Yankee Doodle Dandy Quotes

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So I’m not going to be able to get up on the fence and sing ‘Yankee Doodle Dandy’ while waving six American flags and twirling a baton?
Rachel Hawkins (Royals (Royals, #1))
When I watched the Twin Towers fall, I said aloud to my naked friend, “There go our civil liberties.” A few months later I called George Carlin and we were chatting about America’s reaction to the attack. I told him my thoughts. He excused himself, put down the phone, and went and got his journal. As the Twin Towers fell, he had written, “There go our civil rights.” I was so proud to have had a similar thought at a similar time to a genius. We were sad to be right. To react to an attack on our freedom with less freedom seems so deeply un-American. What ever happened to Yankee Doodle Dandy and “fuck you in the fucking neck”?
Penn Jillette (God, No!: Signs You May Already Be an Atheist and Other Magical Tales)
It seems whenever we get too high hat and too sophisticated for flag-waving some thug nation comes along and decides we're a pushover all ready to be blackjacked. And it isn't long before we're looking up mighty anxiously to be sure the flag is still waving over us. Jimmy Cagney as George M. Cohan in Yankee Doodle Dandy
George M. Cohan
The show is said to have originated on WCAU, Philadelphia, the sponsor’s home city, in 1927. Its arrival in New York in 1931 kicked off an unusual commercial identity—a children’s song-dance-and-story hour sponsored by one of the strongest symbols of New York city life, the automat (where nickel coffee and a piece of pie was a Broadway tradition). With its first New York broadcast, Horn and Hardart admitted it had nothing to sell to kids but reasoned that a strong appeal to children would reach adults as well. A sample of its fare was the show of Dec. 7, 1941, a few hours before Pearl Harbor. The entire hour was a tribute to ailing George M. Cohan, with the kids singing such favorites as Give My Regards to Broadway, Yankee Doodle Dandy, and Harrigan.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I started to sing. Yes, sing. "I'm a Yankee Doodle Dandy. Yankee Doodle Do or die." I let go of Henry and Caroline and started marching, like I was the leader of a parade. "An old old something something la la la, born on the Fourth of July." So maybe I didn't know the words, exactly. Alex joined in. Astrid, too. All three of us marching like idiots. "You're my Yankee Doodle sweetheart, Yankee Doodle do or die." I led the three of us, making up the words somewhat and we walked in front of the gate, getting between the eyes of the little kids and the plywood, just trying to break the terror spell of the monster outside. Who now stared to yell, "YOU SINKING 'YANKEE DOODLE'? 'YANKEE DOODLE DANDY'? I'LL F--- KILL YOU!" Niko joined in and that guy, I am here to tell you, is entirely tone deaf. But the little kids kind of snapped to. We caught their attention. "Yankee Doodle went to town a riding on a pony. I am a Yankee Doodle guy." And the kids started marching and I led the parade, the saddest parade in the history of the world, away from the front of the store, away from the monster outside, and right to the stupid cookie and cracker aisle. We ate fudge-covered graham crackers for a good long while.
Emmy Laybourne (Monument 14 (Monument 14, #1))
As the Yankee Doodle Dandies climbed into the altiplano (highlands), they sang the popular songs of the day, one of which, “Green Grow the Lilacs Oh,” became their signature tune, and forever after they would be known as “greengos.
John Ross (El Monstruo: Dread and Redemption in Mexico City)
Exhausted, she leaned against the pillows, her hair streaming in a golden-brown cascade over the thin linen covering her shoulders. But she beamed a look of unadulterated happiness as she held out her hand to him, and something inside Cade crumbled to sand in recognizing the significance of her gesture. Cade fell to his knees beside Lily, and she brushed away the streaks of tears he hadn't realized were there. He wrapped his arms around her and buried his face against her breasts. She stroked his hair. "Gracias, querida, muchas gracias... I love you so much. How can I say it? How can I thank you? I did not know... I thought a child would hold you, I wanted you to bear my child, but I did not mean to cause you such pain." The piano crashed into a resounding "Yankee Doodle Dandy" to celebrate this victorious Fourth, and Lily smiled and stroked Cade's thick black hair, feeling the glory of this day seep into her bones where she could remember and cherish it forever. "It's because I love you that I wanted your child. The pain is just the price we pay to have what we want. Can I see him now? Will you bring him to me?" Cade jerked his head up to meet the blazing happiness of blue eyes and knew Lily spoke what was in her heart. It was difficult for him to absorb. He had been a man alone for too long, an outcast wanted by nobody, yet this woman knocked down doors none had dared approach to declare her love for him. He stroked her cheek, his dark hand contrasting with her light skin, and she kissed the web of flesh beneath his thumb. Cade accepted that as confirmation of her words and allowed a smile to form. "I
Patricia Rice (Texas Lily (Too Hard to Handle, #1))