Wrench Best Quotes

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You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow. If I am the night, then you are the stars lighting up my endless dark.” His voice broke, wrenching my heart. “My best friend, the absolute love of my life, now until forevermore, I call you my wife.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
But the modern-day church doesn’t like to wander or wait. The modern-day church likes results. Convinced the gospel is a product we’ve got to sell to an increasingly shrinking market, we like our people to function as walking advertisements: happy, put-together, finished—proof that this Jesus stuff WORKS! At its best, such a culture generates pews of Stepford Wife–style robots with painted smiles and programmed moves. At its worst, it creates environments where abuse and corruption get covered up to protect reputations and preserve image. “The world is watching,” Christians like to say, “so let’s be on our best behavior and quickly hide the mess. Let’s throw up some before-and-after shots and roll that flashy footage of our miracle product blanching out every sign of dirt, hiding every sign of disease.” But if the world is watching, we might as well tell the truth. And the truth is, the church doesn’t offer a cure. It doesn’t offer a quick fix. The church offers death and resurrection. The church offers the messy, inconvenient, gut-wrenching, never-ending work of healing and reconciliation. The church offers grace. Anything else we try to peddle is snake oil. It’s not the real thing.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Most best-sellers are written for readers who are willing to be passive consumers. The blurbs on their covers often highlight the coercive, aggressive power of the text—compulsive page-turner, gut-wrenching, jolting, mind-searing, heart-stopping—what is this, electroshock torture?
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination)
She wants me to take what magic I have left and blot every memory of this evening from their minds. To make them forget so that they can carry on as before. There will always be Cecilys, Marthas, and Elizabeths of the world - those who cannot bear the burden of truth. They will drink their tea. Weigh their words. Wear hats against the sun. Squeeze their minds into corsets, lest some errant thought should escape and ruin the smooth illusion they hold of themselves and the world as they like it. It is a luxury, this forgetting. No one will come to take away the things I wish I had not seen, the things I wish I did not know. I shall have to live with them. I wrench away from her grip. "Why should I?" I do it anyways. Once I am certain the girls are asleep, I creep into their rooms, one by one, and lay my hands across their furrowed brows, which wear the trouble of all they've witnessed. I watch while those brows ease into smooth, blank canvases beneath my fingers. It is a form of healing, and I am surprised by how much it heals me to do it. When the girls awake, they will remember as strange dream of magic and blood and curious creatures and perhaps a teacher they knew whose name will not spring to their lips. They might strain to remember it for a moment, but then they will tell themselves it was only a dream best forgotten. I have done what Mrs. Nightwing said I should do. But I do not take all their memories from them. I leave them with one small token of the evening: doubt. A feeling that perhaps there is something more. It is nothing more than a seed. Whether it shall grow into something more useful, I cannot say.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
it hardly matters how committed you are to making the best use of your limited time if, day after day, your attention gets wrenched away by things on which you never wanted to focus.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
There’s a Chinese word that means “soul sister,” and that is the word I would use to address you in my heart. Listen to me, soul sister: Fate or luck or destiny already put you through hell once. Please don’t make it worse by condemning yourself. There is no choice that would have left you feeling no guilt. Every time I watch Adam struggle to speak, every time I see another child laugh and point at him, every time I watch his face fall as he realizes he is not going to be treated like the other kids, I feel wrenched by guilt just as you did when you heard my story. Life is hard. We make the best choices we can. Condemnation, whether it comes from around you or inside you, only robs the world of another dram of compassion. God knows, we need all the compassion we can get. If you promise to try to forgive yourself, I’ll try to forgive myself as well. I think, in my heart of hearts, that there is nothing for either one of us to forgive.
Martha Beck
A flavor...what do you think, old madman, what do you think? That if you find a lost flavor you will eradicate decades of misunderstanding and find yourself confronted with a truth that might redeem the aridity of your heart of stone? And yet he had in his possession all the arms that make for the best duelist: a fine way with his pen, nerve, panache. His prose...his prose was nectar, ambrosia, a hymn to language: it was gut-wrenching, and it hardly mattered whether he was talking about food or something else, it would be a mistake to think that the topic mattered: it was the way he phrased it that was so brilliant.
Muriel Barbery (Gourmet Rhapsody)
He wrenches out of my grip and plants both palms on my chest to shove me onto my back. My dick sails up and slaps my navel, and he groans at the sight before wrapping his fingers around my shaft. “Can I…” His voice comes out in a rush. “Can I suck you off?” Holy mother of God. I’m caught in some kind of fever dream. I have to be, because there’s no other explanation for why my best friend is offering to put his mouth on my dick.
Sarina Bowen (Him (Him, #1))
But the modern-day church doesn't like to wander or wait. The modern-day church likes results. Convinced the gospel is a product we've got to sell to an increasingly shrinking market, we like our people to function as walking advertisements: happy, put-together, finished—proof that this Jesus stuff WORKS! At its best, such a culture generates pews of Stepford Wife-style robots with painted smiles and programmed moves. At its worst, it creates environments where abuse and corruption get covered up to protect reputations and preserve image. 'The world is watching,' Christians like to say, 'so let's be on our best behavior and quickly hide the mess. Let's throw up some before-and-after shots and roll that flashy footage of our miracle product blanching out every sign of dirt, hiding every sign of disease.' But if the world is watching, we might as well tell the truth. And the truth is, the church doesn't offer a cure. It doesn't off a quick fix. The church offers death and resurrection. The church offers the messy, inconvenient, gut-wrenching, never-ending work of healing and reconciliation. The church offers grace.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Her heart stuttered. She swallowed and pushed back the longing to throw her arms around him. “I do want to marry Jorgen Hartman”—she wrenched her gaze from Jorgen and turned to the margrave—“with all my heart, but I do not accept him to escape punishment or to escape marrying someone I do not love. I accept him because he is the best man I have ever known. He is good and kind and honest. He is exactly the kind of man I would wish to marry. I may not be worthy of him, but I love him.” She
Melanie Dickerson (The Huntress of Thornbeck Forest (A Medieval Fairy Tale #1))
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))
You are so beautiful,” he breathed. Standing over her, rampant in the moonlight, he gazed down at her body. “You are as lovely and as perfect as I imagined you would be.” Afraid to believe, afraid to trust, she dared a look at him and felt her heart wrench when she read his expression and understood that she truly was whole and beautiful in his eyes. She was a magnificent to him as he was to her.
Maggie Osborne (The Best Man)
He knew it was ridiculous never to want another man to appreciate her beauty, to know her laughter, but until Bronwyn was his in every sense of the word, he would not be at ease. Then Tyr reached up and brushed something off her cheek and Ranulf's self-discipline exploded into a rushing torrent of anger and possessiveness. His best friend! On his land, touching his woman! Unthinking, Ranulf snatched his tunic and wrenched it over his head. After pulling on his leggings and shoes, he grabbed his belt and sword, fastening them as he exited the room. He ignored the servant,who had been patiently waiting just outside the door for instructions, and bounded down the stairs with only one thought-pummeling his soon-to-be ex-friend.
Michele Sinclair (The Christmas Knight)
This is happy! Your face opening is in sad mode. Why, question?' 'Going to be a long trip and I'll be all alone.' ... 'You will miss me, question? I will miss you. You are friend.' 'Yeah. I'm going to miss you.' I take another swig of vodka. 'You're my friend. Heck, you're my best friend. And pretty soon we're going to say goodbye forever.' He two tapped gloved claws together. They made a muffled sound instead of the usual click that comes along with the dismissive gesture. 'Not forever. We save planets. Then we have Astrophage technology. Visit each other.' I give a wry smile. 'Can we do all that within fifty Earth years? 'Probably not. Why so fast, question?' 'I only have fifty years or so left to live. Human's don't'- I hiccup- 'don't live long, remember?' 'Oh.' He's quiet for a moment. 'So we enjoy remaining time together, then go save planets. Then we are heroes!' 'Yeah!' I straighten up. I'm a little dizzy now. I've never been much of a drinker, and I'm hitting this vodka harder than I should. 'We're the moss imporn't people in the gal'xy! We're awesome!' He grabs a nearby wrench and raises it in one of his hands. 'To us!' I raise the vodka. 'To ush!
Andy Weir (Project Hail Mary)
The contrast between the two, the sweetness and the badness, wrenches the heart of the lover as such sweetness on its own would not, and the lover shudders all the more at dread of the beloved’s recklessness, for the sake of the sweetness that is there, and the shudder only makes more violent the shuddering that announces love (Phaedrus 251). I do not think, but for that sweetness, the friend of whom I spoke would have become impassioned as he did and he would have recognized that such a one, entirely wanting in the desire to become better than what he knows himself to be, was not worthy of his love. She who signs herself “I Don’t Know How (Or If) to Love Him” repeated the word “exciting” three times. A VBB (and let us remember that there are also, though perhaps they are rarer, VBGs) creates around himself or herself a separate world in which all that happens is exciting, for exciting it must be. Excitement is the air they breathe, and they cannot exist without it. And when they pull others into their world, then these others leave the world of common air and now they breathe the rare air of excitement, which they are not accustomed to, and in their confused state they are more apt to think that the excitement they breathe is the excitement of love. She asks whether she should continue to love her VBB, but I do not think she really loves him, just as he, and this for a certainty, does not love her. For I think even the best man of his day of whom I just wrote did not love that boy as he thought he did. Perhaps if your questioner thinks more on the true nature of the excitement she feels, she will be able to see the wisdom of the course of action that you and I both urge on her, and then she will find the strength to break the spell that her VBB casts upon her. Last, let her think on this, that though love is a profound disturbance, not all profound disturbances are love.
Rebecca Goldstein (Plato at the Googleplex: Why Philosophy Won't Go Away)
The appeasers had been powerful; they had controlled The Times and The BBC; they had been largely drawn from the upper classes, and their betrayal of England's greatness would be neither forgotten nor forgiven by those who, gulled by the mystique of England's class system, had believed as Englishmen had believed for generations that public school boys governed best. The appeasers destroyed oligarchic rule which, though levelers may protest, had long governed well. If ever men betrayed their class, these were they. Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, Anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold all that had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.
William Manchester (The Last Lion: Winston Spencer Churchill: Alone, 1932-40)
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same. Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night. Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote. Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means? Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up. I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey. Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep. Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that? Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
Victoria Aveyard (Queen Song (Red Queen, #0.1))
Now, all quiet, all rusty, wind and rain in possession, lamps extinguished, Mugby Junction dead and indistinct, with its robe drawn over its head, like Cæsar. Now, too, as the belated traveller plodded up and down, a shadowy train went by him in the gloom which was no other than the train of a life. From whatsoever intangible deep cutting or dark tunnel it emerged, here it came, unsummoned and unannounced, stealing upon him and passing away into obscurity. Here, mournfully went by, a child who had never had a childhood or known a parent, inseparable from a youth with a bitter sense of his namelessness, coupled to a man the enforced business of whose best years had been distasteful and oppressive, linked to an ungrateful friend, dragging after him a woman once beloved. Attendant, with many a clank and wrench, were lumbering cares, dark meditations, huge dim disappointments, monotonous years, a long jarring line of the discords of a solitary and unhappy existence.
Charles Dickens
And let us not be weary in well doing…. —Galatians 6:9 (KJV) It’s impossible!” I wailed, annoyance flaring to the boiling point. “This is stupid. It’s just a feed truck! Why do we need a turn signal anyway?” For a half hour I had stood on a five-gallon bucket, fumbling blindly in the contorted space behind the light housing. The twelfth time my cramped hand slipped off the wrench and bloodied my knuckles I was ready to throw the tools to the ground and quit. My temples throbbed and actual tears of frustration were building at the obvious defeat to which I was about to succumb. I was losing control. Do it as if for Me. The voice came out of nowhere, so softly I barely heard it. I’d read recently that to be successful in life, do all things as if you were doing them directly for God. I stared at the old truck. What if this were God’s? What if He had asked me to fix the light? Would I be on the verge of a wrench-flinging screaming fit? No. I’d be thrilled to do something for Him. My shoulders relaxed. My breathing slowed. Calmly, unhurried, I worked the wrench. My hand didn’t slip when my grip wasn’t so fierce. I unscrewed the backing of the light and replaced the shattered signal within minutes. But even better than that, I’d discovered the key to success. Lord, please inspire me to be my best. What utter joy I find when everything I do is for You. —Erika Bentsen Digging Deeper: Phil 2:14–15; Col 3:23–24
Guideposts (Daily Guideposts 2014)
Sophie Bushwick/Popular Science 7/16-inch inner diameter ribbed hose 5/16-inch wood dowel 1/4-inch outer diameter vinyl tubing Small hose clamps Five 1/4-inch hose barbs x 1/4-inch male threaded adapters Five 1/4-inch hose barbs x 1/4-inch female threaded adapters Electrical tape Yellow Teflon thread tape Several long balloons (type 350Q) 1-inch x 6-inch board or other support Fluidic control board Robot Hand Instructions 1. Insert the 5/16-inch dowel into the ribbed hose to hold it straight. Use the center punch to carefully punch holes between each rib in a line along the seam of the hose. Flip the hose over and repeat along other seam. (Photo ) 2. Use the drill press to drill a hole at each center-punched location between the hose ribs, leaving the dowel in place to provide support. It is best to drill the holes on each side of the hose separately, rather than drill straight through. When you are done you should have a neat line of holes on each side of the ribbed hose. These holes will act as a stress relief and prevent the hose from splitting when it is flexed. (Photo ) 3. Remove the dowel and cut the hose into five 3-inch fingers with the utility knife. For each finger, use the utility knife to very carefully cut between each rib from the hole on one side to the hole on the other. Leave the first two ribs on each end uncut. Cut through one side of the hose only. It is critical that you do not nick the far side of the stress relief holes or you will reduce the reliability of the finger dramatically. Now the hose can flex in one direction more than in the opposite direction. (Photo ) 4. Insert another piece of dowel into one of the long balloons. Use it to gently feed the balloon into one of the fingers until the end of the balloon sticks out enough to grab it. Remove the dowel, and fold about 1/4-inch of the balloon tip over the rim of the hose. Secure it by wrapping a piece of electrical tape all the way around the tip of the finger. (Photo ) 5. Now feed the dowel back inside the finger from the non-taped end, but on the outside of the balloon. Insert it until it is just within two ribs of the tip of the finger. Fill the tip of the finger with hot glue, allow to cool, and then carefully remove the dowel. 6. Use electrical tape over the end of the finger, covering the hot-glued end. Another wrap of electrical tape over this will seal the end of the finger. (Photo ) 7. Cut the open end of the balloon away, leaving about an inch beyond the end of the finger. Stretch the open end of the balloon out and over the end of the finger. (Photo ) 8. Repeat steps 4 through 7 for each finger. (Photo ) 9. Use the yellow Teflon tape to wrap the threads on each of the male hose barbs. Thread each male hose barb onto each female hose barb and tighten firmly with the crescent wrenches. Then use more yellow Teflon tape and wrap each female hose barb several times around. The ends of these hose barbs should fit snugly into the open ends of each finger. (Photo ) 10. Use the small hose clamps to affix each finger onto the Teflon wrapped ends of the five hose barbs. (Photo ) 11. Now use hot glue to firmly attach each finger to the end of the 1x6-inch board (or other support) to form a hand. Finally, attach a length of 1/4-inch O.D. vinyl hose to the open hose barb on each finger. (Photo ) 12. Now the hand is complete--but it still needs a control system. Check out Harvard’s Soft Robotics Toolkit for inspiration, or just follow the instructions below. Building The
Anonymous
She pulled back again and eyed him suspiciously. “No demand that I quit my job so you can shut me away and keep me safe?” “Hell no. Who would save my ass on a mission? I’m counting on you to protect me!” She laughed, despite the gut-wrenching pain it caused her, and let go of some of the horrible tension knotting her gut. “I’ll do my best.
Maya Banks (Shades of Gray (KGI, #6))
when you dig into the details, each of the options they propose—whether nationalization of the banks, or stretching the definitions of criminal statutes to prosecute banking executives, or simply letting a portion of the banking system collapse so as to avoid moral hazard—would have required a violence to the social order, a wrenching of political and economic norms, that almost certainly would have made things worse. Not worse for the wealthy and powerful, who always have a way of landing on their feet. Worse for the very folks I’d be purporting to save. Best-case scenario, the economy would have taken longer to recover, with more unemployment, more foreclosures, more business closures. Worst-case scenario, we might have tipped into a full-scale depression.
Barack Obama (A Promised Land)
This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Douglas?” Westhaven sat on the edge of the bed, and to his surprise, Amery sat beside him. “Hmm?” “When you were courting Gwen,” Westhaven said, finding the bear among his pillows, “did you…?” “Did I what?” Douglas prompted. “Mrs. Seaton will be returning with your next infusion, and hopefully some food, so you’d best spit it out, as she’s guarding you rather carefully.” “She is?” “She left your side to eat, but otherwise, unless I’m here, she is,” Douglas replied. “You had a question?” “When you were courting Gwen,” the earl tried again. “Was there an almost constant…? I mean, did you find your thoughts turning always to…?” “I swived her every chance I got,” Douglas interjected. “And if I couldn’t be inside her, I held her or held her hand or just looked at her like a starving man looks at a banquet he can’t eat. The situation was particularly disturbing, because I had come to a point in my life where any kind of passion was beyond me, including the carnal.” “Why do you tell me this? It cannot be easy to part with such a confidence; not for you, and not to me.” “I am meddling,” Douglas confessed, his blue eyes warming with humor. “I have my wife’s permission, so it isn’t quite as difficult as if I were acting without her knowledge.” “Meddling?” “Encouraging your situation with Mrs. Seaton,” Douglas clarified. “I believe you would suit.” “As do I. She is not of like mind.” “Then you must change her mind. If that means a very slow recovery, then so be it. You are the Moreland heir, after all, and no chances must be taken with your health.” The earl smiled crookedly. “A slow recovery… by God. I never stood a chance against you, did I?” “One hoped not.” Douglas rose. “Though you assuredly scared the hell out of me and put rather a wrench in my plans with Guinevere. You were never my enemy, nor hers. Rather, the duke was the common nuisance.” Douglas
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
This was it, the last time they would ever eat together beside a fire. The very last time. It was insane to feel sad, but she did. Soon after they finished eating, they arranged their respective beds near the dying fire and retired for the night. Loretta lay on her back, gazing at the stars. Hardly more than an arm’s reach away, Hunter slept. At least she guessed he was asleep. She never knew for sure. He could be still as death one minute and on his feet, wide awake, the next. All afternoon he had been quieter than usual. Perhaps he was a little sad, too. Tomorrow they would have to say good-bye. The word sounded lonely inside her head. And so final. Somehow, God only knew how, she had grown fond of him. Enough to make her wish they might meet again, one day. Crazy. It would be best if their paths never crossed. She had her world, he his, and the two didn’t mix. Never could, not in a million years. She remembered his mother thumping heads with her spoon, Blackbird’s merry laughter. Comanches. The word no longer struck terror in her heart. Would it after he rode off tomorrow? Loretta sighed. Once he left, they would be enemies again. Their truce was tentative. If he came to the farm, Uncle Henry would shoot him. The thought wrenched her heart. “Hunter?” she whispered. “Are you awake?” Silence. She pulled her buffalo robe to her chin and shivered, though she wasn’t cold. Memories of those first few days washed over her. Of his arm around her while she slept, the heat of his chest against her back, how terrified she had been. Suddenly the stars above her blurred, and she realized she was gazing at them through tears. She squeezed her eyes closed, and hot streams ran down her cheeks into her ears. She wasn’t crying, she wasn’t. Couldn’t be. It didn’t make sense. A sob snagged in her throat and made a catching sound. She clamped a hand over her mouth, furious with herself. How could she have come to like a Comanche? Could she forget her parents so easily? It was unthinkable. Unforgivable. “Mah-tao-yo?” Loretta leaped and opened her eyes. Hunter knelt beside her, a dark shadow against the blue-black, starlit sky. “You weep?” “No--yes.” Her voice came out in a squeak. “I’m just feeling sad, that’s all.” He sat down beside her and hugged his knees, gazing off into the endless darkness. “You will stay beside me?
Catherine Anderson (Comanche Moon (Comanche, #1))
First Officer William Warms had given the order. It is almost certain there would have been no fire drill if Captain Robert Wilmott had been in full command. Warms’s order directly contradicted a policy the master of the Morro Castle first instituted on June 16, 1934. On that day—in violation of the seaworthy certificate issued by the government’s Bureau of Navigation and Steamboat Inspection, and at the risk of endangering the lives of everybody on board—Captain Wilmott had banned all further fire drills. His order could lay him open to prosecution, imprisonment, and the certain loss of his master’s license. Confronted by the classic dilemma of the company man, Wilmott had acted in what he believed to be the Ward Line’s best interests. The basis for his decision was simple. In May 1934, during a fire drill, a woman passenger had fallen on a deck wet down by a leaking joint connection between a fire hose and its hydrant. She fractured an ankle and hired a good lawyer, and the Ward Line settled out of court for twenty-five thousand dollars. Captain Wilmott, after a visit to the shipping line office, ordered the Morro Castledeck fire hydrants capped and sealed; 2100 feet of fire hose was locked away, along with nozzles, outlets, and wrenches for each length of hose. Whether the captain received positive instructions from an executive of the Ward Line, or whether he acted independently, is not known, nor is it important. What is known is that as a result of Wilmott’s order, the pride of the American merchant marine, one of the fastest and most luxurious liners afloat, became from that moment on, a floating fire hazard in all but its cargo holds. If a fire started in any of the passenger areas, the only pieces of equipment readily available to fight it were seventy-three half-gallon portable fire extinguishers and twenty-one carbon tetrachloride extinguishers.
Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
Then took they both to their swords, and went at it with a will, blow upon blow. Atli gave no ground. They smote fast and hard, and full soon their shields were becoming useless. And when Atli's shield was of no use, then he cast it from him, and, grasping his sword with both hands, dealt blows as quickly as possible. Egil fetched him a blow on the shoulder, but the sword bit not. He dealt another, and a third. It was now easy to find parts in Atli that he could strike, since he had no cover; and Egil brandished and brought down his sword with all his might, yet it bit not, strike he where he might. Then Egil saw that nothing would be done this way, for his shield was now rendered useless. So Egil let drop both sword and shield, and bounding on Atli, gripped him with his hands. Then the difference of strength was seen, and Atli fell right back, but Egil went down prone upon him and bit through his throat. There Atli died. Egil leapt up at once and ran to where the victim stood; with one hand he gripped his lips, with the other his horn, and gave him such a wrench, that his feet slipped up and his neck was broken; after which Egil went where his comrades stood, and then he sang: 'I bared blue Dragvandill, Who bit not the buckler, Atli the Short so blunted All edge by his spells. Straining my strength I grappled, Staggered the wordy foeman; My tooth I bade bite him, Best of swords at need.' Then Egil got possession of all those lands for which he had contended and claimed as rightfully coming to his wife Asgerdr from her father.
Egill Skallagrímsson (Egil's Saga)
He reached out and took my hands on the center of the table, pushing aside our mostly empty plates. His thumb brushed lightly over my knuckles, sending a shiver trembling from my wrists to my shoulders to my chest. "I want to keep things anything but professional," he said, voice low. It thrummed somewhere deep in my stomach. "I mean, unless you want to keep things professional." I traced my own thumbs over his palms. They curled reflexively up into my hands. "I want you to stop saying the word professional. And thinking it." I swallowed hard. Once I said this, there was no going back. But I didn't want to go back. "I don't want to keep things professional. At all." "Then we're in agreement," he said gravely. "To be unprofessional. Together." I nearly wrenched my shoulder from its socket waving to the waitress for the check. "No dessert tonight," I told her, trying not to look at Bennett's slow grin across from me. "I think we'll just have it at home.
Amanda Elliot (Best Served Hot)
Episode 1 – Anger: Ramy said that as soon as I got off the phone with Mama, she raged around the living room, furious that I would dare to attack her for being a bad parent. I wish I could have watched this impassioned performance, which included such hyperbolic claims as, ‘I am the best mother in the world’; ‘how dare Amrou accuse me of this when it is Amrou who made me unhappy all my life’; and, with utter seriousness and self-belief: ‘I am perfect’. This was the reaction I assumed she’d have. Whenever any critique came her way, her go-to response was that she was a person without flaws. As much as I admired the goddess complex, it automatically made everyone else at fault. She so vehemently believed that she was the ideal mother and person, that by proxy you were always in the wrong. Mama was good at gaslighting, but also an expert emotional manipulator; it didn’t take long for her eyes to water, and for her to spin out gut-wrenchingly guilt-tripping phrases like ‘I sacrificed my life for you’, and ‘I only ever wanted you to be happy’.
Amrou Al-Kadhi (Life as a Unicorn: A Journey from Shame to Pride and Everything in Between)
Oh. Oh. Well, that is useful information. Thank you, dear. Yes, yes, you’re terribly thoughtful and I couldn’t have a better best friend. Yes, we’ll have to do a—” A con with a bloody spike in his grip charged at us, shrieking like a madman. Caitlin’s free hand clamped down over his face. She wrenched his head sideways, his neck breaking with a sharp snap, and let his corpse drop to the concrete. “—a girls’ night out when I get back,” she said. “But right now I really need to focus on the task at hand. I’ll call you.” “Problem?” I asked as she slipped the phone back into her coat.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
But I was mostly disappointed in myself for letting that day get to me so much that I ruined the best thing that ever happened to me. I never imagined that relationships were like that. I never imagined the extreme joy you can experience. What I did know was how it felt when someone you love was ripped away from you. How gut-wrenching it could feel. I should have stayed away from any possibility of ever feeling that again. Cole
Kimberly Lauren (Beautiful Broken Rules (Broken #1))
All of them,” I said firmly, “all four of them; they wanted what was best for you.” “Best for me,” he repeated bleakly. “Right.” His knuckles had gone white again, and he gave me a look through narrowed eyes that I recognized all too well: a Fraser about to go off with a bang. I also knew perfectly well that there was no way of stopping one from detonating but had a try anyway, putting out a hand to him. “William,” I began. “Believe me—” “I do,” he said. “Don’t bloody tell me any more. God damn it!” And, whirling on his heel, he drove his fist through the paneling with a thud that shook the room, wrenched his hand out of the hole he’d made, and stormed out. I heard crunching and rending
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
Already vetted. Would you listen to yourself, Aly? You’re not shopping for plumbers for fuck sake.” A sly grin crept over her face. “Well, you could say I’m looking for a man to take care of my ‘pipes’ soooooo…” Stunned. That’s what he was, and not in a good way. More like tasered-in-the-nuts kind of stunned. That third glass of wine had blown holes in her inhibitions, and now she was speaking in innuendo. If he thought she was even remotely referring to him, he’d be as hard as a plumber’s wrench. But she wasn’t. She was talking about some stranger who wouldn’t give two shits about her and would get to know what it felt like to sink into her heat and hear her moan in pleasure.
Gina L. Maxwell (Tempting Her Best Friend (What Happens in Vegas, #1))
No need to split my eardrums. I’m not going to hurt you.” Something familiar about the boy’s lilting tone made Cass stop screaming and flailing in his grip. She looked up just slightly, into his face. Even by the dim light of the moon, she recognized his dazzling blue eyes. “You,” she breathed. “Mourning girl?” The boy laughed, and steadied her on her feet. “So nice to run into you again.” She wrenched away from his grasp, pulling her cloak tight around her body. “What are you doing here?” The boy shrugged his broad shoulders. “I was just standing here enjoying the view when you almost ran me over.” “The view?” Her voice rang out shrilly. “In a graveyard? At this hour?” Her fear began to give way to irritation. He was clearly lying to her. The boy gestured around him. In the dark, a group of flowering weeds looked like a giant hairy spider crouched against the side of a crypt. “These flowers actually grow best in cemeteries. Did you know that? Something about the mix of soil and shade. Death and life, intertwined. One feeding off the other. It’s kind of magical, don’t you think?” He seemed distracted for a moment, like he really was fascinated by their surroundings. Just as Cass was about to respond, he turned to her again. “Plus the company here is much more agreeable than at la taverna. And much less likely to talk my ear off.” Cass felt dizzy. She took one more step back. “What’s on your face?” she demanded, pointing at his right cheekbone. “What?” He licked a finger and wiped haphazardly at the area Cass had indicated. His hand came away smudged with red. “Oh. Paint, probably. It gets all over everything.” His lips twitched as if he were trying not to smile. “It’s a wonder you aren’t the one being mourned, as accident prone as you seem to be.” “I hardly think you jumping on me earlier qualifies me as accident prone.” She was surprised by how quickly the response came to her. “Oh, if I had jumped on you, you’d know it,” he said with a wink. He reached toward Cass to dislodge a twig from her hair. “I’m Falco, by the way.” Cass narrowed her eyes. Now, since he was obviously laughing at her, she found his mischievous grin annoying. Still, it didn’t seem to be the deranged smile of a murderer.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Mostly it is loss which teaches us about the worth of things.” —Arthur Schopenhauer The happiest coach in football remembered how to cry. Tears do not fall easily for Pete Carroll, especially sad ones. He is too sunny, too hopeful. His mother, Rita, taught him to live each day as if something positive were about to happen. When the New York Jets fired him after one season in 1994, he said, “I think I’ll take the kids to Disney World.” When the New England Patriots fired him five years later, he took the kids back to Disney World. Carroll is the boxer who smiles after an uppercut to the chin, no matter how much it hurts. This new pain, however, wrenched his soul. The Seattle Seahawks were one yard from a second straight Super Bowl triumph, one yard from the onset of a dynasty. They trailed the Patriots—the Carroll-jilting Patriots!—28–24 with 26 seconds remaining in Super Bowl XLIX, and they still had one timeout, three downs and the best power running back in the National
Jerry Brewer (Pass Judgment: Inside the Seattle Seahawks' Super Bowl XLIX Season and the Play That Dashed a Dream (Kindle Single))