Wwi Soldier Quotes

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I’m reminded of Orville Tethington, inventor of the world’s first steam-powered fog machine. He’s also the guy who, after the Germans invented the flame thrower in WWI, decided to counteract it with his own creation, the candle thrower. The candle thrower was only battle tested once, and after fifteen minutes the war zone was littered with lit candles. Upon returning home after the war, some of the soldiers suffered such extreme and bizarre cases of PTSD that anytime a civilian lit a match or used their lighter, the soldiers would hit the ground and start singing “Happy Birthday.
Jarod Kintz (I Should Have Renamed This)
Throughout the war, it was always my endeavour to view my opponent without animus, and to form an opinion of him as a man on the basis of the courage he showed. I would always try and seek him out in combat and kill him, and I expected nothing else from him. But never did I entertain mean thoughts of him. When prisoners fell into my hands, later on, I felt responsible for their safety, and would always do everything in my power for them. p. 58
Ernst Jünger (Storm of Steel)
What a waste Sandys' last days had been, thought Gaunt. Pathetically attempting to overcome a grief that would never have time to heal.
Alice Winn (In Memoriam)
For they were unseasoned, nor inured, not knowing this to be much less than the beginning of sorrow.
David Jones (In Parenthesis)
A man dreams of a miracle and wakes up to loaves of bread.
Erich Maria Remarque (All Quiet on the Western Front)
We have yielded no more than a few hundred yards of it as a prize to the enemy. But on every yard there lies a dead man.
Erich Maria Remarque (All Quiet on the Western Front)
These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape. p. 71
Ernst Jünger (Storm of Steel)
The birds chattered merrily on the wet brown branches. Daffodils sunned out among the headstones. How alive it all seemed, and how gracious-to die in an era when your death bought you a brief moment at the centre of something. To be important, rather than one of millions.
Alice Winn (In Memoriam)
During the conflict that was placed before them, they not only gained the gratitude of many in their own generation but they proved, for the first time on a global scale, the enormous value of a woman’s contribution, paving the way for future generations of women to do the same.
Kathryn J. Atwood (Women Heroes of World War I: 16 Remarkable Resisters, Soldiers, Spies, and Medics)
And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are!
Erich Maria Remarque (All Quiet on the Western Front)
And this I know: all these things that now, while we are still in the war, sink down in us like a stone, after the war shall waken again, and then shall begin the disentanglement of life and death.
Erich Maria Remarque (All Quiet on the Western Front)
We are like those abandoned fields full of shell holes in France, no less peaceful than other ploughed lands about them, but in them are lying still the buried explosives, and until these shall have been dug out and cleared away, to plough will be a danger both to the plougher and the ploughed.
Erich Maria Remarque (The Road Back)
It brings a lump into the throat to see how they go over, and run and fall. A man would like to spank them, they are so stupid, and to take them by the arm and lead them away from here where they have no business to be. They wear grey coats and trousers and boots, but for most of them the uniform is far too big, it hangs on their limbs, their shoulders are too narrow, their bodies too slight; no uniform was ever made to these childish measurements.
Erich Maria Remarque (All Quiet on the Western Front)
He wants me to tell him about the front; he is curious in a way that I find stupid and distressing; I no longer have any real contact with him. There is nothing he likes more than just hearing about it. I realize he does not know that a man cannot talk of such things; I would do it willingly, but it is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them. What would become of us if everything that happens out there were quite clear to us?
Erich Maria Remarque (All Quiet on the Western Front)
Let us, like the soldiers of Waterloo, have our century of peace and prosperity, for we have paid for it in blood.
Alice Winn
Not a yard but was part of a shell-hole--not an inch, to be more precise-- And most of the holes held water, and all the water was ice: They stared at the bleak blue heavens like the glazed blue eyes of the slain, Till the snow came, shutting them gently, and sheeting the slaughtered plain.
E.W. Hornung
The Second World War created the need for a new generation of female heroes. Where could these women look for role models? The women of the previous war had by this time been largely forgotten. Although efforts had been made during the 1920s to memorialize the war's heroes, both men and women, with monuments, books, and films, most Europeans, impatient to forget the war, also forgot its heroes. But now the memory of their courage was needed and eagerly recalled...
Kathryn J. Atwood (Women Heroes of World War I: 16 Remarkable Resisters, Soldiers, Spies, and Medics)
There were thousands of Kantoreks, all of whom were convinced that they were acting for the best—in a way that cost them nothing. And that is why they let us down so badly. …in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a more humane wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness the first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the dying. While they taught that duty to one’s country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards—they were very free with all these expressions. We loved our country as much as they; we went courageously into every action; but also we distinguished the false from true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through.
Erich Maria Remarque (All Quiet on the Western Front)
In the space of a single year, a crumbling rural village had sprouted an army town, like a great parasitical growth. The former peacetime aspect of the place was barely discernible. The village pond was where the dragoons watered their horses, infantry exercised in the orchards, soldiers lay in the meadows sunning themselves. All the peacetime institutions collapsed, only what was needed for war remained. Hedges and fences were broken or simply torn down for easier access, and everywhere there were large signs giving directions to military traffic. While roofs caved in, and furniture was gradually used up as firewood, telephone lines and electricity cables were installed. Cellars were extended outwards and downwards to make bomb shelters for the residents; the removed earth was dumped in the gardens. The village no longer knew any demarcations or distinctions between thine and mine. pp. 36-37
Ernst Jünger (Storm of Steel)
As mentioned above, when it comes to teaching history, including what happened before, during, and after the period of World War I is not being done enough in schools for students to have a full understanding of the events. When asked about this war, students who are clever but are not interested in the subject of a class nonetheless learn a number of phrases and code words – just enough to keep the teacher satisfied or off their back. As both a student and a teacher, I know this all too well. One of the most frequent questions heard in middle and high school history classes is “Name one prime reason for the start of World War One.” If a student is clever and has paid just enough attention, he or she will answer “The Alliance System”, or something similar. The teacher will then say “Good, I can see you've been paying attention.”, and the student can then go back to sleeping, or texting or whatever it is that they do these days.
Ryan Jenkins (World War 1: Soldier Stories: The Untold Soldier Stories on the Battlefields of WWI (World War I, WWI, World War One, Great War, First World War, Soldier Stories))
The psychological impact of trauma in both the military and civilian arenas has been documented for well over 100 years [1], but the validity of the traumatic neuroses and their key symptoms have been continuously questioned. This is particularly true for posttraumatic amnesia and therapeutically recovered traumatic memories. Freud’s [2] abandonment of his seduction theory was followed by decades of denial of sexual trauma in the psychoanalytic and broader sociocultural realms [3]. Concomitant negation of posttraumatic symptomatology was noted in regard to the war neuroses, emanating equally from military, medical and social spheres [4]. Thus, Karon and Widener [5] drew attention to professional abandonment of the literature on posttraumatic amnesia in World War II combatants. They considered this to be due to a collective forgetting, comparable to the repression of soldiers, but instead occurring on account of social prejudices. He further noted that the validity of memories was never challenged at the time since there was ample corroborating evidence. Recent research confirms the findings of earlier investigators such as Janet [6], validating posttraumatic amnesia of both civilian and military origin. Van der Hart and Nijenhuis [7] cited clinical studies reporting total amnesia for combat trauma, experiences in Nazi concentration camps, torture and robbery. There is also increasing evidence for the existence of amnesia for child sexual abuse. Thus, Scheflen and Brown [8] concluded from their analysis of 25 empirical studies that such amnesia is a robust finding. Since then, new studies, for example those of Elliott [9], have appeared supporting their conclusion. This paper examines posttraumatic amnesia in World War I (WWI) combatants. The findings are offered as an historical cross-validation of posttraumatic amnesia in all populations, including those subjected to childhood sexual abuse.
Onno van der Hart
17-year-old English soldier Leonard Knight's life was saved by his pocket Bible when it stopped a German bullet during WWI. The bullet penetrated through to the last ~50 pages.
Charles Klotz (1,077 Fun Facts: To Leave You In Disbelief)
And all the time boys were being born or growing up in the parish, expecting to follow the plough all their lives or, at most, to do a little mild soldiering or go to work in a town. Gallipoli? Kut? Vimy Ridge? Ypres? What did they know of such places? But they were to know them, and when the time came they did not flinch. Eleven out of that tiny community never came back again. A brass plate on the wall of the church immediately over the old end house seat is engraved with their names. A double column, five names long, then, last and alone, the name of Edmund.
Flora Thompson (Lark Rise (Essential Penguin))
The black American missionary George Washington Williams, visiting in 1890, noted “the most revolting crimes” committed by the natives: “Human hands and feet and limbs, smoked and dried, are offered and exposed for sale in many of the native village markets. From the mouth of the Lomami-River to Stanley-Falls there are thirteen armed Arab camps; and in them I have seen many skulls of murdered slaves pendant from poles and over these camps floating their blood-red flag.” Oddly, Hochschild quotes Williams’ testimony against native practices to criticize the EIC for being insufficiently vigorous in its attempts to govern the territory. Heads I win, tails you lose. As this logical slip implies, a justifiably proportionate response to the scourge of the slave trade required keen efforts by the EIC to recruit and feed soldiers, clear villages in areas prone to slave raids, establish military and governance posts, and pursue slave armies to the death. “Accommodating the Arab slave traders would be a crime,” wrote the EIC captain, and later WWI hero, Jules Jacques de Dixmude in 1892.
Bruce Gilley
There is much argument here about what is respectable and what is not, and what a good gel should or should not do regarding hemlines. I have to report that the general opinion of a soldier looking forward to leave after many months at the Front is that a hemline should go up as far as possible, and that the more unrespectable the girl the better. The proviso being, of course, that one's own wife/sweetheart should not occupy this category.
Theresa Breslin (Remembrance)
Balint pondered the programme outlined by Slawata: centralization, rule by an Imperial Council, the ancient kingdom of Hungary reduced to an Austrian province, and national boundaries to be re-arranged statistically according to the ethnic origin of the inhabitants! Why all this? To what purpose? Slawata had given him the answer: Imperial expansion in the Balkans so that feudal kingdoms for the Habsburgs reached the Sea of Marmora; and it was all to be achieved with the blood of Hungarian soldiers and paid for by Hungarian tax-money! So it was merely to help Vienna spread Austrian hegemony over the nations of the Balkans that Tisza was to be helped to build up the Hungarian national armed forces.
Miklós Bánffy (They Were Counted)
Women serving as nurses and ambulance drivers in WWI also experienced shell shock, but they were typically not diagnosed or treated for their symptoms. If they were diagnosed, the diagnosis was hysteria, and they were immediately discharged from the war. Officials in France, Belgium, England, and the United States considered women of less value than combat soldiers and so made less effort to treat or retain them. In addition, when doctors thought about war trauma, they didn’t include interpersonal trauma that occurred outside of combat, such as sexual violence and the trauma of witnessing the effects of warfare. Yet women were exposed to just as much violence, if not more, than many men. Nurses had to care for horrific injuries and participate in surgeries, including amputations for men with gangrene. A Canadian military nurse, M. Lucas Rutherford, wrote that among all the conditions, shell shock was the most distressing and difficult to treat because the afflicted soldiers were often unreachable, unable to communicate.28
Roy Richard Grinker (Nobody's Normal: How Culture Created the Stigma of Mental Illness)
I do not blame Lord French. I have no right to blame him, as I am not a soldier nor a military expert. He did his best, with the highest motives. The blunders he made were due to ignorance of modern battles. Many other generals made many other blunders, and our men paid with their lives. Our High Command had to learn by mistakes, by ghastly mistakes, repeated often, until they became visible to the military mind and were paid for again by the slaughter of British youth. One does not blame. A writing-man, who was an observer and recorder, like myself, does not sit in judgment. He has no right to judge. He merely cries out, “O God! … O God!” in remembrance of all that agony and that waste of splendid boys who loved life, and died.
Philip Gibbs (Now It Can Be Told)
Victorious troops are those who kill more, and here we were the victims. This put the finishing touch to our demoralisation. The soldiers had lost conviction long ago. Now they lost confidence.
Gabriel Chevallier (Fear)
Cigarettes are called coffin nails for a reason, Billy Boy," I remembered telling him. "Be careful with those things. You're risking your life.
Cat Winters (The Uninvited)
When T. E. Lawrence was fighting the Turks in the deserts of the Middle East during World War I, he had an epiphany: It seemed to him that conventional warfare had lost its value. The old-fashioned soldier was lost in the enormous armies of the time, in which he was ordered about like a lifeless pawn. Lawrence wanted to turn this around. For him, every soldier's mind was a kingdom he had to conquer. A committed, psychologically motivated soldier would fight harder and more creatively than a puppet.
Robert Greene (The 48 Laws of Power)
With a brave and disciplined body of men, however strong may be their momentary impulses for self-preservation, their secondary and controlling impulses are to stand by their stations and do their duty.
Patrick K. O'Donnell (The Unknowns: The Untold Story of America’s Unknown Soldier and WWI’s Most Decorated Heroes Who Brought Him Home)
Soñadores "Los soldados son cautivos en la tierra de la muerte, no especulan con los riesgos que los hados les reservan, a la hora del destino le dan la cara a su suerte. (...) Los soldados se conjuran para alcanzar la victoria, en exultante y fatal culminación de sus vidas, desoyendo de las balas la terminal trayectoria. Soñando íntimos hogares, y con esposas queridas; yo los veo en agujeros y roídos por las ratas, azotados por la lluvia, en las trincheras... hundidos. Soñando infantiles juegos con bolas, peonzas y estacas; fingiendo sin esperanzas ansías de tiempos perdidos. Fiestas, bailes en la aldea, caricias tras de las matas; y aquel marchar al trabajo en un tren… adormecidos.
Siegfried Sassoon
© 2000 The Barcelona Review, interview made by Sarah Martin with Patricia Anthony on the subject of her novel FLANDERS - Why did you choose to write about World War I? The easy answer to your question "Why?" would be that I wanted to write about death in all its aspects, from the terror and pain of it to the transcendent beauty of the end. Normally I don't begin a novel with a theme, but allow the theme to grow organically, just as I allow my characters and story to grow on their own and follow where they lead. Anyway, this time, rather than the idea, I played with theme. I looked around history for just the right death--the worst grinding horror of it, the great maw of the beast. The perfect choice, of course, was WWI. Not when the Americans entered the war - then the war became mobile. The soldiers climbed up out of the trenches. The early tanks made their debut. Earlier, then. So the secondary characters had to be British, as I didn't know enough about the Germans. It wouldn't be appropriate to set the novel in 1914 when, despite the slaughter of the British Army, many soldiers still believed the war would be won soon. No. It had to be the tag end of 1915, expanding until that dismal, wet autumn of 1916 when in Flanders the mud was so deep that the wounded drowned in it, that horses couldn't move. Hope was lost and all that was left was the daily grind of battle. War had become commonplace, a way of life, no longer a goal to be won. War had become the terrible, mindless machine that rolls over everything in its path - morality and courage and even outrage become moot in its shadow. But in that darkness, Travis Lee's enlightenment. And in the end, of course, the only light of the book resides in him, even though his external world is uncompromisingly dark. What I wanted to do was show one man who faces the worst that life and death has to offer, yet still has inner peace. Travis Lee's story is that of a man on his road toward enlightenment.
Patricia Anthony (Flanders)
It was dim inside, the only light filtering in through small windows. For a moment I hesitated, and said a prayer, inaudible, inarticulate, yet real. Then I looked around. That scene will remain with me forever. Each casket was draped with a beautiful American flag. Never before had the flag seemed to have such sublime significance and beauty. About the walls were other flags, American and French; flower petals had been scattered over the floor, and outside I could hear the band playing a hymn.
Patrick K. O'Donnell (The Unknowns: The Untold Story of America’s Unknown Soldier and WWI’s Most Decorated Heroes Who Brought Him Home)
Whoever you be, your gallant deeds are indelibly inscribed in the pages of history to the glory of your nation, and as long as free States endure will your exploits be sung.
Patrick K. O'Donnell (The Unknowns: The Untold Story of America’s Unknown Soldier and WWI’s Most Decorated Heroes Who Brought Him Home)
The trenches', wrote Robert Kee fifty years later, 'were the concentration camps of the First World War'; and though the analogy is what an academic reviewer would call unhistorical, there is something Treblinka-like about almost all accounts of July 1st, about those long docile lines of young men, shoddily uniformed, heavily burdened, numbered about their necks, plodding forward across a featureless landscape to their own extermination inside the barbed wire. Accounts of the Somme produce in readers and audiences much the same emotions as do descriptions of the running of Auschwitz - guilty fascination, incredulity, horror, disgust, pity and anger - and not only from the pacific and tender-hearted; not only from the military historian, on whom, as he recounts the extinction of this brave effort or that, falls an awful lethargy, his typewriter keys tapping leadenly on the paper to drive the lines of print, like the waves of a Kitchener battalioon failing to take its objective, more and more slowly towards the foot of the page; but also from professional soldiers [...] Why did the commanders not do something about it? Why did they let the attack go on? why did they not stop one battalion following in the wake of another to join it in death?
John Keegan (The Face of Battle: A Study of Agincourt, Waterloo and the Somme)