Y All Quotes

We've searched our database for all the quotes and captions related to Y All. Here they are! All 100 of them:

Y'all smoke to enjoy it. I smoke to die.
John Green (Looking for Alaska)
Me only have one ambition, y'know. I only have one thing I really like to see happen. I like to see mankind live together - black, white, Chinese, everyone - that's all.
Bob Marley
You're an investigator - can't nobody find stuff out like a woman. Y'all put the police to shame, make the little investigative tricks they show on CSI and Law & Order: SVU look like counting lessons on Sesame Street.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
It's my turn to see you through,' she whispers, coming back to me and wrapping me in her blanket as I lose my shit all over again. She holds me until I recover my Y chromosome.
Gayle Forman (Where She Went (If I Stay, #2))
We have to create culture, don't watch TV, don't read magazines, don't even listen to NPR. Create your own roadshow. The nexus of space and time where you are now is the most immediate sector of your universe, and if you're worrying about Michael Jackson or Bill Clinton or somebody else, then you are disempowered, you're giving it all away to icons, icons which are maintained by an electronic media so that you want to dress like X or have lips like Y. This is shit-brained, this kind of thinking. That is all cultural diversion, and what is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears. And we are told 'no', we're unimportant, we're peripheral. 'Get a degree, get a job, get a this, get a that.' And then you're a player, you don't want to even play in that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
Terence McKenna
I have an important message to deliver to all the cute people all over the world. If you're out there and you're cute, maybe you're beautiful. I just want to tell you somethin' — there's more of us UGLY MOTHERFUCKERS than you are, hey-y, so watch out.
Frank Zappa
Alaska finished her cigarette and flicked it into the river. 'Why do you smoke so damn fast?' I asked. She looked at me and smiled widely, and such a wide smile on her narrow face might have looked goofy were it not for the unimpeachably elegant green in her eyes. She smiled with all the delight of a kid on Christmas morning and said, 'Y'all smoke to enjoy it. I smoke to die.
John Green
So, what—you just walk right past me? Don’t even say hello?” He clutches the socks to his chest. “I’m crushed. I saved us a table and everything.” I glance at him. Keep walking. He catches up. “I’m serious. Do you have any idea how awkward it is to wave at someone and have them ignore you? And then you’re just looking around like a jackass, trying to be all, ‘No, really, I swear, I know that girl’ and no one believes y—
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Dear God in heaven.” Nik and Ban turned away, but Alek stood. Transfixed. “My God, y’all. She’s the worst goddamn dancer I’ve ever seen.” “Turn away. It’ll hurt your eyes. Turn away!
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
I've never seen such a collection of idiots in my whole life.' Doolittle shook his head. 'If you participate in this lunacy, y'all will get yourselves killed. Then don't come crying to me.' Now that would be a neat trick.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Time ain’t nothing, but time. It’s a verse with no rhyme, And it all come down to you. «El tiempo solo es tiempo. Es un verso sin rima, y todo depende de ti.»
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
As soon as we are alone,...inner chaos opens up in us. This chaos can be so disturbing and so confusing that we can hardly wait to get busy again. Entering a private room and shutting the door, therefore, does not mean that we immediatel;y shut ou all our iner doubts, anxieities, fears, bad memories, unresolved conflicts, angry feelings and impulsive desires. On the contrary, when we have removed our outer distraction, we often find that our inner distraction manifest themselves to us in full force. We often use the outer distractions to shield ourselves from the interior noises. This makes the discipline of solitude all the more important.
Henri J.M. Nouwen (Making All Things New and Other Classics)
Percy, we're going to Polyphemus' island! Polyphemus is an S-i-k...a C-y-k..." She stamped her foot in frustration. As smart as she was, Annabeth was dyslexic, too. We could've been there all night while she tried to spell Cyclops. "You know what I mean!
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Also, please watch your language. Everything you type is being broadcast live all over the world. [12:15] WATNEY: Look! A pair of boobs! -> (.Y.)
Andy Weir (The Martian)
Did I ever tell you the difference between a Northern fairy tale and a Southern one?" she asked him, indulging herself and letting her head rest on his shoulder. God, he felt good. Her man. Where her head was meant to lie, right there, on him. "What's the difference?" "A Northern one starts 'once upon a time,' while a Southern one starts 'y'all ain't going to believe this shit.
Erin McCarthy (Hot Finish (Fast Track, #3))
That was horrible. Horrible. That poor little guy." Pex was unrepentant. "Yeah, well, he asked for it. Calling us ... all those things." But---buried alive! That's like in that horror movie. Y'know -- the one with all the horror." I think I saw that one. With all the words going up on the screen at the end?" Yeah, that was it. Tell you the truth, those words kinda ruined it for me.
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
Smitty gave his best pout. “Why are y’all trying to hurt me?” “Because it’s fun?” “It’s easy.” “I love it when you cry.” Smitty sighed. “Forget I asked.
Shelly Laurenston (The Beast in Him (Pride, #2))
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.
Vladimir Nabokov (Lolita)
We'd better get. But y'all have a nice night,' I say. Apparently, fear turns me Texan. A startling personality insight that I'll jot down later if I'm not dead in a ditch.
A.M. Robinson (Vampire Crush)
I tried all kinds of approaches: sexy, friendly, intimidating—nothing worked. I’m starting to think there’s an invisible force field that prevents honest communication between X and Y chromosomes.
Jody Gehrman (Babe in Boyland)
I will love you if you don’t marry me. I will love you if you marry someone else your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. Although sadly I believe it will be quite some time before two women can be allowed to marry and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket
I start to wonder if I’m being creepy. I mean, I am creeping. Does creep-ing automatically make one creep-y? Or are there dispensations for…romance? I bet all stalkers believe they’re being romantic. I did it for love, officer.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Thankfully I had to stand solitary for only one long moment before Jay came back feeling over-the-moon happy. I let his emotion drench me. “What were you and Kaidan Rowe talking ’bout?” Jay asked me. “Man, y’all looked like you were gonna rip each other’s clothes off!” I gasped and smacked his arm, but he didn’t flinch. “We did not.” My eyes darted over to Kaidan for a fraction of a second, and though he was too far away to have heard, the wink he sent me brought another flush to my skin.
Wendy Higgins (Sweet Evil (Sweet, #1))
Everyone says I'm like the girl next door...Y'all must have really weird neighbors
Kelly Clarkson
Hey, are you a boy or a — never mind, can I have a push on the swing?” And some day, y’all, when we grow up, it’s all gonna be that simple.
Andrea Gibson (Pole Dancing to Gospel Hymns)
let us die young, or let us live forever, We dont have the power but we Never say Never.. Sooner or later we all will be gone, y dont u stay young?
Harry Styles
[M]y religious belief teaches me to feel as safe in battle as in bed. God has fixed the time for my death. I do not concern myself about that, but to be always ready, no matter when it may overtake me. That is the way all men should live, and then all would be equally brave.
Stonewall Jackson
The mind is a superb instrument if used rightly. Used wrongly, however, it becomes very destructive. To put it more accurately, it is not so much that you use your mind wrongly—you usually don't use it at all. It uses you. All the things that truly matter — beaut...y, love, creativity, joy, inner peace — arise from beyond the mind...
Eckhart Tolle
There was a sniffle from the crowd. At which point, Rhage’s voice hissed, “What. This is beautiful, ’kay? Fuck all y’all.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
As Beck drove out of the garage, he gave the parking attendants a big toothy smile and a wave. “There's some snow on the fifth level. Thought ya might like to know. Y'all have a nice day, now!” he called out. No wonder Dad liked working with you.
Jana Oliver (Forsaken (The Demon Trappers, #1))
There's no way y'all have been around for thousands of years without there being one person not fitting into the 'men are this, women are that' bullshit." Julian sounded so convinced, so sure. His obsidian eyes locked onto Yadriel's. "Maybe they hid it, or ran away, or I dunno, something else, but there's no way you're the first, Yads.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we allexisted in space like animals with identical skins, and that they knew everything about us though we couldn'y fathom them at all. We knew finally that the girls were really woman in diquise, that they understood love even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Do y’all have enough stun guns for them? (Madaug) Does a bear defecate rurally? What kind of question is that for someone who owns the biggest gun store in town? Of course I got plenty. I got enough Tasers to light up New York City AND Boston just for giggles. (Bubba)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
You asked about the Avengers. Y’wanna know the best part about being an Avenger? Having Captain America around you all the time. He just—the guy just brings out the absolute best in people. You want to be good when he’s around. You really do. Ivan, look around you real quick. Because right now? Captain America ain’t here.
Matt Fraction (Hawkeye #1)
Girls are given the weight of the world, but nowhere to put it down. The power and magic born in that struggle? It’s so terrifying to men that we invented reasons to burn y’all at the stake, just to keep our dicks hard.
Tia Williams (Seven Days in June)
I'd sooner wear white shoes in February, drink unsweetened tea, and eat Miracle Whip instead of Duke's than utter the words 'you guys'.
Celia Rivenbark (Bless Your Heart, Tramp: And Other Southern Endearments)
It's all about money, not freedom, y'all, okay? Nothing to do with fuckin' freedom. If you think you're free, try going somewhere without fucking money, okay?
Bill Hicks
Steve Jobs gave a small private presentation about the iTunes Music Store to some independent record label people. My favorite line of the day was when people kept raising their hand saying, "Does it do [x]?", "Do you plan to add [y]?". Finally Jobs said, "Wait wait — put your hands down. Listen: I know you have a thousand ideas for all the cool features iTunes could have. So do we. But we don't want a thousand features. That would be ugly. Innovation is not about saying yes to everything. It's about saying NO to all but the most crucial features.
Derek Sivers
If you want to communicate an idea to a man's brain, talk to him through his pecker. It's like an ear horn, y'all.
Kresley Cole (Lothaire (Immortals After Dark, #11))
That’s a shitty thing to do. It’s almost catlike in its evilness.” “See, your problem is you underestimate dogs. There’s a reason many of us are let up on the couch, while they keep y’all in a zoo.
Shelly Laurenston (The Mane Event (Pride, #1))
What grinds me the most is we're sending kids out into the world who don't know how to balance a checkbook, don't know how to apply for a loan, don't even know how to properly fill out a job application, but because they know the quadratic formula we consider them prepared for the world` With that said, I'll admit even I can see how looking at the equation x -3 = 19 and knowing x =22 can be useful. I'll even say knowing x =7 and y= 8 in a problem like 9x - 6y= 15 can be helpful. But seriously, do we all need to know how to simplify (x-3)(x-3i)?? And the joke is, no one can continue their education unless they do. A student living in California cannot get into a four-year college unless they pass Algebra 2 in high school. A future psychologist can't become a psychologist, a future lawyer can't become a lawyer, and I can't become a journalist unless each of us has a basic understanding of engineering. Of course, engineers and scientists use this shit all the time, and I applaud them! But they don't take years of theater arts appreciation courses, because a scientist or an engineer doesn't need to know that 'The Phantom of the Opoera' was the longest-running Broadway musical of all time. Get my point?
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
Lucy always said that the greatest friends have nothing and everything in common all at once. Y'all girls are different versions of the same story, she would say.
Julie Murphy (Dumplin' (Dumplin', #1))
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
I would have been a lot better off if I’d studied more when I was growing up, y’know. But you know where it all went wrong was the day they started the spelling bee. Because up until that day I was an idiot, but nobody else knew.
Brian Regan (Live)
Jamie Right said her mommy and daddy cuddle naked, so y'all must not be cuddlin' right.
Toni Aleo (Trying to Score (Assassins, #2))
We can stick anything into the fog and make it look like a ghost but tonight let us not become tragedies. We are not funeral homes with propane tanks in our windows, lookin’ like cemeteries. Cemeteries are just the Earth’s way of not letting go. Let go. Tonight let’s turn our silly wrists so far backwards the razor blades in our pencil tips can’t get a good angle on all that beauty inside. Step into this with your airplane parts. Move forward and repeat after me with your heart: “I no longer need you to fuck me as hard as I hated myself.” Make love to me like you know I am better than the worst thing I ever did. Go slow. I’m new to this. But I have seen nearly every city from a rooftop without jumping. I have realized that the moon did not have to be full for us to love it, that we are not tragedies stranded here beneath it, that if my heart really broke every time I fell from love I’d be able to offer you confetti by now. But hearts don’t break, y’all, they bruise and get better. We were never tragedies. We were emergencies. You call 9 – 1 – 1. Tell them I’m having a fantastic time.
Buddy Wakefield
He smiled. "I suppose I thought we'd have a madly impractical, terrifyingly modern sort of marriage. One based on love. Not to mention dangerous undertakings and hair's-breadth escapes from burning buildings, high ledges and exploding sewers." "And bickering." "Always that, yes." "Assuming I want to marry at all." "True. I know of no good way of forcing you to do anything." "And you're mad enough to think it could work - one day?" He cupped her face in his hands. His smile was so brilliant it seemed to illuminate the room. "I think it would be heaven." She trembled, then. "You have a very strange idea of heaven." "Kiss me and see.
Y.S. Lee (The Traitor in the Tunnel (The Agency, #3))
Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada.
Ernest Hemingway (A Clean Well-Lighted Place)
[Y]ou possess all the attributes of a demagogue; a screeching, horrible voice, a perverse, crossgrained nature and the language of the market-place. In you all is united which is needful for governing.
Aristophanes (The Knights)
It wasn’t until someone kicked his legs that Nik woke up. Alek, snoring beside him, his head resting on his shoulder. Ban snoring on the other couch, the noise rivaled only by the dog. He looked into the impossibly cranky face of Zach Sheridan. “Y’all get food?” “We had a full refrigerator before you three got here.” “Where I come from, we don’t let the refrigerator get empty.” “Where you come from, you marry your sister.
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
You lose what individualism you have, if you have enough of course, you retain some of it, but most don't have enough, so they become watchers of game shows, y’know, things like that. Then you work the 8 hour job with almost a feeling of goodness, like you’re doing something, and you get married, like marriage is a victory and you have children like having children is a victory, but most things people do are a total grind, marriage, birth, children, it’s something they HAVE to do because they have nothing else to do. There is no glory in it, no esteem, no fire, their lives are flat and the earth is full of them. Sorry, but thats the way I see it. I could not accept the snail’s pace 8-5, Johnnie Carson, merry christmas, happy new year, to me it’s the sickest of all sick things.
Charles Bukowski
The widow’s eyebrows raised. “Ye’ve got all these nasty pooches to run around with and ye still might die?” “I’m going to go fight with a god, some demons, and a coven of witches who all want to kill me,” I said, “so it’s a distinct possibility.” “Are y’goin’ t’kill ’em back?” “I’d certainly like to.” “Attaboy,” the widow chuckled. “Off y’go, then. Kill every last one o’ the bastards and call me in the mornin’.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
She steeled herself for a serious shock of cold- but the reality was a thousand times more miserable. “Aw, those little shrieking sounds you’re making are super adorable,” Keefe told her. “Ready to punch me yet?” “S-splashing y-you s-sounds b-better,” she said through chattering teeth. “I suppose. But we both know I’ll splash you back- and then you’ll retaliate, because you may look all sweet and innocent, but you have a feisty streak. And then it’ll be an ice-water war, and Elwin will ban me from the Healing Center and you’ll be lost without my visits, and Id rather not make you suffer like that.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
You’re so good at stuff, Moony.” He slurred, leaning heavily on Remus’s shoulder. “Yeah,” Remus grunted, “Picking locks and holding my drink.” “And magic.” Sirius murmured, sleepily. “Yeah, we’re wizards, idiot.” “I’m good at magic,” Sirius sighed, “But you, like… are , magic, y’know?
MsKingBean89 (All The Young Dudes - Volume One: Years 1 - 4 (All The Young Dudes, #1))
It was hard to hear him, but she turned around, and when she faced him again he was smiling broadly. He pulled his glove off and held up three fingers, then kissed his palm and pressed it to the glass. She pressed her hand against his, and said, “Good luck.” Shea skated off with a nod. “Oh. My. God. Y’all disgust me. That was straight out of some sappy love story,” Harper complained.
Toni Aleo (Taking Shots (Assassins, #1))
Oh,you may not think I'm pretty, But don't judge on what you see, I'll eat myself if you can find A smarter hat than me. You can keep your bowlers black, Your tops hats sleek and tall, For I'm the Hogwarts Sorting Hat And I can cap them all. There's nothing hidden in your head The Sorting Hat can't see, So try me on and I will tell you Where you ought to be. Y ou might belong in Gryffindor, Where dwell brave of heart, Their daring, nerve, and chivalry Set Gryffindors apart; You might belong in Hufflepuff, Where they are just and loyal, Those patient Hufflepuffs are true And unafraid of toil; Or yet wise old Ravenclaw, If you've a ready mind, Where those of wit and learning, Will always find their kind; Or perhaps in Slytherin You'll make your real friends, Those cunning folk use any means To achive their ends. So put me on! Don't be afraid! And you won't get in a flap! You're safe in my hands(though I have none) For I'm a Thinking Cap!!
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
This explosive psychological 'sneaking' occurs when a woman suppresses large parts of self into the shadows of the psyche. In the view of analytical psychology, the repression of both negative and positive instincts, urges, and feelings into the unconscious causes them to inhabit a shadow realm. While the ego and superego attempt to continue to censor the shadow impulses, the very pressure that repression causes is rather like a bubble in the sidewall of a tire. Eventually, as the tire revolves and heats up, the pressure behind the bubble intensifies, causing it to explode outward, releasing all the inner content. The shadow acts similarlyY We find that by opening the door to the shadow realm a little, and letting out various elements a few at a time, relating to them, finding use for them, negotiating, we can reduce being surprised by shadow sneak attacks and unexpected explosions.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
The saying goes, ‘The black tides of heaven direct the courses of human lives.’ To which a wise teacher said, ‘But as with all waters, one can swim against the tide.
J.Y. Yang (The Black Tides of Heaven (Tensorate #1))
How do y'all say, 'hoorah' in Angel? Rude Car.
Amy A. Bartol (Incendiary (The Premonition, #4))
Y'all take care of yourself now... strange and interesting friends are hard to find.
Dean Koontz
I am a Prince," he replied, being rather dense. "It is the function of a Prince—value A—to kill monsters—value B—for the purpose of establishing order—value C—and maintaining a steady supply of maidens—value D. If one inserts the derivative of value A (Prince) into the equation y equals BC plus CD squared, and sets it equal to zero, giving the apex of the parabola, namely, the point of intersection between A (Prince) and B (Monster), one determines value E—a stable kingdom. It is all very complicated, and if you have a chart handy I can graph it for you.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
Y'ever notice how you never seem to get laid on Thanksgiving? I think it's because all the coats are on the bed.
George Carlin
Y'all were heroes from the beginning. You just didn't 'turn' all of a sudden
S.E. Hinton (The Outsiders (the Play))
By marrying to soon, many individuals sacrifice their chance to struggle through this purgatory of solitude and search toward a greater sense of self-confidence. They glance at the world outside the family and with hardly a second thought grasp anxiously for a partner. In marriage they seek a substitute for the security of the family of origin and an escape from aloneness. What they do not realize is that moving so quickly from one family to another, they make it easy to transfer to the new marriage all their difficult experiences in the family of origin.
Augustus Y. Napier (The Family Crucible)
The Cyclops was about to roll the stone back into place, when from somewhere outside Annabeth shouted, "Hello, ugly!" Polyphemus stiffened. "Who said that?" "Nobody!" Annabeth yelled. That got exactl;y the reaction she'd been hoping for. The monster's face turned red with rage. "Nobody!" Polyphemus yelled back. "I remember you!" "You're too stupid to remember anybody," Annabeth taunted. "Much less Nobody." I hoped to the gods she was already moving when she said that, because Polyphemus bellowed furiously, grabbed the nearest boulder (which happened to be his front door) and threw it toward the sound of Annabeth's voice. I heard the rock smash into a thousand fragments. To a terrible moment, there was silence. Then Annabeth shouted, "You haven't learned to throw any better, either!" Polyphemus howled. "Come here! Let me kill you, Nobody!" "You can't kill Nobody, you stupid oaf," she taunted. "Come find me!" Polyphemus barreled down the hill toward her voice. Now, the "Nobody" thing would have confused anybody, but Annabeth had explained to me that it was the name Odysseus had used to trick Polyphemus centuries ago, right before he poked the Cyclops's eye out with a large hot stick. Annabeth had figured Polyphemus would still have a grudge about that name, and she was right. In his frenzy to find his old enemy, he forgot about resealing the cave entrance. Apparently, he did even stop to consider that Annabeth's voice was female, whereas the first Nobody had been male. On the other hand, he'd wanted to marry Grover, so he couldn't have been all that bright about the whole male/female thing. I just hoped Annabeth could stay alive and keep distracting him long enough for me to find Grover and Clarisse.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
And in the end, I think, we're all just trying to survive, aren't we?
Janice Y.K. Lee (The Piano Teacher)
I am Opposite of weak Opposite of slack Synonym of heat Synonym of crack Closest to the peak Far from a punk Y'all ought to stop talking And start trying to catch up
Mike Shinoda
Our ikigai is different for all of us, but one thing we have in common is that we are all searching for meaning.
Héctor García (Ikigai: Los secretos de Japón para una vida larga y feliz)
There was no ‘Miss Woodley.’ There was Willie. Willie was about life, and she grabbed it by the balls. Y’all know that. She loved a stiff drink, a stiff hundred, and she loved her business. And she didn’t judge nobody. She loved everyone equal—accountants, queers, musicians, she welcomed us all, said we were all idiots just the same.
Ruta Sepetys (Out of the Easy)
I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been booing on for the last several thousand years? I didn't even know that they existed until I read that stupid article, and I'm pretty sure I'm not the only one. ... So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to thing to yourself, 'The man can't possibly be that stupid!' But yes. Yes, he can. Our innate strengths just aren't the same. We are the mighty hunters, who are good at focusing on one thing at a time. For crying out loud, we have to turn down the radio in the car if we suspect we're lost and need to figure out how to get where we're going. That's how impaired we are. I'm telling you, we have only the one conversation. Maybe some kind of relationship veteran like Michael Carpenter can do two, but that's pushing the envelope. Five simultaneous conversations? Five? Shah. That just isn't going to happen. At least, not for me.
Jim Butcher (Cold Days (The Dresden Files, #14))
Home is about the earth. Whether the earth open up to you. Whether it pull you so close the space between you and it melt and y’all one and it beats like your heart. Same time. Where
Jesmyn Ward (Sing, Unburied, Sing)
If you want to communicate an idea to a man's brain, you must talk to him through his pecker. It's like an ear horn, y'all.
Kresley Cole (Lothaire (Immortals After Dark, #11))
I’m so sorry. I don’t think the etiquette manuals cover this sort of situation.” He leaned in close, his lips all but grazing her neck, and inhaled. “Mmm. You smell good, too.” She nearly choked. Took a step backwards, until her back met cold stone. “Th-thank you.” “That’s better. May I kiss you?” His finger dipped into her shirt collar, stroking the tender nape of her neck. “I d-don’t th-think that’s a good idea.” “Why not? We’re alone.” His hands were at her waist. Her lungs felt tight and much too small. “Wh-what if somebody comes in?” He considered for a moment. “Well, I suppose they’ll think I fancy grubby little boys.
Y.S. Lee (The Body at the Tower (The Agency, #2))
You don't understand. (...). When I think about myself with them (girls), I can just... see it, y'know? I know how it's going to play out. I know what i'm s'posed to do. When i think abut me and you... you know, the real me and you. It's just... I can't see how it ends. I just tried not to think about it. So, I know I was a bit of a dick, I could have handled it better, but I swear, I didn't want it to end like that.
MsKingBean89 (All the Young Dudes)
Y’all might as well come on out,” I said. “I know you’re there. I can smell you.” “Smell me? But I just took a shower this morning!” an indignant voice drifted out of the shadows. There was a loud sound, like someone was getting smacked upside the head. Then another voice let out a low mutter. “Shut up, idiot.
Jennifer Estep (By a Thread (Elemental Assassin, #6))
People who work in a factory, right, or some awful fucking mind-numbing job like that - ‘cause I worked in a factory, I know what it’s like; it’s fucking awful, yeah? Most people have to do that kind of job that they hate every day of their lives. Can you imagine what that must be like? You have to submerge your intellect completely, right, and just, y’know, che cha, y’know, and all that. So, at the weekend, they want to hear something that tears the heart out of ‘em and gives it back better.
Lemmy Kilmister
I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping.
Ismail Kadare (Chronicle in Stone)
Heroes and scholars represent the opposite extremes... The scholar struggles for the benefit of all humanity, sometimes to reduce physical effort, sometimes to reduce pain, and sometimes to postpone death, or at least render it more bearable. In contrast, the patriot sacrifices a rather substantial part of humanity for the sake of his own prestige. His statue is always erected on a pedestal of ruins and corpses... In contrast, all humanity crowns a scholar, love forms the pedestal of his statues, and his triumphs defy the desecration of time and the judgment of history.
Santiago Ramón y Cajal (Advice for a Young Investigator (Mit Press))
Can't introduce ya,' the feline admitted. 'Why not?' 'Don't know his name.' 'Snuggling up to a man y'all don't know. My momma was right. Yankees are whores.' 'Well, I know him,' MacDermot volumteered. The She-wolf stared at her. 'So?' 'You said y'all.' 'I didn't say 'all y'all.' So I wasn't talking to you.' 'I don't understand your country-speak,' McDermot complained, dropping into the desk chair across from Crush.
Shelly Laurenston (Bear Meets Girl (Pride, #7))
When it gets down to it — talking trade balances here — once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here — once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel — once the Invisible Hand has taken away all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity — y'know what? There's only four things we do better than anyone else: music movies microcode (software) high-speed pizza delivery
Neal Stephenson (Snow Crash)
Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
David Levithan (Boy Meets Boy)
Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.... Another mode of meaning behind the obvious, or none. Either Oedipa in the orbiting of a true paranoia, or a real Tristero. For there either was some Tristero beyond the appearance of the legacy of America, or there was just America and if there was just America then it seemed the only wa[y] she could continue, and manage to be at all relevant to it, was as an alien, unfurrowed, assumed full circle into some paranoia.
Thomas Pynchon (The Crying of Lot 49)
If indeed all lives mattered, we would not need to emphatically proclaim that "Black Lives Matter." Or, as we discover on the BLM website: Black Women Matter, Black Girls Matter, Black Gay Lives Matter, Black Bi Lives Matter, Black Boys Matter, Black Queer Lives Matter, Black Men Matter, Black Lesbians Matter, Black Trans Lives Matter, Black Immigrants Matter, Black Incarcerated Lives Matter. Black Differently Abled Lives Matter. Yes, Black Lives Matter, Latino/Asian American/Native American/Muslim/Poor and Working-Class White Peoples Lives matter. There are many more specific instances we would have to nane before we can ethically and comfortably claim that All Lives Matter.
Angela Y. Davis (Freedom Is a Constant Struggle)
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
Personality is composed of two fundamentally different types of traits: those of 'character;' and those of 'temperament.' Your character traits stem from your experiences. Your childhood games; your family's interests and values; how people in your community express love and hate; what relatives and friends regard as courteous or perilous; how those around you worship; what they sing; when they laugh; how they make a living and relax: innumerable cultural forces build your unique set of character traits. The balance of your personality is your temperament, all the biologically based tendencies that contribute to your consistent patterns of feeling, thinking and behaving. As Spanish philosopher, Jose Ortega y Gasset, put it, 'I am, plus my circumstances.' Temperament is the 'I am,' the foundation of who you are.
Helen Fisher
With a sigh, he grabbed hold of his chair and lifted himself out of it, then wrote on the blackboard: How will we ever get out of this labyrinth of suffering? - A.Y. 'I'm going to leave that up for the rest of the semester,' he said. 'Because everybody who has ever lost their way in life has felt the nagging insistence of that question. At some point we all look up and realize we are lost in a maze, and I don't want us to forget Alaska, and I don't want to forget that even when the material we study seems boring, we're trying to understand how people have answered that question and the questions each of you posed in your papers--how different traditions have come to terms with what Chip, in his final, called 'people's rotten lots in life.
John Green (Looking for Alaska)
[B]y being so long in the lowest form I gained an immense advantage over the cleverer boys. They all went on to learn Latin and Greek and splendid things like that. But I was taught English. We were considered such dunces that we could learn only English. Mr. Somervell -- a most delightful man, to whom my debt is great -- was charged with the duty of teaching the stupidest boys the most disregarded thing -- namely, to write mere English. He knew how to do it. He taught it as no one else has ever taught it. Not only did we learn English parsing thoroughly, but we also practised continually English analysis. . . Thus I got into my bones the essential structure of the ordinary British sentence -- which is a noble thing. And when in after years my schoolfellows who had won prizes and distinction for writing such beautiful Latin poetry and pithy Greek epigrams had to come down again to common English, to earn their living or make their way, I did not feel myself at any disadvantage. Naturally I am biased in favour of boys learning English. I would make them all learn English: and then I would let the clever ones learn Latin as an honour, and Greek as a treat. But the only thing I would whip them for would be not knowing English. I would whip them hard for that.
Winston S. Churchill (My Early Life, 1874-1904)
Kaidan had been captivated by the store owner's deep Texan accent. He asked a ridiculous number of questions just to keep the man talking. He then tried to repeat the man's accent when we got in the car. “Where are y'all young'uns headed? We got us some maps over yonder by them there h-apples.” I laughed out loud as he butchered the man's beautiful drawl. “He did not say 'over yonder'!” “I've always wanted to say that. I love Americans. You've got a nice little accent, though not nearly as wicked as his.” “I do?” He nodded. Aside from the occasional y'all, I didn't think I sounded Southern, but I guess it's hard to say about your own self.
Wendy Higgins (Sweet Evil (Sweet, #1))
PS, I want a stripper for my birthday,” GQ announces. “Just decided now. Get on it.” “I’ll make a couple calls,” Garrett promises, but the second his friend wanders off, he confides, “He’s not getting a stripper. We all chipped in to get him a new iPod. He dropped his in the koi pond behind Hartford House.” When I snicker, Garrett pounces like a mountain lion. “Holy shit. Was that a laugh? I didn’t think you were capable of showing amusement. Can you do it again and let me film it?” “I laugh all the time.” I pause. “Mostly at you, though.” He grabs his chest in mock pain as if I’ve shot him. “You’re terrible for a guy’s ego, y’know that?
Elle Kennedy (The Deal (Off-Campus, #1))
Best day of my life hasn't happened yet. But I know it. I see it every day. The best day of my life is the day I buy my mom a huge fucking house. And not just like out in the woods, but in the middle of Mountain Brook, with all the Weekday Warriors' parents. With all y'all's parents. And I'm not buying it with a mortgage either. I'm buying it with cash money, and I am driving my mom there, and I'm going to open her side of the car door and she'll get out and look at this house—this house is like picket fence and two stories and everything, you know—and I'm going to hand her the keys to her house and I'll say, 'Thanks.' Man, she helped fill out my application to this place. And she let me come here, and that's no easy thing when you come from where we do, to let your son go away to school. So that's the best day of my life.
John Green (Looking for Alaska)
...when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. .......When I, and most other people with a Y chromosome, have a conversion, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations have been going on for the last several thousand years? I didn't even know they existed...... I'm pretty sure I'm not the only one. .....So ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting fate to think to yourself, "The man can't possibly be that stupid!" But yes. Yes, he can.
Jim Butcher (Cold Days (The Dresden Files, #14))
There’s a fascinating frailty of the human mind that psychologists know all about, called “argument from ignorance.” This is how it goes. Remember what the “U” stands for in “UFO”? You see lights flashing in the sky. You’ve never seen anything like this before and don’t understand what it is. You say, “It’s a UFO!” The “U” stands for “unidentified.” But then you say, “I don’t know what it is; it must be aliens from outer space, visiting from another planet.” The issue here is that if you don’t know what something is, your interpretation of it should stop immediately. You don’t then say it must be X or Y or Z. That’s argument from ignorance. It’s common. I’m not blaming anybody; it may relate to our burning need to manufacture answers because we feel uncomfortable about being steeped in ignorance.
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
Jack stares at me blankly. ‘A what?’ he asks. I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’ ‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’ I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’ Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says. Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
Sarah Alderson (Losing Lila (Lila, #2))
CHAPTER 2: INGLOURIOUS BASTERDS ALDO THE APACHE My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis. Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die. Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance. We will be cruel to the Germans, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the German will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sooounds good?
Quentin Tarantino
The dismal fact is that self-respect has nothing to do with the approval of others — who are, after all, deceived easily enough; has nothing to do with reputation, which, as Rhett Butler told Scarlett O’Hara, is something people with courage can do without. To do without self-respect, on the other hand, is to be an unwilling audience of one to an interminable documentary that deals with one’s failings, both real and imagined, with fresh footage spliced in for every screening. There’s the glass you broke in anger, there’s the hurt on X’s face; watch now, this next scene, the night Y came back from Houston, see how you muff this one. To live without self-respect is to lie awake some night, beyond the reach of warm milk, the Phenobarbital, and the sleeping hand on the coverlet, counting up the sins of commissions and omission, the trusts betrayed, the promises subtly broken, the gifts irrevocably wasted through sloth or cowardice, or carelessness. However long we postpone it, we eventually lie down alone in that notoriously uncomfortable bed, the one we make ourselves. Whether or not we sleep in it depends, of course, on whether or not we respect ourselves.
Joan Didion
Finders keepers!" Ian shouted, scooping up the overlay and hopping onto a rock outcropping. "You cheater!" Amy was furious. No way was he going to get away with that. She climbed the rock, matching him step for step until she reached the top. There he turned to her, panting for breath. "Not bad for a Cahill," he said, grinning. "You --y-y-you--" The words caught in her throat, the way they always did. He was staring at her, his eyes dancing with laughter, making her so knotted up with anger and hatred that she thought she would explode. "C-c-can't--" But in that moment, something totally weird happened. Maybe it was a flip of his head, a movement in his eyebrow, she couldn't tell. But it was as if someone had suddenly held a painting at a different angle, and what appeared to be a stormy sea transformed into a bright bouquet -- a trick of the eye that proved everything was just a matter of perspective. His eyes were not mocking at all. They were inviting her, asking her to laugh along. Suddenly, her rage billowed up and blew off in wisps, like a cloud. "You're ... a Cahill, too," she replied. "Touche." His eyes didn't move a millimeter from hers. This time she met his gaze. Solidly. This time she didn't feel like apologizing or attacking or running away. She wouldn't have minded if he just stared like that all day.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
YOU You are that song that plays rarely on the radio, But when it does I have to sing it out loud… You are the water that formed a puddle on a rainy day,that I played in, When I was only eight years old. You are the first snowfall of the season, And the reason I like the morning... You’re a single seashell that washed up onto the shore. You are my set of old medals Hidden deep in a drawer… You are the sun, the moon, the stars, and all the planets. You are the first breath of a baby just born. Eres una dandelion que encuentro, I pull, make a wish, then blow. You are the sunrise that I tried to paint after I woke up in Eilat. You give the nights its meaning… to dream, while others just sleep. You are my 3rd grade valentine, Read, frayed and loved a thousand times. Eres perfección envuelto en humildad… Eres oro, plata, y diamantes… Eres mi querido viejito Pooh, que nunca lo abandonare. You are my first time driving my brother’s Impala, When I was just fourteen. You are the name hidden deep inside my name… And I’m the fingers interlaced with yours. Eres el PS: I love you at the end la carta, Y yo soy el PS: I love you too. Somos el principio, el medio y la ultima palabra De mi libro final. Eternamente nosotros, nosotros, nosotros… Porque nosotros siempre es mejor Que solamente… yo… YOU
José N. Harris
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke. “I feel soiled.” “Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said. I just stared at him. “With a funky smell,” he added. My Order conditioning failed me. “Ew.” Raphael grinned. “I‟m not even going to ask if that‟s happened to you.” I started the vehicle. “Has that happened to you?” “Yes.” Ew. “Where?” “In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .” “I don‟t want to know.” I peeled out of the parking lot. "So where are we going?” “To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.” Raphael frowned. “Do you know where she lives?” “Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.” He squinted at me, looking remarkably like a gentleman pirate from my favorite romance novels. “What else do you store in your head?” “This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.” “I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟ “I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟” The look on his face was priceless. “That can‟t be the first thing.” “It was.” We drove in silence. “About the K-Y,” Raphael said. “I don‟t want to know!‟ “Once I washed it out of my hair—” “Raphael, why are you doing this?” “I want to make you go "Ew‟ again.” “Why in the world would you want to do that?” “It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—” “Raphael!” “No, wait, you‟ll like the next part.
Ilona Andrews (Must Love Hellhounds)