESH OR FROZEN WILD BLUEBERRIES 1 ORANGE   2 PACKAGES FREE RANGE NO ANTIOBIOTIC EGGS (24 TOTAL)   1 20oz (750Ml) TOMATO SAUCE 1 CAN 14OZ TOMATO PUREE 2 8oz (250mL) CANS COCONUT CREAM 2 16oz (500mL) CANS COCONUT MILK 1 12OZ CAN PUMPKIN PUREE   JAR OF OLIVES (no sugars added)   1 - ½ LB SMALL BAG (200G) OF REAL CRAB MEAT 2 – 2 LB BAGS (400G EACH) OF FROZEN WILD SHRIMP & SCALLOP MEDLEY 1 LARGE PIECE WILD SOCKEY SALMON (FRESH) 1 LB BEEF SIRLOIN 1LB GROUND BEEF 1 ½ LB (750G) NO-ANTIOBIOTIC CHICKEN SLICES 4 NO-ANTIOBIOTIC ALL NATURAL CHICKEN BREAST 7OZ (400G) ORGANIC GROUND TURKEY 1 PACKAGE MSG-FREE, NO NITRATE BACON   100G DRIED FRUIT (BLUEBERRIES, CRANBERRIES) 200G HAZELNUTS 100G ALMONDS 100G CASHEWS 100 WALNUTS 100G SESAME SEEDS 50G PUMPKIN SEEDS   1 BOTTLE NO SULFITE ORGANIC WHITE WINE (OPTIONAL)  
Paleo Wired (Practical 30 Day Paleo Program For Weight Loss - Paleo Diet: A BEGINNER’S GUIDE TO HEALTHY RECIPES FOR WEIGHT LOSS AND OPTIMAL HEALTH’(paleo diet, diet chllenge, paleo guide to weight loss))
Three immigrants—one Italian, one French, one Spanish—are applying for American citizenship. As part of the interview process, they’re told they must compose a sentence in English with three primary words: GREEN, PINK, and YELLOW. The Italian goes the first. “I wake up in the morning. I see the YELLOW sun. I see the GREEN grass. And I think to myself, I hope it will be a PINK day.” The Frenchman is the next. “I wake up in the morning. I eat a YELLOW banana and a GREEN pepper. In the evening I watch PINK Panther on TV.” Finally it’s the Spaniard’s turn. “I wake up in the morning, I hear the phone GREEN, GREEN, GREEN. Then I PINK up the phone and say YELLOW!
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
Valkyrie of Odin, I’d healed his mind to keep him from going insane. Now his mortal eyes were permanently opened. Rather than living in blissful ignorance, he could see the earth giants that occasionally strolled down Commonwealth Avenue, the sea serpents that frolicked in the Charles River, and the Valkyries that flew overhead, bringing souls of fallen heroes to check in at the Hotel Valhalla. He could even see our huge Viking warship that looked like a heavily armed banana. ‘We’ll be careful,’ I told him. ‘Besides, nobody would dare attack this ship. It’s way too yellow.’ He mustered a faint smile. ‘That much is true.’ He reached behind him. From the hood of his car, he hefted a large green insulated pack – the kind Fadlan’s Falafel used for deliveries. ‘This is for you, Magnus. I hope you enjoy.’ The scent of fresh falafel wafted out. True, I’d eaten falafel just a few hours
Rick Riordan (Magnus Chase and the Ship of the Dead (Book 3))
Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.
Ashraful
Kathleen doesn’t look like you,” Henry said suddenly, staring at me. “Uh, no. She doesn’t. Not really,” I stammered, not knowing what else to say. Without another word, Henry turned and left the kitchen. I heard him run up the stairs and looked at Georgia who met my gaze with bafflement. “Did you hear that, woman?” I asked Georgia. “Henry doesn’t think Kathleen looks like me. You got something to tell me?” Kathleen shrieked again. Georgia wasn’t moving fast enough with the jar of bananas she’d produced. Georgia smirked and stuck out her tongue at me, and Kathleen bellowed. Georgia hastily dipped the tiny spoon into the yellow goo and proceeded to feed our little beast, who wailed as she inhaled. “She may not look like you, Moses. But she definitely has your sunny disposition,” Georgia sassed, but she leaned into me when I dropped a kiss on her lips. It didn’t hurt my feelings at all that my dimpled baby girl looked more like her mother.
Amy Harmon (The Song of David (The Law of Moses, #2))
Yes, sir. Botanically, it’s a type of fish, sir. According to my theory it’s cladistically associated with the Krullian pipefish, sir, which of course is also yellow and goes around in bunches or shoals.’ ‘And lives in trees?’ ‘Well, not usually, sir. The banana is obviously exploiting a new niche.
Terry Pratchett (Hogfather (Discworld, #20))
For two decades, our escape defined me. It dominated my personality and compelled my every decision. By college, half my life had led up to our escape and the other half was spent reliving it, in churches and retreats where my mother made it a hagiograpihc journey, on college applications where it was a plea, at sleepovers where it was entertainment, and in discussion groups after public viewings of xenophobic melodrama like China Cry and Not Without my Daughter, films about Christian women facing death and escaping to America. Our story was a sacred thread woven into my identity. Sometimes people asked, But don't a lot of Christians live there? or Couldn't your mother just say she was Muslim? It would take me a long time to get over those kinds of questions. They felt like a bad grade, like a criticism of my face and body...Once in an Oklahoma church, a woman said, "Well, I sure do get it. You came for a better life." I thought I'd pass out -- a better life? In Isfahan, we had yellow spray roses, a pool. A glass enclosure shot up through our living room, and inside that was a tree. I had a tree inside my house; I had the papery hand of Morvarid, my friend nanny, a ninety-year-old village woman; I had my grandmother's fruit leather and Hotel Koorosh schnitzels and sour cherries and orchards and a farm - life in Iran was a fairytale. In Oklahoma, we lived in an apartment complex for the destitute and disenfranchised. Life was a big gray parking lot with cigarette butts baking in oil puddles, slick children idling in the beating sun, teachers who couldn't do math. I dedicated my youth and every ounce of my magic to get out of there. A better life? The words lodged in my ear like grit. Gradually, all those retellings felt like pandering. The skeptics drew their conclusions based on details that I had provided them: my childhood dreams of Kit Kats and flawless bananas. My academic ambitions. I thought of how my first retelling was in an asylum office in Italy: how merciless that with the sweat and dust of escape still on our brows, we had to turn our ordeal into a good, persuasive story or risk being sent back. Then, after asylum was secured, we had to relive that story again and again, to earn our place, to calm casual skeptics. Every day of her new life, the refugee is asked to differentiate herself from the opportunist, the economic migrant... Why do the native-born perpetuate this distinction? Why harm the vulnerable with the threat of this stigma? ...To draw a line around a birthright, a privilege. Unlike economic migrants, refugees have no agency; they are no threat. Often, they are so broken, they beg to be remade into the image of the native. As recipients of magnanimity, they can be pitied. But if you are born in the Third World, and you dare to make a move before you are shattered, your dreams are suspicious. You are a carpetbagger, an opportunist, a thief. You are reaching above your station.
Dina Nayeri (The Ungrateful Refugee)
Potato - 1947-1995 In haste one evening while making dinner I threw away a potato that was spoiled on one end. The rest would have been redeemable. In the yellow garbage pail it became the consort of coffee grounds, banana skins, carrot peelings. I pitched it onto the compost where steaming scraps and leaves return, like bodies over time, to earth. When I flipped the fetid layers with a hay fork to air the pile, the potato turned up unfailingly, as if to revile me— looking plumper, firmer, resurrected instead of disassembling. It seemed to grow until I might have made shepherd’s pie for a whole hamlet, people who pass the day dropping trees, pumping gas, pinning hand-me-down clothes on the line.
Jane Kenyon
Large fountain glasses arrived at our table, layered with sweet beans, caramelized saba bananas, jackfruit, palm fruit, nata de coco, and strips of macapuno topped with shaved ice, evaporated milk, a slice of leche flan, a healthy scoop of ube halaya, and a scattering of pinipig, the toasted glutinous rice adding a nice bit of crunch. This frosty rainbow confection raised my spirits every time I saw it, and both Sana and I pulled out our phones to take pictures of the dish. She laughed. "This is almost too pretty to eat, so I wanted to document its loveliness before digging in." "This is for the restaurant's social media pages. My grandmother only prepares this dish in the summer, so I need to remind our customers to come while it lasts." "How do we go about this?" Rob asked, looking at his rapidly melting treat in trepidation. "Up to you. You can mix everything together like the name says so that you get a bit of everything in each bite. Or you can tackle it layer by layer. I'm a mixing girl, but you better figure it out fast or you're going to be eating dessert soup." We all dug in, each snowy bite punishing my teeth making me shiver in delight. I loved the interplay of textures---the firmness of the beans versus the softness of the banana and jackfruit mingling with the chewiness of the palm fruit, nata de coco, and macapuno. The fluffy texture of the shaved ice soaked through with evaporated milk, with the silky smoothness of the leche flan matched against the creaminess of the ube halaya and crispiness of the pinipig. A texture eater's (and sweet tooth's) paradise. "This is so strange," Valerie said. "I never would've thought of putting all these things together, especially not in a dessert. But it works. I mean, I don't love the beans, but they're certainly interesting. And what are these yellow strips?" "Jackfruit. When ripe, they're yellow and very sweet and fragrant, so they make a nice addition to lots of Filipino desserts. They were also in the turon I brought to the meeting earlier. Unripe jackfruit is green and used in vegetarian recipes, usually.
Mia P. Manansala (Homicide and Halo-Halo (Tita Rosie's Kitchen Mystery, #2))
travels down to his black athletic shorts and I snort. “Is that a banana in your pocket or are you just happy to see me?” The words are out of my mouth before I can reel them in. Sleep-deprived Henley equals loopy Henley. Graeme’s lips twitch and the dimple in his chin deepens. “You’re lucky I didn’t record that. Human resources wouldn’t approve of such innuendo.” My chest tightens for only a heartbeat before Graeme pulls a perky yellow banana from his pocket with a wink. Unpeeling it, he lifts it to his mouth, but pauses before taking a bite.
Angie Hockman (Shipped)
Oh, do shut up, Martha. Wearing sensible shoes doesn’t make a woman a feminist or a lesbian any more than wearing that hideous yellow dress makes you a goddamn banana,” Violet snarked, shaking her head. “I swear, with women like you, I don’t know why my mother fought so hard to win the right to vote.
Onley James (Intoxicating (Elite Protection Services, #1))
Adolescence: We all go through it, some of us again and again. It's a transitional space, a waiting room, this long, shapeless stretch between youth and adulthood, naivete and knowledge. It's the private heat within which our goop becomes what it wants to become. It's the mystery of the banana, the magic converting yellow. It's the burrow of dirt into which the earthworm worms to improve itself in secret. It's the passage from this into that, from here to there, to some kind of passing maturity. Adolescence is the hallway. The between, the almost, the not-there-yet.
Megan Milks (Margaret and the Mystery of the Missing Body)
I’ve nicknamed the condoms according to color: red is for devil dick, green is the green giant, blue is for smurf cock, and the black is the sledgehammer. I’m not a fan of the yellow ones; they look less banana-y and more like my dick has jaundice. My personal faves are the glow-in-the-dark ones, which make my dick look like a big glow stick.
Helena Hunting (Pucked Up (Pucked, #2))
Well, nuncle, this plainly won’t do. These insolent, linear peels And sullen, hurricane shapes Won’t do with your eglantine. They require something serpentine. Blunt yellow in such a room! You should have had plums tonight, In an eighteenth-century dish, And pettifogging buds, For the women of primrose and purl, Each one in her decent curl. Good God! What a precious light! But bananas hacked and hunched… The table was set by an ogre, His eye on an outdoor gloom And a stiff and noxious place. Pile the bananas on planks. The women will be all shanks And bangles and slatted eyes. And deck the bananas in leaves Plucked from the Carib trees, Fibrous and dangling down, Oozing cantankerous gum Out of their purple maws, Darting out of their purple craws Their musky and tingling tongues.
Wallace Stevens (Harmonium)
POEM#1139 ‘KAFKAESQUEISH?’ Franz Kafka86 Bought an orange. But it tasted exactly like a banana. In addition, it was shaped like a banana and was yellow like the other bananas. He stared gloomily down at his orange, Appalled that it was behaving like this.
Tim Key (The Incomplete Tim Key: About 300 of his poetical gems and what-nots)
red pants with purple suspenders over a bright yellow and black sweat shirt. On my feet I put my purple push-down socks and a pair of red hightop sneakers. I added jewelry — a big necklace with wooden bananas and oranges strung on it, and dangly earrings shaped like sunglasses.
Ann M. Martin (Welcome Back, Stacey (The Baby-Sitters Club, #28))
Danny, for his part, longed for objectivity. The school of psychological thought that most charmed him was Gestalt† psychology. Led by German Jews—its origins were in early twentieth-century Berlin—it sought to explore, scientifically, the mysteries of the human mind. The Gestalt psychologists had made careers uncovering interesting phenomena and demonstrating them with great flair: a light appeared brighter when it emerged from total darkness; the color gray looked green when it was surrounded by violet and yellow if surrounded by blue; if you said to a person, “Don’t step on that banana eel!,” he’d be sure that you had said not “eel” but “peel.
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
Derek Walcott wrote in his 1992 Nobel Lecture about the enthusiasm of the tourist: What is hidden cannot be loved. The traveller cannot love, since love is stasis and travel is motion. If he returns to what he loved in a landscape and stays there, he is no longer a traveller but in stasis and concentration, the lover of that particular part of earth, a native. So many people say they ‘love the Caribbean’, meaning that someday they plan to return for a visit but could never live there, the usual benign insult of the traveller, the tourist. These travellers, at their kindest, were devoted to the same patronage, the islands passing in profile, their vegetal luxury, their backwardness and poverty . . . What is the earthly paradise for our visitors? Two weeks without rain and a mahogany tan, and, at sunset, local troubadours in straw hats and floral shirts beating ‘Yellow Bird’ and ‘Banana Boat Song’ to death. There is a territory wider than this – wider than the limits made by the map of an island – which is the illimitable sea and what it remembers. All of the Antilles, every island, is an effort of memory; every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel.24
Carrie Gibson (Empire's Crossroads: A History of the Caribbean from Columbus to the Present Day)
The same goes for the parakeet.” I indicated the small banana-yellow bird scratching his earhole with his foot. “Usually, he has grand delusions he’s a bat. Right now, he believes he’s a dog. Just go with it.
Hailey Edwards (How to Live an Undead Lie (The Beginner's Guide to Necromancy, #5))
I put my little yellow ball earrings in and wore my hair pulled up and back with a yellow banana clip holding it loosely.
Charlaine Harris (Dead Until Dark (Sookie Stackhouse, #1))
We’re also known as bananas (yellow on the outside but white on the inside) and Twinkies (which has more of a pop-culture but processed ring to it).
Jennifer 8. Lee (The Fortune Cookie Chronicles: Adventures in the World of Chinese Food)
Holly Berries A Confederate Christmas Story by Refugitta There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent. I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands. From the Southern Illustrated News.
Philip van Doren Stern (The Civil War Christmas Album)
My mom was repainting our bathroom. My dad was standing behind her, frowning slightly. I stood by and listened to them squabble like two clucking hens. "You said yellow," my dad remarked. "I thought you meant a deep, dark yellow. This . . . this color . . . it's . . ." "It's called canary yellow," my mom answered. "Canary yellow?!" my dad repeated in disbelief. "What? Were they all out of banana yellow?" "Don't get wise," my mom replied sharply, her back to the doorway. Still, I could hear the smile in her voice. She enjoyed these little duels with my father. "It's too bright!" my dad said. "We'll all go blind! Think of the children, my darling. We'll need sunglasses just to go to the bathroom," my dad protested. "Oh, hush," my mom replied. And with a neat little twirl, she swiftly turned and dabbed paint on my father's nose. They both laughed like it was the funniest thing ever. Parents are so weird sometimes. Still, ya gotta love 'em, I guess. "Jigsaw!" my dad exclaimed. "How long have you been standing there?" "Long enough," I answered. "Maybe too long.
James Preller (The Case Of The Buried Treasure)
He walked past the village school that his great-grandfather built for Untouchable children. Past Sophie Mol’s yellow church. Past the Ayemenem Youth Kung Fu Club. Past the Tender Buds Nursery School (for Touchables), past the ration shop that sold rice, sugar and bananas that hung in yellow bunches from the roof. Cheap soft-porn magazines about fictitious South Indian sex-fiends were clipped with clothes pegs to ropes that hung from the ceiling. They spun lazily in the warm breeze, tempting honest ration-buyers with glimpses of ripe, naked women lying in pools of fake blood.
Arundhati Roy (The God of Small Things)
Water Sports Package in Goa: Though you can enjoy individual rides like Parasailing , jet-ski etc according to your liking it is always profitable to opt for a complete package. The Full complete watersports package in Goa can cost effective and enjoyable. The Watersports package we provide includes – Parasailing, Jet-ski Ride, Bumper Ride,Banana Boat Ride and a Speed Boat Prasailing Explore Parasailing in Goa, one of the most fabulous water activities in Goa. Parasailing or para-ascending is an entertaining water sport with two significant instruments- parachute and speedboat. The speedboats speed ahead while the parachute is tied up to the speedboat. The parasail harness is at one end while the speedboat zooms ahead. Eventually the parachute flies high as the speedboat moves ahead. Imagine enjoying the feeling of flying in the sky with wonderful view of the sea. Banana ride Banana Boat Ride is one of the most fun-filled water sport activities and very popular with youngsters. If you are the sporty kinds and looking for adventure and thrill than definitely, you should try Banana Ride in Goa. The banana boat which is a bright yellow Banana shaped swinging ship attached to another speedboat and is pulled inside the water, lashing against waves, and the rider tries to turn it upside down. Banana Boat Ride is a great fun sport that will test your team spirit and stamina. For safety reasons every person willing to go for banana boat ride are supposed to wear a life jacket. Jet Ski Jet skiing in Goa is one of the most exciting and thrilling water sports done in Goa. Jet skiing is one of the perfect vacation activity with the friends and family. The average power of the jet skis is 100-135 hp, It is very easy to operate a jet ski, though you are usually accompanied by an instructor. Jet skiing should surely thrill you in Goa. Bumper Boat Ride A Bumper Boat ride is a very popular water sport activity in Goa. Suitable for all age groups, it's an exhilarating addition to the world of water sports. We provide one round of 500 meter or 600 meter max. Bumper ride is fun and captivating ride, in which a round pipe boat is coupled with a rate boat. As the speed of the boat increases, the bumper pipe jumps on the surface of the standard water. This is a totally amazing bumpy ride but the passengers get to almost fly on the waves. The joy filled shrieks are part and parcel of the bumper ride fun in Goa. Speed Boat Ride Most popular speed boat rides in Goa. The speed and the wind blowing against one's face gives a spine chilling experience. Breaking through the waves in a speed boat and feeling the whistling wind on your face is an exceptional experience. Cruising at more than 50 mph is like tearing the waves of the sea away, Speed Boat rides are sure to increase your heart beat and people find this activity very exciting so most of the tourists in Goa are attracted to speed boat rides. Location - Calangute, Baga, Candolim, Anjuna Timing - 10am - 5 pm Price - 1799/- Per Person Goa Waters[prts Activities +91 8432325222 /6222 Timming:10:00 AM-5:00PM
goa travel
They had such a strong presumption that the banana would be yellow that their brains decided it actually was.
Caroline Webb (How To Have A Good Day: The Essential Toolkit for a Productive Day at Work and Beyond)