“
Kaye: You know what the sun looks like?
Janet: No, What?
Kaye: Like he slit his wrists in a bathtub and the blood is all over the water.
Janet: That's gross, Kaye.
Kaye: And the moon is just watching. She's just watching him die. She must have driven him to it.
”
”
Holly Black (Tithe (Modern Faerie Tales, #1))
“
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Even as she spoke, silver blue flashed on her other side and then Illium was standing beside her, his wing touching Elena's in an intimacy that made Raphael raise an eyebrow. Illium's lips curved in a wicked smile that did little to hide the intensity of his emotions. I would not watch you die again, Sire. His veins stood out against his skin as he gripped the wrist of one hand with the other.
Raphael met those eyes of gold that had stood beside him for centuries. If I had done so, I would have gone knowing you would keep my heart safe.
Illium's gaze went to Elena. Always.
”
”
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
“
Alec watched them through the half-open door, Jace leaned against the sink as his adoptive sister sponged his wrists and wrapped them in a white gauze. “Okay, now take off your shirt.” (Isabelle)
“I knew there was something in this for you.” (Jace)
~pg. 329~
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
She had a bracelet on one taper arm, which would fall down over her round wrist. Mr. Thornton watched the replacing of this troublesome ornament with far more attention than he listened to her father. It seemed as if it fascinated him to see her push it up impatiently, until it tightened her soft flesh; and then to mark the loosening—the fall. He could almost have exclaimed—'There it goes, again!
”
”
Elizabeth Gaskell (North and South)
“
The lamplight gleamed on the Magus’ white grin. “People like to watch the pretty puppets, Superior. Even a glimpse of the puppeteer can be most upsetting for them. Why, they might even suddenly notice the strings around their own wrists
”
”
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
“
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Oh,' said a very white body as it threw a wrist watch to the ground which broke without attracting anyone's attention, 'Oh, how can anyone not love poetry, natural machines, large white houses, the brilliance of steel, crimes and wild passions?
”
”
Robert Desnos
“
I felt a strange tightness coming over me, and I reacted instinctively – for the first time in a long, long while – by slipping my notebook into my belt and reaching down to take off my watch. The first thing to go in a street fight is your watch, and once you’ve lost a few, you develop a certain instinct that lets you know when it’s time to get the thing off your wrist and into a safe pocket.
”
”
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
“
O let me lead her gently o'er the brook,
Watch her half-smiling lips and downward look;
O let me for one moment touch her wrist;
Let me one moment to her breathing list;
And as she leaves me, may she often turn
Her fair eyes looking through her locks auburne.
”
”
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
“
He picked up the wrench and broke the guy’s wrist with it, one, and then the other wrist, two, and turned back and did the same to the guy who had held the hammer, three, four. The two men were somebody’s weapons, consciously deployed, and no soldier left an enemy’s abandoned ordnance on the field in working order.
The doctor’s wife was watching from the cabin door, all kinds of terror in her face.
"What?" Reacher asked her.
”
”
Lee Child (Worth Dying For (Jack Reacher, #15))
“
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
“I’m gonna go downstairs,” Ronan said.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
The only oxygen to be found was the pale band of skin on Adam's wrist where his watch had been and the glimpse of the sky between classes.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I forgot my watch.
Minutes or hours later, when the panic subsides, that is what I most regret. Not coming here in the first place - that seemed like an obvious choice - but my bare wrist, which makes it impossible for me to know how long I have been sitting in this room. My back aches, which is some indication, but it is not definite enough.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
The only clarity – if oppressive fog could ever be clarity – was the violent, throbbing, boiling agony pressing her against the ground.
There were sounds, too: shouting, screaming, banging, thudding, squawking, chittering.
It hurt to breathe.
“No snake! No snake!” A woman’s voice shrilled.
“Christ sake! Let the bloody thing out. That one, too.” A man’s voice, shouting – bellowing – commands.
A hand lifted her wrist, and through the torment of pain, she realised that fingers were releasing her watch strap.
”
”
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
“
Once there was a boy,” said Jace.
Clary interrupted immediately. “A Shadowhunter boy?”
“Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky.
“The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father.
“He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.
“He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.
“Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’
“Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
The Time Around Scars:
A girl whom I've not spoken to
or shared coffee with for several years
writes of an old scar.
On her wrist it sleeps, smooth and white,
the size of a leech.
I gave it to her
brandishing a new Italian penknife.
Look, I said turning,
and blood spat onto her shirt.
My wife has scars like spread raindrops
on knees and ankles,
she talks of broken greenhouse panes
and yet, apart from imagining red feet,
(a nymph out of Chagall)
I bring little to that scene.
We remember the time around scars,
they freeze irrelevant emotions
and divide us from present friends.
I remember this girl's face,
the widening rise of surprise.
And would she
moving with lover or husband
conceal or flaunt it,
or keep it at her wrist
a mysterious watch.
And this scar I then remember
is a medallion of no emotion.
I would meet you now
and I would wish this scar
to have been given with
all the love
that never occurred between us.
”
”
Michael Ondaatje
“
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist. It is, at the end of the day, the individual moments of restlessness, of bleakness, of strong persuasions and maddened enthusiasms, that inform one’s life, change the nature and direction of one’s work, and give final meaning and color to one’s loves and friendships.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
She was, I think, the closest thing you had to a mother," murmured the Darkling.
The sobs that shook me were like the lashes of a whip. I flinched with each one, bent double, collapsing into myself. The Darkling knelt before me. He took me by the wrists, pulling my hands free from my face, as if he wanted to watch me weep.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
And Jazz snapped.
He didn't snap the way a normal person might snap. A normal person would fling his arms around and stomp his feet and rant at the top of his lungs, bellowing to the sky. There might be tears, from a normal person.
Jazz went quiet. He darted out one hand and grabbed the wrist of the paramedic who had been trying to cuff him and pulled the man close, holding his gaze.
In a moment, he channeled every last drop of (his father).
"Who am I? I'll tell you. I'm the local psychopath, and if you don't save my best friend's life, I will hunt down everyone you've ever cared about in your life and make you watch while I do things to them that will have you begging me to kill them. That's who I am.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
I sit on the couch watching her arrange
her long red hair before my bedroom
mirror.
she pulls her hair up and
piles it on top of her head-
she lets her eyes look at
my eyes-
then she drops her hair and
lets it fall down in front of her face.
we go to bed and I hold her
speechlessly from the back
my arm around her neck
I touch her wrists and hands
feel up to
her elbows
no further.
”
”
Charles Bukowski
“
When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.
He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.
”
”
William Gaddis (The Recognitions)
“
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.
"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
"I'll love till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."
But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.
"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
Tomorrow or today.
"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the teacup opens
A lane to the land of the dead.
"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.
"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbor
With all your crooked heart."
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
”
”
W.H. Auden
“
..who threw their watches off the roof to cast their ballot for an Eternity outside of Time, and alarm clocks fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores where they thought they were growing old and cried,
who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse and the tanked-up clatter of the iron regiments of fashion and the nitroglycerine shrieks of the fairies of advertising and the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality..
”
”
Allen Ginsberg (Howl and Other Poems)
“
Kogo, the goshawk, fluttered on his wrist and settled herself, watching him. Toranaga smiled at her. I did not choose to be what I am. It is my karma.
”
”
James Clavell (Shogun (Asian Saga, #1))
“
The school day was a pillow over his head. He would suffocate before the final bell. The only oxygen to be found was the pale band of skin on Adam’s wrist where his watch had been and the glimpse of the sky between classes.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody?
Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old.
“If you just let me—”
“No! Get that centaur shit away from me, you demon bitch!”
“Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.”
“He’ll have to love me in spite of it. Now get off!”
...
“Ow!”
“Crybaby.”
No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
”
”
G.A. Aiken (About a Dragon (Dragon Kin, #2))
“
You," he continued, grabbing my wrist. "All of you, from the safe world, with your air bags and your tamper-proof packaging and your fat-free diets. You are the superstitious ones. You convince yourself you can cheat death, and you are absolutely offended when you learn that you can't. You sat in your nice little flat all through our war and watched us, bleeding all over the TV news. And you thought, 'How awful!' and then you got up and made yourself another cup of gourmet coffee.
”
”
Geraldine Brooks (People of the Book)
“
Synchronize watches at oh six hundred' says the infantry captain, and each of his huddled lieutenants finds respite from fear in the act of bringing two tiny pointers into jeweled alignment while tons of heavy artillery go fluttering overhead: the prosaic, civilian-looking dial of the watch has restored, however briefly, an illusion of personal control. Good, it counsels, looking tidily up from the hairs and veins of each terribly vulnerable wrist; fine: so far, everything's happening right on time.
”
”
Richard Yates (Revolutionary Road)
“
We will know each other by the way our watches slip from our wrists, the bruises on our knees, our winged shoulder blades tenting silk dresses.
”
”
Tina May Hall (The Physics of Imaginary Objects (Pitt Drue Heinz Lit Prize))
“
I've wandered as far west as I can go. Sitting now on the sand, I watch the sun blur into an aftermath. Reds finally marrying blues. Soon night will enfold us all. But the light is still not gone, not yet, and by it I can dimly see here my own dark hallway, or maybe it was just a foyer and maybe not dark at all, not in fact brightly lit, an afternoon sun blazing through the lead panes, now detected amidst what amounts to a long column of my yesterdays, towards the end, though not the very end of course, where I had stood at the age of seven, gripping my mother's wrists, trying as hard as I could to keep her from going.
”
”
Mark Z. Danielewski (House of Leaves)
“
I took the chain between the tips of my fingers, lifted it to the light. Each delicate link sparkled in the sun. It would have been lovely on anyone's wrist. It would have been precious, with or without me. But it was everything I wanted, because I chose it to be mine.
”
”
Nina LaCour (Watch Over Me)
“
But I wasn’t fooling myself. I was convinced that no one in the world wanted him as physically as I did; nor was anyone willing to go the distance I was prepared to travel for him. No one had studied every bone in his body, ankles, knees, wrists, fingers, and toes, no one lusted after every ripple of muscle, no one took him to bed every night and on spotting him in the morning lying in his heaven by the pool, smiled at him, watched a smile come to his lips, and thought, Did you know I came in your mouth last night?
”
”
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
“
Start ringing things up then. This won't take long."
"Which ones?"
"I don't care." I push some at her. "These."
"These?" She looked dubious.
"Why not these?"
She glanced at Ray. "'Cause if that's your man, I'd say you can leave these off."
"Oh, no, you didn't." Ray said.
"What's this shit?" Ray demanded, looking at the saleclerk.
"Honey, truth hurts, but ain't no way you're a Magnum."
"Well, I ain't no medium!"
The clerk smiled. "Yeah, but I was being generous."
"What are you doing?" The clerk demanded as Ray grabbed another box. "I ain't rung those up yet."
Ray pulled out a foil package and tossed the box back on the counter. "So ring it up."
She arched an eyebrow, but didn't bother, maybe because she was watching him unbutton his fly. I caught his wrist. "What are you doing?"
"Proving a point."
"Not in the middle of the store, you're not."
"Ain't nobody here," the cashier reminded me. "And ain't no way he's filling that thing out.
”
”
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
“
A clock that is moving through space at a very fast speed does not tick at the same rate as a slow-moving watch gently attached to your wrist as you stroll on a tropical beach. The idea of a universal time - a godlike clock that could somehow sit outside our universe and measure, in one go, the movement of everything in it, how its evolution unfolds, how old it is and all that - does not exist.
”
”
Christophe Galfard (The Universe in Your Hand: A Journey Through Space, Time, and Beyond)
“
She touches her wrist where her watch used to be, her fingers lost without time to hold on to.
”
”
Jenny Hubbard (Paper Covers Rock)
“
I’ve come by, she says, to tell you
that this is it. I’m not kidding, it’s
over. this is it.
I sit on the couch watching her arrange
her long red hair before my bedroom
mirror.
She pulls her hair up and
piles it on top of her head-
she lets her eyes look at
my eyes-
then she drops her hair and
lets it fall down in front of her face.
We go to bed and I hold her
speechlessly from the back
my arm around her neck
I touch her wrists and her hands
feel up to
her elbows
no further.
”
”
Charles Bukowski
“
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist. It is, at the end of the day, the individual moments of restlessness, of bleakness, of strong persuasions and maddened enthusiasms, that inform one's life, change the nature and direction of one's work, and give final meaning and color to one's loves and friendships.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
She took a small device out of her bag, slipped it into her pocket.
"Micro recorder?" Roarke clucked his tongue. "I believe that's illegal. Not to mention rude."
"I don't know what you're talking about."
"And unnecessary," he added. He turned his wrist, tapped a tiny button on the side of his watch. "This one is much more efficient. I should know. I manufacture both brands." He smiled as the car stopped at the edge of a small clearing
”
”
J.D. Robb (Ceremony in Death (In Death, #5))
“
Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.
”
”
William Gibson (Neuromancer (Sprawl, #1))
“
Ten minutes later, his suicide letter was done. The handwriting was legit, and he got a nice incentive to play along, seeing as I gave him a deal he couldn’t refuse.
“Write the letter and go peacefully, swallowing a bunch of pills. Don’t write the letter and I slit your wrists in your bathtub and watch you bleed. Either way, you’ll be dead before dinnertime, and it will look like suicide. The awful, messy way or the peaceful way? Up to you.”
He chose the pills.
”
”
L.J. Shen (Angry God (All Saints High, #3))
“
He took my wrists, pulling my hands free from my face, as if he wanted to watch me weep.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I don’t call watches watches, I call them grasps, because one, they grasp onto your wrist, and two, time isn’t something you can watch; it’s a concept you have to grasp.
”
”
Jarod Kintz (This Book is Not for Sale)
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
One of the first things she asked me was why I wore my watch on the inside of my wrist. I couldn’t justify it, so I turned the face round, and put time on the outside, as normal, grown-up people did.
”
”
Julian Barnes (The Sense of an Ending)
“
They're headed for some place called the Great Barrier."
"A place that doesn't exist." Liv was shaking her head, checking the rotating dials on her wrist.
Link pushed away his plate, still covered with food. "So let me get this straight. We're gonna go down into the
Tunnels and find this moon outta time with Liv's fancy watch?"
"Selenometer." Liv didn't look up from copying numbers from the dials into her red notebook.
”
”
Kami Garcia
“
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all.
As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain.
He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home.
"I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close.
Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her.
"You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard.
A streak of violet lightning split the sky, striking close behind them.
The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open.
"But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate.
"You," he scarcely more than breathed, "are just like every. Body. Else."
He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff.
As he let her go.
The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him.
Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
”
”
Kelly Creagh (Enshadowed (Nevermore, #2))
“
The world was used to enormous egos in artists, actors, entertainers of all sorts, in politicians, sports figures, and even journalists, because they had such familiar and convenient ways to show them off. But that slim young man over there in uniform, with the enormous watch on his wrist and the withdrawn look on his face, that young officer who is so shy that he can’t even open his mouth unless the subject is flying— that young pilot— well, my friends, his ego is even bigger!— so big, it’s breathtaking!
”
”
Tom Wolfe (The Right Stuff)
“
Damn,” I said softly to myself. I had been fighting it for some time. Even before this ridiculous marriage, I had been more than conscious of his attraction. It had happened before, as it doubtless happens to almost everyone. A sudden sensitivity to the presence, the appearance, of a particular man—or woman, I suppose. The urge to follow him with my eyes, to arrange for small “inadvertent” meetings, to watch him unawares as he went about his work, an exquisite sensitivity to the small details of his body—the shoulder-blades beneath the cloth of his shirt, the lumpy bones of his wrists, the soft place underneath his jaw, where the first prickles of his beard begin to show. Infatuation. It was common, among the nurses and the doctors, the nurses and the patients, among any gathering of people thrown for long periods into one another’s company. Some acted on it, and brief, intense affairs were frequent. If they were lucky, the affair flamed out within a few months and nothing resulted from it. If they were not … well. Pregnancy, divorce, here and there the odd case of venereal disease. Dangerous thing, infatuation.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be.
It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her.
But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade.
It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
”
”
Haruki Murakami (Norwegian Wood)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
What the hell are you doing?' Jacks growled.
Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen.
'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.'
Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body.
Something loud cracked in the doorway.
Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands?
He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos.
Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead.
Evangeline took a rasping breath, and her gaze collided with Jacks' once more.
He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I should think people would be disappointed if they watched that kind of movie and then came to see us dance and none of us slit our wrists onstage or made ourselves vomit or got on the backs of motorcycles while wearing tutus and started fucking each other.
”
”
Meg Howrey (The Cranes Dance)
“
From the beginning there were drums, beating out world rhythm—the booming, never-failing tide on the beach; the four seasons, gliding smoothly, one from the other; when the birds come, when they go, the bear hibernating for his winter sleep. Unfathomable the way, yet all in perfect time. Watch the heartbeat in your wrist—a precise pulsing beat of life’s Drum—with loss of timing you are ill. —JIMALEE BURTON (HO-CHEE-NEE), CHEROKEE, 1974
”
”
Terri Jean (365 Days Of Walking The Red Road: The Native American Path to Leading a Spiritual Life Every Day (Religion and Spirituality))
“
Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?”
Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.”
Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.”
“I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.”
Masculine cheeks went scarlet as the big bad warrior struggled for a comeback.
…
“One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.”
“Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.”
He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
Either that,” he said, “or it comes true later. I’ll tell you another story. There was a father who gave his son a shotgun. It was very small. It was a luparetta. So the son went to school, and he met another boy with a wrist watch. It was a beautiful wrist watch, he fell in love with it. He wanted it, so he traded; he gave his luparetta to the boy and he got the watch.” “Is this a true story?” “Who knows? When the son came home that afternoon, his father said, ‘Where’s your luparetta—Dov’è la luparetta?’ And the son said, ‘I traded it.’ ‘You traded it!’ ‘Yes,’ he said, ‘I traded it for this watch.’ ‘Fantástico,’ the father said, ‘meraviglioso, you traded it for a watch. Now when someone calls your sister a whore, what are you going to do, tell them the time?’
”
”
James Salter (Light Years (Vintage International))
“
He'd give anything to be out there playing instead of standing here watching. Trying to maintain this smile out of respect. He digs into his wrists some more with his nails. Breaks previously broken skin and pulls away. A smear of blood he wipes away with his other hand, rubs off across his dark jeans. Back home his mom is always on him to stop digging, but that only makes him want to dig more."
-exerpt from "Mexican White Boy
”
”
Matt de la Peña
“
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.
“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”
What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.
“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”
“I know what you mean,” I said.
His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”
“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She’s Come Undone)
“
I am wounded. I am marked by old codes, which shielded me in one world and then chained me in the next. I think of your grandmother calling me and noting how you were growing tall and would one day try to “test me.” And I said to her that I would regard that day, should it come, as the total failure of fatherhood because if all I had over you were my hands, then I really had nothing at all. But, forgive me, son, I knew what she meant and when you were younger I thought the same. And I am now ashamed of the thought, ashamed of my fear, of the generational chains I tried to clasp onto your wrists. We are entering our last years together, and I wish I had been softer with you. Your mother had to teach me how to love you—how to kiss you and tell you I love you every night. Even now it does not feel a wholly natural act so much as it feels like ritual. And that is because I am wounded. That is because I am tied to old ways, which I learned in a hard house. It was a loving house even as it was besieged by its country, but it was hard. Even in Paris, I could not shake the old ways, the instinct to watch my back at every pass, and always be ready to go.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
They had had half an hour. He walked with her to Whitehall, toward the bus stop. In the precious final minutes he wrote out his address for her, a bleak sequence of acronyms and numbers. “then, at last, he took her hand and squeezed. The gesture had to carry all that had not been said, and she answered it with pressure from her own hand. Her bus came, and she did not let go. They were standing face to face. He kissed her, lightly at first, but they drew closer, and when their tongues touched, a disembodied part of himself was abjectly grateful, for he knew he now had a memory in the bank and would be drawing on it for months to come. He was drawing on it now, in a French barn, They tightened their embrace and went on kissing while people edged past them in the queue. She was crying onto his cheek, and her sorrow stretched her lips against his. Another bus arrived. She pulled away, squeezed his wrist, and got on without a word and didn’t look back. He watched her find her seat, and as the bus began to move realized he should have gone with her, all the way to the hospital. He had thrown away minutes in her company. He must learn again how to think “and act for himself. He began to run along hoping to catch up with her at the next stop. But her bus was far ahead
”
”
Ian McEwan (Atonement)
“
My mother was in the hospital & everyone wanted to be my friend.
But I was busy making a list: good dog, bad citizen, short
skeleton, tall mocha. Typical Tuesday.
My mother was in the hospital & no one wanted to be her friend.
Everyone wanted to be soft cooing sympathies. Very reasonable
pigeons. No one had the time & our solution to it
was to buy shinier watches. We were enamored with
what our wrists could declare. My mother was in the hospital
& I didn't want to be her friend. Typical son. Tall latte, short tale,
bad plot, great wifi in the atypical café. My mother was in the hospital
& she didn't want to be her friend. She wanted to be the family
grocery list. Low-fat yogurt, firm tofu. She didn't trust my father
to be it. You always forget something, she said, even when
I do the list for you. Even then.
”
”
Chen Chen (When I Grow Up I Want to Be a List of Further Possibilities)
“
Now when the men talk, their voices burn in the air, making smoke all over the place. We hear about change, about new country, about democracy, about elections and what-what.
They talk and talk, the men, lick their lips and look at the dead watches on their wrists and shake their hands and slap each other and laugh like they have swallowed thunder.
”
”
NoViolet Bulawayo (We Need New Names)
“
I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She’s holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow.
There’s a watch tattooed on his left wrist with ‘Fuck Time’ inscribed on its face. Fuck o’clock.
He’s not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He’s beautiful, in the way that a knife is beautiful.
”
”
Kirsty Eagar (Raw Blue)
“
Maud Shade was eighty when a sudden hush
Fell on her life. We saw the angry flush
And torsion of paralysis assail
Her noble cheek. We moved her to Pinedale,
Famed for its sanitarium. There she'd sit
In the glassed sun and watch the fly that lit
Upon her dress and then upon her wrist.
Her mind kept fading in the growing mist.
She still could speak. She paused, and groped, and found
What seemed at first a serviceable sound,
But from adjacent cells impostors took
The place of words she needed, and her look
Spelt imploration as she fought in vain
To reason with the monsters in her brain.
”
”
Vladimir Nabokov (Pale Fire)
“
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste. Sundays I have breakfast late and read the papers with Hope. Then we go for a walk in the hills, and I'm haunted by the loss of all that good time. I wake up Sunday mornings and I'm nearly crazy at the prospect of all those unusable hours. I'm restless, I'm bad-tempered, but she's a human being too, you see, so I go. To avoid trouble she makes me leave my watch at home. The result is that I look at my wrist instead. We're walking, she's talking, then I look at my wrist - and that generally does it, if my foul mood hasn't already. She throws in the sponge and we come home. And at home what is there to distinguish Sunday from Thursday? I sit back down at my little Olivetti and start looking at sentences and turning them around. And I ask myself, Why is there no way but this for me to fill my hours?
”
”
Philip Roth
“
Willem puts down his fork and knife.
'This is falling in love.'
With his finger, he swipes a bit of the Nutella from inside his crepe and puts a dollop on the inside of my wrist. It is hot and oozy and starts to melt against my sticky skin, but before it has a chance to slither away, Willem licks his thumb and wipes the smear of Nutella off and pops it into his mouth. It all happens fast, like a lizard zapping a fly.
'This is being in love.'
And he takes my other wrist, the one with my watch on it, and moves the watchband around until he sees what he's looking for. Once again, he licks his thumb. Only this time, he rubs it against my birthmark, hard, as if trying to scrub it off.
'Being in love is a birthmark?' I joke as I retract my arm. But my voice has a tremble in it, and the place where his wet thumbprint is drying against my skin burns somehow.
'It's something that never comes off, no matter how much you might want it to.'
'You're comparing love to a...stain?'
He leans so far back in his seat that the front legs of his chair scrape off the floor. He looks very satisfied, with the crepe or with himself, I'm not sure.
'Exactly.
”
”
Gayle Forman (Just One Day (Just One Day, #1))
“
We are still holding hands.
Okay,we should let go.This is the point where it would be normal to let go.
Why aren't we letting go?
I force my gaze to the Grand Bassin. He does the same.We're not watching the boats. His hand is burning,but he doesn't let go.And then-he scoots closer. Just barely.I glance down and see the back of his shirt has crawled up,exposing a slice of his back.His skin is smooth and pale.
It's the sexiest thing I have ever seen.
He shifts again,and my body answers with the same.We're arm against arm, leg against leg.His hand crushes mine, willing me to look at hime.
I do.
Etienne's dark eyes search mine. "What are we doing?" His voice is strained.
He's so beautiful,so perfect. I'm dizzy. My heart pounds,my pulse races. I tilt my face toward his,and he answers with an identical slow tilt toward mine.He closes his eyes.Our lips brush lightly.
"If you ask me to kiss you,I will," he says.
His fingers stroke the inside of my wrists,and I burst into flames.
"Kiss me," I say.
He does.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
In her fantastic mood she stretched her soft, clasped hands upward toward the moon.
'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.'
Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand.
The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously.
"Music! more music!" she cried.
Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream.
The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
”
”
Barry Pain (Ghostly By Gaslight)
“
You're the whole focus of my world," he murmured. "After you left, I went crazy.I flew down to New Orleans, and-"
"You did?" Stunned,she drew back to look at him. "You went after me?"
"With various purposes in mind," he muttered. "First,I was going to strangle you,then I was going to crawl, then I was going to just drag you back and lock you upstairs."
Smiling,she rested her head on his chest. "And now?"
"Now." He kissed her hair. "We compromise. I'll let you live."
"Good start." With a sigh,she closed her eyes. "I want to watch the sea in winter."
He tilted her face to his. "We will."
"There is something else..."
"Before or after I make love to you?"
Laughing,she pulled away from him. "It better be before.Since you haven't mentioned marriage yet,it falls to me."
"Gennie-"
"No,this is one time we'll do it all my way." She draw out the coin Serena had given her before she'd lef the Comanche. "And,in a way,it's a kind of compromise.Heads,we get married. Tails we don't."
Grant grabbed her wrist before she could toss. "You're not going to play games with something like that, Genvieve, unless that's a two-headed coin."
She smiled. "It certainly is."
Surprise came first,then his grin. "Toss it.I like the odds.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth."
He shook his head slowly.
"I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it."
His face was expressionless. "I know," he said.
"I was afraid of your hands more than anything," she said. "They are beautiful hands."
He said nothing.
"When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?"
She watched him swallow.
"For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them."
"Fleur," he said, and reached out a staying hand.
"I love you," she said.
"No."
"I love you."
"It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me."
"I love you," she said.
"Fleur."
She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain."
"Fleur," he said, taking her wrist in his hand.
"Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be."
"Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy."
She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again."
He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
”
”
Mary Balogh (The Secret Pearl)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic.
He stared at them. “How—”
“I got them from the discarded clothes. Before I made the climb.”
“Six stories in the dark.”
She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again.
He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish.
“When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.”
He looked away. “You should. You were always too good for the Barrel.”
It was time to go. “Saints’ speed, Kaz.”
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?”
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
My work is just beginning. The easy part is over—the initial capture. It will be far more challenging from this point on. I need to set the stage for her to bond with her captor -- me. I know it will take time for her to accept her fate. In the coming weeks she’ll move through predictable stages, much like the stages of grief: shock, anger, fear, even bargaining. Eventually, she’ll realize that she depends on me – requires me -- for her day-to-day, most basic needs. Then will come the final stage, a coup de grace that is to be savored and celebrated: acceptance. Her will to survive will break down her resistance and bring her walls crashing down. That’s my favorite part—the giving over of her will.
I straighten the cuffs on my tailored shirt as I peer through the door’s window pane. It’s interesting to watch her as she shuffles across the floor on her knees, blindfolded—the chains on her feet and wrists impede her attempts to move about freely. Her wrists are bruised and bloodied from her attempts to free herself, her vision hampered by a blindfold. And yet she fights. My brave girl.
”
”
Suzanne Steele (Cellar Door)
“
We head to that corner of the basement. Rev straddles the weight bench and sits down while Declan sits on a yoga ball and leans against the corner. They fall into these positions so easily that I wonder if this is their space, the way Rowan and I claim her room or the plush couch in my basement.
I’m not a violent person, but hitting something sounds really good.
I draw back a hand and swing, throwing my whole body into it.
Ow. Ow. The bag swings slightly, but shock reverberates down my arm. I think I’ve dislocated every joint of every finger, but I can feel it, and it’s the first thing I’ve truly felt in weeks. It feels fantastic. I need one of these in my basement.
I grit my teeth and pull back my arm to do it again.
“Whoa.” A hand catches my arm in midswing.
I’m standing there, gasping, and Declan has a hold of my elbow. His eyebrows are way up.
“So . . . yeah,” he says. “I don’t want to be sexist here, but after the way you talk about cars, I didn’t expect you to throw a punch like that.”
I draw back and straighten, feeling foolish. “Sorry.”
“What are you apologizing for?” He looks at me like I’m crazy. “I just don’t want to watch you break a wrist.”
“Here.” Rev half stands, holding out a pair of black padded gloves. He’s pushed back the hood of his sweatshirt, and I wonder if he’s grown more comfortable around me—or if he’s just warm. “If you really want to beat on it, put on gloves
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
THE COUNCIL WAS NOTHING LIKE Jason imagined. For one thing, it was in the Big House rec room, around a Ping-Pong table, and one of the satyrs was serving nachos and sodas. Somebody had brought Seymour the leopard head in from the living room and hung him on the wall. Every once in a while, a counselor would toss him a Snausage. Jason looked around the room and tried to remember everyone’s name. Thankfully, Leo and Piper were sitting next to him—it was their first meeting as senior counselors. Clarisse, leader of the Ares cabin, had her boots on the table, but nobody seemed to care. Clovis from Hypnos cabin was snoring in the corner while Butch from Iris cabin was seeing how many pencils he could fit in Clovis’s nostrils. Travis Stoll from Hermes was holding a lighter under a Ping-Pong ball to see if it would burn, and Will Solace from Apollo was absently wrapping and unwrapping an Ace bandage around his wrist. The counselor from Hecate cabin, Lou Ellen something-or-other, was playing “got-your-nose” with Miranda Gardiner from Demeter, except that Lou Ellen really had magically disconnected Miranda’s nose, and Miranda was trying to get it back. Jason had hoped Thalia would show. She’d promised, after all—but she was nowhere to be seen. Chiron had told him not to worry about it. Thalia often got sidetracked fighting monsters or running quests for Artemis, and she would probably arrive soon. But still, Jason worried. Rachel Dare, the oracle, sat next to Chiron at the head of the table. She was wearing her Clarion Academy school uniform dress, which seemed a bit odd, but she smiled at Jason. Annabeth didn’t look so relaxed. She wore armor over her camp clothes, with her knife at her side and her blond hair pulled back in a ponytail. As soon as Jason walked in, she fixed him with an expectant look, as if she were trying to extract information out of him by sheer willpower. “Let’s come to order,” Chiron said. “Lou Ellen, please give Miranda her nose back. Travis, if you’d kindly extinguish the flaming Ping-Pong ball, and Butch, I think twenty pencils is really too many for any human nostril. Thank you. Now, as you can see, Jason, Piper, and Leo have returned successfully…more or less. Some of you have heard parts of their story, but I will let them fill you in.” Everyone looked at Jason. He cleared his throat and began the story. Piper and Leo chimed in from time to time, filling in the details he forgot. It only took a few minutes, but it seemed like longer with everyone watching him. The silence was heavy, and for so many ADHD demigods to sit still listening for that long, Jason knew the story must have sounded pretty wild. He ended with Hera’s visit right before the meeting.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
Why are you so mad at me?" Norris shouted back. The neighbors could definitely hear them now. His throat dry, but he didn't care. "I'm sorry if I interrupted one of your dates, or whatever, but I DID NOT DO ANYTHING! Ground me for leaving prom, ground me for drinking, but I didn't drive, I didn't have unprotected sex, I didn't even get high! You know that! You're supposed to be on my side here, Mom!"
"NO!" she hurled back. "Not on this, Norris" I can't be!"
"Why the hell not?!"
"You know damn well! Trayvon Martin," she began. "Tamir Rice, Cameron Tillman, so many others that I can't remember all their names anymore!"
Norris knew too well. It was almost a ritual, even back in Canada. They would sit as a family and watch quietly. "Be smart out there," Felix used to say.
"You're not a handsome blue-eyed little Ken doll who's going to get a slap on the wrist every time he messes up. That, tonight?" she said, pointing to the door. "Do you know what that was? Do you?!"
"I-"
"That was a fucking coin flip, Norris. That was the coin landing heads." Her finger dug into his chest, punctuating every other word she was saying, spittle flying at his face. "Heads. A good one. Officer Miller, who has four sons, and luckily, mercifully, thank Jesus saw someone else's kid back-talking him tonight."
She exhaled, her breath Thai-food hot against his face.
"Tails." Her voice broke. "Tails, and I would be at the morgue right now identifying you! With some man lecturing me about our blood alcohol level and belligerent language and how you had it coming.
”
”
Ben Philippe (The Field Guide to the North American Teenager)
“
Oh, please.” Loki stepped back, examining me with a look of disappointment. “It’s only a matter of degree. So I killed a god. Big deal! He went to Niflheim and became an honored guest in my daughter’s palace. And my punishment? You want to know my punishment?”
“You were tied on a stone slab,” I said. “With poison from a snake dripping on your face. I know.”
“Do you?” Loki pulled back his cuffs, showing me the raw scars on his wrists. “The gods were not content to punish me with eternal torture. They took out their wrath upon my two favorite sons–Vali and Narvi. They turned Vali into a wolf and watched with amusement while he disemboweled his brother Narvi. Then they shot and gutted the wolf. The gods took my innocent sons’ own entrails…” Loki’s voice cracked with grief. “Well, Magnus Chase, let’s just say I was not bound with ropes.”
Something in my chest curled up and died–possibly my hope that there was any kind of justice in the universe. “Gods.”
Loki nodded. “Yes, Magnus. The gods. Think about that when you meet Thor.”
“I’m meeting Thor?”
“I’m afraid so. The gods don’t even pretend to deal in good and evil, Magnus. It’s not the Aesir way. Might makes right. So tell me… do you really want to charge into battle on their behalf?
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
“Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back.
“You’re safe,” he told me, in his usual soft, rumbling voice.
“Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…”
“I know, I believe you.”
At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket.
“Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger.
Any hope I had felt bubbling up inside me burst into a thousand tiny pieces.
“Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?”
I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself.
“You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—”
I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!”
“You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.”
“No!” I shrieked. “No!”
He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door.
I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them.
But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room.
“—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
“Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?”
“Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.”
Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound.
And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall.
I realized I’d just insulted my host, and no joke was going to get me out of it this time.
“For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.”
The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me.
“Oh,” I said uncomfortably. “John, I’m so-“
It turned out he wasn’t finished.
“I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.”
I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live.
“Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“
He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead.
“You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.”
“No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“
That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Nicolas sat very still just watching her. What he wanted to do was yank her back into the boat and weld their mouths together. Their bodies. He craved her like he would a drug. He made himself breath. In and out. He could read the desperation in her eyes, the fear. Not of him, for him. The tight coil in his belly began to relax. Not giving her time to argue or think, he simply caught her small wrists and lifted her into the boat. “We’re adults, remember? Now that we know it can happen, we’ll be more careful.” He managed a quick, teasing grin. “Until we don’t want to be careful.”
Dahlia swallowed hard. She had courage, he had to give her that. Respect for her grew with every moment in her company. She didn’t back away from him, but held her ground. They were both standing up, and she had a long way to look up. “It could happen, Nicolas. You’ve never seen what pure energy can do, but I have. I generate heat when it happens and fires start. People get hurt.”
“Have you ever made love to someone, Dahlia?”
His voice was so low she had to strain to hear him. She felt the surge of darkness, of danger, something lethal and deadly emanating from him.
“No, I’ve never wanted to get that close to anyone.”
“Until now.” He wanted to hear her say it. At least give him that much. He needed that much.
“Until now,” she agreed.
Nicolas stepped away from her, sank back into position. “Thanks for not pushing me into the water. You must have thought about it.”
“Don’t give me too much credit.” She made her way to the motor. “I wasn’t certain if I shoved, you’d fall.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
Usha is Kavita’s choice alone, a secret name for her secret daughter. The thought brings a smile to her face. That one day she spent with her daughter was precious. Though she was exhausted, she would not sleep. She didn’t want to miss a single moment. Kavita held her baby close, watched her small body rise and fall with breath, traced her delicate eyebrows and the folds of her tender skin. She nursed her when she cried, and in those few moments when Usha was awake, Kavita saw herself unmistakably in the distinctive gold-flecked eyes, more beautiful on her child than on herself. She could hardly believe this lovely creature was hers. She didn’t allow herself to think beyond that day.At least this baby girl will be allowed to live—a chance to grow up, go to school, maybe even marry and have children. Kavita knows, along with her daughter, she is forsaking any hope of helping her along the path of life. Usha will never know her parents, but she has a chance at life, and that will have to be enough. Kavita slides one of the two thin silver bangles she always wears from her own frail wrist and slips it onto Usha’s ankle.
“I’m sorry I cannot give you more, beti,” she whispers into her downy head.
”
”
Shilpi Somaya Gowda (Secret Daughter)
“
Abel, get away from him."
"No, I—"
Pacer took a step toward them. "Get up, now." He pointed a finger at the ground. "And come here."
Abel opened and closed his mouth several times, paralyzed. "Pacer, we were just—"
"I won't say it again, Abel."
He hated to admit it, but Pacer's demanding tone had sent a flash of anticipation through his system. Half- wanting to keep going, to test the limits of Pacer's patience, Abel paused for just another second before standing up and walking over to Pacer.
"You don't have to sound so scary," he said.
Pacer snorted, grabbing hold of Abel's wrist. "Please. You should be happy I didn't just pull you over my knee."
"Pacer!" Abel's eyes widening as he looked over at Eric. He was watching them avidly.
"Pacer, don't be so rough. He and I were just chatting."
"Are you deaf?" Pacer replied. "Why was he whispering in your ear?"
Grinning, Eric shook his head. "My bad. Maybe I just wanted to see what all the fuss was about.”
He stood up and walked over to them. "Abel, I just wanted you to know: I'm not a homophobe."
Abel stared at him. "What?" Then, after a moment, he looked at Pacer, who was studiously observing the twig he had snapped on the ground.
"I see.
”
”
R.D. Hero (Stalker)
“
Our ability to measure and apportion time affords an almost endless source of comfort.
“Synchronise watches at oh six hundred,” says the infantry captain, and each of his huddled lieutenants finds a respite from fear in the act of bringing two tiny pointers into jeweled alignment while tons of heavy artillery go fluttering overhead; the prosaic, civilian looking dial of the watch has restored, however briefly, an illusion of personal control. Good, it counsels, looking tidily up from the hairs and veins of each terribly vulnerable wrist; fine: so far, everything’s happening right on time…
“Oh, let me see now,” says the ancient man, tilting his withered head to wince and blink at the sun in bewildered reminiscence, “my first wife passed away the spring of -” and for a moment he is touched with terror. The spring of what? Past? Future? What is any spring but a mindless rearrangement of cells in the crust of the spinning earth as it floats in endless circuit of its sun? What is the sun itself but one of a billion insensible stars forever going nowhere into nothingness? Infinity! But soon the merciful valves and switches of his brain begin to do their tired work, and “The spring of Nineteen-Ought-Six,” he is able to say. “Or no, wait-” and his blood runs cold again as the galaxies revolve. “Wait! Nineteen-Ought — Four.”… He may have forgotten the shape of his first wife’s smile and the sound of her voice in tears, but by imposing a set of numerals on her death, he has imposed coherence on his own life and on life itself… “Yes sir,” he can say with authority, “nineteen-Ought-Four,” and the stars tonight will please him as tokens of his ultimate heavenly rest. He has brought order out of chaos.
”
”
Richard Yates (Revolutionary Road)
“
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart.
Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air.
"Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures."
Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go."
She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go."
"I will. Someday. Lord willing," he said casually.
"Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go."
Their eyes locked in silent communion.
"God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him."
Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall."
Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him."
"Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back."
"I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it.
"Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me."
Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept.
Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go?
Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips.
They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go.
They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door.
Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever."
He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
”
”
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
“
I wish you’d told me this before.”
“It wouldn’t have changed anything.”
“Maybe not. But talking about wounds can help heal them.”
“You don’t talk about yours,” she pointed out.
He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.”
“I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.”
“No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.”
She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.”
“You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.”
“And you’ll make sure I never get pregnant.”
His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.”
She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness.
He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.”
“Colby might come back…”
He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.”
She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!”
His mouth covered the painful words, stilling them.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Okay, okay . . . where do you hear it coming from?”
“Around here somewhere.”
“Always in this spot?”
“No. Not always. You are going to think I am even more insane, but I swear it is following me around.”
“Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him.
“You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.”
He turned and walked into the living room, looking around at every shelf.
“The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?”
“No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?”
Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife.
“It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes.
“A Demon wearing a watch? Now I have heard everything.”
Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands.
“Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!”
“What?” she asked, her shock so powerful she could barely speak. “I am with child?”
“Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.”
Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels.
“I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .”
“Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—”
She was still rattling off names as she teleported them to the King’s castle.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Her face went blank as she realized what she’d interrupted. “I’ll, uh, go upstairs and watch a show,” she said, not sounding like herself at all.
I scooted out from under Adam. “And Jesse saves the day,” I said lightly. “Thank you, that was getting out of hand.”
She paused, looking—surprised.
I wondered uncharitably how many times she’d walked in on her mother in similar situations and what her mother’s response had been. I never had liked Jesse’s mother and was happy to believe all sorts of evil about her. I let anger at the games her mother might have played surround me. When you’ve lived with werewolves, you learn tricks to hide what you’re feeling from them—anger, for instance, covers up panic pretty well—and, out from under Adam’s sensuous hands, I was panicking plenty.
Adam snorted. “That’s one way to put it.” To my relief, he’d stayed where we’d been, sinking facedown onto the mat.
“Even with my willpower, his lure was too great,” I said melodramatically, complete with wrist to forehead. If I made a joke of it, he’d never realize how truthful I was being.
A slow smile spread across her face and she quit looking like she was ready to bolt back into the house. “Dad’s kind of a stud, all right.”
“Jesse,” warned Adam, his voice muffled only a little by the mat. She giggled.
“I have to agree,” I said in overly serious tones. “Maybe as high as a seven or eight, even.”
“Mercedes,” Adam thundered, surging to his feet.
I winked at Jesse, held my gi top over my left shoulder with one finger, and strolled casually out the back door of the garage. I didn’t mean to, but when I turned to shut the door, I looked back and saw Adam’s face. His expression gave me cold chills.
He wasn’t angry or hurt. He looked thoughtful, as if someone had just given him the answer to a question that had been bothering him. He knew.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
With a regal inclination of her head, she said, "You know,I was positive you wouldn't want me to work for you either, and I tried to tell Mr. Weatherby that." She started toward the rosewood doors. "But he felt that when you realized I'm bilingual, you'd change your mind."
"Bilingual?" Nick scoffed contemptuously.
She turned toward him with her hand on the doorknob. "Oh,but I am. I can tell you exactly what I think of you in perfect Italian." She saw a nerve jerk in his tightly clenched jaw, and she added in a low,scathing voice, "But it's much more satisfying to say it to you in English; you're a bastard!"
Wrenching open the door,Lauren marched across the luxurious reception area. She was punching the button to summon the elevator when Nick's hand clamped over her wrist. "Get back into my office," he growled between his teeth.
"Take your hand off me!" she whispered furiously.
"There are four people watching us," he warned. "Either you walk into my office on your own,or I'll drag you in there in front of them."
"Go ahead and try it!" she raged right back at him. "I'll sue you for assault and subpoena all four of them as witnesses!"
Unexpectedly,her threat wrung a reluctant, admiring smile from him. "You have the most incredibly beautiful eyes. When you're angry,they-"
"Save it!" Lauren hissed, jerking violently at her wrist.
"I have been," he teased suggestively.
"Don't talk to me like that-I don't want any part of you!"
"Little liar.You want every part of me.
”
”
Judith McNaught (Double Standards)
“
You’ve been shot,” she tells Rachel.
“You shot me, you crazy bit—“
“We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.”
Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.”
Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye.
“I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.”
Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and…
“What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up.
Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt.
Rachel is a smart woman.
Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.”
“You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?”
Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke.
Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.
”
”
Patrick deWitt (Ablutions)
“
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm.
"How do you feel?" he says.
"Better," I say to his reflection.
He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing."
He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather."
"And my mother agreed to that?"
Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school."
A flash from the storm illuminates my blush. "Because we told her we're dating."
He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!"
I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs.
"No you weren't. Let me up."
"I will." He laughs.
"Galen, you let me up right now-"
"Sorry, not ready yet."
I gasp. "Oh, no! The room is spinning again." I hold still, tense up.
Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk.
A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says.
Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them.
As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time.
"I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.”
“You’re talking nonsense,” Kate said self-consciously. “My hands—”
But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?”
Kate shivered with delight.
“For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?”
Kate had no response, and he chuckled, the sound low and warm in her ears.
“And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.”
Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin.
“I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?”
His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.”
One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.”
“It’s my wedding night, too,” she pointed out.
He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?”
He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple.
“Touching,” Kate gasped, arching off the bed. “Definitely touching.”
“You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him.
And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.
”
”
Bohumil Hrabal (Closely Observed Trains)
“
I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.”
“What problem?” Cam played lightly with the folds of her skirts, watching her face alertly.
“Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.”
“Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.”
“My bride. My wife.”
Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.”
His thumb smoothed over the tender surface of her knuckle. “Yes, love?”
“I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’”
“Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.”
“I don’t want to be apart from you for even one of them.”
Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?”
“Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.”
Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.”
Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—”
“I love you, too.”
“— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
'That's a sound I never thought to hear from you, girl,' Amren said beside her.
The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight.
Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting.
Nesta fell to one knee and bowed her head. 'I am sorry.'
Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.'
Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.'
Nesta's brow furrowed. She hadn't changed anything.
Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.'
'I didn't do anything.'
'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?'
Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.'
'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.'
'But my power only creates terrible things. The House is good,' Nesta breathed.
'Is it?'
Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.'
Amren nodded. 'And where is it now?'
'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.'
Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.'
But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it.
Amren chuckled gently. 'And worth it for that, too.'
Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.'
'So that means if I do this...' Keefe tickled Sophie's neck.
'GAH--everything just went supersonic!' Fitz said.
Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.'
'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?'
'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.'
'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked.
'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.'
Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.'
'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.'
'Triggering how?' Sophie asked.
'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--'
'Uhhh, what are you going to do to me?' Fitz asked.
'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.'
Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful.
'Tension?' she guessed.
'Kinda close,' Keefe told her.
The laughter in his voice made her wonder what had happened to poor Fitz.
She tried to think of other emotions as his mind turned electric blue.
'Shock?' she guessed.
'That counts,' Keefe said. 'Though the best answer would've been "surprise."'
'Is that an emotion?' she asked.
'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.'
'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!'
Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp.
'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?'
'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.'
Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign.
'Um...confusion,' Fitz guessed.
'That works,' Keefe said. 'It started as anticipation, but then it shifted.'
'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.'
'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?'
'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.'
She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple.
'Pride?' she guessed.
Keefe laughed. 'Wow, add more fail points to Sophitz.'
'Quiet,' Mr. Forkle told him.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))