Yaw Homegoing Quotes

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Forgiveness, they shouted, all the while committing their wrongs. When he was younger, Yaw wondered why they did not preach that the people should avoid wrongdoing altogether.
Yaa Gyasi (Homegoing)
Forgiveness, they shouted, all the while committing their wrongs. When he was younger, Yaw wondered why they did not preach that the people should avoid wrongdoing altogether. But the older he got, the better he understood. Forgiveness was an act done after the fact, a piece of the bad deed’s future. And if you point the people’s eye to the future, they might not see what is being done to hurt them in the present.
Yaa Gyasi (Homegoing)
When someone does wrong, whether it is you or me, whether it is mother or father, whether it is the Gold Coast man or the white man, it is like a fisherman casting a net into the water. He keeps only the one or two fish that he needs to feed himself and puts the rest back in the water, thinking that their lives will go back to normal. No one forgets that they were once captive, even if they are now free. But still, Yaw, you have to let yourself be free.
Yaa Gyasi (Homegoing)
But the girl shook her head, clucked her tongue in distaste. 'If I marry him, my children will be ugly,' she declared. That night, lying next to Edward in his room, Yaw listened as his best friend told him that he had explained to the girl that you could not inherit a scar. Now, nearing his fiftieth birthday, Yaw no longer knew if he believed this was true.
Yaa Gyasi (Homegoing)
Esther had been the one to encourage his homecoming. She said it had something to do with forgiveness, but Yaw wasn’t certain that he believed in forgiveness. He heard the word most on the few days he went to the white man’s church with Edward and Mrs. Boahen and sometimes with Esther, and so it had begun to seem to him like a word the white men brought with them when they first came to Africa. A trick their Christians had learned and spoke loudly and freely about to the people of the Gold Coast. Forgiveness, they shouted, all the while committing their wrongs. When he was younger, Yaw wondered why they did not preach that the people should avoid wrongdoing altogether. But the older he got, the better he understood. Forgiveness was an act done after the fact, a piece of the bad deed’s future. And if you point the people’s eye to the future, they might not see what is being done to hurt them in the present.
Yaa Gyasi (Homegoing)
Since they'd met five years before, Esther had been the one to encourage his homecoming. She said it had something to do with forgiveness, but Yaw wasn't certain that he believed in forgiveness. He heard the word most on the few days he went to the white man's church with Edward and Mrs. Boahen and sometimes with Esther, so it had begun to seem to him like a word the white men brought with them when they first came to Africa. A trick their Christians had learned and spoke loudly and freely about to the people of the Gold Coast. Forgiveness, they shouted, all the while committing their wrongs. When he was younger, Yaw wondered why they did not preach that the people should avoid wrongdoing altogether. But the older he got the better he understood. Forgiveness was an act done after the fact, a piece of the bad deed's future. And if you point the people's eye to the future, they might not see what is being done to hurt them in the present.
Yaa Gyasi (Homegoing)
Yaw realised that it was not his scar that terrified her, but rather the problem of language, a marker of her education, her class, compared with his. She had been terrified that for the teacher of the white book, she would have to speak the white tongue. Now, released from English, Esther smiled more brightly than Yaw had seen anyone smile in ages. He could see the large, proud gap that stood in the doorway between her two front teeth, and he found himself training his gaze through that door as though he could see all the way down into her throat, her gut, the home of her very soul.
Yaa Gyasi (Homegoing)
Yaw wasn't certain that he believed in forgiveness. He heard the word most on the few days he went to the white man's church with Edward and Mrs. Boahen and sometimes with Esther, and so it had begun to seem to him like a word the white men brought with them when they first came to Africa. A trick their Christians had learned and spoke loudly and freely about to the people of the Gold Coast. Forgiveness, they shouted, all the while committing their wrongs. When he was younger, Yaw wondered why they did not preach that the people should avoid wrongdoing altogether. But the older he got, the better he understood. Forgiveness was an act done after the fact, a piece of the bad deed's future. And if you point the people's eye to the future, they might not see what is being done to hurt them in the present.
Yaa Gyasi (Homegoing)
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
Her body began to slip into an easy stance, and Yaw realized that it was not his scar that had terrified her, but rather the problem of language, a marker of her education, her class, compared with his. She had been terrified that for the teacher of the white book, she would have to speak the white tongue. Now, released from English, Esther smiled more brightly than Yaw had seen anyone smile in ages. He could see the large, proud gap that stood like a doorway between her two front teeth, and he found himself training his gaze through that door as though he could see all the way down into her throat, her gut, the home of her very soul.
Yaa Gyasi (Homegoing)
When someone does wrong, whether it is you or me, whether it is mother or father, whether it is the Gold Coast man or the white man, it is like a fisherman casting a net into the water. He keeps only the one or two fish that he needs to feed himself and puts the rest in the water, thinking their lives will go back to normal. No one forgets that they were once captive, even if they are now free. But still, Yaw, you have to let yourself be free.
Yaa Gyasi (Homegoing)
Yaw listened as his best friend told him that he had explained to the girl that you could not inherit a scar. Now, nearing his fiftieth birthday, Yaw no longer knew if he believed this was true.
Yaa Gyasi (Homegoing)
Yaw had been reading more and more about the black people of America’s movement toward freedom, and he was attracted to the rage that lit each sentence of their books on fire. He wanted that from his book. An academic rage. All he could seem to muster was a long-winded whine.
Yaa Gyasi (Homegoing)
Hello?” a confused voice called. A woman who looked older than Yaw, carrying a clay bowl, rounded the corner. When she saw Yaw, saw his scar, she gasped, and the bowl fell to the ground, shattering, scattering pieces of red clay from the door all the way into the garden. Tiny pieces of clay that they would never find, that would be absorbed into that earth from which they came.
Yaa Gyasi (Homegoing)
When someone does wrong, whether it is you or me, whether it is mother or father, whether it is the Gold Coast man or the white man, it is like a fisherman casting a net into the water. He keeps only the one or two fish that he needs to feed himself and puts the rest in the water, thinking that their lives will go back to normal. No one forgets that they were once captive, even if they are now free. But still, Yaw, you have to let yourself be free.
Yaa Gyasi (Homegoing)
Yaw’s, her long box braids a curtain, hiding their faces. Theirs was a comfortable love. A love that didn’t require fighting or hiding.
Yaa Gyasi (Homegoing)
When Marjorie had asked her father again when he had known he liked Esther, he said he had always known. He said it was born in him, that he breathed it in with the first breeze of Edweso, that it moved in him like the harmattan.
Yaa Gyasi (Homegoing)
Yaw looked at her surprised, but she simply smiled. “When someone does wrong, whether it is you or me, whether it is mother or father, whether it is the Gold Coast man or the white man, it is like a fisherman casting a net into the water. He keeps only the one or two fish that he needs to feed himself and puts the rest in the water, thinking that their lives will go back to normal. No one forgets that they were once captive, even if they are now free. But still, Yaw, you have to let yourself be free.
Yaa Gyasi (Homegoing)
Yaw was fifty-five, which meant she would be seventy-six, but she seemed younger. Her eyes had the unburdened look of the young, and her smile was generous, yet wise. When she stood up her back was straight, her bones not yet hunched from the weight of each year. When she walked toward him, her limbs were fluid, not stiff, the joints never halting. And when she touched him, when she took his hands in her own, her scarred and ruined hands, when she rubbed the backs of his hands with her crooked thumbs, he felt how softer her own burns were, how very, very soft.
Yaa Gyasi (Homegoing)
On the first day of the second term, Yaw watched the new students amble in. They were always well-behaved children, these boys, having been handpicked for their brightness or their wealth in order to attend school, learn the white man’s book. In the walkways, on the way to his classroom, they would be so boisterous that it was possible to imagine them as they must have been in their villages, wrestling and singing and dancing before they knew what a book was, before their families knew that a book was a thing a child could want—need, even. Then, once they reached the classroom, once the textbooks were placed on their small wooden desks, they would grow quiet, spellbound. They were so quiet on that first day that Yaw could hear the baby birds on his window ledge, begging to be fed.
Yaa Gyasi (Homegoing)
I'm too old to go to America now. Too old for revolution, too. Besides, if we go to the white man for school, we will just learn the way the white man wants us to learn. We will come back and build the country the white man wants us to build. One that continues to serve them. We will never be free.
Yaa Gyasi (Homegoing)