Years Going Fast Quotes

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The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete... Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side. Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent. Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you. Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
Bob Moorehead (Words Aptly Spoken)
Well, I always know what I want. And when you know what you want--you go toward it. Sometimes you go very fast, and sometimes only an inch a year. Perhaps you feel happier when you go fast. I don't know. I've forgotten the difference long ago, because it really doesn't matter, so long as you move.
Ayn Rand (We the Living)
Another year is fast approaching. Go be that starving artist you’re afraid to be. Open up that journal and get poetic finally. Volunteer. Suck it up and travel. You were not born here to work and pay taxes. You were put here to be part of a vast organism to explore and create. Stop putting it off. The world has much more to offer than what’s on 15 televisions at TGI Fridays. Take pictures. Scare people. Shake up the scene. Be the change you want to see in the world.
Jason Mraz
Going from crying to laughing that fast and hard happens maybe five times in your life and that extreme right turn is the reason why we are alive, and I believe it extends our life by many years.
Amy Poehler (Yes Please)
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
Do you know how long a year takes when it's going away?' Dunbar repeated to Clevinger. 'This long.' He snapped his fingers. 'A second ago you were stepping into college with your lungs full of fresh air. Today you're an old man.' 'Old?' asked Clevinger with surprise. 'What are you talking about?' 'Old.' 'I'm not old.' 'You're inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow down?' Dunbar was almost angry when he finished. 'Well, maybe it is true,' Clevinger conceded unwillingly in a subdued tone. 'Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?' 'I do,' Dunbar told him. 'Why?' Clevinger asked. 'What else is there?
Joseph Heller (Catch-22)
Who you are today . . . that’s who you are. Be brave. Be amazing. Be worthy. And every single time you get the chance? Stand up in front of people. Let them see you. Speak. Be heard. Go ahead and have the dry mouth. Let your heart beat so, so fast. Watch everything move in slow motion. So what. You what? You pass out, you die, you poop? No. (And this is really the only lesson you’ll ever need to know.)
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Nagumo was suddenly on his own. At this crucial time, the cost of his failure to learn the complicated factors that played into carrier operations suddenly exploded. Now, when every minute counted, it was too late to learn the complexities involved in loading different munitions on different types of planes on the hangar deck, too late to learn how the planes were organized and spotted on the flight decks, too late to learn the flight capabilities of his different types of planes, and far too late to know how to integrate all those factors into a fast-moving and efficient operation with the planes and ordnance available at that moment. Commander Genda, his brilliant operations officer, couldn’t make the decisions for him now. It was all up to Nagumo. At 0730 on June 4, 1942, years of shipbuilding, training, and strategic planning had all come to this moment. Teams of highly trained pilots, flight deck personnel, mechanics, and hundreds of other sailors were ready and awaiting his command. The entire course of the battle, of the Combined Fleet, and even perhaps of Japan were going to bear the results of his decisions, then and there.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
At that age, time moves slow. You're eager for something to happen, passing time in parking lots, hands deep in your pockets, trying to figure out where to go next. Life happened elsewhere, it was simply a matter of finding a map that led there. Or maybe, at that age, time moves fast; you're so desperate for action that you forget to remember things as they happen. A day felt like forever, a year was a geological era.
Hua Hsu (Stay True)
For the young the days go fast and the years go slow; for the old the days go slow and the years go fast.
Anna Quindlen (Lots of Candles, Plenty of Cake)
I very frequently get the question: 'What's going to change in the next 10 years?' And that is a very interesting question; it's a very common one. I almost never get the question: 'What's not going to change in the next 10 years?' And I submit to you that that second question is actually the more important of the two -- because you can build a business strategy around the things that are stable in time. ... [I]n our retail business, we know that customers want low prices, and I know that's going to be true 10 years from now. They want fast delivery; they want vast selection. It's impossible to imagine a future 10 years from now where a customer comes up and says, 'Jeff I love Amazon; I just wish the prices were a little higher,' [or] 'I love Amazon; I just wish you'd deliver a little more slowly.' Impossible. And so the effort we put into those things, spinning those things up, we know the energy we put into it today will still be paying off dividends for our customers 10 years from now. When you have something that you know is true, even over the long term, you can afford to put a lot of energy into it.
Jeff Bezos
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
You see, I was looking for answers then. I still wanted to know why. As though somebody was going to answer that for me, as though any answer would be satisfying. Not then, but afterward, I started to think about time, and how it keeps moving and draining and flowing forever forward, seconds into minutes into days into years, all of it leading to the same place, a current running forever in one direction. And we're all going and swimming as fast as we can, helping it along. My point is: maybe you can afford to wait. Maybe for you there's a tomorrow. Maybe for you there's one thousand tomorrows, or three thousand, or ten, so much time you can bathe in it, roll around in it, let it slide like coins through your fingers. So much time you can waste it. But for some of us there's only today. And the truth is, you never really know.
Lauren Oliver
Time went by so fast these days. There was some sort of malfunctioning going on with how fast Earth was spinning. Decades went by as quick as years once did.
Liane Moriarty (Nine Perfect Strangers)
When you stop to examine the way in which our words are formed and uttered, our sentences are hard-put to it to survive the disaster of their slobbery origins. The mechanical effort of conversation is nastier and more complicated than defecation. That corolla of bloated flesh, the mouth, which screws itself up to whistle, which sucks in breath, contorts itself, discharges all manner of viscous sounds across a fetid barrier of decaying teeth—how revolting! Yet that is what we are adjured to sublimate into an ideal. It's not easy. Since we are nothing but packages of tepid, half-rotted viscera, we shall always have trouble with sentiment. Being in love is nothing, its sticking together that's difficult. Feces on the other hand make no attempt to endure or grow. On this score we are far more unfortunate than shit; our frenzy to persist in ourpresent state—that's the unconscionable torture. Unquestionably we worship nothing more divine than our smell. All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in year out. This body of ours, this disguise put on by common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but 'us,' the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline (Journey to the End of the Night)
We go to school for twelve or more years during our childhoods and early adulthoods, and then we’re done. But when the pace of change gets this fast, the only way to retain a lifelong working capacity is to engage in lifelong learning.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Maybe it’s not metaphysics. Maybe it’s existential. I’m talking about the individual US citizen’s deep fear, the same basic fear that you and I have and that everybody has except nobody ever talks about it except existentialists in convoluted French prose. Or Pascal. Our smallness, our insignificance and mortality, yours and mine, the thing that we all spend all our time not thinking about directly, that we are tiny and at the mercy of large forces and that time is always passing and that every day we’ve lost one more day that will never come back and our childhoods are over and our adolescence and the vigor of youth and soon our adulthood, that everything we see around us all the time is decaying and passing, it’s all passing away, and so are we, so am I, and given how fast the first forty-two years have shot by it’s not going to be long before I too pass away, whoever imagined that there was a more truthful way to put it than “die,” “pass away,” the very sound of it makes me feel the way I feel at dusk on a wintry Sunday—’ ‘And not only that, but everybody who knows me or even knows I exist will die, and then everybody who knows those people and might even conceivably have even heard of me will die, and so on, and the gravestones and monuments we spend money to have put in to make sure we’re remembered, these’ll last what—a hundred years? two hundred?—and they’ll crumble, and the grass and insects my decomposition will go to feed will die, and their offspring, or if I’m cremated the trees that are nourished by my windblown ash will die or get cut down and decay, and my urn will decay, and before maybe three or four generations it will be like I never existed, not only will I have passed away but it will be like I was never here, and people in 2104 or whatever will no more think of Stuart A. Nichols Jr. than you or I think of John T. Smith, 1790 to 1864, of Livingston, Virginia, or some such. That everything is on fire, slow fire, and we’re all less than a million breaths away from an oblivion more total than we can even bring ourselves to even try to imagine, in fact, probably that’s why the manic US obsession with production, produce, produce, impact the world, contribute, shape things, to help distract us from how little and totally insignificant and temporary we are.
David Foster Wallace (The Pale King)
Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam
Dustin Thao (You've Reached Sam (You've Reached Sam, #1))
We have not noticed how fast the rest has risen. Most of the industrialized world--and a good part of the nonindustrialized world as well--has better cell phone service than the United States. Broadband is faster and cheaper across the industrial world, from Canada to France to Japan, and the United States now stands sixteenth in the world in broadband penetration per capita. Americans are constantly told by their politicians that the only thing we have to learn from other countries' health care systems is to be thankful for ours. Most Americans ignore the fact that a third of the country's public schools are totally dysfunctional (because their children go to the other two-thirds). The American litigation system is now routinely referred to as a huge cost to doing business, but no one dares propose any reform of it. Our mortgage deduction for housing costs a staggering $80 billion a year, and we are told it is crucial to support home ownership, except that Margaret Thatcher eliminated it in Britain, and yet that country has the same rate of home ownership as the United States. We rarely look around and notice other options and alternatives, convinced that "we're number one.
Fareed Zakaria (The Post-American World)
Jesus appears to have walked unstressed and unhurried. His peaceful pace seems to imply that he measured himself not by where he was going and how fast he could get there but by whom he was following and how closely they walked together.
Alicia Britt Chole (Anonymous: Jesus' hidden years...and yours)
I called them up, "Ya, I have ten boxes; can you come pick them up?" "We need to know the weight and the girth." "Okay, good-bye." So I called back. "We need the weight and the girth." "Okay, I don't know what the weight is, and um, I don't know what girth means... So now what's the procedure?" So this guy talks to me like I'm four years old. "Well do you have a bathroom scale?" "Uh, ya but if I put the box on the scale it's gonna cover up the NUMBERS!" What, do I take it off really quick? Ah, zero: I'm not fast enough. What's he talking about? So then he gives me his Mister Wizard Formula, "How about if you stand on the scale and weigh yourself and get off the scale. Pick up the box, get back on, weigh you and the box together, and subtract your own weight." I'm going, "Slow down. Hold on professor." I know this guys never tried this, because I tried it and you still can't see the NUMBERS! Then I had to hang up in the middle of his girth formula.
Brian Regan
The simple rule: some get saved, but most don't. The choices are important before the years begin to go so very fast.
Jill McCorkle (Life After Life)
Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going. "As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?" "Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!" "No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival." "You can't be serious!" Colly said. "Do you really-" But he got no further. Halt leaned forward, putting a hand up to stop the outburst. "Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious." His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his. "Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
I always know what I want. And when you know what you want - you go toward it. Sometimes you go very fast, and sometimes only an inch a year. Perhaps you feel happier when you go fast. I don't know. I've forgotten the difference long ago, because it really doesn't matter, so long as you move.
Ayn Rand (We the Living)
Years ago, when he was around fourteen, he'd been all hipped on the idea of going to India. He read books about people sitting on rocks, naked, in all kinds of weather, but mostly bad, naturally, and walking barefoot through hot coals and arriving at wisdom. I used to say that it sounded to me as though they were getting away from wisdom as fast as they could. I think he sort of looked down on me for that.
James Baldwin (Sonny's Blues)
All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in, year out. This body of ours, this disguise put on my common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but "us," the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline
the days are long but the years go fast.
Ashley Audrain (The Push)
I houseclean my books every spring and throw out those I’m never going to read again likeI throw out clothes I’m never going to wear again. It shocks everybody. My friends are peculiar about books. They read all the best sellers, they get through them as fast as possible,I think they skip a lot. And they NEVER read anything a second time so they don’t remember a word of it a year later. But they are profoundly shocked to see me drop a book in the wastebasket or give it away. The way they look at it, you buy a book, you read it, you put it on the shelf, you never open it again for the rest of your life but YOU DON’T THROW IT OUT! NOT IF IT HAS A HARD COVER ON IT! Why not?I personally can’t think of anything less sacrosanct than a bad book or even a mediocre book.
Helene Hanff (84, Charing Cross Road)
I started to think about time, and how it keeps moving and draining and flowing forever forward, seconds into minutes into days into years, all of it leading to the same place, a current running forever in one direction. And we're all going and swimming as fast as we can, helping it along.
Lauren Oliver (Before I Fall)
Stars are fires that burn for thousands of years. Some of them burn slow and long, like red dwarfs. Others-blue giants-burn their due so fast they shine across great distances, and are easy to see. As they Starr to run out of fuel,they burn helium, grow even hotter, and explode in a supernova. Supernovas, they're brighter than the brightest galaxies. They die, but everyone watches them go.
Jodi Picoult (My Sister’s Keeper)
Dunbar loved shooting skeet because he hated every minute of it and the time passed so slowly. He had figured out that a single hour on the skeet-shooting range with people like Havermeyer and Appleby could be worth as much as eleven-times-seventeen years. “I think you’re crazy,” was the way Clevinger had responded to Dunbar’s discovery. “Who wants to know?” Dunbar answered. “I mean it,” Clevinger insisted. “Who cares?” Dunbar answered. “I really do. I’ll even go as far as to concede that life seems longer i—“ “—is longer i—“ “—is longer—IS longer? All right, is longer if it’s filled with periods of boredom and discomfort, b—“ “Guess how fast?” Dunbar said suddenly. “Huh?” “They go,” Dunbar explained. “Who?” “Years.” “Years?” “Years,” said Dunbar. “Years, years, years.” “Do you know how long a year takes when it’s going away?” Dunbar asked Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.” “Old?” asked Clevinger with surprise. “What are you talking about?” “Old.” “I’m not old.” “You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished. “Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?” “I do,” Dunbar told him. “Why?” Clevinger asked. “What else is there?
Joseph Heller (Catch-22)
Time goes by so fast, people go in and out of your life. You must never miss the opportunity to tell these people how much they mean to you. —UNKNOWN Loss is a part of life. Over the years I’ve lost several people who are dear to my heart. Nothing can ever bring them back but when I think of them, their values and virtues, I can keep their spirit alive within me and that is a meaningful feeling. The most important thing to remember, however, is to make the most of the precious time we have with the ones we love. Goal: Light a candle or say a prayer for someone you love today who is no longer with you.
Demi Lovato (Staying Strong: 365 Days a Year)
The world didn’t have words to measure hate. There were tons, yards, years. Volts, knots, watts. Ronan could explain how fast his car was going. He could describe exactly how warm the day was. He could specifically convey his heart rate. But there was no way for him to tell anyone else exactly how much he hated Aglionby Academy. Any unit of measurement would have to include both the volume and the weight of the hate. And it would also have to include a component of time. The days logged in class, wasted, useless, learning skills for a life he didn’t want. No single word existed, probably, to contain the concept. All, perhaps. He had all the hate for Aglionby Academy. Thief? Aglionby was the thief. Ronan’s life was the dream, pillaged.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
He told Beau to go home and live like he had a future. ‘Run for governor. Have a purpose.’ Almost every day after that, I found myself acting on that advice - have a purpose. No matter what came at me, I held fast to my own sense of purpose.
Joe Biden (Promise Me, Dad: A Year of Hope, Hardship, and Purpose)
I am not a man who often expresses is emotions, Miss Linton." "You don't say?" "But I must admit I was... somewhat concerned for you." I had to work hard to keep a smile from my face." "Somewhat concerned? Dear God, really?" Abruptly, he turned to me, his eyes blazing with cold fire. "Dammit! Do not joke, Miss Linton!" I looked up at him, the picture of innocence drawn by a five-year-old with absolutely no artistic talent. "I wouldn't dare!" Stepping towards me, he reached out, until one of his hands gently touched my cheek. "I..." He swallowed, and tried again. "I might be slightly... irrationally infatuated with you." Warmth spread deep inside me. And on my face, a grin did. "Irrationally infatuated? Dear me!" His jaw clenched. "All right, all right! I may even have certain... impulses towards you that border on caring about you." "You don't say?" I raised an eyebrow at him. "Well, I am so glad to hear that you feel a certain amount of friendship towards me." His dark gaze pierced me accusingly. But I was enjoying this far too much to stop. I wouldn't make it easy for him. "Friendship is not the right word, Miss Linton," he bit out between clenched teeth, every word like a shard of burning ice. "My impulses towards you... they might go slightly beyond the platonic." "Oh, so they are Aristotelian?" "Mr Lin-" He swallowed, hard. "I mean Miss Linton, we are not discussing philosophy here!" I batted my eyelashes at him. "Indeed? Then pray tell, what are we discussing?" "I... I..." "You can say it, you know," I told him. "The word isn't poisonous." "I... have feelings towards you." "Clearly. I knew that from the first day from the way you shouted at me and pelted me with threats." "Not those kinds of feelings!" "What kind, then?" "I feel... affection towards you." "You're nearly there," I encouraged him, my smile widening. "Just four little letters. The word starts with L. Go on. You can do it." "You're enjoying this, Miss Linton, aren't you?" "Very much so." "Oh, to hell with it!"... His mouth took mine in a fast, fierce, bruising kiss... Finally he broke away, and with the remnants of his breath whispered: "I love you!
Robert Thier (Silence Breaking (Storm and Silence, #4))
I live 30 times faster and more intensely than most people, so every year is a whole generation for me. I’d like my combo meal with a side of long white beard, and I’d like it to go. Now, damnit! Fast food simply isn’t fast enough for me. I’m so quick that I need a refill on my drink, and I haven’t even taken a sip.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
Rosette disappeared onto the dance floor. Wells sat in silence for a minute, watching the dancers. The worldwide cult of fast money spent stupidly. The worldwide cult of trying too hard. Moscow, Rio, Los Angeles, Tokyo, New York, London, Shanghai--the story was the same everywhere. The same overloud music, the same overpromoted brand names, the same fake tits, about as erotic as helium balloons. Everywhere an orgy of empty consumption and bad sex. Las Vegas was the cult's world headquarters, Donald Trump its patron saint. Wells had spent ten years in the barren mountains of Afghanistan and Pakistan. He never wanted to live there again. But if he had to choose between an eternity there or in the supposed luxury of this club, he'd go back without a second thought.
Alex Berenson (The Silent Man (John Wells, #3))
A few years I discovered this wonderful device which boosts my productivity enormously. Fortunately, it comes in handy pint-sized glasses and is called beer.” “I figured no one is going to be dumb enough to break into the house of the local police inspector.
Phil Hall (Murder O'clock (Inspector Bee Thrillers))
They were all growing so fast. In just a few short years they would be all young men and women...youth tiptoe...expectant...a-star with its sweet wild dreams...little ships sailing out of safe harbor to unknown ports. The boys would go away to their life work and the girls...ah, the mist-veiled forms of beautiful brides might be seen coming down the old stairs at Ingleside. But they would still be hers for a few years yet...hers to love and guide...to sing the songs that so many mothers had sung...Hers...and Gilbert's.
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
Emily: Oh, Mama, look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama! Wally's dead, too. His appendix burst on a camping trip to North Conway. We felt just terrible about it - don't you remember? But, just for a moment now we're all together. Mama, just for a moment we're happy. Let's really look at one another!...I can't. I can't go on.It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed. Take me back -- up the hill -- to my grave. But first: Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? Stage Manager: No. (pause) The saints and poets, maybe they do some. Emily: I'm ready to go back.
Thornton Wilder (Our Town)
A few years after I gave some lectures for the freshmen at Caltech (which were published as the Feynman Lectures on Physics), I received a long letter from a feminist group. I was accused of being anti-women because of two stories: the first was a discussion of the subtleties of velocity, and involved a woman driver being stopped by a cop. There's a discussion about how fast she was going, and I had her raise valid objections to the cop's definitions of velocity. The letter said I was making the women look stupid. The other story they objected to was told by the great astronomer Arthur Eddington, who had just figured out that the stars get their power from burning hydrogen in a nuclear reaction producing helium. He recounted how, on the night after his discovery, he was sitting on a bench with his girlfriend. She said, "Look how pretty the stars shine!" To which he replied, "Yes, and right now, I'm the only man in the world who knows how they shine." He was describing a kind of wonderful loneliness you have when you make a discovery. The letter claimed that I was saying a women is incapable of understanding nuclear reactions. I figured there was no point in trying to answer their accusations in detail, so I wrote a short letter back to them: "Don't bug me, Man!
Richard P. Feynman
It took me so long to do so many important things. It's just hard to accept that I spent so many years being less happy than I could have been. Jim was five feet from my desk, and it took me four years to get to him. Not that I'm a tragic person; I'm really happy now, but it would just make my heart soar if someone out there saw this, and she said to herself, 'Be strong, trust yourself, love yourself and conquer your fears. Just go after what you want and act fast because life just isn't that long.
Pam Beesly
Who you are today . . . that’s who you are. Be brave. Be amazing. Be worthy. And every single time you get the chance? Stand up in front of people. Let them see you. Speak. Be heard. Go ahead and have the dry mouth. Let your heart beat so, so fast. Watch everything move in slow motion. So what. You what? You pass out, you die, you poop? No. (And this is really the only lesson you’ll ever need to know.) You take it in. You breathe this rare air. You feel alive. You are yourself. You are truly finally always yourself. Thank you. Good luck.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
You know what I think?” Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?” “I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.” “About work,” I say. “About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish. “You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.” “And by you’ve seen me,” I say, “you mean you’ve watched me.” “Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.” “You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
Emily Henry (Book Lovers)
How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast.
Joseph Heller (Catch-22)
Stars are fires that burn for thousands of years. Some of them burn slow and long, like red dwarfs. Others-blue giants-burn their fuel so fast they shine across great distances, and are easy to see. As they start to run out of fuel, they burn helium, grow even hotter, and explode in a supernova. Supernovas, they're brighter than the brightest galaxies. They die, but everyone watches them go.
Jodi Picoult (My Sister’s Keeper)
One morning last week He gave me an assignment: for one day I was to go on a "fast" from criticism. I was not to criticize anybody about anything. Into my mind crowded all the usual objections, "But then what happens to value judgments? You yourself, Lord, spoke of 'righteous judgment.' How could society operate without standards and limits?" All such resistance was brushed aside, "Just obey Me without questioning: an absolute fast on any critical judgments for this day." ...Barbed comments about certain world leaders were suppressed. In our talkative family no one seemed to notice. Bemused, I noticed that my comments were not missed. The federal government, the judicial system, and the institutional church could somehow get along without my penetrating observations. ...That afternoon, a specific, positive vision for this life was dropped into my mind with God's unmistakable hallmark on it-joy. Ideas began to flow in a way I had not experienced in years. My critical nature had not corrected a single one of the multitudinous things I found fault with. What it had done was stifle my creativity-in prayer, in relationships, perhaps even in writing-ideas that He wanted to give me.
Catherine Marshall (Something More : In Search of a Deeper Faith)
There is no reason to be alarmed by benign, occasional, short-term hunger. Given base-level good health, you will not perish. You won’t collapse in a heap and need to be rescued by the cat. Your body is designed to go without food for longish periods, even if it has lost the skill through years of grazing, picking, and snacking. Research has found that modern humans tend to mistake a whole range of emotions for hunger.6 We eat when we’re bored, when we’re thirsty, when we’re around food (when aren’t we?), when we’re with company, or simply when the clock happens to tell us it’s time for food. Most of us eat, too, just because it feels good. This is known as hedonic hunger,
Michael Mosley (The Fast Diet: The Simple Secret of Intermittent Fasting: Lose Weight, Stay Healthy, Live Longer)
Dr. Bar David?” A young man with black eyes and curly hair came toward him. Carrying a digital recorder. He looked familiar. “Richard Falco, North Richardson High. I took algebra and Calc I from you.” “Oh, yes, of course. Good to see you.” “I’m now reporting for Anchor Media. Just started a couple of months ago.” David started walking away. “Good for you. What a good course of action.” “Listen, I need to get a couple of quotes anyway. I wonder if—Oh, wait! I’m so sorry. You were at the North Richardson school shooting, five years ago.” David nodded. And began to panic. “That’s why you’re here, right?” the stupid student asked. “Protesting gun laws?” “I really need to be going, now. Good luck with your interviews.” Hyperventilating. Richard grabbed David’s shoulder. “But Dr. Bar David. Your story, tragic as it is, ends up being the reason for this whole public gun melting, right? A few words from you about—” David lost it. “Listen! My whole life changed that day. When that meshugener killed my entire family, my wife and my son, in an instant! With a gun he purchased the week before!” David grabbed the kid’s throat. “I do not want to talk about it. Don’t mention me in your article. I will sue you! Leave me alone.” Richard swallowed and nodded, fast. “Sorry, sorry, I’m so sorry—” David started shouting, “The bullets! The bullets! The bullets!” His head pounded. His ears roared.
Michael Grigsby (Segment of One)
One morning last week He gave me an assignment: for one day I was to go on a "fast" from criticism. I was not to criticize anybody about anything. Into my mind crowded all the usual objections, "But then what happens to value judgments? You yourself, Lord, spoke of 'righteous judgment.' How could society operate without standards and limits?" All such resistance was brushed aside, "Just obey Me without questioning: an absolute fast on any critical judgments for this day." ...Barbed comments about certain world leaders were suppressed. In our talkative family no one seemed to notice. Bemused, I noticed that my comments were not missed. The federal government, the judicial system, and the institutional church could somehow get along without my penetrating observations. ...That afternoon, a specific, positive vision for this life was dropped into my mind with God's unmistakable hallmark on it-joy. Ideas began to flow in a way I had not experienced in years. My critical nature had not corrected a single one of the multitudinous things I found fault with. What it had done was stifle my creativity-in prayer, in relationships, perhaps even in writing-ideas that He wanted to give me.
Catherine Marshall (A Closer Walk)
This time, something different happens, though. It’s the daydreaming that does it. I’m doing the usual thing—imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she’ll look when she’s pregnant, to names of children—until suddenly I realize that there’s nothing left to actually, like, happen. I’ve done it all, lived through the whole relationship in my head. I’ve watched the film on fast-forward; I know the whole plot, the ending, all the good bit. Now I’ve got to rewind and watch it all over again in real time, and where’s the fun in that? And fucking … when’s it all going to fucking stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even, during British Summer Time. I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
Why were we tortured? We were in love and life was a fast current swarming around our ankles, threatening to topple us into the wet part of the planet. It was intense, that's why we were tortured. It was enormous and exploding like palm tree. Iris was my Yuri-G, my Delilah, my Stella Marie. Strong dark women you had to love with a strong dark heart that throbbed in gorgeous pain because love is terrible. I mean, ultimately. It would go away like a needle lifting from the vinyl at the end of the song, we knew this. The music would cease, one of us would die or else we'd just break up, and this drove us to drink from each other like two twelve-year-olds sneaking vodka from the liquor cabinet, trying to get it all down, trying to get as fucked up as possible before we got caught.
Michelle Tea (Valencia)
Our time has changed, and it's changed and changed, and it continues to change so fast, that what was proper fifty years ago is not proper today. So the virtues of the past are the vices of today, and many of what were thought to be the vices of the past are the necessities of today. And the moral order has to catch up with the moral necessities of actual life in time, here and now, and that's what it's not doing, and that's why it's ridiculous to go back to the old-time religion.
Joseph Campbell (The Power of Myth)
Filip was from San Jose, but his painfully good looks excused that. He was tall, six-foot-something-or-other, intensely blue eyes, chiseled features, massive package. Didn't have Prince Albert in a Can, but he did have a thick gauged one through his cock head. His name really wasn’t Filip, it was Brent, an all-American moniker about as dark and mysterious as pastel-colored bobby socks. Initially, I joked about his choice of sobriquet, changing his name to go off to the big city, transform into Mr. Big Stuff, until it dawned on me I’d done the same damn thing with my ‘Catalyst’ surname. So I shut up. He comported himself with rigid shoulders and stiff gestures, as if he had a secret. Turns out he did. Filip was married, had a wife for more than a year now, but they had some kind of crazy arrangement. Days they were a couple; evenings they were free to do as they pleased. Where’d they come up with that idea, Jerry Springer?

 “If you wanted to go back to your place, we could,” Filip suggested. “But only until dawn.” Yeah, right. An affair is an affair, the way I see it. What difference is there between 5 and 7 a.m.? Was their marriage some sort of religious fasting thing, starve until the sun sets then binge and party down? I'd never sunk my teeth into married meat, but figured it was a logical progression from my I'm Not Gay But It's Different With You saga. And if I was going to sin, I was gonna sin good. That means no peeking to see whether it’s still dark outside.
Clint Catalyst (Pills, Thrills, Chills, and Heartache: Adventures in the First Person)
I don't think this place was everything my mother hoped for that day when she asked God where she should go to give her son the world. Though she didn't ford a river or hike across mountains, she still did what so many pioneers before had done, traveled recklessly, curiously, into the unknown of finding something just a little bit better. And like them she suffered and persevered, perhaps in equal measure. Whenever I looked at her, a castaway on the island of my queen-sized bed, it was hard for me to look past the suffering. It was hard for me not to take inventory of all that she had lost -- her home country, her husband, her son. The losses just kept piling up. It was hard for me to see her there, hear her ragged breath, and think of how she had persevered, but she had. Just lying there in my bed was a testament to her perseverance, to the fact that she survived, even when she wasn't sure she wanted to. I used to believe that God never gives us more than we can handle, but then my brother died and my mother and I were left with so much more; it crushed us. It took me many years to realize that it's hard to live in this world. I don't mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it's hard to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It's natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of "what we can handle" changes and our methods for how we handle it change, too, that's something of a miracle.
Yaa Gyasi (Transcendent Kingdom)
Of course, I think Legna tops this particular cake. You see, when Mind Demons teleport, they have to remember to teleport their clothes with them.” “Oh no . . .” “Oh, yes. Noah’s coronation anniversary. There is an incredible celebration every ten years, and everyone goes, even the most solitary of us. Legna was sixteen years old, and she was running late just like any typical teenager. She exploded into the room. Mind you, the display of a teleport in someone so young is ten times what you see her cause now, so she had everyone’s attention. That youngling blushed bright red in places I never thought a woman could blush. It was a most enlightening moment.” “I’ll bet!” Isabella giggled, her skin flushing in sympathetic embarrassment. “The poor thing!” “Well, Noah responded very fast, so I assure you she only had time for a quick blush before he covered her in smoke, blocking her from a multitude of very astonished eyes. We do not tease her about it, however. Noah actually passed a law saying we could not. It was the only way he could get her to go out in public again. I am risking my peace of mind telling you this. One chuckle in front of her, little flower, and you will doom me. So please . . .
Jacquelyn Frank (Jacob (Nightwalkers, #1))
It was like looking in a mirror. The same flickering hope in Loo, the same desperate need to be loved, was right here in Marshall's mother. And it was in Principal Gunderson, clutching Lily's waist in that old prom photo. And it was Agnes, pressing her feet into the stirrups, listening for her child's cry. And it was in Hawley, mourning with his scraps of paper in the bathroom. Their hearts were all cycling through the same madness—the discovery, the bliss, the loss, the despair—like planets taking turns in orbit around the sun. Each containing their own unique gravity. Their own force of attraction. Drawing near and holding fast to whatever entered their own atmosphere. Even Loo, penning her thousands of names way out at the edge of the universe, felt better knowing others were traveling this same elliptical course, that they would sometimes cross paths, that they would find love and lose love and recover from love and love again—because, if they were all going in circles, and Loo was Pluto, then every 248 years even she would have the chance to be closer to the sun.
Hannah Tinti (The Twelve Lives of Samuel Hawley)
So where did you go, Holly?” Rafiq never tires of this conversation, no matter how often we do it. “Everywhere,” says Lorelei, being brave and selfless. “Colombia, Australia, China, Iceland, Old New York. Didn’t you, Gran?” “I did, yes.” I wonder what life in Cartagena, in Perth, in Shanghai is like now. Ten years ago I could have streetviewed the cities, but the Net’s so torn and ragged now that even when we have reception it runs at prebroadband speed. My tab’s getting old, too, and I only have one more in storage. If any arrive via Ringaskiddy Concession, they never make it out of Cork City. I remember the pictures of seawater flooding Fremantle during the deluge of ’33. Or was it the deluge of ’37? Or am I confusing it with pictures of the sea sluicing into the New York subway, when five thousand people drowned underground? Or was that Athens? Or Mumbai? Footage of catastrophes flowed so thick and fast through the thirties that it was hard to keep track of which coastal region had been devastated this week, or which city had been decimated by Ebola or Ratflu. The news turned into a plotless never-ending disaster movie I could hardly bring myself to watch.
David Mitchell (The Bone Clocks)
A child is born with no state of mind Blind to the ways of mankind God is smilin' on you but he's frownin' too Because only God knows what you'll go through You'll grow in the ghetto livin' second-rate And your eyes will sing a song called deep hate The places you play and where you stay Looks like one great big alleyway You'll admire all the number-book takers Thugs, pimps and pushers and the big money-makers Drivin' big cars, spendin' twenties and tens And you'll wanna grow up to be just like them, huh Smugglers, scramblers, burglars, gamblers Pickpocket peddlers, even panhandlers You say I'm cool, huh, I'm no fool But then you wind up droppin' outta high school Now you're unemployed, all non-void Walkin' round like you're Pretty Boy Floyd Turned stick-up kid, but look what you done did Got sent up for a eight-year bid Now your manhood is took and you're a Maytag Spend the next two years as a undercover fag Bein' used and abused to serve like hell 'til one day, you was found hung dead in the cell It was plain to see that your life was lost You was cold and your body swung back and forth But now your eyes sing the sad, sad song Of how you lived so fast and died so young
Grandmaster Flash
The Jumblies I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, 'You'll all be drowned!' They called aloud, 'Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, 'O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, 'How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. 'O Timballo! How happy we are, When we live in a Sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, 'How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!' And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, 'If we only live, We too will go to sea in a Sieve,--- To the hills of the Chankly Bore!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
Edward Lear
There are various theories about why the years seem to pass faster as you get older. The most popular is also the most obvious. As you get older, each year is a smaller percentage of your life. If you are ten years old, a year is ten percent. If you are fifty years old, a year is two percent. But she read a theory that spurned that explanation. The theory states that time passes faster when we are in a set routine, when we aren't learning anything new, when we stay stuck in a life pattern. They key to making time slow down is to have new experiences. You may joke that the week you went on vacation flew by far too quickly, but if you stop and think about it, that week actually seemed to last much longer than one involving the drudgery of your day job. You are complaining about it going away so fast because you loved it, not because it felt as though time was passing faster. If you want to slow down time, this theory holds: If you want to make the days last, do something different. Travel to exotic locales. Take a class.
Harlan Coben (Don't Let Go)
Sam swore violently and began yanking on the grate cover again. “Come on,” he whispered, more to himself than to her. “Come on.” The water was around her waist now, and over her chest a moment after that. Rain continued streaming in through the grate, blinding her senses. “Sam,” she said. “I’m trying!” “Sam,” she repeated. “No,” he spat, hearing her tone. “No!” He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn’t going to come—not fast enough. She’d never given much thought to how she’d die, but drowning somehow felt fitting. It was a river in her native country of Terrasen that had almost claimed her life nine years ago—and now it seemed that whatever bargain she’d struck with the gods that night was finally over. The water would have her, one way or another, no matter how long it took.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Speaking more generally about what attracted him to bluegrass banjo, he said it was 'just the sound of the instrument, and then the fire, you know; the speed and all that. I was attracted by the intensity of it, really. And I was drawn to that incredible clarity-- when something is going along real fast and every note is absolutely clear. That, to me, was really amazing-- the Earl Scruggs instrumentals...' But Garcia refused to commit himself to just one style of music. Though bluegrass became his overriding obsession for about two years, he still dabbled in folk, old-timey and blues whenever the opportunity arose and there were players around.
Blair Jackson (Garcia : An American Life)
Why didn't you tell me?" "I know you won't believe it, but I thought it would be best for you. You were doing so well until I came back. I thought you could go back to how it was. You still can." "Don't say that,Becks.We're going to figure something out." "I know.Even so,I understand that it would've been easier for you if I'd never come back.Maybe you and Jules..." His grip on my arm tightened,and when he spoke,his voice wavered. "Becks. I crashed when you left.Jules held together the pieces,and I will love her forever for that.But if I was with her, it wouldn't be right." He grimaced. "She told me so herself, right before I left with Will. She knew." Jack pushed my hair out of my eyes and off my forehead. "Um,she knew what?" I could barely hear my own voice. "It's always been you,Becks. Nothing will change that,no matter how much time has passed." He glanced down. "No matter if you feel the same way or not. You know what,right?" I shook my head slowly,wanting desperately to believe him, but not sure if I could. "How can you not see that? Everyone sees it." He slid his hand down my arm and grabbed my fingers, holding them in his lip,tracing them. Staring at them. "Remember freshman year? How Bozeman asked you to the Spring Fling?" Bozeman. He was two years older than me. Played offensive lineman. His first name was Zachary, but nobody had called him that since the third grade. I'd been surprised he even knew my name, let alone asked me to the dance. "Of course I remember.You came with me to answer him." We doorbell-ditched Bozeman's house, leaving a two-liter bottle of Coke and a note that said I'd pop to go to the dance with you, or something like that. Bozeman had a reputation for fast hands, but he didn't try anything with me. In fact,he barely touched me at all, even at the fling.And he never asked me out again.Or even talked to me, really.It was weird. "Yeah,well,I didn't tell you, but Bozeman actually asked my permission." "Why?" "Because it was obvious to everyone, except you,how I felt about you.And then that night with the Coke on the porch...after I dropped you off at home, I paid Bozeman a visit." His cheeks went pink and he lowered his eyes. "And?" "Let's just say I rescinded my permission. I didn't realize how much it would bother me." His eyes met mine. I could only imagine what was said between Jack and the lineman, who was twice his size. "Don't be mad," Jack said. Like I'd be angry after everything we'd been through. "I...I'm telling you this because you have to know that it's always been you. And it will always be you.
Brodi Ashton (Everneath (Everneath, #1))
Sides of beef suspended from an overhead trolley swing toward a group of men. Each worker has a large knife in one hand and a steel hook in the other. They grab the meat with their hooks and attack it fiercely with their knives. As they hack away, using all their strength, grunting, the place suddenly feels different, primordial. The machinery seems beside the point, and what’s going on before me has been going on for thousands of years—the meat, the hook, the knife, men straining to cut more meat. On the kill floor, what I see no longer unfolds in a logical manner. It’s one strange image after another. A worker with a power saw slices cattle into halves as though they were two-by-fours, and then the halves swing by me into the cooler. It feels like a slaughterhouse now. Dozens of cattle, stripped of their skins, dangle on chains from their hind legs. My host stops and asks how I feel, if I want to go any further. This is where some people get sick.
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
But this is something quite new!" said Mrs. Munt, who collected new ideas as a squirrel collects nuts, and was especially attracted by those that are portable. "New for me; sensible people have acknowledged it for years. You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It's only when we see someone near us tottering that we realize all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin." "I call that rather cynical." "So do I. But Helen and I, we ought to remember, when we are tempted to criticize others, that we are standing on these islands, and that most of the others are down below the surface of the sea. The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June if Helen and Paul Wilcox had been poor people and could not invoke railways and motor-cars to part them." "That's more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed—from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them, and do steal them sometimes, and that what's a joke up here is down there reality—
E.M. Forster (Howards End)
There’s something else I’m curious about, Kelsey.” I smiled at him. “Sure, what else do you want to know?” “What exactly is going on between you and Ren?” A vise clamped down on my chest, but I tried to play it cool. “What do you mean?” “I mean, are you two more than just traveling companions? Are you together?” I clipped off a fast, “No. Definitely not.” He grinned. “Good!” He grabbed my hand and kissed it. “Then that means you’re free to go out with me. No girl in her right mind would want to be with Ren, anyway. He’s very…stuffy. Cold, as far as relationships go.” My mouth hung open for a minute, shocked, and then I felt anger shove the shock aside and take over. “First of all, I am not going to be with either one of you. Second, a girl would have to be crazy not to want Ren. You’re wrong about him. He’s not stuffy or cold. In fact, he’s considerate, warm, drop-dead gorgeous, dependable, loyal, sweet, and charming.” He raised an eyebrow and measure me thoughtfuly for a minute. I squirmed under his gaze, knowing that I had spoken too quickly and said way too much. He ventured carefully. “I see. You may be right. The Dhiren I know has surely changed in the past couple of hundred years. However, despite that and your insistent claim that you will not be with either one of us, I would like to propose that we go out and celebrate tonight, if not as my..what is the correct word?” “The word is date.” “Date. If not as my date…then, as my friend.” I grimaced. Kishan continued, pressing his point, “Surely, you won’t leave me to fend for myself on my first night back in the real world?” He smiled at me, encouraging my acceptance. I did want to be his friend, but I wasn’t sure what to say to his request. And for just a moment, I wondered how Ren would feel about it and what the consequences might be. I questioned, “Where exactly do you want to go to celebrate?” “Mr. Kadam said there’s a nightclub in town nearby with dinner and dancing. I thought we could celebrate there, maybe get something to eat, and you can teach me how to dance.” I laughed nervously. “This is my first time in India, and I don’t know a thing about dancing or the music here.” Kisham seemed even more delighted by that news. “Fantastic! Then we will learn together. I won’t take no for an answer.” He jumped up to rush off. I yelled, “Wait, Kishan! I don’t even know what to wear!” He shouted back over his shoulder, “Ask Kadam. He knows everything!
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
A potential dajjalic interruption is an excessive esoterism. All of these people on a grail quest and looking for the ultimate secret to Ibn Arabi’s 21st heaven and endlessly going into the most esoteric stuff without getting the basics right, that is also a fundamental error of our age because the nafs loves all sorts of spiritual stories without taming itself first. The tradition that was practiced in this place for instance (Turkey) was not by starting out on the unity of being or (spiritual realities). Of course not. You start of in the kitchen for a year and then you make your dhikr in your khanaqah and you’re in the degree of service. Even Shah Bahauddin Naqshband before he started who was a great scholar needed 21 years before he was ‘cooked’. But we want to find a shortcut. Everything’s a shortcut. Even on the computer there’s a shortcut for everything. Something around the hard-work and we want the same thing. Because there seems to be so little time (or so little barakah in our time) but there is no short cut unless of course Allah (SWT) opens up a door of paradise or a way for you to go very fast. But we can’t rely on that happening because it’s not common. Mostly it’s salook, constantly trudging forward and carrying the burden until it becomes something sweet and light. And that takes time, so the esoteric deviation is common in our age as well.
Abdal Hakim Murad
But how does the Atonement motivate, invite, and draw all men unto the Savior? What causes this gravitational pull-- this spiritual tug? There is a certain compelling power that flows from righteous suffering-- not indiscriminate suffering, not needless suffering, but righteous, voluntary suffering for another. Such suffering for another is the highest and purest form of motivation we can offer to those we love. Contemplate that for a moment: How does one change the attitude or the course of conduct of a loved one whose every step seems bent on destruction? If example fails to influence, words of kindness go unheeded, and the powers of logic are dismissed as chaff before the wind, then where does one turn... In the words of the missionary evangelist, E. Stanley Jones, suffering has "an intesnse moral appeal." Jones once asked Mahatma Gandhi as he sat on a cot in an open courtyard of Yervavda jail, "'Isn't your fasting a species of coercion?' 'Yes,' he said very slowly, 'the same kind of coercion which Jesus exercises upon you from the cross.'" As Jones reflected upon that sobering rejoinder, he said: "I was silent. It was so obviously true that I am silent again every time I think of it. He was prfoundly right. The years have clarified it. And I now see it for what it is: a very morally potent and redenptive power if used rightly. But it has to be used rightly.
Tad R. Callister (The Infinite Atonement)
Do you know how long a year takes when it’s going away?” Dunbar repeated to Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.” “Old?” asked Clevinger with surprise. “What are you talking about?” “Old.” “I’m not old.” “You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished. “Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. “Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?” “I do,” Dunbar told him. “Why?” Clevinger asked. “What else is there?
Joseph Heller
A definite pessimist believes the future can be known, but since it will be bleak, he must prepare for it. Perhaps surprisingly, China is probably the most definitely pessimistic place in the world today. When Americans see the Chinese economy grow ferociously fast (10% per year since 2000), we imagine a confident country mastering its future. But that’s because Americans are still optimists, and we project our optimism onto China. From China’s viewpoint, economic growth cannot come fast enough. Every other country is afraid that China is going to take over the world; China is the only country afraid that it won’t. China can grow so fast only because its starting base is so low. The easiest way for China to grow is to relentlessly copy what has already worked in the West. And that’s exactly what it’s doing: executing definite plans by burning ever more coal to build ever more factories and skyscrapers. But with a huge population pushing resource prices higher, there’s no way Chinese living standards can ever actually catch up to those of the richest countries, and the Chinese know it. This is why the Chinese leadership is obsessed with the way in which things threaten to get worse. Every senior Chinese leader experienced famine as a child, so when the Politburo looks to the future, disaster is not an abstraction. The Chinese public, too, knows that winter is coming. Outsiders are fascinated by the great fortunes being made inside China, but they pay less attention to the wealthy Chinese trying hard to get their money out of the country. Poorer Chinese just save everything they can and hope it will be enough. Every class of people in China takes the future deadly seriously.
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. 'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. 'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much. 'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. 'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio. 'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
There are cases that I just can't forget.....What it is. I don't know. I think it's the ones where something small changes everything. Where the tiniest act , the smallest space of time, the most inconsequential of decisions, changes a life. A split second separates the long-lost friends who either see or miss each other at an airport. And from that , a relationship does or does not develop, perhaps a lifetime partnership,, perhaps even children. Human beings who might or might not have existed. Whole lives built out of the most fragile of happenstance. And maybe that's why our lives are beautiful; why they're tragic. One perfect child can be born of an accidental encounter, and another lost to a split-second lapse in attention. If a motorist leans over to change a radio station at the same moment that it first occurs to a four year old that he can let go of his mother's hand as easily as hang onto it, and that if he lets go he will be across the road first, before his mother, and that she will certainly laugh and say, "How fast you are, Johnny!" If the child does this and the motorist does that , and if the world then changes forever and unbearably for everyone involved, then is that not life in its simplest form? That so little matters so much, and so much matters so little.
Laura McBride (We Are Called to Rise)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year
New Zealand Proverb
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
All this attempt to control... We are talking about Western attitudes that are five hundred years old... The basic idea of science - that there was a new way to look at reality, that it was objective, that it did not depend on your beliefs or your nationality, that it was rational - that idea was fresh and exciting back then. It offered promise and hope for the future, and it swept away the old medieval system, which was hundreds of years old. The medieval world of feudal politics and religious dogma and hateful superstitions fell before science. But, in truth, this was because the medieval world didn't really work any more. It didn't work economically, it didn't work intellectually, and it didn't fit the new world that was emerging... But now... science is the belief system that is hundreds of years old. And, like the medieval system before it, science is starting to not fit the world any more. Science has attained so much power that its practical limits begin to be apparent. Largely through science, billions of us live in one small world, densely packed and intercommunicating. But science cannot help us decide what to do with that world, or how to live. Science can make a nuclear reactor, but it can not tell us not to build it. Science can make pesticide, but cannot tell us not to use it. And our world starts to seem polluted in fundamental ways - air, and water, and land - because of ungovernable science... At the same time, the great intellectual justification of science has vanished. Ever since Newton and Descartes, science has explicitly offered us the vision of total control. Science has claimed the power to eventually control everything, through its understanding of natural laws. But in the twentieth century, that claim has been shattered beyond repair. First, Heisenberg's uncertainty principle set limits on what we could know about the subatomic world. Oh well, we say. None of us lives in a subatomic world. It doesn't make any practical difference as we go through our lives. Then Godel's theorem set similar limits to mathematics, the formal language of science. Mathematicians used to think that their language had some inherent trueness that derived from the laws of logic. Now we know what we call 'reason' is just an arbitrary game. It's not special, in the way we thought it was. And now chaos theory proves that unpredictability is built into our daily lives. It is as mundane as the rain storms we cannot predict. And so the grand vision of science, hundreds of years old - the dream of total control - has died, in our century. And with it much of the justification, the rationale for science to do what it does. And for us to listen to it. Science has always said that it may not know everything now but it will know, eventually. But now we see that isn't true. It is an idle boast. As foolish, and misguided, as the child who jumps off a building because he believes he can fly... We are witnessing the end of the scientific era. Science, like other outmoded systems, is destroying itself. As it gains in power, it proves itself incapable of handling the power. Because things are going very fast now... it will be in everyone's hands. It will be in kits for backyard gardeners. Experiments for schoolchildren. Cheap labs for terrorists and dictators. And that will force everyone to ask the same question - What should I do with my power? - which is the very question science says it cannot answer.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.
Kelley Armstrong (Rituals (Cainsville, #5))
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
Charles Portis (The Dog of the South)
Entrepreneurs who kept their day jobs had 33 percent lower odds of failure than those who quit. If you’re risk averse and have some doubts about the feasibility of your ideas, it’s likely that your business will be built to last. If you’re a freewheeling gambler, your startup is far more fragile. Like the Warby Parker crew, the entrepreneurs whose companies topped Fast Company’s recent most innovative lists typically stayed in their day jobs even after they launched. Former track star Phil Knight started selling running shoes out of the trunk of his car in 1964, yet kept working as an accountant until 1969. After inventing the original Apple I computer, Steve Wozniak started the company with Steve Jobs in 1976 but continued working full time in his engineering job at Hewlett-Packard until 1977. And although Google founders Larry Page and Sergey Brin figured out how to dramatically improve internet searches in 1996, they didn’t go on leave from their graduate studies at Stanford until 1998. “We almost didn’t start Google,” Page says, because we “were too worried about dropping out of our Ph.D. program.” In 1997, concerned that their fledgling search engine was distracting them from their research, they tried to sell Google for less than $2 million in cash and stock. Luckily for them, the potential buyer rejected the offer. This habit of keeping one’s day job isn’t limited to successful entrepreneurs. Many influential creative minds have stayed in full-time employment or education even after earning income from major projects. Selma director Ava DuVernay made her first three films while working in her day job as a publicist, only pursuing filmmaking full time after working at it for four years and winning multiple awards. Brian May was in the middle of doctoral studies in astrophysics when he started playing guitar in a new band, but he didn’t drop out until several years later to go all in with Queen. Soon thereafter he wrote “We Will Rock You.” Grammy winner John Legend released his first album in 2000 but kept working as a management consultant until 2002, preparing PowerPoint presentations by day while performing at night. Thriller master Stephen King worked as a teacher, janitor, and gas station attendant for seven years after writing his first story, only quitting a year after his first novel, Carrie, was published. Dilbert author Scott Adams worked at Pacific Bell for seven years after his first comic strip hit newspapers. Why did all these originals play it safe instead of risking it all?
Adam M. Grant (Originals: How Non-Conformists Move the World)
Loss aversion refers to the relative strength of two motives: we are driven more strongly to avoid losses than to achieve gains. A reference point is sometimes the status quo, but it can also be a goal in the future: not achieving a goal is a loss, exceeding the goal is a gain. As we might expect from negativity dominance, the two motives are not equally powerful. The aversion to the failure of not reaching the goal is much stronger than the desire to exceed it. People often adopt short-term goals that they strive to achieve but not necessarily to exceed. They are likely to reduce their efforts when they have reached an immediate goal, with results that sometimes violate economic logic. New York cabdrivers, for example, may have a target income for the month or the year, but the goal that controls their effort is typically a daily target of earnings. Of course, the daily goal is much easier to achieve (and exceed) on some days than on others. On rainy days, a New York cab never remains free for long, and the driver quickly achieves his target; not so in pleasant weather, when cabs often waste time cruising the streets looking for fares. Economic logic implies that cabdrivers should work many hours on rainy days and treat themselves to some leisure on mild days, when they can “buy” leisure at a lower price. The logic of loss aversion suggests the opposite: drivers who have a fixed daily target will work many more hours when the pickings are slim and go home early when rain-drenched customers are begging to be taken somewhere.
Daniel Kahneman (Thinking, Fast and Slow)
Doris loves Superman as well.unfortunately, she got knocked down by a van last year, and it was a big, long recovery for her, really. It took about six months, didn't it, before she was fully back to normal. She never gone back to normal. She's got a bionic leg now, which made her twice as fast and twice as stupid. You know, but she's just such good fun. But anyway,like she had a bit of a low point, you know, when she got really fed up, you know, with those stupid lampshade collars, you know, that they have on their head. Ugh, bumping into everything, she was walking about sighing. Ugh, like that, you know, and if you've ever been known or been with the terriers, but that ball of energy,you know, and she wasn't allowed to be for a walk or anything. It was awful. So to cheer her up, I bought her a little Superman outfit for dogs. When you get home, you look online. They are absolutely brilliant. You can get Wonder Woman and Darth Vader, all sorts. They're the funniest thing I have ever seen in my. The front paws, the front legs go in Super man's legs, you know, and it like covers up the paw with these little, red boot things on the bottom. And it comes up and ties around the neck, and there's tube stuff down from the front. So from the front, it's like a tiny, little Superman with a dog's head. And then, on the back there's this cape. So when she trots around, it looks like she's flying! Ah, it's brilliant! And she loves it. I couldn't get it off for about a week. It's honestly, they're absolutely brilliant, you must check it out. So anyway, tonight this is for Doris.
Kate Rusby
The bigger question now becomes, "so what? Who cares?" You will never have an infinite number of balls and you will never have a large enough urn to hold all of them. You will never build a lamp that can turn on and off arbitrarily fast. We cannot investigate time or space past a certain smallness, except when pretending, so what are supertasks, but recreational fictions, entertaining riddles? We can ask more questions than we can answer, so what? Well, here's what. Neanderthals. Neanderthals and humans, us, Homo sapiens, lived together in Europe for at least five thousand years. Neanderthals were strong and clever, they may have even intentionally buried their dead, but for hundreds of thousands of years, Neanderthals barely went anywhere. They pretty much just explored and spread until they reached water or some other obstacle and then stopped. Homo sapiens, on the other hand, didn't do that. They did things that make no sense crossing terrain and water without knowing what lay ahead. Svante Pääbo has worked on the Neanderthal genome at the Max Planck Institute for Evolutionary Anthropology and he points out that technology alone didn't allow humans to go to Madagascar, to Australia. Neanderthals built boats too. Instead, he says, there's "some madness there. How many people must have sailed out and vanished on the Pacific before you found Easter Island? I mean, it's ridiculous. And why do you do that? Is it for the glory? For immortality? For curiosity? And now we go to Mars. We never stop." It's ridiculous, foolish, maybe? But it was the Neanderthals who went extinct, not the humans.
Michael Stevens from VSauce
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
In roughly that same time period, while General George Armstrong Custer achieved world fame in failure and catastrophe, Mackenzie would become obscure in victory. But it was Mackenzie, not Custer, who would teach the rest of the army how to fight Indians. As he moved his men across the broken, stream-crossed country, past immense herds of buffalo and prairie-dog towns that stretched to the horizon, Colonel Mackenzie did not have a clear idea of what he was doing, where precisely he was going, or how to fight Plains Indians in their homelands. Neither did he have the faintest idea that he would be the one largely responsible for defeating the last of the hostile Indians. He was new to this sort of Indian fighting, and would make many mistakes in the coming weeks. He would learn from them. For now, Mackenzie was the instrument of retribution. He had been dispatched to kill Comanches in their Great Plains fastness because, six years after the end of the Civil War, the western frontier was an open and bleeding wound, a smoking ruin littered with corpses and charred chimneys, a place where anarchy and torture killings had replaced the rule of law, where Indians and especially Comanches raided at will. Victorious in war, unchallenged by foreign foes in North America for the first time in its history, the Union now found itself unable to deal with the handful of remaining Indian tribes that had not been destroyed, assimilated, or forced to retreat meekly onto reservations where they quickly learned the meaning of abject subjugation and starvation. The hostiles were all residents of the Great Plains; all were mounted, well armed, and driven now by a mixture of vengeance and political desperation. They were Comanches, Kiowas, Arapahoes, Cheyennes, and Western Sioux. For Mackenzie on the southern plains, Comanches were the obvious target: No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.
S.C. Gwynne (Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History)
He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.
Fannie Flagg (The Whole Town's Talking)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
Zenosyne. It's actually just after you're born that life flashes before your eyes. Entire aeons are lived in those first few months when you feel inseparable from the world itself, with nothing to do but watch it passing by. At first, time is only felt vicariously, as something that happens to other people. You get used to living in the moment, because there's nowhere else to go. But soon enough, life begins to move, and you learn to move with it. And you take it for granted that you're a different person every year, Upgraded with a different body...a different future. You run around so fast, the world around you seems to stand still. Until a summer vacation can stretch on for an eternity. You feel time moving forward, learning its rhythm, but now and then it skips a beat, as if your birthday arrives one day earlier every year. We should consider the idea that youth is not actually wasted on the young. That their dramas are no more grand than they should be. That their emotions make perfect sense, once you adjust for inflation. For someone going through adolescence, life feels epic and tragic simply because it is: every kink in your day could easily warp the arc of your story. Because each year is worth a little less than the last. And with each birthday we circle back, and cross the same point around the sun. We wish each other many happy returns. But soon you feel the circle begin to tighten, and you realize it's a spiral, and you're already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you're running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you'll still feel the seconds slipping away as you drift around the bend. Life is short. And life is long. But not in that order.
Sébastien Japrisot
The eccentric passion of Shankly was underlined for me by my England team-mate Roger Hunt's version of the classic tale of the Liverpool manager's pre-game talk before playing Manchester United. The story has probably been told a thousand times in and out of football, and each time you hear it there are different details, but when Roger told it the occasion was still fresh in his mind and I've always believed it to be the definitive account. It was later on the same day, as Roger and I travelled together to report for England duty, after we had played our bruising match at Anfield. Ian St John had scored the winner, then squared up to Denis Law, with Nobby finally sealing the mood of the afternoon by giving the Kop the 'V' sign. After settling down in our railway carriage, Roger said, 'You may have lost today, but you would have been pleased with yourself before the game. Shanks mentioned you in the team talk. When he says anything positive about the opposition, normally he never singles out players.' According to Roger, Shankly burst into the dressing room in his usual aggressive style and said, 'We're playing Manchester United this afternoon, and really it's an insult that we have to let them on to our field because we are superior to them in every department, but they are in the league so I suppose we have to play them. In goal Dunne is hopeless- he never knows where he is going. At right back Brennan is a straw- any wind will blow him over. Foulkes the centre half kicks the ball anywhere. On the left Tony Dunne is fast but he only has one foot. Crerand couldn't beat a tortoise. It's true David Herd has got a fantastic shot, but if Ronnie Yeats can point him in the right direction he's likely to score for us. So there you are, Manchester United, useless...' Apparently it was at this point the Liverpool winger Ian Callaghan, who was never known to whisper a single word on such occasions, asked, 'What about Best, Law and Charlton, boss?' Shankly paused, narrowed his eyes, and said, 'What are you saying to me, Callaghan? I hope you're not saying we cannot play three men.
Bobby Charlton (My Manchester United Years: The autobiography of a footballing legend and hero)
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
I like to watch Peter when he doesn’t know I’m looking. I like to admire the straight line of his jaw, the curve of his cheekbone. There’s an openness to his face, an innocence--a certain kind of niceness. It’s the niceness that touches my heart the most. It’s Friday night at Gabe Rivera’s house after the lacrosse game. Our school won, so everyone is in very fine spirits, Peter most of all, because he scored the winning shot. He’s across the room playing poker with some of the guys from his team; he is sitting with his chair tipped back, his back against the wall. His hair is still wet from showering after the game. I’m on the couch with my friends Lucas Krapf and Pammy Subkoff, and they’re flipping through the latest issue of Teen Vogue, debating whether or not Pammy should get bangs. “What do you think, Lara Jean?” Pammy asks, running her fingers through her carrot-colored hair. Pammy is a new friend--I’ve gotten to know her because she dates Peter’s good friend Darrell. She has a face like a doll, round as a cake pan, and freckles dust her face and shoulders like sprinkles. “Um, I think bangs are a very big commitment and not to be decided on a whim. Depending on how fast your hair grows, you could be growing them out for a year or more. But if you’re serious, I think you should wait till fall, because it’ll be summer before you know it, and bangs in the summer can be sort of sticky and sweaty and annoying…” My eyes drift back to Peter, and he looks up and sees me looking at him, and raises his eyebrows questioningly. I just smile and shake my head. “So don’t get bangs?” My phone buzzes in my purse. It’s Peter. Do you want to go? No. Then why were you staring at me? Because I felt like it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.
Emma Chase (Royally Matched (Royally, #2))
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
Hey - Duggie! Duggie! Duggie!" He came running up to me, sparkler in hand. I felt like sticking one on him, the cheeky bastard. Nobody called me Duggie. He held the sparkler up in front of my face and said, "Wait. Wait." I was already waiting. What else was there to do? "Here you are," he said. "Look! What's this?" At that precise moment, his sparkler fizzled out. I didn't say anything, so he supplied the answer himself. "The death of the socialist dream," he said. He giggled like a little maniac, and stared at me for a second or two before running off, and in that time I saw exactly the same thing I'd seen in Stubbs's eyes the day before. The same triumphalism, the same excitement, not because something new was being created, but because something was being destroyed. I thought about Phillip and his stupid rock symphony and I swear that my eyes pricked with tears. This ludicrous attempt to squeeze the history of the countless millennia into half an hour's worth of crappy riffs and chord changes suddenly seemed no more Quixotic than all the things my dad and his colleagues had been working towards for so long. A national health service, free to everyone who needed it. Redistribution of wealth through taxation. Equality of opportunity. Beautiful ideas, Dad, noble aspirations, just as there was the kernel of something beautiful in Philip's musical hodge-podge. But it was never going to happen. If there had ever been a time when it might have happened, that time was slipping away. The moment had passed. Goodbye to all that. Easy to be clever with hindsight, I know, but I was right, wasn't I? Look back on that night from the perspective of now, the closing weeks of the closing century of our second millennium - if the calendar of some esoteric and fast-disappearing religious sect counts for anything any more - and you have to admit that I was right. And so was Benjamin's brother, the little bastard, with his sparkler and his horrible grin and that nasty gleam of incipient victory in his twelve-year-old eyes. Goodbye to all that, he was saying. He'd worked it out already. He knew what the future held in store.
Jonathan Coe (The Rotters' Club)
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
This kind of parenting was typical in much of Asia—and among Asian immigrant parents living in the United States. Contrary to the stereotype, it did not necessarily make children miserable. In fact, children raised in this way in the United States tended not only to do better in school but to actually enjoy reading and school more than their Caucasian peers enrolled in the same schools. While American parents gave their kids placemats with numbers on them and called it a day, Asian parents taught their children to add before they could read. They did it systematically and directly, say, from six-thirty to seven each night, with a workbook—not organically, the way many American parents preferred their children to learn math. The coach parent did not necessarily have to earn a lot of money or be highly educated. Nor did a coach parent have to be Asian, needless to say. The research showed that European-American parents who acted more like coaches tended to raise smarter kids, too. Parents who read to their children weekly or daily when they were young raised children who scored twenty-five points higher on PISA by the time they were fifteen years old. That was almost a full year of learning. More affluent parents were more likely to read to their children almost everywhere, but even among families within the same socioeconomic group, parents who read to their children tended to raise kids who scored fourteen points higher on PISA. By contrast, parents who regularly played with alphabet toys with their young children saw no such benefit. And at least one high-impact form of parental involvement did not actually involve kids or schools at all: If parents simply read for pleasure at home on their own, their children were more likely to enjoy reading, too. That pattern held fast across very different countries and different levels of family income. Kids could see what parents valued, and it mattered more than what parents said. Only four in ten parents in the PISA survey regularly read at home for enjoyment. What if they knew that this one change—which they might even vaguely enjoy—would help their children become better readers themselves? What if schools, instead of pleading with parents to donate time, muffins, or money, loaned books and magazines to parents and urged them to read on their own and talk about what they’d read in order to help their kids? The evidence suggested that every parent could do things that helped create strong readers and thinkers, once they knew what those things were. Parents could go too far with the drills and practice in academics, just as they could in sports, and many, many Korean parents did go too far. The opposite was also true. A coddled, moon bounce of a childhood could lead to young adults who had never experienced failure or developed self-control or endurance—experiences that mattered as much or more than academic skills. The evidence suggested that many American parents treated their children as if they were delicate flowers. In one Columbia University study, 85 percent of American parents surveyed said that they thought they needed to praise their children’s intelligence in order to assure them they were smart. However, the actual research on praise suggested the opposite was true. Praise that was vague, insincere, or excessive tended to discourage kids from working hard and trying new things. It had a toxic effect, the opposite of what parents intended. To work, praise had to be specific, authentic, and rare. Yet the same culture of self-esteem boosting extended to many U.S. classrooms.
Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)