Old Cassette Quotes

I replay the memories like an old cassette, one that can never be thrown away no matter how damaged the tape becomes.

But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.

Now here is an oddity. A question for the zombie philosophers. What does it mean that my past is a fog but my present is brilliant, bursting with sound and color? Since I became Dead I've recorded new memories with the fidelity of an old cassette deck, faint and muffled and ultimately forgettable. But I can recall every hour of the last few days in vivid detail, and the thought of losing a single one horrifies me. Where am I getting this focus? This clarity? I can trace a solid line from the moment I met Julie all the way to now, lying next to her in this sepulchral bedroom, and despite the millions of past moments I've lost or tossed away like highway trash, I know with a lockjawed certainty I'll remember this one for the rest of my life.

The air of the islands, she believed, was different than the air of other regions of the world. It engulfed her now, carrying with it flavors of sun-drenched soil and foam-flecked sea, aromas of virgin woods and naked rocks, its tang of citrus trees and its fizz of foreign wine-misted lips. It carried in its pockets the sounds of children's laughter, the clatter of drunken brawls, the mandolin music thrumming sensually from decades-old cassette tapes in the colorful souvenir shops where old ladies and young women waved at passersby. It came from near and far, rebounding off the blue-white flag strapped to ferry masts rearing above the sparkling waters, glinting in the brown-eyed winks and twirled mustaches of the locals.

My maid was an old cassette tape that kept being recorded over.

She had gotten an old cassette of the music that day from the school library, which still carried a small and arbitrary assortment located in a drawer in the back marked CASSETTES—which at this point in time might have been marked SCRIMSHAW.

Roller Boogie is a relic from - when else? - the '70s. This is a tape I made for the eight-grade dance. The tape still plays, even if the cogs are a little creaky and the sound quality is dismal. It's a ninety-minute TDK Compact Cassette, and like everything else made in the '70s, it's beige. It takes me back to the fall of 1979, when I was a shy, spastic, corduroy-clad Catholic kid from the suburbs of Boston, grief-stricken over the '78 Red Sox. The words "douche" and "bag" have never coupled as passionately as they did in the person of my thirteen-yer-old self. My body, my brain, my elbows that stuck out like switchblades, my feet that got tangled in my bike spokes, but most of all my soul - these formed the waterbed where douchitude and bagness made love sweet love with all the feral intensity of Burt Reynolds and Rachel Ward in Sharkey's Machine.

But no, music lasted longer than anything it inspired. After LPs, cassettes, and CDs, when matrimony was about to decay into its component elements—alimony and acrimony—the songs startled him and regained all their previous, pre-Rachel meanings, as if they had not only conjured her but then dismissed her, as if she had been entirely their illusion. He listened to the old songs again, years later on that same dark promenade, when every CD he had ever owned sat nestled in that greatest of all human inventions, the iPod, dialed up and yielding to his fingertip’s tap. The songs now offered him, in exchange for all he had lost, the sensation that there was something still to long for, still, something still approaching, and all that had gone before was merely prologue to an unimaginably profound love yet to seize him. If there was any difference now, it was only that his hunger for music had become more urgent, less a daily pleasure than a daily craving.

Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So,

DILEMMA: Wiper fluid is good for clearing up most of the windshield, but it always leaves the edges even dirtier than before. SOLUTION: Remove the tape from a cassette—if you still have any around—shape it into a ball, stuff it into the foot of an old stocking, and tie the tip closed. You’ve just made your very own window wiper that won’t leave streaks and stains all over the place.

Suddenly hungry, I waved a goodbye to my new friend and headed for the open road once more. I slid in an old radio cassette and enjoyed a Jack Benny Christmas show. I was among the living again. It was a start.

My mind was an old cassette tape that kept being recorded over. Only wavering ghost notes from the old music came through.

They left Chickasaw Gardens and drove west with the traffic toward downtown, into the fading sun. They held hands, but said little. Mitch opened the sunroof and rolled down the windows. Abby picked through a box of old cassettes and found Springsteen. The stereo worked fine. “Hungry Heart” blew from the windows as the little shiny roadster made its way toward the river. The warm, sticky, humid Memphis summer air settled in with the dark. Softball fields came to life as teams of fat men with tight polyester pants and lime-green and fluorescent-yellow shirts laid chalk lines

Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So, I went out into the bright spring sunlight and taped a few minutes of the wren laying furious claim to his territory with song. Then I let him hear his own voice. That little bird, one- third the size of a sparrow, began to dive- bomb me and my cassette recorder, swooping back and forth, inches from the speaker. We saw a lot of that sort of behaviour, even in the absence of the tape recorder. If a larger bird ever dared to sit and rest in any of the trees near our birdhouse there was a good chance he would get knocked off his perch by a kamikaze wren.

If Zeidy isn’t home, Bubby sings. She hums wordless tunes in her thin, feathery voice as she skillfully whisks a fluffy tower of meringue in a shiny steel bowl. This one is a Viennese waltz, she tells me, or a Hungarian rhapsody. Tunes from her childhood, she says, her memories of Budapest. When Zeidy comes home, she stops the humming. I know women are not allowed to sing, but in front of family it is permitted. Still, Zeidy encourages singing only on Shabbos. Since the Temple was destroyed, he says, we shouldn’t sing or listen to music unless it’s a special occasion. Sometimes Bubby takes the old tape recorder that my father gave me and plays the cassette of my cousin’s wedding music over and over, at a low volume so she can hear if someone’s coming. She shuts it off at the merest sound of creaking in the hallway.