“
Derek caught my arm again as I started to move--at this rate, it was going to be as sore as my injured one.
"Dog," he said, jerking his chin toward the fenced yard. "It was inside earlier."
Expecting to see a Doberman slavering at the fence, I followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. It wasn't even barking, just staring at us, dancing in place.
"Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
Closing the gate on her oldest fears as she had closed the gate of her own fenced yard, she discovered the wings she'd always wished she had.
”
”
Natalie Babbitt (Tuck Everlasting)
“
Tom appeared on the sidewalk with a bucket of whitewash and a long-handled brush. He surveyed the fence, and all gladness left him and a deep melancholy settled down upon his spirit. Thirty yards of board fence nine feet high. Life to him seemed hollow, and existence but a burden.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
It's a funny thing about bogs. You can fill them with rocks and sand and old logs and make a little fenced-in yard on top with a woodpile and chopping block - but bogs go right on behaving like bogs. Early in the spring they breathe ice and make their own mist, in remembrance of the time when they had black water and their own sedge blossoming untouched.
”
”
Tove Jansson (The Summer Book)
“
What a charming place!” Bess remarked, as they reached a small, white, two-story colonial house surrounded by a white picket fence with a gate. Flowers, especially old-fashioned American varieties, grew in profusion in the front yard.
”
”
Carolyn Keene (The Clue in the Old Stagecoach (Nancy Drew Mystery Stories, #37))
“
What was once a home she had taken apart one piece at a time, one day...She sold her belongings for money to buy food. First the luxuries: a small statue, a picture. Then the items with more utility: a lamp, a kettle. Clothes left the closet at a rate of a garment a day…she burned everything in the basement first; then everything in the attic. It lasted weeks, not months. Though tempted, she left the roof alone. She stripped the second floor, and the stairs. She extracted every possible calorie from the kitchen. she wasn’t working alone, because neighbourhood pirates simultaneously stole anything of value outside: door and window frames, fencing, stucco. They pillaged her yard. Breaking in was a boundary her neigbours had not yet crossed. But the animals had. Rats and mice and other vermin found the cracks without much effort. Like her, they sought warmth and scraps of food. With great reluctance, she roasted the ones she could catch. She spent her nights fighting off the ones that escaped.
”
”
John Payton Foden (Magenta)
“
Good fences make good neighbors, and these were apparently good enough that they had not felt the need for razor wire at the top. I crested the fence, threw myself into the yard beyond, fell, rolled to my feet, and ran with the expectation of being garroted by a taut clothesline.
I heard panting, looked down, and saw a gold retriever running at my side, ears flapping. The dog glanced up at me tongue rolling, grinning, as though jazzed by the prospect of an unscheduled play session.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
Our old people noticed this from the beginning. They said that the white man lived in a world of cages, and that if we didn't look out, they would make us live in cages too.
So we started noticing. Everything looked like cages. Your clothes fit like cages. Your houses looked like cages. You put your fences around your yards so they looked like cages. Everything was a cage. You turned the land into cages. Little squares.
Then after you had all these cages you made a government to protect these cages. And that government was all cages. All laws about what you couldn't do. The only freedom you had was inside your own cage. Then you wondered why you weren't happy and didn't feel free. You made all the cages, the you wondered why you didn't feel free.
”
”
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
“
Out along the dim six-o’clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so’s not to be sent tumbling away a couple of blocks like an empty cardboard grocery box.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
To take the tops off all the houses and mingle our miseries was too simple a solution, I knew. Houses had windows with shades. Yards had gates and fences. There were carefully planned out sidewalks and roads, and these were the paths that, if you chose to go into someone else's reality, you had to be willing to walk. There were no shortcuts.
”
”
Alice Sebold (The Almost Moon)
“
Sir? What are you doing?” I asked. “Investigating,” Jackaby replied flatly. “Well, you can’t just walk into someone’s yard unannounced. Besides, doesn’t investigating usually involve questioning people?” “I’ve nothing against people as a general rule, but people don’t tend to have the sort of answers I’m looking for.” The fence post just above Jackaby’s head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. “Of course, people do have a way of surprising you from time to time,” my employer added. The
”
”
William Ritter (Beastly Bones (Jackaby, #2))
“
In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.
”
”
Mokokoma Mokhonoana
“
My anxiety house a house and a fence and a deer in the yard. A zip code. A plague of starlings.
”
”
Kristy Bowen (Feign)
“
My biggest Buff Orpinton rooster is on the small corral fence letting the world know he is in charge, all puffed up and sassy. There is nothing more silly than a rooster taking over the world, but every day he things he can. I wonder if we are just a little part of the world, like that rooster, and that the real things go on around us while we strut in our own yards trying to take charge of things.
”
”
Nancy E. Turner
“
I turn away and stare through the window at the field where the scotch broom creeps yellow as hell toward my doorstep. Six years and it has advanced from the hinterlands to the picket fence in the back yard. Six more years and it will have chewed this house to the foundation, braided my bones in its hair.
”
”
Laird Barron (The Imago Sequence and Other Stories)
“
I urge you to imagine the interlaced abundance if, throughout suburbia, every stockade fence, every chain-linked boundary, were to be buried in varied greenery and each of them and every hedge transformed into a hedgerow. I ask you, at least, to open the door to some first guest that your party might begin.
”
”
Sara Bonnett Stein (Noah's Garden: Restoring the Ecology of Our Own Back Yards)
“
Through the barbed-wire fences surrounding the camp, I could look out and sometimes see the children of the German officers strutting back and forth, wearing their Hitler Youth uniforms and singing songs praising the Führer, Adolf Hitler. They were so exuberant, so full of life, while just a few yards away from them I was exhausted
”
”
Leon Leyson (The Boy on the Wooden Box: How the Impossible Became Possible . . . on Schindler's List (No Series))
“
And then there will be the times when I see you laughing. Like the time you’ll be playing with the neighbor’s puppy, poking your hands through the chain-link fence separating our back yards, and you’ll be laughing so hard you’ll start hiccupping. The puppy will run inside the neighbor’s house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and you’ll shriek and start laughing again. It will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring.
”
”
Ted Chiang (Lightspeed Magazine, December 2012)
“
I'll tell you what kind of red hair he had. I started playing golf when I was only ten years old. I remember once, the summer I was around twelve, teeing off and all, and having a hunch that if I turned around all of a sudden, I'd see Allie. So I did, and sure enough, he was sitting on his bike outside the fence--there was this fence that went all around the course--and he was sitting there, about a hundred and fifty yards behind me, watching me tee off. That's the kind of red hair he had.
”
”
J.D. Salinger (The Catcher in the Rye)
“
He sat down in the grass. I pointed at the row of trees that lined the fence to the left of the yard. "You see that tree over there?" In the middle of the row of trees was a oak tree that stood taller than all the rest of the trees. Atlas glanced over at it and dragged his eyes all the way up the top of the tree. "It grew on its own," I said. "Most plants do need a lot of care to survive. But some things, like trees, are strong enough to do it by just relying on themselves and nobody else.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands.
Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs.
Those who go there to be guards are conscripted via the military conscription centers.
And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest.
Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity?
The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest."
If you are arrested, can anything else remain unshattered by this cataclysm?
But the darkened mind is incapable of embracing these displacements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience,
can gasp out only: "Me? What for?"
And this is a question which, though repeated millions and
millions of times before, has yet to receive an answer.
Arrest is an instantaneous, shattering thrust, expulsion, somersault from one state into another.
We have been happily borne—or perhaps have unhappily
dragged our weary way—down the long and crooked streets of
our lives, past all kinds of walls and fences made of rotting wood,
rammed earth, brick, concrete, iron railings. We have never given
a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is
where the Gulag country begins, right next to us, two yards away
from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these
fences. All those gates were prepared for us, every last one! And
all of a sudden the fateful gate swings quickly open, and four
white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap,
ear, and drag us in like a sack, and the gate behind us, the gate to
our past life, is slammed shut once and for all.
That's all there is to it! You are arrested!
And you'll find nothing better to respond with than a lamblike
bleat: "Me? What for?"
That's what arrest is: it's a blinding flash and a blow which
shifts the present instantly into the past and the impossible into
omnipotent actuality.
That's all. And neither for the first hour nor for the first day
will you be able to grasp anything else.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
“
But what if your kid runs into the street in front of a car? Don't you have to use Method I?" ... If a child develops a habit of running into the street, a parent might first try to talk to the child about the dangers of cars, walk her around the edge of the yard, and tell her that anything beyond is not safe, show her a picture of a child hit by a car, build a fence around the yard, or watch her when she is playing in the front yard for a couple of days, reminding her each time she goes beyond the limits. Even if I took the punishment approach, I would never risk my child's life on the assumption that punishment alone would keep her from going into the street. I would want to employ more certain methods in any event.
”
”
Thomas Gordon (Parent Effectiveness Training: The Proven Program for Raising Responsible Children)
“
You right! You one hundred percent right! I done spent the last seventeen years worrying about what you got. Now it’s your turn, see? I’ll tell you what to do. You grown . . . we don established that. You a man. Now, let’s see you act like one. Turn your behind around and walk out this yard. And when you get out there in the alley . . . you can forget about this house. See? Cause this is my house. You go on and be a man and get your own house. You can forget about this. You can forget about this. ‘Cause this is mine. You go on and get yours because I’m through with doing for you.
”
”
August Wilson (Fences (The Century Cycle, #6))
“
The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch,
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
What we're doing - waving a "Keep Out!" flag at the Mexican border while holding up a Help Wanted sign a hundred yards in - is deliberate. Spending billions building fences and walls, locking people up like livestock, deporting people to keep the people we don't want out, tearing families apart, breaking spirits - all of that serves a purpose.
”
”
Jose Antonio Vargas (Dear America: Notes of an Undocumented Citizen)
“
I played around our yard some and talked to the fence posts, sung songs and made the weeds sing . . . —WOODY GUTHRIE
”
”
Richard Louv (Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder)
“
we leaned against the fence, basking in what passed for normal with us. A werewolf pack in my back yard, a wizard grilling steaks,
”
”
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
“
Sometimes he wished he didn’t have a sister, though he loved Deenie and still remembered the feeling he had when he caught that kid Ethan pushing her off the swing set in the school yard in fifth grade. And how time seemed to speed up until he was shoving the kid into the fence and tearing his jacket. The admiring look his sister gave him after, the way his parents pretended to be mad at him but he could tell they weren’t.
These days, it was pretty different. There’d be those moments he was forced to think about her not just as Deenie but as the girl whose slender tank tops hung over the shower curtain. Like bright streamers, like the flair the cheerleaders threw at games.
Sometimes he wished he didn’t have a sister.
”
”
Megan Abbott (The Fever)
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
He scraped through the dark sand to the center house, two stories, both pouring bands of light into the fog. There was warmth and gaiety within, through the downstairs window he could see young people gathered around a piano, their singing mocking the forces abroad on this cruel night. She was there, proptected by happiness and song and the good. He was separated from her only by a sand yard and a dark fence, by a lighted window and by her protectors.
He stood there until he was trembling with pity and rage. Then he fled, but his flight was slow as the flight in a dream, impeded by the deep sand and the blurring hands of the fog. He fled from the goodness of that home, and his hatred for Laurel throttled his brain. If she had come back to him, he would not be shut out, an outcast in a strange, cold world.
”
”
Dorothy B. Hughes (In a Lonely Place)
“
I think that places, like people, ought to have boundaries. Who ever said that gardening was a public activity, anyway? Gardening, like making love, feels a lot better than it looks. Nobody buys tickets to gardening competitions. There's no such thing as the Gardening Olympics. There is no gold medal in Speed Weeding or Double Digging. Maybe there should be, but I wouldn't compete in a gardening Olympiad for all the compost in China. I go through ungainly contortions when I garden. I squat. I crawl around on my hands and knees. Most of the time I bend over, upended. That angle may be flattering to a Dallas Cowboy cheerleader, but it is not flattering to me.
”
”
Cassandra Danz (Mrs. Greenthumbs: How I Turned a Boring Yard into a Glorious Garden and How You Can, Too)
“
The invigorating energy in fresh-cut grass and cool, crisp chlorine filled Wendell’s nostrils as they lounged by the pool in Evan’s back yard. Looking past the back fence the wild grass bowed to the playful persuasion of the warm summer breeze and the corn lilies and columbines bounced their jeweled heads, laughing and teasing butterflies. Even the Cooper’s hawk atop a nearby fence post, content with feasting on a woodpecker knew, it was a perfect day.
”
”
Jaime Buckley (Prelude to a Hero (Chronicles of a Hero, #0.5))
“
We knew that Cecilia had killed herself because shewas a misfit, because the beyond called to her, and we knew that hersisters, once abandoned, felt her calling from that place, too. But evenas we make these conclusions we feel our throats plugging up, becausethey are both true and untrue. So much has been written about the girlsin the newspapers, so much has been said over back-yard fences, orrelated over the years in psychiatrists' offices, that we are certainonly of the insufficiency of explanations.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Today when I was walking down an endless maze of white picket fences back to the train station, a little boy playing in his front yard runs up to the fence and looks at me...looks at me with eyes that take it all in...maybe he will say,
'Start writing. On the train. Tonight. In that gay little journal you carry around with you. It's what you naturally do, ever since the sixth grade, except this time it will be notes for this book. You'll be like a huge 33 year old goony sixth grader with a book deal writing on some lame ass commuter train. Now Go! Go on!'
Whatever he says, he will deliver the message that all of us have lost the ability to say in our jaded adult lives. Maybe how our lives finally change but only when it is right for our lives to change. That we are not in control of this thing. I look back at him just before making my turn on the last part of my walk toward the train. It feels like slow motion as he sizes me up that one last time. He opens his mouth and the words come out: 'Hey mister, why dont you have a car?'
Oh, man.
”
”
Dan Kennedy
“
My bad!" Charlie yelled as he jogged over. "I'll get it."
I held out a hand. "Don't you fucking dare."
"Still with that?" Charlie said, grinning and shaking his head like I was pathetic.
I was pathetic.
"I just enjoy messing with my neighbor, that's all."
"Sure it is."
I ignored him and charged over the fence, easily climbing it and dropping right into the Buxbaums' yard. The tree Liz was parked under was on the other side, bordering the other neighbors' fence, and she was facing
my direction.
The football was in the grass right beside her.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that.
Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all.
But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
”
”
Philip K. Dick (A Scanner Darkly)
“
and it lay just far enough away to seem a Delectable Land, dreamy, reposeful, and inviting. Tom appeared on the sidewalk with a bucket of whitewash and a long-handled brush. He surveyed the fence, and all gladness left him and a deep melancholy settled down upon his spirit. Thirty yards of board fence nine
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all.
That's all there is to it! You are arrested!
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
His father had explained to him and Jordan, very early on, his objections to the school system. “It’s not awful,” Bruce had said. “It’s a mixed bag. But there are twenty-five kids in a class, at least, which means the learning is inefficient. If you’re bright, you’re slowed down by the fact that other kids can’t move at your pace. And in part because there are so many kids, they run the schools like factories, or, dare I say, jails. You’re put in lines, moved when the bells ring, allowed to run around in a high-fenced yard once a day. None of this is conducive to deep thinking or creativity. You start to go deep into a subject, and a bell rings to pull you out of it.
”
”
Ann Napolitano (Dear Edward)
“
And in part because there are so many kids, they run the schools like factories, or, dare I say, jails. You’re put in lines, moved when the bells ring, allowed to run around in a high-fenced yard once a day. None of this is conducive to deep thinking or creativity. You start to go deep into a subject, and a bell rings to pull you out of it.
”
”
Ann Napolitano (Dear Edward)
“
There was an open gate a little way along, and Lyra could have followed him, bit she hung back unwillingly. Pantalaimon looked at her, and then became a badger. She knew what he was doing. Dæmons could move no more than a few yards from their humans, and if she stood by the fence and he remained a bird, he wouldn't get near the bear; so he was going to pull. She felt angry and miserable. His badger claws dug into the earth and he walked forwards. It was such a strange tormenting feeling when your dæmon was pulling at the link between you; part physical pain deep in the chest, part intense sadnessmand love. And she knew it was the same for him. Everyone tested it when they were growing up: seeing how far they could apart, coming back with intense relief. He tugged a little harder. "Don't, Pan!" But he didn't stop. The bear watched motionless. The pain in Lyra's heart grew more and more unbearable, and a sob of longing rose in her throat. "Pan –" then she was through the gate, scrambling over the icy mud towards him, and he turned into a wildcat and sprang up into her arms, and then they were clinging together tightly with little shaky sounds of unhappiness coming from both. "I thought you really would –" "No –" "I couldn't belief how much it hurt–" and then she brushed away the tears angrily and sniffed hard. He nestled in her arms, and she knew she would rather die than let them be parted and face that sadness again; it would send her mad with grief and terror.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
The house lies on the outskirts of the desert community, lone and isolated. A strong wind blows over the surrounding land, swirling dust demons across the darkness of the fields. In the black of sky, a million stars tremble around the full moon. In the split rail fence encircling the large yard, the front gate stands open; as the wind moves it, the wood seems to be alive, shivering. He
”
”
Alexandra Sokoloff (Blood Moon (The Huntress/FBI Thrillers, #2))
“
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
We went to Old Bull Lee’s house outside town near the river levee. It was on a road that ran across a swampy field. The house was a dilapidated old heap with sagging porches running around and weeping willows in the yard; the grass was a yard high, old fences leaned, old barns collapsed. There was no one in sight. We pulled right into the yard and saw washtubs on the back porch. I got out and went to the screen door.
”
”
Jack Kerouac (On the Road)
“
As I've always said to Talyn, tough times never last. But tough Andarions. I learned that from watching you as a boy. Your parents, grandparents, and Keris treated you like shit and yet you never once spoke against them. You'd just lift your chin and carry on. 'Barking dogs don't bother me,' you used to say. 'Sooner or later, they reach the end of their yard and hit a fence. I'll keep going past it, and won't hear them anymore.
”
”
Sherrilyn Kenyon (Born of Betrayal (The League: Nemesis Rising, #8))
“
Flocks of magpies have descended on our yard. I cannot sleep for all their raucous behavior. Perched on weathered fences, their green-black tales, long as rulers, wave up and down, reprimanding me for all I have not done.
I have done nothing for weeks. I have no work. I don't want to see anyone much less talk. All I want to do is sleep.
Monday, I hit rock-bottom, different from bedrock, which is solid, expansive, full of light and originality. Rock-bottom is the bottom of the rock, the underbelly that rarely gets turned over; but when it does, I am the spider that scurries from daylight to find another place to hide.
Today I feel stronger, learning to live with the natural cycles of a day and to not expect so much from myself. As women, we hold the moon in our bellies. It is too much to ask to operate on full-moon energy three hundred and sixty-five days a year. I am in a crescent phase. And the energy we expend emotionally belongs to the hidden side of the moon....
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are—a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.
”
”
Charles Dickens (David Copperfield)
“
But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it.
”
”
Philip K. Dick (A Scanner Darkly)
“
Each day, as she passed the house whose number she claimed, she looked at it with gratitude and affection. On windy days, when papers blew before it, she went about picking up the debris and depositing it in the gutter before the house. Mornings after the rubbish man had emptied the burlap bag and had carelessly tossed the empty bag on the walk instead of in the yard, Francie picked it up and hung it on a fence paling. The people who lived in the house came to look on her as a quiet child who had a queer complex about tidiness. Francie
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
It's be when you first learn to walk that I get daily demonstrations of the asymmetry in our relationship. You'll be incessantly running off somewhere, and each time you walk into a door frame or scrape your knee, the pain feels like it's my own. It'll be like growing an errant limb, an extension of myself whose sensory nerves report pain just fine, but whose motor nerves don't convey my commands at all. It's so unfair: I'm going to give birth to an animated voodoo doll of myself. I didn't see this in the contract when I signed up. Was this part of the deal?
And then there will be the times when I see you laughing. Like the time you'll be playing with the neighbor's puppy, poking your hands through the chain-link fence separating our back yards, and you'll be laughing so hard you'll start hiccuping. The puppy will run inside the neighbor's house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and you'll shriek and start laughing again. it will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring.
Now if only I can remember that sound the next time your blithe disregard for self-preservation gives me a heart attack.
”
”
Ted Chiang (Stories of Your Life and Others)
“
But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life lacking all of that.
Probably he should have regretted his decision. He had not.
”
”
Philip K. Dick (A Scanner Darkly)
“
is something a friend once told me. She said that every single one of us at birth is given an emotional acre all our own. You get one, your awful Uncle Phil gets one, I get one, Tricia Nixon gets one, everyone gets one. And as long as you don’t hurt anyone, you really get to do with your acre as you please. You can plant fruit trees or flowers or alphabetized rows of vegetables, or nothing at all. If you want your acre to look like a giant garage sale, or an auto-wrecking yard, that’s what you get to do with it. There’s a fence around your acre, though, with a gate, and if people keep coming onto your land and sliming it or trying to get you to do what they think is right, you get to ask them to leave. And they have to go, because this is your acre.
”
”
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
“
Of course, she didn’t remember them; she’d never been introduced to them. Only knew them as Tallskinnyblonde and the rest. She felt like seaweed dragged on a line but managed to smile and say hello. This was the opportunity for which she’d waited. Here she was standing among the friends she wanted to join. Her mind fought for words, something clever to say that might interest them. Finally, two of them greeted her coolly and turned abruptly away, the others following quickly like a school of minnows finning down the street. “Well, so here we are,” Chase said. “I don’t want to interrupt anything. I’ve just come for supplies, then back home.” “You’re not interrupting. I just ran into them. I’ll be out on Sunday, like I said.” Chase shifted his feet, fingered the shell necklace. “I’ll see you then,” she said, but he’d already turned to catch the others. She hurried toward the market, stepping around a family of mallard ducks waddling down Main Street, their bright feet surprisingly orange against the dull pavement. In the Piggly Wiggly, pushing the vision of Chase and the girl from her head, she rounded the end of the bread aisle and saw the truant lady, Mrs. Culpepper, only four feet away. They stood there like a rabbit and a coyote caught together in a yard fence. Kya was now taller than the woman and much more educated, though neither would have thought of that. After all the running, she wanted to bolt, but stood her ground and returned Mrs. Culpepper’s stare. The woman nodded slightly, then moved on.
”
”
Delia Owens (Where the Crawdads Sing)
“
It was in the summer that one really lived. Then all the little overcrowded houses were opened wide, and the wind blew through them with sweet, earthy smells of garden-planting. The town looked as if it had just been washed. People were out painting their fences. The cottonwood trees were a-flicker with sticky, yellow little leaves, and the feathery tamarisks were in pink bud. With the warm weather came freedom for everybody. People were dug up, as it were. The very old people, whom one had not seen all winter, came out and sunned themselves in the yard. The double windows were taken off the houses, the tormenting flannels in which children had been encased all winter were put away in boxes, and the youngsters felt a pleasure in the cool cotton things next their skin.
”
”
Willa Cather (The Song of the Lark)
“
Falling into this elaborate daydream about me and Heather Craven forever after. Imagining us as married professionals with our six towheaded children running loose in our suburbanite home as surrounded by a lush yard and fenced. Walking toward the door yelling, “Honey, I’m home!” and having Heather answer my call. Imagining the family dog jumping me, slobbering over in greeting and my laughing heartily as I was knocked to the ground. At one point getting so steeped in the fantasy that I actually found myself troubleshooting marital problems in advance, arguing with the fantasy love of my life before the dog grew on me over whether we should even have a dog; wasn’t six dependents enough? Losing the argument and then reluctantly accepting this new intrusion and competitor for Heather’s affections.
”
”
Tommy Walker (Monstrous: The Autobiography of a Serial Killer but for the Grace of God)
“
a good story, I’ll give you that. So, how many times have you done this sort of thing? Send the inbred trash out ahead on the road to spook up unsuspecting travelers and you all hang back, jerking each other off, waiting to ambush anyone that makes it past them?” The wounded man looked away, ignoring Shane’s comments. “Don’t worry kid, I won’t kill ya today. But if I catch you in a lie, or if I find more of your inbred cousins at this camp, I will make the last moments of your life very painful,” Shane said in a calm voice. “Why are you doing this?” Shane feigned laughter and ignored the question. “What’s your name kid?” “Kyle,” he answered. “Kyle, everything I do, I do for her.” “You kill for her?” “No, I protect her and I destroy anything that tries to harm her—” “It’s right up here, follow the white fence,” Kyle interrupted using his neck to point out a quickly approaching high fence skinned in white sheet metal. The fence was tall and set back off the road. Mounds of stacked cars and other junk could be seen piled high at points. Shane slowed the car and carefully eased over to the shoulder of the road. He put the car in park and killed the engine. Shane sat silently for a minute, hushing Kyle when he tried to speak. He opened the door and slowly walked to the front of the car while listening for sounds. He climbed onto the hood and moved to the roof of the sedan. He could just barely see inside the compound. As it appeared from the outside, it was definitely a scrap yard. Piles of sorted metal were scattered around a central building while rows of smashed and stacked cars made up the far sides of the lot. From
”
”
W.J. Lundy (Something To Fight For (Whiskey Tango Foxtrot, #5))
“
One late afternoon, we crossed a creek and came upon a thicket of trees in the middle of a pasture quite a ways from Marlboro Man’s homestead. As I looked more closely, I saw that the trees were shrouding a small white house. A white picket fence surrounded the lot, and as we drove closer to the property, I noticed movement in the yard. It was a large, middle-aged woman, with long, gray hair cascading down her shoulders. She was pushing a lawn mower around her yard, and two wagtail dogs yipped and followed her every step. Most notably, she was wearing only underwear and what appeared to be a late model Playtex bra. And as we passed by her house, she glanced up at us for a moment…then kept on mowing.
Trying to appear nonchalant, I asked Marlboro Man, “So…who was that?” Maybe this could be the start of another story.
He looked at me and replied, “I have absolutely no idea.”
We never spoke of her again.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
She followed the truck down the highway, and finally onto a road which wound through the barren hills at the foot of the mountains. It was nearly sunset when the girls entered a rocky pass and came out high above a valley. At the far side loomed a huge mountain with a group of low buildings nestled at its foot. Bess pointed to them. “There’s the ranch, and that’s Shadow Mountain.” “I see how they got their names,” said Nancy. “The great peak throws its shadow over the whole valley.” Half an hour later, they drove through a weather-beaten wooden gate into the ranch yard. Nancy pulled up to the ranch house, a long, one-story adobe building with a vine-covered portico across the front. To the north of the house were the corral and stable. Beyond these stretched a large meadow, bordered by a wire fence. In the opposite direction lay the bunkhouse, and south of this, some distance away, a smaller, enclosed meadow. In it cattle were grazing.
”
”
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
“
In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, on even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It lashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that.
”
”
Philip K. Dick (A Scanner Darkly)
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
It did not take long for the entire town of Beldingsville to learn that the great New York doctor had said Pollyanna Whittier would never walk again; and certainly never before had the town been so stirred. Everybody knew by sight now the piquant little freckled face that had always a smile of greeting; and almost everybody knew of the "game" that Pollyanna was playing. To think that now never again would that smiling face be seen on their streets—never again would that cheery little voice proclaim the gladness of some everyday experience! It seemed unbelievable, impossible, cruel. In kitchens and sitting rooms, and over back-yard fences women talked of it, and wept openly. On street corners and in store lounging-places the men talked, too, and wept—though not so openly. And neither the talking nor the weeping grew less when fast on the heels of the news itself, came Nancy's pitiful story that Pollyanna, face to face with what had come to her, was bemoaning most of all the fact that she could not play the game; that she could not now be glad over—anything. It was then that the same thought must have, in some way, come to Pollyanna's friends. At all events, almost at once, the mistress of the Harrington homestead, greatly to her surprise, began to receive calls: calls from people she knew, and people she did not know; calls from men, women, and children—many of whom Miss Polly had not supposed that her niece knew at all. Some came in and sat down for a stiff five or ten minutes. Some stood awkwardly on the porch steps, fumbling with hats or hand-bags, according to their sex. Some brought a book, a bunch of flowers, or a dainty to tempt the palate. Some cried frankly. Some turned their backs and blew their noses furiously. But all inquired very anxiously for the little injured girl; and all sent to her some message—and it was these messages which, after a time, stirred Miss Polly to action. First came Mr. John Pendleton. He came without his crutches to-day. "I don't need to tell you how shocked I am," he began almost harshly. "But can—nothing be done?" Miss Polly gave a gesture of despair. "Oh, we're 'doing,' of course, all the time. Dr. Mead prescribed certain treatments and medicines that might help, and Dr. Warren is carrying them out to the letter, of course. But—Dr. Mead held out almost no hope.
”
”
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
“
Then the guy in the yard opened the slider and stepped inside, and the back of Reacher’s brain showed him the whole chess game right there, laid out, obvious, like flashing neon arrows, in immense and grotesque detail, the snap pivot left and the round into the meat of the yard guy’s chest, where it was less likely than a head shot to go through-and-through, which was good, given a neighborhood behind them full of wooden fences, but where it was more likely to soak the Lair family with thick pink mist, from behind, hair and all, which wasn’t good, because it would be traumatic, especially during such a week, except on reflection Reacher figured the week was already pretty much a disaster from that exact point onward, given that the chess game said there would be a dead guy at that very moment sliding to the floor of their private house, even as the homeowner-owned Python was snapping right again for two rounds at where the silhouette of the shoulder had been, which two rounds might or might not hit anything, but which would give a second’s cover for the scramble around the sofa and the capture of the dead guy’s Ruger, for a total of three rounds expended and fifteen gained.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all.
But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
”
”
Philip K. Dick
“
July I watch eagerly a certain country graveyard that I pass in driving to and from my farm. It is time for a prairie birthday, and in one corner of this graveyard lives a surviving celebrant of that once important event. It is an ordinary graveyard, bordered by the usual spruces, and studded with the usual pink granite or white marble headstones, each with the usual Sunday bouquet of red or pink geraniums. It is extraordinary only in being triangular instead of square, and in harboring, within the sharp angle of its fence, a pin-point remnant of the native prairie on which the graveyard was established in the 1840’s. Heretofore unreachable by scythe or mower, this yard-square relic of original Wisconsin gives birth, each July, to a man-high stalk of compass plant or cutleaf Silphium, spangled with saucer-sized yellow blooms resembling sunflowers. It is the sole remnant of this plant along this highway, and perhaps the sole remnant in the western half of our county. What a thousand acres of Silphiums looked like when they tickled the bellies of the buffalo is a question never again to be answered, and perhaps not even asked. This year I found the Silphium in first bloom on 24 July, a week later than usual; during the last six years the average date was 15 July. When I passed the graveyard again on 3 August, the fence had been removed by a road crew, and the Silphium cut. It is easy now to predict the future; for a few years my Silphium will try in vain to rise above the mowing machine, and then it will die. With it will die the prairie epoch. The Highway Department says that 100,000 cars pass yearly over this route during the three summer months when the Silphium is in bloom. In them must ride at least 100,000 people who have ‘taken’ what is called history, and perhaps 25,000 who have ‘taken’ what is called botany. Yet I doubt whether a dozen have seen the Silphium, and of these hardly one will notice its demise. If I were to tell a preacher of the adjoining church that the road crew has been burning history books in his cemetery, under the guise of mowing weeds, he would be amazed and uncomprehending. How could a weed be a book? This is one little episode in the funeral of the native flora, which in turn is one episode in the funeral of the floras of the world. Mechanized man, oblivious of floras, is proud of his progress in cleaning up the landscape on which, willy-nilly, he must live out his days. It might be wise to prohibit at once all teaching of real botany and real history, lest some future citizen suffer qualms about the floristic price of his good life. * * *
”
”
Aldo Leopold (Aldo Leopold: A Sand County Almanac & Other Writings on Conservation and Ecology (Library of America, #238))
“
A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road.
This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing.
Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.
”
”
June Mottershead (Our Zoo)
“
Close to midnight, I gather up Kitty and the puppy and the sparklers. We put on heavy coats and I make Kitty wear a hat. “Should we put a hat on Jamie too?” she asks me.
“He doesn’t need one,” I tell her. “He’s already got on a fur coat.”
The stars are out by the dozen; they look like faraway gems. We’re so lucky to live by the mountains the way we do. You just feel closer to the stars. To heaven.
I light up sparklers for each of us, and Kitty starts dancing around the snow making a ring of fire with hers. She’s trying to coax Jamie to jump through but he isn’t having it. Al he wants to do is pee around the yard. It’s lucky we have a fence, or I bet he’d pee his way down this whole block.
Josh’s bedroom light is on. I see him in the window just as he opens it and calls out, “Song girls!”
Kitty hollers, “Wanna light a sparkler?”
“Maybe next year,” Josh calls back. I look up at him and wave my sparkler, and he smiles, and there’s just this feeling of all rightness between us. One way or another, Josh will be in our lives. And I’m certain, I’m so suddenly certain that everything is exactly the way it’s supposed to be, that I don’t have to be so afraid of good-bye, because good-bye doesn’t have to be forever.
When I’m back in my room in my flannel nightgown, I get out my special flowy pen and my good thick stationery, and I start to write. Not a good-bye letter. Just a plain old love letter.
Dear Peter…
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The President of the United States had just been murdered -- and he, Virgil Edward Hoffman, had seen the men who did it. There was always a chance that someone else could have seen them, too, but even in the distress of the moment, Ed somehow doubted it. All he knew for certain was that he had to make sure the two men didn't get away with their unspeakable deed. They had to be caught and made to pay, he thought, as the image of the mortally wounded President flashed before his mind's eye and made him shudder. It was all Ed could do to keep from running across the busy freeway toward where he had last seen the two men. But logic told him that it was too far, and there were too many obstacles in the way. He knew he would never make it. As the limousine roared on past with its tragic cargo, Ed's eyes darted back to the area behind the wooden fence -- just in time to witness the final act unfolding in the deadly tableau 150 yards away. "The train man was still standing there. I could see him very plainly. I watched him take the gun apart. I don't know how he did it because I don't know anything about guns, but he dismantled it and put it inside the brown suitcase. Then he started running, too. He ran off to the north, into the railroad yards. I managed to keep him in sight until he ran behind a train. He ran right around the caboose and disappeared, and after that I couldn't see him anymore.
”
”
Bill Sloan (The Kennedy Conspiracy: 12 Startling Revelations About the JFK Assassination)
“
I don't respond. Instead, I chuck my shoes over the fence and start to climb.
When I was twelve, I could climb fences pretty quick. Especially growing up in Tampa where we would hop fences to get to each other's yards. But I'm not even halfway up and i'm winded, my foot has slipped more than once, and I can only imagine what I look like from below.
"Shit!" I yell as my toe misses the next opening. Nicole's laughter fills the air. "Stop laughing and start climbing!"
"This is priceless," she laughs harder. "Wait. Let me get my camera!"
"Nicole! We need to get out of here in case he comes looking for me."
"Fine. Fine. Chicken shit." Her shoes fly over my head, and the entire fence shakes. "You owe me."
"Stop moving!" I try not to laugh, but it's futile. This is hysterical. "I'm going to pee," tears fall from my eyes as I hold on.
"I need a Go-Pro for the next time we go out."
"I hate you," I say between giggles.
She purposely rocks back, causing me to almost fall. "You only wish you did."
"If I fall..." I warn as I sway and try to climb higher.
"It'll be what you deserve for making me climb a freaking fence at one in the morning!"
The amount of ways that I'm going to pay for this is unimaginable. My co-workers saw me being sung to on stage, I'm sure one of the guys from my squad caught me going backstage, I'm going to have scrapes from climbing a fence, and Nicole will never let me live this down.
I reach the top, one leg swung over on one side and one still in Eli-land. And that's when I hear him. "You're just going to run out?" Eli's voice is filled with disbelief. "Just like that?
”
”
Corinne Michaels (We Own Tonight (Second Time Around, #1))
“
Time management also involves energy management. Sometimes the rationalization for procrastination is wrapped up in the form of the statement “I’m not up to this,” which reflects the fact you feel tired, stressed, or some other uncomfortable state. Consequently, you conclude that you do not have the requisite energy for a task, which is likely combined with a distorted justification for putting it off (e.g., “I have to be at my best or else I will be unable to do it.”).
Similar to reframing time, it is helpful to respond to the “I’m not up to this” reaction by reframing energy. Thinking through the actual behavioral and energy requirements of a job challenges the initial and often distorted reasoning with a more realistic view. Remember, you only need “enough” energy to start the task. Consequently, being “too tired” to unload the dishwasher or put in a load of laundry can be reframed to see these tasks as requiring only a low level of energy and focus.
This sort of reframing can be used to address automatic thoughts about energy on tasks that require a little more get-up-and-go. For example, it is common for people to be on the fence about exercising because of the thought “I’m too tired to exercise.” That assumption can be redirected to consider the energy required for the smaller steps involved in the “exercise script” that serve as the “launch sequence” for getting to the gym (e.g., “Are you too tired to stand up and get your workout clothes? Carry them to the car?” etc.). You can also ask yourself if you have ever seen people at the gym who are slumped over the exercise machines because they ran out of energy from trying to exert themselves when “too tired.” Instead, you can draw on past experience that you will end up feeling better and more energized after exercise; in fact, you will sleep better, be more rested, and have the positive outcome of keeping up with your exercise plan. If nothing else, going through this process rather than giving into the impulse to avoid makes it more likely that you will make a reasoned decision rather than an impulsive one about the task.
A separate energy management issue relevant to keeping plans going is your ability to maintain energy (and thereby your effort) over longer courses of time. Managing ADHD is an endurance sport. It is said that good soccer players find their rest on the field in order to be able to play the full 90 minutes of a game. Similarly, you will have to manage your pace and exertion throughout the day. That is, the choreography of different tasks and obligations in your Daily Planner affects your energy. It is important to engage in self-care throughout your day, including adequate sleep, time for meals, and downtime and recreational activities in order to recharge your battery. Even when sequencing tasks at work, you can follow up a difficult task, such as working on a report, with more administrative tasks, such as responding to e-mails or phone calls that do not require as much mental energy or at least represent a shift to a different mode. Similarly, at home you may take care of various chores earlier in the evening and spend the remaining time relaxing.
A useful reminder is that there are ways to make some chores more tolerable, if not enjoyable, by linking them with preferred activities for which you have more motivation. Folding laundry while watching television, or doing yard work or household chores while listening to music on an iPod are examples of coupling obligations with pleasurable activities. Moreover, these pleasant experiences combined with task completion will likely be rewarding and energizing.
”
”
J. Russell Ramsay (The Adult ADHD Tool Kit)
“
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it.
The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove.
Our newly found army pay was spent on a bar tab in the local pub.
We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway!
When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly.
What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads.
I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter.
From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again.
It was ridiculous, but kept me fit--and Trucker amused.
Fun days.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that.
Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all.
But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
”
”
Philip K. Dick
“
knew that she was picturing the lonely dogs at the shelter. She felt her own eyes fill up. Lizzie could remember so many times when she had left the shelter at the end of the day feeling so, so sorry for all the dogs she could not take home with her. But then Aunt Amanda shook her head. “Still, I just can’t let Pugsley drive all the other dogs crazy. Did you see him stealing everybody’s toys last time you were here? He kept stashing them over behind the slide. There must have been ten toys over there by the end of the day!” Lizzie nodded. “I saw,” she said. She had also seen Max and another dog, Ruby, sniffing all over, looking for their toys. Mr. Pest was a troublemaker, no doubt about it. But still. Pugsley was just a puppy. And he didn’t know any better because nobody had ever taught him the right way to behave. Maybe she, Lizzie, could help Pugsley become a dog that somebody would be happy to own. “What if I tried to train him a little bit, during the days when I’m here?” she asked Aunt Amanda. Aunt Amanda shook her head. “I think Ken is serious about giving him up,” she said. “Pugsley won’t be coming here anymore.” She put her hand on Lizzie’s shoulder. “I know you care,” she said. “So do I. But there’s really nothing we can do. Let’s go see what everybody’s up to. I think it’s time for some outdoor play.” Lizzie tried to smile. She loved taking the dogs outside to the fenced play yard out in back. “Can Pugsley come?” she asked. “Of course!” Aunt Amanda smiled back. “What fun would it be without Mr. Pest?” Then her smile faded. Lizzie knew what Aunt Amanda was thinking. And she agreed. Bowser’s Backyard just would not be the same without Pugsley around. Yes, it would be calmer. But it would not be as much fun. Aunt Amanda was right. “She’s right, isn’t she, Mr. Pest?” Lizzie said, when she found the pug in the nap room. He was quiet for once, curled up with Hoss on the bottom bunk. They looked so cute together! Lizzie sat down for a moment to pat the tiny pug and the gigantic Great Dane. They made such a funny pair! Aunt Amanda had told Lizzie that when she first opened Bowser’s Backyard she thought it would be a good idea to separate the big dogs from the little ones. But the dogs wanted to be together! They whined at the gates that kept them apart until Aunt Amanda gave up and let them all mingle. From then on, big dogs and little dogs wrestled, played, and napped together
”
”
Ellen Miles (Pugsley (The Puppy Place, #9))
“
I think about that often.
I think about the boots and the bones, and how I didn't want to be so lowly as to stoop down and help another human being take off their layers of mud. to wind up with their dirt on my hands.
I think that's because for a long time I believed freedom looked like getting to a place where none of the people were muddy. Where everyone was shiny and clean and took care of their own front yards. Where everywhere you looked, there were white picket fences and perfectly manicured pansies lining the front walkway.
...
And then I think about God and what neighborhood He would live in.
I think about Jesus washing the feet of the disciples. Those dusty busted-up, sandal-blistered feet they rolled up with to His supper table. I think about the Savior of the world kneeling there at His last meal, before His body was broken and His blood was poured out, first making sure that none of them had to walk around with muddy feet.
At this I picture Jesus kneeling at the feet of my father.
I think about the conversation those two might have. I think about the care Jesus would take in removing those heavy weights from around Dad's ankles. how He would hold all those broken parts in His light-filled hands and weep with Dad for all the pain he'd been walking around with. I think He would tell him that He sees how hard he's been fighting to hold it all together, sees all the sacrifices that he's made. I think Jesus would sit with him there for a while in the mud, not even caring about Dad's boots leaving marks all up and down His crisp, white robes.
There comes a time when every person who believes in God also has to decide what kind of character they believe He has.
Is He a cold and distant God, withholding every good thing, just waiting for the chance to take back what little He has given?
Is He a God who only gives out begrudging scraps of joy after first putting you in very hot water, His red-letter way of ensuring that you've been washed clean?
Or is He a God who sits with you in the mud, who stoops to serve before the sacrifice?
I used to think freedom looked a lot like being around people who aren't muddy.
Now I realize we're all pretty muddy and maybe just a little bit broken too, no matter what kind of place we call home.
And when it comes right down to it, getting each other's mud on our hands--this serving one another in love--that's what true freedom has always been about anyway.
Because love, like integrity, is also about what we do when no one else is looking.
And how we do anything is how we do everything.
”
”
Mary Marantz (Dirt: Growing Strong Roots in What Makes the Broken Beautiful)
“
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
”
”
George Eliot (Middlemarch)
“
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist.
Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back
fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on.
Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground.
En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet.
'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.'
Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit.
They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard.
Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
”
”
Jeff Rice (The Night Stalker)
“
Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.
”
”
R.A. Dickey (Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball)
“
massive complex. It was surrounded by an electrified fence with warnings every few yards, and there was no way for any of them to tell just how big the FEMA Camp was, because only a dome was seen. First, the bus stopped at a guard station. The guards directed the bus towards a place that had all the busses stopping just inside of the structure. They stopped at a dropping-off point, where other people could be seen being directed to go somewhere deeper into the structure. “All right, everyone off.
”
”
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
“
We landed in the grass near the fence, several yards away from the worn path that the Amity trucks travel to deliver food to the city, and the gate that lets them out—the gate that is currently shut, locking us in. The fence towers over us, too high and flexible to climb over, too sturdy to knock down. “There are supposed to be Dauntless guards here,” says Marcus. “Where are they?” “They were probably under the simulation,” Tobias says, “and are now . . .” He pauses. “Who knows where, doing who knows what.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
He’s by the fence over there,” Stephen pointed to a legless man a few feet away by the gate to the inn’s yard. Harry had undone himself from his board and was sitting with his leg stumps splayed out, whittling on a small piece of wood. Already its end resembled the figure of a man tugging a noose about his neck. Harry was only a few years older than Stephen, hardly thirty, but with a ratty beard that hung down to his chest, wild hair and crazy blue eyes, he seemed far older. He had been a free farmer once, but then a cart had rolled over his legs. Gangrene had set in and a barber surgeon amputated both legs above the knee. Most men would have died, but Harry had held on. He was a beggar now.
”
”
Jason Vail (The Wayward Apprentice (Stephen Attebrook Mysteries #1))
“
A large Rottweiler tied to a fencepost at the far end of the salvage yard pricked its ears up and growled, but only for a second. The sound, the terrible screeching, caused the dog to cower against the yard’s security fence and whimper like a scared pup. Beneath the car, the rat lay on its back, legs kicking furiously, clawing at the air, a high-pitched squeal escaping its open maw, much too loud to be produced by its tiny lungs. Its head lolled from side to side and its tongue flapped about like a meaty whip. Beneath the rat’s coarse hair, bones were snapping, rearranging, fusing. Muscles were flexing, ripping, building. Cells ruptured and then re-formed. DNA strands resequenced, and resequenced again. Something was being born, at the same time something else was dying.
”
”
Chuck Grossart (The Gemini Effect)
“
Hope kicked things off by asking if we had heard the story about Jesus playing golf with Saint Peter. “They’re teeing off on the 180-yard par-three sixth hole. Saint Peter hits a perfect five iron ten feet from the cup. Jesus then shanks his five iron out of bounds and it’s heading over a fence. Suddenly an eagle flies overhead, and before the ball can land in the bushes, the eagle plucks it in midair and circles the green. A moment later, the bird drops the ball directly on the green. And it rolls right into the cup for a hole in one. Saint Peter looks at Jesus and says, ‘All right—are you going to play golf or are you just going to fuck around?
”
”
Henry Bushkin (Johnny Carson)
“
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
All trials, hardships, and suffering come into the life of the believer with divine permission and forethought; they’ll last exactly as long as they were planned to last. In essence, there is a white picket fence around all of our yards.
”
”
Rick James (A Million Ways to Die: The Only Way to Live)
“
Chinese authorities built green chain-link fences around the perimeter of the U.S. embassy compound in Beijing to prevent defections. Barbed wire was strewn across the tops of the fences and the fences were set a few yards outside the main walls in order to ensure that North Koreans would fall between the newly built fence and the old wall if they tried to jump it.
”
”
Victor Cha (The Impossible State: North Korea, Past and Future)
“
a man I could be proud of. I hoped that someday he would give up his dream of winning Evelyn back and find another partner to share his life. Then, there was Donna. She was a strange, independent child, coming and going as she wanted, living where she chose, but I loved her and was proud of her, too. So I counted my failures and counted my blessings. It wasn’t a regular prayer, but I finally was able to sleep so I could face the next day. Chapter 69 George spent more and more time in the back yard, talking to Stella over the fence. I didn’t pay that much attention to it. In his late seventies, he didn’t ask me for relations anymore, and that was a relief to me. One Tuesday in 1958 I came out of the basement door carrying a basket of laundry. When I opened the door, George was in Stella’s yard, his hands cupped around her face, kissing her on the cheek. Stella was leaning into him, with an easy familiarity.
”
”
Donna Foley Mabry (Maude)
“
To this day, the smell of October calls up in me the dusky streets of my childhood, bicycles lying on wet leaves, jumping fences and running through yards, the darkness of my own home, sneaking out into the night, the longing to strike into something dangerous, heroic.
”
”
Joseph A. Turkot (Neighborhood Watch)
“
nervous twitch that was starting in her lower lid. “My dog got out of my yard through the fence.” She pointed towards the corner of the backyard where the gap in the fence abutted the edge. She shoved her hand out toward the man. “I’m Lexy Baker.” His eyebrows shot up. “You’re Mona’s granddaughter?” She nodded, taking his hand. It was warm
”
”
Leighann Dobbs (Lexy Baker: Books 1-4 (Lexy Baker, #1-4))
“
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man
”
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Carl Safina (Beyond Words: What Animals Think and Feel)
“
Everything looked like cages. Your clothes fit like cages. Your houses looked like cages. You put fences around your yards so they looked like cages. Everything was a cage. You turned the land into cages. Little squares.
Then after you had all these cages you made a government to protect these cages. And that government was all cages. All laws about what you couldn’t do. The only freedom you had was inside your own cage. Then you wondered why you weren’t happy and didn’t feel free. You made all the cages, then you wondered why you didn’t feel free.
”
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Kent Nerburn
“
In the beginning, some brothers could sea the sea if they stood on their sink and looked through their window. In the rec yard, I found that if I lay down on my stomach in the corner, I could tear away a tiny piece of green tarp covering the fence and steal glimpses of a turquoise sea. I told my brothers and soon many of us would lie down and spend our recreation time looking at the sea through that small secret window. Eventually the guards noticed the hole.
"Why can I look at the sea?" I asked the watch commander when he caught me.
"It's for your own safety and security," he said through an interpreter. I suspected he thought Osama bin Laden might land on the beach one day with an al Qaeda army and break us all out. America was supposed to be a smart country, but the things we believed made us question this.
”
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Mansoor Adayfi (Don't Forget Us Here: Lost and Found at Guantanamo)
“
Then I notice, about a hundred yards away, to my right, a tall, black metal fence and, beyond, some buildings.
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Jeffery Deaver (Cause of Death)
“
The Piper farm was difficult to locate. A man cutting grass in a small country cemetery finally put the boys on the right track. He pointed out an abandoned property next to the cemetery. “John Piper died last year,” he informed them. “No one has lived there since.” Frank and Joe got out of the car and crossed the unkempt fields. The whole place was in a state of neglect. Weeds grew high in the yard. Parts of farm machinery lay rusting by a tumble-down fence. The farmhouse windows were boarded.
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Franklin W. Dixon (The Phantom Freighter (Hardy Boys, #26))
“
The Primary Act. As they entered the cinema, Dr Nathan confided to Captain Webster, ‘Talbert has accepted in absolute terms the logic of the sexual union. For him all junctions, whether of our own soft biologies or the hard geometries of these walls and ceilings, are equivalent to one another. What Talbert is searching for is the primary act of intercourse, the first apposition of the dimensions of time and space. In the multiplied body of the film actress - one of the few valid landscapes of our age - he finds what seems to be a neutral ground. For the most part the phenomenology of the world is a nightmarish excrescence. Our bodies, for example, are for him monstrous extensions of puffy tissue he can barely tolerate. The inventory of the young woman is in reality a death kit.’ Webster watched the images of the young woman on the screen, sections of her body intercut with pieces of modern architecture. All these buildings. What did Talbert want to do - sodomize the Festival Hall?
Pressure Points. Koester ran towards the road as the helicopter roared overhead, its fans churning up a storm of pine needles and cigarette cartons. He shouted at Catherine Austin, who was squatting on the nylon blanket, steering her body stocking around her waist. Two hundred yards beyond the pines was the perimeter fence. She followed Koester along the verge, the pressure of his hands and loins still marking her body. These zones formed an inventory as sterile as the items in Talbert’s kit. With a smile she watched Koester trip clumsily over a discarded tyre. This unattractive and obsessed young man - why had she made love to him? Perhaps, like Koester, she was merely a vector in Talbert’s dreams.
Central Casting. Dr Nathan edged unsteadily along the catwalk, waiting until Webster had reached the next section. He looked down at the huge geometric structure that occupied the central lot of the studio, now serving as the labyrinth in an elegant film version of The Minotaur . In a sequel to Faustus and The Shrew , the film actress and her husband would play Ariadne and Theseus. In a remarkable way the structure resembled her body, an exact formalization of each curve and cleavage. Indeed, the technicians
had already christened it ‘Elizabeth’. He steadied himself on the wooden rail as the helicopter appeared above the pines and sped towards them. So the Daedalus in this neural drama had at last arrived.
An Unpleasant Orifice. Shielding his eyes, Webster pushed through the camera crew. He stared up at the young woman standing on the roof of the maze, helplessly trying to hide her naked body behind her slim hands. Eyeing her pleasantly, Webster debated whether to climb on to the structure, but the chances of breaking a leg and falling into some unpleasant orifice seemed too great. He stood back as a bearded young man with a tight mouth and eyes ran forwards. Meanwhile Talbert strolled in the centre of the maze, oblivious of the crowd below, calmly waiting to see if the young woman could break the code of this immense body. All too clearly there had been a serious piece of miscasting.
‘Alternate’ Death. The helicopter was burning briskly. As the fuel tank exploded, Dr Nathan stumbled across the cables. The aircraft had fallen on to the edge of the maze, crushing one of the cameras. A cascade of foam poured over the heads of the retreating technicians, boiling on the hot concrete around the helicopter. The body of the young woman lay beside the controls like a figure in a tableau sculpture, the foam forming a white fleece around her naked shoulders.
”
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J.G. Ballard (The Atrocity Exhibition)
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He had to get away—no matter what, he had to escape. He ducked into a yard and effortlessly vaulted a six-foot fence. Running for all his life was worth, he headed toward the Santa Ana Freeway, leaving his black knapsack in the yard of a house that abutted the highway. He went over another fence and ran down a hill covered with thick foliage to the freeway. Cars zoomed by at seventy miles per hour. Breathing hard, his heart pumping blood furiously, his legs weak, so covered by sweat it looked as if he’d just stepped from a shower, Richard waited for the right moment and darted across the freeway, nearly getting run over. Once on the east side of the freeway, he made his way up another hill, vaulted yet another fence, and grabbed a bus going south, paid his fare, and sat down.
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Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
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I truly cannot imagine why your painfully literal milkshake brings all the boys to the yard, said Aiden, but work with what you got, I guess.
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Sarah Rees Brennan (Striking Distance (Fence, #1))
“
Field Notes on Loving a Girl in Secret"
There’s a danger in comparing her to things.
Her prayer, a stall of horses. Her anger,
the beak of a bird. Her sleep, a sun-bleached fence.
Her sadness, a yard pile of firewood.
A patch of pines is all I remember of a field.
Quiet, she says. Her stick-shift sedan,
her trouble with mathematics, her car radio
turned up all the way. I write her questions
on a sheet of paper so no one can hear.
Late at night in my blue car, we drive
back roads, the only place we speak openly.
The field’s full enough tonight, I think,
to break into a thousand wings.
Julia Koets
(Source: versedaily.org)
”
”
Julia Koets
“
Afterlife
It takes both hands to unfix the spike
he drove into the fence post, worrying dirt
loose from around its base. A spider spins
the ache in my throat. If he were here,
what would he be doing? I torch a phonebook,
watching the names and numbers burn.
I feel the fallen phone line, the horned lark
crushed in the mailbox's rusty throat.
Weevils become the dream work of fields,
the old shack set back in the tree line.
I'm tired of the corn, their fibrous heads.
I'm tired of the white cocoon in the old jam jar,
the fruit bat brimming with darkness.
Barbed wire, concrete slab, slag in the rusty water.
I walk the yard of Holsteins, dewlaps quivering,
nerves pulsing in the udders. Two miles away
the Wal-Mart is going in, barns giving way
to Pizza Hut, Penguin Point. I look across
the silent field. The plow is hard. My heart
is hard. Dirt. Distance. It does not end.
”
”
Bruce Snider (Paradise, Indiana)
“
Adults with ADHD as a group have often experienced more than their fair share of disappointments and frustrations associated with the symptoms of ADHD, in many cases not realizing the impact of ADHD has had on them. When you reflect on a history of low grades, forgetting or not keeping promises made to others, repeated exhortations from others about your unfulfilled potential and the need to work harder, you may be left with a self-view that “I’m not good enough,” “I’m lazy,” or “I cannot expect much from myself and neither can anyone else.” The end result of these repeated frustrations can be the erosion of your sense of self, what is often called low self-esteem.
These deep-seated, enduring self-views, or “core beliefs” about who you are can be thought of as a lens through which you see yourself, the world, and your place in the world. Adverse developmental experiences associated with ADHD may unfairly color your lens and result in a skewed pessimistic view of yourself, at least in some situations. When facing situations in the here-and-now that activate these negative beliefs, you experience strong emotions, negative thoughts, and a propensity to fall into self-defeating behaviors, most often resignation and escape. These core beliefs might only be activated in limited, specific situations for some people with ADHD; in other cases, these beliefs color one’s perception in most situations. It should be noted that many adults with ADHD, despite feeling flummoxed by their symptoms in many situations, possess a healthy self-view, though there may be many situations that briefly shake their confidence.
These core beliefs or “schema” develop over the course of time from childhood through adulthood and reflect our efforts to figure out the “rules for life” (Beck, 1976; Young & Klosko, 1994). They can be thought of as mental categories that let us impose order on the world and make sense of it. Thus, as we grow up and face different situations, people, and challenges, we make sense of our situations and relationships and learn the rubrics for how the world works.
The capacity to form schemas and to organize experience in this way is very adaptive. For the most part, these processes help us figure out, adapt to, and navigate through different situations encountered in life. In some cases, people develop beliefs and strategies that help them get through unusually difficult life circumstances, what are sometimes called survival strategies. These old strategies may be left behind as people settle into new, healthier settings and adopt and rely on “healthy rules.” In other cases, however, maladaptive beliefs persist, are not adjusted by later experiences (or difficult circumstances persist), and these schema interfere with efforts to thrive in adulthood.
In our work with ADHD adults, particularly for those who were undiagnosed in childhood, we have heard accounts of negative labels or hurtful attributions affixed to past problems that become internalized, toughened, and have had a lasting impact. In many cases, however, many ADHD adults report that they arrived at negative conclusions about themselves based on their experiences (e.g., “None of my friends had to go to summer school.”). Negative schema may lay dormant, akin to a hibernating bear, but are easily reactivated in adulthood when facing similar gaffes or difficulties, including when there is even a hint of possible disappointment or failure. The function of these beliefs is self-protective—shock me once, shame on you; shock me twice, shame on me. However, these maladaptive beliefs insidiously trigger self-defeating behaviors that represent an attempt to cope with situations, but that end up worsening the problem and thereby strengthening the negative belief in a vicious, self-fulfilling cycle. Returning to the invisible fences metaphor, these beliefs keep you stuck in a yard that is too confining in order to avoid possible “shocks.
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J. Russell Ramsay (The Adult ADHD Tool Kit)
“
Let him alone,” said he. “He gets enough of prominent positions. If he wants to sit on the fence and kick his heels a while, let him. He’s certainly earned the right to do as he pleases to-night. By George!—talk about magnificent team-work! If ever I saw a sacrifice play I saw it to-night.” Sewall shook his head. “You may have seen team-work,” said he, “though Mr. Blake was the most of the team. But there was no sacrifice play on my part. It was simply a matter of passing the ball to the man who could run. I should have been down in four yards—if I ever got away at all.
”
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Grace S. Richmond (On Christmas Day in the Evening)
“
April 21, 1897, by one of the most prominent citizens in Kansas, Alexander Hamilton. In an affidavit quoted in several recent UFO books and journals, Hamilton states that he was awakened by a noise among the cattle and went out with two other men. He then saw an airship descend gently toward the ground and hover within fifty yards of it. It consisted of a great cigar-shaped portion, possibly three hundred feet long, with a carriage underneath. The carriage was made of glass or some other transparent substance alternating with a narrow strip of some material. It was brilliantly lighted within and everything was plainly visible—it was occupied by six of the strangest beings I ever saw. They were jabbering together, but we could not understand a word they said. Upon seeing the witnesses, the pilots of the strange ship turned on some unknown power, and the ship rose about three hundred feet above them: It seemed to pause and hover directly over a two-year-old heifer, which was bawling and jumping, apparently fast in the fence. Going to her, we found a cable about a half-inch in thickness made of some red material, fastened in a slip knot around her neck, one end passing up to the vessel, and the heifer tangled in the wire fence. We tried to get it off but could not, so we cut the wire loose and stood in amazement to see the ship, heifer and all, rise slowly, disappearing in the northwest. Hamilton was so frightened he could not sleep that night: Rising early Tuesday, I started out by horse, hoping to find some trace of my cow. This I failed to do, but coming back in the evening found that Link Thomas, about three or four miles west of Leroy, had found the hide, legs and head in his field that day. He, thinking someone had butchered a stolen beast, had brought the hide to town for identification, but was greatly mystified in not being able to find any tracks in the soft ground. After identifying the hide by my brand, I went home. But every time I would drop to sleep I would see the cursed thing, with its big lights and hideous people. I don’t know whether they are devils or angels, or what; but we all saw them, and my whole family saw the ship, and I don’t want any more to do with them.
”
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Jacques F. Vallée (Passport to Magonia: From Folklore to Flying Saucers)