Boudoir Quotes

What does one want when one is engaged in the sexual act? That everything around you give you its utter attention, think only of you, care only for you...every man wants to be a tyrant when he fornicates.

Woman is shut up in a kitchen or in a boudoir, and astonishment is expressed that her horizon is limited. Her wings are clipped, and it is found deplorable that she cannot fly. Let but the future be opened to her, and she will no longer be compelled to linger in the present.

I blinked at her. My shades were down and the hall was dark and to me, half-drugged and reeling, she seemed not at all her bright unattainable self but rather a hazy and ineffably tender apparition, all slender wrists and shadows and disordered hair, the Camilla who resided, dim and lovely, in the gloomy boudoir of my dreams.

I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.

A girl never can predict who might wander into her boudoir during a bubble bath.

It is only by sacrificing everything to sensual pleasure that this being known as Man, cast into the world in spite of himself, may succeed in sowing a few roses on the thorns of life.

The state of a moral man, is one of tranquillity and peace; the state of an immoral man is one of perpetual unrest.

Always wear sexy lingerie. Others may not see it, but trust me, they feel it.

A girl’s boudoir was sacred!

Your kitchen is not inferior to a queen's boudoir!' I replied with a pleasant smile, 'but we must leave it now; for the gentlemen may be cursing me for keeping them away from their duties in the kitchen so long.' We both laughed heartily.

To lie is always a necessity for women; above all when they choose to deceive, falsehood becomes vital to them.

Women are not made for one single man; 'tis for men at large Nature created them.

So it's happened. I close my eyes again, and blank out the boudoir. Instead the image of himm standing next to me inthe garden floats into my mind: he's strong, happy and similig. He's telling me that something told him to come and find me, and here I am. But he's gone. And now, my wait begins.

L'esthétique et les cosmétiques sont pour le boudoir. Je suis pour la vérité. La simple vérité pour un homme simple.

Believe me, Eugenie, the words "vice" and "virtue" supply us only with local meanings. There is no action, however bizarre you may picture it, that is truly criminal; or one that can really be called virtuous. Everything depends on our customs and on the climates we live in. What is considered a crime here is often a virtue a few hundred leagues away; and the virtues of another hemisphere might, quite conversely, be regarded as crimes among us. There is no atrocity that hasn't been deified, no virtue that hasn't been stigmatized.

One must feel sorry for those who have strange tastes, but never insult them. Their wrong is Nature's too; they are no more responsible for having come into the world with tendencies unlike ours than are we for being born bandy-legged for well-proportioned.

My Aunt Dahlia, who runs a woman's paper called Milady's Boudoir, had recently backed me into a corner and made me promise to write her a few words for her "Husbands and Brothers" page on "What the Well-Dressed Man is Wearing". I believe in encouraging aunts, when deserving; and, as there are many worse eggs than her knocking about the metrop, I had consented blithely. But I give you my honest word that if I had had the foggiest notion of what I was letting myself in for, not even a nephew's devotion would have kept me from giving her the raspberry. A deuce of a job it had been, taxing the physique to the utmost. I don't wonder now that all these author blokes have bald heads and faces like birds who have suffered.

The imagination serves us only when the mind is absolutely free of any prejudice. A single prejudice suffices to cool off the imagination. This whimsical part of the mind is so unbridled as to be uncontrollable. Its greatest triumphs, its most eminent delights consist in smashing all the restraints that oppose it. Imagination is the enemy of all norms, the idolater of all disorder and of all that bears the color of crime.

Dot wondered how she was to mention Phryne’s habit of strewing her boudoir with beautiful naked young men. She could not think of a method of introducing the subject and decided to leave it to Phryne to cope with.

The shrub that half concealed her was a malignant plant, a Madagascan tanghin tree with wide, box-like leaves with whitish stems, whose smallest veins distilled a venomous fluid. At a moment when Louise and Maxime laughed more loudly in the reflected yellow light of the sunset in the little boudoir, Renée, her mind wandering, her mouth dry and parched, took between her lips a sprig of the tanghin tree that was level with her mouth, and sank her teeth into one of its bitter leaves.

With a room of his own, a room at the top, he could proffer a temporary refuge to some lovely, fatigued, world-weary, sophisticated, black-turtlenecked, heavily-eyelinered girl he might lure up the stairs into his newspaper-strewn boudoir and onto his Indian-bedspreaded bed with the promise of artistic talk about the craft of writing, and the throes and torments of creation, and the need for integrity, and the temptations of selling out, and the nobility of resisting such temptations, and so forth. A promise offered with a hint of self-mockery in case such a girl might think he was pompous and cocksure and full of himself. Which he was, because at that age you have to be that way in order to crawl out of bed in the morning and sustain your faith in your own illusory potential for the next twelve hours of being awake.

Only once did Lori glimpse such an entity, supine on a mattress in the corner of its boudoir. It was naked, corpulent and sexless, its sagging body a motley of dark, oily skin and larval eruptions that seeped phosphorescence, soaking its simple bed.

Sex is what you think you want until you taste sensuality. Then, all of a sudden, you want more.

We are not in a mincing lady's boudoir; we are, as it were, two abstract beings in a balloon, who have met in order to speak out the truth.

A lady never shows her soul outside the boudoir.

Never may an act of possession be exercised upon a free being; the exclusive possession of a woman is no less unjust than the possession of slaves; all men are born free, all have equal rights: never may there be granted to one sex the legitimate right to lay monopolizing hands on the other, and never may one of these sexes, or classes, arbitrarily posses the other.

Oh, what a nation of moralists the Americans are! With what fervor do they relish bringing their sexual misconduct to light! A pity that they do not bring their moral outrage to bear on their president’s arrogance above the law; a pity that they do not unleash their moral zest on an administration that runs guns to terrorists. But, of course, boudoir morality takes less imagination, and can be indulged in without the effort of keeping up with world affairs—or even bothering to know “the whole story” behind the sexual adventure.

But physics? Physics is my dirty talk. It’s clean and neat, and simple and complex, and it makes perfect sense to me. It’s one of the few things that does. So, if you ever want to lure me into the boudoir, talk Newton to me.

From the two things one: either my husband is a brutal, jealous one, or he’s a refined man; in the first hypothesis, the best I can do is to revenge myself for his conduct; in the second, I would know not to burden myself; since I taste of pleasures, he’ll be happy for it if he’s honest: there’s not a refined man who doesn’t take pleasure at the spectacle of the happiness of the person he adores.

The key to feeling absolutely alive in your own skin lies in your ability to transform or channel your hardships and dark shadows into sensual energy.

According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.

Rafe hadn't sworn in front of a lady since he was fifteen and said something unacceptable in his mother's hearing. Though he'd been twice her size already, she grabbed him by his hair queue and dragged him to her boudoir, where she proceeded to wash his mouth out with lavendar soap. He had been vilely sick, to this day couldn't bear the scent of lavendar, anhd watched his tongue around females of all ages and social rank.

Truth to tell, the modern man is bored to tears in his home; so he goes to his club. The modern woman is bored outside her boudoir; she goes to tea-parties. The modern man and woman are bored at home; they go to night-clubs. But lesser folk who have no clubs gather together in the evening under the chandelier and hardly dare to walk through the labyrinth of their furniture which takes up the whole room and is all their fortune and their pride.

[To James Laughlin] It was pleasant to learn that you expected our correspondence to be read in the international salons and boudoirs of the future. Do you think they will be able to distinguish between the obfuscations, mystification, efforts at humor, and plain statement of fact? Will they recognize my primary feelings as a correspondent—the catacomb from which I write to you, seeking to secure some word from the real world, or at least news of the Far West—and sigh with compassion? Or will they just think I am nasty, an over-eager clown, gauche, awkward and bookish? Will they understand that I am always direct, open, friendly, simple and candid to the point of naïveté until the ways of the fiendish world infuriate me and I am poked to be devious, suspicious, calculating, not that it does me any good anyway? And for that matter, what will they make of your complex character?

É desprezando a opinião dos homens que você permanecerá na lembrança deles.

In Sicily where food is love and the street is a stage street food is more than a cheap meal it's Communion.

de suprimir para siempre la atrocidad de la pena de muerte, porque la ley que atenta contra la vida de un hombre es impracticable, injusta e inadmisible.

Não há homem que não queira ser déspota quando está com tesão.

DOLMANCE — Ah, there's nothing that can match fuck drained out of the depths of a pretty behind....'tis a food fit for the gods.

MADAME DE SAINT-ANGE — Divine teacher, will you resist the proposal? will you not be tempted by this sublime ass? See how it doth yawn, how it winks at thee!

MADAME DE SAINT-ANGE — [...] Courage, my angel, courage; bear in mind that it is always by way of pain one arrives at pleasure.

It is the hardships you face in life that produce sensual depth and evoke your creative genius.

Let your hardship inspire your sensuality.

...my mother took a younger man as a lover. They spent all day in her boudoir, festering in each other's company.

Raub’s quarters were gross. They were decorated like something out of a hunting lodge crossed with a whore’s boudoir from a bad Western film.

She is an abandoned little creature." Here Tink, who was in her boudoir, eavesdropping, squeaked out something impudent. "She says she glories in being abandoned," Peter interpreted.

Tell us about de Sade. You take him seriously as a thinker? A. You must. He is important. He represents the line from the Enlightenment philosophers who extol human reason and free will, in its cynical vein. He asks, If we are free to follow our passions, who can prevent us from following our desire to hurt others, to kill, to rape, to torture? Those are, he says, human passions; they are natural. Voltaire, Rousseau, Diderot, the freethinkers, lead, according to one view, to the guillotine and the Sadeian boudoir. Mr. Mason has understood this. He has shown it.

I lit fires because I didn’t know back then it was enough to see it in my head,” Zippo said. “I didn’t have to do it. That’s why people dig my boudoir photographs. Seeing it can be the same thing as doing it.

La imaginación es el aguijón de los placeres; en los de esta especie, lo regula todo, es el móvil de todo; ahora bien, ¿no se goza por ella? ¿No es de ella de la que proceden las voluptuosidades más excitantes?

the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch

Earlier that day, a typewriter bomb had exploded at a black market skin house over on Eel Street, sending words raining through the cardboard walls of the boudoirs and tattooing copies of the Machinist’s ‘Twelve Terms’ on the bodies of whores and patrons alike. Forty pieces of merch ruined. Their bodies had been obliterated by language, all traces of their sexuality buried beneath a storm of words. There was something horrific about the sight of those who had survived a typewriter attack. Their faces scarred with text, as if they had become hostages to some awful advertisement. A few of the victims took to working the streets around the library where bibliophiles sometimes paid them to satisfy their fantasies amid the desolate hush of the reading rooms and the deserted stacks where the only witnesses to this erotic pantomime of the blank body and its printed partner were other words.

ein hübsches mädchen sollte sich damit befassen zu ficken und niemals zu zeugen la philosophie dans le boudoir , ou les instituteurs immoraux | philosophy in the bedroom | die philosophie im boudoir oder die lasterhaften lehrmeister

That's one thing I like about you, Sarah Booth. You put your own personal style on a room. I'd call this boudoir pigsty. Yes sir, any man would find this an enticin' little love nest, if he didn't break his neck tryin' to get to the bed.

How, you will go on, how have they been able to convince rational beings that the thing most difficult to understand is the most vital to them? It is that mankind has been terrorized; it is that when one is afraid one ceases to reason; it is, above all, that we have been advised to mistrust reason and defy it; and that, when the brain is disturbed, one believes anything and examines nothing. Ignorance and fear, you will repeat to them, ignorance and fear - those are the twin bases of every religion.

Rather than fatigue your children's young organs with deific stupidities, replace them with excellent social principles; instead of teaching them futile prayers which, by the time they are sixteen, they will glory in having forgotten, let them be instructed in their duties toward society; train them to cherish the virtues you scarcely ever mentioned in former times and which, without your religious fables, are sufficient for their individual happiness; make them sense that this happiness consists in rendering others as fortunate as we desire to be ourselves.

As we sprinted from the Candle Room to the Music Club to the Boudoir to the Virtual Video Room, a song called “Interactive” played on a continuous loop in every room. Aech explained that this was a song Prince wrote exclusively for a Myst-like videogame he released with the same title.

There are times when a man has to forget his chivalry and talk turkey to the other sex. His ancestor, Sieur Pharamond, had realized this when, returning home from the Crusades rather earlier than had been expected, he found his wife in her boudoir singing close harmony with three troubadours.

Wdzięczność to najgorsze z upokorzeń. Nic tak nie zobowiązuje, jak korzystanie z cudzych dobrodziejstw. Nie ma wyjścia: albo odpłacić tym samym, albo też czuć się podle. Najmocniej odczują to ludzie dumni, którym wyświadczona łaska ciąży tak bardzo, iż jedynym uczuciem, na jakie ich stać, jest nienawiść do dobroczyńcy.

The Chinese, wiser than we, are most careful to avoid the perils of excessive numbers.

Para que havemos de vegetar estupidamente na terra, e ser esquecidos ao fechar os olhos?

Não há horror que não possa ser divinizado, nem virtude que não possa ser impugnada.

Do you belong to anyone?" he asked. "No," she whispered. "Good, because tonight, you belong to the the King of the Sea.

MADAME DE SAINT-ANGE — [...] Never give alms, my dear, I beseech you.

DOLMANCE — [...] One cannot always do evil; deprived of the pleasure it affords, we can at least find the sensation's equivalent in the minor but piquant wickedness of never doing good.

No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age. A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!

DOLMANCE — [...] O my friends, can there be an extravagance to equal that of imagining that a man must be a monster deserving to lose his life because he has preferred enjoyment of the asshole to that of the cunt, because a young man with whom he finds two pleasures, those of being at once lover and mistress, has appeared to him preferable to a young girl, who promises him but half as much!

DOLMANCE - But there is nothing unusual about that predilection; I have always thought as you. I still lament my father's death; when I lost my mother, I lit a perfect bonfire of joy...I detested her.

Non bisogna risparmiarsi: si devono abbellire le parole con le espressioni più appariscenti perché scandalizzino il più possibile. È bellissimo scandalizzare la gente! È tutto un piccolo trionfo per l’orgoglio che non va assolutamente disprezzato.

MADAME DE SAINT-ANGE — [...] 'Tis but folly in our parents when they foretell the disasters of a libertine career; there are thorns everywhere, but along the path of vice roses bloom above them; Nature causes none to smile along virtue's muddy track.

Ne kadar tuhaf olduğunu düşünürseniz düşünün, mutlak anlamda canice olabilecek tek bir eylem olmadığı gibi mutlak anlamda erdemli denilebilecek tek bir eylem de yoktur. Her şey bizim geleneklerimize ve içinde yaşadığımız iklime bağlıdır; burada suç olan şey yüz fersah daha aşağıda çoğu zaman erdem kabul edilir, bir başka yarımkürede erdem olarak görülen şey, tersine dönerek bizim için suç olabilir. Tek bir dehşet yoktur ki tanrısallaştırılmamış olsun, tıpkı gölge düşürülmemiş tek bir erdem olmaması gibi…

—Pues ahí, no aquí [...] siguen morando en nidos y en «boudoirs», en cortes de justicia y en oficinas los que nos aman; los que nos honran, vírgenes y hombres de negocios; abogados y médicos; los que prohíben, los que niegan, los que respetan sin saber por qué, los que alaban sin comprender; la todavía muy numerosa (alabado sea Dios) tribu de los decentes; que prefieren no ver; anhelan no saber; aman la oscuridad; esos todavía nos adoran, y con razón; porque les hemos dado riqueza, prosperidad, comodidad, holgura.

It is only by sacrificing everything to the senses' pleasure that this individual, who never asked to be cast into this universe of woe, that this poor creature who goes under the name of Man, may be able to sow a smattering of roses atop the thorny path of life.

You young maidens, too long constrained by a fanciful Virtue's absurd and dangerous bonds and by those of a disgusting religion, imitate the fiery Eugénie; be as quick as she to destroy, to spurn all those ridiculous precepts inculcated in you by imbecile parents.

Si hay algo extravagante en el mundo es ver a los hombres, que no conocen a su dios y lo que ese dios pueda exigir más que según sus limitadas ideas, querer, sin embargo, decidir sobre la naturaleza de lo que contenta o desagrada a ese ridículo fantasma de su imaginación.

But, they assure us, the people stand in need of one; it amuses them, they are soothed by it. Fine! Then, if that be the case, give us a religion proper to free men; give us the gods of paganism. We shall willingly worship Jupiter, Hercules, Pallas; but we have no use for a dimensionless god who nevertheless fills everything with his immensity, an omnipotent god who never achieves what he wills, a supremely good being who creates malcontents only, a friend of order in whose government everything is in turmoil. No, we want no more of a god who is at loggerheads with Nature, who is the father of confusion, who moves man at the moment man abandons himself to horrors; such a god makes us quiver with indignation, and we consign him forever to the oblivion whence the infamous Robespierre wished to call him forth.

LE CHEVALIER — ...One must feel sorry for those who have strange tastes, but never insult them. Their wrong is Nature's too; they are no more responsible for having come into the world with tendencies unlike ours than are we for being born bandy-legged or well-proportioned.

MADAME DE SAINT-ANGE — [...] If in all the world there is a mother who ought to be abhorred she is certainly yours! Superstitious, pious, a shrew, a scold...and what with her revolting prudery I dare wager the fool has never in her life committed a faux pas. Ah, my dear, how I hate virtuous women!

No more peeping through keyholes! No more masturbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter.

MADAME DE SAINT-ANGE — [...] My husband's whim is to have himself sucked, and here is the most unusual practice joined as a corollary to that one; while, as I bend over his face and cheerily pumping the fuck from his balls, I must shit in his mouth!...He swallows it down!... EUGENIE — Now there's a most extraordinary notion!

DOLMANCE — [...] the heaviest dose of agony in others ought, assuredly, to be as naught to us, and the faintest quickening of pleasure, registered in us, does touch us; therefore, we should, at whatever the price, prefer this most minor excitation which enchants us, to the immense sum of others' miseries, which cannot affect us;

Voluptuosos de todas las edades y sexos, sólo a vosotros dedico esta obra; nutrios con sus principios, porque favorecen vuestras pasiones, y ellas —de las que os espantan los moralistas fríos y vacíos— no son sino los medios de que se sirve la naturaleza para conducir a los hombres hacia los fines que les ha asignado. Atended esas deliciosas pasiones;

Let a simple philosopher introduce these new pupils to the inscrutable but wonderful sublimities of Nature; let him prove to them that awareness of a god, often highly dangerous to men, never contributed to their happiness, and that they will not be happier for acknowledging as a cause of what they do not understand, something they well understand even less; that it is far less essential to inquire into the workings of Nature than to enjoy her and obey her laws; that these laws are as wise as they are simple; that they are written in the hearts of all men; and that it is but necessary to interrogate that heart to discern its impulse. If they wish absolutely that you speak to them of a creator, answer that things always having been what now they are, never having had a beginning and never going to have an end, it thus becomes as useless as impossible for man to be able to trace things back to an imaginary origin which would explain nothing and do not a jot of good. Tell them that men are incapable of obtaining true notions of a being who does not make his influence felt on one of our senses.

I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.

Doctor controlled his anger. “Tom,” he said, “Tom, boy. Pull yourself together. Go back and lay cold cloths—cold as you can get them. I don’t suppose you have any ice. Well, keep changing the cloths. I’ll be out as fast as I can. Do you hear me? Tom, do you hear me?” He hung the receiver up and dressed. In angry weariness he opened the wall cabinet and collected scalpels and clamps, sponges and tubes of sutures, to put in his bag. He shook his gasoline pressure lantern to make sure it was full and arranged ether can and mask beside it on his bureau. His wife in boudoir cap and nightgown looked in. Dr. Tilson said, “I’m walking over to the garage. Call Will Hamilton. Tell him I want him to drive me to his father’s place. If he argues tell him his sister is—dying.

Voluptuosos de todas las edades y sexos, sólo a vosotros dedico esta obra; nutrios con sus principios, porque favorecen vuestras pasiones, y ellas —de las que os espantan los moralistas fríos y vacíos— no son sino los medios de que se sirve la naturaleza para conducir a los hombres hacia los fines que les ha asignado. Atended esas deliciosas pasiones; sólo ellas pueden conduciros a la felicidad. Mujeres

Is it not humiliating thus to become the toy of others' pride? Is it not yet more so to fall into indebtedness to them? Nothing is more burdensome than a kindness one has received. No middle way, no compromise: you have got to repay it or ready yourself for abuse. Upon proud spirits a good deed sits very heavily: it weighs upon them with such violence that the one feeling they exhale is hatred for their benefactors.

What is man? and what difference is there between him and other plants, between him and all the other animals of the world? None, obviously. Fortuitously placed, like them, upon this globe, he is born like them; like them, he reproduces, rises, and falls; like them he arrives at old age and sinks like them into nothingness at the close of the life span Nature assigns each species of animal, in accordance with its organic construction. Since the parallels are so exact that the inquiring eye of philosophy is absolutely unable to perceive any grounds for discrimination, there is then just as much evil in killing animals as men, or just as little, and whatever be the distinctions we make, they will be found to stem from our pride's prejudices, than which, unhappily, nothing is more absurd. If all individuals were possessed of eternal life, would it not become impossible for Nature to create any new ones? If Nature denies eternity to beings, it follows that their destruction is one of her laws. Now, once we observe that destruction is so useful to her that she absolutely cannot dispense with it, and that she cannot achieve her creations without drawing from the store of destruction which death prepares for her, from this moment onward the idea of annihilation which we attach to death ceases to be real; there is no more veritable annihilation; what we call the end of the living animal is no longer a true finis, but a simple transformation, a transmutation of matter, what every modern philosopher acknowledges as one of Nature's fundamental laws. According to these irrefutable principles, death is hence no more than a change of form, an imperceptible passage from one existence into another, and that is what Pythagoras called metempsychosis

DOLMANCE — In this world there is nothing dangerous but pity and beneficence; goodness is never but a weakness of which the ingratitude and impertinence of the feeble always force honest folk to repent. Let a keen observer calculate all of pity's dangers, and let him compare them with those of a staunch, resolute severity, and he will see whether the former are not the greater. But we are straying, Eugénie; in the interests of your education, let's compress all that has just been said into this single word of advice: Never listen to your heart, my child; it is the most untrustworthy guide we have received from Nature; with greatest care close it up to misfortune's fallacious accents; far better for you to refuse a person whose wretchedness is genuine than to run the great risk of giving to a bandit, to an intriguer, or to a caballer: the one is of a very slight importance, the other may be of the highest disadvantage

Mi baserò sui dogmi della religione cristiana per farmi un’idea… per raffigurarmi il vostro Dio orrendo? Be’, vediamo un po’ come mi si presenta… Cosa posso vedere nel Dio di questo culto infame, se non un essere incoerente e barbaro, che oggi crea un mondo, e domani si pente di averlo creato? Cosa posso vedere in lui se non un essere banale che non può mai far prendere all’uomo la piega che vorrebbe? Questa creatura, anche se emanata da lui, lo domina; può offenderlo e meritare per questo supplizi eterni! Che razza di Dio è!

Sensuality is for you, not about you. It’s for you in a sense that you are allowed to indulge all of your senses and taste the goodness of this world and beyond. It’s also for you in a sense that you’re allowed to curate and express yourself in an authentic way (i.e. in the way you dress, communicate, live, love, play, etc.). However, sensuality is not ABOUT you, it’s about those to whom you were brought here to touch and inspire. It’s about the joy and pleasure you’re here to bring. You didn’t come here for yourself nor empty-handed, but you came here bearing special gifts. You were brought here to be a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures. Your passion is an indication of the sensual gift(s) you were endowed with before you made your grand entry into this world. Your divine mandate now is to exploit every sensual gift you have to the fullest whether it’s music, photography, boudoir or fashion modeling, etc. If you have a love for fashion, always dress impeccably well like my friend Kefilwe Mabote. If you have a love for good food and wine, create culinary experiences the world has never seen before like chef Heston Blumenthal whom I consider as one of the most eminent sensual innovators in the culinary field. Chef Heston has crafted the most sensually innovative culinary experience where each sense has been considered with unparalleled rigour. He believes that eating is a truly multi-sensory experience. This approach has not only led to innovative dishes like the famous bacon and egg ice cream, but also to playing sounds to diners through headphones, and dispersing evocative aromas with dry ice. Chef Heston is indeed a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures in his own right and field. So, what sensual gift(s) are you here to use? It doesn’t have to be a big thing. For instance, you may be a great home maker. That may be an area where you’re endowed with the most sensual innovative abilities than any other area in your life. You need to occupy and shine your light in that space, no matter how small it seems.

MADAME DE SAINT-ANGE — [...] And is there anything more ridiculous than to see a maiden of fifteen or sixteen, consumed by desires she is compelled to suppress, wait, and, while waiting, endure worse than hell's torments until it pleases her parents, having first rendered her youth miserable, further to sacrifice her riper years by immolating them to their perfidious cupidity when they associate her, despite her wishes, with a husband who either has nothing wherewith to make himself loved, or who possesses everything to make himself hated?

I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.

¡Creedlo, ciudadanos, aquel a quien la espada material de las leyes no detiene tampoco se detendrá por el temor moral de los suplicios del infierno, de los que se burla desde su infancia!. En una palabra, vuestro teísmo ha hecho cometer muchas fechorías, pero jamás ha evitado una sola. Si es cierto que las pasiones ciegan, que su efecto es tender ante nuestros ojos una nube que nos oculte los peligros de que están rodeadas, ¿cómo podemos suponer que los que están lejos de nosotros, como lo están los castigos anunciados por vuestro dios, puedan llegar a disipar esa nube que no disuelve siquiera la espada de las leyes, siempre suspendida sobre las pasiones?

Restituiteci gli dèi del paganesimo! Adoreremo volentieri Giove, Ercole o Pallade, ma non vogliamo più saperne di quel fantomatico artefice dell’universo che invece si muove da solo, non vogliamo più saperne di un dio senza estensione ma che pure riempie tutto della sua immensità, di un dio che è onnipotente ma non realizza mai quello che desidera, di un essere immensamente buono ma che scontenta tutti, di un essere amico dell’ordine ma nel cui governo tutto è disordine. No, non vogliamo più saperne di un dio che sconvolge la natura, è padre di confusione, è motore dell’uomo che si abbandona agli errori; ma un dio simile ci fa fremere d’indignazione ed è giusto che lo releghiamo per sempre nell’oblio da cui quell’infame di Robespierre ha voluto trarlo!

All our ideas are representations of objects that strike us: what is to represent to us the idea of a god, who is plainly an idea without object? Is not such an idea, you will add when talking to them, quite as impossible as effects without causes? Is an idea without prototype anything other than an hallucination? Some scholars, you will continue, assure us that the idea of a god is innate, and that mortals already have this idea when in their mothers' bellies. But, you will remark, that is false; every principle is a judgment, every judgment the outcome of experience, and experience is only acquired by the exercise of the senses; whence it follows that religious principles bear upon nothing whatever and are not in the slightest innate. How, you will go on, how have they been able to convince rational beings that the thing most difficult to understand is the most vital to them? It is that mankind has been terrorized; it is that when one is afraid one ceases to reason; it is, above all, that we have been advised to mistrust reason and defy it; and that, when the brain is disturbed, one believes anything and examines nothing. Ignorance and fear, you will repeat to them, ignorance and fear—those are the twin bases of every religion. Man's uncertainty with respect to his god is, precisely, the cause for his attachment to his religion. Man's fear in dark places is as much physical as moral; fear becomes habitual in him, and is changed into need: he would believe he were lacking something even were he to have nothing more to hope for or dread.

Dear Carl: Here, on this paper, there are only you and me, and the things that each of us tries so hard to understand, clambering up through long, long researches into the past, and thinking ponderously and seeking, and finding that for which we looked a glorified question mark. It would be desirable to be flung, unfettered by consciousness, into the void, to sail unhindered through eternity. Please do not think that I am riding along on baseless words, covering threadbare thoughts with garrulous tapestries. I am not. It is the words which are inadequate. You know so much and I can tell you nothing, and I don't think I can even make you feel anything you have not felt more poignantly than I, who am a mummer in a brocaded boudoir. I wrote about miners' faces around a fire. Their bodies did not show in the light, so their yellow faces seemed like dangling masks against the night. And I wrote about little voices in the glens which were the spirits of passions and desires and dreams of dead men's minds. And Mrs. Russell said they were not real, that such things could not be, and she was not going to stand me bullying her into such claptrap nonsense. Those were not her words, it was was her meaning, and then she smiled out of the corner of her mouth as nurses do when an idiot child makes blunders. And I could not stand that, so I swore at her because I had been out all night to make my pictures. And now she is very cold, and she means to flunk me in the course, thinking that she can hurt me thus. I wish that she could know that I do not in the least care. I wish you were back, because you could understand the things I try to say, and help me say them better, and I know you would, because you did once.

Da tutto quel che m’avete detto, Dolmancé, mi pare proprio indifferente a questo mondo commettere del bene o del male; si tratta solo di restare in linea con i nostri gusti e il nostro temperamento? DOLMANCÉ: Non c’è dubbio, Eugénie, che le parole vizio e virtù sono puramente teoriche. Nessuna azione, per quanto singolare possiate supporla, è veramente criminale; e nessuna può realmente chiamarsi virtuosa. Tutto è in rapporto ai nostri costumi e all’ambiente in cui abitiamo; quello che appare un crimine qui, spesso è considerato una virtù a cento chilometri di distanza, e le virtù d’un altro emisfero potrebbero al contrario essere considerate da noi crimini. Non esiste orrore che non sia stato divinizzato, né virtù che non sia stata corrotta. Da certe differenze puramente geografiche deriva la scarsa considerazione in cui dobbiamo tenere la stima o il disprezzo degli uomini, sentimenti ridicoli o frivoli da superare, al punto anche di preferire senza timore il loro disprezzo se le azioni che ce lo fanno meritare ci procurano qualche voluttà.

E allora, vi domando, come farà un individuo sincero a non finire male in mezzo a una società di falsi? Se è vero, come lo è indiscutibilmente, che le virtù sono di qualche utilità nella vita civile, come volete che chi non ha volontà, potere o dono di una qualche virtù (caratteristica comune di moltissime persone), come volete che un tipo simile non sia essenzialmente obbligato a fingere per ottenere a sua volta un po’ della porzione di felicità che dei concorrenti gli rapiscono? E allora è proprio la virtù in sé o il suo aspetto esteriore, che diventa realmente importante per l’uomo in mezzo alla società? Non c’è dubbio che gli è sufficiente il suo aspetto esteriore; possedendo questo, ha tutto quanto occorre. Dal momento che a questo mondo ci si limita alla superficialità, non è sufficiente mostrare l’aspetto esteriore? Convinciamoci del resto che la pratica delle virtù non è utile che a colui che la possiede; gli altri ne traggono così scarsi vantaggi che, per quanto chi deve vivere con noi appaia virtuoso, è perfettamente lo stesso che poi in realtà lo sia o no. La falsità d’altronde è sempre un mezzo sicuro per riuscire; chi la possiede acquista necessariamente una specie di priorità su colui che è in relazione o in corrispondenza con lui: incantandolo con tutta una messa in scena, lo convince e ogni cosa gli va bene.

A few hours later, Jane came out of her boudoir to find her husband in his dressing gown, stretched out across the bed reading the newspaper and idly petting their spaniel Little Archer, a pup from Mrs. Patch’s brood. Seizing the moment, Little Archer leapt off the bed and into her dressing room, where he could chew up slippers to his heart’s content. Dom, however, didn’t even look up as she entered. “They’re calling this the most elegant coronation in history.” He snorted. “I noticed there’s no mention of its being the most interminable.” “Dom,” she purred as she closed the dog into the dressing room for the moment. “All that pomp and circumstance is so tedious.” Still reading, he turned the page of the newspaper. “Ravenswood told me that King William is determined to make sure that parliamentary reform is enacted.” She walked languidly forward. “Dom.” He snapped the paper to straighten it. “It’s about bloody time. I should think--” “Dom!” she practically shouted. “Hmm?” He glanced up, then frowned. “Why are you wearing your coronation robe?” “I was cold,” she said with a teasing smile. She let the robe fall open. “Since I have nothing on underneath.” Dom stared, then gulped. Unsurprisingly, his staff jerked instantly to attention. “If you’re trying to torture me,” he said hoarsely, “you’re doing a good job of it.” She sashayed toward the bed, letting the velvet and ermine robe swing about her. “No torture intended.” She put one knee on the bed. “Dr. Worth said I may resume relations with my husband whenever I am ready.” He blinked, then rose to his knees and seized her about the waist. “May I assume that you’re ready?” he rasped as he brushed a kiss to her cheek. “You have no idea.” She met his mouth with hers. They kissed a long moment, a hot, heavenly kiss that reminded her of how very talented her husband was at this aspect of marriage. She untied his dressing gown and shoved it off his shoulders. He had just finished tearing off his drawers when she shoved him down onto the bed. His eyes lit up as she hovered over him. “Ah, so it’s to be like that, my wicked little seductress?” “Oh, yes.” She grinned at him. “I do so enjoy having a viscount fall before me.” She started to remove her robe, but he stayed her with his hand. “Don’t.” He raked her with a heated glance. “Next session of parliament, I’ll endure the boredom of the endless speeches by imagining you seducing me in all your pomp and circumstance.” “My pomp is nothing to yours, my love,” she murmured as she caught his rampant flesh in her hand. “Yours is quite…er…pompous.” “That’s what happens if the viscount falls.” He thrust against her hand. “His pomp always rises.” And as she laughed, they created a pomp and circumstance all their own.

SAINT-ANGE: Ascoltami dunque, Eugénie. È assurdo affermare che appena una figlia esce dal ventre di sua madre deve, da quel momento, diventare vittima della volontà dei suoi genitori, per vivere così fino all’ultimo respiro. Non è certo in un secolo come l’attuale, con la personalità e i diritti dell’uomo approfonditi da poco con tanta cura, che le ragazze debbano continuare a credersi schiave delle loro famiglie, quando è risaputo che i poteri di queste famiglie su di loro sono assolutamente chimerici. Ora io mi domando se è giusto che una ragazza che comincia a capire e ragionare si sottometta a tali imposizioni. Non è insomma soltanto un pregiudizio che rinnova queste catene? Esiste nulla di più ridicolo del vedere una ragazza di quindici o sedici anni, bruciata dai desideri che è obbligata a dominare, tra tormenti peggiori di quelli dell’inferno, attendere che i suoi genitori, dopo aver reso la sua giovinezza disgraziata, si compiacciono di sacrificare anche la sua età matura, immolandola alla loro perfida cupidità e dandola sposa, suo malgrado, a uno che o non ha nulla per meritarsi il suo amore o ha tutto per meritarsi il suo odio? E no, no Eugénie! certe catene saranno presto spezzate! Una volta raggiunta l’età della ragione, una ragazza deve essere libera di andar via di casa, dove avrà ricevuto un’educazione razionale, ed essere padrona, a quindici anni, di divenire quello che vuole! Si darà al vizio? E che importa? I servizi resi da una ragazza che acconsenta a fare la felicità di tutti quelli che si rivolgano a lei, non sono infinitamente più importanti di quelli che offre al suo sposo stando segregata? Il destino d’una donna è essere come una cagna o una lupa; deve appartenere a tutti quelli che la vogliono. Unirla a un solo uomo con l’assurda schiavitù d’un matrimonio significa andare chiaramente contro il destino che la natura le impone. Speriamo che si aprano bene gli occhi e che, assicurando la libertà a tutti gli individui, non venga dimenticata quella delle infelici ragazze; ma se saranno tanto sfortunate da essere dimenticate, si mettano esse stesse al di sopra di ogni usanza e pregiudizio e spezzino coraggiosamente le ignominiose catene con cui si pretende di tenerle schiave! Allora sì che trionferanno sui costumi e le opinioni!