Yard Dog Quotes

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Derek caught my arm again as I started to move--at this rate, it was going to be as sore as my injured one. "Dog," he said, jerking his chin toward the fenced yard. "It was inside earlier." Expecting to see a Doberman slavering at the fence, I followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. It wasn't even barking, just staring at us, dancing in place. "Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
If there are junk yards in hell, love is the dog that guards the gates.
Charles Bukowski (Love Is a Dog from Hell)
THE BAD THING ABOUT FEAR Is it requires a reaction. Some hide. Some cry. But, like a dog condemned to a walled yard with no hope of escape or affection, some learn to bite.
Ellen Hopkins
And Max, I've put some scraps in a bowl for your dog," Mom said. "It's on the floor, by the back door." The flock and I went still. Uh-oh, I thought. Total stomped up to me, his glare accusing. "A bowl on the floor!" he seethed. "Why don't you just chain me to a stake in the yard and throw me a bone!
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
Garth Stein (The Art of Racing in the Rain)
Round 5: Telling him I felt bad about the puppy-shirt thing, I told him we could go pick out a dog at the pound now that we had a yard for it. Instead, I took him to the dentist. Winner: Bear “Rock Star” McKenna.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
I remembered the boy crying the day they buried Smokey in the yard, and I hoped he wouldn’t cry over my death. My purpose, my whole life, had been to love him and be with him, to make him happy.
W. Bruce Cameron (A Dog's Purpose (A Dog's Purpose, #1))
I am so afraid of people's words.They describe so distinctly everything: And this they call dog and that they call house, here the start and there the end. I worry about their mockery with words, they know everything, what will be, what was; no mountain is still miraculous; and their house and yard lead right up to God. I want to warn and object: Let the things be! I enjoy listening to the sound they are making. But you always touch: and they hush and stand still. That's how you kill.
Rainer Maria Rilke
If they'd been dogs, they would have all been in the yard eating grass and trying to yak up whatever was making them feel so lousy. Not a bone gnawed, not a ball chased-all tails went unwagged. Oh, life is a fast cat, a short leash, a flea in that place where you just can't scratch.
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
Carolyn Parkhurst (The Dogs of Babel)
The bad news was that the yard contained a dog. A very, very large dog, wide and hairy, like a cross between a rottweiler and a Goodyear blimp.
Dave Barry (Science Fair)
I am carrying the whimper you can hear when the mouth is collapsed, the wisdom of monkeys. Ask a glass of water why it pities the rain. Ask the lunatic yard dog why it tolerates the leash. Brothers and sisters, when you spend your nights out on a limb, there’s a chance you’ll fall in your sleep.
Terrance Hayes (Lighthead)
...out from the door of the farmhouse came a long file of pigs, all walking on their hind legs...out came Napoleon himself, majestically upright, casting haughty glances from side to side, and with his dogs gambolling round him. He carried a whip in his trotter. There was a deadly silence. Amazed, terrified, huddling together, the animals watched the long line of pigs march slowly round the yard. It was as though the world had turned upside-down. Then there came a moment when the first shock had worn off and when, in spite of everything-in spite of their terror of the dogs, and of the habit, developed through long years, of never complaining, never criticising, no matter what happened-they might have uttered some word of protest. But just at that moment, as though at a signal, all the sheep burst out into a tremendous bleating of- "Four legs good, two legs better! Four legs good, two legs better! Four legs good, two legs better!" It went on for five minutes without stopping. And by the time the sheep had quieted down, the chance to utter any protest had passed, for the pigs had marched back into the farmhouse.
George Orwell (Animal Farm)
After his dinner, the wolfhound liked to prowl the grounds, sniffing the grass to learn what creatures of field and forest had recently visited. The yard was Merlin's newspaper.
Dean Koontz (Breathless)
You wake up on a winter morning and pull up the shade, and what lay there the evening before is no longer there--the sodden gray yard, the dog droppings, the tire tracks in the frozen mud, the broken lawn chair you forgot to take in last fall. All this has disappeared overnight, and what you look out on is not the snow of Narnia but the snow of home, which is no less shimmering and white as it falls. The earth is covered with it, and it is falling still in silence so deep that you can hear its silence. It is snow to be shoveled, to make driving even worse than usual, snow to be joked about and cursed at, but unless the child in you is entirely dead, it is snow, too, that can make the heart beat faster when it catches you by surprise that way, before your defenses are up. It is snow that can awaken memories of things more wonderful than anything you ever knew or dreamed.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
Good fences make good neighbors, and these were apparently good enough that they had not felt the need for razor wire at the top. I crested the fence, threw myself into the yard beyond, fell, rolled to my feet, and ran with the expectation of being garroted by a taut clothesline. I heard panting, looked down, and saw a gold retriever running at my side, ears flapping. The dog glanced up at me tongue rolling, grinning, as though jazzed by the prospect of an unscheduled play session.
Dean Koontz (Odd Hours (Odd Thomas, #4))
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
Walk some night on a suburban street and pass house after house on both sides of the same street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels.
Geoff Nicholson (The Lost Art of Walking: The History, Science, and Literature of Pedestrianism)
...Or we can blaze! Become legends in our own time, strike fear in the heart of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race dark Satan himself till he wheezes fiery cinders down the back straightaway....They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a gut, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by God, let our demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
One day I was on a walk with him and my dog, Angus, who was sniffing around in a bush outside a neighbor’s house. My dad turned to me and said, “Look at the dog’s asshole.” “What? Why?” “You can tell by the dilation of his asshole that he’s going to shit soon. See. There it goes.” It was at that moment, as my dog emptied his bowels in my neighbor’s yard and my dad stood there proudly watching his prediction come true, that I realized how wise, even prophetic, he really is.
Justin Halpern (Sh*t My Dad Says)
You guys like to tell jokes and giggle and kid around, huh? Giggling like a bunch of young broads in a school yard. Well, let me tell you a joke: Five guys sitting in a bull pen, San Quentin. Wondering how the fuck they got there. What'd we do wrong? What should we've done? What didn't we do? It's your fault, my fault, his fault. All that bullshit. Finally, someone comes up with the idea, wait a minute, while we were planning this caper, all we did was sit around and tell fucking jokes. Got the message?
Quentin Tarantino (Reservoir Dogs)
life was far more complicated than it had appeared to be in the Yard and that it was people who were in charge of it, not dogs.
W. Bruce Cameron (A Dog's Purpose (A Dog's Purpose, #1))
Splendid cheeses they were, ripe and mellow, and with a two hundred horse-power scent about them that might have been warranted to carry three miles, and knock a man over at two hundred yards. 
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
When I was this kid's age, you'd be burned alive for such talk. Being a homosexual was unthinkable, and so you denied it, and found a girlfriend who was willing to settle for the sensitive type. On dates, you'd remind her that sex before marriage was just that, sex: what dogs did in the front yard. This as opposed to making love, which was more what you were about. A true union of souls could take anywhere from eight to ten years to properly establish, but you were willing to wait, and for this the mothers loved you. You sometimes discussed it with them over an iced tea, preferably on the back porch when you girlfriend's brother was mowing the lawn with his shirt off.
David Sedaris (When You Are Engulfed in Flames)
It can happen to anybody, getting all hung up on some twenty-year-old quiff. Like the little dog in the freight yard, and the train nips off the end of his tail and he yelps and spins around and it cuts off his head. Never lose your head over a piece of tail.
John D. MacDonald
He knew what his father thought: that immigration, so often presented as a heroic act, could just as easily be the opposite; that it was cowardice that led many to America; fear marked the journey, not bravery; a cockroachy desire to scuttle to where you never saw poverty, not really, never had to suffer a tug to your conscience; where you never heard the demands of servants, beggars, bankrupt relatives, and where your generosity would never be openly claimed; where by merely looking after your wife-child-dog-yard you could feel virtuous. Experience the relief of being an unknown transplant to the locals and hide the perspective granted by journey. Ohio was the first place he loved, for there at last he had been able to acquire poise --
Kiran Desai (The Inheritance of Loss)
Each dog barks in its own yard.
Rudyard Kipling (The Jungle Book)
If an unfamiliar dog follows you at night, don't stop to look at it. If you wake up to find a cat you don't recognize sitting in your yard, watching your house, don't open the door. And most of all, if you see a beautiful horse near a lake or the edge of the forest, never, ever try to ride it.
Margaret Rogerson (An Enchantment of Ravens)
Humans are so much more complex than dogs, with such a broad range of feelings—though there were many times I missed the Yard, for the most part I was now living a far richer life, even though I often didn’t know what was going on.
W. Bruce Cameron (A Dog's Purpose (A Dog's Purpose, #1))
Creation is built upon the promise of hope, that things will get better, that tomorrow will be better than the day before. But it's not true. Cities collapse. Populations expand. Environments decay. People get ruder. You can't go to a movie without getting in a fight with the guy in the third row who won't shut up. Filthy streets. Drive-by shootings. Irradiated corn. Permissible amounts of rat-droppings per hot dog. Bomb blasts, and body counts. Terror in the streets, on camera, in your living room. Aids and Ebola and Hepatitis B and you can't touch anyone because you're afraid you'll catch something besides love and nothing tastes as good anymore and Christopher Reeve is [dead] and love is statistically false. Pocket nukes and subway anthrax. You grow up frustrated, you live confused, you age frightened, you die alone. Safe terrain moves from your city to your block to your yard to your home to your living room to the bedroom and all you want is to be allowed to live without somebody breaking in to steal your tv and shove an ice-pick in your ear. That sound like a better world to you? That sound to you like a promise kept?
J. Michael Straczynski (Midnight Nation)
Our old people noticed this from the beginning. They said that the white man lived in a world of cages, and that if we didn't look out, they would make us live in cages too. So we started noticing. Everything looked like cages. Your clothes fit like cages. Your houses looked like cages. You put your fences around your yards so they looked like cages. Everything was a cage. You turned the land into cages. Little squares. Then after you had all these cages you made a government to protect these cages. And that government was all cages. All laws about what you couldn't do. The only freedom you had was inside your own cage. Then you wondered why you weren't happy and didn't feel free. You made all the cages, the you wondered why you didn't feel free.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
A boy trudged down the sidewalk dragging a fishing pole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose's. . . . Fall, and his children trotted to and fro around the corner, the day's woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Harper Lee (To Kill a Mockingbird)
Who isn't interesting enough to help -- what forgotten woman sits in a lawn chair in her yard with a can of soda pressed to her thigh, and the radio blaring the death toll of Texans, who were victims of a record heat wave? Whose inner voice sits quiet like an obedient dog and never says, go go go. I want to go places I've never been Because I haven't failed there yet. So you can understand a little better, How a disgruntled waitress might pack her dog And a few belongings and head for a town She dreamed of, searching for something to break The spell of monotonous, morbid night speak.
Ali Liebegott (The Beautifully Worthless)
Later, long after my grandfather was dead, I would regret that I could never be the kind of man that he was. Though I adored him as a child and found myself attracted to the safe protectorate of his soft, uncritical maleness, I never wholly appreciated him. I did not know how to cherish sanctity, and I had no way of honoring, of giving small voice to the praise of such natural innocence, such a generous simplicity. Now I know that a part of me would like to have traveled the world as he traveled it, a jester of burning faith, a fool and a forest prince brimming with the love of God. I would like to walk his southern world, thanking God for oysters and porpoises, praising God for birdsongs and sheet lightning, and seeing God reflected in pools of creekwater and the eyes of stray cats. I would like to have talked to yard dogs and tanagers as if they were my friends and fellow travelers along the sun-tortured highways, intoxicated with a love of God, swollen with charity like a rainbow, in the thoughtless mingling of its hues, connecting two distant fields in its glorious arc. I would like to have seen the world with eyes incapable of anything but wonder, and a tongue fluent only in praise.
Pat Conroy (The Prince of Tides)
I was in bed at my beach house, but could not sleep because of some fried chicken in the icebox that I felt entitled to. I waited till my wife dropped off, and tiptoed into the kitchen. I remembered looking at the clock. It was precisely four-fifteen. I'm quite certain of this, because our kitchen clock has not worked in twenty-one years and is always at that time. I also noticed that our dog, Judas, was acting funny. He was sanding up on his hind legs and singing, 'I Enjoy Being a Girl.' Suddenly the room turned bright orange. At first, I thought my wife had caught me eating between meals and set fire to the house. Then I looked out the window, where to my amazement I saw a gigantic cigar-shaped aircraft hovering just over the treetops in the yard and emitting an orange glow. I stood transfixed for what must have been several hours, though our clock still read four-fifteen, so it was difficult to tell. Finally, a large, mechanical claw extended from the aircraft and snatched the two pieces of chicken from my hand and quickly retreated. When I reported the incident to the Air Force, they told me that what I had seen was a flock of birds. When I protested, Colonel Quincy Bascomb personally promised that the Air Force would return the two pieces of chicken. To this day, I have only received one piece.
Woody Allen (Side Effects)
Alas, Measured Perfectly" Saturday, August 25, 1888. 5:20 P.M. is the name of a photograph of two old women in a front yard, beside a white house. One of the women is sitting in a chair with a dog in her lap. The other woman is looking at some flowers. Perhaps the women are happy, but then it is Saturday, August 25, 1888. 5:21 P.M., and all over.
Richard Brautigan
For instance, feeling helpless and hopeless after watching news about the state of international politics? Don’t distract yourself or numb out; do a thing. Do yard work or gardening, to care for your small patch of the world. Take food to somebody who needs a little boost. Take your dog to the park. Show up at a Black Lives Matter march. You might even call your government representative. That’s great. That’s participation. You’re not helpless. Your goal is not to stabilize the government—that’s not your job (unless you happen to be a person whose job that is, in which case you still need to deal with the stress, as well as the stressor!)—your goal is to stabilize you, so that you can maintain a sense of efficacy, so that you can do the important stuff your family and your community need from you. As the saying goes, “Nobody can do everything, but everybody can do something.” And “something” is anything that isn’t nothing.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
I made a sudden decision. "and my dog has followed me from town and cought up with us here. I left him with friends, but he must have chewed his rope. here, boy, come to heel." I'll chew your heel off for you, Nighteyes offerd savagely, but he came, following me out into the cleared yard. "Damn big dog," Nick observed. He leaned forward. "looks more than half a wolf to me." "Some in Farrow have told me that. It's a buck breed. We use them for harding sheep." You will pay for this. I promise you. In answer I leaned down to pat his shoulder and then scratch his ears. Wag your tail, Nighteyes. "He's a loyal old dog. I should have known he wouldn't be left behind." The things i endure for you. He wagged his tail. Once.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
My dog, Willy, died a few years ago, but one of my great memories of him is watching him play in the front yard of our house at dusk. He was a puppy then, and in the early evenings he would contract a case of the zoomies. He ran in delighted circles around us, yipping and jumping at nothing in particular, and then after a while, he'd get tired, and he'd run over to me and lie down. And then he would do something absolutely extraordinary: He would roll over onto his back, and present his soft belly. I always marveled at the courage of that, his ability to be so absolutely vulnerable to us. He offered us the place ribs don't protect, trusting that we weren't going to bite or stab him. It's hard to trust the world like that, to show it your belly. There's something deep within me, something intensely fragile, that is terrified of turning itself to the world. I’m scared to even write this down, because I worry that having confessed this fragility, you know now where to punch. I know that if I’m hit where I am earnest, I will never recover.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")
Ray Bradbury
Everything was fine with the Zen Lunatics, the nut wagon was too far away to hear us. But there was a wisdom in it all, as you'll see if you take a walk some night on a suburban street and pass house after house on both sides of the street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of on wheels. You'll see what I mean, when it begins to appear like everybody in the world is soon going to be thinking the same way and the Zen Lunatics have long joined dust, laughter on their dust lips.
Jack Kerouac (The Dharma Bums)
Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story , you, upon hearing the words 'soccer' and 'neighbor' in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that no, you grew up in Brazil on the streets of Tres Coracoes with Pele and I might say, I thought you were from Tennessee, and you might say, not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
Garth Stein
It's a simple choice! We can all be good boys and wear our letter sweaters around and get our little degrees and find some nice girl to settle, you know, down with... Take up what a friend of ours calls the hearty challenges of lawn care... Or we can blaze! Become legends in our own time, strike fear in the hearts of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race satan himslef till he wheezes fiery cinders down the back straight away... They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a guy, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by god, let out demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
You still think there’s a strict binary between the material world and the Pantheon. You think calling the gods is like summoning a dog from the yard into the house. But you can’t conceive of the dream world as a physical place. The gods are painters. Your material world is a canvas. And this Divinatory is an angle from which we can see the colors on the palette. This isn’t really a place, it’s a perspective. But you’re interpreting it as a room because your human mind can’t process anything else.
R.F. Kuang (The Poppy War (The Poppy War, #1))
O the stale old dogs who pretend to guard the morals of the masses, how smelly they make the great back-yard wetting after everyone that passes.
D.H. Lawrence
Let me pass, Marcus,” Pauline was saying. “I’m telling you, now.” “What he got on you?” Marcus said. “What’s the matter with you, woman?” “I’m telling you, let me pass,” Pauline said. “What’s the matter with you?” he said. “I been working up there all night like a slave, like a dog—and all on ’count of him. What’s the matter with you?” “I’m telling you,” she said. “Let me pass.” He moved closer. “Don’t you put your hands on me,” she said. “I mean it, don’t you put your hands on me, you killer.” He hit her and knocked her down. She got up. “If I tell him, he’ll kill you for this. He’ll kill you.” “You white man bitch,” he said. He hit her again. She fell again. “Leave that woman ’lone, boy,” Pa Bully hollered at him. “Mr. Grant,” Aunt Ca’line said, warningly. “You hear me out there, boy?” Pa Bully called. Pauline was up again. “You bitch,” Marcus said to her. “You bloody whore.” She was running toward the gate now. “You whore,” he called to her. She was running in the yard now. She ran in the house and locked the door. He stood there a while looking at the house; then he went on.
Ernest J. Gaines (Of Love and Dust)
film crew up there, enraptured by the charming rodents. The crew had come to shoot a documentary about the massacre; they had expected teen angst and American social Darwinism. They were seduced by the tranquillity—less than a hundred yards from the school. They shot hours of footage of the twelve-inch prairie dogs. The Japanese crew saw this place somewhat differently than Americans did. Their depiction was by turns tumultuous, brutal, explosive, and serene.
Dave Cullen (Columbine)
Kingbitter, as he did frequently nowadays, was standing at his window and looking out onto the street below. This street offered the most mundane and ordinary sights of Budapest's mundane and ordinary streets. The muck-, oil-, and dog-dirt-spattered sidewalk was lined with parked cars, and in the one-yard gaps between the cars and the leprotically peeling house walls the most mundane and ordinary passersby were attempting to go about their business, their hostile features an outward clue to their dark thoughts. Every now and then, perhaps in a hurry to overtake the single file inching along the front, one of them would step off the sidewalk, only for an entire chorus of rancorous car horns to give the lie to any groundless hope of breaking free from the line.
Imre Kertész (Liquidation)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
The Prologue to TERRITORY LOST "Of cats' first disobedience, and the height Of that forbidden tree whose doom'd ascent Brought man into the world to help us down And made us subject to his moods and whims, For though we may have knock'd an apple loose As we were carried safely to the ground, We never said to eat th'accursed thing, But yet with him were exiled from our place With loss of hosts of sweet celestial mice And toothsome baby birds of paradise, And so were sent to stray across the earth And suffer dogs, until some greater Cat Restore us, and regain the blissful yard, Sing, heavenly Mews, that on the ancient banks Of Egypt's sacred river didst inspire That pharaoh who first taught the sons of men To worship members of our feline breed: Instruct me in th'unfolding of my tale; Make fast my grasp upon my theme's dark threads That undistracted save by naps and snacks I may o'ercome our native reticence And justify the ways of cats to men.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
The night-noises of the metro night: harbor-wind skirling on angled cement, the shush and sheen of overpass traffic, TPs' laughter in interior rooms, the yowl of unresolved cat-life. Horns blatting off in the harbor. Receding sirens. Confused inland gulls' cries. Broken glass from far away. Car horns in gridlock, arguments in languages, more broken glass, running shoes, a woman's either laugh or scream from who can tell how far, coming off the grid. Dogs defending whatever dog-yards they pass by, the sounds of chains and risen hackles.
David Foster Wallace (Infinite Jest)
When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
Edward P. Jones (The Known World)
What shall I do? When I pick up the broom he leaves the room. When I fuss with kindling he runs for the yard. Then he’s back, and we hug for a long time. In his low-to-the-ground chest I can hear his heart slowing down. Then I rub his shoulders and kiss his feet and fondle his long hound ears. Benny, I say, don’t worry. I also know the way the old life haunts the new.
Mary Oliver (Dog Songs)
The men digging in on both sides of me cursed the stench and the mud. I began moving the heavy, sticky clay mud with my entrenching shovel to shape out the extent of the foxhole before digging deeper. Each shovelful had to be knocked off the spade, because it stuck like glue. I was thoroughly exhausted and thought my strength wouldn’t last from one sticky shovelful to the next. Kneeling on the mud, I had dug the hole no more than six or eight inches deep when the odor of rotting flesh got worse. There was nothing to do but continue to dig, so I closed up my mouth and inhaled with short shallow breaths. Another spadeful of soil out of the hole released a mass of wriggling maggots that came welling up as though those beneath were pushing them out. I cursed and told the NCO as he came by what a mess I was digging into. ‘You heard him, he said put the holes five yards apart.’ In disgust, I drove the spade into the soil, scooped out the insects, and threw them down the front of the ridge. The next stroke of the spade unearthed buttons and scraps of cloth from a Japanese army jacket in the mud—and another mass of maggots. I kept on doggedly. With the next thrust, metal hit the breastbone of a rotting Japanese corpse. I gazed down in horror and disbelief as the metal scraped a clean track through the mud along the dirty whitish bone and cartilage with ribs attached. The shoved skidded into the rotting abdomen with a squishing sound. The odor nearly overwhelmed me as I rocked back on my heels. I began choking and gagging as I yelled in desperation, ‘I can’t dig in here! There’s a dead Nip here!’ The NCO came over, looked down at my problem and at me, and growled, ‘You heard him; he said put the holes five yards apart.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
All the neighborhood dogs can see right through me. They know. They aren’t even barking. Out of pity, I suppose. The Carlucci’s dog is the worst barker in the neighborhood, but not today. I walk up to his gate and give it a shake. No reaction. He sits on the porch staring at me, like I ain’t nothin’. I look around and find a stick. I throw it at him. Down deep, I really didn’t intend to hit him, but the stick bounces off his rump. I cringe and cover my mouth. “Sorry,” I say. The old dog just walks to his back yard, disgusted with the whole mess. “You don’t understand,” I yell after him. “I’m having a life crisis!
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
As they were speaking, a dog that had been lying asleep raised his head and pricked up his ears. This was Argos, whom Odysseus had bred before setting out for Troy, but he had never had any enjoyment from him. In the old days he used to be taken out by the young men when they went hunting wild goats, or deer, or hares, but now that his master was gone he was lying neglected on the heaps of mule and cow dung that lay in front of the stable doors till the men should come and draw it away to manure the great close; and he was full of fleas. As soon as he saw Odysseus standing there, he dropped his ears and wagged his tail, but he could not get close up to his master. When Odysseus saw the dog on the other side of the yard, dashed a tear from his eyes without Eumaeus seeing it, and said: 'Eumaeus, what a noble hound that is over yonder on the manure heap: his build is splendid; is he as fine a fellow as he looks, or is he only one of those dogs that come begging about a table, and are kept merely for show?' 'This dog,' answered Eumaeus, 'belonged to him who has died in a far country. If he were what he was when Odysseus left for Troy, he would soon show you what he could do. There was not a wild beast in the forest that could get away from him when he was once on its tracks. But now he has fallen on evil times, for his master is dead and gone, and the women take no care of him. Servants never do their work when their master's hand is no longer over them, for Zeus takes half the goodness out of a man when he makes a slave of him.' So saying he entered the well-built mansion, and made straight for the riotous pretenders in the hall. But Argos passed into the darkness of death, now that he had fulfilled his destiny of faith and seen his master once more after twenty years…
Homer (The Odyssey)
Readers who have owned animals will appreciate how difficult it would be to train a dog to play exclusively in his own yard, to fetch his sweater whenever he sees it is raining outside, or to be generous in sharing his dog biscuits with other dogs. Yet these same people would not even question the feasibility of trying to use reward and punishment to teach their children the same behaviors.
Thomas Gordon (Parent Effectiveness Training: The Proven Program for Raising Responsible Children)
Things known to start the dog barking include, but are not limited to: sunrise, sunset, darkness, rain, helicopters, radios, clouds, children’s laughter, anyone entering any of the back yards adjoining the yard where my neighbor has penned his dog, garbage collectors, birds, squirrels, and air.
Mike Resnick (Funny Science Fiction)
I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Harper Lee (To Kill a Mockingbird: York Notes for GCSE (New Edition))
But I prefer the windy days, the days that strip me back, blasted, tossed, who knows where, imagine them, purple-red, silver-pink, natural confetti, thin, fragile, easily crushed and blackened, fading already wherever the air's taken them across the city, the car parks, the streets, the ragged grass verges, dog-ear and adrift on the surfaces of the puddles, flat to the gutter stones, mixing with the litter, their shards of colour circling in the leafy-grimy corners of yards.
Ali Smith (Public Library and Other Stories)
Look at the dog’s asshole.” “What? Why?” “You can tell by the dilation of his asshole that he’s going to shit soon. See. There it goes.” It was at that moment, as my dog emptied his bowels in my neighbor’s yard and my dad stood there proudly watching his prediction come true, that I realized how wise, even prophetic, he really is.
Justin Halpern (Sh*t My Dad Says)
How did Bullet make you understand?" she asked Roy. "he came tearing into the yard where I was talking to Mr. Henderson," answered Roy, "and tried to pull me towards the barn, where Trigger was tied. When I didn't go, he got Trigger's bridle and brought it to me. I realized then that there was something wrong, and I cam as fast as I could.
Frances Wood (Roy Rogers' Bullet Leads The Way. Tell-A-Tale Books.)
You know that when Irving puts the dog in the car, it is no longer in the yard. When Edna goes to church, her head goes with her. If Doug is in the house, he must have gone through some opening unless he was born there and never left. If Sheila is alive at 9 A.M. and is alive at 5 P.M., she was also alive at noon. Zebras in the wild never wear underwear. Opening a jar of a new brand of peanut butter will not vaporize the house. People never shove meat thermometers in their ears. A gerbil is smaller than Mt. Kilimanjaro.
Steven Pinker (How the Mind Works)
A brick could be pet, like a dog, and taught to shit in my neighbor's yard.

Jarod Kintz (Brick)
It had only two points of egress, the door to the hallway from which I’d just entered, and against which I’d been pinned-and now leaned against for support-and the other to the stable yard where a man dressed all in black leather had shoved John’s dog, and where I was assuming John kept his horse, Alastor, another creature from the Underworld who hated my guts. He was going to have to get in line, though. The boy who’d pulled Typhon off me was standing a few feet away, next to the wooden plank table that ran down the center of the room, staring at me with a look that suggested he disliked me even more than the dog had. It was difficult not to notice the size of his bare biceps-not as large as John’s, but still impressive-since he’d folded his arms across his chest, and this had caused the muscles to bulge. The fact that they were circled in vicious-looking rings of black tattooed thorns did even more to draw attention to them. It was hard to figure out if that was why he was so much more noticeable than anyone else in the room, or if it was because he was what my friend Kayla would have called smokin’ hot, despite a jagged scar that ran down one side of his forehead, through a dark brow, and halfway to the center of his left jaw. Whoever had wielded that knife had thankfully-for him-spared his dark eye. Not so thankfully for me, however, since he was able to use both eyes to give me a deathlike stare. “Um,” I said, finally feeling the blood flow returning to my limbs. “You might want to think about getting that dog neutered.” The boy with the thorn tattoos sneered. “I’m guessing she’ll be wanting to get us all neutered,” he said.
Meg Cabot (Underworld (Abandon, #2))
As I've always said to Talyn, tough times never last. But tough Andarions. I learned that from watching you as a boy. Your parents, grandparents, and Keris treated you like shit and yet you never once spoke against them. You'd just lift your chin and carry on. 'Barking dogs don't bother me,' you used to say. 'Sooner or later, they reach the end of their yard and hit a fence. I'll keep going past it, and won't hear them anymore.
Sherrilyn Kenyon (Born of Betrayal (The League: Nemesis Rising, #8))
Everything was fine with the Zen lunatics.... There was wisdom in it all, as you'll see if you take a walk some night on a suburban street and pass house after house on both sides of the street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of on wheels. You'll see what I mean, when it begins to appear like everybody in the world is soon going to be thinking the same way and the zen lunatics have long joined dust, laughter on their dust lips.
Jack Kerouac (The Dharma Bums)
And then, espying the glittering fiery eyes of the cat, he mistook them for live coals, and held the match to them to light it. But the cat, not understanding this joke, sprang at his face, and spat, and scratched at him. This frightened him dreadfully, and away he ran to the back door; but there the dog jumped up and bit him in the leg; and as he was crossing over the yard the ass kicked him; and the cock, who had been awakened by the noise, crowed with all his might. At this the robber ran back as fast as he could to his comrades, and told the captain how a horrid witch had got into the house, and had spat at him and scratched his face with her long bony fingers; how a man with a knife in his hand had hidden himself behind the door, and stabbed him in the leg; how a black monster stood in the yard and struck him with a club, and how the devil had sat upon the top of the house and cried out, 'Throw the rascal up here!
Jacob Grimm (Grimm's Fairy Tales)
Similarly, if a dog barks annoyingly to be let into the house from the yard and the owner usually eventually caves in, the first time the owner ignores the dog’s barking the behavior won’t stop right away. The dog will try harder and bark more. How hard he tries depends on how much he’s had to bark to get his way in the past. The existence of the extinction burst means that when we address a bad behavior by removing the reward, we have to be ready to endure a temporary worsening of the behavior.
Sophia Yin (How to Behave So Your Dog Behaves, Revised and Updated 2nd Editon)
And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are—a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.
Charles Dickens (David Copperfield)
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
Every life has its kernel, its hub, its epicentre, from which everything flows out, to which everything returns. This moment is the absent mother’s: the boy, the empty house, the deserted yard, the unheard cry. Him standing here, at the back of the house, calling for the people who had fed him, swaddled him, rocked him to sleep, held his hand as he took his first steps, taught him to use a spoon, to blow on broth before he ate it, to take care crossing the street, to let sleeping dogs lie, to swill out a cup before drinking, to stay away from deep water. It will lie at her very core, for the rest of her life.
Maggie O'Farrell (Hamnet)
The dog continued to bark at night, sometimes far away, sometimes close to the house. Towards morning, he would howl. It could be quiet for hours, but there were those who lay in bed waiting for the next howl, and they would say, "Did you hear that? It's like having a wolf in the woods. An unhappy woman has an unhappy dog. It ought to be shot." Katri did not talk about the dog, but she put out food and water in the yard. Sometimes at night Mats would wait by the kitchen window with the light off and the door open. He saw the dog only once, just as it was growing light, and he went very slowly out on the steps and tried to coax it in. But it ran off into the woods, so he gave up.
Tove Jansson (The True Deceiver)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
We were, as I have said, returning from a dip, and half-way up the High Street a cat darted out from one of the houses in front of us, and began to trot across the road. Montmorency gave a cry of joy – the cry of a stern warrior who sees his enemy given over to his hands – the sort of cry Cromwell might have uttered when the Scots came down the hill – and flew after his prey. His victim was a large black Tom. I never saw a larger cat, nor a more disreputable-looking cat. It had lost half its tail, one of its ears, and a fairly appreciable proportion of its nose. It was a long, sinewy- looking animal. It had a calm, contented air about it. Montmorency went for that poor cat at the rate of twenty miles an hour; but the cat did not hurry up – did not seem to have grasped the idea that its life was in danger. It trotted quietly on until its would-be assassin was within a yard of it, and then it turned round and sat down in the middle of the road, and looked at Montmorency with a gentle, inquiring expression, that said: “Yes! You want me?” Montmorency does not lack pluck; but there was something about the look of that cat that might have chilled the heart of the boldest dog. He stopped abruptly, and looked back at Tom. Neither spoke; but the conversation that one could imagine was clearly as follows:- THE CAT: “Can I do anything for you?” MONTMORENCY: “No – no, thanks.” THE CAT: “Don’t you mind speaking, if you really want anything, you know.” MONTMORENCY (BACKING DOWN THE HIGH STREET): “Oh, no – not at all – certainly – don’t you trouble. I – I am afraid I’ve made a mistake. I thought I knew you. Sorry I disturbed you.” THE CAT: “Not at all – quite a pleasure. Sure you don’t want anything, now?” MONTMORENCY (STILL BACKING): “Not at all, thanks – not at all – very kind of you. Good morning.” THE CAT: “Good-morning.” Then the cat rose, and continued his trot; and Montmorency, fitting what he calls his tail carefully into its groove, came back to us, and took up an unimportant position in the rear. To this day, if you say the word “Cats!” to Montmorency, he will visibly shrink and look up piteously at you, as if to say: “Please don’t.
Jerome K. Jerome
The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Three hundred yards away, a mule deer that had already browsed its fill and been to water, rested in the shelter of a dry wash. Long-eared jack rabbits went about their various affairs. Gophers ventured a few yards from their dens, then squeaked and scurried back. A heavy-bodied rattlesnake, just emerged from its winter’s den, coiled near a clump of cholla cactus and waited for a pack rat to venture from its spiny nest.
Jim Kjelgaard (Desert Dog)
Pretty much everyone we went to college with has a Hazel Bradford story. Of course, my old roommate Mike has many—mostly of the wild sexual variety—but others have ones more similar to mine: Hazel Bradford doing a mud run half marathon and coming to her night lab before showering because she didn’t want to be late. Hazel Bradford getting more than a thousand signatures of support to enter a local hot dog eating contest/fund-raiser before remembering, onstage and while televised, that she was trying to be a vegetarian. Hazel Bradford holding a yard sale of her ex-boyfriend’s clothes while he was still asleep at the party where she found him naked with someone else (incidentally, another guy from his terrible garage band). And—my personal favorite—Hazel Bradford giving an oral presentation on the anatomy and function of the penis in Human Anatomy.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
Before they even reached the front door, it opened and a small, silver-gray terrier came bounding out. He stopped a few yards away from Merritt and growled. "Hello, Wallace," she said with a faint smile, and stood still as he came to her. The terrier circled around her, sniffing at her skirts. In a moment he gazed up at her with bright eyes and a wagging tail, and let her pet him. "What a handsome boy you are," she exclaimed, smoothing his fur.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Here,” he said abruptly. “Turn here.” A rutted path ran up a little rise toward a beige trailer. “This is Grover's place.” The trailer sat exposed on a treeless hill. A perfectly ordered woodpile stood in the yard to the left. Each log seemed to have been cut to an identical length, and they were piled in a crisscross fashion, with each layer running perpendicular to the one below and above. A small patch of earth to the right of his stoop had been cleared of brush and raked smooth. Two lawn chairs sat evenly spaced against the skirting of the trailer. There were no junk cars, no engine parts, no kids' bicycles — just Grover's old Buick parked in a spot marked off by a frame of fist-sized rocks arranged in a perfect rectangle. Dan glanced over at me. The twinkle was back in his eye. “Goddamn reservation Indian,” he muttered. “Lost his culture.” Then he sat back and let out a long rolling laugh that seemed, like prairie thunder, to come from the beginning of time.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
She pouts. “Well, Art, this morning my dog ate half my boomerang.” She pulls a chewed piece of wood from a pocket. “Does it still work?” Arathusa considers this question and throws the object across the yard with surprising skill. It whistles through the air and lands in the dust a few feet from the latrine. They both stare at it for a moment. “Well,” she says with delight, “I guess it half works! Art, what’s your philosophy?” A few axioms come to mind—Don’t buy tomatoes in winter; men over forty should not dye their hair; expensive underwear is worth it—but no philosophies. Less demurs: “Um, I don’t think I have one.” “Everybody has one; you just have to discover it. Mine is about embracing the affirmative. It goes like this: Know no no.” “No, no, no,” Less parrots. “You’re mishearing me,” she says, smiling. “Now, listen: Know no no.” “No, no, no.” Arathusa’s smile sharpens. “No, no, no!” she says, then starts again: “Know. No. No.” “No,” Less begins slowly. “No. No.” A sigh. “No.
Andrew Sean Greer (Less Is Lost (Arthur Less #2))
MOTHER. I do not believe that there is anything sweeter in the world than the ideas which awake in a mother’s heart at the sight of her child’s tiny shoe; especially if it is a shoe for festivals, for Sunday, for baptism, the shoe embroidered to the very sole, a shoe in which the infant has not yet taken a step. That shoe has so much grace and daintiness, it is so impossible for it to walk, that it seems to the mother as though she saw her child. She smiles upon it, she kisses it, she talks to it; she asks herself whether there can actually be a foot so tiny; and if the child be absent, the pretty shoe suffices to place the sweet and fragile creature before her eyes. She thinks she sees it, she does see it, complete, living, joyous, with its delicate hands, its round head, its pure lips, its serene eyes whose white is blue. If it is in winter, it is yonder, crawling on the carpet, it is laboriously climbing upon an ottoman, and the mother trembles lest it should approach the fire. If it is summer time, it crawls about the yard, in the garden, plucks up the grass between the paving-stones, gazes innocently at the big dogs, the big horses, without fear, plays with the shells, with the flowers, and makes the gardener grumble because he finds sand in the flower-beds and earth in the paths. Everything laughs, and shines and plays around it, like it, even the breath of air and the ray of sun which vie with each other in disporting among the silky ringlets of its hair. The shoe shows all this to the mother, and makes her heart melt as fire melts wax.
Victor Hugo (Notre-Dame de Paris: The Hunchback of Notre Dame)
At Lincoln Center there were always Young People's Concerts, and her class had once gone to one on a Saturday field trip. She had been to concerts before, of course, but it had always been at night, and with her mother. This matinee had a very different feeling to it.(…) It was wintertime, and the flu was swirling through the coatrooms of all the private schools of New York. In the darkness a child coughed from time to time, and another child coughed back in response, like two dogs tied in separate yards, barking to each other to keep company throughout the night.
Meg Wolitzer (This is Your Life)
But that wasn't the chief thing that bothered me: I couldn't reconcile myself with that preoccupation with sin that, so far as I could tell, was never entirely absent from the monks' thoughts. I'd known a lot of fellows in the air corps. Of course they got drunk when they got a chance, and had a girl whenever they could and used foul language; we had one or two had hats: one fellow was arrested for passing rubber cheques and was sent to prison for six months; it wasn't altogether his fault; he'd never had any money before, and when he got more than he'd ever dreamt of having, it went to his head. I'd known had men in Paris and when I got back to Chicago I knew more, but for the most part their badness was due to heredity, which they couldn't help, or to their environment, which they didn't choose: I'm not sure that society wasn't more responsible for their crimes than they were. If I'd been God I couldn't have brought myself to condemn one of them, not even the worst, to eternal damnation. Father Esheim was broad-minded; he thought that hell was the deprivation of God's presence, but if that is such an intolerable punishment that it can justly be called hell, can one conceive that a good God can inflict it? After all, he created men, if he so created them that ti was possible for them to sin, it was because he willed it. If I trained a dog to fly at the throat of any stranger who came into by back yard, it wouldn't be fair to beat him when he did so. If an all-good and all-powerful God created the world, why did he create evil? The monks said, so that man by conquering the wickedness in him, by resisting temptation, by accepting pain and sorrow and misfortune as the trials sent by God to purify him, might at long last be made worthy to receive his grace. It seem to me like sending a fellow with a message to some place and just to make it harder for him you constructed a maze that he had to get through, then dug a moat that he had to swim and finally built a wall that he had to scale. I wasn't prepared to believe in an all-wise God who hadn't common sense. I didn't see why you shouldn't believe in a God who hadn't created the world, buyt had to make the best of the bad job he'd found, a being enormously better, wiser and greater than man, who strove with the evil he hadn't made and who might be hoped in the end to overcome it. But on the other hand I didn't see why you should.
W. Somerset Maugham (The Razor’s Edge)
There is something else I must confess about Tata Boanda: he's a sinner. Right in the plain sight of God he has two wives, a young and an old one. Why, they all come to church! Father says we're to pray for all three of them, but when you get down to the particulars it's hard to know exactly what outcome to pray for. He should drop one wife, I guess, but for sure he'd drop the older one, and she already looks sad enough as it is. The younger one has all the kids, and you can't just pray for a daddy to flat-out dump his babies, can you? I always believed any sin was easily rectified if only you let Jesus Christ into your heart, but here it gets complicated. Mama Boanda Number Two doesn't seem fazed by her situation. In fact, she looks like she's fixing to explode with satisfaction. She and her little girls all wear their hair in short spikes bursting out all over their heads, giving an effect similar to a pincushion (Rachel calls it the "haywire hairdo.") And Mama Boanda always wraps her pagne just so, with a huge pink starburst radiating across her wide rump. The women's long cloth skirts are printed so gaily with the oddest things: there is no telling when a raft of yellow umbrellas, or the calico cat and gingham dog, or an upside-down image of the Catholic Pope might just go sauntering across our yard.
Barbara Kingsolver (The Poisonwood Bible)
No record exists of Bear’s fate. He may have survived, but in all likelihood he never ran again—a horrible fate for an animal that lived and breathed solely to run with its pack down a moonlit trail. Some dogs just won’t accept being left out of the team and will howl and moan as the team leaves the yard. Sometimes they will sink into depression and die. Even those who accept their fate to sit by and watch the team leave always keep alive the instinct to one day run again. “If ever their master comes to them with harness in hand,” a modern-day musher wrote, “they will struggle on arthritic legs to ready themselves for the trail. There may be pain in their backs, but there is always hope in their eyes.
Gay Salisbury (The Cruelest Miles: The Heroic Story of Dogs and Men in a Race Against an Epidemic)
The temperature was in the nineties, and on hot nights Chicagoans feel the city body and soul. The stockyards are gone, Chicago is no longer slaughter-city, but the old smells revive in the night heat. Miles of railroad siding along the streets once were filled with red cattle cars, the animals waiting to enter the yards lowing and reeking. The old stink still haunts the place. It returns at times, suspiring from the vacated soil, to remind us all that Chicago had once led the world in butcher-technology and that billions of animals had died here. And that night the windows were open wide and the familiar depressing multilayered stink of meat, tallow, blood-meal, pulverized bones, hides, soap, smoked slabs, and burnt hair came back. Old Chicago breathed again through leaves and screens. I heard fire trucks and the gulp and whoop of ambulances, bowel-deep and hysterical. In the surrounding black slums incendiarism shoots up in summer, an index, some say, of psychopathology. Although the love of flames is also religious. However, Denise was sitting nude on the bed rapidly and strongly brushing her hair. Over the lake, steel mills twinkled. Lamplight showed the soot already fallen on the leaves of the wall ivy. We had an early drought that year. Chicago, this night, was panting, the big urban engines going, tenements blazing in Oakwood with great shawls of flame, the sirens weirdly yelping, the fire engines, ambulances, and police cars – mad-dog, gashing-knife weather, a rape and murder night, thousands of hydrants open, spraying water from both breasts.
Saul Bellow (Humboldt's Gift)
To me, it’s not that pound dogs don’t have worth, or to be more specific, inherent worth as sled dogs. It’s just that to succeed with them you have to be open to finding their very individualized skill sets, and that’s what we did with all of our rescues. Pong, while she can’t sustain sprint speeds for very long, can break trail at slightly slower speed for hours. Ping’s digestive processes move at a glacial pace, so much so that I think she could put on a few pounds from just a whiff of the food bucked, and this proved valuable when racing in deep-minus temperatures when dogs with higher metabolisms shiver off too much weight. Six, while small, can remember any trail after having only run it once, which I relied on whenever I grew disoriented or got lost from time to time. Rolo developed into an amazing gee-haw leader, turning left or right with precision whenever we gave the commands, which also helped the other dogs in line behind him learn the meaning of these words and the importance of listening to the musher. Ghost excelled at leading of a different sort, running at the front of a team chasing another which is also useful for not burning out gee-haw leaders. Coolwhip’s character trait of perpetually acting over-caffeinated made her invaluable as a cheerleader, where an always barking dog late in a run can, and does spread enthusiasm to the others. And Old Man, well, he was a bit too decrepit to ever contribute much to the team, but he always made me smile when I came out to feed the yard and saw him excitedly carrying around his food bowl, and that was enough for him to earn his keep.
Joseph Robertia (Life with Forty Dogs: Misadventures with Runts, Rejects, Retirees, and Rescues)
The horse looked at him and it looked at the dog. He crossed the room and went out in the rain and walked around the side of the building. When he came back he had in his fist a threefoot length of waterpipe and with it he advanced upon the dog. Go on, he shouted. Git. The dog rose moaning and slouched away down the wall and limped out into the yard. When he turned to go back to his blankets it slank past him into the building again. He turned and ran at it with the pipe and it scrabbled away. He followed it. Outside it had stopped at the edge of the road and it stood in the rain looking back. It had perhaps once been a hunting dog, perhaps left for dead in the mountains or by some highwayside. Repository of ten thousand indignities and the harbinger of God knew what. He bent and clawed up a handful of small rocks from the gravel apron and slung them. The dog raised its misshapen head and howled weirdly. He advanced upon it and it set off up the road. He ran after it and threw more rocks and shouted at it and he slung the length of pipe. It went clanging and skittering up the road behind the dog and the dog howled again and began to run, hobbling brokenly on its twisted legs with the strange head agoggle on its neck. As it went it raised its mouth sideways and howled again with a terrible sound. Something not of this earth. As if some awful composite of grief had broke through from the preterite world. It tottered away up the road in the rain on its stricken legs and as it went it howled again and again in its heart’s despair until it was gone from all sight and all sound in the night’s onset.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
into the main part of the store. Off to get Kendal, I mouthed to Celine, and she nodded. I stepped out into the September afternoon. Behind me, Eighty-ninth Street stretched several blocks to Riverside Park, a favorite place of mine and Kendal’s. Just ahead the intersection at Broadway sparkled with a steady stream of cars and our neighboring retailers’ windows. A man walking his dog nodded a wordless hello, and a mom with a baby in a stroller bent to pop a pacifier back into her unhappy child’s mouth. A delivery truck double-parked and the car behind it honked its disproval. The air held only a hint that summer was waning. September used to be my favorite month. I liked the way it sweetly bade the summer pastels away and showered the Yard’s shelves with auburn, mocha, and every shade of red. September brought in the serious quilters, those who loved spending
Susan Meissner (A Fall of Marigolds)
Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
She remembers her name. She remembers the name of the president. She remembers the name of the president’s dog. She remembers what city she lives in. And on which street. And in which house. The one with the big olive tree where the road takes a turn. She remembers what year it is. She remembers the season. She remembers the day on which you were born. She remembers the daughter who was born before you – She had your father’s nose, that was the first thing I noticed about her – but she does not remember that daughter’s name. She remembers the name of the man she did not marry – Frank – and she keeps his letters in a drawer by her bed. She remembers that you once had a husband, but she refuses to remember your ex-husband’s name. That man, she calls him. She does not remember how she got the bruises on her arms or going for a walk with you earlier this morning. She does not remember bending over, during that walk, and plucking a flower from a neighbour’s front yard and slipping it into her hair. Maybe your father will kiss me now. She does not remember what she ate for dinner last night, or when she last took her medicine. She does not remember to drink enough water. She does not remember to comb her hair. She remembers the rows of dried persimmons that once hung from the eaves of her mother’s house in Berkeley. They were the most beautiful shade of orange. She remembers that your father loves peaches. She remembers that every Sunday morning, at ten, he takes her for a drive down to the sea in the brown car. She remembers that every evening, right before the eight o’clock news, he sets two fortune cookies on a paper plate and announces to her that they are having a party. She remembers that on Mondays he comes home from the college at four, and if he is even five minutes late she goes out to the gate and begins to wait for him. She remembers which bedroom is hers and which is his. She remembers that the bedroom that is now hers was once yours. She remembers that it wasn’t always like this...
Julie Otsuka
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
Phelan,” Cam said, looking up with an easy smile, “have you come to see the timber yard?” “Thank you, but I’m here for another reason.” Leo, who was standing near the window, glanced from Christopher’s rumpled attire to Beatrix’s disheveled condition. “Beatrix, darling, have you taken to going off the estate dressed like that?” “Only this once,” she said apologetically. “I was in a hurry.” “A hurry involving Captain Phelan?” Leo’s sharp gaze moved to Christopher. “What do you wish to discuss?” “It’s personal,” Christopher said quietly. “And it concerns your sister.” He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles. “Which one of you should I talk to?” Christopher asked. They pointed to each other and replied at the same time. “Him.” Cam spoke to Leo. “You’re the viscount.” “You’re the one who usually deals with that sort of thing,” Leo protested. “Yes. But you won’t like my opinion on this one.” “You’re not actually considering giving them your approval, are you?” “Of all the Hathaway sisters,” Cam said equably, “Beatrix is the one most suited to choose her own husband. I trust her judgment.” Beatrix gave him a brilliant smile. “Thank you, Cam.” “What are you thinking?” Leo demanded of his brother-in-law. “You can’t trust Beatrix’s judgment.” “Why not?” “She’s too young,” Leo said. “I’m twenty-three,” Beatrix protested. “In dog years I’d be dead.” “And you’re female,” Leo persisted. “I beg your pardon?” Catherine interrupted. “Are you implying that women have poor judgment?” “In these matters, yes.” Leo gestured to Christopher. “Just look at the fellow, standing there like a bloody Greek god. Do you think she chose him because of his intellect?” “I graduated from Cambridge,” Christopher said acidly. “Should I have brought my diploma?” “In this family,” Cam interrupted, “there is no requirement of a university degree to prove one’s intelligence. Lord Ramsay is a perfect example of how one has nothing to do with the other.” “Phelan,” Leo said, “I don’t intend to be offensive, however--” “It’s something that comes naturally to him,” Catherine interrupted sweetly.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
He had long since observed that Elizabeth had superfluous IQ for her line of work, and inside all that free space in her brain she was completing a philosophy of the world wove together out of all the smells she had ever smelled. Maybe her memory was not the longest. Every day she had to go over every line of it again from top to bottom, just like the day before. She was history-minded: she wanted a piece of ever dog who had come before her to every landmark, the whole roll call, every tuft of grass at the foot of the loading platform by the old natrium plant, every pile of boards or lost truck part in the fringe of weeds along the shore at the four-car ferry, every corner stump or clump of pee-bleached iris on the shaggy line where front yards ended in pavement. The one-time ice house. The Wheeling & Lake Erie water tower. Every boundary stone still standing, however crookedly, in front of the town cemetery. Where putting her own bit into this olfactory model of the world was concerned, Elizabeth was not demure but lifted her leg like any male dog, a little decrepitly now that she was old. Come outa there, Elizabeth. He didn’t want her pissing on the gravestones.
Jaimy Gordon (Lord of Misrule (National Book Award))