“
She turned back to Jace. "Do you have to be so-," she began, but stopped when she saw his face. It looked stripped down, oddly vulnerable.
"Unpleasant?" he finishes for her. "Only at days when my adoptive mother tosses me out of the house with instructions never to darken her door again. Usually I'm remarkably good-natured. Try me on any day that doesn't end in y.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Me only have one ambition, y'know. I only have one thing I really like to see happen. I like to see mankind live together - black, white, Chinese, everyone - that's all.
”
”
Bob Marley
“
Unpleasant?" he finished for her.
"Only on the days when my adoptive mother tosses me out of the house with instructions never to darken her door again. Usually, I'm remarkably good-natured. Try me on any day that doesn't end in y.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Thankfully I had to stand solitary for only one long moment before Jay came back feeling over-the-moon happy. I let his emotion drench me.
“What were you and Kaidan Rowe talking ’bout?” Jay asked me. “Man, y’all looked like you were gonna rip each other’s clothes off!” I gasped
and smacked his arm, but he didn’t flinch.
“We did not.” My eyes darted over to Kaidan for a fraction of a second, and though he was too far away to have heard, the wink he sent me
brought another flush to my skin.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
[Y]et, I wondered why Marshall did not at least attempt a kiss. In many ways, his treatment of me reminded me of the way I had behaved toward the doll that Mamma Mae had given me as a child. I favored it so that I had refused myself of the joy of playing with it, daring to love it only with my eyes. But in doing so, I had denied myself its very purpose.
”
”
Kathleen Grissom (The Kitchen House)
“
I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language.
That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been booing on for the last several thousand years? I didn't even know that they existed until I read that stupid article, and I'm pretty sure I'm not the only one.
...
So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to thing to yourself, 'The man can't possibly be that stupid!'
But yes. Yes, he can.
Our innate strengths just aren't the same. We are the mighty hunters, who are good at focusing on one thing at a time. For crying out loud, we have to turn down the radio in the car if we suspect we're lost and need to figure out how to get where we're going. That's how impaired we are. I'm telling you, we have only the one conversation. Maybe some kind of relationship veteran like Michael Carpenter can do two, but that's pushing the envelope. Five simultaneous conversations? Five?
Shah. That just isn't going to happen. At least, not for me.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Hans: [Y]ou can't conceive what a great fellow I'm going to be. The seed of immortality has sprouted within me.
Deronda: Only a fungoid growth, I daresay - a crowing disease in the lungs.
”
”
George Eliot (Daniel Deronda)
“
Tony:...but you need something to do about Noah.
Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
”
”
David Levithan (Boy Meets Boy)
“
I paint my wrists
a pretty red
To silence the demons
in my head
Creating art
out of my pain
It's the only thing
that keeps me sane
But why do others cry
when they see my art?
Is it because
I ripped the canvas apart?
I never understood
why they looked so upset
I guess they just don't like
the color red
”
”
Y.B.
“
You speak of being afraid. Yet fear is something you generate in yourself, from your mind's lack of control; and you will learn to look at it and discover for yourself when you choose to be afraid. The first thing you must do is acknowledge that the fear is yours, and you can bid it come and go at will. Begin with this; whenever you feel fear that prevents choice say to yourself: 'What has made me feel fear? Why have I chosen to feel this fear preventing my choice, instead of feeling the freedom to choose?' Fear is a way of not allowing yourself to choose freely what you will do next; a way of letting your body's reflexes, not the needs of your mind, choose for you. ...[Y]ou have chosen to do nothing, so that none of the things you fear will come upon you; so your choices are not made by you but by your fear. ... I cannot promise to free you of your fear, only that a time will come when you are the master, and fear will not paralyze you.
”
”
Marion Zimmer Bradley (Stormqueen!)
“
Jack stares at me blankly. ‘A what?’ he asks.
I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’
‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’
I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’
Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says.
Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
CHAPTER 2: INGLOURIOUS BASTERDS
ALDO THE APACHE
My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers.
Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis.
Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die.
Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance.
We will be cruel to the Germans, and through our cruelty they will know who we are.
And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us.
And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives.
And the German will be sickened by us, and the German will talk about us, and the German will fear us.
And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with.
Sooounds good?
”
”
Quentin Tarantino
“
Stevie Rae looked from vampyre to vampyre. “Y’all need to get your shit together. Here’s a newsflash from the only High Priestess you have left at this dang school: Zoey isn’t dead. And believe me, I know dead. I’ve been there, done that, and got the frickin’ T-shirt.” Stevie Rae turned her back on the room and, with her fledglings, got the heck outta there.
”
”
P.C. Cast (Burned (House of Night, #7))
“
You stop noticing pain, is the thing.
You notice it when it’s really bad, or when it’s different, but… on the rare occasion someone asks me what it’s like to live with RA, I don’t ever know what to say. They ask me if its painful, and I say yes because I know intellectually it must be, because the idea of doing some of the things that other people do without thinking fills me with dread and panic, but I always think about it mechanically. I can’t do x. I don’t want to do y. I don’t continue the thought into I can’t do that because it would hurt. I don’t want to do that because then I would be in pain.
You can’t live like that. There’s only so much you can carry quietly by yourself, so you turn an illness into a list of rules instead of a list of symptoms, and you take pills that don’t help, and you do stretches, and you think instead of feeling. You think.
”
”
Hannah Moskowitz (Sick Kids in Love)
“
This is what we do. We fix things. We’re tinker-ers. If we didn’t tinker with cars, we’d tinker with people.”
Drew flashed a rare grin. “You already tinker with people, Cletus.”
“You are correct,” I sat straighter in my seat, ready to defend myself, “but only my family. And y’all deserve my tinkering.”
“Don’t get me wrong. You’re good at tinkering. Aside from those revenge plots, people are lucky to have you interfering in their lives.
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
[M]y only route was trust: trust in a *deeper* wisdom, the wisdom responsible for making my heart beat, my eyes shine, my hair grow; trust in the infinite intelligence responsible for making my cells replicate; trust in the part of me that is awake when I'm asleep at night.
”
”
Brandon Bays (The Journey: A Practical Guide to Healing Your Life and Setting Yourself Free)
“
The good die young, but I have been spared to build myself up so that I may end my life as good as gold. The senior dead will be proud of me.... I will join the Y.M.C.A. of the immortals. Only, in this very hour, I may be missing eternity.
”
”
Saul Bellow (Herzog)
“
Actually, I believe there are only two kinds of women in this world: Martha people and Oprah people. That doesn’t mean one can’t have an affinity for both of them, but my theory is that every chick is more firmly in one camp than the other. The typical Oprah woman is all self-actualized and best-life-y and Eat, Pray, Love. The Big O seems like the kind of gal who’d insist we all spend the afternoon wearing jammy pants. And how fun would that be?!
But Martha?
She’s not putting up with that nonsense, and that makes me adore her all the more. She’ll tell you what to eat, where to pray, and who to love, and I appreciate the guidance.
”
”
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
“
My dearest Mary,
Both my words and my conduct at our last meeting were ungentlemanly - born of haste and high emotion, rather than friendship and good judgement - and yet I cannot find it within me to apologize. I am glad I kissed you; glad to have revelled in your scent, your taste, the touch of your hands; glad, even, to have quarrelled with you because during those moments of anger, I was in your presence.
Mary, you are the most singular woman I know: intelligent, brave and honest, and I crave your friendship. I confess to only the haziest notion of what I ask, having never been friends with a woman before. My friendships are male and conventional; pleasant and without distinction. But a friendship with you would be a bright, new, rare thing - if you would do me the honour.
I expect that what I ask is impossible. But it is sweet to dream, Mary, and thus I tender one last, insolent, unapologetic request: write to me only if you can say yes.
Yours,
James
”
”
Y.S. Lee (The Traitor in the Tunnel (The Agency, #3))
“
But I only drink on the days of the week that end with a 'y
”
”
Gaelic Storm (Kiss Me, I'm Irish)
“
In the letters he sends to his friend, Werther recounts both the events of his life and the effects of his passion; but it is literature which governs the mixture. For if I keep a journal, we may doubt that this journal relates, strictly speaking, to events. The events of amorous life are so trivial that they gain access to writing only by an immense effort: one grows discouraged writing what, by being written, exposes its own platitude: "I ran into X, who was with Y" "Today X didn't call me" "X was in a bad mood," etc.: who would see a story in that? The infinitesimal event exists only in its huge reverberation: Journal of my reverberations (of my wounds, my joys, my interpretations, my rationalizations, my impulses): who would understand anything in that? Only the Other could write my love story, my novel.
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
In true Bastien form—and keeping in mind that he’s only seven at the time—he yanks off his helmet, throws his backpack down, and lies on the ground, using the helmet for a pillow, and says to them, and I quote verbatim, ‘Later, bitches. I’m done for the day. Y'all can carry me home or call for a lift. Either way, I ain’t moving from here. My ass is too precious for this abuse.
”
”
Sherrilyn Kenyon (Born of Vengeance (The League: Nemesis Rising, #10))
“
My apologies, see, I forgot my manners.
I get on the mic ’cause it’s my life. You show off for girls and cameras.
You a pop star, not a rapper. A Vanilla Ice or a Hammer.
Y’all hear this crap he dumping out? Somebody get him a Pamper.
And a crown for me. The best have heard about me.
You can only spell “brilliant” by first spelling Bri.
You see, naturally, I do my shit with perfection.
Better call a bodyguard ’cause you gon’ need some protection,
And on this here election, the people crown a new leader.
You didn’t see this coming, and your ghostwriters didn’t either.
I came here to ether. I’m sorry to do this to you.
This is no longer a battle, it’s your funeral, boo. I’m murdering you.
On my corner they call me coroner, I’m warning ya.
Tell the truth, this dude is borin’ ya.
You confused like a foreigner. I’ll explain with ease:
You’re just a casualty in the reality of the madness of Bri.
No fallacies, I spit maladies, causin’ fatalities,
And do it casually, damaging rappers without bandaging.
Imagining managing my own label, my own salary.
And actually, factually, there’s no MC that’s as bad as me.
Milez? That’s cute. But it don’t make me cower.
I move at light speed, you stuck at per hour.
You spit like a lisp. I spit like a high power.
Bri’s the future, and you Today like Matt Lauer.
You coward. But you’re a G? It ain’t convincing to me.
You talk about your clothes, about your shopping sprees.
You talk about your Glock, about your i-c-e.
But in this here ring, they all talking ’bout me,
Bri!
”
”
Angie Thomas (On the Come Up)
“
Y-you, Marley Layton, are my favouritist big brother called Marley. The best, my very bestest one.” George points her finger up at me as she speaks.
“I’m your only big brother called Marley.”
“This true, this is vrery, vrery true,” she slurs.
”
”
Lesley Jones (Marley (Carnage, #3))
“
Or maybe this wasn't a human-faerie translation problem at all. Maybe this was a male-female translation problem. I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considerating that, and replying to it. All these other conversations that have apparently been going on for the last several thousand years? I didn't even know tht they existed until I read that stupid article, and I'm pretty sure I'm not the only one. I felt somewhat skeptical about the article's grounding. There were probably a lot of women who didn't communicate on multiple wavelenghts at once. There were probably men who could handle that many just fine. I just wasn't one of them. So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to think to yourself, "The man can't possibly be that stupid!" But yes. Yes he can.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Despues pinto un poco. Hay tranquilidad y silencio en estos dias y aprovecho que puedo concentrarme. La soledad. Quizas uno escribe y pinta no solo para crear un espacio de libertad alrededor, sino tambien para sentirse acompaNado. No exactamente para romper la soledad. No se trata de eso. La soledad siempre estA ahI. La siento, la toco, hablo con ella. Forma parte de mi vida. La soledad es inevitable. Y ayuda. Me concentro mas. Soy mas yo cuando convivimos bien apretaditos: la soledad y yo. Nos adoramos. No podria vivi sin la soledad.
my translation:
Later I paint a little bit. There's tranquility and silence in these days and I benefit from being able to concentrate. Loneliness. Maybe one writes and paints not only to create a space of freedom, but rather also to feel accompanied. Not exactly to break loneliness. It's not about that. Loneliness is always there. I feel it. I touch it. I talk with it. It forms part of my life. Loneliness is inevitable. And it helps. I concentrate more. I'm more me when we live pushed together: loneliness and me. We worship each other. I couldn't live with out loneliness.
”
”
Pedro Juan Gutiérrez (Animal tropical)
“
Only way to sustain anything, to build anything, is to give! You understand me, girl? Give and give of y’self till there’s nothing left to give! Only then can you have something! If you take, you diminish things till there’s nothing left. If you give, you provide and things grow! Yes?
”
”
Ian C. Esslemont (Orb Sceptre Throne (Novels of the Malazan Empire, #4))
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Maybe this was a male-female translation problem. I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language.
That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been going on for the last several thousand years? I didn't even know that they ~existed~ until I read that stupid article, and I'm pretty sure I'm not the only one.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
I just can't believe you fucked that thing !" he retorted, voice rough with what I coud only assume was utter distain. "Why... why would you do that ?"
(...)
"Because I'm lonely ! " I exploded, standing and nearly tipping the stool over. "Because I've only ever had two boyfriends, and they were shitty in bed, and they never stayed very long anyway. I had this incredibly gorgeous guy wanting to kiss me and make love to me and I wanted it. I don't I have many friends. I mean, shit ! I know he was just trying to get something from me, but y'know what ? I wanted something from him too. I wanted to be touched and wanted and to feel - for a few fucking minutes - that I was sexy and desirable. And to feel - for a few fucking minutes - a way I knew I'd never felt before and would probably never feel again !".
”
”
Diana Rowland (Blood of the Demon (Kara Gillian, #2))
“
The encounter put me in the mood to shop...Babette and the kids followed me into the elevator, into the shops set along the tiers, through the emporiums and the department stores, puzzled but excited by my desire to buy. When I could not decide between two shirts, they encouraged me to buy both. When I said I was hungry they fed me pretzels, beer, souvlaki. The two girls scouted ahead, spotting things they thought I might want or need, running back to get me, to clutch my arms, to plead with me to follow. The...y were my guides to endless well-being...My family gloried in the event. I was one of them, shopping, at last. They gave me advice, badgered clerks on my behalf...We moved from store to store, rejecting not only items in certain departments, not only entire departments but whole stores, mammoth corporations that did not strike our fancy for one reason or another. There was always another store, three floors, eight floors...I shopped with reckless abandon. I shopped for immediate needs and distant contingencies. I shopped for its own sake, looking and touching, inspecting merchandise I had no intention of buying, then buying it...I began to grow in value and self-regard. I filled myself out, found new aspects of myself, located a person I'd forgotten existed. Brightness settled around me. I traded money for goods. The more money I spent, the less important it seemed. I was bigger than these sums. These sums poured off my skin like so much rain
”
”
Don DeLillo (White Noise)
“
Hours may have passed before I heard a throat clear behind us, saw Dad appear. His frame blocked out the sun, casting a cool shadow over where we lay.
I registered only once he was there that I had slowly shifted so I was lying with my head on Elliot’s stomach, in our secluded stretch of sand. I pushed to sit up, awkwardly.
“What are you guys doing?”
“Nothing,” we said in unison.
I could hear immediately how guilty our joined answer made us sound.
“Really?” Dad asked.
“Really,” I answered, but he wasn’t looking at me anymore. He and Elliot were having some kind of male Windtalker exchange that included prolonged eye contact, throat clearing, and probably some mysterious form of direct communication between their Y chromosomes.
“We were just reading,” Elliot said finally, his voice shifting deeper midway through the sentence. I’m not sure if this sign of his impending manliness was reassuring or damning as far as my dad was concerned.
“Seriously, Dad,” I said.
His eyes flickered to mine.
“Okay.” Finally he seemed to relax and squatted down next to me. “What are you reading?”
“A Wrinkle in Time.”
“Again?”
“It’s so good.
”
”
Christina Lauren (Love and Other Words)
“
You keep using that term, 'the enemy.' But you taught me that euphemisms are only for those who feel guilt about what they are describing.
”
”
Brian K. Vaughan (Absolute Y: The Last Man Vol. 3)
“
I was taken to a villa to meet Sabri al-Banna, known as 'Abu Nidal' ('father of struggle'), who was at the time emerging as one of Yasser Arafat's main enemies. The meeting began inauspiciously when Abu Nidal asked me if I would like to be trained in one of his camps. No thanks, I explained. From this awkward beginning there was a further decline. I was then asked if I knew Said Hammami, the envoy of the PLO in London. I did in fact know him. He was a brave and decent man, who in a series of articles in the London Times had floated the first-ever trial balloon for a two-state solution in Israel/Palestine. 'Well tell him he is a traitor,' barked my host. 'And tell him we have only one way with those who betray us.' The rest of the interview passed as so many Middle Eastern interviews do: too many small cups of coffee served with too much fuss; too many unemployed heavies standing about with nothing to do and nobody to do it with; too much ugly furniture, too many too-bright electric lights; and much too much faux bonhomie. The only political fact I could winnow, from Abu Nidal's vainglorious claims to control X number of 'fighters' in Y number of countries, was that he admired the People's Republic of China for not recognizing the State of Israel. I forget how I got out of his office.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
I put them near the cellar door in case you want to store them down there."
"Yeah. I, uh... I'm not big on going down into this basement."
"But you said this place only had one ghost in it, and she left."
I had. But I never claimed that ,y loathing of basements was entirely rational. "I had a bizarre fabric softener incident once," I told her. "It scarred me for life.
”
”
Jordan Castillo Price (Secrets (PsyCop, #4))
“
wondered whats the cause of this headache or why would would it ache so bad...I can remember,usual routines done all along but y does this sudden pain feels eating me brain out out...I only got to have missed a very special woman and she's all i longed to see, but y does it pained my head ...should it have been my heart knowing this love is simply unrequited?ZZZzzzzzzzz...
”
”
Bob Villarosa
“
I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.
”
”
Sarah Erdman (Nine Hills to Nambonkaha: Two Years in the Heart of an African Village)
“
What I’m about to tell you,” Elliott told me, “ninety-nine percent of people in the world will never understand.” For the first time all week, it was just the two of us. Elliott had told Austin he wanted to talk to me one-on-one. We were standing on a rooftop lounge during sunset, looking out at the Manhattan skyline. “You see, most people live a linear life,” he continued. “They go to college, get an internship, graduate, land a job, get a promotion, save up for a vacation each year, work toward their next promotion, and they just do that their whole lives. Their lives move step by step, slowly and predictably. “But successful people don’t buy into that model. They opt into an exponential life. Rather than going step by step, they skip steps. People say that you first need to ‘pay your dues’ and get years of experience before you can go out on your own and get what you truly want. Society feeds us this lie that you need to do x, y, and z before you can achieve your dream. It’s bullshit. The only person whose permission you need to live an exponential life is your own. “Sometimes an exponential life lands in your lap, like with a child prodigy. But most of the time, for people like you and me, we have to seize it for ourselves. If you actually want to make a difference in the world, if you want to live a life of inspiration, adventure, and wild success—you need to grab on to that exponential life—and hold on to it with all you’ve got.
”
”
Alex Banayan (The Third Door: The Wild Quest to Uncover How the World's Most Successful People Launched Their Careers)
“
I want to live small and happy, I want to leave only the tiniest footprint on the world. Why isn't that something to aspire to? y life goal is to feel contentment; to me that's the only thing worth striving for" -Star
”
”
Jenny Bayliss (A December to Remember)
“
I’m adrift, suspended in a pool of senselessness, but something about her keeps tugging, sparking my nerves, errant currents pushing me to the surface of something—an emotional revelation—that trembles into existence only to evaporate, seconds later, as if it might be terrified to exist. This goes on and on and on and on and on Lightyears. Eons. over and over whispers of clarity g a s p s o f o x y g e n and I’m tossed back out to sea.
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
"Let me share a secret with you, Zach. Men have been telling women things for centuries. Then they've been breaking our hearts."
...
"Only way," Mercy continued, "for you to gain her trust might be to forget the pride that seems to come embedded in the Y chromosome. You ready to wear your heart on your sleeve and hope she doesn't crush the life out of it?"
He met her gaze. "You got a streak of mean in you, Mercy."
"Thank you very much."
”
”
Nalini Singh (Wild Invitation (Psy-Changeling, #0.5, #3.5, #9.5, #10.5))
“
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
”
”
James Altucher (Choose Yourself)
“
Boy doesn’t know what the Wocket is,” Ted said mournful y to the rest of the group. “And his dad’s the owner of the famous Marauder’s Map. Just think how much easier this would be if we could get our hands on that bit of skul duggery. James, let me introduce you to the rest of the Gremlins, a group you may indeed hope to join, depending on how things go tonight, of course.” Ted stopped, turned and threw his arm wide, indicating the three others skulking along with them. “My number one, Noah Metzker, whose only flaw is his unwitting relationship to his fifth-year prefect brother.” Noah bowed curtly at the waist, grinning. “Our treasurer,” Ted continued, “if we ever manage to come across any coin, Sabrina Hildegard.
”
”
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
“
Boys,
I'm probably sleeping, but hopefully y'all got up on time. You need to be down at the factory by 9. Ask for Zeke.I listened to your interview with Starnes-it's good work, but I've changed my mind about some things.
At six hours per person, we'll never get through the whole town. I'd like you only to ask the following four questions: Where would you live if you could live anywhere? What would you do for a living if you didn't work for the factory? When did your people come to the country? And What do you think makes Gutshot special? I think that'll move things along nicely. They're expecting you at the factory. Lindsey will accompany you.
See you tonight.Hollis.
PS.I'm writing this note at 5:30., SO don't wake me up.
”
”
John Green (An Abundance of Katherines)
“
My mouth twitched and I raised my gaze up to meet his. “Well, I think it’s really admirable that you only get into fights with people who deserve to get the shit kicked out of them. If no one else ever tells you, it’s really noble. Very superhero-y.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
It is a Barnum and Bailey world,
just as phony as it can be,
But it would not be make-believe
if you believed in me
............................It is Only a Paper Moon
Billy Rose and E. Y. "Yip" Harburg.....(opening page of 1Q84 by Haruki Murakami)
”
”
Haruki Murakami
“
Adèle heard him, and asked if she was to go to school “sans mademoiselle?” “Yes,” he replied, “absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.” “She will have nothing to eat: you will starve her,” observed Adèle. “I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adèle.” “She will want to warm herself: what will she do for a fire?” “Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.” “Oh, qu’ elle y sera mal—peu comfortable! And her clothes, they will wear out: how can she get new ones?” Mr. Rochester professed to be puzzled. “Hem!” said he. “What would you do, Adèle? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow.
”
”
Charlotte Brontë (Jane Eyre)
“
I'm an inclusionist. I've always divided up (very, very broadly, I admit) the artistic instincts into the inclusionist and the exclusionist. The exclusionist is Raccine. The inclusionist is Shakespeare. I've always felt like I'd prefer to throw 45 things into the pot and hope that maybe 36 of them will taste good. You may choke on 9 of them. I'd rather do that than only have half that number of elements and each one perfect. That's because I know that people choke on different things.... I think that when I was a kid, the experience of things, the experience of just finding words for things, of finding somebody else's world and being able to leap into it and, like any world, you pick up the geography instantly. You expected the thing to unfold, you expected there to be valleys that upon entering that world you were barely aware of. For me a novel, particularly a large novel, one you put down at the end and think, 'Hell, that was interesting. I'm not sure I understood Chapters X, Y and Z, but maybe next time I read it or talk to someone about it, I will'... that's a very different experience to the immaculately formed, beautifully honed, finished 'art' thing.
”
”
Clive Barker
“
Here’s how it usually goes: gays will start to wear something, it becomes a trend, and then ten years later, brosefs will co-opt it, and I’ll be like, “You’re behind the times.” Perhaps this is what will happen with cropped shirts. This is what happened with T-shirts. Gays started wearing tight T-shirts, but now meatheads have adopted that as their official uniform. Don’t get me wrong—they’re usually very buff and nice to look at from afar, but you wouldn’t want to date that. There is something about a supertight T-shirt that screams, “Look at me!” It’s a bit tool-y. Whenever I see people in tight T-shirts, it’s usually not forgiving. Gone are the days when sexy-sexy sells. I prefer a looser fit. I like when your features are highlighted, but don’t show it all off. Maybe show off one thing. That is all. Something loose and only slightly suggestive is much sexier than wearing skintight clothes.
”
”
Tan France (Naturally Tan)
“
I was in full digression! far from the subject!...my colonel was losing track...rapidly, of my story! my story!...my own story!...the gifts that I had personally received from Heaven!...yet I had insisted, every time! truly extraordinary gifts!...I'd made him repeat them a hundred times!...enough so he'd remember! that I was the only true genius! the century's only writer! the proof: that no one ever spoke of me!...everyone was jealous! Nobel! no Nobel! they had all joined forces to have me executed!...they could just go fuck off!...drop dead! since it was a question of death between me and them! I'll send their readers packing! all their readers! I'll make the public grow sick of their books! cabal! no cabal! since there was no room for two styles!...it was mine or theirs!...crawl or breastroke!...you understand!...the only inventor of the century! is me! me! me right here! the only genius, you might say! damned or not!...
”
”
Louis-Ferdinand Céline (Conversations with Professor Y (French Literature Series))
“
The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word and thought, are enemies of truth, if you identify that with what may be had by phenomenological reductions. Sartre was always, as he explains in his autobiography, aware of their being at variance with reality. One remembers the comic account of this antipathy in Iris Murdoch Under the Net, one of the few truly philosophical novels in English; truth would be found only in a silent poem or a silent novel. As soon as it speaks, begins to be a novel, it imposes causality and concordance, development, character, a past which matters and a future within certain broad limits determined by the project of the author rather than that of the characters. They have their choices, but the novel has its end. *
____________________
* There is a remarkable passage in Ortega y Gasset London essay ' History as a System' (in Philosophy and History, ed. Klibansky and Paton, 1936) which very clearly states the issues more notoriously formulated by Sartre. Ortega is discussing man's duty to make himself. 'I invent projects of being and doing in the light of circumstance. This alone I come upon, this alone is given me: circumstance. It is too often forgotten that man is impossible without imagination, without the capacity to invent for himself a conception of life, to "ideate" the character he is going to be. Whether he be original or a plagiarist, man is the novelist of himself... Among... possibilities I must choose. Hence, I am free. But, be it well understood, I am free by compulsion, whether I wish to be or not... To be free means to be lacking in constitutive identity, not to have subscribed to a determined being, to be able to be other than what one was...' This 'constitutive instability' is the human property lacking in the novels condemned by Sartre and Murdoch. Ortega differs from Sartre on the use of the past; but when he says that his free man is, willy-nilly, 'a second-hand God,' creating his own entity, he is very close to Sartre, who says that to be is to be like the hero in a novel. In one instance the eidetic image is of God, in the other of the Hero.
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
You have the great gift of understanding, beloved Mary. You are a life-giver, Mary. You are like the Great Spirit, who befriends man not only to share his life, but to add to it. My knowing you is the greatest thing in my days and nights a miracle quite outside the natural order of things.
I have always held, with my Madman, that those who understand us enslave something in us. It is not so with you. Your understanding of me is the most peaceful freedom I have known. And in the last two hours of your last visit you took y heart in your hand and found a black spot in it. But just as soon as you found the spot it was erased forever, and I became absolutely chainless.
”
”
Kahlil Gibran
“
This Booker T. Washington syndrome permeated every aspect of the education I received in Birmingham. Work hard and you will be rewarded. A corollary of this principle was that the road would be harder and rockier for Black people than for their white counterparts. Our teachers warned us that we would have to steel ourselves for hard labor and more hard labor, sacrifices and more sacrifices. Only this would prove that we were serious about overcoming all the obstacles before us. It often struck me they were speaking of these obstacles as if they would always be there, part of the natural order of things, rather than the product of a system of racism, which we could eventually overturn.
”
”
Angela Y. Davis (An Autobiography)
“
The spirit of the depths even taught me to consider Inyaction and my decision as dependent on dreams. Dreams pave the way for life, and they determine you without you understanding their languageY One would like to learn this language, but who can teach and learn it? Scholarliness alone is not enough; there is a knowledge ofthe heart that gives deeper insight.54 The knowledge of the heart is in no book and is not to be found in the mouth ofany teacher, but grows out ofyou like the green seed from the dark earth. Scholarliness to the spirit of this time, but this spirit in no way grasps the dream, since the soul is everywhere that scholarly knowledge is not.
But how can I attain the knowledge of the heart? You can attain this knowledge only by living your life to the full. You live your life fully if you also live what you have never yet lived, but have left for others to live or to think.55 You will say: "But I cannot live or think everything that others live or thinlc" But you should say: "The life that I could still live, I should live, and the thoughts that I could still thinl(, I should thinl(.
”
”
C.G. Jung
“
...[Y]ou know very well the truth of what I [say]... I have incurred a great deal of bitter hostility; and this is what will bring about my destruction, if anything does... the slander and jealousy of a very large section of the people. They have been fatal to a great many other innocent men, and I suppose will continue to be so; there is no likelihood that they will stop at me. But perhaps someone will say 'Do you feel no compunction, Socrates, at having followed a line of action which puts you in danger of the death-penalty?' I might fairly reply to him 'You are mistaken, my friend, if you think that a man who is worth anything ought to spend his time weighing up the prospects of life and death. He has only one thing to consider in performing any action; that is, whether he is acting rightly or wrongly, like a good man or a bad one...['] The truth of the matter is this, gentlemen. Where a man has once taken up his stand, either because it seems best to him or in obedience to his orders, there I believe he is bound to remain and face the danger, taking no account of death or anything else before dishonour.
”
”
Socrates (Apology, Crito And Phaedo Of Socrates.)
“
y husband doesn’t just love me. He knows how to love me. He knows what I need and when I need it, sometimes even better than I do. He knows how to unfold all the tight, rough parts of me and smooth them out with one glide of his hand. He knows how to prove that he—and only he—understands every crevice of my soul. He knows how to remind me that I am forever safe within his heart.
”
”
Nina Lane (Awaken (Spiral of Bliss, #3))
“
When I took over as chair of the fashion program, I was horrified that only the faculty member was allowed to speak in a critique. I'm talking about perfectly nurturing teachers. But the rule was there would be no call of hands for students to contribute their feedback. It was embedded in the department's culture. That was alarming to me. When I was teaching, I was the least important person in the room as far as I was concerned--my students' points of view mattered most. I wanted to learn who they were and teach them to respect one another's perspectives.
I would start off by saying something like, "I am having trouble understanding how this work solves the problem at hand. Here are some things about the work that I appreciate: X, Y, Z. But I see these virtues independent of the problem we're solving.
”
”
Tim Gunn
“
VRISKA: I only ever wanted to do the right thing no matter how it made people judge me, and I don't need a magic ring to do that.
VRISKA: You don't have to 8e alive to make yourself relevant.
VRISKA: And you don't have to 8e a good person to 8e a hero.
VRISKA: You just have to know who you are and stay true to that.
VRISKA: So I'm going to keep fighting for people the only way I ever knew how.
VRISKA: 8y 8eing me.
”
”
Andrew Hussie (Homestuck)
“
—What are you doing now?— —I’m under my covers— —Alone?— —y— —A crime— I smiled, and the feeling of levity cracked the brittle shell of sorrow, if only for a second, and tears streamed down my face. —Don’t make me laugh, fuckhead— —May I join you under those lucky covers?— When I read the message, I didn’t feel his request in my loins, but on my skin. I wanted him to touch me. Kiss me. Breathe on me. Talk to me. Hold me for hours. The desire wasn’t just between my legs, but in my rib cage, my marrow, my fingertips. Could I give up the consuming protection of loneliness and indulge in a few hours with Jonathan? Was I worthy of a little comfort? Probably not. And I hadn’t forgotten the submissive thing. No. He was going to drag me into a pit of defilement and humiliation. Seeing him would only draw him closer to me than he should be, ever. I texted: —I need you— I hit send. I shouldn’t have.
”
”
C.D. Reiss (Submit (Songs of Submission, #3))
“
Don’t say, just listen. When we got together, we became a unit. How you move is how I move, how I hustle, is how you hustle, and how you getcha money is how I get my money. What you go through, nigga I feel, and I’m not into allowing myself to hurt. If you wanna be the king of this drug shit, then it’s only right as your queen that I make it happen. Letting me handle this little situation isn’t gonna make you any less of a king then you already are. I can only add to you bae. I would never take from you.
”
”
Kellz Kimberly (I.C.Y: A Hood Type Of Love Story)
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
PSALM 91 He who dwells in a the shelter of the Most High will abide in b the shadow of the Almighty. 2 I will say [1] to the LORD, “My c refuge and my d fortress, my God, in whom I e trust.” 3 For he will deliver you from f the snare of the fowler and from the deadly pestilence. 4 He will g cover you with his pinions, and under his h wings you will i find refuge; his j faithfulness is k a shield and buckler. 5 l You will not fear m the terror of the night, nor the arrow that flies by day, 6 nor the pestilence that stalks in darkness, nor the destruction that wastes at noonday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only look with your eyes and n see the recompense of the wicked. 9 Because you have made the LORD your o dwelling place— the Most High, who is my c refuge [2]— 10 p no evil shall be allowed to befall you, q no plague come near your tent. 11 r For he will command his s angels concerning you to t guard you in all your ways. 12 On their hands they will bear you up, lest you u strike your foot against a stone. 13 You will tread on v the lion and the w adder; the young lion and x the serpent you will y trample underfoot. 14 “Because he z holds fast to me in love, I will deliver him; I will protect him, because he a knows my name. 15 When he b calls to me, I will answer him; I will be with him in trouble; I will rescue him and c honor him. 16 With d long life I will satisfy him and e show him my salvation.
”
”
Anonymous (Holy Bible: English Standard Version (ESV))
“
(...) rest content and satisfied that as you are caught in the noose of love it is one of worth and merit that has taken you, and one that has not only the the four S's that they say true lovers ought to have, but a complete alphabet; only listen to me and you will see how I can repeat it by rote. He is to my eyes and thinking, Amiable, Brave, Courteous, Distinguished, Elegant, Fond, Gay, Honorable, Illustrious, Loyal, Manly, Noble, Open, Polite, Quickwitted, Rich, and the S's according to the saying, and then Tender, Veracious: X does not suite him, for it is a rough letter; Y has been given already; and Z Zealous for your honour.
”
”
Miguel de Cervantes Saavedra
“
Red-checked tablecloths, cheap metal chairs, and all manner of food on the menu, from dim sum to stromboli. Soft lighting did nothing to hide the fact that they were the only patrons in the place.
After they were seated at a four top, with sodas in front of them, Nick was desperate for anything to lighten the mood.
“Fast service,” he said wryly. “Do you want me to accuse you of dazzling the waitress?”
Adam choked on his soda. “Is that a Twilight reference? How is it possible your brothers don’t know you’re g*y?”
Every time he said that, Nick wanted to flinch as hard as Adam had on the street. “I said a girlfriend was making me read it.
”
”
Brigid Kemmerer (Secret (Elemental, #4))
“
Me querrá cuando me vaya? ¿Pensará en mí...? Bien podría ser... ¡Si se convenciera de que el amor que tiene a su marido es como echar rosas a un burro para que se las coma, si se convenciera de esto...! Pero vaya usted a esperar que se convenza. No puede ser. Quiere locamente a ese mico, y se morirá queriéndole.
Will she love me after I'm gone? Will she think of me? She just might…if only she could see that loving her husband is like throwing roses to a donkey; if only she could see it! But who can wait till she does? It can't be. She's madly in love with that cad, and she'll love him till her dying day.
--- Translation: Agnes Moncy Gullón
”
”
Benito Pérez Galdós (Fortunata and Jacinta)
“
This is why, rather than go on talking, I felt the need to transform the things to be said into a cone of light hurled at a hundred miles an hour, to transform myself into this cone of light moving over the superhighway, because it is certain that such a signal can be received and understood by her without being lost in the ambiguous disorder of secondary vibrations, just as I, to receive and understand the things she has to say to me, would like them to be only (rather, I would like her to be only) this cone of light I see advancing on the superhighway at a speed (I'm guessing, at a glance) of eighty or ninety. What counts is communicating the indispensable, skipping all the superfluous, reducing ourselves to essential communication, to a luminous signal that moves in a given direction, abolishing the complexity of our personalities and situations and facial expressions, leaving them in the shadowy container that the headlights carry behind them and conceal. The Y I love is really that moving band of luminous rays, and all the rest of her can remain implicit; and the me that she can love, the me that has the power of entering that circuit of exaltation which is her affective life, in the flashing of this pass which, through love of her and with a certain risk, I am now attempting.
”
”
Italo Calvino (The Complete Cosmicomics)
“
You have a painting above your bed! How the hell did I not notice that totally huge painting when I walked in here five minutes ago?”
“Too distracted by how good-looking I am, probably.”
“What happened? What other art did I miss?” she asks, looking around the room. She won’t find anything; there’s only this one.
“Finally found something I wanted to look at every day.”
She leans forward. “Wait, is this the, y’know. The one where we? On the canvas?”
“It’s the canvas we fucked on, yeah.”
Her mouth is wide open. “It looks so good! I was expecting it to be total trash if I’m honest. Like, I know you’re talented, but there’s only so much talent you can control in that kind of setting.”
“You underestimate me.
”
”
Hannah Grace (Daydream (Maple Hills, #3))
“
Human life, by its very nature, has to be dedicated to something, an enterprise glorious or humble, a destiny illustrious or trivial. We are faced with a condition, strange but inexorable, involved in our very existence. On the one hand, to live is something which each one does of himself and for himself. On the other hand, if that life of mine, which only concerns myself, is not directed by me towards something, it will be disjointed, lacking in tension and in "form." In these years we are witnessing the gigantic spectacle of innumerable human lives wandering about lost in their own labyrinths, through not having anything to which to give themselves. All imperatives, all commands, are in a state of suspension. The situation might seem to be an ideal one, since every existence is left entirely free to do just as it pleases- to look after itself. The same with every nation. Europe has slackened its pressure on the world. But the result has been contrary to what might have been expected. Given over to itself, every life has been left empty, with nothing to do. And as it has to be filled with something, it invents frivolities for itself, gives itself to false occupations which impose nothing intimate, sincere. To-day it is one thing, to-morrow another, opposite to the first. Life is lost at finding itself all alone. Mere egoism is a labyrinth. This is quite understandable. Really to live is to be directed towards something, to progress towards a goal.
”
”
José Ortega y Gasset
“
And yes, there was such a luster in his eyes that I had to look away, and when I looked
back at him, his gaze hadn’t moved and was still focused on my face, as if to say, So you looked away and you’ve come back, will you be looking away again soon? —which was why I had to look away once more, as if immersed in thought, yet all the while scrambling for something to say, the
way a fish struggles for water in a muddied pond that’s fast drying up in the heat. He must have known exactly what I was feeling. What made me
blush in the end was not the natural embarrassment of the moment when I could tel he’d caught me trying to hold his gaze only then to let mine
scamper to safety; what made me blush was the thrilling possibility, unbelievable as I wanted it to remain, that he might actual y like me, and that he
liked me in just the way I liked him.
”
”
André Aciman (Call Me by Your Name)
“
I also became familiar with an entirely new category of people: the unhappily married person. They are everywhere, and they are ten thousand times more depressing than a divorced person. My friend Tim, whose name I've changed, obviously, has gotten more and more depressing since he married his girlfriend of seven years. Tim is the kind of guy who corners you at a party to tell you, vehemently, that marriage is work And that you have to work on it constantly. And that going to couples' therapy is not only normal but something that everyone needs to do. Tim has a kind of manic, cult-y look in his eye from paying thousands of dollars to a marriage counselor. He is convinced that his daily work on his marriage, and his acknowledgement that it is basically a living hell, is modern. The result is that he has helped to relieve me of any romantic notions I had about marriage.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Independent Women
Lucy Liu... with my girl, Drew... Cameron D. and Destiny
Charlie's Angels, Come on
Uh uh uh
Question: Tell me what you think about me
I buy my own diamonds and I buy my own rings
Only ring your cell-y when I'm feelin lonely
When it's all over please get up and leave
Question: Tell me how you feel about this
Try to control me boy you get dismissed
Pay my own fun, oh and I pay my own bills
Always 50/50 in relationships
The shoes on my feet
I've bought it
The clothes I'm wearing
I've bought it
The rock I'm rockin'
'Cause I depend on me
If I wanted the watch you're wearin'
I'll buy it
The house I live in
I've bought it
The car I'm driving
I've bought it
I depend on me
(I depend on me)
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Tell me how you feel about this
Who would I want if I would wanna live
I worked hard and sacrificed to get what I get
Ladies, it ain't easy bein' independent
Question: How'd you like this knowledge that I brought
Braggin' on that cash that he gave you is to front
If you're gonna brag make sure it's your money you flaunt
Depend on noone else to give you what you want
The shoes on my feet
I've bought it
The clothes I'm wearing
I've bought it
The rock I'm rockin'
'Cause I depend on me
If I wanted the watch you're wearin'
I'll buy it
The house I live in
I've bought it
The car I'm driving
I've bought it
I depend on me
(I depend on me)
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
Destiny's Child
Wassup?
You in the house?
Sure 'nuff
We'll break these people off Angel style
Child of Destiny
Independent beauty
Noone else can scare me
Charlie's Angels
Woah
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me
Girl I didn't know you could get down like that
Charlie, how your Angels get down like that
[repeat until fade]
”
”
Destiny's Child
“
Yes,’ he replied, ‘absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.’
‘She will have nothing to eat: you will starve her,’ observed Adele.
‘I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele.’
‘She will want to warm herself: what will she do for a fire?’
‘Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.’
‘Oh, qu’ elle y sera mal—peu comfortable! And her clothes, they will wear out: how can she get new ones?’
Mr. Rochester professed to be puzzled. ‘Hem!’ said he. ‘What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow.
”
”
Charlotte Brontë (Jane Eyre)
“
In an essay I wrote in 197140—using the few resources allowed me in my jail cell—I characterized the significance of the slave woman’s domestic functions in the following way: “In the infinite anguish of ministering to the needs of the men and children around her …, she was performing the only labor of the slave community which could not be directly and immediately claimed by the oppressor. There was no compensation for work in the fields; it served no useful purpose for the slaves. Domestic labor was the only meaningful labor for the slave community as a whole.… “Precisely through performing the drudgery which has long been a central expression of the socially conditioned inferiority of women, the Black woman in chains could help to lay the foundation for some degree of autonomy, both for herself and her men. Even as she was suffering under her unique oppression as female, she was thrust into the center of the slave community. She was, therefore, essential to the survival of the community.” I
”
”
Angela Y. Davis (Women, Race, & Class)
“
Out of all the cells you've been in, your first cell is a very special one, the place where you first encountered others like yourself, doomed to the same fate ... I had been dueling for four days with the interrogator, when the jailer, having waited until I lay down to sleep in the blindingly lit box, began to unlock my door ... I wanted to lie for another three-hundredths of a second with my head on the pillow and pretend I was sleeping. But ... the guard ordered: 'Get up! Pick up your bedding!' ... [B]y the time I arrived, the inhabitants of Cell 67 were already asleep on their metal cots with their hands on top of the blankets. At the sound of the door opening, all three started and raised their heads for an instant ... And those three lifted heads, those three unshaven, crumpled pale faces, seemed to me so human, so dear, that I stood there, hugging my mattress, and smiled with happiness. And they smiled. And what a forgotten look that was - after only one week! 'Are you from freedom?' they asked me.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
Mr. Stone is a jackass."
That was Alex's greeting when he found me in the hall Friday afternoon.
"Probably," I agreed, levering myself out of the corner where I'd been waiting, on nervous Hannanda alert, for him to show up. "But I don't think he can help it."
"Generous of you." Alex swung his backpack from his left shoulder to his right, then, like it was the most natural thing in the world, pulled mine out of my hand. I was too surprised to stop him. "Allons-y."
We turned a few heads as we went. I would have happily met him a block away from school, but he'd preempted my cowardice, sliding a note into my locker that morning. Front hall, 3:15. I ignored the stares as Alex held the big front door open for me, my heavily inked bag dangling from his wrist. I figured any speculation would last only as long as it would take for us to hit the street in front of the school. By then, at least one "Wait. Wait. Alex Bainbridge left with Freddy Krueger?" would have been met with "Yeah. He's tutoring her in French. Winslow's making him.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
You’re just pushing your food around, aren’t you? You’ve barely taken two bites. I thought you loved Lou’s Cornish hens.”
“I do. I’m sorry. All I can think about is that English project due this week.” I look over at Ryder with a faux scowl. “We’re already way behind--you’ve always got some excuse. We should probably work on it tonight.”
“Probably so,” Ryder says with an exasperated-sounding sigh.
“That’s the third project the two of you have been paired up on,” Mama says, shaking her head. “I hope you two can behave well enough to get your work done properly. No more arguing like the last time.”
We’d pretended to fight over a calculus project. Yes, a calculus project. Is there really any such thing?
“We’re trying really hard to behave,” I say, shooting Ryder a sidelong glance. “Right?”
His cheeks pinken deliciously at the innuendo. I love it when Ryder blushes. Totally adorable.
“Right,” he mumbles, his gaze fixed on his lap.
Laura Grace gives us both a pointed look. “You two better learn to get along, you hear? You’re going to be spending a lot of time together for the next four years.”
Four years. Just the two of us--away from our meddling mamas. I have to bite my lip to force back the smile that’s threatening to give us away.
“She’s right,” Mama says, nodding. “The only way I’m allowing Jemma to go to NYU is if she promises not to go off campus without Ryder to escort her.”
Escort me? What is it, the 1950s or something? Besides, I don’t think she realizes that NYU isn’t a traditional campus. There’s no fences or gates or anything like that. I guess she’ll find out when she comes to visit over Thanksgiving, but by then it’ll be too late. That’s what she gets for not looking over the application materials I gave her.
“Fine,” I say, trying to sound slightly annoyed. “I promise.”
Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip.
I. L. O. V. E. Y.O.U.
I can’t help myself--I shiver. I shiver a lot when Ryder’s around, it turns out. He seems to have that effect on me.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Unos minutos después, los padres de Jimmy entraron en la cocina. A few minutes later, Jimmy’s parents entered the kitchen. —Bien, estáis aquí —dijo papá. “Great, everyone’s here,” said Dad. —Estoy muy contenta de que todos estéis de tan buen humor —continuó mamá—. ¡Qué manera más maravillosa de empezar a comer! ¡No olvidéis lavaros las manos! “I’m happy that everyone’s in such a good mood,” said Mom. “What a great way for us to start lunch! Don’t forget to wash your hands!” Toda la familia se sentó a la mesa y empezaron a comer las cosas sabrosas que había sobre ella. Incluso Jimmy se terminó todo el plato. The entire happy family sat around the large table and began eating all the tasty things there. Even Jimmy finished his whole plateful. Desde ese día, a Jimmy le gusta comerse toda su fruta y verdura. A veces, todavía come algún que otro caramelo, pero sólo unos pocos y después de sus comidas. From that day on, Jimmy liked eating all his fruits and vegetables. Sometimes, he still eats candy but only a little and only ever after his meals.
”
”
Shelley Admont (Me Encanta Comer Frutas y Verduras - I Love to Eat Fruits and Vegetables)
“
Yo, Y.T.," Roadkill says, " 'sup?"
"'Sup with you?"
"Surfing the Tura. 'Sup with you?"
"Maxing The Clink."
"Whoa! Who popped you?"
"MetaCops. Affixed me to the gate of White Columns with a loogie gun."
"Whoa, how very! When you leaving?"
"Soon. Can you swing by and give me a hand?"
"What do you mean?"
Men. "You know, give me a hand. You're my boyfriend," she says, speaking very
simply and plainly. "If I get popped, you're supposed to come around and help
bust me out." Isn't everyone supposed to know this stuff? Don't parents teach
their kids anything anymore?
"Well, uh, where are you?"
"Buy 'n' Fly number 501,762."
"I'm on my way to Bernie with a super-ultra."
As in San Bernardino. As in super-ultra-high-priority delivery. As in, you're
out of luck.
"Okay, thanks for nothing."
"Awwww," he begins.
"Surfing safety," Y.T. says, in the traditional sarcastic sign off.
"Keep breathing," Roadkill says. The roaring noise snaps off.
What a jerk. Next date, he's really going to have to grovel. But in the
meantime, there's one other person who owes her one. The only problem is that
he might be a spaz. But it's worth a try.
”
”
Neal Stephenson (Snow Crash)
“
You’re worried about Anna?” “Anna and the baby, who, I can assure you, are not worried about me.” “Westhaven, are you pouting?” Westhaven glanced over to see his brother smiling, but it was a commiserating sort of smile. “Yes. Care to join me?” The commiserating smile became the signature St. Just Black Irish piratical grin. “Only until Valentine joins us. He’s so eager to get under way, we’ll let him break the trail when we depart in the morning.” “Where is he? I thought you were just going out to the stables to check on your babies.” “They’re horses, Westhaven. I do know the difference.” “You know it much differently than you knew it a year ago. Anna reports you sing your daughter to sleep more nights than not.” Two very large booted feet thunked onto the coffee table. “Do I take it your wife has been corresponding with my wife?” “And your daughter with my wife, and on and on.” Westhaven did not glance at his brother but, rather, kept his gaze trained on St. Just’s feet. Devlin could exude great good cheer among his familiars, but he was at heart a very private man. “The Royal Mail would go bankrupt if women were forbidden to correspond with each other.” St. Just’s tone was grumpy. “Does your wife let you read her mail in order that my personal marital business may now be known to all and sundry?” “I am not all and sundry,” Westhaven said. “I am your brother, and no, I do not read Anna’s mail. It will astound you to know this, but on occasion, say on days ending in y, I am known to talk with my very own wife. Not at all fashionable, but one must occasionally buck trends. I daresay you and Emmie indulge in the same eccentricity.” St. Just was silent for a moment while the fire hissed and popped in the hearth. “So I like to sing to my daughters. Emmie bears so much of the burden, it’s little enough I can do to look after my own children.” “You love them all more than you ever thought possible, and you’re scared witless,” Westhaven said, feeling a pang of gratitude to be able to offer the simple comfort of a shared truth. “I believe we’re just getting started on that part. With every child, we’ll fret more for our ladies, more for the children, for the ones we have, the one to come.” “You’re such a wonderful help to a man, Westhaven. Perhaps I’ll lock you in that nice cozy privy next time nature calls.” Which
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
You’re the only person who doesn’t see the advantage in such a match.”
“That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.”
She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?”
“Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?”
“I didn’t mean any such thing,” he said sharply.
But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“
“Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.”
That seemed to draw her up short. “Wh-What?”
Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…”
But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore.
He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her.
She tore her lips from his. “Mr. Pinter-“ she began in a whisper.
“Jackson,” he growled. “Let me hear you say my name.”
Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“
“I’m not pretending anything, damn it!”
Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted.
When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“
“Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.”
Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…”
His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman.
He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room.
So when she pulled out of his arms to back away, he walked after her.
She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.”
“I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more.
When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting.
With a shiver, she slid her hands up his chest. “Why are you doing this?”
“Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.”
Then he covered her mouth with his once more.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
I'm going to get lecture-y for a second and add that I think the entire idea of tops and bottems, especially when coming from straight people who fetishize gay people, is an attempt to place some sort of hetero world over gay people.
"Oh your're a bottom, so you're the woman."
Gay guys who are strictly tops or bottoms tend to embrace this idea, too. Being a top only means you're "manly" or whatever because not being manly is considered bad by like adults and TV and stuff.
Gay guys can buy into that crap just as easy as straight people. Whenever you see masc for masc on Grindr or whatever, what you're seeing is someone saying," I don't want people to think I'm like a woman, and I don;t want people to think that you're like a woman because people will think less of us."
Sure people have preference but these ideas of masculine and feminine are kind of meaningless.
I wear make-up. I think I'm pretty manly! We're all told this crap all the time, but you can reject it. Instead you're enforcing the idea that there is masculine and there is feminine, and that masculine is, for some unexplained reason, better.
Finally, and this should probably be clear after the last bit, but you cant tell a top or a bottom or what a person's preferences are just by looking at him! Big, harry, muscled men love taking it up the ass. Trust me, I know. And slim, make-up wearing types, we love to f@$%. And in my case, get f@$%ed, too. Like I said, versatility is the best.
So, in summary, it's wrong to assume all gay guys are having anal sex all the time. And it's ridiculous and offensive and stereotyping and hurtful to think that those who are penetrated are girly and those who penetrate are manly, something you've been doing.
...
You're email is more like a mean joke you tell your friends, and I think that is because secretly you hate the way you're always being told what a girl should be like. And when you see a gay guy blurring the gender lines a little, like me, you're jealous of him. You want to put him in his place. You want to say, "he's not a man." Because if you can't blur those gender lines without being told you're gross or wrong, then you want to make sure that anyone who does cross those gender lines gets punished the way you would.
But you shouldn't be punishing gay guys. You should be braking down the barriers that keep you from being who YOU want to be!
”
”
Lev A.C. Rosen (Jack of Hearts (and Other Parts))
“
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes.
Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked.
“I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.”
Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.”
“There is,” she said unsteadily, “such a thing as birth control.”
His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?”
It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so.
“No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.”
“I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously.
His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.”
“Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting.
His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket.
“You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.”
She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man.
She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions.
“You could kiss me,” she whispered unsteadily, “just to see how it feels.”
He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will.
“Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise.
His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached.
“Cecily, you little fool,” he ground out.
Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
She well remembered the terror she felt when seeing for the first time names like Przemysl and Rzeszow, and how she had turned to Wiktor for help. “Look at this,” she said petulantly, pointing to Przemysl. “How in the world do you pronounce it?” “Quite simple,” he said, repeating it several times. “Shemish.” “Now wait! You can’t tell me that with all those letters, it comes out Shemish.” “It does. You can hear for yourself. Shemish.” “What happens to the P at the beginning and the L at the end?” “In strict accuracy, it ought to be P’shemish’l, and if you listen with extra attention you may hear the muffled P and the final L. But mostly we just say Shemish.” He broke into laughter, and Marjorie thought he was ridiculing her. Not at all: “I was remembering how much trouble it gives the Austrian officers who speak only German. They go home to their families and announce proudly, ‘I’ve been appointed lieutenant commander of our big base at Przemysl,’ and however he pronounces it, that first time becomes the accepted name in that man’s family. Shemish he never says.” He laughed again. “How would you say it, Marjo?” “Per-zem-y-sil,” she said firmly, “just as God intended it to be pronounced.” “Never try to reason things out in Poland,” he said reassuringly. “Just accept it as Shemish,” but she resolved to avoid the word whenever possible.
”
”
James A. Michener (Poland)
“
51 wHave mercy on me, [1] O God, according to your steadfast love; according to your xabundant mercy yblot out my transgressions. 2 zWash me thoroughly from my iniquity, and acleanse me from my sin! 3 bFor I know my transgressions, and my sin is ever before me. 4 cAgainst you, you only, have I sinned and done what is evil din your sight, eso that you may be justified in your words and blameless in your judgment. 5 Behold, fI was brought forth in iniquity, and in sin did my mother conceive me. 6 Behold, you delight in truth in gthe inward being, and you teach me wisdom in the secret heart. 7 Purge me hwith hyssop, and I shall be clean; zwash me, and I shall be iwhiter than snow. 8 Let me hear joy and gladness; jlet the bones kthat you have broken rejoice. 9 lHide your face from my sins, and yblot out all my iniquities. 10 mCreate in me a nclean heart, O God, and orenew a right [2] spirit within me. 11 pCast me not away from your presence, and take not qyour Holy Spirit from me. 12 Restore to me the joy of your salvation, and uphold me with a willing spirit. 13 Then I will teach transgressors your ways, and sinners will rreturn to you. 14 Deliver me from sbloodguiltiness, O God, O tGod of my salvation, and umy tongue will sing aloud of your vrighteousness. 15 O Lord, open my lips, and my mouth will declare your praise. 16 wFor you will not delight in sacrifice, or I would give it; you will not be pleased with a burnt offering. 17 The sacrifices of God are xa broken spirit; a broken and contrite heart, O God, you will not despise. 18 yDo good to Zion in your good pleasure; zbuild up the walls of Jerusalem; 19 then will you delight in aright sacrifices, in burnt offerings and bwhole burnt offerings; then bulls will be offered on your altar.
”
”
Anonymous (Holy Bible: English Standard Version (ESV))
“
Bob came back just in time to see us getting ready to leave. “O-oh, h-hey, I’m back from the restroom. D-did you find a volunteer already? Oh, okay, darn, I-I’m too late...Good luck out there…” said Bob nervously. “Oh, Bob…” I replied. Cindy and I exited the mayor’s house and headed towards the nearby trench. From there we dug tunnels towards the giant cube. “Hey, Cindy!” I yelled through the dirt wall tunnel. “Yeah?” she answered. “If you need anything just yell, ‘kay? I’m only a few feet away.” She laughed. “Oh, you’re worried about me, Steve?” “Of course! I care about you.” “Y-you do…?” I blushed. “A-ahem…I meant I care about your well-being.” “A-ah…right,” she said shyly. We proceeded to dig and placed the items until nearly sunrise with no incident. Then suddenly I heard a sharp scream coming through the dirt. AHHHHH!!!! I smashed through the dirt wall to find Cindy cornered by a brain-hungry zombie. “No worries, Cindy! I got you.” I pulled out my stone sword and drove it into the zombie. Raggggghhhhhh! I whacked it a few more times until it dropped some rotten flesh. “Whew! Thanks for saving me, Steve. I’ve never seen a zombie so up close before. They are actually quite stinky.” I laughed. “No problem. I’m here for you, Cindy.” She smiled. “The sun will be up soon, we should probably head back,” I said. She nodded. I stayed in her tunnel and led the way back. On the way back, we encountered a baby zombie. That thing was lightning quick. The tunnel was narrow, so I couldn’t really maneuver anywhere. No circle strafing technique for me. Suddenly, I heard Cindy scream from behind me. I turned around to see another zombie behind her. It must have fallen through the holes we made topside. Oh, no! We’re trapped with nowhere to go! This isn’t good, I thought to myself.
”
”
Steve the Noob (Diary of Steve the Noob 4 (An Unofficial Minecraft Book))
“
Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.
”
”
Kelly Bryson (Don't Be Nice, Be Real: Balancing Passion for Self with Compassion for Others)
“
The sailors, goaded by the remorseless pangs of hunger, had eaten their leather belts, their shoes, the sweatbands from their caps, although both Clayton and Monsieur Thuran had done their best to convince them that these would only add to the suffering they were enduring.
Weak and hopeless, the entire party lay beneath the pitiless tropic sun, with parched lips and swollen tongues, waiting for the death they were beginning to crave. The intense suffering of the first few days had become deadened for the three passengers who had eaten nothing, but the agony of the sailors was pitiful, as their weak and impoverished stomachs attempted to cope with the bits of leather with which they had filled them. Tompkins was the first to succumb. Just a week from the day the LADY ALICE went down the sailor died horribly in frightful convulsions.
For hours his contorted and hideous features lay grinning back at those in the stern of the little boat, until Jane Porter could endure the sight no longer. "Can you not drop his body overboard, William?" she asked.
Clayton rose and staggered toward the corpse. The two remaining sailors eyed him with a strange, baleful light in their sunken orbs. Futilely the Englishman tried to lift the corpse over the side of the boat, but his strength was not equal to the task.
"Lend me a hand here, please," he said to Wilson, who lay nearest him.
"Wot do you want to throw 'im over for?" questioned the sailor, in a querulous voice.
"We've got to before we're too weak to do it," replied Clayton. "He'd be awful by tomorrow, after a day under that broiling sun."
"Better leave well enough alone," grumbled Wilson. "We may need him before tomorrow."
Slowly the meaning of the man's words percolated into Clayton's understanding. At last he realized the fellow's reason for objecting to the disposal of the dead man.
"God!" whispered Clayton, in a horrified tone. "You don't mean—"
"W'y not?" growled Wilson. "Ain't we gotta live? He's dead," he added, jerking his thumb in the direction of the corpse. "He won't care.
”
”
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
“
Thick and creamy egg, fragrant roast quail... and the rice! It all makes such a hearty, satisfying combination!
Wait, something just crunched?
"See, there are five parts to a good chicken-and-egg rice bowl.
Chicken... eggs... rice... onions... and
warishita.
*Warishita is a sauce made from a combination of broth, soy sauce and sugar.*
"I seared the quail in oil before putting it in the oven to roast. That made the skin nice and crispy... while leaving the meat inside tender and juicy.
For the eggs, I seasoned them with salt and a generous pinch of black pepper to give them some bite and then added cream to make them thick and creamy! It's the creaminess of the soft-boiled egg that makes or breaks a good chicken-and-egg bowl, y'know.
Some milk made the risotto extra creamy. I then mixed in onions as well as ground chicken that was browned in butter. I used the Suer technique on the onions. That should have given some body to their natural sweetness.
For the sauce, I sweetened some Madeira wine with sugar and honey and then added a dash of soy sauce. Like warishita in a regular chicken-and-egg rice bowl, this sauce ties all the parts of the dish together. Try it with the poached egg. It's seriously delicious!
Basically I took the idea of a Japanese chicken-and-egg rice bowl...
... and rebuilt it using only French techniques!"
"Yukihira! I wanna try it too!"
"Oh, uh, sorry. I only made that one."
"Awww!
You've gotta make one for me someday!"
"There is one thing I still don't understand.
When you stuff a bird, out of necessity the filling has to remain firm to stay in place. Something soft and creamy like risotto should have fallen right back out!
"How did you make this filling work?!"
"I know! The crunch!"
"Yep! It's cabbage! I quickly blanched a cabbage leaf, wrapped the risotto in it...
... and then stuffed it inside the quail!"
"Aha! Just like during the Camp Shokugeph!"
It's the same idea behind the Chou Farci Shinomiya made!
The cabbage leaf is blanched perfectly too. He brought out just enough sweetness while still retaining its crispy texture. And it's that very sweetness that softly ties the fragrant quail meat together with the creamy richness of the risotto filling!
”
”
Yūto Tsukuda (食戟のソーマ 14 [Shokugeki no Souma 14] (Food Wars: Shokugeki no Soma, #14))
“
Korie’s parents came to the house to see me, and I sat on the couch with Johnny and Chrys. It was not pretty. The argument was so loud that Alan came out of his room. He looked at us and asked, “What in the world is going on?” Johnny was making all of his arguments, and I was acting like a little punk, twisting his words to put them in my favor, which only made him madder and madder.
Johnny told me that according to studies he’d read, 50 percent of all marriages between young people ended in divorce. He had the articles with him to support his arguments.
“So you’re calling that right now?” I asked him. “In all your wisdom, you know we’re going to get divorced?”
“I’m not saying that,” Johnny told me.
“You just said it,” I responded. “You just said half end in divorce. Well, what if we’re the good half?”
Then Johnny went on to say that if we got married, he didn’t want me coming to him for advice. But then later on in the conversation, he told me I could ask him about anything. He was completely irrational, and I, of course, had to point that out to him.
“You just said I couldn’t ask you for advice,” I told him.
He was so mad, I thought he was going to leap off the couch and hit me. Before they left, Johnny looked at me and asked me one last question.
“What’s your plan?” he asked.
“What’s my plan?” I said to him.
“What exactly is your plan?” he said. “Where are you going to work? Where are you going to live?”
“Well, I reckon I’ll just buy a trailer and put it on the back property at Phil’s house,” I told him.
That threw Johnny over the top. He and Chrys stormed out of Alan and Lisa’s house, and I was convinced there was no way they were going to give us their blessing to get married. I called Korie to tell her how the meeting went.
“It went terrible,” I told her. “We were yelling at each other. It was pretty ugly.”
Then Korie had to hang up because her parents were calling her phone. She called me back a few minutes later.
Much to my surprise, her parents told her, “Okay, if you’re determined to do this, we’re going to support you.”
Johnny didn’t say much to me for the next few months, during the planning of the wedding, and I knew Korie’s parents still didn’t like the idea of her getting married so young. I told Phil that Korie’s parents didn’t want us getting married and asked him what I should do.
“Here’s what I’d do,” Phil said, while sitting back in his recliner. “I’d call them up and say, “Y’all missed that. The wedding was last week when we went to the justice of the peace and got married. Y’all missed the whole thing.
”
”
Willie Robertson (The Duck Commander Family)
“
She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat.
Oh no no no no. Please, no.
Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand.
“Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.”
My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter.
“All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me.
The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!”
I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw.
Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?”
“Everybody saw us.”
“Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
”
”
James Altucher (Choose Yourself)
“
HE DO THE POLICE IN DIFFERENT VOICES: Part I
THE BURIAL OF THE DEAD
First we had a couple of feelers down at Tom's place,
There was old Tom, boiled to the eyes, blind,
(Don't you remember that time after a dance,
Top hats and all, we and Silk Hat Harry,
And old Tom took us behind, brought out a bottle of fizz,
With old Jane, Tom's wife; and we got Joe to sing
'I'm proud of all the Irish blood that's in me,
'There's not a man can say a word agin me').
Then we had dinner in good form, and a couple of Bengal lights.
When we got into the show, up in Row A,
I tried to put my foot in the drum, and didn't the girl squeal,
She never did take to me, a nice guy - but rough;
The next thing we were out in the street, Oh it was cold!
When will you be good? Blew in to the Opera Exchange,
Sopped up some gin, sat in to the cork game,
Mr. Fay was there, singing 'The Maid of the Mill';
Then we thought we'd breeze along and take a walk.
Then we lost Steve.
('I turned up an hour later down at Myrtle's place.
What d'y' mean, she says, at two o'clock in the morning,
I'm not in business here for guys like you;
We've only had a raid last week, I've been warned twice.
Sergeant, I said, I've kept a decent house for twenty years, she says,
There's three gents from the Buckingham Club upstairs now,
I'm going to retire and live on a farm, she says,
There's no money in it now, what with the damage don,
And the reputation the place gets, on account off of a few bar-flies,
I've kept a clean house for twenty years, she says,
And the gents from the Buckingham Club know they're safe here;
You was well introduced, but this is the last of you.
Get me a woman, I said; you're too drunk, she said,
But she gave me a bed, and a bath, and ham and eggs,
And now you go get a shave, she said; I had a good laugh, couple of laughs (?)
Myrtle was always a good sport'). treated me white.
We'd just gone up the alley, a fly cop came along,
Looking for trouble; committing a nuisance, he said,
You come on to the station. I'm sorry, I said,
It's no use being sorry, he said; let me get my hat, I said.
Well by a stroke of luck who came by but Mr. Donovan.
What's this, officer. You're new on this beat, aint you?
I thought so. You know who I am? Yes, I do,
Said the fresh cop, very peevish. Then let it alone,
These gents are particular friends of mine.
- Wasn't it luck? Then we went to the German Club,
Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch
Found it shut. I want to get home, said the cabman,
We all go the same way home, said Mr. Donovan,
Cheer up, Trixie and Stella; and put his foot through the window.
The next I know the old cab was hauled up on the avenue,
And the cabman and little Ben Levin the tailor,
The one who read George Meredith,
Were running a hundred yards on a bet,
And Mr. Donovan holding the watch.
So I got out to see the sunrise, and walked home.
* * * *
April is the cruellest month, breeding
lilacs out of the dead land....
”
”
T.S. Eliot (The Waste Land Facsimile)
“
Sky's The Limit"
[Intro]
Good evening ladies and gentlemen
How's everybody doing tonight
I'd like to welcome to the stage, the lyrically acclaimed
I like this young man because when he came out
He came out with the phrase, he went from ashy to classy
I like that
So everybody in the house, give a warm round of applause
For the Notorious B.I.G
The Notorious B.I.G., ladies and gentlemen give it up for him y'all
[Verse 1]
A nigga never been as broke as me - I like that
When I was young I had two pair of Lees, besides that
The pin stripes and the gray
The one I wore on Mondays and Wednesdays
While niggas flirt I'm sewing tigers on my shirts, and alligators
You want to see the inside, I see you later
Here comes the drama, oh, that's that nigga with the fake, blaow
Why you punch me in my face, stay in your place
Play your position, here come my intuition
Go in this nigga pocket, rob him while his friends watching
And hoes clocking, here comes respect
His crew's your crew or they might be next
Look at they man eye, big man, they never try
So we rolled with them, stole with them
I mean loyalty, niggas bought me milks at lunch
The milks was chocolate, the cookies, butter crunch
88 Oshkosh and blue and white dunks, pass the blunts
[Hook: 112]
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want, have what you want, be what you want
[Verse 2]
I was a shame, my crew was lame
I had enough heart for most of them
Long as I got stuff from most of them
It's on, even when I was wrong I got my point across
They depicted me the boss, of course
My orange box-cutter make the world go round
Plus I'm fucking bitches ain't my homegirls now
Start stacking, dabbled in crack, gun packing
Nickname Medina make the seniors tote my Niñas
From gym class, to English pass off a global
The only nigga with a mobile can't you see like Total
Getting larger in waists and tastes
Ain't no telling where this felon is heading, just in case
Keep a shell at the tip of your melon, clear the space
Your brain was a terrible thing to waste
88 on gates, snatch initial name plates
Smoking spliffs with niggas, real-life beginner killers
Praying God forgive us for being sinners, help us out
[Hook]
[Verse 3]
After realizing, to master enterprising
I ain't have to be in school by ten, I then
Began to encounter with my counterparts
On how to burn the block apart, break it down into sections
Drugs by the selections
Some use pipes, others use injections
Syringe sold separately Frank the Deputy
Quick to grab my Smith & Wesson like my dick was missing
To protect my position, my corner, my lair
While we out here, say the Hustlers Prayer
If the game shakes me or breaks me
I hope it makes me a better man
Take a better stand
Put money in my mom's hand
Get my daughter this college grant so she don't need no man
Stay far from timid
Only make moves when your heart's in it
And live the phrase sky's the limit
Motherfuckers
See you chumps on top
[Hook]
”
”
The Notorious B.I.G
“
Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her.
Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
III. But we must close with a third remark. Christ really underwent yet a third trial. He was not only tried before the ecclesiastical and civil tribunals, but, he was really tried before the great democratical tribunal, that is, the assembly of the people in the street. You will say, "How?" Well, the trial was somewhat singular, but yet it was really a trial. Barabbas—a thief, a felon, a murderer, a traitor, had been captured; he was probably one of a band of murderers who were accustomed to come up to Jerusalem at the time of the feast, carrying daggers under their cloaks to stab persons in the crowd, and rob them, and then he would be gone again; besides that, he had tried to stir up sedition, setting himself up possibly as a leader of banditti. Christ was put into competition with this villain; the two were presented before the popular eye, and to the shame of manhood, to the disgrace of Adam's race, let it be remembered that the perfect, loving, tender, sympathizing, disinterested Savior was met with the word, "Crucify him!" and Barabbas, the thief, was preferred. "Well," says one, "that was atrocious." The same thing is put before you this morning—the very same thing; and every unregenerate man will make the same choice that the Jews did, and only men renewed by grace will act upon the contrary principle. I say, friend, this day I put before you Christ Jesus, or your sins. The reason why many come not to Christ is because they cannot give up their lusts, their pleasures, their profits. Sin is Barabbas; sin is a thief; it will rob your soul of its life; it will rob God of his glory. Sin is a murderer; it stabbed our father Adam; it slew our purity. Sin is a traitor; it rebels against the king of heaven and earth. If you prefer sin to Christ, Christ has stood at your tribunal, and you have given in your verdict that sin is better than Christ. Where is that man? He comes here every Sunday; and yet he is a drunkard? Where is he? You prefer that reeling demon Bacchus to Christ. Where is that man? He comes here. Yes; and where are his midnight haunts? The harlot and the prostitute can tell! You have preferred your own foul, filthy lust to Christ. I know some here that have their consciences open pricked, and yet there is no change in them. You prefer Sunday trading to Christ; you prefer cheating to Christ; you prefer the theater to Christ; you prefer the harlot to Christ; you prefer the devil himself to Christ, for he it is that is the father and author of these things. "No," says one, "I don't, I don't." Then I do again put this question, and I put it very pointedly to you—"If you do not prefer your sins to Christ, how is it that you are not a Christian?" I believe this is the main stumbling-stone, that "Men love darkness rather than light, because their deeds are evil." We come not to Christ because of the viciousness of our nature, and depravity of our heart; and this is the depravity of your heart, that you prefer darkness to light, put bitter for sweet, and choose evil as your good. Well, I think I hear one saying, "Oh! I would be on Jesus Christ's side, but I did not look at it in that light; I thought the question was. "Would he be on my side? I am such a poor guilty sinner that I would fain stand anywhere, if Jesu's blood would wash me." Sinner! sinner! if thou talkest like that, then I will meet thee right joyously. Never was a man one with Christ till Christ was one with him. If you feel that you can now stand with Christ, and say, "Yes, despised and rejected, he is nevertheless my God, my Savior, my king. Will he accept me? Why, soul, he has accepted you; he has renewed you, or else you would not talk so. You speak like a saved man. You may not have the comfort of salvation, but surely there is a work of grace in your heart, God's divine election has fallen upon you, and Christ's precious redemption has been made for you, or else you would not talk so. You cannot be willing to come to Christ, and y
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Anonymous
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As much as Milly loved seeing Asa on that tractor, a part of her dreaded the days he came to mow, not only because her father made her go out to him with cookies and lemonade and watched her closely the entire time, but also because on those nights, Bett and Twiss would trick her into talking about Asa, and Milly would fall for their tricks. Milly understood Twiss's reasons for teasing her- Twiss didn't want to lose her- but she never understood Bett's.
Bett would start innocently enough. "I heard Milly was talking to someone in the meadow the other day. I heard she baked him a red velvet cake shaped like a heart."
"I heard she did more than that," Twiss would say.
"With Mr. Peterson."
"She likes them old, yep, she does."
"Wrinkly," Bett would say.
"Hairy."
"Pruney!"
When Milly could no longer stand the teasing, she'd pull her blanket over her head and say, "It wasn't Mr. Peterson I was talking to, it was Asa! And it wasn't red velvet cake, it was butter cookies! They weren't shaped like hearts, either!"
And then the laughter would come, and Milly would know she'd been fooled into giving up another part of herself that she preferred to keep secret. The night she first told them about how much she admired Asa's work ethic (when she really just meant him), Bett and Twiss had made fun of her, and of Asa's slight stutter.
"M-M-May I eat one of your cookies?"
"Y-Y-Yes, you may."
"M-M-May I love you like coconut flakes?"
"L-L-Love me like coconut flakes, you may."
They laughed when they said the word "love," but that was the word Milly had begun to think about- the possibility of it- whenever she was with Asa and, even more often, when she was without him. The word was with her when she pinned clothes to the line, or scrubbed the linoleum, or baked a pie. Sometimes, when no one was looking, she'd trace an A into a well of flour or hold a mop as though she were holding Asa's hand.
”
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Rebecca Rasmussen (The Bird Sisters)
“
We have to decide how to start our research,” Ashley said. “Like, should we look for information on the whole town, or just one specific area. Roo and I decided we should all focus on the Brickway.”
“You decided we should all focus on the Brickway,” Roo mumbled, popping the tab on her can.
Gage nodded. “Ashley’s right. If this is a walking tour, some kids in our class might not want to walk very far.”
“If, in fact, anybody wants to walk on this tour at all,” Parker couldn’t help adding. “Come on…we’re not really going to do this ghost stuff, are we?”
Ashley rolled her eyes. “Well then, maybe we should have transportation. Maybe we could use our cars?”
“Our cars? Etienne and I are the only ones with wheels.”
“What a perfectly brilliant idea, Ash.” Roo shot her sister a bland look. “Ghost BMW. No…wait. Ghost Truck. I’m all tingly with dread.”
“Or Ghost SUV?” Despite Ashley’s wounded expression, Parker clasped his hands beseechingly at Gage. “Oh, pretty please, can we use your mom’s minivan?”
Ashley’s lips tightened. “Parker, this is serious!”
“Look, I know it’s half our grade.” Easing back down, he took a swig of beer and tried to reason with her. “But let’s face it--the whole thing’s pretty stupid. And impossible.”
“It’s not stupid. And why is it impossible? All we have to do is research old places that might be haunted.”
“And just how do you propose we do that? Oh wait, I know--let’s just knock on people’s doors. Excuse me, we’re doing a survey--are there any creepy ghosts living in your house? Ash, come on. We can’t force things to be haunted just so they can be close enough to walk to.”
A disappointed silence fell. For several minutes everyone seemed lost in thought, till Etienne unfolded himself from the tree.
“Don’t y’all know anything about your own town?” He walked over to the cooler and pulled out a beer. To Miranda, who watched him, he moved with all the grace and stealth of a predatory cat.
“Well, I’m not going to flunk this project,” Ashley said crossly, “just because Parker’s an idiot.”
Roo promptly frowned. “Where’s your compassion? Parker can’t help being an idiot.
”
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Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
It’s not the thing with the dimples again, is it?” he asked innocently. “I don’t know what it is with girls, the way y’all love his--”
“Why are you here?” Gage asked. Getting to his feet, he pointed toward the restrooms. “I’ll be right back. You can leave the tip.”
“I was going to anyway.”
“No, I’m paying for my own.” Miranda picked up the tab, but Etienne’s hand came firmly down on hers.
“Gage and me, we are nothing if not true southern gentlemen. And a lady never pays on her first date.”
Now Miranda was flustered. “It’s not a date. We really were talking about that building.”
“I know that.” Shrugging, he yanked a napkin from the metal holder. “I also know Beth, your waitress. She’s the one who heard you teasing Gage.”
“You are so bad.”
With a vague frown, Miranda settled back to watch him eat. Unlike Gage, it didn’t seem to bother him, being the object of her scrutiny. She could only marvel at his focus.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Listen to me.” Before Miranda could take another step, Etienne blocked her path and caught her firmly by the shoulders. “I already told you, I saw what it did to Jonas. And I’m not gonna let that happen to you.”
There was cold, hard truth in his eyes. And a determination so strong, it nearly overpowered her.
“Miranda?” Ashley’s concern broke the tension. “Please?”
Etienne released her. As Miranda reluctantly faced the group around the table, she could see every intent expression waiting for her response.
“We really can help you,” Ashley said softly. “Please let us.”
Miranda turned back to Etienne. His gaze was sure and steady.
“You need friends, cher. And we’re your friends.”
Seconds dragged by while she tried to think. She was hurt and confused; she was flattered and touched and even strangely relieved. The reality of her life was crowding in on her, much too close, much too quick.
“It wouldn’t be so scary with us around.” Roo said philosophically.
Tipping his cup, Parker shook more ice into his mouth and slanted Roo a look. “Not true. It’s always scary with you around.”
“Give us some credit.” Gage winked at Miranda. “We might surprise you if you give us a chance.”
“You don’t have to be in this alone,” Ashley insisted.
Yet despite the positive support, Miranda couldn’t shake her bewilderment or her doubts. “Why are you doing this?” she asked them. You’re already friends, and people like you don’t let strangers into your exclusive little group. Besides that, how could you possibly understand what you’re getting into, when I don’t even understand it myself? “You don’t even know me.”
“Etienne threatened us.” Yawning loudly, Parker gave a long stretch, then wheezed as Ashley punched him in the ribs. “I’m kidding! Hey, I’m kidding, okay? Damn, Ashley!”
“You might as well say yes, Miranda,” Ashley persisted as if Parker weren’t there. “Because we’re going to help you find out about poor Nathan one way or another.”
“How?” Miranda challenged. “How are you doing to do that?”
“Well…we…don’t know yet. We’re still…still…”
“Trying to decide if I’m as crazy as my grandpa was?” To Miranda, the uneasy silence spoke volumes. It lasted only a second, but that was long enough for her heart to drop. “Look, you guys.” Her tone came out harsher than she’d intended. What was I thinking? I should have just kept on walking. “This is private, okay? And I don’t need any help, and it really doesn’t matter if you believe me, so--”
“I believe you,” Gage said quietly.
“You know I do,” Roo echoed.
“And me.” Ashley’s head bobbed up and down.
Scowling, Parker glanced at each of them. Then he folded his arms across his chest, leaned back, and scowled harder. “Well, I don’t believe her. I don’t believe any of y’all, and I think you’re all crazy. But…what the hell.”
“Well, cher.” Etienne faced Miranda. “The sooner we start, the better, yeah?
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Okay, y’all,” Ashley announced. “This is our dress rehearsal. Our last chance to get everything perfect before the big night tomorrow. Any questions? Ideas? Opinions?”
“Yeah, I have an idea.” Slumped on the front steps of the Battlefield Inn, Parker choked down a mouthful of cough syrup and tried not to speak above a whisper. “Let’s call it off. That would really make it perfect. No more ghost tour.”
“Walk of the Spirits,” Ashley corrected him, irritated. “Walk of the Spirits. And we’re not calling it off. After all this time? All this work?”
“All this suffering?” Roo added. She was perched one step below Parker, and was digging through her pockets for a cigarette. Her face still bore some major bruises from the storm, and a wide gash zigzagged across her forehead, not quite healed. She’d taken great pains to highlight this zigzag with dark, red lipstick.
“You like suffering,” Parker reminded her. “And, excuse me, but you’re not the one with pneumonia.”
"You don’t have pneumonia. You’re just jealous because Gage was in worse shape than you, and he got more attention.”
“Well, it’s almost pneumonia. It’s turning into pneumonia.” Tensing, Parker let out a gigantic sneeze. “Shit, I hate this. I feel like my brain’s ten times its normal size.”
Roo gave him a bland stare. “You know, when people lose a leg or an arm, they think they still feel it, even though it’s not really there.”
“Will you two behave?” Ashley scolded. “And, Parker, where’s that newspaper article your mom was going to give us?”
“Somewhere.” Parker thought a moment, then shrugged. “In my car, I think.”
“Well, will you please go get it? The sooner we start, the sooner we can all go home.”
“She’s right.” Though unable to hold back a laugh, Miranda came loyally to Ashley’s rescue. “Let’s just walk it through, and read the script, and make sure we’ve covered all the basic information. Ashley, what about your costume?”
“I’ve got the final fitting after I leave here.” Ashley’s eyes shone with excitement. “Can you believe Mrs. Wilmington went to all that trouble to make it for me?”
“She didn’t.” Parker scowled. “She got her dressmaker, or designer, or whoever the hell she calls him, to make it for you.”
“Parker, that doesn’t matter--it was still really nice of your mother to do that.”
“You’re a southern belle--how could she resist that?”
Ashley shot Miranda a grateful smile. “That was Miranda’s idea.”
“It made sense,” Miranda explained. “A costume sets the mood. It’s all about southern history and heritage, so our tour guide should be a southern hostess--hoopskirt and all.”
“And I’m the only one who gets to dress up! And I can’t wait to wear it! It’s like cotton candy!”
Roo arched an eyebrow. “Sticky?”
“No! All pink and fluffy and…sweet. I love the way I feel in it.”
“I agree,” Parker said hoarsely. “I love the way you feel in it, too. And I love the way you feel out of it even better.”
Roo stared at him. “Wow. You should write greeting cards.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))