Wreck Everyone And Leave Quotes

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Treat your career like a bad boyfriend. Here's the thing. Your career won't take care of you. It won't call you back or introduce you to its parents.Your career will openly flirt with other people while you are around. It will forget you birthday and wreck your car. Your career will blow you off if you call it too much. It's never going to leave its wife.Your career is fucking other people and everyone knows but you. Your career will never marry you. (...) If your career is a bad boyfriend, it is healthy to remember you can always leave and go sleep with somebody else
Amy Poehler (Yes Please)
I used to believe that everyone gets one perfect day sometime in their lives—if they were lucky. But I had it all wrong. We don’t get one perfect day. We get a lifetime of imperfect days, and it’s up to us to decide what we want to do with them. Some days are hard, and they leave us feeling like we just got our asses kicked. That’s the way I felt after Reed pushed me and wrecked my knee—broken and battered, with a life that would never be as whole as the one I had before. But broken and battered can become broken and beautiful.
Kami Garcia (Broken Beautiful Hearts)
I'm sorry," she whispers. "You're sorry? You've been dating Toph for the last month,and you're sorry?" "It just happened.I meant to tell you, I wanted to tell you-" "But you lost control over your mouth? Because it's easy,Bridge. Talking is easy. Look at me! I'm talking right-" "You know it wasn't that easy! I didn't mean for it to happen,it just did-" "Oh,you didn't mean to wreck my life? It just 'happened'?" Bridge stands up from behind her drums. It's impossible,but she's taller than me now. "What do you mean,wreck your life?" "Don't play dumb,you know exactly what I mean. How could you do this to me?" "Do what? It's not like you were dating!" I scream in frustration. "We certainly won't be now!" She sneers. "It's kind of hard to date someone who's not interested in you." "LIAR!" "What,you ditch us for Paris and expect us to put our lives on hold for you?" My jaw drops. "I didn't ditch you. They sent me away." "Ooo,yeah.To Paris.Meanwhile,I'm stuck here in Shitlanta, Georgia, at the same shitty school,doing shitty babysitting jobs-" "If babysitting my brother is so shitty, why do you do it?" "I didn't meant-" "Because you want to turn him against me, too? Well.Congratulations, Bridge. It worked. My brother loves you and hates me. So you're welcome to move in when I leave again,because that's what you want, right? My life?" She shakes with fury. "Go to hell." "Take my life.You can have it. Just watch out for the part where my BEST FRIEND SCREWS ME OVER!" I knock over a cymbal stand,and the brass hits the stage with an earsplitting crash that reverberates through the bowling alley. Matt calls my name.Has he been calling it this entire time? He grabs my arm and leads me around the electrical cords and plugs and onto the floor and away,away,away. Everyone in the bowling alley is staring at me.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
3. ALWAYS LEAVE BOTH SIDES AN OUT. Nothing lasts forever, especially business partner- ships. A dear friend of mine spent two years wrestling with a former partner when he left in a huff. In the end, everyone loses. Make sure you have a well-defined clause that lets either party leave without wrecking the business.
Seth Godin (The Bootstrapper's Bible: How to Start and Build a Business With a Great Idea and (Almost) No Money)
Your career won't take care of you. It won't call you back or introduce you to its parents. Your career will openly flirt with other people while you are around. It will forget your birthday and wreck your far. You career will blow you off if you call it too much. IT's never going to leave its wife. Your career is fucking other people and everyone knows but you. Your career will never marry you.
Amy Poehler (Yes Please)
is something a friend once told me. She said that every single one of us at birth is given an emotional acre all our own. You get one, your awful Uncle Phil gets one, I get one, Tricia Nixon gets one, everyone gets one. And as long as you don’t hurt anyone, you really get to do with your acre as you please. You can plant fruit trees or flowers or alphabetized rows of vegetables, or nothing at all. If you want your acre to look like a giant garage sale, or an auto-wrecking yard, that’s what you get to do with it. There’s a fence around your acre, though, with a gate, and if people keep coming onto your land and sliming it or trying to get you to do what they think is right, you get to ask them to leave. And they have to go, because this is your acre.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
Hold On" They hung a sign up in our town "If you live it up, you won't live it down" So she left Monte Rio, son Just like a bullet leaves a gun With her charcoal eyes and Monroe hips She went and took that California trip Oh, the moon was gold, her hair like wind Said, "don't look back, just come on, Jim" Oh, you got to hold on, hold on You gotta hold on Take my hand, I'm standing right here, you gotta hold on Well, he gave her a dimestore watch And a ring made from a spoon Everyone's looking for someone to blame When you share my bed, you share my name Well, go ahead and call the cops You don't meet nice girls in coffee shops She said, "baby, I still love you" Sometimes there's nothin' left to do Oh, but you got to hold on, hold on Babe, you gotta hold on and take my hand I'm standing right here, you gotta hold on Well, God bless your crooked little heart St. Louis got the best of me I miss your broken China voice How I wish you were still here with me Oh, you build it up, you wreck it down Then you burn your mansion to the ground Oh, there's nothing left to keep you here But when you're falling behind in this big blue world Oh, you've got to hold on, hold on Babe, you gotta hold on Take my hand, I'm standing right here, you gotta hold on Down by the Riverside motel It's ten below and falling By a ninety-nine cent store She closed her eyes and started swaying But it's so hard to dance that way When it's cold and there's no music Oh, your old hometown's so far away But inside your head there's a record that's playing A song called "Hold On", hold on Babe, you gotta hold on Take my hand, I'm standing right there, you gotta hold on
Tom Waits (Tom Waits: Mule Variations Piano, Vocal and Guitar Chords)
Come, get out of the way, boys Quick, get out of the way You'd better watch what you say, boys Better watch what you say We've rammed in your harbor and tied to your port And our pistols are hungry and our tempers are short So bring your daughters around to the port 'Cause we're the Cops of the World, boys We're the Cops of the World We pick and choose as please, boys Pick and choose as please You'd best get down on your knees, boys Best get down on your knees We're hairy and horny and ready to shack We don't care if you're yellow or black Just take off your clothes and lie down on your back 'Cause we're the Cops of the World, boys We're the Cops of the World Our boots are needing a shine, boys Boots are needing a shine But our Coca-cola is fine, boys Coca-cola is fine We've got to protect all our citizens fair So we'll send a battalion for everyone there And maybe we'll leave in a couple of years 'Cause we're the Cops of the World, boys We're the Cops of the World Dump the reds in a pile, boys Dump the reds in a pile You'd better wipe of that smile, boys Better wipe off that smile We'll spit through the streets of the cities we wreck We'll find you a leader that you can't elect Those treaties we sighned were a pain in the neck 'Cause we're the Cops of the World, boys We're the Cops of the World Clean the johns with a rag, boys Clean the johns with a rag If you like you can use your flag, boys If you like you can use your flag We've got too much money we're looking for toys And guns will be guns and boys will be boys But we'll gladly pay for all we destroy 'Cause we're the Cops of the World, boys We're the Cops of the World Please stay off of the grass, boys Please stay off of the grass Here's a kick in the ass, boys Here's a kick in the ass We'll smash down your doors, we don't bother to knock We've done it before, so why all the shock? We're the biggest and toughest kids on the block 'Cause we're the Cops of the World, boys We're the Cops of the World When we butchered your son, boys When we butchered your son Have a stick of our gum, boys Have a stick of our buble-gum We own half the world, oh say can you see The name for our profits is democracy So, like it or not, you will have to be free 'Cause we're the Cops of the World, boys We're the Cops of the World
Phil Ochs
Here’s the thing. Your career won’t take care of you. It won’t call you back or introduce you to its parents. Your career will openly flirt with other people while you are around. It will forget your birthday and wreck your car. Your career will blow you off if you call it too much. It’s never going to leave its wife. Your career is fucking other people and everyone knows but you. Your career will never marry you.
Amy Poehler (Yes Please)
Treat your career like a bad boyfriend. Here's the thing. Your career won't take care of you. It won't call you back or introduce you to its parents. Your career will openly flirt with other people while you are around. It will forget your birthday and wreck your car. Your career will blow you off if you call it too much. It's never going to leave its wife. Your career is fucking other people and everyone knows but you. Your career will never marry you.
Amy Poehler (Yes Please)
Someone get the camera and start filming!” the oni shouted. A yōkai with a weasel-like face rushed to do as told. The oni then leaned down and whispered in her ear, his grating voice and breath on her neck making Lindsay shiver. “You’re gonna die today, bitch. I’m gonna fucking kill you.” Oh, God! Lindsay felt her bladder threaten to go. Her body was a shivering wreck. She couldn’t control it. Her mind had become overridden with fear. She didn’t know what to do. She couldn’t do anything. She was helpless! The weasel-faced yōkai turned to face them, the camera on. The oni grinned as he gripped Lindsay’s head between his hands. Lindsay sobbed. This was it. She was going to die. She was going to die and there was nothing she could do about it. I don’t wanna die… Visions flashed before her eyes, images of her friends, of her family, of the people she would leave behind. Please… She thought about Kevin, the boy she still sorta liked, even though he was a male. Someone… She thought about Christine, the girl she did like, and regret welled up inside of her as she realized she would never see the yuki-onna again. Help… “I want everyone to watch this,” the oni said, but his voice sounded far away. Lindsay’s mind was locked, clammed up with fear and overflowing with remorse. “This is what happens to humans who think they can befriend us! You should all learn to fear yōkai!” This… this is the end. Lindsay closed her eyes, hoping against hope that it would make the end less painful, that maybe, just maybe, if she closed her eyes, she wouldn’t suffer as much. “Prepare for trouble!” “And make it double!” What? Lindsay’s eyes snapped wide open upon hearing two very familiar voices. She quickly looked toward where she heard the voices and couldn’t believe her eyes. There, standing in the center of the amphitheater, back to back, was Kevin and Lilian. Hope welled up inside of her breast. It was a hope that suddenly stopped, giving way to confusion instead, when she saw their outfits. Are they wearing leather spandex?
Brandon Varnell (A Fox's Hostility (American Kitsune, #9))
How do I get past that? “How did you?” the therapist asks. “You tell me.” I point to the spider plant hanging from the ceiling. “Like the baby plant on the tip of the leaves. I moved to California and grew a new one of myself. I left the other me behind. She hurt too much,” I say. “She wasn't any fun. She was dark. Unhappy. Always crying and sad. She spoiled everything for everyone. I had to leave her behind. She ruined Minnesota for me. She would have wrecked California too.” “Do you think you could come and get her now?” she asks. “Take her with you?” “Only if she'll behave and stop crying all the time.
Melody Beattie (The Grief Club: The Secret to Getting Through All Kinds of Change)
Treat your career like a bad boyfriend. Here’s the thing. Your career won’t take care of you. It won’t call you back or introduce you to its parents. Your career will openly flirt with other people while you are around. It will forget your birthday and wreck your car. Your career will blow you off if you call it too much. It’s never going to leave its wife. Your career is fucking other people and everyone knows but you.
Amy Poehler (Yes Please)