Voice Against Violence Quotes

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YOUR ABUSIVE PARTNER DOESN’T HAVE A PROBLEM WITH HIS ANGER; HE HAS A PROBLEM WITH YOUR ANGER. One of the basic human rights he takes away from you is the right to be angry with him. No matter how badly he treats you, he believes that your voice shouldn’t rise and your blood shouldn’t boil. The privilege of rage is reserved for him alone. When your anger does jump out of you—as will happen to any abused woman from time to time—he is likely to try to jam it back down your throat as quickly as he can. Then he uses your anger against you to prove what an irrational person you are. Abuse can make you feel straitjacketed. You may develop physical or emotional reactions to swallowing your anger, such as depression, nightmares, emotional numbing, or eating and sleeping problems, which your partner may use as an excuse to belittle you further or make you feel crazy.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
I could never again raise my voice against the violence of the oppressed, without having first spoken clearly to the greatest purveyor of violence in the world today – my own government.
Martin Luther King Jr.
Killing War I had no desire to alter the viable occupations of humanity, but I was determined to do something about the level of regional bloodshed. Education was my weapon of choice, based on a simple hypothesis: that the advance troops of physical carnage are the propaganda and lies that justify murder, making the real battleground that of ideas. I was determined to address a situation where so many people were ready to kill, driven by the conviction that others are either evil incarnate or will murder them first if they don’t kill them first if they don’t … Entire nations were buried in twisted truths submerged by hate, covered with vengeance. Voices of remorse, forgiveness, justice and reconciliation were drowned out by the din of screams for death or revenge. The best defense system against the cycle of violence was something that is impervious to any tool of destruction ever spawned. That something is knowledge.
Nancy Omeara (The Most Popular President Who Ever Lived [So Far])
As he walks with the crowd, he understands what he had forgotten: that a march is not just a voice against violence and trauma, but also a reminder that even in a cause that is stacked against them, no one is alone.
Cadwell Turnbull (No Gods, No Monsters (Convergence Saga #1))
Women in the online gaming community have been harassed, threatened, and driven out. Anita Sarkeesian, a feminist media critic who documented such incidents, received support for her work, but also, in the words of a journalist, 'another wave of really aggressive, you know, violent personal threats, her accounts attempted to be hacked. And one man in Ontario took the step of making an online video game where you could punch Anita's image on the screen. And if you punched it multiple times, bruises and cuts would appear on her image.' The difference between these online gamers and the Taliban men who, last October, tried to murder fourteen-year-old Malala Yousafzai for speaking out about the right of Pakistani women to education is one of degree. Both are trying to silence and punish women for claiming voice, power, and the right to participate. Welcome to Manistan.
Rebecca Solnit (Men Explain Things to Me)
SHOW THE WORLD YOUR STRONG COMPASSION! GIVE YOUR VOICE TO VOICELESS KOBANE KIDS!
Widad Akreyi
The whole universe was stilled as if listening for a voice. For the space of one heartbeat there was peace on earth. For one fraction of a moment there was no deed of violence wrought on earth, no hatred, no fire, no whirlwind, no pain, no fear. Existence rested against the heart of God, then sighed and journeyed again.
Elizabeth Goudge (Green Dolphin Street)
The passive and overt violence waged against the women and children of the world must end.
Bryant McGill (Voice of Reason)
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
Stephenie Meyer (The Host (The Host, #1))
Modern consumer life is a form of extreme passive violence against all people.
Bryant McGill (Voice of Reason)
Just because your down does not mean you have to be out. As long as you have a voice left~Use it to speak out against all Abuse,Violence & Injustice!
Timothy Pina
Why are Muslims being “preserved” in some time capsule of centuries gone by? Why is it okay that we continue to live in a world where our women are compared to candy waiting to be consumed? Why is it okay for women of the rest of the world to fight for freedom and equality while we are told to cover our shameful bodies? Can’t you see that we are being held back from joining this elite club known as the 21st century? Noble liberals like yourself always stand up for the misrepresented Muslims and stand against the Islamophobes, which is great but who stands in my corner and for the others who feel oppressed by the religion? Every time we raise our voices, one of us is killed or threatened. . . . What you did by screaming “racist!” was shut down a conversation that many of us have been waiting to have. You helped those who wish to deny there are issues, deny them. What is so wrong with wanting to step into the current century? There should be no shame. There is no denying that violence, misogyny and homophobia exist in all religious texts, but Islam is the only religion that is adhered to so literally, to this day. In your culture you have the luxury of calling such literalists “crazies.” . . . In my culture, such values are upheld by more people than we realise. Many will try to deny it, but please hear me when I say that these are not fringe values. It is apparent in the lacking numbers of Muslims willing to speak out against the archaic Shariah law. The punishment for blasphemy and apostasy, etc, are tools of oppression. Why are they not addressed even by the peaceful folk who aren’t fanatical, who just want to have some sandwiches and pray five times a day? Where are the Muslim protestors against blasphemy laws/apostasy? Where are the Muslims who take a stand against harsh interpretation of Shariah?7
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
If there is anything worse than evil, it is nothingness. At least evil has a form, and a voice, and a purpose, however depraved. Perhaps some good can even come out of evil: a terrible deed of violence against someone weaker may lead others to act in order to ensure that such a deed is not perpetrated again, whereas before they might have been unaware of the reasons why an individual might behave in such a way, or they might simply have chosen to ignore them. And evil, as we saw with the Blacksmith, always contains within itself the possibility of its own redemption. It is not evil that is the enemy of hope: it is nothingness.
John Connolly (The Infernals (Samuel Johnson, #2))
We talk about how many women were raped last year, not about how many men raped women. We talk about how many girls in a school district were harassed last year, not about how many boys harassed girls. We talk about how many teenaged girls got pregnant in the state of Vermont last year, rather than how many men and teenaged boys got girls pregnant. So you can see how the use of this passive voice has a political effect. It shifts the focus off men and boys and onto girls and women. Even the term violence against women is problematic. It's a passive construction. There's no active agent in the sentence. It's a bad thing that happens to women. It's a bad thing that happens to women, but when you look at that term violence against women, nobody is doing it to them. It just happens. Men aren't even a part of it! Jackson Katz, Ph.D., from his Ted talk "violence against women: it's a men's issue
Jackson Katz
Compassion is a reflection of our connectedness. Your voice is need and much appreciated!
Widad Akreyi
SHOW THE WORLD YOUR STRONG COMPASSION: GIVE YOUR VOICE TO VOICELESS YAZIDI GIRLS!
Widad Akreyi
One of the hard facts confronting us in the twenty-first century is the global pandemic of sexual violence and human rights violations against women and girls.
Meghan Tschanz (Women Rising: Learning to Listen, Reclaiming Our Voice)
It is not as still as death, not as empty, or calm. There is a violence to this blind black void. It is birds’ wings beating against her skin. It is the rush of the wind in her hair. It is a thousand whispering voices. It is fear, and falling, and it is a feral, wild feeling, and by the time she thinks to scream, the darkness has peeled away again, the night has re-formed, and Luc is once again beside her.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
The only one of the early investigators who carried the exploration of hysteria to its logical conclusion was Breuer's patient Anna O. After Breuer abandoned her, she apparently remained ill for several years. And then she recovered. The mute hysteric who had invented the "talking cure" found her voice and her sanity, in the women's liberation movement. Under a pseudonym, Paul Berthold, she translated into German the classic treatise by Mary Wollstonecraft, A Vindication of the Rights of Women, and authored a play, Women's Rights. Under her own name, Bertha Papenheim became a prominent feminist social worker, intellectual, and organizer. In the course of a long and fruitful career she directed an orphanage for girls, founded a feminist organization for Jewish women and traveled throughout Europe and the Middle East to campaign against the sexual exploitation of women and children. Her dedication, energy and commitment were legendary. In the words of a colleague, 'A volcano lived in this woman... Her fight against the abuse of women and children was almost a physically felt pain for her.' At her death, the philosopher Martin Buber commemorated her: 'I not only admired her but loved her, and will love her until the day I die. There are people of spirit and there are people of passion, both less common than one might think. Rarer still are the people of spirit and passion. But rarest of all is a passionate spirit. Bertha Pappenheim was a woman with just such a spirit.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions. Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight. Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).
Italo Calvino (If on a Winter’s Night a Traveler)
The blood that I shed due to your abuse had life. And everything that has life speaks. The voice of my blood is bigger than mine. So, enjoy the sleepless nights, listening to my blood, as it recites all the stories of violence that you’ve caused against me.
Mitta Xinindlu
Black New Yorkers’ distressing personal accounts of poverty and unemployment, inadequate housing, white supremacy and state-sanctioned violence politicized St. Clair, leading her to become one of New York’s staunchest yet most unlikely voices against urban inequity.
LaShawn Harris
And there’s one other matter I must raise. The epidemic of domestic sexual violence that lacerates the soul of South Africa is mirrored in the pattern of grotesque raping in areas of outright conflict from Darfur to the Democratic Republic of the Congo, and in areas of contested electoral turbulence from Kenya to Zimbabwe. Inevitably, a certain percentage of the rapes transmits the AIDS virus. We don’t know how high that percentage is. We know only that women are subjected to the most dreadful double jeopardy. The point must also be made that there’s no such thing as the enjoyment of good health for women who live in constant fear of rape. Countless strong women survive the sexual assaults that occur in the millions every year, but every rape leaves a scar; no one ever fully heals. This business of discrimination against and oppression of women is the world’s most poisonous curse. Nowhere is it felt with greater catastrophic force than in the AIDS pandemic. This audience knows the statistics full well: you’ve chronicled them, you’ve measured them, the epidemiologists amongst you have disaggregated them. What has to happen, with one unified voice, is that the scientific community tells the political community that it must understand one incontrovertible fact of health: bringing an end to sexual violence is a vital component in bringing an end to AIDS. The brave groups of women who dare to speak up on the ground, in country after country, should not have to wage this fight in despairing and lonely isolation. They should hear the voices of scientific thunder. You understand the connections between violence against women and vulnerability to the virus. No one can challenge your understanding. Use it, I beg you, use it.
Stephen Lewis
Sexual violence against Black women has been ongoing ever since Africans were stolen from the motherland centuries ago. After generations of fighting to have a voice that is heard above the din of racism, classism, and sexism, we still have to go in ending the violence, which is still too familiar in the lives of many women.
C. Imani Williams (Rootwork: Triumph Over Trauma)
hellhole he made.” Nash’s voice was closer this time, right up behind me, his warm body against my back and his mouth at my ear. “I wasn’t going to try to stop you. I just came to bring you a lighter.” He pressed the small piece of plastic into my hand, and I stared down at it. So innocent-looking, until you realized what it was truly capable of. A little like me.
Elle Thorpe (It Ends With Violence (Saint View Psychos, #3))
It is very hard to explain to people that neither J. K. Rowling nor the women of Mumsnet – or, by extension, that middle-aged white woman who looked at you a bit funny in the queue at Tesco – are plotting mass murder when so many online voices respond to them as though they are. The misogyny directed at Rowling for what was a compassionate essay, advocating violence against no one, was off the scale.
Victoria Dutchman-Smith (Hags: The Demonisation of Middle-Aged Women)
Violence against women is often against our voices and our stories. It is a refusal of our voices and what a voice means—the right to self-determination, to participation, to consent or dissent, to live and participate, to interpret and narrate. A husband hits his wife to silence her. A date rapist or acquaintance rapist refuses to let the ‘no’ of his victim mean what it should, that she alone has jurisdiction over her body. Rape culture asserts that women’s testimony is worthless, untrustworthy. Anti-abortion activists also seek to silence the self-determination of women. Murderers silence forever.. . . Having a voice is crucial. It’s not all there is to human rights, but it’s central to them and, so, you can consider the history of women’s rights and lack of rights as a history of silence and breaking silence.
Rebecca Solnit (The Mother of All Questions)
My instincts are all against a woman being too frank and at her ease with me. It is no compliment to a man. Where the real sex feeling begins, timidity and distrust are its companions, heritage from old wicked days when love and violence went often hand in hand. The bent head, the averted eye, the faltering voice, the wincing figure — these, and not the unshrinking gaze and frank reply, are the true signals of passion. Even in my short life I had learned as much as that — or had inherited it in that race memory which we call instinct.
Arthur Conan Doyle (The Lost World (Professor Challenger, #1))
If it’s hard to believe that death could take the voice of a siren to seduce men, it’s certainly true that men, whether they knew it or not, wanted to die. For years, for decades. Pollution: the polluters sullied themselves first and foremost: “I live in my factory yard, even though I have a house in town,” says one company owner. It was violence, first and foremost against themselves. A young man charged with armed robbery is asked whether it was necessary to shoot at the cashier. He replies, “I don’t know why I shot the cashier, I wanted to shoot myself.
Guido Morselli (Dissipatio H.G.: The Vanishing)
I am now going to turn to a couple of the ways in which the New Testament depicts significant silence. One of the most dramatic of these moments is Jesus’ silence before his judges, before the High Priest and the Governor. The gospel narratives show us how the High Priest or Pontius Pilate urge Jesus to speak: ‘Why don’t you answer me?’ says Pilate, ‘Don’t you know that I have the power to crucify you or to release you?’ And we’re told in St John’s Gospel that when Jesus gives no answer to the charges made against him, Pilate wonders, he is ‘amazed’. Now the odd thing in these stories is that Jesus is precisely in the position of someone having his voice taken away; he is a person who has been reduced to silence by the violence and injustice of the world he is in. But then, mysteriously, he turns this around. His silence, his complete presence and openness, his refusal to impose his will in a struggle, becomes a threat to those who have power–or think they have power. ‘For God’s sake, talk to me!’ says the High Priest, more or less (‘ I adjure you in the name of the living God, tell us!’). And Pilate’s wonderment, bafflement and fear in the face of Jesus’ silence are a reminder that, in this case, Jesus as it were takes the powerlessness that has been forced on him and turns it around so that his silence becomes a place in the world where the mystery of God is present. In a small way, that’s what happens when we seek to be truly and fully silent or let ourselves be silenced by the mystery of God. We become a ‘place’ where the mystery of God happens.
Rowan Williams (Being Human: Bodies, Minds, Persons)
We talk about how many women were raped last year, not about how many men raped women. We talk about how many girls in a school district were harassed last year, not about how many boys harassed girls. We talk about how many teenaged girls got pregnant in the state of Vermont last year, rather than how many men and teenaged boys got girls pregnant. So you can see how the use of this passive voice has a political effect. It shifts the focus off men and boys and onto girls and women. Even the term violence against women is problematic. It’s a passive construction. There’s no active agent in the sentence. It’s a bad thing that happens to women. It’s a bad thing that happens to women, but when you look at that term violence against women, nobody is doing it to them. It just happens. Men aren’t even a part of it! —JACKSON KATZ, PH.D., FROM HIS TED TALK “VIOLENCE AGAINST WOMEN: IT’S A MEN’S ISSUE
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
Sue Monk Kidd (The Book of Longings)
Psalm 5 Song of the Clouded Dawn For the Pure and Shining One, for her who receives the inheritance.11 By King David. 1Listen to my passionate prayer! Can’t You hear my groaning? 2Don’t You hear how I’m crying out to You? My King and my God, consider my every word, For I am calling out to You. 3At each and every sunrise You will hear my voice As I prepare my sacrifice of prayer to You. Every morning I lay out the pieces of my life on the altar And wait for Your fire to fall upon my heart.12 4I know that You, God, Are never pleased with lawlessness, And evil ones will never be invited As guests in Your house. 5Boasters collapse, unable to survive Your scrutiny, For Your hatred of evildoers is clear. 6You will make an end of all those who lie. How You hate their hypocrisy And despise all who love violence! 7But I know the way back home, And I know that You will welcome me Into Your house, For I am covered by Your covenant of mercy and love. So I come to Your sanctuary with deepest awe, To bow in worship and adore You. 8Lord, lead me in the pathways of Your pleasure, Just like You promised me You would, Or else my enemies will conquer me. Smooth out Your road in front of me, Straight and level so that I will know where to walk. 9For you can’t trust anything they say. Their hearts are nothing but deep pits of destruction, Drawing people into their darkness with their speeches. They are smooth-tongued deceivers Who flatter with their words! 10Declare them guilty, O God! Let their own schemes be their downfall! Let the guilt of their sins collapse on top of them, For they rebel against You. 11But let them all be glad, Those who turn aside to hide themselves in You, May they keep shouting for joy forever! Overshadow them in Your presence As they sing and rejoice, Then every lover of Your name Will burst forth with endless joy. 12Lord, how wonderfully You bless the righteous. Your favor wraps around each one and Covers them Under Your canopy of kindness and joy. 11. 5:Title The Hebrew word used here is Neliloth, or “flutes.” It can also be translated “inheritances.” The early church father, Augustine, translated this: “For her who receives the inheritance,” meaning the church of Jesus Christ. God the Father told the Son in Psalm 2 to ask for His inheritance; here we see it is the church that receives what Jesus asks for. We receive our inheritance of eternal life through the cross and resurrection of the Son of God. The Septuagint reads “For the end,” also found in numerous inscriptions of the Psalms. 12. 5:3 Implied in the concept of preparing the morning sacrifice. The Aramaic text states, “At dawn I shall be ready and shall appear before You.
Brian Simmons (The Psalms, Poetry on Fire (The Passion Translation Book 2))
Brian spared her a glance. "I'm just angry altogether." "Oh,that's right." Since violence seemed to be the mood of the day, she gave in to it and stabbed a finger into his shoulder. "You're just angry period. He's got some twisted idea that I don't think he's good enough to defend me against a drunk bully. Well, I have news for you,you hardheaded Irish horse's ass." Now that her own temper was fired, she curled her hand into a fist and used it to thump his chest. "I was defending myself just fine." "You half Irish, stiff-necked birdbrain, he's twice your size and then some." "I was handling it, but I appreciate your help." "The hell you do.It's just like with everything else.You've got to do it all yourself.No one's as smart as you, or as clever, or as capable.Oh it's fine to give me a whistle if you need a diversion." "Is that what you think?" She was so livid her voice was barely a croak. "That I make love with you for a diversion? You vile, insulting, disgusting son of a bitch." She raised her own fists, and might have used them, but Travis stepped in and gripped Brian by the shirt.His voice was quiet, almost matter-of-fact. "I ought to take you apart." "Oh,Travis." Adelia merely pressed her fingers to her eyes. "Dad,don't you dare." At wit's end, Keeley threw up her hands. "I've got an idea.Why don't we all just beat each other senseless today and be done with it?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Here’s how I’ve always pictured mitigated free will: There’s the brain—neurons, synapses, neurotransmitters, receptors, brainspecific transcription factors, epigenetic effects, gene transpositions during neurogenesis. Aspects of brain function can be influenced by someone’s prenatal environment, genes, and hormones, whether their parents were authoritative or their culture egalitarian, whether they witnessed violence in childhood, when they had breakfast. It’s the whole shebang, all of this book. And then, separate from that, in a concrete bunker tucked away in the brain, sits a little man (or woman, or agendered individual), a homunculus at a control panel. The homunculus is made of a mixture of nanochips, old vacuum tubes, crinkly ancient parchment, stalactites of your mother’s admonishing voice, streaks of brimstone, rivets made out of gumption. In other words, not squishy biological brain yuck. And the homunculus sits there controlling behavior. There are some things outside its purview—seizures blow the homunculus’s fuses, requiring it to reboot the system and check for damaged files. Same with alcohol, Alzheimer’s disease, a severed spinal cord, hypoglycemic shock. There are domains where the homunculus and that brain biology stuff have worked out a détente—for example, biology is usually automatically regulating your respiration, unless you must take a deep breath before singing an aria, in which case the homunculus briefly overrides the automatic pilot. But other than that, the homunculus makes decisions. Sure, it takes careful note of all the inputs and information from the brain, checks your hormone levels, skims the neurobiology journals, takes it all under advisement, and then, after reflecting and deliberating, decides what you do. A homunculus in your brain, but not of it, operating independently of the material rules of the universe that constitute modern science. That’s what mitigated free will is about. I see incredibly smart people recoil from this and attempt to argue against the extremity of this picture rather than accept its basic validity: “You’re setting up a straw homunculus, suggesting that I think that other than the likes of seizures or brain injuries, we are making all our decisions freely. No, no, my free will is much softer and lurks around the edges of biology, like when I freely decide which socks to wear.” But the frequency or significance with which free will exerts itself doesn’t matter. Even if 99.99 percent of your actions are biologically determined (in the broadest sense of this book), and it is only once a decade that you claim to have chosen out of “free will” to floss your teeth from left to right instead of the reverse, you’ve tacitly invoked a homunculus operating outside the rules of science. This is how most people accommodate the supposed coexistence of free will and biological influences on behavior. For them, nearly all discussions come down to figuring what our putative homunculus should and shouldn’t be expected to be capable of.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Meanwhile, he continued to speak out on behalf of black citizens. In March 1846, a terrifying massacre took place in Seward’s hometown. A twenty-three-year-old black man named William Freeman, recently released from prison after serving five years for a crime it was later determined he did not commit, entered the home of John Van Nest, a wealthy farmer and friend of Seward’s. Armed with two knives, he killed Van Nest, his pregnant wife, their small child, and Mrs. Van Nest’s mother. When he was caught within hours, Freeman immediately confessed. He exhibited no remorse and laughed uncontrollably as he spoke. The sheriff hauled him away, barely reaching the jail ahead of an enraged mob intent upon lynching him. “I trust in the mercy of God that I shall never again be a witness to such an outburst of the spirit of vengeance as I saw while they were carrying the murderer past our door,” Frances Seward told her husband, who was in Albany at the time. “Fortunately, the law triumphed.” Frances recognized at once an “incomprehensible” aspect to the entire affair, and she was correct. Investigation revealed a history of insanity in Freeman’s family. Moreover, Freeman had suffered a series of floggings in jail that had left him deaf and deranged. When the trial opened, no lawyer was willing to take Freeman’s case. The citizens of Auburn had threatened violence against any member of the bar who dared to defend the cold-blooded murderer. When the court asked, “Will anyone defend this man?” a “death-like stillness pervaded the crowded room,” until Seward rose, his voice strong with emotion, and said, “May it please the court, I shall remain counsel for the prisoner until his death!
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.
Joan Johnston (The Texan (Bitter Creek, #2))
Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone. In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats. They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence. Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased. He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis. He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound. Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.
Be Daring like Skiddy Cottontail by D.L. Lewis
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Kathy Kerouac knew the power of her voice. It was, she said, her 'golden thing,' an amulet protecting her against all disorders of the spirit. Her voice was a charm that could stop violence and transform crudeness into curtesy, foolishness into finesse. So Kathy Kerouac was under the impression that nothing was ever altogether dangerous, the feeling that no word spoken could soil her world.
Nicole Brossard (Mauve Desert)
But you may know the mischief-maker by the warped malignancy of his language as easily as by the warped malignancy of his face and voice. His fury is without restraint and without magnanimity—and it is aimed, not at checking the offense, but at starting a pogrom against the offender. The mischief-maker would rather the evil were not cured at all than that it were cured quietly and without violence. His evil lust of wrath cannot be sated unless somebody is hounded down, beaten, and trampled on, and a savage war dance executed upon the body.
Dorothy L. Sayers (Letters to a Diminished Church: Passionate Arguments for the Relevance of Christian Doctrine)
It is a sad reality that so many, even those of the faith, seem to effectively kneel before Ares. This idolatry of violence and war is in such contrast to worshiping at the feet of the Prince of Peace. Sometimes it feels as if the entire world is marching toward destruction and chaos. Worst of all is that we know the mistakes made in our histories, but we seem to learn nothing from history (other than that we learn nothing). We do it all again and again. Sin after sin. When posterity comes to judge us will they look upon the arms trade unchecked, the governments unhindered in iniquity and the vast lands of earth bursting into flame? Or will they look and see a people who voiced against the arms trade, the war mongers and the hell fire worshippers? Either way, it is hard to not get depressed. But, take heart peaceful brothers and sisters. Though this dark night of evil brings such bitter sorrow, joy comes in the morning. That morning will come and swords will be of no use, for the learning of war will be no more. Will it happen before or after the King arrives? God knows, but heed the encouragement given by Adin Ballou: "The earth, so long a slaughter field, Shall yet an Eden bloom. The tiger to the lamb shall yield, And war descend the tomb." Amen Choose this day who you will serve! O Lord, let it be Christós!
David Holdsworth
Women Know Best (The Sonnet) Wanna learn about running a world, go find a woman mentor, For women are better teacher and better leader. Society that glorifies men and objectifies women, Is but a jungle where primitivity never ceases to fester. Nature looks upon kindly any species that, Has realized the synonymity of sacred and feminine. Those who still fail to recognize the voice of women, Are basically violating the very reason for existing. Women know best what's best for the world, The world that comes out of her womb. They cuss us, they mock us, it's for our own good, All time is feminine, feminine is the rule. The world is but creation, women are the creator. Feminine is the idol, we are mere idolator.
Abhijit Naskar (Mucize Misafir Merhaba: The Peace Testament)
While every abortion is an unjust act of lethal violence against the unborn child, regardless of the mother’s reasons, there is something startling about the reality that some women choose abortion precisely because of a specific unwanted characteristic of their unborn child. Yet many of the loudest progressive voices who decry sex discrimination and disability discrimination when it comes to adults remain silent when it comes to discrimination against unborn children based on their sex or disability—or worse, they actively support these types of abortions.
Ryan T. Anderson (Tearing Us Apart: How Abortion Harms Everything and Solves Nothing)
Much of the existing dialogue around the issue of online abuse frames it as violence against women, and that's a major problem. Most of the space being taken up focuses on gender and ignores race, sexuality, and every other type of identity and the intersections thereof. Yet most of the people whom I consider to be the top experts on online abuse and how to defeat it are not white.
Zoe Quinn (Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate)
In August 2005, after a federal judge ordered the Christian peacemaking group Voices in the Wilderness to pay a $ 20,000 fine for taking medicine into Iraq in violation of US economic sanctions, the organization issued a statement that concluded with a reference to Bonhoeffer, who asked of himself and his co-conspirators in resistance to Hitler, whether they were yet of any use. We too live in times of unspeakable peril and violence. We too live in times when questioning and resisting our government is the one path remaining to act for justice. We too have struggled and seen untold numbers of innocent people die at our government’s hand. We too answer as Bonhoeffer did, that yes, indeed, our acts and fidelity to our brothers and sisters throughout the world are not only of use, but of absolute necessity. We invite all to join us in a conspiracy of life to end our country’s war against the Iraqi people. 13
Stephen R. Haynes (The Battle for Bonhoeffer)
Sorry for the scare," Elinor gently told mothers as she handed out cakes and meat from the baskets. "Thank you for your service," Fergus roared at fathers, handing out oats and salt and candles. "These are my favorite," Merida added, giving the children some of Aileen's ginger biscuits. "They bite you back." Through it all, the triplets kept singing lustily as they threw candies at other boys, and eventually the villagers joined in, too, with the familiar old songs. As the stars shone hard and cold above, Gille Peter and the others put out wood and set the big Christmas bonfire alight at the end of the main street. They'd brought enough timber to burn a bonfire straight through to the late winter dawn, and soon, dozens of people were gathered around it, singing and laughing, voices raised high and joyful, all of it a bulwark against the dark and cold and loneliness and violence. Magic, magic, magic. A very different type of magic than the Cailleach's or Ferdach's. A magic that Merida liked an awful lot. The mundane, generous magic of her family. She liked them an awful lot.
Maggie Stiefvater (Bravely)
I have lived my whole life as a Black man in the United States. I don't have to go all the way back to Tulsa and Rosewood and Emmett Till to know what it means for a white woman to accuse a Black man, and who would likely be believed. This was potentially a world of trouble heading my way. Her fingers were already dialing; in a split second of self-preservation, I considered that if I just stopped recording, maybe this would go away. Which of course was her intent. I can't say whether it was a conscious choice or the product of unconscious bias when she grabbed that bloody, blunt object, of the White Damsel in Distress Threatened by the Black Menace, to try to club me into compliance with her wish not to be recorded; I don't know her at all, can't know why it was so easily within her reach, when she was grasping for something to give her leverage in our confrontation. In the weeks that followed, several right-wing mouthpieces would seek to excuse it, justifying her injection of race into the situation as merely her giving a full and accurate physical description of me to the police. (Never mind the falseness of the accusation in the first place.) Except at that moment, she wasn't speaking to the police; she was talking to me. People who think their life is in danger don't pause to inform their supposed assailant, in a rather triumphal tone of voice, that they're about to call the cops and inform them of your race; if they're genuinely scared for their life, they punch the digits, period. Her intent, in saying it to me, was to use the long history of Fear the Black Man, and the resulting unjust police violence against us, to intimidate me into submission.
Christian Cooper (Better Living Through Birding: Notes from a Black Man in the Natural World)
He swallowed hard, and stared into the corner. “I never wanted you to see me like that. When a man faces death, he meets the animal lurking inside him. When it’s hand to hand, blade to blade, kill or be killed . . .” Defiant green eyes met hers, and he slapped a hand to his scar. “The man who did this to me— I killed him. With his bayonet stuck in my flesh, I reached out and grabbed him by the throat and watched his eyes bulge from his skull as he suffocated at my hand.” She would not react, Cecily told herself, calmly dabbing at his wound. That’s what he expected, what he feared— her reaction of revulsion or disgust. “And he wasn’t the only one,” he continued. “To learn what violence you’re truly capable of, in those moments . . . It’s a burden I’d not wish on anyone.” She risked a glance at him then. “Burdens are lighter when they’re shared.” Luke swore. “I’ve shared too much of it with you already. I can’t believe I’m telling you this.” “You can tell me anything. I’ll still love you. And I warn you, I’ve learned something of tenacity in the past four years. I’m not going to let you go.” He shook his head. “You don’t understand. Sometimes, I scarcely feel human anymore. The brutal way I took down that boar, Cecily. That barbarism with the stocking . . .” “Ah, yes.” She put aside her handkerchief and stood. “The stocking.” She propped one boot on the stool and slowly rucked up her skirts to reveal her stocking-clad leg. “Cecy . . .” “Yes, Luke?” She leaned over to untie the laces of her boot, giving him an eyeful of her décolletage. He groaned. “Cecy, what are you doing?” “Tending to your wounds,” she said, slipping the boot from her foot. With sure fingers, she unknotted the ribbon garter at her thigh, then eased the stocking down her leg. “Making it better.” Skirts still hiked thigh-high, she straddled his legs and nestled on his lap. “Shh.” She quieted his objection, then deftly wound the length of flannel around his injured arm, tucking in the end to secure it. “There,” she said in a husky voice, lowering her lips to the underside of his wrist. “All better.” “I wasn’t after your damn stocking,” he blurted out. “When I took you to the ground last night and pushed up your skirts. By all that’s holy, I wanted—” With a muttered oath, he gripped her by the shoulders, hauling her further into his lap. Until she felt the hard ridge of his arousal, pressing insistently against her cleft. “Cecily, what I want from you is not tender. It’s not romantic in the least. It’s plunder. It’s possession. If you had the least bit of sense, you’d turn and run from—” She kissed him hard, raking his back with her fingernails and clutching his thighs between hers like a vise. Boldly, she sucked his lower lip into her mouth and gave it a sharp nip, savoring his startled moan. Wriggling backward, she placed her hands over his, dragging them downward and molding his fingers around her breasts. “For God’s sake, Luke. You’re not the only one with animal urges.” He took her mouth, growling against her lips as he did.
Tessa Dare (The Legend of the Werestag)
Malcolm Price embodies all that is Welsh, aside from the green valleys and male voice choirs. The will to win against insurmountable odds is a penchant of the Welsh, put this with a propensity to never say ‘die’ and that is what makes the Welsh so durable.
Stephen Richards (Street Warrior: The True Story of the Legendary Malcolm Price, Britain's Hardest Man)
Despite the fact that Christianity initially was a non-violent radical movement of God's people, many today who claim to be of Christ seem to see war as needed and even God ordained. Such blasphemy is hardly new. Since the days of Constantine (I) when the State and the Church made an unholy alliance, the deception of redemptive warfare has been clung to as if it were a life belt. Yet, ever since the time of Jesus the Messiah and prophets before Him many radicals (often persecuted and outcast) have questioned the morality of war. Now in the 21st Century generations are also rising up against the war machine among both the secular and spiritual sector of society. They recognise that war is for power, economy and pride, not justice or peace. Long may the voices in the wilderness be heard, as they prepare the way for the Lord, who when he comes again will be the undoing of evil and the establisher of a kingdom not of this world that will live in peace forever!!!
David Holdsworth
It’s going to storm and I wanted to be with you. Go back to sleep.” “I can handle a storm, Valentine,” Ellen said, but she heard something brittle in her own voice. Her confidences to Abby earlier in the evening reminded her that she’d handled too many storms, truth be told, and hated each and every one. “Maybe I can’t,” Val replied, lifting the covers and slipping in beside her. “Budge over and cuddle up, wench.” “It is blowing something fierce,” Ellen admitted, snuggling closer. Snow might pile up, and rain might come down, but the violence and wind of the summer storm intimidated her the most. “You’re safe with me.” Val kissed her crown. “Do you believe that?” “Safe?” Ellen frowned in the darkness as she curled up against him. “Safe how?” “I will not let harm befall you, Ellen. Now go to sleep.” What
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Shane, I asked you to stay away.” Mitch turned cool eyes on her. “You didn’t tell me you’d talked to your family.” Guilt knifed through her. “Um . . .” “And you didn’t tell me you were screwing a perfect stranger,” Shane said flatly. “Um . . .” She gulped. “Shit, all your talk about independence.” Shane’s expression turned thunderous. “Fucking the first random guy you happen across so he’ll give you a place to stay doesn’t count, Maddie.” Even as anger flared bright inside her, she winced at the words. She opened her mouth to give him hell, but before she could, Mitch turned on her brother, moving faster than she’d ever seen him. Before she could blink, Shane was up against the wall with Mitch’s hand around his throat. “Don’t. Ever. Talk to her like that.” His tone shook with rage and barely contained violence. “Mitch, please.” Maddie ran over to him, gripping his arm to pull him off. It was like trying to move granite. He didn’t even budge. James walked up behind her, sliding his arm around her waist and pulling her back as Sam grabbed Mitch’s shoulder. “Let him go, Mitch.” Sam’s voice was calm and controlled. “This isn’t the way to handle the situation.” “Fuck. Off.” Mitch’s tone was like ice. Sam’s fingers tightened. “Trust me on this.” Shane’s face reddened, and Mitch’s hand tightened. Shane gripped the wrist that had him pinned to the wall, but he didn’t attempt to free himself. This struck Maddie as strange. Her oldest brother was a known ass-kicker. Half of Chicago was scared of him. “If you ever talk to her like that again,” Mitch said, in a deadly tone, “I will rip your fucking throat out.” The air shifted, swirling with tension and far too much male testosterone. Maddie’s heart thumped hard against her chest. Shane sputtered. “Mitch, this isn’t going to solve anything,” Sam said. Mitch increased the pressure around Shane’s throat, turning his complexion another shade darker. “Do you understand me?” Shane tugged at Mitch’s wrist, his gaze flashing with what Maddie could only suspect was fury. There was going to be bloodshed soon. James ran his hand up her arm, giving her a squeeze. She pulled away and touched Mitch’s forearm. The muscles were taut under her touch. Inflexible. She said softly, “Mitch, please let him go.” Mitch turned his head to her, unnamed emotion flickering in his eyes. She pleaded silently, and finally, he gave a slight nod. A second later, he released her brother. Shane coughed, bringing his hand up to rub at his neck. Cool as ever, James shook his head as though dealing with a bunch of unruly toddlers.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Useless mongrel,” Christopher said, bending to pet him. “You smell like the floor of an East End tavern.” The dog pushed back against his palm demandingly. Christopher lowered to his haunches and regarded him ruefully. “What would you say if you could talk?” he asked. “I suppose it’s better that you don’t. That’s the point of having a dog. No conversation. Just admiring gazes and endless panting.” Someone spoke from the threshold behind him, startling him. “I hope that’s not what you’ll expect…” Reacting with explosive instinct, Christopher turned and fastened his hand around a soft throat. “…from a wife,” Beatrix finished unsteadily. Christopher froze. Trying to think above the frenzy, he took a shivering breath, and blinked hard. What in God’s name was he doing? He had shoved Beatrix against the doorjamb, pinning her by the throat, his other hand drawn back in a lethal fist. He was a hairsbreadth away from delivering a blow that would shatter delicate bones in her face. It terrified him, how much effort it took to unclench his fist and relax his arm. With the hand that was still at her throat, he felt the fragile throb of her pulse beneath his thumb, and the delicate ripple of a swallow. Staring into her rich blue eyes, he felt the welter of violence washed away in a flood of despair. With a muffled curse, he snatched his hand from her and went to get his drink. “Mrs. Clocker said you’d asked not to be disturbed,” Beatrix said. “And of course the first thing I did was disturb you.” “Don’t come up behind me,” Christopher said roughly. “Ever.” “I of all people should have known that. I won’t do it again.” Christopher took a fiery swallow of the liquor. “What do you mean, you of all people?” “I’m used to wild creatures who don’t like to be approached from behind.” He shot her a baleful glance. “How fortunate that your experience with animals has turned out to be such good preparation for marriage to me.” “I didn’t mean…well, my point was that I should have been more considerate of your nerves.” “I don’t have nerves,” he snapped. “I’m sorry. We’ll call them something else.” Her voice was so soothing and gentle that it would have caused an assortment of cobras, tigers, wolverines, and badgers to all snuggle together and take a group nap. Christopher gritted his teeth and maintained a stony silence.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
Michael Connelly
She'd been attacked. Just after she came to the Belt. She was seeing that it didn't happen twice." "Attacked," Miller said, parsing the man's tone of voice. "Raped?" "I didn't ask.
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
The “virtual colony” gained authentic liberation in 1959, apart from its Eastern region. And within months the assault began, using the weapons of violence and economic strangulation to punish the inhabitants of “that infernal little Republic” who had so angered the racist expansionist Theodore Roosevelt “that I would like to wipe its people off the face of the earth,” he declared in fury as they continued to rebel, not recognizing that we had set them free. And to this day refusing to comprehend that their role is to serve the master, not to play at independence.
Keith Bolender (Voices From the Other Side: An Oral History of Terrorism Against Cuba)
Maybe 99.99% of our lives will be spent stuck trudging down the narrow sidewalks afforded to us by capitalism. Roads have taken away our land, our right to roam and play. Artificial scarcity forces us to work ourselves sick at shitty, soul-crushing jobs or we risk death from starvation, homelessness, or medical neglect. Environmental destruction has severed us from our nurturing nonhuman relatives. Colonization has erased our ancestors and histories. Step out of line, raise your voice against the state, make a mistake, and you’ll be crushed with swift and brutal violence. But once in a while, for a brief bubble in time, enough of us get together to defy the ruling classes. To step out in the street and carve our own path. And even if I get to experience that for less than 0.01% of my time on this earth, I’ll take it.
Sim Kern (The Free People's Village)
Juliette stopped midsentence, her eyebrows lifting so high they disappeared into her bangs. There was a blade held to her heart. Roma was holding a blade to her heart, his arm straight and long. A beat passed. Juliette waited to see what he would do. But Roma only shook his head. He suddenly felt so much like his old self again. Like the boy who had kissed her for the first time on the rooftop of a jazz club. Like the boy who didn’t believe in violence, who swore he would rule his half of the city one day with fairness and justice. “You’re not even afraid,” Roma breathed, his voice hitching, “and do you know why? Because you know I cannot push this knife in—you have always known, and even if you doubted my mercy upon returning, you discovered what the truth was pretty soon, didn’t you?” The tip of the blade was ice-cold even through her dress, almost soothing against the hot flush emanating from her body. “If you know that I will not be afraid,” Juliette asked, “then why hold your blade out?” “Because this—” Roma closed his eyes. Tears. Tears were falling down his face. “This is why my betrayal was so terrible. Because you believed me incapable of hurting you, and yet I did.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
7. Then did Oscar the brother of Hiram speak and answer him saying, "Yea, verily my soul cleaveth to that city upon the Hudson and my feet yearneth to journey thither, but lo, thou knowest that I be married unto a woman called Cal'line. 8. Yea, likewise thou knowest that she beeth an oppressive female that lifteth her voice in all things and prevaileth against me. 9. Behold how she crieth not like unto other women when I strive against her with mine fists. Nay, she weepeth not, but verily taketh stove-wood in the left hand and weighteth the right hand with iron and smiteth me hip and thigh.
Zora Neale Hurston (Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance)
Their father, seated near one end of the long table, smiles broadly. "Pass the vinegar, please!" His voice is so deep and loud that everyone turns to watch him. Holding a steaming dumpling in a large porcelain spoon, he drips a bit of sooty vinegar on top, greedy and focused. He picks up a sliver of ginger, using his chopsticks with the precision of a surgeon, and places it over the dumpling's puckered nipple. He raises the spoon to his mouth and takes a bite. "Hmm. It's good," he announces. "But I like my dumplings made with pork. Hot meat juice gushing into my mouth at the first bite. Hot, greasy, delicious pork juice!" Dagou's chest swells. "You know they're vegetarians here." "You prefer plain dumplings?" their father shoots back. Dagou doesn't answer. He and their father favor meat in all of their food. "I have nothing against 'plain food,'" their father says, addressing the community at large. "Winnie says it's sinful to eat living creatures, it amounts to killing, it's an act of violence, especially because the choice is an act of will, because we can decline to eat meat, because it's okay----and maybe even healthier, Winnie says----to eat only vegetables. She says people who stop eating meat have a long life, and people who eat only vegetables have the longest life. Yeah, yeah. But, Your Elderliness"----he nods at Gu Ling Zhu Chi----"I, Leo Chao, would rather be dead than stop eating pig. I will be ash and bone chunks in a little urn before I don't eat juicy pig.
Lan Samantha Chang (The Family Chao)
Caitlin felt a surge of excitement. But five minutes later, Rainey read through the records and shook her head. “Eight years’ active duty, multiple deployments, Purple Heart, honorable discharge—he’s not the UNSUB.” “Why not?” Caitlin said. “The UNSUB loves violence. Multiple deployments to active war zones would give him cover to commit atrocities.” “Our UNSUB loves violence he can control. And war is never controllable.” Rainey’s voice had a harsh edge. “He loves violence he can inflict, against people who are in no position to fight back. The United States has a volunteer army—people join knowing they might go into harm’s way. The UNSUB wouldn’t touch that with a tent pole.
Meg Gardiner (Into the Black Nowhere (UNSUB #2))
The Palestine laboratory can only thrive if enough nations believe in its underlying premise. It’s unsurprising that repressive regimes want to mimic Israeli repression, using Israeli technology to oppress their own unwanted or restive populations, but the Jewish state craves Western approval to fully realize its diplomatic and military potential. Aside from the US, Germany is arguably the greatest prize of all. Israel helped Germany rehabilitate its shattered image after World War II, while Berlin grants legitimacy to a country that brutally occupies the Palestinians (a nonpeople in the eyes of successive German governments). Germany purchasing increasing amounts of Israeli defense equipment is just one way it can atone for its historical guilt. When Palestinian president Mahmoud Abbas visited Germany in August 2022 and spoke alongside Chancellor Olaf Scholz, he accused Israel of committing “fifty Holocausts” against his people. The German establishment expressed outrage over the comment but the hypocrisy was clear; the Palestinians are under endless occupation but it’s only they who have to apologize. Germany has taken its love affair with Israel to dangerous, even absurd heights. The Deutsche Welle media organization updated its code of conduct in 2022 and insisted that all employees, when speaking on behalf of the organization or even in a personal capacity, must “support the right of Israel to exist” or face punishment, likely dismissal.40 After the Israeli military shot dead Palestinian journalist Shireen Abu Akleh in the West Bank city of Jenin in May 2022, German police banned a peaceful public vigil in Berlin because of what German authorities called an “immediate risk” of violence and anti-Semitic messaging. When protestors ignored this request and took to the streets to both commemorate Abu Akleh and Nakba Day, police arrested 170 people for expressing solidarity with Palestine. A Palestinian in Germany, Majed Abusalama, tweeted that he had been assaulted by the police. “I just left the hospital an hour ago with an arm sling to hold my shoulder after the German racist police almost dislocated my shoulder with their violent actions to us wearing Palestine Kuffiyas,” he wrote. “This is the new wave of anti-Palestinian everything in Berlin. Insane, right?” This followed years of anti-Palestinian incitement by the German political elite, from the German Parliament designating the BDS movement as anti-Semitic in 2019 to pressuring German institutions to refuse any space for pro-Palestinian voices, Jewish or Palestinian.41 The Palestinian intellectual Tariq Baconi gave a powerful speech in Berlin in May 2022 at a conference titled “Hijacking Memory: The Holocaust and the New Right.” He noted that “states like Germany have once again accepted Palestinians as collateral. Their oppression and colonization is a fair price to pay to allow Germany to atone for its past crimes.
Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
And the reason I started crying was because I realized how big and insurmountable seeming systemic racism is. It involves so many different perpetrators, it involves us, the victims, and it comes in so many different forms... A big part of the Sunken Place, to me, is the silencing of our voice, the silencing of our screams, what we as a culture did to Colin Kaepernick for using his voice, the silencing of that voice, or the attempted silencing of that voice. And the beauty of what many great civil rights leaders, specifically Martin Luther King Jr., taught us is that our voice is the weapon we have against violence, against oppression, against hatred. So, the silencing of that voice, it comes in prison, it comes in athletes, it comes in the lack of representation of Black people in horror movies, and any part of this industry.
Jordan Peele (Get Out: The Complete Annotated Screenplay)
At a time when many small newspapers are disappearing, it’s critical to remember the significant role they play in society. Often, they are a community’s only voice.
Mona Gable (Searching for Savanna: The Murder of One Native American Woman and the Violence Against the Many)
Someone interrupted him: "Modern art was a movement directed against the bourgeoisie and against its world." "Yes," said Jaromil, "but if it had really been logical in its negation of the contemporary world, it would have had to reckon with its own disappearance. It would have had to know—and it would have had to wish—that the revolution would create a totally new kind of art, an art in its own image." "So you approve," said the woman with the alto voice, "of pulping Baudelaire's poetry, prohibiting all modern literature, and shoving the cubist paintings in the National Gallery into the cellar?" "A revolution is an act of violence," said Jaromil, "that's well known, and surrealism itself knew very well that old-timers have to be brutally kicked off the stage, but it didn't suspect that it was one of them.
Milan Kundera (Life is Elsewhere)
Another reader wrote this so perfectly Hannah Greendale "Reasons to adore Jason Reynolds' books: Authentic narrative voices. Well-drawn child protagonists with equally well-drawn parents, each with their own rich backstory. Characters who respect their parents (especially mom) and are kind & caring towards younger siblings. An approachable introduction to difficult issues: illness, injustice, bullying, etc. Seamlessly delivered messages on life's really difficult issues: gun violence, drug addiction, death, grief. Promotion of finding healthy outlets for anger/frustration and timely warnings against toxic masculinity. So much heart, enough to manifest as an ache in one's chest and tears on one's cheeks".
Jason Reynolds
Philosophically, contention can be seen as the dialectical unity of polar energies bringing together opposed forces that need to and must be reconciled if life is to continue. It is not something to be feared or avoided—people seeking balance and harmony must embrace the process of contention. The I Ching also teaches that contention is related to the concept of impermanence, that struggle is constant and that it is only the form of contention that changes over time…. How to fight against colonialism? There is, as one conceivable path, a well-established spectrum of contention that is rooted in the experience of peoples all over the world. Conflict is contention taken to its limit; war is conflict taken to the extreme—always considered as a last resort and and in just cause, but always the end result nonetheless. This idea of struggle, founded on the base power of violence, is in fact a cycle of futility. Feelings of pride rise and the people, who begin to assert themselves, raising voices in protest, causing disruption, eventually acting violently against injustice, causing inevitable counter-violence, spurring warfare, repression, and again, subjugation (whether the subjugated become the powerful matters little as the cycle of violence’s continuation is guaranteed). This is repeated perpetually in cycles of conflict between human communities until it is broken by the establishment of a peaceful coexistence that follows the transcendence of the psychological, spiritual, and socio-economic bases of the relationship between the peoples who were in conflict. The transcendence can happen when the critical period of heightened attention caused by a disruption of normality opens the door to new understandings before it is shut again in the closed-minded and hard oppositional environment that accompanies violence and counter-violence’s march to subjugation of one of the parties in the relationship. … we must protect ourselves from violent attack and survive in a physical sense, but we should have faith in the power of our ideas and in our abilities to communicate her ideas without resorting to the mute force of violence to bring our message to people.We should seek to contend, to inform our agitating direct actions with ideas, and to use the effects of this contention to defeat colonialism by convincing people of the need to abandon the cycle of subjugation in conflict enjoying us in a relationship of respect and sharing.
Taiaike Alfred
Not all evangelicals jumped on the anti-Muslim bandwagon. In 2007, nearly 300 Christian leaders signed the “Yale Letter,” a call for Christians and Muslims to work together for peace. Published in the New York Times, the letter was signed by several prominent evangelical leaders, including megachurch pastors Rick Warren and Bill Hybels, Christianity Today editor David Neff, emerging church leader Brian McLaren, Jim Wallis of Sojourners, and Rich Mouw, president of evangelical Fuller Seminary. Notably, Leith Anderson, president of the NAE, and Richard Cizik, the NAE’s chief lobbyist, also signed the letter. 15 Other evangelical leaders, however, voiced strenuous opposition. Al Mohler, president of Southern Baptist Theological Seminary, found no need to apologize for the War on Terror or to confess any sins “against our Muslim neighbors.” It was all quite confounding to him: “For whom are we apologizing and for what are we apologizing?” Dobson’s Citizen magazine criticized the Yale Letter for claiming that the two faiths shared a deity, and for showing weakness and endangering Christians. Apologizing for past violence against Muslims would make Christians in Muslim countries more vulnerable to violence, he reasoned. Focus on the Family urged like-minded critics to register their displeasure with the NAE and included the NAE’s PO box for their convenience. Dobson and other conservative evangelicals pressured the NAE to oust Cizik that year, both for his attempts at Muslim-Christian dialogue and for his activism on global warming. This was easily accomplished the next year, when Cizik came out in support of same-sex civil unions. 16
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
The community of shalom is, by definition, a diversity of people living together. The community of shalom establishes an ethic of peace that incarnates the Body of Christ by going out into the world as the voice of God and rejecting the violence of the world. The polity of the community of shalom differs from the structures and powers of the world and stands as a sign of Christ’s judgment against those structures and powers by virtue of how different it is. The community of shalom embraces the sacrificial giving of self for the other.
C. Andrew Doyle (Vocatio: Imaging a Visible Church)
The Anarchist does not want to destroy all existing institutions with a crash and then inaugurate the substituting process on their ruins. He simply asks to be let alone in substituting false systems now, so that they may gradually fall to pieces by their own dead weight. He asks the humble privilege of being allowed to set up a free bank in peaceable competition with the government subsidized class bank on the opposite corner. He asks the privilege of establishing a private post office in fair competition with the governmentally established one. He asks to be let alone in establishing his title to the soil by free occupation, cultivation, and use rather than by a title hampered by vested rights which were designed to keep the masses landless. He asks to be allowed to set up his domestic relations on the basis of free love in peaceable competition with ecclesiastically ordered love, which is a crime against Nature and the destroyer of love, order, and harmony itself. He asks not to be taxed upon what has been robbed from him under a machine in which he has practically no voice and no choice. In short, the Anarchist asks for free land, free money, free trade, free love, and the right to free competition with the existing order at his own cost and on his own responsibility,— liberty. Is there any violence in all this? Is there artificial levelling? Finally, is there any want of readiness to substitute something in the place of what we condemn? No, all we ask is the right to peaceably place Liberty in fair competition with privilege. Existing governments are pledged to deny this. Herein will reside the coming struggle. Who is the party of assault and violence? Is it the Anarchist, simply asking to be let alone in minding his own business, or is it the power which, aware that it cannot stand on its own merits, violently perpetuates itself by crushing all attempts to test its efficiency and pretensions through peaceable rivalry?
Frank H Brooks (The Individualist Anarchists: Anthology of Liberty, 1881-1908)
Another word we hear repeatedly is ‘tolerance’. Many people use this word positively in situations like ‘tolerating difference’… If you simply search the linguistic meaning of the word, the first definition you will get is (tolerance: noun): ‘to allow the existence, occurrence, or practice of something that one does not necessarily like or agree with without interference.’ In this sense, using this word is disturbing because it suggests two things: first, the person who is doing the tolerating has the upper hand in everything; that they ‘tolerate’ others out of the kindness of their hearts. Second, it gives those doing the ‘tolerating’ the right to change their mind and stop ‘tolerating’ others any time they please, which could make them commit violence against those they deem ‘intolerable’, since they have the upper hand on matters. In brief, this leaves no voice, power, or agency to the tolerated. I never understand how any native English speaker could thoughtlessly use ‘tolerate’ as a positive word in such situations. How could they use the same word to tell us that they tolerate a medication, an immigrant, or another religion? We need a culture that teaches us to appreciate, to love, and to affirm others not to tolerate them!
Louis Yako
Wake her, Gregori,” Mikhail demanded, dragging Raven into his arms. Very gently he cradled her to his chest, rocking her with his body. Gregori complied as his form shimmered translucent, and then took shape beside Mikhail. For the first time there was a hint of anxiety in Gregori’s pale eyes, although there was hard arrogance stamped on his harshly handsome features. Raven blinked, and took a moment to focus. Her breath caught in her throat, and fear leapt into her enormous, expressive eyes. That look stabbed through Mikhail as nothing else might had done. “Csitri--little one.” He breathed the endearment softly, his breath warm against her ear. “Do not ever fear me.” She pressed away from him. “I don’t know you,” she whispered, her voice strangled and raw, her eyes on his bloodstained hands. Mikhail frowned and looked down at his hands. There was no blood there; he had bathed his body in the cleansing energy of the white-hot heat. No blood could remain on him. Vampire blood burned like acid--yet she still saw the scenes from the battle. He glanced at Gregori with a small frown of inquiry. Gregori shook his head in puzzlement. Raven seemed light and insubstantial in Mikhail’s arms, as if she might fade away to nothing. She needed nourishment and care. Very carefully Mikhail touched her mind. His skull exploded with pain. Her mind was a maze of fragments, desperately holding on to her sanity. She feared him, but even more, she was afraid to trust her own judgment. Fragments of the battle, of Mikhail standing in front of Andre, haunted her mind. Her blue-violet gaze, so confused, so frantic and bewildered, sought and found Monique. She gave a small inarticulate cry and strained toward her. Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny. But the exchange eased some of the ferocious need to retaliate in him.
Christine Feehan (Dark Prince (Dark, #1))
His eyes closed, savoring the feel of her body against his, the fact that he could want her with such intensity. He held her, wanting her, needing her, burning for her, not even understanding how such a firestorm could consume him. Reluctantly he lifted his head, his body raging at him. “Let us go home, Raven.” His voice was pure seduction. A slow smile curved her soft mouth. “I don’t think it’s safe. You’re the kind of man my mother warned me about.” He kept his arm possessively around her shoulders, shackling her to him. Mikhail had no intention of allowing her to leave his side again. His body urged her in the direction he wanted. They walked together in companionable silence. “Jacob wasn’t going to hurt me,” she denied suddenly. “I would have known.” “You were not touching him, little one, and it was lucky for him.” “He’s certainly capable of violence. It’s always hard to miss violence.” She flashed him her mischievous smile. “It clings to you like a second skin.” He tugged at her thick braid in retaliation for her teasing. “I want you to come stay in my home. At least until we find and dispose of the assassins.” Raven walked several steps in silence. He had said we, as if they were a team. That pleased her. “You know, Mikhail, it was the strangest thing today. Not one person at the inn or in the village seemed to know of the murder.” His finger flicked along her delicate cheekbone. “And you said nothing.” She flashed him a quelling glance from under long lashes. “Of course not. Gossiping is not my form of entertainment.
Christine Feehan (Dark Prince (Dark, #1))
HER BODY --- The body of a woman belongs only to her, and not to any man. Her curves, thighs, and lips are all hers — From head to toes, and hips. Her clothes are not for his will. And are not a solicitation. What she adorns her body with is not an invitation. It's simple — her body, her choice. He ought to listen to the society's voice.
Mitta Xinindlu
Ms. Hackett handed me a copy of the poem. “Miss Mary, why don't you read it,” she said. “You might have a different inflection in your voice." I read the poem, as clearly as possible, and tried not to cry. It was a powerful piece about the violence against protesters in Birmingham, Alabama, and a mother's decision to send her child to church rather than participate in a march. It was the wrong decision, and the daughter died in the Sixteenth Street Baptist Church bombing. One boy knew the poem by heart and recited the words as I read them aloud. “Wow,” I said, when I finished the poem. “As a mother,” said Ms. Hackett, with her hand on her heart, “that gets me every time. It gives me chills ” She raised her sleeve to reveal goose bumps on her forearm, and I revealed mine. The boys looked for goose bumps on their own arms.
Mary Hollowell (The Forgotten Room: Inside a Public Alternative School for At-Risk Youth)
Miss Mary, why don't you read it,” she said. “You might have a different inflection in your voice." I read the poem, as clearly as possible, and tried not to cry. It was a powerful piece about the violence against protesters in Birmingham, Alabama, and a mother's decision to send her child to church rather than participate in a march. It was the wrong decision, and the daughter died in the Sixteenth Street Baptist Church bombing. One boy knew the poem by heart and recited the words as I read them aloud. “Wow,” I said, when I finished the poem. “As a mother,” said Ms. Hackett, with her hand on her heart, “that gets me every time. It gives me chills ” She raised her sleeve to reveal goose bumps on her forearm, and I revealed mine. The boys looked for goose bumps on their own arms.
Mary Hollowell (The Forgotten Room: Inside a Public Alternative School for At-Risk Youth)
Through pain, I realized that healing is not just about removing scars; it is about reclaiming the voice stolen from you
Hagir Elsheikh (Through Tragedy and Triumph: A Life Well Traveled)
I broke the silence when I pulled up in front of his building. “The sheriff’s police are likely to get a warrant to inspect your computer. You don’t have anything on your server that suggests violence against the government, do you?” “We’re not building bombs! How many times do I have to tell you and Aunt Lotty that EFS is building projects for life, not death.” His voice quivered.
Sara Paretsky (Shell Game (V.I. Warshawski, #19))
You’re wrong—” A voice came from behind her. “Our history proves he isn’t.” It was a voice that sounded nothing like the Emperor who had hunted her, who had taken her from Pax. Sigil had sensed him, the rage and the violence so harsh it had a physical effect on her. But when she turned to face him, what stood against the smoke wasn’t Sovereign. It was a breathing demon. Walking over a pile of broken bodies, blood dripping from his fingers, Sovereign’s eyes burned. “This is not for you to see.” No. The fixed agony, the faces locked in dead screams called out to her—they judged her. Sigil had committed atrocities, murdered on a whim, wallowing in her madness when it descended. She had played with the bodies of the dead, eaten them, tossed limbs about and reveled in it. She had done those things because she was a monster. “You’re no different than me...” Stepping down, heedless of mashing skulls or crunching bone, Sovereign closed the gap between them, and said, “I am much worse.
Addison Cain (Sovereign (Irdesi Empire #2))