Wreath Quotes

We've searched our database for all the quotes and captions related to Wreath. Here they are! All 100 of them:

No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us... and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
It is very strange that the years teach us patience - that the shorter our time, the greater our capacity for waiting.
Elizabeth Taylor (A Wreath of Roses)
It would be fun,” Skulduggery nodded. ”I like kicking Wreath in the face. I haven't had a chance to do it nearly as much as I'd like.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Hermione had taken his hand again and was gripping it tightly. He could not look at her, but returned the pressure, now taking deep, sharp gulps of the night air, trying to steady himself, trying to regain control. He should have brought something to give them, and he had not thought of it, and every plant in the graveyard was leafless and frozen. But Hermione raised her wand, moved it in a circle through the air, and a wreath of Christmas roses blossomed before them. Harry caught it and laid it on his parent's grave. As soon as he stood up he wanted to leave: He did not think he could stand another moment there. He put his arm around Hermione's shoulders, and she put hers around his waist, and they turned in silence and walked away through the snow, past Dumbledore's mother and sister, back toward the dark church and the out-of-sight kissing gate.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I am the lover's gift; I am the wedding wreath; I am the memory of a moment of happiness; I am the last gift of the living to the dead; I am a part of joy and a part of sorrow.
Kahlil Gibran
I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock)
When we were almost to the other campus, I felt the weird nausea hit me. I called a warning to Christian, just as a Strigoi grabbed him. But Christian was fast. Flames wreathed the Strigoi's head. He screamed and released Christian, trying frantically to put the flames out. The Strigoi never saw me coming with the stake. The whole thing took under a minute. Christian and I exchanged looks. Yeah. We were badasses.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death.
Virginia Woolf (Mrs. Dalloway)
Never shall I forget the little faces of the children, whose bodies turned into wreaths of smoke beneath a silent blue sky.
Elie Wiesel (Night (The Night Trilogy, #1))
No one and nothing can harm us, child, except what we fear and love.
Sigrid Undset (The Wreath (Kristin Lavransdatter #1))
A light which lives on what the flames devour, a grey landscape surrounding me with scorch, a crucifixion by a single wound, a sky and earth that darken by each hour, a sob of blood whose red ribbon adorns a lyre without a pulse, and oils the torch, a tide which stuns and strands me on the reef, a scorpion scrambling, stinging in my chest-- this is the wreath of love, this bed of thorns is where I dream of you stealing my rest, haunting these sunken ribs cargoed with grief. I sought the peak of prudence, but I found the hemlock-brimming valley of your heart, and my own thirst for bitter truth and art. - Stigmata of Love
Federico García Lorca
He was the owner of the moonlight on the ground, he fell in love with the most beautiful of the trees, he made wreaths of leaves and strung them around his neck.
Tove Jansson (Tales from Moominvalley (The Moomins, #7))
The world is too much with us; late and soon, Getting and spending, we lay waste our powers; Little we see in Nature that is ours; We have given our hearts away, a sordid boon! This Sea that bares her bosom to the moon, The winds that will be howling at all hours, And are up-gathered now like sleeping flowers, For this, for everything, we are out of tune; It moves us not.—Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
William Wordsworth (The Major Works)
A man must be prepared not only to be a martyr, but to be a fool. It is absurd to say that a man is ready to toil and die for his convictions if he is not even ready to wear a wreathe around his head for them.
G.K. Chesterton
O CAPTAIN! my Captain! our fearful trip is done, The ship has weather'd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up - for you the flag is flung - for you the bugle trills, For you bouquets and ribbon'd wreaths - for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor'd safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Leaves of Grass)
I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock)
And I ran after that voice through the streets so as not to lose sight of the splendid wreath of bodies gliding over the city, and I realized with anguish in my heart that they were flying like birds and I was falling like a stone, that they had wings and I would never have any.
Milan Kundera (The Book of Laughter and Forgetting)
Alice! A childish story take, And with a gentile hand Lay it where Childhood dreams are twined In memory's mystic band, Like pilgrim's withered wreath of flowers Pluck'd in a far off land.
Lewis Carroll (The Annotated Alice: The Definitive Edition)
... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
Julie Kagawa (The Iron King (The Iron Fey, #1))
O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.
Langston Hughes
Fall, leaves, fall; die, flowers, away; Lengthen night and shorten day; Every leaf speaks bliss to me Fluttering from the autumn tree. I shall smile when wreaths of snow Blossom where the rose should grow; I shall sing when night’s decay Ushers in a drearier day.
Emily Brontë (Bronte: Poems)
When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. That's my middle-west - not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow.
F. Scott Fitzgerald (The Great Gatsby)
The days will rally, wreathing Their crazy tarantelle; And you must go on breathing, But I'll be safe in hell. Like January weather, The years will bite and smart, And pull your bones together To wrap your chattering heart. The pretty stuff you're made of Will crack and crease and dry. The thing you are afraid of Will look from every eye. You will go faltering after The bright, imperious line, And split your throat on laughter, And burn your eyes with brine. You will be frail and musty With peering, furtive head, Whilst I am young and lusty Among the roaring dead.
Dorothy Parker
And Olvos said to them: “Why have you done this, my children? Why is the sky wreathed with smoke? Why have you made war in far places, and shed blood in strange lands? And they said to Her: “You blessed us as Your people, and we rejoiced, and were happy. But we found those who were not Your people, and they would not become Your people, and they were willful and ignorant of You. They would not open their ears to Your songs, or lay Your words upon their tongues. So we dashed them upon the rocks and threw down their houses and shed their blood and scattered them to the winds, and we were right to do so. For we are Your people. We carry Your blessings. We are Yours, and so we are right. Is this not what You said?” And Olvos was silent.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
Love is like the wild rose-briar; Friendship like the holly-tree. The holly is dark when the rose-briar blooms, But which will bloom most constantly? The wild rose-briar is sweet in spring ,Its summer blossoms scent the air; Yet wait till winter comes again, And who will call the wild-briar fair? Then, scorn the silly rose-wreath now, And deck thee with holly's sheen, That, when December blights thy brow, He still may leave thy garland green.
Emily Dickinson
It’s a good thing when you don’t dare do something if you don’t think it’s right. But it’s not good when you think something’s not right because you don’t dare do it.
Sigrid Undset (The Wreath (Kristin Lavransdatter #1))
Honestly, I wish I were dead. Weeping many tears, she left me and said, “Alas, how terribly we suffer, Sappho. I really leave you against my will.” And I answered: “Farewell, go and remember me. You know how we cared for you. If not, I would remind you ... of our wonderful times. For by my side you put on many wreaths of roses and garlands of flowers around your soft neck. And with precious and royal perfume you anointed yourself. On soft beds you satisfied your passion. And there was no dance, no holy place from which we were absent.
Sappho
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
H. Rider Haggard (She: A History of Adventure (She, #1))
He (Leo) forced his fists to unclench. "Look, lady, we're not going all Hunger Games on each other. Isn't going to happen." "But you will win a fabulous honor!" Nike reached into a basket at her side and produced a wreath of thick leaves and laurels. "This crown of leaves could be yours! You can wear it on your head! Think of the glory!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
If you hang up on me again, I will slice your car into small pieces and hang them on your roof like Christmas wreaths.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Yet, she said to herself, from the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this--love; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile, and inhumane than this; yet it is also beautiful and necessary.
Virginia Woolf (To the Lighthouse)
The darkness isn't so frightening with Ryan. With him I can believe that I am a princess with a wreath of flowers and ribbons crowning my head and he is my prince sworn to protect me from the evils in the night.
Katie McGarry (Dare You To (Pushing the Limits, #2))
Of course, you were crowned with laurel in the beginning, your gold hair was wreathed with laurel, but the gold is thinning and the laurel has withered. Face it – pitiful monster.
Tennessee Williams (Sweet Bird of Youth)
Hogsmeade looked like a Christmas card; the little thatched cottages and shops were all covered in a layer of crisp snow; there were holly wreaths on the doors and strings of enchanted candles hanging in the trees.
J.K. Rowling
A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o'er-darkn'd ways Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid-forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; An endless fountain of immortal drink, Pouring unto us from the heaven's brink.
John Keats
To my surprise, I felt a certain springy keenness. I was ready to hike. I had waited months for this day, after all, even if it had been mostly with foreboding. I wanted to see what was out there. All over America today people would be dragging themselves to work, stuck in traffic jams, wreathed in exhaust smoke. I was going for a walk in the woods. I was more than ready for this.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
Some unspoken human communication is taking place on a hidden channel. I did not realize they communicated this much without words. I note that we machines are not the only species who share information silently, wreathed in codes.
Daniel H. Wilson (Robopocalypse (Robopocalypse, #1))
... with the few small spots of light like golden stars in the night, the sweet stale scent of incense, and the warm smell of the burning wax. And she at rest within her own star.
Sigrid Undset (The Wreath (Kristin Lavransdatter #1))
Wreath thyself in pitchest black!! I am now... quite evil.
Kohei Horikoshi (僕のヒーローアカデミア 2 [Boku No Hero Academia 2])
But you will win a fabulous honor!" Nike reached into a basket at her side and produced a wreath of thick green laurels. "This crown of leaves could be yours! You can wear it on your head! Think of the glory!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Now I go alone, my disciples, You too, go now alone. Thus I want it. Go away from me and resist Zarathustra! And even better: be ashamed of him! Perhaps he deceived you… One pays a teacher badly if one always remains nothing but a pupil. And why do you not want to pluck at my wreath? You revere me; but what if your reverence tumbles one day? Beware lest a statue slay you. You say that you believe in Zarathustra? But what matters Zarathustra? You are my believers – but what matter all believers? You had not yet sought yourselves; and you found me. Thus do all believers; therefore all faith amounts to so little. Now I bid you to lose me and find yourselves; and only then when you have all denied me will I return to you… that I may celebrate the great noon with you.
Friedrich Nietzsche (Thus Spoke Zarathustra)
I've lived to see my longings die" I've lived to se my longings die: My dreams and I have grown apart; Now only sorrow haunts my eye, The wages of a bitter heart. Beneath the storms of hostile fate, My flowery wreath has faded fast; I live alone and sadly wait To see when death will come at last. Just so, when the winds in winter moan And snow descends in frigid flakes, Upon a naked branch, alone, The final leaf of summer shakes!
Alexander Pushkin
Yet she said to herself, from the dawn of time odes have been sung to love; wreathes heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile and inhumane than love; yet it is also absolutely beautiful and necessary.
Virginia Woolf (To the Lighthouse)
Personally, I'm not much for symbolism. I never get it. Why can't things be just as they are? I never thought to psychoanalyze Seymour Glass or sought to break down "Desolation Row." I just wanted to get lost, become one with somewhere else, slip a wreath on a steeple top solely because I wished it.
Patti Smith (M Train)
...and she put a wreath of white lilies round her hair, but every petal of the flowers was half a pearl;
Hans Christian Andersen (The Little Mermaid and Other Fairy Tales)
She was all in pink, and a wreath of little pink wild roses lay close about her head, making her, with her tall young slimness, look like a Botticelli nymph.
Frances Hodgson Burnett (The Making of a Marchioness)
We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.
Vita Sackville-West (Poems of West & East)
I've done many things that I thought I would never dare to do because they were sins. But I didn't realize then that the consequence of sin is that you have to trample on other people.
Sigrid Undset (The Wreath (Kristin Lavransdatter #1))
No I am not Prince Hamlet nor was meant to be Am an attendant lord one that will do To swell a progress start a scene or two Advise the prince no doubt an easy tool Deferential glad to be of use Politic cautious and meticulous Full of high sentence but a bit obtuse At times indeed almost ridiculous— Almost at times the Fool. I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers and walk upon the beach. I have heard the mermaids singing each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock)
I know her by her angry air, Her brightblack eyes, her brightblack hair, Her rapid laughters wild and shrill, As laughter of the woodpecker From the bosom of a hill. 'Tis Kate--she sayeth what she will; For Kate hath an unbridled tongue, Clear as the twanging of a harp. Her heart is like a throbbing star. Kate hath a spirit ever strung Like a new bow, and bright and sharp As edges of the scymetar. Whence shall she take a fitting mate? For Kate no common love will feel; My woman-soldier, gallant Kate, As pure and true as blades of steel. Kate saith "the world is void of might". Kate saith "the men are gilded flies". Kate snaps her fingers at my vows; Kate will not hear of lover's sighs. I would I were an armèd knight, Far famed for wellwon enterprise, And wearing on my swarthy brows The garland of new-wreathed emprise: For in a moment I would pierce The blackest files of clanging fight, And strongly strike to left and right, In dreaming of my lady's eyes. Oh! Kate loves well the bold and fierce; But none are bold enough for Kate, She cannot find a fitting mate.
Alfred Tennyson
When in doubt, when flat on your back, you can look at the ceiling. Who knows what you may see, up there? Funeral wreaths and angels, constellations of dust, stellar or otherwise, the puzzles left by spiders. There's always something to occupy the inquiring mind.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Under the magic of the Dionysian, not only does the bond between man and man lock itself in place once more, but also nature itself, no matter how alienated, hostile, or subjugated, rejoices again in her festival of reconciliation with her prodigal son, man. The earth freely offers up her gifts, and the beasts of prey from the rocks and the desert approach in peace. The wagon of Dionysus is covered with flowers and wreaths; under his yolk stride panthers and tigers.
Friedrich Nietzsche
Lines Written In Early Spring I heard a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran; And much it grieved my heart to think What man has made of man. Through primrose tufts, in that green bower, The periwinkle trailed its wreaths; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopped and played, Their thoughts I cannot measure:-- But the least motion which they made It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What man has made of man?
William Wordsworth
I look up at the ceiling, tracing the foliage of the wreath. Today it makes me think of a hat, the large-brimmed hats women used to wear at some period during the old days: hats like enormous halos, festooned with fruit and flowers, and the feathers of exotic birds; hats like an idea of paradise, floating just above the head, a thought solidified.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I still remember the day my father took me to the Cemetery of Forgotten Books for the first time. It was the early summer of 1945, and we walked through the streets of a Barcelona trapped beneath ashen skies as dawn poured over Rambla de Santa Monica in a wreath of liquid copper.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
I am the lover's gift; I am the wedding wreath; I am the memory of a moment of happiness; I am the last gift of the living to the dead; I am a part of joy and a part of sorrow. -Kahlil Gibran "Song of the Flower XXIII
Ella Griffin (The Flower Arrangement)
Only with kisses and red poppies can I love you, with rain-soaked wreaths, contemplating ashen horses and yellow dogs. Only with waves at my back can I love you, between dull explosions of brimstone and reflective waters, swimming against cemeteries that circulate in certain rivers, drowned pasture flooding the sad, chalky tombstones, swimming across submerged hearts and faded lists of unburied children.
Pablo Neruda (The Essential Neruda: Selected Poems)
Take him away. Prepare a feast. Forget nothing. My crown: the golden cutlery. The poison bottles; and the fumes; the wreaths of ivy and the bloody joints; the chains; the bowl of nettles; the spices; the baskets of fresh grass; the skulls and spines; the ribs and shoulder-blades. Forget nothing or, by the blindness of my sockets, I will have your hearts out. Take him away...
Mervyn Peake (Boy in Darkness and Other Stories)
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table. Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question... Oh, do not ask, "What is it?" Let us go and make our visit. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Fault in Our Stars)
The tomb in the daytime, and when wreathed with fresh flowers, had looked grim and gruesome enough; but now some days afterwards, when the flowers hung lank and dead, their whites turning to rust and their greens to browns; when the spider and the beetle had resumed their accustomed dominance; when time-discoloured stone, and dust-encrusted mortar, and rusty, dank iron, and tarnished brass and clouded silver-plating gave back the feeble glimmer of a candle, the effect was more miserable and sordid than could have been imagined. It conveyed irresistibly the idea that life - animal life - was not the only thing that could pass away.
Bram Stoker (Dracula)
Once again, all doubt, all sense of right and wrong, faded. There was only the target, his darkly beating heart, and my fire. There was no fear, no anger, no shame, no regret. Just power, surging through me, filling me. It felt as if my breath sucked the very air from the heavens, and my rage burned the sun to ash. I was everything and nothing, and no one could stop me. I was darkness wreathed in flesh.
Elly Blake (Frostblood (Frostblood Saga, #1))
With a little cry, I slid my hand behind his neck and pulled him to me for a real kiss. The assembled people cheered, and I closed my eyes as the sound of pixy wings wreathed us. Give up? Leave? echoed in my thoughts as his lips met mine, holding both a promise and a desire. Never, I answered myself as we parted and, hands still connected, turned to those who meant most to us and were welcomed in between the pixy dust and the blue butterflies. THE BEGINNING
Kim Harrison (The Witch With No Name (The Hollows, #13))
That's my Middle West-not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family's name.
F. Scott Fitzgerald (The Great Gatsby)
I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can't own. That Rue was more than a piece in their Games. And so am I. "A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather an armful and come back to Rues's side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors. "They'll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they'll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take a last look at Rue. She really could be asleep in that meadow after all. ""Bye, Rue," I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
THOU wast all that to me, love, For which my soul did pine: A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope, that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast. For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar. And all my days are trances, And all my nightly dreams Are where thy gray eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.
Edgar Allan Poe
The crumbling castle, looming among the mists, exhaled the season, and every cold stone breathed it out. The tortured trees by the dark lake burned and dripped, their leaves snatched by the wind were whirled in wild circles through the towers. The clouds mouldered as they lay coiled, or shifted themselves uneasily upon the stone skyfield, sending up wreathes that drifted through the turrets and swarmed up hidden walls.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Married people, it’s up to you. It’s entirely on your shoulders to keep this sinking institution afloat. It’s a stately old ship, and a lot of people, like me, want to get on board. Please be psyched, and convey that psychedness to us. And always remember: so many, many people are envious of what you have. You’re the star at the end of the Shakespearean play, wearing the wreath of flowers in your hair. The rest of us are just the little side characters.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
With the smoke of the dead sailor's cigar wreathing around him, Willie passed to thinking about death and life and luck and God. Philosophers are at home with such thoughts, perhaps, but for other people it is actual torture when these concepts--not the words, the realities--break through the crust of daily occurrences and grip the soul. A half hour of such racking meditation can change the ways of a lifetime.
Herman Wouk (The Caine Mutiny)
Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain.
Richard Nelson (The Island Within)
ERANNA TO SAPPHO O You wild adept at throwing! Like a spear by other things, I'd lain there beside my next of kin. Your strain flung me far. To where's beyond my knowing. None can bring me back again. Sisters think upon me as they twine, and the house is full of warm relation. I alone am out of the design, and I tremble like a supplication; for the lovely goddess all creation bowers in legend lives this life of mine. SAPPHO TO ERANNA With unrest I want to inundate you, want to brandish you, you vine-wreathed stave. Want, like death itself, to penetrate you and to pass you onwards like the grave to the All: to all these things that wait you.
Rainer Maria Rilke
This harsh little man — this pitiless censor — gathers up all your poor scattered sins of vanity, your luckless chiffon of rose- color, your small fringe of a wreath, your small scrap of ribbon, your silly bit of lace, and calls you to account for the lot, and for each item. You are well habituated to be passed by as a shadow in Life's sunshine: it its a new thing to see one testily lifting his hand to screen his eyes, because you tease him with an obtrusive ray.
Charlotte Brontë (Villette)
At the sight of the Neckar slopes wreathed with flowering cherry trees, I had a strong sense of having come home. What a beautiful country it was, and eminently worth our blood and our lives. Never before had I felt its charm so clearly. I had good and serious thoughts, and for the first time I sensed that this war was more than just a great adventure. p. 33
Ernst Jünger (Storm of Steel)
And the roses—the roses! Rising out of the grass, tangled round the sun-dial, wreathing the tree trunks and hanging from their branches, climbing up the walls and spreading over them with long garlands falling in cascades—they came alive day by day, hour by hour. Fair fresh leaves, and buds—and buds—tiny at first but swelling and working Magic until they burst and uncurled into cups of scent delicately spilling themselves over their brims and filling the garden air.
Frances Hodgson Burnett (The Secret Garden)
Over his shoulder, she saw Skulduggery walk in. "Oh, hell," she muttered. Wreath's smile reappeared. "It's Skulduggery, isn't it?" Over his shoulder, she saw Skulduggery walk in. "Oh , hell," she muttered. Wreath's smile reappeared. "It's Skulduggery, isn't it?" "Please don't annoy him." "Me? When have I EVER annoyed the great Skulduggery Pleasant?" Skulduggery arrived at their table. Wreath smile up at him. "Hello." "I will shoot you in the eye," Skulduggery said. Wreath glanced at Valkyrie. "I think I've annoyed him.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rock; the rising moon, and a ship crossing its disc; a group of reeds and water-flags, and a naiad's head, crowned with lotus-flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn bloom.
Charlotte Brontë (Jane Eyre)
Aelin lifted her hands, opening her eyes to find her fingers wreathed in flame. Darkness spread over the world. Through the veil of gold and blue and red, she looked at her prince. She raised her burning hands helplessly between them. "She stole me--she took me. And I could feel her--feel her consciousness. It was like she was a spider, waiting in a web for decades, knowing I'd one day be strong and stupid enough to use my magic and the key together. I might as well have rung the dinner bell." Her fire burned hotter, brighter, and she let it build and rise and flicker.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
Shimin gulps. "The last thing I needed was another reason for the world to hate me. Though, now..." "Now?" Yizhi's voice goes as airy as the steam wreathing around them. "Now, I see-" Shimin grabs Yizhi's chin. "It's all fucking bullshit." He slams the window shut with his other arm, then leans down and takes Yizhi's lips with his own. My heart stutters, drawing my chest tight. But I'm at peace with this. Instead of a betrayal of any form, it feels like a completion. My killer boy, my sweet boy. The final line in this triangular formation we've been dancing in, making us stronger than ever. This is unconventional, yet another implicit rule we're breaking, but you know what? It works for us. And I think the three of us are done with letting the world tell us what's okay and what isn't.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
I hope you mean to contribute a handsome wreath to my obsequies?’ ‘Certainly! In the nature of things, it is likely that you will predecease me.’ ‘If I survive this adventure there can be no question of that. Your fate is writ clear: you will be murdered. I cannot conceive how it comes about that you were not murdered long since!’ ‘How odd! Charles himself once said that to me, or something like it!’ ‘There is nothing odd in it: any sensible man must say it!
Georgette Heyer (The Grand Sophy)
Its best to turn to no one, to seek to please no one, as if there were only oneself in the world. The pleasure of others is a by-product after all, and if ever the whispering voices are allowed to crowd out the one voice, the result is this...a sort of high-pitched silliness, a terrible silliness.
Elizabeth Taylor (A Wreath of Roses)
I imagine, then, that we are all candle flames, greasy-bright, fluttering in the darkness and the howl of the wind, and in the stillness of the room I hear footsteps, awful coming footsteps, coming to blow me out and send my life up away from me in a grey wreath of smoke. I will vanish into the air and the night. They will blow us all out, one by one, until it is only their own light by which they see themselves.
Hannah Kent (Burial Rites)
God does not exist, as neither does our hereafter, that second bogey being as easily disposed of as the first. Indeed, imagine yourself just dead—and suddenly wide awake in Paradise where, wreathed in smiles, your dear dead welcome you. Now tell me, please, what guarantee do you possess that those beloved ghosts are genuine; that it is really your dear dead mother and not some petty demon mystifying you, masked as your mother and impersonating her with consummate art and naturalness? There is the rub, there is the horror; the more so as the acting will go on and on, endlessly; never, never, never, never, never will your soul in that other world be quite sure that the sweet gentle spirits crowding about it are not fiends in disguise, and forever, and forever, and forever shall your soul remain in doubt, expecting every moment some awful change, some diabolical sneer to disfigure the dear face bending over you.
Vladimir Nabokov (Despair)
I can reveal to you that I wished to die - For with much weeping she left me Saying: "Sappho - what suffering is ours! For it is against my will that I leave you." In answer, I said: "Go, happily remembering me For you know what we shared and pursued - If not, I wish you to see again our [ former joys ] ..... The many braids of rose and violet you [ wreathed ] Around yourself at my side And the many garlands of flowers With which you adorned your soft neck: With royal oils from [ fresh flowers ] You anointed [ yourself ] And on soft beds fulfilled your longing [ For me ] ....
Sappho
What a night it was! The jagged masses of heavy dark cloud were rolling at intervals from horizon to horizon, and thin white wreaths covered the stars. Through all the rush of the cloud river the moon swam, breasting the waves and disappearing again in the darkness. I walked up and down, drinking in the beauty of the quiet earth and the changing sky. The night was absolutely silent. Nothing seemed to be abroad. There was no scurrying of rabbits, or twitter of the half-asleep birds. And though the clouds went sailing across the sky, the wind that drove them never came low enough to rustle the dead leaves in the woodland paths. Across the meadows I could see the church tower standing out black and grey against the sky. ("Man Size In Marble")
E. Nesbit (Ghost Stories (Haunting Ghost Stories))
Dangerous and indifferent ground: against its fixed mass the tragedies of people count for nothing although the signs of misadventure are everywhere. No past slaughter nor cruelty, no accident nor murder that occurs on the little ranches or at the isolate crossroads with their bare populations of three or seventeen, or in the reckless trailer courts of mining towns delays the flood of morning light. Fences, cattle, roads, refineries, mines, gravel pits, traffic lights, graffiti'd celebration of athletic victory on bridge overpass, crust of blood on the Wal-Mart loading dock, the sun-faded wreaths of plastic flowers marking death on the highway are ephemeral. Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.
Annie Proulx
I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
Tides Every day the sea blue gray green lavender pulls away leaving the harbor’s dark-cobbled undercoat slick and rutted and worm-riddled, the gulls walk there among old whalebones, the white spines of fish blink from the strandy stew as the hours tick over; and then far out the faint, sheer line turns, rustling over the slack, the outer bars, over the green-furred flats, over the clam beds, slippery logs, barnacle-studded stones, dragging the shining sheets forward, deepening, pushing, wreathing together wave and seaweed, their piled curvatures spilling over themselves, lapping blue gray green lavender, never resting, not ever but fashioning shore, continent, everything. And here you may find me on almost any morning walking along the shore so light-footed so casual.
Mary Oliver (A Thousand Mornings: Poems)
Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.
K.J. Bishop (The Etched City)
Almost every family has their own Christmas traditions (if, indeed, they celebrate Christmas) and we certainly had several. First, the house was thoroughly cleaned and decorated with wreaths and paper chains and, of course, the Christmas tree with all its sparkling lights and ornaments. The cardboard nativity scene had to be carefully assembled and placed on the mantle. And there was the advent wreath with its little windows to be opened each morning. And then there were the Christmas cookies. About a week before the holiday, Mom would bake several batches of the cookies and I invited all my friends to come and help decorate them. It was an “all-afternoon” event. We gathered around our big round dining table with bowls of colored icing and assorted additions—red hot candies, coconut flakes, sugar “glitter,” chocolate chips, and any other little bits we could think of. Then, the decorating began!
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Such was the complexity of things. For what happened to her, especially staying with the Ramsays, was to be made to feel violently two opposite things at the same time; that’s what you feel, was one; that’s what I feel, was the other, and then they fought together in her mind, as now. It is so beautiful, so exciting, this love, that I tremble on the verge of it, and offer, quite out of my own habit, to look for a brooch on a beach; also it is the stupidest, the most barbaric of human passions, and turns a nice young man with a profile like a gem’s (Paul’s was exquisite) into a bully with a crowbar (he was swaggering, he was insolent) in the Mile End Road. Yet, she said to herself, from the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this–love; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile, and inhumane than this; yet it is also beautiful and necessary.
Virginia Woolf (To the Lighthouse)
Me: Did you get your tree yet? Ken: I'm a Jew, I don't decorate Christmas trees. Me: So you're going to go with a wreath instead? Ken: I just told you, I'm a Jew. Me: Oh, I get it. You're looking for a cheap wreath. Ken: I'm not looking for a wreath at all. Leave me alone, will you. Me: You're probably just tense because you haven't finished your Christmas shopping. Ken: I don't Christmas shop. Me: What are you telling me? That you make all of your presents. Ken: I don't give Christmas presents period. Goddamit, I told you, I'm a Jew. Me: Well, don't you at least need to buy something for your parents? Ken: They're Jews, too, idiot. That's what makes me one. It's hereditary. Do you understand? Me: Sure. Ken: Say the words "I understand." Me: I understand. So where are you going to hang your stocking?
David Sedaris (Dress Your Family in Corduroy and Denim)
O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Oh Captain! My Captain!)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
When they were only a few yards from the stone hull, Inej halted and watched the mists wreathing the branches. “He was going to break by legs,” she said. “Smash them with a mallet so they’d never heal….” She took a shaky breath. The words came like a string of gunshots, rapid-fire, as if she resented the very act of speaking them. “I didn’t know if you would come.” Kaz couldn’t blame Van Eck for that. Kaz has built that doubt in her with every cold word and small cruelty. “We’re your crew, Inej. We don’t leave our own at the mercy of merch scum.” It wasn’t the answer he wanted to give. It wasn’t the answer she wanted. When she turned to him, her eyes were bright with anger. “He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.” The wind rose. The boughs of the willows whispered, a sly, gossiping sound. Kaz held her gaze, saw the moon reflected there, twin scythes of light. She was right to be cautious. Even of him. Especially of him. Cautious was how you survived. At last she nodded, the smallest dip of her chin.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
C.S. Lewis
You wanted a demonstration,” Celaena said quietly. Sweat trickled down her back, but she gripped the magic with everything she had. “One thought from me, and your city will burn.” “It is stone,” Maeve snapped. Celaena smiled. “Your people aren’t.” Maeve’s nostrils flared delicately. “Would you murder innocents, Aelin? Perhaps. You did it for years, didn’t you?” Celaena’s smile didn’t falter. “Try me. Just try to push me, Aunt, and see what comes of it. This was what you wanted, wasn’t it? Not for me to master my magic, but for you to learn just how powerful I am. Not how much of your sister’s blood flows in my veins—no, you’ve known from the start that I have very little of Mab’s power. You wanted to know how much I got from Brannon.” The flames rose higher, and the shouts—of fright, not pain—rose with them. The flames would not hurt anyone unless she willed it. She could sense other magics fighting against her own, tearing holes into her power, but the conflagration surrounding the veranda burned strong. “You never gave the keys to Brannon. And you didn’t journey with Brannon and Athril to retrieve the keys from the Valg,” Celaena went on, a crown of fire wreathing her head. “You went to steal them for yourself. You wanted to keep them. Once Brannon and Athril realized that, they fought you. And Athril…” Celaena drew Goldryn, its hilt glowing bloodred. “Your beloved Athril, dearest friend of Brannon … when Athril fought you, you killed him. You, not the Valg. And in your grief and shame, you were weakened enough that Brannon took the keys from you. It wasn’t some enemy force who sacked the Sun Goddess’s temple. It was Brannon. He burned any last trace of himself, any clue of where he was going so you would not find him. He left only Athril’s sword to honor his friend—in the cave where Athril had first carved out the eye of that poor lake creature—and never told you. After Brannon left these shores, you did not dare follow him, not when he had the keys, not when his magic—my magic—was so strong.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))