Wrapping Up Summer Quotes

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My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts.
Sarah Ockler (Twenty Boy Summer)
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
The light of an early Summer afternoon as it slips toward dusk has so many good things wrapped up in it..
Brandi L. Bates
But I like sleepy. I like nothing-ever-happens. I buy the same chocolate bar from the same shop every day, next to our village pond with its minimalist duck population of three, and then I check the Holksea village newsletter with no news in it. It’s comforting. I can wrap my whole life up in a blanket.
Harriet Reuter Hapgood (The Square Root of Summer)
Picture each worry like a gift. Put them in order, from the mildest to the most intense. Imagine yourself picking up each one and wrapping it with care. Picture yourself placing the gift under a tree, and then walking away.
Jennifer Weiner (That Summer)
The garden has wrapped itself in autumn haze. An unusual autumn, lacking that thrill of vegetal warmth when the sap is still alive and holds up the trees, drunk on solar gold. It is the sorrowful climax of a summer's drought. Never before was I so struck by the cancerous emaciation in a garden. The leaves started turning yellow in July and began falling, like a dance of prematurely withered bodies.
Emil Dorian (Quality of Witness: A Romanian Diary, 1937-1944)
I wrap my arms around him and hold on for as long as I dare. I honestly don’t know how I’m ever going to give him up when summer comes to an end.
Sarina Bowen (Him (Him, #1))
And so, because business leadership is still so dominated by men, modern workplaces are riddled with these kind of gaps, from doors that are too heavy for the average woman to open with ease, to glass stairs and lobby floors that mean anyone below can see up your skirt, to paving that’s exactly the right size to catch your heels. Small, niggling issues that aren’t the end of the world, granted, but that nevertheless irritate. Then there’s the standard office temperature. The formula to determine standard office temperature was developed in the 1960s around the metabolic resting rate of the average forty-year-old, 70 kg man.1 But a recent study found that ‘the metabolic rate of young adult females performing light office work is significantly lower’ than the standard values for men doing the same type of activity. In fact, the formula may overestimate female metabolic rate by as much as 35%, meaning that current offices are on average five degrees too cold for women. Which leads to the odd sight of female office workers wrapped up in blankets in the New York summer while their male colleagues wander around in summer clothes.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
I lost my voice and my best friend too On swift, fierce winds and wings of blue, The cold rain fell where beams had shone, So I wrapped up tight and safe. Alone. But I missed my friend, I missed my voice, And my heart still whispered of another choice To break out of my binding, safe, and warm, And see what the world looked like after the storm. So I struggled free and was greeted by Colorful brushstrokes across the sky, The melody of the summer breeze And blue wings like mine in hazel trees. On the soft, sweet air of the mountain glade, We gathered together in cool, green shade, And told our stories, beginnings to ends, And found our song in the hearts of new friends.
Elaine Vickers (Like Magic)
It started to rain suddenly and ferociously as they pulled up in front of Rose’s house. A mist covered the truck. It was as if a fire hose had opened up on the dusty, dry earthen roads. The smell of moist earth and damp, pungent flowering trees gave off the last bit of heat from the former Carolina summer sun of a few minutes ago. Now cooled suddenly by the rainwater, an immediate fog to rose off the hot metal of the truck and the soil. It was impossible to see more than a few feet in the formidable rain and sudden fog. Rose pulled Carmen to her and wrapped herself around her, one hand playing around through her T as she kissed her, one hand pushing gently at her pants.
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
He looked up at the rain and closed his eyes, his hands still wrapped around her back. Mattie knew with an acute awareness that she would always remember this moment: both of them nude in the falling twilight of a mountain summer, sated and yet still hungry, Zeke’s strong face tipped to received the gift of rain, his broad hands warm on her.
Barbara Samuel (Breaking The Rules)
Isaiah runs his hand through my hair, and every cell in my body vibrates with the gentle pull. “Rachel.” “Yes.” It’s hard to breathe. “Kiss me.” Isaiah doesn’t wait for my answer. Instead his lips meet mine and his arms wrap around my body. All the hesitancy I felt the first night we kissed evaporates like mist on the heels of a summer storm. Within seconds, our mouths open, and Isaiah slips his tongue against mine. I get lost, liking the way my body curves around his, liking the way my hands explore as if they have a mind of their own, and loving how Isaiah grips my hair while tracing my spine. Tingles and shock waves and earthquakes and hurricanes. All of it takes place at the same time as our mouths move not nearly fast enough. Nothing seems fast enough. The closer I become, the closer Isaiah presses, and the more he presses, the more I want to crawl inside and live in this delicious world of warmth and fantastic hunger. Isaiah hooks an arm around my waist, and I suck in a breath when he turns us and shifts me up against the door to his Mustang. My eyes widen and I stare up at him as he stares down at me. Our chests move in unison, as do our breaths. My fingers curl into the muscles of his arms, and I briefly close my eyes, loving how his body fits into mine.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Along with the greening of May came the rain. Then the clouds disappeared and a soft pale lightness fell over the city, as if Kyoto had broken free of its tethers and lifted up toward the sun. The mornings were as dewy and verdant as a glass of iced green tea. The nights folded into pencil-gray darkness fragrant with white flowers. And everyone's mood seemed buoyant, happy, and carefree. When I wasn't teaching or studying tea kaiseki, I would ride my secondhand pistachio-green bicycle to favorite places to capture the fleeting lushness of Kyoto in a sketchbook. With a small box of Niji oil pastels, I would draw things that Zen pots had long ago described in words and I did not want to forget: a pond of yellow iris near a small Buddhist temple; a granite urn in a forest of bamboo; and a blue creek reflecting the beauty of heaven, carrying away a summer snowfall of pink blossoms. Sometimes, I would sit under the shade of a willow tree at the bottom of my street, doing nothing but listening to the call of cuckoos, while reading and munching on carrots and boiled egg halves smeared with mayonnaise and wrapped in crisp sheets of nori. Never before had such simple indulgences brought such immense pleasure.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Sometimes on late summer nights, when the sky is perfect and our parents are in a good enough mood to let us, we meet up to take a midnight walk through the field beyond our houses. It’s always peaceful and quiet, a perfect time to stargaze into the velvety black sky dotted with millions of crystals that make up the Milky Way. The warm summer night’s breeze ripples the tall grass and makes a small brushing sound that echoes throughout the valley. In the distance, the Appalachian Mountains loom like giant gray ghosts cast in the silvery glow of the midnight Moon. They wrap around our little valley like a scarf, and the hollers that seem close in the daytime seem like a lifetime away in the dark. We become engulfed by the thousands of fireflies that dance around in the steamy mist that radiates off of the ground because of the humidity. Those are the beautiful midsummer nights in Valia Springs that I will never forget.
Jacquelyn Eubanks (The Last Summer (Last Summer Series, #1))
Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally. He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious. You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible. I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy. How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him. Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard. “That was…enlightening,” he breathed. “Thank you, Kelsey.” I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation. “Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us. Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve? I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation. He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.” “Well, I no longer care about what you want!” He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger. I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path. After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
BACK IN SCHOOL, I loved ending stories that way. It’s the perfect conclusion, isn’t it? Billy went to school. He had a good day. Then he died. The end. It doesn’t leave you hanging. It wraps everything up nice and neat. Except in my case, it didn’t. Maybe you’re thinking, Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah. Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. Gee, Magnus, what did it feel like? It hurt. A lot. Thanks for asking. I
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Once upon a time a castle stood here. That’s how it has to be said: Here it stood, and here it was swallowed up by the Danish revolution. And nothing is left of it. Hirschholm Castle was situated on an island. The castle was surrounded by water, it stood in the middle of a lake, and at night the water was covered with the sleeping birds she loved so much, especially when they slept wrapped in their dreams. It took half a century to build the castle, and it wasn’t actually completed until 1746. It was magnificent and beautiful, a Nordic Versailles, but the same thing happened to the castle as happens to very brief dreams: it lasted only one summer, the summer of 1771. After that the dream was over, and the castle stood alone and deserted and slowly sank into decay. It
Per Olov Enquist (The Royal Physician's Visit)
All ye young people now take my advice Before crossing the ocean you'd better think twice Cause you can't live without love, without love alone The proof is round London in the nobody zone Where the summer is fine, but the winter's a fridge Wrapped up in old cardboard under Charing Cross Bridge And I'll never go home now because of the shame Of misfit's reflection in a shop window pane.
Christy Moore (One Voice)
The year was 1996, and the date was July 5. It was a Friday night and I had just turned 21 two days prior, which, by the way, was a miracle unto itself. Due to the violent life I was living, this was a milestone and something worth celebrating. But on this beautiful summer evening, I was not in a celebratory mood. Rather, I was in a predatory mood and that was what I was doing: lying and waiting for my prey to arrive.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
now, when it was too late, the obvious solution to keeping her, to deserving her, bore down on him like a meteor. She didn’t have to give up everything. He loved her enough to find solutions. That’s what he did. There was no inconvenience or obstacle he wouldn’t face if it meant having her in his life, so he’d fucking face them. He’d adapt, like Piper had. “I made a mistake,” he rasped, razor wire wrapping around his heart and pulling taut. “Jesus, I made a fucking mistake.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
You are teaching your living, breathing, made-in-the-Image-of-God students. The resources are there to help you do that. It's that simple, we just forget when we get all wrapped up in "getting through" all the math lessons before the end of May, or finishing every science experiment in the book before we call it good and move on. It doesn't really matter how far in the book we get. What matters is what happens in the mind and heart of our student, and for that matter- in ourselves. You know this. I know this. But we've got to start living it. We are all spinning our wheels because we're frantically trying to "get through" published curriculum as if turning the last page in the book by the beginning of summer vacation will somehow mean that our children learned something. Truth is, they do learn something from that. But it's not at all the message we want them to internalize. We are teaching people, not books. We need to understand the limitations of curriculum. We need to stop trying to make it something that it's not, expecting it to yield what it was never intended to deliver.
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts. Up, down. Happy, sad. Shock, awe. Before, after. In that single moment, Matt, formerly known as friend, became something else entirely. I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too. I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
Sarah Ockler (Twenty Boy Summer)
The formula to determine standard office temperature was developed in the 1960s around the metabolic resting rate of the average forty-year-old, 70 kg man.1 But a recent study found that ‘the metabolic rate of young adult females performing light office work is significantly lower’ than the standard values for men doing the same type of activity. In fact, the formula may overestimate female metabolic rate by as much as 35%, meaning that current offices are on average five degrees too cold for women. Which leads to the odd sight of female office workers wrapped up in blankets in the New York summer while their male colleagues wander around in summer clothes.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
Then there’s the standard office temperature. The formula to determine standard office temperature was developed in the 1960s around the metabolic resting rate of the average forty-year-old, 70 kg man. 1 But a recent study found that ‘the metabolic rate of young adult females performing light office work is significantly lower’ than the standard values for men doing the same type of activity. In fact, the formula may overestimate female metabolic rate by as much as 35%, meaning that current offices are on average five degrees too cold for women. Which leads to the odd sight of female office workers wrapped up in blankets in the New York summer while their male colleagues wander around in summer clothes.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
Dear and precious Friend, How terrible and frightful a thing is separation! Though I tell myself that half my life and half my happiness are wrapped up in you, and that in spite of the distance separating us our hearts are united by indissoluble bonds, my heart rebels against fate and in spite of the pleasures and distractions around me I cannot overcome a certain secret sorrow that has been in my heart ever since we parted. Why are we not together as we were last summer, in your big study, on the blue sofa, the confidential sofa? Why cannot I now, as three months ago, draw fresh moral strength from your look, so gentle, calm, and penetrating, a look I loved so well and seem to see before me as I write?
Leo Tolstoy (War and Peace)
The house is still standing on the banks of the lake in Zurich. Jung’s descendants manage it, but unfortunately it’s not open to the public, so people can’t view the interior. Rumor has it, though, that at the entrance to the original tower there is a stone into which Jung carved some words with his own hand. ‘Cold or Not, God Is Present.’ That’s what he carved into the stone himself.” Tamaru paused again. “ ‘Cold or Not, God Is Present,’ ” he intoned, quietly, once more. “Do you know what this means?” Ushikawa shook his head. “No, I don’t.” “I can imagine. I’m not sure myself what it means. There’s some kind of deep allusion there, something difficult to interpret. But consider this: in this house that Carl Jung built, piling up the stones with his own hands, at the very entrance, he found the need to chisel out, again with his own hands, these words. I don’t know why, but I’ve been drawn to these words for a long time. I find them hard to understand, but the difficulty in understanding makes it all the more profound. I don’t know much about God. I was raised in a Catholic orphanage and had some awful experiences there so I don’t have a good impression of God. And it was always cold there, even in the summer. It was either really cold or outrageously cold. One or the other. If there is a God, I can’t say he treated me very well. Despite all this, those words of Jung’s quietly sank deep into the folds of my soul. Sometimes I close my eyes and repeat them over and over, and they make me strangely calm. ‘Cold or Not, God Is Present.’ Sorry, but could you say that out loud?” “ ‘Cold or Not, God Is Present,’ ” Ushikawa repeated in a weak voice, not really sure what he was saying. “I can’t hear you very well.” “ ‘Cold or Not, God Is Present.’ ” This time Ushikawa said it as distinctly as he could. Tamaru shut his eyes, enjoying the overtones of the words. Eventually, as if he had made up his mind about something, he took a deep breath and let it out. He opened his eyes and looked at his hands. He had on disposable latex gloves so he wouldn’t leave behind any fingerprints. “I’m sorry about this,” Tamaru said in a low voice. His tone was solemn. He took out the plastic bag again, put it over Ushikawa’s head, and wrapped the thick rubber band around his neck. His movements were swift and decisive. Ushikawa was about to protest, but the words didn’t form, and they never reached anyone’s ears. Why is he doing this? Ushikawa thought from inside the plastic bag.
Haruki Murakami (1Q84 (Vintage International))
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
Oggi went to his mother's rose garden and gathered a collection of fallen petals and leaves. When his hands were full he carried them back to Alice and placed them on the dirt around her. Back and forth he went, between the rose garden and Alice, until his circle was complete. He jumped inside it and sat down. 'After my dad died I did this to make myself feel better.' Oggi wrapped his arms around his knees. 'I told myself, anything inside the circle is safe from sadness. I'd make the circle as big or as little as I'd like. Once when Mum wouldn't stop crying I made a circle around the whole house. Except I had to use all of the petals on her roses to do that, and she didn't react the way I thought she would.' Yellow butterflies fluttered over the roses. As Alice watched their wings, tiny lemon flames, she remembered how they hovered over the sea in summer, basked in the casuarina trees, and tapped against her bedroom window at night.
Holly Ringland (The Lost Flowers of Alice Hart)
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
He placed a finger over her lips. She held her breath when he clasped one of her hands, slid it down his chest and over his taut stomach before curving her fingers over the bulge in his trews. They both moaned when she rubbed her palm gently over his hard shaft and stroked his bollocks with her fingers. He was hot in her hands, a tempting combination of hard and soft. “I know what I see,” he breathed into her ear and thrust against her palm. “Know what I hold. This is what you do to me.” She would have fallen had he not held her up with an arm wrapped around her back. She sought his mouth, touched her lips to his. He opened to her seeking tongue, allowing her to delve inside and stroke his mouth. His tongue twined with hers, giving back as much as he took. He tasted better than summer wine, better than the first harvest fruits of spring. The kiss deepened, a mating of tongues that mimicked the slow thrust of his hips. His hands wandered over her body, sliding down her back, cupping her buttocks. They left trails of fire in their wake, and Martise moaned in his mouth.
Grace Draven (Master of Crows (Master of Crows, #1))
It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good. My arms are at my sides so the jets won’t make my skirt fly up. Peter’s holding my face in his hands, kissing me. “Are you okay?” he whispers. His voice is different: it’s ragged and urgent and vulnerable somehow. He doesn’t sound like the Peter I know; he is not smooth or bored or amused. The way he’s looking at me right now, I know he would do anything I asked, and that’s a strange and powerful feeling. I wind my arms around his neck. I like the smell of chlorine on his skin. He smells like pool, and summer, and vacations. It’s not like in the movies. It’s better, because it’s real. “Touch my hair again,” I tell him, and the corners of his mouth turn up. I lean into him and kiss him. He starts to run his fingers through my hair, and it feels so nice I can’t think straight. It’s better than getting my hair washed at the salon. I move my hands down his back and along his spine, and he shivers and pulls me closer. A boy’s back feels so different than a girl’s back--more muscular, more solid somehow. In between kisses he says, “It’s past curfew. We should go back inside.” “I don’t want to,” I say. All I want is to stay and be here, with Peter, in this moment. “Me either, but I don’t want you to get in trouble,” Peter says. He looks worried, which is so sweet. Softly, I touch his cheek with the back of my hand. It’s smooth. I could look at his fce for hours, it’s so beautiful. Then I stand up, and immediately I’m shivering. I start wringing the water out of my nightgown, and Peter jumps out of the hot tub and gets his towel, which he wraps around my shoulders. The he gives me his hand and I step out, teeth chattering. He starts drying me off with the towel, my arms and legs. I sit down to put on my socks and boots. He puts my coat on me last. He zips me right in. Then we run back inside the lodge. Before he goes to the boys’ side and I go to the girls’ side, I kiss him one more time and I feel like I’m flying.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
In the wintertime the temperature falls well below the legal minimum, or rather it would do if anybody had the common sense to set a legal minimum. The last time anybody made a list of the top hundred character attributes of New Yorkers, common sense snuck in at number 79. In the summer it's too darn hot. It's one thing to be the sort of life form that thrives on heat and finds, as the Frastrans do, that the temperature ranger between 40,000 and 40,004 is very equable, but it's quite another to be the sort of animal that has to wrap itself up in lots of other animals at one point in your planet's orbit, and then find, ha;f an orbit later, that your skin's bubbling. Spring is overrated. A lot of the inhabitants of New York will honk on mightily about the pleasures of spring, but if they actually knew the first think about pleasures of spring they would know of at least 5,983 better places to spent it than New York, and that's just on the same latitude. Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of fats are highly disagreeable anyway, so their opinion can and should be discounted. When its fall in New York, the air smells as if someone's been frying goats in it, and if you are keen to breathe, the best plan is to open a window and a stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
One of the extraordinary things about life is the sort of places it’s prepared to put up with living. Anywhere it can get some kind of a grip, whether it’s the intoxicating seas of Santraginus V, where the fish never seem to care whatever the heck kind of direction they swim in, the fire storms of Frastra, where, they say, life begins at 40,000 degrees, or just burrowing around in the lower intestine of a rat for the sheer unadulterated hell of it, life will always find a way of hanging on in somewhere. It will even live in New York, though it’s hard to know why. In the wintertime the temperature falls well below the legal minimum, or rather it would do if anybody had the common sense to set a legal minimum. The last time anybody made a list of the top hundred character attributes of New Yorkers, common sense snuck in at number 79. In the summer it’s too darn hot. It’s one thing to be the sort of life form that thrives on heat and finds, as the Frastrans do, that the temperature range between 40,000 and 40,004 is very equable, but it’s quite another to be the sort of animal that has to wrap itself up in lots of other animals at one point in your planet’s orbit, and then find, half an orbit later, that your skin’s bubbling. Spring is overrated. A lot of the inhabitants of New York will honk on mightily about the pleasures of spring, but if they actually knew the first thing about the pleasures of spring they would know of at least 5,983 better places to spend it than New York, and that’s just on the same latitude. Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyway, so their opinion can and should be discounted. When it’s fall in New York, the air smells as if someone’s been frying goats in it, and if you are keen to breathe, the best plan is to open a window and stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him. “I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said. The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending. Kestrel reached beneath her skirts to pull down a knee-high stocking. Arin made a sound. “I want to feel the grass beneath my feet,” Kestrel told him. “Someone’s going to see you.” “I don’t care.” “But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing. Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away. He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer. “Perfect,” she said. “Almost.” She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said. The air smelled like new leaves. “You said you trusted me.” “I did.” He added, “I do.” “You are a dream.” He smiled. “I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.” Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.” Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned. The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass. She closed her eyes, and tried to find her way back into her dream.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
China during the Mao era was a poor country, but it had a strong public health network that provided free immunizations to its citizens. That was where I came in. In those days there were no disposable needles and syringes; we had to reuse ours again and again. Sterilization too was primitive: The needles and syringes would be washed, wrapped separately in gauze, and placed in aluminum lunch boxes laid in a huge wok on top of a briquette stove. Water was added to the wok, and the needles and syringes were then steamed for two hours, as you would steam buns. On my first day of giving injections I went to a factory. The workers rolled up their sleeves and waited in line, baring their arms to me one after another – and offering up a tiny piece of red flesh, too. Because the needles had been used multiple times, almost every one of them had a barbed tip. You could stick a needle into someone’s arm easily enough, but when you extracted it, you would pull out a tiny piece of flesh along with it. For the workers the pain was bearable, although they would grit their teeth or perhaps let out a groan or two. I paid them no mind, for the workers had had to put up with barbed needles year after year and should be used to it by now, I thought. But the next day, when I went to a kindergarten to give shot to children from the ages of three through six, it was a difference story. Every last one of them burst out weeping and wailing. Because their skin was so tender, the needles would snag bigger shreds of flesh than they had from the workers, and the children’s wounds bled more profusely. I still remember how the children were all sobbing uncontrollably; the ones who had yet to be inoculated were crying even louder than those who had already had their shots. The pain the children saw others suffering, it seemed to me, affected them even more intensely than the pain they themselves experienced, because it made their fear all the more acute. That scene left me shocked and shaken. When I got back to the hospital, I did not clean the instruments right away. Instead, I got hold of a grindstone and ground all the needles until they were completely straight and the points were sharp. But these old needles were so prone to metal fatigue that after two or three more uses they would acquire barbs again, so grinding the needles became a regular part of my routine, and the more I sharpened, the shorter they got. That summer it was always dark by the time I left the hospital, with fingers blistered by my labors at the grindstone. Later, whenever I recalled this episode, I was guilt-stricken that I’d had to see the children’s reaction to realize how much the factory workers must have suffered. If, before I had given shots to others, I had pricked my own arm with a barbed needle and pulled out a blood-stained shred of my own flesh, then I would have known how painful it was long before I heard the children’s wails. This remorse left a profound mark, and it has stayed with me through all my years as an author. It is when the suffering of others becomes part of my own experience that I truly know what it is to live and what it is to write. Nothing in the world, perhaps, is so likely to forge a connection between people as pain, because the connection that comes from that source comes from deep in the heart. So when in this book I write of China’s pain, I am registering my pain too, because China’s pain is mine.
Yu Hua (十個詞彙裡的中國)
Confused, I followed Robin into the back room, where he began sorting through carefully wrapped canvases that hadn’t been stored in the vertical racks lining the wall yet. Finally he located three large portrait-sized ones and propped them against a wall, lined up in a row like a triptych. Then he stripped off the coverings. “Holy shit,” I breathed, staring at myself. Well, it was me, yet not really. I mean, clearly it was, but not anything like I’d ever seen myself.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Sure, I had been accused of murder by my family and was wrapped up in a bizarre investigation, but there were such cute boys involved. Hey, I try to look on the bright side.
Tamara Summers (Never Bite a Boy on the First Date)
Someday Tatiana must tell Alexander how glad she is that her sister Dasha did not die without once feeling what it was like to love. Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breathtaking, aching youth. And yet, the war was on, and his men had already died and frozen and starved... and his mother and father were gone... and he was far away from home, and getting farther and farther, and every day was his last—one way or another, every day was his last. And yet, he smiles, he shines, he is happy. Anthony is gone so long that his daughters say something must have happened to him. But then he appears. Like his father, he has learned well the poker face and outwardly remains imperturbable. Just as a man should be, thinks Tatiana. A man doesn’t get to be on the President’s National Security Council without steeling himself to some of life’s little adversities. A man doesn’t go through what Anthony went through without steeling himself to some of life’s little adversities. In this hand Anthony carries two faded photographs, flattened by the pages of the book, grayed by the passing years. The kitchen falls quiet, even Rachel and Rebecca are breathless in anticipation. “Let’s see...” they murmur, gingerly picking up the fragile, sepia pictures with their long fingers. Tatiana is far away from them. “Do you want to see them with us, Grammy? Grandpa?” “We know them well,” Tatiana says, her voice catching on something. “You kids go ahead.” The grandchildren, the daughter, the son, the guests circle their heads, gaping. “Washington, look! Just look at them! What did we tell you?” Shura and Tania, 23 and 18, just married. In full bloom, on the steps of the church near Lazarevo, he in his Red Army dress uniform, she in her white dress with red roses, roses that are black in the monochrome photo. She is standing next to him, holding his arm. He is looking into the camera, a wide grin on his face. She is gazing up at him, her small body pressed into him, her light hair at her shoulders, her arms bare, her mouth slightly parted. “Grammy!” Rebecca exclaims. “I’m positively blushing. Look at the way you’re coming the spoon on Grandpa!” She turns to Alexander from the island. “Grandpa, did you catch the way she is looking at you?” “Once or twice,” replies Alexander. The other colorless photo. Tania and Shura, 18 and 23. He lifts her in the air, his arms wrapped around her body, her arms wrapped around his neck, their fresh faces tilted, their enraptured lips in a breathless open kiss. Her feet are off the ground. “Wow, Grammy,” murmurs Rebecca. “Wow, Grandpa.” Tatiana is busily wiping the granite island. “You want to know what my Washington said about you two?” Rebecca says, not looking away from the photograph. “He called you an adjacent Fibonacci pair!” She giggles. “Isn’t that sexy?” Tatiana shakes her head, despite herself glancing at Washington with reluctant affection. “Just what we need, another math expert. I don’t know what you all think math will give you.” And Janie comes over to her father who is sitting at the kitchen table, holding her baby son, bends over Alexander, leans over him, kisses him, her arm around him, and murmurs into his ear, “Daddy, I’ve figured out what I’m going to call my baby. It’s so simple.” “Fibonacci?” She laughs. “Why, Shannon, of course. Shannon.” The
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
You are unhurt, Frau Steadman?” The genuine concern in his voice brought tears to her eyes. “I’m unhurt. Thank you, Mr. Ollenburger.” A sob of relief broke the last word in half. “You get up now.” In the dim glow of a single lantern, she watched him remove his coat. He wrapped it around her as he helped her to her feet. “We get you to the house.” “Your shariah … The chair, my teacup …” She muttered nonsensically as he guided her across the ground. Her teeth chattered despite the comforting warmth of his coat and his heavy arm around her shoulders. “I’m so sorry.” “You have no need for sorry.” His calm voice was incongruous to the storm that continued to rage. Snowflakes danced on the wind, stinging her cheeks. “You are safe now. That is all that matters.
Kim Vogel Sawyer (Waiting for Summer's Return (Heart of the Prairie #1))
Western Texas was just flat road amid the dusty plains as far as the eye could see. Alexander was driving and smoking; he had turned off the radio so he could hear Tatiana better—but she had stopped speaking. She was sitting on the passenger side with her eyes closed. She had been telling him and Anthony soothing stories of some of her pranks in Luga. There were few stories Alexander liked better than of her child self in that village by the river. Is she asleep? He glances at her, squeezed in around herself in a floral pink wrap dress that comes down to a V in her chest. Her glistening, slightly tender, coral nectar mouth reminds him of things, stirs him up a little. He checks to see what Anthony is doing—the boy is lying down facing away, playing with his toy soldiers. Alexander reaches over and cups a palmful of her breast, and she instantly opens her eyes and checks for Anthony. “What?” she whispers, and no sooner does she whisper than Anthony turns around, and Alexander takes his hand away, an aching prickle of desire mixed with frustration all swollen behind his eyes and in his loins.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Wyatt!” She ran to meet him. “Wyatt! Please wait!” A sudden gust of wind dislodged her hat and sent it tumbling down the platform. The long pink ribbons lifted, dancing wildly in the warm wind. The movement caught his eye. He saw her then, and he stopped dead still, an incredulous smile spreading over his face. She waited, not daring to breathe, until Wyatt dropped everything and ran toward her, arms outstretched. The wind caught his hat too and sent it rolling along the platform until it came to rest beside hers. He lifted her into his arms and spun her around. She laughed out loud, her face tipped to the bright summer sky. Wyatt set her on her feet and kissed her thoroughly, oblivious to the handful of passengers still milling about the platform. She wrapped her arms around him and kissed him back for all she was worth, pouring into it all of her love and gratitude and hope. He smiled down at her. “You’re really here!” “Yes.” “No more doubts?” “None.” She hooked her arm through his and smiled up at him through a blur of happy tears. “Buy me a ticket?” “Just like that?” “Mariah will send my things.” She grinned, imagining her friend’s shock at such impulsiveness. But she didn’t want to wait another second to start her future with Wyatt. “It’s fine with me, darlin’, but our friends would never forgive us if we deprived them of a wedding . . . and the chance to say ‘I told you so.’ ” She heaved a mock sigh. “I suppose you’re right. There’s no hope for it, then. I reckon we’ll have to hold a wedding.” He wrapped one arm tightly around her waist. “You’re ready to be a rancher’s wife?” “Just try to stop me.” He grinned. “No thank you. I’ve seen what happens when you make up your mind to do something.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
Two pairs of strangers performed. Jane watched them. Mr. Nobley watched her. Then it was her turn. She curtsied to the audience, to Mr. Nobley, and faced him in the center of the floor. All eyes watched them. Jane looked for Martin in the crowd. Maybe I really don’t want this, she thought. This is summer camp. This is a novel. This isn’t home. I need something real. Root beer and disposable umbrellas and bare feet real. “I believe we must say something.” It was Mr. Nobley who spoke. “Sorry,” she said. “Are you unwell tonight?” “Do I look unwell?” He smiled. “You are baiting me. It will not work tonight, Miss Erstwhile. I am completely at ease. I might even say, I am quite content.” Jane pushed the air out of her lungs. Part of her very much wanted to banter and play, to twirl and laugh, to be Miss Erstwhile and fall in love with Mr. Nobley (fall back in love?), but she felt herself on that razor’s edge, talking toe to heel like a gymnast, and when she fell this time, she wanted to be on the real world side, away from heartless fantasy, into the tangible. Then, with his hand on her waist to lead her through another figure, Mr. Nobley smiled at her again, and she clean forgot what she wanted. Him, him, him! she thought. I want him and this and everything, every flower, every strain of music. And I don’t want it wrapped up in a box--I want it living, around me, real. Why can’t I have that? I’m not ready to give it up. The first number ended, the group applauded the musicians. Mr. Nobley seemed to applaud Jane. “You look flushed,” he said. “I will get you a drink.” And he was gone. Jane smiled at his back. She liked a man in tails. Something bumped her elbow. “Excuse me…of, it is you, Jane, dear,” said Aunt Saffronia. She’d been watching Mr. Nobley as well, and her expression was still misty with contemplation. “Where is your partner off to?” “He is fetching me a drink,” said Jane. “I’ve never seen him so attentive. Or so at ease.” “Nor I, not in the four years I have known him. He is acting like a proper gentleman in love, is he not? I might almost say that he looks happy.” Aunt Saffronia was thoughtful, and while she stared, she idly bit her fingernail right through her glove. “Is he in love?” asked Jane. She was feeling bold in her bridal gown. “Hm, a question only hearts can answer.” She looked fully at Jane now and smiled approvingly. “Well, you are a confection tonight! And no wonder.” Aunt Saffronia leaned in to touch cheeks and kiss, and Jane caught a trace of cigarette smoke. Could the dear lady be the unseen smoker? What a lot of secrets in this place, thought Jane. She’d never before considered that Austen didn’t just write romances and comedies, but mysteries as well.
Shannon Hale (Austenland (Austenland, #1))
Something welled inside at her fearful tone. Jake darted forward, his feet digging into the sand. The shadows clarified. Meridith went down hard; the guy came down on her. Jake honed in on him. As he neared, he heard Meridith struggling. He grabbed the guy’s shirt, hauled him up. He heard a ripping sound, and then his fist found its mark. The loud pop was gratifying. Sean hit the sand, moaning. Jake braced his feet, ready—eager—to have another go at him. The kid only rolled to his other side. A sound at his feet drew his attention. “Meridith.” He dove to his knees beside her. “I’m okay.” He helped her sit up. She looked impossibly small. Behind him, Sean was standing, staggering. Jake stood, placing his body between them. Sean held up his hands, surrendering. “Hey, man, didn’t mean nothin’ . . . just flirting with the girl.” Jake took a step, ready to plant his fist in the guy’s face. A hand, surprisingly firm, on his leg stopped him. “Don’t, Jake.” He took a breath. Tried to calm himself. He wanted to plow the guy down and show him what it felt like to be powerless. Make him feel as powerless as Meridith had. Jake had no doubt he could do it. Apparently, neither did Sean. He was backing away toward the house. “Sorry, Meridith. Swear I didn’t mean nothin’.” The words meant squat to Jake. He clenched his fists at his side. Dirtbag. “Let him go.” Meridith’s voice, all tired and shaky, was the only thing that stopped him. He should call the cops and have the guy hauled off. Then he thought of the squad car pulling up to Summer Place, lights spinning. Summer Place didn’t need the bad publicity. The kids didn’t need the distress. He looked down at Meridith, huddled in the sand. She didn’t either. Jake glared at Sean. “Pack your things and get out of here. Now.” Sean stopped and turned. “What am I s’posed to tell my friends?” “Couldn’t care less.” Sean shifted in the sand, grabbed the railing. Finally he turned and stumbled up the beach steps and across the yard. Jake turned to Meridith. She’d pulled her knees to her chest, wrapped her arms around them. He extended his hands and she took them. They were icy cold. He pulled her to her feet, then took her chin and turned her face into the moonlight. He scanned her face for damage and found none. Just dazed eyes and chattering teeth. “You okay? He hurt you?” She shook her head. He could feel her trembling. He remembered feeling something on the sand and stooped to collect a bulky robe. Downwind, he shook out the sand, then draped the robe over her shoulders. The weight of it buckled her knees. He caught her around the waist. She came into his arms willingly. Jake tucked the robe around her, freed her hair, and the wind stole it from his fingers. She shivered. He could feel her cold fists through his shirt, tucked into his stomach. “You’re cold.” He wrapped his arms around her, turned his back to the wind. Shallow puffs of breath hit his chest, warm and quick. He cradled her head in his palm. She was so small. Helpless. What would’ve happened if he hadn’t come? And where was Lover Boy when Meri needed him? Halfway across the country. He ground his teeth together, fighting the anger that had barely begun to simmer. “The
Denise Hunter (Driftwood Lane (Nantucket, #4))
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
Peter May (Coffin Road)
Here I am!” Captain East was cantering his mount toward them. He rode beautifully, confidently. Molly’s family spent their summers in the country, and she used to say that the way a man rides a horse could give you a pretty good idea how he would do something else. Jane eyed Mr. Nobley on his mount, noted that he was a smooth, gentle rider. The surprise of thinking this while wearing a bonnet made Jane choke. Her breath snarled in her throat, and she laughed. Mr. Nobley’s eyes widened. “What’s funny? You often have some secret laugh, Miss Erstwhile.” “The way you have some secret displeasure?” “No, not displeasure,” he said, and she realized he was right. Sadness, or heartbreak, or grief that there was nothing to give him hope, perhaps. She was pretty sure now that he was Henry Jenkins, poor sop. Captain East reined in beside Jane. “Miss Heartwright had a headache and went inside. So sorry to neglect you, Miss Erstwhile. You must tell me what I missed.” “I’ve discovered that Miss Erstwhile is an artist,” Mr. Nobley said. “Is that so?” “It’s been years since I picked up a paintbrush.” She glared at Mr. Nobley, and zing, there was his smile again, brief, urgent. When his lips relaxed she wanted it to come back. “That is a shame,” said Captain East. That evening when Jane retired from the drawing room, she found a large package on her side table wrapped in brown paper. She ripped open the paper and out tumbled neat little tubes of oil paints and three paintbrushes. She saw now that an easel waited by the window with two small canvases. She felt very Jane Eyre as she smelled the paints and ticked her palm with the largest brush. Who was her benefactor? It could be Captain East. Maybe he still liked her best, even after his tete-a-tete with Miss Heartwright. It could happen. Even so, she found herself hoping it was Mr. Nobley. Instinct urged her to stomp on the hope. She ignored it. She was firmly in Austenland now, she reminded herself, where hoping was allowed. Did Austen herself feel this way? Was she hopeful? Jane wondered if the unmarried writer had lived inside Austenland with close to Jane’s own sensibility--amused, horrified, but in very real danger of being swept away. Ten days to go.
Shannon Hale (Austenland (Austenland, #1))
St-Joseph-Du-Moine and Chéticamp in Cape Breton are awash with natural beauty. Little else is as powerful and moving as its setting sun, the particular scent of the ocean, or the mountains wrapped in multi-coloured fabric. Some who grow up here tend to remain, raising their families, generation after generation. Those who don’t want to leave but must to find work, often yearn to come home, returning for the occasional weekend, a few weeks’ vacation, to summer homes, or to retire in order to satisfy their yearning to stay connected to their roots and to the land. This place lures outsiders too; they come to witness the landscape or even to make their homes in our Acadian niche. In my novel, Laura’s Story, Laura leaves the village as a young girl, but as she grows older, she longs for her home and feels a distinct pull to reconnect to her native village of Chéticamp. What is it about home that holds us there or beckons us to return?
Julie Larade (Laura's Story)
Green light,” she called, and I watched Becky run ahead until she was just a few inches from Michelle. Kayla was right next to her. Just as she reached out to tag Michelle, Kayla pushed into Becky’s back hard, and Becky flew forward. I gasped. Michelle turned around as Kayla tagged her arm. Becky fell at Michelle’s feet. She wrapped her arms around Michelle’s legs to catch herself. Michelle fell forward onto her knees, and Becky bumped her mouth against Michelle’s shoe. “Time!” I called, stopping the game. “Sis, you all right?” Heather asked Michelle. Michelle didn’t answer. She looked at Becky who was on her knees, staring at the ground. “You okay?” I asked Becky. She started to cry. I didn’t know if she really was hurt or just looking for attention. I sighed and looked away, waiting for her to start screaming her head off. Luke ran over to us. He looked at her, pointed, and cried, “Beck, you’re bleeding!” I looked up. Blood was trickling out of her mouth. She gasped. I glared at Luke for scaring her. He closed his mouth. Becky opened hers wider. “Kayla, why are you such a little brat?” asked Michelle, slapping off the grass stuck to her knees. “It was an accident!” Kayla insisted. “Yeah right!” Michelle yelled, “You just wanted to win! It’s just a game!” Kayla stood there looking guilty. I looked at Becky and noticed that one of her teeth was missing. I looked down, found a piece of white on the ground, and picked it up with my thumb and pointer finger. It was Becky’s tooth. “Becky, look!” I said, holding it up, “You lost your first tooth!” - The Castle Park Kids
Laura Smith
She stood before him in a pale green dress, her hair unbound and tumbling down her back, her smile –the one he should have seen days ago –was enough to light up the darkest night. His mouth had suddenly become dry and paralyzed, as if he’d been born without the ability to speak. Or swallow. Or think any coherent thought. Graeme felt all at once foolish, immature and unworthy. He was about to turn and run away like a boy, when Josephine all but flung herself into his embrace, twining her slender arms around his waist and resting her head against his chest. “Graeme,”she said, a note of glee in her voice. “I’ve waited a very long time for you.” The sensation of feeling foolish, immature and unworthy fell away as he wrapped his own arms around her. Why did I resist this for all these years? She pushed away slightly to look up at him. He studied every inch of her lovely face. Josephine was quite beautiful, with her creamy skin and oval shaped face. Her green eyes reminded him at once of the summer grass that lined a French countryside. Dark lashes surrounded those eyes –eyes that were sparkling with joy and excitement as they looked into his. A pert, little nose and deliciously looking full, pink lips, which he was quite certain would feel as soft as a whisper against his own. He wondered then if anyone would object if he married her now. This very day. This very moment. “Ye’re beautiful,”he said. Those cream colored cheeks turned a lovely shade of pink when he gave her the compliment. “Jose—”he stopped himself. “Joie, I ken I am wholly unworthy of ye, but would ye do me the distinct honor of marryin’me?” Josephine had already agreed to such, more than four years ago. She had learned, however, through his letters, that it had been quite important to Graeme that he be able to marry a woman of his own choosing. Her heart felt close to bursting from her chest. He was choosing her of his own free will. A joy-filled smile curved on her face and she flung her arms around his neck. “Aye, Graeme MacAulay, I will marry you.
Suzan Tisdale (Isle of the Blessed)
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
She was winter. The cold, cool stretch of emptiness that you think will consume you. The frigid bite you think won’t ever leave your bones, the one you try to pretend isn’t there, but can’t keep out of your head. She was fall and the scent of a fire, the crackle of heat, the coming of change you try to pretend won’t come, but does anyway, that you wait for the whole year, that you wish away when it finally comes. She was summer and the scorching warmth of sun and sin, the slick feel of lotion and the spray of ocean water, the salt of that taste on your tongue and the cool, crisp relief that comes over you when you dip inside the bottomless water. She was spring, the fresh sweet smell of jasmine and the honeysuckle temptation of light and love and beautiful rebirth that cannot be ignored. Willow was the phantom spark of all those things I loved and hated. The things that tested me. The things that healed, all wrapped up in that tempting silhouette, in the sweet surrender of her body pressed against mine and the whisper of a tease in every syllable that formed my name from her full, thick lips.
Eden Butler (Infinite Us)
War peers through the binoculars at the South China Sea, well wrapped up despite the high summer sun, and says, “Oh I can’t ever tell! It’s just another bloody damn bit of rock, if you ask me!” “But sir, if you look closely,” said the captain, “you will see that our people have put a flag on it.” “Oh!” War chuckles, patting his rolling belly within his coat. “Well, that’s something different, isn’t it?
Claire North (The End of the Day)
He found her in her private sitting room and closed the door behind him before she even rose to offer him a curtsy. “I wish you wouldn’t do that,” he said, wrapping his arms around her. She stiffened immediately. “I wish you wouldn’t do that,” she retorted, turning away her face when he tried to kiss her. “You don’t want me holding you?” he asked, kissing her cheek anyway. “I don’t want you closing the door, taking liberties, and bothering me,” she said through clenched teeth. He dropped his arms and eyed her curiously. “What is it?” “What is what?” She crossed her arms over her chest. “You were willing enough to be bothered last night, Anna Seaton, and it is perfectly acceptable that your employer might want to have a word or two with you privately. Dev said he saw you and Morgan in heated discussion after lunch. Is something troubling you? Those confidences you referred to last night, perhaps?” “I should not have trusted you with even that much of a disclosure,” Anna said, uncrossing her arms. “You know I intend to seek another position, my lord. I wonder if you’ve written out that character you promised me?” “I have. Because Val has yet to return, it remains in my desk. You gave me your word we would have the rest of the summer, Anna. Are you dishonoring that promise so soon?” She turned away from him, which was answer enough for Westhaven. “I am still here.” “Anna…” He stole up behind her and wrapped his arms around her waist. “I am not your enemy.” She nodded once, then turned in his arms and buried her face against his throat. “I’m just… upset.” “A lady’s prerogative,” he murmured, stroking her back.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
And when Valentine let the last tender melody fade up into the stars, he put his hands in his lap and hoped it was good enough for the woman he loved. He shifted to straddle the piano bench and wrapped his arms around Ellen’s waist. She curled up against his chest and held on to him as if she were drowning. “Damn you, Val Windham,” she breathed against his neck. “Damn you, damn you. All summer…” She stopped and drew in a shaking sob. He listened, his soul calm enough to absorb any reaction, as long as she was in his arms. “All summer,” she went on, “you climbed around on the roofs and in the trees, hanging bat houses, mucking stalls, wrecking your hands, when you can… My God, Valentine. My God.” She was shocked, Val got that much, but he wasn’t sure what the rest of her reaction was. “I have listened to you,” Ellen said earnestly. Not, I have listened to you play, or I have listened to your music. I have listened to you.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of
Charlotte Bee (SLAVE AT MY FEET)
I made a valiant attempt to mount Molasses, kicking hard off the ground. I swung up into the saddle—and nearly toppled right off the other side of the horse. I had to throw myself forward and wrap my arms around his neck to prevent this from happening, which was not very suave. I caught a glimpse of Summer giggling at my failure.
Stuart Gibbs (Bear Bottom (FunJungle, #7))
MY MOTHER’S PHLOX To send this to you toward the end of summer, I was forced to rebuild my desktop. Not in the old-fashioned way, With saw and eye laid alongside the board With some rue in my fingers, But I wanted to create phlox. Although, god knows, it can’t be done In three dimensions, as the earth Has so easily done it, but who can compete With the earth? No, I wanted only the words And they have lost themselves in the fields Or along the gravel road. It’s just as well. (Floks) n. pl. various plants of the genus Phlox, Having opposite leaves and flowers, With variously colored salverform corolla. Over the years the phlox have spread Even into the fields beyond the barn, Into the edge of the woods, inventions Of themselves in endless designs… They exhale their faint perfume summer after summer, And summer after summer it was my nightlong Intoxicant. It was my potion, my ragged butterfly, My faulty memory of my mother Who was the same age then, as I am now. As then, I was the same age you are now, When my mother planted these phlox in my garden. I’m sending them to you by UPS, Wrapped in plastic in a proper box. Take them out and stick them in water; Dig a good bed and spread the roots. They need almost no care. They cast their seed; they thrive on neglect. Later, they may change like the faces you love, Ravaged and ravishing from year to year.
Ruth Stone (Essential Ruth Stone)
Underhill had to fight with himself to remain in place. But something was already changing inside him. Something that had become familiar in the last year or so. He could feel the world subtly reordering itself as his father walked away; that strange feeling that he sometimes had and couldn’t explain, not even to himself, so certainly not to his mother or anyone else. But he couldn’t acknowledge it right now; he was afraid that if he didn’t know his way home, he might wander lost in unfamiliar neighbourhoods until the end of time; he might end up in a different country altogether. Soon Underhill couldn’t even hear his father’s footsteps but the panic subsided, and the world gradually began to settle around him, changing little by little, soft and gentle and pliant, like his mother’s embrace. He could hear the insect drone of a languid summer day and the silence of a Christmas Eve wrapped in snow. It tranquillised him. He looked up to find the buildings were all changed and very distant from him, like looking through the wrong end of a telescope. They were lit up from within with an incandescent golden light. They were like cathedrals floating in a changed sky; all the dreamy colours of a place where words ran out and art took over.
Simon Avery (Sorrowmouth)
After they toweled her off, Emeline grudgingly let them dress her in a pale gold gown that fell to the floor. A trail of delicate poplar leaves was sewn into the bodice. The leaves, stitched in ivory thread, trailed gently along the boatneck collar, as if blown there by a breeze. They were so finely wrought, she could almost see them moving. Next, the women braided her black hair into a knot at the nape of her neck, lacing it through with sprigs of Queen Anne's lace. Last, they took her sliced palm and carefully salved it, then wrapped it tight with slender strips of gauzy white cotton, fastening it with with a golden pin. "There," said the curvy brown attendant, her voice like summer rain. A smile ghosted her soft lips as she turned Emeline to the gilt mirror. "Look." In the polished smoky surface, Emeline found a stranger staring back. Gone was the broke musician who desperately needed new jeans, who wore her grandfather's oversized cardigan to keep him close, and who rarely remembered to brush her hair. The girl standing in the mirror had stepped straight out of a story. Her black eyes were dark pools in her pale face, and her cheekbones were dusted with gold to match her dress. She looked utterly foreign and strange.
Kristen Ciccarelli (Edgewood)
That first night, after she'd made sure the door was locked and turned out the lights, Diana climbed into the loft and got into bed. She could see Willa's silhouette below her, sitting on her haunches at the foot of the stairs. "Come on, girl, it's okay," she said, patting the bed, and Willa had gathered herself, trotting up the stairs and leaping onto the mattress, her tail rotating madly. She licked Diana's hand, sniffed her way around the perimeter of the bed, then turned herself around three times and curled up on her side, with her back against Diana's hip. Diana wrapped her arm around the dog's head, and Willa rested her muzzle on Diana's forearm. That was how they fell asleep.
Jennifer Weiner (That Summer)
I want to unfold him like a map, trace all his beginnings and endings, then wrap myself up in him, tight.
Lillian Empire, Still Summer Nights
I pulled her to me and wrapped her in my arms. Inhaling deep, I took in the smell that would forever remind me of this summer—faded floral perfume, coconut suntan lotion, and the beach. I wanted to bottle the scent and call it Valentina.
Vi Keeland (All Grown Up)
Do you think we could get away with something this intimate?” Louisa says to me as I flop down beside her on the blanket she’s spread for us. “Only if you consider upward of five hundred guests intimate.” She wrinkles her nose. “We’re still six months away, and I already want to scream at anyone who asks me my feelings about lilies.” I kiss her on the nose, and she rests her head on my shoulder. Her hair is wrapped around her head in two soft plaits, and in her plain cotton dress and crowned in the golden light of the evening, she looks like a painting of a summer deity. Persephone in her mother’s garden, with the sun on her shoulders. I place my hand upon my knee, palm up, and she weaves our fingers together.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Then I wondered if it would look weird if I wrapped up a few hot dogs to take with me for later.
Jenny Han (It's Not Summer Without You (Summer, #2))
When they called me in for an interview, I knew I had a chance, because I did well with first impressions, particularly when sober. It was everything following the first impression that troubled me. I could give you what you wanted. I just couldn’t keep giving it to you. Sitting across from me in a large conference room, an extremely put-together, reserved woman with long, curly brown hair asked, “What experience do you have with administrative work?” She wants honesty. “Well, I spent a summer as an intern at an office supplies business, but I don’t have a ton of experience.” I smiled and made a little face, as if to say, Can I really say that? As if I were a bit coy. “I graduated from UC Davis about a year ago, but stayed home with my baby,” I continued, “but I am a quick learner. I am very thorough.” My mother had told me once while I was sweeping out our motor home that I was “very thorough.” I stuck with it. “What do you think your greatest asset is?” She offered a quick smile between jotting notes. I noticed she was left-handed and that her blouse perfectly matched her cardigan. Humility. Tie it in with the honesty, Janelle. “I am willing to do whatever it takes to get the job done. If the firm needs me to scrub toilets, I’ll do it. I’m here to work and I don’t have too much ego wrapped up in that.” She smiled again, and I felt bolstered. You’re doing great, Janelle. “We are extremely focused on collaboration. What is your greatest weakness?” Captain Morgan. Nope. Don’t say that. “Oh, well, I think it must be that I can be a bit of a perfectionist. I don’t want to let things go if they aren’t perfect, or close, you know? So sometimes I get frustrated with people who don’t have the same focus as I do.” I failed to mention that I thought most people around me were fucking idiots who should lose their jobs. That if I thought things, they were true, even if I had no evidence for them, and that, frankly, I was not exactly shining in my own life, and threatened to leave my husband on the daily. And, speaking of daily, I drank at that exact interval, and used to chase my brother around the house with a large kitchen knife. I kept all that to myself and crossed my legs.
Janelle Hanchett (I'm Just Happy to Be Here: A Memoir of Renegade Mothering)
She doesn’t even try to get more from me and that’s not something I’m used to. I think I need to just fuck her and get her out of my system. I only want her because she’s not interested. That and I haven’t banged anyone since summer. That has to be the reason. She’s not my type, she’s not even pretty in her baggy old lady clothes. I lift my gaze up to her dark brown hair that’s always wrapped up tight in a bun and wonder if it’s as soft as it looks. If it’s long enough to wrap my fist in it while I…
Reese Rivers (Dance Butterfly Dance (Masked Duet, #1))
You have a lovely figure. You should show it off more, not hide it beneath those tatty jeans and T-shirts you're always wearing." Maggie turns in front of the mirror, pushing back her shoulders, feeling the soft fabric move about her bare legs. She doesn't feel like herself. "It's not very me." "You look beautiful." "But probably a little much... you know, for what is essentially just standing around in a field with a lot of other people drinking tea and admiring vegetables?" Lillian laughs. "Why should you care what other people think? Worrying about them will only stifle your own life. Trust me, everyone is far too wrapped up in themselves to worry about you, Maggie Oberon. You'll see." There is a force to her grandmother's words that surprises Maggie. "You will never be as young or as beautiful as you are today. Be bold. Seize the life that was meant to be yours. Make it magnificent.
Hannah Richell (The Peacock Summer)
Dreaming Of Hair" Ivy ties the cellar door in autumn, in summer morning glory wraps the ribs of a mouse. Love binds me to the one whose hair I've found in my mouth, whose sleeping head I kiss, wondering is it death? beauty? this dark star spreading in every direction from the crown of her head. My love's hair is autumn hair, there the sun ripens. My fingers harvest the dark vegtable of her body. In the morning I remove it from my tongue and sleep again. Hair spills through my dream, sprouts from my stomach, thickens my heart, and tangles from the brain. Hair ties the tongue dumb. Hair ascends the tree of my childhood--the willow I climbed one bare foot and hand at a time, feeling the knuckles of the gnarled tree, hearing my father plead from his window, _Don't fall!_ In my dream I fly past summers and moths, to the thistle caught in my mother's hair, the purple one I touched and bled for, to myself at three, sleeping beside her, waking with her hair in my mouth. Along a slippery twine of her black hair my mother ties ko-tze knots for me: fish and lion heads, chrysanthemum buds, the heads of Chinamen, black-haired and frowning. Li-En, my brother, frowns when he sleeps. I push back his hair, stroke his brow. His hairline is our father's, three peaks pointing down. What sprouts from the body and touches the body? What filters sunlight and drinks moonlight? Where have I misplaced my heart? What stops wheels and great machines? What tangles in the bough and snaps the loom? Out of the grave my father's hair bursts. A strand pierces my left sole, shoots up bone, past ribs, to the broken heart it stiches, then down, swirling in the stomach, in the groin, and down, through the right foot. What binds me to this earth? What remembers the dead and grows towards them? I'm tired of thinking. I long to taste the world with a kiss. I long to fly into hair with kisses and weeping, remembering an afternoon when, kissing my sleeping father, I saw for the first time behind the thick swirl of his black hair, the mole of wisdom, a lone planet spinning slowly. Sometimes my love is melancholy and I hold her head in my hands. Sometimes I recall our hair grows after death. Then, I must grab handfuls of her hair, and, I tell you, there are apples, walnuts, ships sailing, ships docking, and men taking off their boots, their hearts breaking, not knowing which they love more, the water, or their women's hair, sprouting from the head, rushing toward the feet.
Li-Young Lee (Rose)
In the summer of 1961, Segal taught an adult painting class in New Brunswick. The class was encouraged to make use of odd and unlikely materials in assemblages, and one woman brought to class a box of surgeon's bandages. Segal took some home, with the intention of wrapping them around one of his chicken wire framworks. Then a thought occurred to him: why not dip the cloth bandages in plaster, and apply them directly to the body? Segal sat on a chair and instructed his wife to cover him in soaked bandages. The new technique led to a few anxious moments when the plaster began to harden, heat up, and contract, and the artist lost a good portion of his body hair in the course of frantically removing the casts. With great difficulty, he was able to reassemble the pieces into a complete figure which he then placed on a chair. Next Segal provided an environment for his plaster effigy. The chair was moved up to a table, to which was nailed an old window frame. The result, entitled Man Sitting at a Table, marked the discovery of a new sculptural technique and a turning point in the artist's career. Segal has never looked back.
Sam Hunter (George Segal)
Ophelia Clark," James breathed. "I've been head over heels for you since the moment I laid my eyes on you. The very second I saw your blonde hair, your chunky Converse, and your oversized sweater that you were wearing in the middle of summer. I knew that I was wrapped around your finger, whether I liked it or not. It was like coming up for air. I love you senselessly. I'm in love with you. I saw this ring six months ago. It’s been stuffed in my nightstand drawer ever since. It was beautiful, and I knew that you deserved to have it on your finger. So, pretty girl, will you marry me?" -- Page 304-205
Cassidy Hudspeth (Red Summer)
Ophelia Clark," James breathed. "I've been head over heels for you since the moment I laid my eyes on you. The very second I saw your blonde hair, your chunky Converse, and your oversized sweater that you were wearing in the middle of summer. I knew that I was wrapped around your finger, whether I liked it or not. It was like coming up for air. I love you senselessly. I'm in love with you. I saw this ring six months ago. It’s been stuffed in my nightstand drawer ever since. It was beautiful, and I knew that you deserved to have it on your finger. So, pretty girl, will you marry me?" -- Page 304-305
Cassidy Hudspeth (Red Summer)
We moved to Eugene, Oregon, a small college town in the Pacific Northwest. The city sits near the source of the Willamette River, which stretches 150 miles north, from the Calapooya Mountains outside of town to its mouth on the Columbia. Carving its way between mountains, the Cascade Range to the east and the Oregon Coast Range to the west, the river defines a fertile valley where tens of thousands of years ago a series of ice age floods surged southwest from Lake Missoula, traveling over eastern Washington and bringing with their floodwaters rich soil and volcanic rock that now shore up the layers of its earth, alluvial plains fit for a vast variety of agriculture. The town itself is coated in green, hugging the banks of the river and spreading out up into the rugged hills and pine forests of central Oregon. The seasons are mild, drizzly, and gray for most of the year but give way to a lush, unspoiled summer. It rains incessantly and yet I never knew an Oregonian to carry an umbrella. Eugenians are proud of the regional bounty and were passionate about incorporating local, seasonal, and organic ingredients well before it was back in vogue. Anglers are kept busy in fresh waters, fishing for wild chinook salmon in the spring and steelhead in the summer, and sweet Dungeness crab is abundant in the estuaries year-round. Local farmers gather every Saturday downtown to sell homegrown organic produce and honey, foraged mushrooms, and wild berries. The general demographic is of hippies who protest Whole Foods in favor of local co-ops, wear Birkenstocks, weave hair wraps to sell at outdoor markets, and make their own nut butter. They are men with birth names like Herb and River and women called Forest and Aurora.
Michelle Zauner (Crying in H Mart)
He drags his hand over his face. “Would you be pissed if I already had condoms?” “Huh?” The question strikes me as weird at first, because he's the guy and he should have condoms and why the hell would I be mad about that and oh—oh. Okay. He already had condoms. That's why I should be mad. I mean, we haven't yet had sex in our several months of dating and he has condoms, presumably in the nightstand drawer because that's where he keeps flicking his gaze. And they're probably condoms from sexual exploits with another girl—a prettier girl, a better girl than I am. And now he finally won over his new girlfriend enough to do the deed so he'll just cock an eyebrow and flash that cute smile and ask if it's okay if he uses another relationship's leftovers for our first time. “Okay, whatever is going on in your head is wrong,” Jace says with a small chuckle. “Gosh, your face is adorable when you're internally freaking out.” “What am I supposed to think about this?” I ask in frustration. He leans over me and pulls open the nightstand drawer, taking out an unopened box of condoms. He shakes the box like a maraca to prove his point. “They're unopened. I bought a box a few weeks ago, you know, just in case.” “Why would I get pissed about that?” I ask. “It's much sexier than a guy wanting to jump my bones with no protection.” He shrugs. “I didn't want you thinking I was assuming we'd have sex, or I was pressuring you too soon by buying them, or—shit, I don't know.” He runs a hand through his hair. It makes his bicep grow taunt and the sight of it sends a fire through my belly. “I don't want to screw up anything with you.” His voice is resigned, hopeful and desperate all at the same time. “I love you so much, Bayleigh. And it sucks because it feels like everything I do or don't do has the potential to screw up this thing we have going on.” “This thing,” I say with a roll of my eyes, “is perfect.” I move closer and nuzzle against his chest. He wraps his arm around me. “We both overthink everything way too much,” he says.
Amy Sparling (Autumn Unlocked (Summer Unplugged, #2))
You're not the boy they knew; you're a man they don't recognize. Something marks you as separate, and they won't ever understand it." "Because I was cursed." It wasn't a question, and Belle knew she had to tread carefully. "It's more than that. The curse forced you to change, but the transformation was yours alone." "Not just mine." He stepped to her and brought her hands to his chest. Heat rose to her cheeks, but she leaned into the warmth. Lio tilted her chin up and kissed her, sending a shiver down her spine despite the summer heat. She pulled her hands from his and wrapped them around his neck, twining her fingers in his hair, trying to close any distance between them. Every kiss was like their first- capable of wrecking her and healing her in equal measure. A soft growl escaped his lips. She pulled away and looked up, watching as his blue eyes softened. "I was in that darkness for ten years before you gave me a reason to seek the light," he whispered.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
Whiskers taut, front teeth bared Shaking breath, round eyes scared Winter kept falling from the sky, building up under the windowsills, and crawling with frost over the panes. When clouds kept the sun from burning the frost away, Miri could see the outside world only as a grayish blur. So much time indoors, so much time with no one to talk to, was making her feel wretched. Her body ached, her skin itched as though she were wrapped tight in wool and could not stretch. The next time Olana dismissed the girls outside, Esa turned to Miri before leaving the classroom and gestured that she should follow. Miri sighed with anticipation. If Esa forgave her, perhaps the others would as well. Her determination to be just fine alone melted under the bright hope of making everything all right. She had one small task first. After waiting until all the girls left the classroom, Miri crept to the book shelf for a chance to return the volume of tales. She was standing on her tiptoes, inching the book back into place, when a sound at the door startled her. She jumped and dropped the book. "What are you doing?" asked Olana. "Sorry," said Miri, picking up the fallen book and dusting it off. "I was just . . ." "Just dropping my books on the floor? You weren't planning on stealing one, were you? Of course you were. I would have allowed you to borrow a book, Miri, but I won't tolerate stealing. In the closet with you." "The closet?" said Miri. "But I wasn't . . ." "Go," said Olana, herding Miri like a sulky goat. Miri knew the place, though she had never been in it. She looked back before stepping inside. "For how long?" Olana shut the door on Miri and clicked the lock. The sudden lack of light was terrifying. Miri had never been any place so dark. In winter Marda, Pa, and Miri slept by the kitchen fire, and in summer they slept under the stars. She lay on the floor and peered under
Shannon Hale (Princess Academy (Princess Academy #1))
That evening, after the show wrapped up, she needed to drop off her perfumes at a shop in Flatiron, so I decided to walk with her to the train. We decided to keep walking, summer lingered in the air, and we talked about everything—the Middle Eastern–Arab–South Asian–Muslim milieus that inspired us, how the first perfumer in the world was a woman in the Middle East, Tapputi, a chemist in Babylonian Mesopotamia, how the erasure of these histories from the dominant culture valued the noses of white men, how we faced snobbery and struggled to make the outsides of our brands, the packaging, match the quality of our scents, with money we hadn’t inherited.
Tanaïs (In Sensorium: Notes for My People)
I feel like summer. I feel like crashing waves, hot sand, sticky ice-cream cones, smoky charcoal, and fireworks, all wrapped up in skin.
Tiffany D. Jackson (Grown)
Celeste Blackmoore’s white tennis shoes kicked up decades of dust from the dried timbers of the old saloon floor. The desert air felt suffocating, like being wrapped in a wool blanket on a hot summer day. The smell of dry wood filled her nostrils and scratched at her throat. Dust motes hung in the slats of light that shone through the gaps in the barn board siding and around the boarded up windows.
Leighann Dobbs (Buried Secrets (Blackmoore Sisters Mystery, #4))
She longed to reach up, stroke his face, wrap her arms around his neck, and pull him closer. She longed to swim in his voice. She ached to drink the taste of his lips.
Tinthia Clemant (The Summer of Annah: A Midsummer's wish (The Seasons of Annah #1))
A First Kiss from Vexing the Highlander by Terry Spear in Enchanting the Highlander: Feeling panicked, she was afraid she wouldn’t make it down the corridor to her room in time before she was caught. Alban must have assumed the same thing and suddenly moved her against the wall with his hot body pressing indecently close and held her hostage. “Forgive me,” he breathed against her cheek. And then he moved his warm lips against her mouth and kissed her. A lady with the right upbringing would never, ever kiss a gentleman—or an untitled Highlander—let alone do so in the king’s own castle when he planned to marry her off to one of his loyal lords. She would never have kissed Alban back—or so she told herself—except to pretend she was not who she was, rather just a servant girl having a good time with one of the king’s honored guests. Yet, she gave into the kiss as if she’d been trained in the art of kissing, which, with the way Alban was kissing her back, she found it easy to follow his lead. She soaked up the feel of his warm mouth against hers, and the smoldering flame that ignited low in her belly and fanned the heat all the way through her, despite the chill in the corridor. His chest pressed against her breasts, making them tingle with the most delicious need. His manhood stirred against her waist, and she realized why her mother had warned her and her sister never to kiss a gentleman in such a manner. Indeed, not until she was wed to him, for she felt urges she’d never known she could experience. Womanly urges that compelled her to take this further. She wrapped her arms around his neck, Alban’s mouth smiling slightly against her lips, as she pressed him tighter. She thought if he was as close as he could be, whoever was about to pass them by—hopefully without stopping to speak—would not see her, as tall as Alban was. Though she was hoping the Highlander would not presume she was always this forward with a man whether she knew him or not. Yet she was thrilled beyond measure to enjoy his attentions, even if it was just to keep her reputation intact. But if the man stopped to speak with Alban, and the Highlander quit kissing her to speak with the person in kind, her character would be in tatters. “Ahem,” the male said, but continued to walk on by. She didn’t dare glance in his direction to see if she knew the man. Alban didn’t either, but she wasn’t sure if it was because he was so wrapped up in kissing her, or because he was afraid to reveal who she was. If Alban hadn’t been holding her so close, she would have melted right into the stone floor, her body boneless. His breathing was as labored as hers, his heartbeat pounding just as fast. He didn’t make a move to release her, waiting while the footfalls faded away. He smelled of summer and the woods, of freshly-washed, earthy male. And then the footsteps were gone. Yet even then, Alban didn’t let her go. “Wait, just a moment more.
Terry Spear (Enchanting the Highlander)
Okay, let’s do this.” “That’s my girl.” He kissed me hard before wrapping his arm around my waist and walking me toward the house. “I mean, honestly, how could they not love you and your bitchy personality?” “You’re such an asshole, Kash,” I hissed at the same second the front door opened and his mom stepped out. Oh good Lord, kill me now. This is where I need to run away. Mrs. Ryan’s eyebrows shot up to her hairline, and Kash tried to choke back his laugh but failed miserably. It felt like my stomach was simultaneously on fire and dropping. Not a good feeling, I was going to be sick. I was the freaking Queen of First Impressions with the Ryan family. When I’d met Kash at the beginning of last summer, I’d been a bitch to the extreme, and our first three run-ins had gone over about as well as a bale of turtles in a sprinting race. Now there I was, cussing in front of his mom in the first seconds of ever seeing her. I started feeling light-headed as I held my breath, waiting for Mrs. Ryan to tell me I was not good enough for her son, or to reprimand me. Instead she crossed her arms over her chest and leveled a glare at Kash that impressed even me. “What on earth did you say to the poor girl?” He raised his hands in surrender before wrapping his arm around me again. “No clue what you’re talking about. And why do you automatically think it had to be something I did?” “Because I know you, Logan.” “Eh . . . so anyway. Mom, this is Rachel. Rachel, this is my mom.” She brushed back a chunk of black hair that had fallen into her eyes and smiled brightly at me. I still felt like I was frozen and didn’t know how to breathe properly. “Rachel, it’s so good to meet you, honey!” I almost blurted out “But I just called your son an asshole right in front of you!” Instead I plastered a smile on my face and tried to relax my body as Kash let go of me and she wrapped me in a hug. “It’s nice to meet you too. Thank you for having us to dinner.” “Of course”—and then softer, so only I could hear—“he gets the obnoxious, asshole gene from his father. But, unfortunately, it’s one of the things I love most about my guys. You just get used to it and become a master at slyly flipping them off with a smile.” My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
It was a gift from her husband, Prince Albert--though he neglected to wrap it--in 1852, and soon Queen Victoria had dubbed Balmoral, a remote 50,000-acre Scottish estate, “my dear paradise in the highlands.” For generations since, usually in summer, the royals have immersed themselves in local culture: donning kilts, downing kippers and eggs and waking each morning to a lone piper playing outside the Queen’s bedroom window. Removed from many of their daily duties and the paparazzi, the royals are free to mix with the locals: e.g., playing in cricket matches organized by Prince Edward and showing off their Scottish folk-dancing skills at an annual ball for the estate’s workers. Sound like fun? You can do it too. For many years the Queen has rented out several historic cottages on the grounds--some within 300 yards of the castle--for up to $2,000 a week.
People Magazine (People: The Royals: Their Lives, Loves, and Secrets)
And I promise you, when it’s right, you won’t ever want to lose her. Not for an hour. Not for a second. Not for a nanosecond. Because it’s the people we make our lives with that make our lives. Not our careers or titles or bank accounts. I have nothing without her, even though from the outside it looked like I had everything. I am nothing without her. An empty shell of a man with a stupid crown and some shockingly big crown jewels. But because of her, I have everything. I have two children who will have their dad wrapped around their little, tiny pinky fingers forever, I have someone to share my life with, someone to laugh with and fight with, someone to make up with, and someone to love. And the very best thing in the world is if you love someone intensely and wildly and unconditionally, and she loves you right back.
Melanie Summers (The Royal Delivery (Crown Jewels, #3))
Who is going to save our Church?” asked Archbishop Sheen. “Do not look to the priests. Do not look to the bishops. It’s up to you, the laity, to remind our priests to be priests and our bishops to be bishops.” If the dismal summer of 2018 is to produce any good result, it will be by underlining that message. The loyal Catholic laity, stirred by anger into action, will demand an end to the corruption of the Church and a full return to her evangelical purpose. At the turn of the seventh century, Pope Gregory the Great spoke in a homily about a failing of bishops that “discourages me greatly.” Accusing himself of the same weakness that he saw among his brother bishops, he said, “We abandon the ministry of preaching and, in my opinion, are called bishops to our detriment, for we retain the honorable office but fail to practice the virtues proper to it. Those who have been entrusted to us abandon God, and we are silent. They fall into sin, and we do not extend a hand of rebuke. … We are wrapped up in worldly concerns, and the more we devote ourselves to external things, the more insensitive we become in spirit.” The mistaken belief that bishops always have the power to speak on behalf of “the Church” plays into the popular misconception that bishops could, if they wished, change unpopular Catholic doctrines. The perception of the Church as a multinational corporation, with bishops (and ultimately the pope) wielding executive control, encourages secular critics to argue that the hierarchy should tailor dogmas to match popular styles. Even the notion that doctrines should be established by public opinion reflects the clericalist mentality. It derives from the assumption that the Church is our possession, operating under our guidance. The truth, which bears constant repetition
Philip F. Lawler (The Smoke of Satan: How Corrupt and Cowardly Bishops Betrayed Christ, His Church, and the Faithful . . . and What Can Be Done About It)
A unique retail delivery chore that UPS drivers from the 1950s and 1960s remember was the “Fur Call,” known as the “F/C.” Major up-scale department stores, such as Saks Fifth Avenue and I. Magnin in California, kept their customers’ furs under refrigeration each summer. So each spring, drivers in affluent residential neighborhoods would pick up furs that they would later redeliver in the fall. Each Fur Call required a large box the size of a suitcase made of heavy steamer-trunk material secured by buckles. Drivers were trained in handling “m’lady’s fur.” We carefully folded the garment fur side in, attached the stub to the buttonhole (never the button), and wrapped the item in the tissue paper supplied in each box, provided a receipt, tipped our hat, and left leaving the customer the feeling that her valuable fur was in good hands.
Greg Niemann (Big Brown: The Untold Story of UPS)
They had always had a library room in the house, and it was filled floor to ceiling with hundreds of books. She spent many long blanket-wrapped winter days and hot summer afternoons lounging on the shaggy carpet, her stormy grey eyes scouring the pages, trying to soak up facts, adventures, or mysteries.
Lauren de Leeuw (Secrets in the Islands: A Sami Series Adventure)
Undergrad was still in session, wrapping up in the weeks as spring ebbed into summer, and younger versions of who she used to be scurried around them everywhere, backpacks weighing down their shoulders, messy buns atop their heads, iced coffees on hand to push them through their weekend cram sessions.
Allison Winn Scotch (Cleo McDougal Regrets Nothing)