Wrapped With Single Quotes

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He would reach for me in the middle of the night, nearly every single night, wrapping one of those solid arms around my waist and pulling me in close. So. Close.
Chelsie Shakespeare (The Pull)
Hell, I’d keep her in Bubble Wrap if it weren’t so damn creepy and also inconvenient, considering I had a terrible habit of obsessively popping the damn things until not a single bubble was left.
Jennifer L. Armentrout (Opposition (Lux, #5))
I've found that when you're wrapped up in the process of dating and want so badly to have something work out with someone -anyone- it's easy to forget that your choices aren't limited to one person or the other. There's also the choice I always forget about: To not choose anyone in order to keep myself open to someone who IS right for me.
Rachel Machacek (The Science of Single: One Woman's Grand Experiment in Modern Dating, Creating Chemistry, and Finding Love)
At last he stopped, and she stared down at the printed column of words, unable to comprehend a single one. His hand, warm and steady, wound its way around hers, wrapping it like a spider would its prey. She surrendered it to him, unable to watch even as his thumb traced the place, just above her knuckles, where he had once written his number in deep violet. Isobel ceased to breathe. Her heart pounded in her chest, her thoughts shattering into senseless fragments. All the while, her eyes remained trained and unblinking on the open page. Lines without meaning stared up at her, little more than black sticks in an otherwise white world.
Kelly Creagh (Nevermore (Nevermore, #1))
I wanted Kat out. Every cell of my being demanded that I protect her, even though I knew she was hella capable of doing so herself, but I wanted her far away from here. Hell, I'd keep her in Bubble Wrap if it weren't so damn creepy and also inconvenient, considering I had a terrible habit of obsessively popping the damn things until not a single bubble was left.
Jennifer L. Armentrout (Opposition (Lux, #5))
i enclose two limp singles, i will make do with this thing till you find me a real Pepys. THEN i will rip up this ersatz book, page be page, AND WRAP THINGS IN IT.
Helene Hanff (84, Charing Cross Road)
Congratulations," he said, his voice dry. "You finally managed to find a woman as tragically noble as yourself. I didn't think one existed." "I'm not tragic." Kaldar held up his hand. "Spare me. Some children are born wearing a silk shirt; you were born wrapped in melancholy. When they slapped you to make you cry, you just sighed heavily and a single tear rolled from your eye." He dragged his finger from the corner of his left eye to his cheek. " Your first words were probably 'woe is me.'" "My first words were 'Kaldar, shut up!' because you talked too much. Still do.
Ilona Andrews (Steel's Edge (The Edge, #4))
I’ve never needed to wrap my arms around someone more than I do right now, and I’d give anything to have her here with me. To just be able to press my face in her hair and feel her arms around my waist, her hands on my back. There isn’t a single thing in this world that could comfort me like she could, but I didn’t tell her that. I couldn’t.
Colleen Hoover (November 9)
Eventually the man comes to see that he has a mind, and that his mind is like a fist, wrapped tightly around a single thought. He cannot open the fist to look at the thought, for fear that it will fly away, but he knows that it is very important and that he must hang on to it, no matter what the cost.
Ben Loory (Stories for Nighttime and Some for the Day)
He wraps an arm around me, and I swear we were once a single unit, a supercontinent divided millions of years ago - like my fifth grade science project - now reunited into some kaleidoscopic New Pangea. "I'm Madagascar," I say, sleepily. "You're what?" "I'm Madagascar. And you're Africa." He squeezes my shoulder, and - I think he gets it. I bet he does.
David Arnold (Mosquitoland)
He’s on his knees. I bite back the moan caught in my throat just before he lifts me up and carries me to the bed. He’s on top of me in an instant, kissing me with a kind of intensity that makes me wonder why I haven’t died or caught on fire or woken up from this dream yet. He’s running his hands down my body only to bring them back up to my face and he kisses me once, twice, and his teeth catch my bottom lip for just a second and I’m clinging to him, wrapping my arms around his neck and running my hands through his hair and pulling him into me. He tastes so sweet. So hot and so sweet and I keep trying to say his name but I can’t even find the time to breathe, much less to say a single word.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Being here . . . meeting your mother and seeing where you came from and who you somehow turned out to be . . . it’s inspiring, Quinn. I don’t know how you did it, you selfless, amazing, incredible woman.” A lot of people can’t pinpoint the exact moment they fall in love with another person. I can. It just happened. And maybe it’s coincidence or maybe it’s something more, but Graham chooses this exact moment to press his forehead to mine and say, “I love you, Quinn.” I wrap my arms around him, grateful for every single part of him. “I love you, too.
Colleen Hoover (All Your Perfects)
Here is The Boy with the Thorn in His Side, dying in your world. A man made monster with every human emotion, overdosed on worthlessness in a world that could never wrap it’s head around him (so don’t even try). When it’s all over just remember every single word you ever said was always just a bullet to his head. Bury him underground between friends and love - the only things that are gonna make it to the end with him. Look for his body buried beneath where the yellow weeds are growing and know he’s still living in his nightmares.
Pete Wentz (The Boy With The Thorn In His Side)
With a quick jerk, Qhuinn wrapped his arms around the single most important person in his life. It was not Layla, although he felt a pang at that denial. It was not John, or his king. It wasn't the brothers. This male was the reason for everything.
J.R. Ward
One heartbeat passed and then another, and the moment felt hot and frozen at the same time. Then he smiled, and it was sunshine and heat and unspoken promises wrapped in a single expression.
Colleen Houck (Tiger's Promise (The Tiger Saga, #0.5))
You're still looking.' ... 'You make it hard to look away.' ... 'I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair.' ... 'Told you to stop staring.' ... 'If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around-' Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. 'You're going to be the death of me.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Nick laughs and wraps his arms around me. ‘Okay, fine, I love you more than my dogs.’ ‘Good.’ ‘I love you more than anyone, actually.’ He says this a little quieter. I move my head out from the crook of his neck so I can meet his eyes. ‘Is that weird?’ he continues, and then huffs out a small laugh. ‘I’m only eighteen.’ ‘I don’t know,’ I say. ‘Maybe.’ It is weird. We both know it’s weird. We both know we’re weird, we’re not like other couples our age. It’s weird that we hang out every single day, it’s weird that we’d rather just be with each other all the time. Every day we wonder when we’re going to stop feeling like this and get over our teenage relationship. But it never happens. We just keep on going. Because it’s good too. God, it’s so good. ‘I’m weird too,’ I say, because saying ‘I love you more than anyone too’ back to him doesn’t feel quite adequate, even though I honestly love him more than anyone else in the entire world. Nick squeezes me and says, ‘Yeah,’ because he already knows.
Alice Oseman (Nick and Charlie)
“Darren wasn’t darkness, and I wasn’t his light. I needed to show him he was fire. My fire. Something filled with light. Something good. Something just like my but wrapped up so tightly in his own barrier of darkness it could burn. Unless you knew how to unravel him. Pressing my lips to his I shut my eyes and channelled my one single promise. I will never give up on you.”
Rachel E. Carter (Candidate (The Black Mage, #3))
If you prioritize only your romantic relationships, who is going to hold your hand through a breakup? Relying on your spouse to be your everything will definitely undo your marriage. No one human can meet your every single emotional need. If you only prioritize your kids, what happens when they’re grown and living far away, wrapped up in their own lives? Or if you only prioritize work? Wow, that’s too sad to even contemplate.
Aminatou Sow (Big Friendship: How We Keep Each Other Close)
He put Harry’s wand back into its box and wrapped it in brown paper, still muttering, “Curious . . . curious . . .” “Sorry,” said Harry, “but what’s curious?” Mr. Ollivander fixed Harry with his pale stare. “I remember every wand I’ve ever sold, Mr. Potter. Every single wand. It so happens that the phoenix whose tail feather is in your wand, gave another feather — just one other. It is very curious indeed that you should be destined for this wand when its brother — why, its brother gave you that scar.” Harry swallowed.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
This little thing” —he made a triangle in the air, pointing between Kopano, Kaidan, and me— “isn't gonna fly. Don't worry yourselves about Anna anymore. You hear?” They both gave single nods. “Then get on out of here. And keep your heads in the game.” Before my father could apologize or give me another sad look, I wrapped my arms around him... He ran a hand down my hair. “Does she (Patti) know about those two boys fighting over you?” “They weren't fighting over me...
Wendy Higgins (Sweet Evil (Sweet, #1))
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute." "Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue." "More cling than Saran Wrap," Lala added. "More hold than Final Net." Cleo giggled. "More possession than The Exorcist," Lala managed. "More clench than butt cheeks," Blue chimed in. "More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll. The girls burst out laughing. "Nice!" Blue lifted her purple gloved hand. Frankie slapped it without a single spark. "I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett." "I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
Lisi Harrison (Monster High (Monster High, #1))
I lay on her bed with my arms wrapped around her, wondering how on earth we'd managed to end up like this. I'm not sure what'd been on my mind when I came to see her, but this wasn't it! Strange the way things turn out. When I'd come into her room I'd been burning up with desire to smash her and everything around her. And yet here she was, asleep and still holding on to my arms like I was a life-raft or something. There's not a single millimetre between her body and mine. I could move my hands and, and, anything I liked. Caress or strangle. Kill or cure. Her or me. Me or her.
Malorie Blackman (Noughts & Crosses (Noughts & Crosses, #1))
I’m single, like a cheese slice individually wrapped in plastic.
Jarod Kintz (This Book Has No Title)
single free choice you ever undertake arises out of one of the only two possible thoughts there are: a thought of love or a thought of fear. Fear is the energy which contracts, closes down, draws in, runs, hides, hoards, harms. Love is the energy which expands, opens up, sends out, stays, reveals, shares, heals. Fear wraps our bodies in clothing, love allows us to stand naked. Fear clings to and clutches all that we have, love gives all that we have away. Fear holds close, love holds dear. Fear grasps, love lets go. Fear rankles, love soothes. Fear attacks, love amends. Every human thought, word, or deed is based in one emotion or the other. You have no choice about this, because there is nothing else from which to choose. But you have free choice about which of these to select.
Neale Donald Walsch (The Complete Conversations with God)
Thought of Riordan. Thought of a big hand wrapping around my shaft, sliding up and down, pumping hard...harder. The head of my cock leaked a single salty tear to slick my own hand's efforts. Yikes. Think of Bruce. Yeah. Better. Safer. Saner...
Josh Lanyon (Fatal Shadows (The Adrien English Mysteries, #1))
I reach over and stroke her hair. When I do, a few of the strands fall off in my fingers. I pull my hand back and slowly wrap them around my finger as I walk to my room and pick my purple hair clip up off the floor. I open the clip and place the strands of hair inside and snap it shut. I place the clip under my bedroom pillow and I go back to my mother’s room. I slide into the bed beside her and wrap my arms around her. She finds my hand and we interlock fingers as we talk without saying a single word.
Colleen Hoover (Slammed (Slammed, #1))
A wind blew, and the sand around his drawing scattered. He wrapped his fingers inside his wife's, and Father Time rekindled a connection he had only ever had with her. He surrendered to that sensation and felt the final drops of their lives touch one another, like water in a cave, top meets bottom, Heaven meets Earth. As their eyes closed, a different set of eyes opened, and they rose from the ground as a shared south, up and up, a sun and a moon in a single sky.
Mitch Albom (The Time Keeper)
Every single person I've seen in the past few days asks me about the Leg. How is it? How's the Leg? The Leg is attached. Thanks for asking. There's The Leg right there. It's on display, always outside of the sheets and blanket, although the whole thing is still so wrapped up it looks like I borrowed The Leg from some ancient Egyptian mummy. How's The Leg? It seems a bit mummyish, thanks.
Michael Grant (Eve & Adam (Eve & Adam, #1))
Jodie felt the lonely life hanging in her kitchen. It was there in the tiny supply of onions in the vegetable basket, the single plate drying in the rack, the cornbread wrapped carefully in a tea towel, the way an old widow might do it.
Delia Owens (Where the Crawdads Sing)
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
The room feels like you’re being wrapped in a hug because you chose every single little detail for it out of love. So I get it. Love is all that matters.
Jillian Dodd (That Baby (That Boy, #3))
You must be mistaken," Isabel said, unconcerned by the insult that the words carried. "I assure you i am not. Voluptas is nearly always portrayed wrapped in roses. If that were not enough, her faces confirms her identity." "You cannot tell a goddess from a face carved in marble," she scoffed. "You can tell Voluptas by her face." "I've never even heard of this goddess, and you know what she looks like?" "She is the goddess of sensual pleasure." Isabel's mouth fell open at the words. She could not think of a single thing to say in response. "Oh
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
My research continues to amaze and baffle me. As human beings, we are geniuses. What we didn’t get from the home, we find ways of getting elsewhere. It’s evident, then, when one looks at the stats we don’t have a teenage pregnancy problem and we don’t have a street gang problem. I will even suggest that we don’t have a drug and alcohol problem, nor do we have a crime problem rather, these are only the symptoms that we are experiencing, and the real problem is broken homes that result in broken lives.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
She looks like peaches and cream, like Saturday afternoons down by the frog pond, innocence and the American dream wrapped up in a single startlingly lovely package. It’s a lie, all of it. He believes in exploiting the world for his own gains, but she’d happily ignite the entire thing, if only to roast marshmallows in its embers.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
I like seeing Venice through your eyes.' A tiny bud of hope sprouted in her heart ... 'I'll have this wrapped for you.' 'Thanks.' The tiny bud within her grew a single whisper-thin leaf of vivid green
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
My unhappiness was something deep inside me, and when i closed my eyes i could even see it. it sat somehwere - maybe in my belly, maybe in my heart; i could not exactly tell - and it took the shape of a small black ball, all wrapped up in cobwebs. i would look at it and look at it until i had burned the cobwebs away, and then i would see that the ball was no bigger than a thimble, even though it weighed worlds. at that moment, just when i saw its size and felt its weight, i was beyond feeling sorry for myself, which is to say i was beyond tears. i could only just sit and look at myself, feeling like the oldest person who had ever lived and who had not learned a single thing.
Jamaica Kincaid (Annie John)
He turned to leave when arms suddenly wrapped around him from behind, stalling him. Sighing, he closed his eyes, taking a moment to savor her touch. "Angel." "Luce." He pulled her into his arms as he whispered, "I love you." "I love you, too." Serah said, clinging to him. "When I opened my eyes, I didn't want to be here, because I didn't think you'd be here. I thought you'd be down there again, back in the pit, and I'd take an eternity in your Hell before I took a single second in my Heaven without you.
J.M. Darhower (Reignite (Extinguish, #2))
I’m not spending a night without her in my bed. Not a single night. I lower her onto the bed, then lie down behind her and wrap my arms around her sleeping form. She might be a sneaky, scheming little spy, but she’s my spy.
Neva Altaj (Silent Lies (Perfectly Imperfect, #8))
Alex screamed and lashed out at the points of light from within, desperate for something tangible to rage against. Caleb wrapped his arms around her from behind and coaxed her out while glaring at the Metigen in loathing. Then he lessened his hold on her to a single hand. Together they turned their backs on the alien and began walking away.
G.S. Jennsen (Dissonance (Aurora Renegades, #2))
He’s every deadly sin wrapped in a single heartbreaking package.
C.E. Ricci (Follow the River (River of Rain, #1))
Jane sobbed even harder, not noticing the sounds of footsteps coming up behind her. A cold wind blew, and she shivered in it. As her eyes hung between tears, she looked out and saw a shape where the car had been. It was a figure, slim and wrapped in a gray shroud. Almost the whole body was covered, save for a single blue eye that stared at her intently. Jane stared back until she felt a warm hand touch her shoulder and a cold voice whisper in her ear. “You are never alone.
Eric Nierstedt (SHADOW PANTHEON: (PANTHEON SAGA BOOK 2) (THE PANTHEON SAGA))
He continued his call, but his answers shortened to single words—yes, no, fine—as I wrapped my hands around the base and lowered my head to run my tongue from root to tip before going in whole hog and deep throating him for the win. I was in a go-big-or-go-home mood. His choked-out, “Fuck. No, excuse me. Sorry. Wasn’t talking to you,” had me humming a little giggle around his cock.
Meghan March (Dirty Together (The Dirty Billionaire Trilogy, #3))
I feel as though I’m in a dream, where strange things are happening but they don’t feel strange. Everything is cloudy—everything is wrapped in a fog—and I’m filled from head to toe with the single, burning desire to get closer to the music, to hear the music better, for the music to go on and on and on.
Lauren Oliver (Delirium (Delirium, #1))
The gangs filled a void in society, and the void was the absence of family life. The gang became a family. For some of those guys in the gang that was the only family they knew, because when their mothers had them they were too busy having children for other men. Some of them never knew their daddies. Their daddies never look back after they got their mothers pregnant, and those guys just grew up and they couldn’t relate to nobody. When they had their problems, who could they have talked to? Nobody would listen, so they gravitated together and form a gang. George Mackey, the former representative for the historic Fox Hill community in The Bahamas.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
For each self-criticism, there were many criticisms. My mother's two comrades insisted that she had behaved in a 'bourgeois' manner. They said she had not wanted to go to the country to help collect food; when she pointed out that she had gone, in line with the Party's wishes, they retorted: "Ah, but you didn't really want to go." Then they accused her of having enjoyed privileged food cooked, moreover, by her mother at home and of succumbing to illness more than most pregnant women. Mrs. Mi also criticized her because her mother had made clothes for the baby. "Who ever heard of a baby wearing new clothes?"she said. "Such a bourgeois waste! Why can't she just wrap the baby up in old clothes like everyone else?" The fact that my mother had shown her sadness that my grandmother had to leave was singled out as definitive proof that she 'put family first," a serious offense.
Jung Chang (Wild Swans: Three Daughters of China)
The life changing seems always bracketed by the mundane. The quotidian wrapped around the profound, like plain brown paper concealing the emotional version of an improvised explosive device. Then, in a single interminable moment, when we discover the bomb, absolutely everything changes. But when we recall it from our now forever-changed lives, when we start with the plain brown wrapping, it looks like every other package, every other morning, every other walk.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
You know every story, every wound, every memory. Their whole life's happiness is wrapped up in you... every single second. Don't you get it? Look down the road to her wedding. I'm in a room alone with her, fixing her veil, fluffing her dress, telling her no woman has ever looked so beautiful. And my fear is she'll be thinking, "I wish my mom was here.
Jackie Harrison
What is important is that you get your house in order at each stage of the journey so that you can proceed. “If some day it be given to you to pass into the inner temple, you must leave no enemies behind.”—de Lubicz For example, if you never got on well with one of your parents and you have left that parent behind on your journey in such a way that the thought of that parent arouses anger or frustration or self-pity or any emotion . . . you are still attached. You are still stuck. And you must get that relationship straight before you can finish your work. And what, specifically, does “getting it straight” mean? Well, it means re-perceiving that parent, or whoever it may be, with total compassion . . . seeing him as a being of the spirit, just like you, who happens to be your parent . . . and who happens to have this or that characteristic, and who happens to be at a certain stage of his evolutionary journey. You must see that all beings are just beings . . . and that all the wrappings of personality and role and body are the coverings. Your attachments are only to the coverings, and as long as you are attached to someone else’s covering you are stuck, and you keep them stuck, in that attachment. Only when you can see the essence, can see God, in each human being do you free yourself and those about you. It’s hard work when you have spent years building a fixed model of who someone else is to abandon it, but until that model is superceded by a compassionate model, you are still stuck. In India they say that in order to proceed with one’s work one needs one’s parents’ blessings. Even if the parent has died, you must in your heart and mind, re-perceive that relationship until it becomes, like every one of your current relationships, one of light. If the person is still alive you may, when you have proceeded far enough, revisit and bring the relationship into the present. For, if you can keep the visit totally in the present, you will be free and finished. The parent may or may not be . . . but that is his karmic predicament. And if you have been truly in the present, and if you find a place in which you can share even a brief eternal moment . . . this is all it takes to get the blessing of your parent! It obviously doesn’t demand that the parent say, “I bless you.” Rather it means that he hears you as a fellow being, and honors the divine spark within you. And even a moment in the Here and Now . . . a single second shared in the eternal present . . . in love . . . is all that is required to free you both, if you are ready to be freed. From then on, it’s your own individual karma that determines how long you can maintain that high moment.
Ram Dass (Be Here Now)
I forgive because that’s how my mother raised me. I forgive because I have a God who forgives. It’s hard not to wrap your life in a story—a story that has a beginning, a middle, and an end. A story that has logic and purpose and a bigger reason for why things turned out the way they did. I look for purpose in losing thirty years of my life. I try to make meaning out of something so wrong and so senseless. We all do. We have to find ways to recover after bad things happen. We have to make every ending be a happy ending. Every single one of us wants to matter. We want our lives and our stories and the choices we made or didn’t make to matter.
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
That’s fine. I can take care of myself.” “I know you can, but you don’t have to because I’m here to help.” He says it so matter-of-factly. Like doing this for someone is the most obvious thing in the world. And I wonder if, for him, maybe it is. He stepped in to take care of his siblings in the wake of tragedy. He stepped up to be a single parent to his son. Barfing babysitter? That’s a perfect job for him too. At his core, Cade is a caretaker. Selfless. With such a big heart I almost can’t wrap my head around it.
Elsie Silver (Heartless (Chestnut Springs, #2))
Every action taken by human beings is based in love or fear, not simply those dealing with relationships. Decisions affecting business, industry, politics, religion, the education of your young, the social agenda of your nations, the economic goals of your society, choices involving war, peace, attack, defense, aggression, submission; determinations to covet or give away, to save or to share, to unite or to divide—every single free choice you ever undertake arises out of one of the only two possible thoughts there are: a thought of love or a thought of fear. Fear is the energy which contracts, closes down, draws in, runs, hides, hoards, harms. Love is the energy which expands, opens up, sends out, stays, reveals, shares, heals. Fear wraps our bodies in clothing, love allows us to stand naked. Fear clings to and clutches all that we have, love gives all that we have away. Fear holds close, love holds dear. Fear grasps, love lets go. Fear rankles, love soothes. Fear attacks, love amends. Every human thought, word, or deed is based in one emotion or the other. You have no choice about this, because there is nothing else from which to choose. But you have free choice about which of these to select.
Neale Donald Walsch (The Complete Conversations with God)
Danny was a matador. Other cast members included a chubby Italian chef, a mime, and, for some reason, a mummy. I found that offensive on behalf of living Egyptian people, but I also knew that Parker McHune’s mother couldn’t sew, so wrapping her son in Ace bandages was the best she could do.
Molly Harper (The Single Undead Moms Club (Half-Moon Hollow, #4))
Gender reaches into disability; disability wraps around class; class strains against abuse; abuse snarls into sexuality; sexuality folds on top of race…everything finally piling into a single human body. To write about any aspect of identity, any aspect of the body, means writing about this entire maze.
Eli Clare
I often ask myself is how on earth is it that we empaths can survive under the domination of a narcissist? How is it that we do not become bitter and cruel as adults, with the role models we survived under? How is it that being an empath stays with us and cannot be beaten down? We always get up again and keep on going, being an empath still. I also wonder, if I had not been so tightly wrapped up in my mother’s web and she had let me fly instead, what kind of person would I have been, then?
Donna G. Bourgeois (Life with Ollie: The story of an only child of a single narcissistic parent)
They were soft-centered, emotional beings wrapped in a terrified carapace, that even though they might appear rational and collected on paper, so focused that you wanted to marvel at their promise and maturity, they were lurching, turbulent muddles of conflict in their three-dimensional lives...the creative ones were desperately afraid they were talentless, and the intellectuals deeply suspected they weren't brilliant, and that every single one of them felt ugly and stupid and utterly fake.
Jean Hanff Korelitz (Admission)
To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.
George Orwell (The Road to Wigan Pier)
I came from as low as one could come, with no mother and no father. So in return I build a family for myself and these fella’s were a part of my family. So I had to look out for them, as if I was looking out for my children. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
I think he likes you.” I watched Paci join the others, noticing that he was still glancing at me occasionally, and watching other guys who were looking over at Peter and me.   “Really?” “Yeah.   He keeps watching you.   Once he heard Bodo wasn’t your boyfriend, he was all over that.” I sighed.   “Shit.” “Yeah.   Exactly.   You’d better not go around advertising you’re single.   There’s not a hell of a lot of available jawbreakers if you know what I mean.” My mind raced with the implications.   It was stupid of me not to have been thinking about all this stuff before.   I guess I was so wrapped up in finding food to eat, a place to live, and companions who wouldn’t eat me, I hadn’t much considered the other human needs, other than on the most basic level.   God, I hope there are no rapists in this group.   The last thing I wanted to do was kill a guy in the swamp.
Elle Casey (Warpaint (Apocalypsis, #2))
I fell in love with you on this balcony. I fell in love with the way you slept peacefully next to the fire. I fell in love with the way you gazed with wonder at the sky, the millions of stars. I fell in love with the way you opened up to me, let me see you and let me show you me too. I fell in love with the way we laid here, your body wrapped in mine, all the times we’ve made love here, and when I asked you to make this house yours. I fell in love with you over and over again, and I keep doing it every single day, right here on this balcony.
Becka Mack (Consider Me (Playing For Keeps, #1))
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Eh?" "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?" "Mmm," said Logen, leaning back and staring slightly crosseyed at the shining point of the sword. Bayaz let it drop and slid it gently back into its scabbard, something to Logen's relief. "Yes, a sword has a voice. Axes and maces and so forth are lethal enough, but a sword is a subtle weapon, and suited to a subtle man. You I think, Master Ninefingers, are subtler than you appear." Logen frowned as Bayaz held the sword out to him. He had been accused of many things in his life, but never subtlety. "Consider it a gift. My thanks for your good manners.
Joe Abercrombie (The Blade Itself (The First Law, #1))
~Does it bother you that you didn’t become a famous actor? That you didn’t get a break?~ ~David, there aren’t any guarantees in life. Not for your friends who want to be all of sorts of things. Not for you. The only thing we can do every single day we wake up is try to do the things that we can do the best; enjoy the things we get, and pay attention to when and why we’re happy. I didn’t know what I really wanted until I held you in my arms. In that minute, the very first minute they brought you to me wrapped in that blanket, I knew my little dream about myself was nothing in comparison.~
Dan Skinner (Memorizing You)
Oh God, for a few who will love me in tiny ways every single day of my flashing existence. For a mere one or two who will treat me like the trash I am, who will love the smell of garbage and rummage through the bin of my failings to find the wrapped cheeseburger they can do without but consider long enough to get their taste buds used to the idea. Oh for a melodious tongue to sing me a song about french fries.
Chila Woychik (On Being a Rat and Other Observations)
I was forever Poppy’s. I’d been coming for her, but she’d found me at the Red Pearl. I’d been planning on taking her, but she’d captured me on the Rise surrounding Masadonia. I’d been ready to use her, but under the willow, she had wrapped me around every single one of her fingers without even trying. I’d been prepared to do anything, but she’d become everything to me when she asked me to stay the night while in New Haven. She’d claimed me.
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
She tried to recall the cold, the silence, and that precious feeling of owning the world, of being twenty years old and having her whole life ahead of her, of making love slowly and calmly, drunk with the scent of the forest and their love, without a past, without suspecting the future, with just the incredible richness of that present moment in which they stared at each other, smelled each other, kissed each other, and explored each other's bodies, wrapped in the whisper of the wind among the trees and the sound of the nearby waves breaking against the rocks at the foot of the cliff, exploding in a crash of pungent surf, and the two of them embracing underneath a single poncho like Siamese twins, laughing and swearing this night would last forever, that they were the only ones in the whole world who had discovered love.
Isabel Allende (The House of the Spirits)
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
Ten thousand years ago, her husband, Abraham the Mage, had presented her with the weapons and armor. “To keep you safe,” he said, his speech a slurred mumble. “Now and always. When you wear it, think of me.” “I’ll think of you even when I’m not wearing it,” she promised, and never a day went by when she did not think of the man who had worked so hard and sacrificed so much to make and save the world. The memory of him was vivid. Abraham stood tall and slender in a darkened room at the top of the crystal tower, the Tor Ri. He was wrapped in shadow, turned away from her so she wouldn’t see the Change that had almost completely claimed his flesh, transforming it to solid gold. She remembered turning him to the light so she could look at him for what she knew might be the very last time. Then she had held him, pressing his flesh and metal against her skin, and wept against his shoulder. And when she looked into his face, a single tear, a solid bead of gold, rolled down his cheek. Rising up on her toes, she had kissed the tear off his face, swallowing it. Tsagaglalal pressed her hands to her stomach. It nestled within her still.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
As we were wrapping up the book, I sat down and thought about all the lessons I’d learned over the past two years. I couldn’t list them all, but here are a few: Never complain about the price of a gift from your spouse--accept it with love and gratitude. You can’t put a price on romance. Take lots of videos, even of the mundane. You will forget the sound of your children’s voices and you will miss your youth as much as theirs. Celebrate every wedding anniversary. Make time for dates. Hug your spouse every single morning. And always, ALWAYS, say “I love you.” Believe in your partner. When you hit hard times as a couple, take a weekend away or at least a night out. The times that you least feel like doing it are likely the times that you need it the most. Write love notes to your spouse, your children, and keep the ones they give you. Don’t expect a miniature pig to be an “easy” pet. Live life looking forward with a goal of no regrets, so you can look back without them. Be the friend you will need some day. Often the most important thing you can do for another person is just showing up. Question less and listen more. Don’t get too tied up in your plans for the future. No one really knows their future anyway. Laugh at yourself, and with life. People don’t change their core character. Be humble, genuine, and gracious. Before you get into business with someone, look at their history. Expect them to be with you for the long haul, even if you don’t think they will be. If they aren’t someone you could take a road trip across the country with, don’t do business with them in the first place. Real families and real sacrifices live in the fabric of the Red, White, and Blue; stand for the national anthem.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
You can ask why all day long if you want to. You can ask God why and your friends why and yourself why until you're buried in nothing but that single question, but you'll never get an answer. This side of heaven, time is the only thing that helps a little bit. So don't give in. Don't let the whys have it. Don't let them take advantage of you. They'll crush your heart and steal your peace and mess with your mind and wrap around you so tight you won't be able to breathe. Don't let the whys ruin your life, child. Every time they try to sneak up, push them aside and move forward. Trust me, it's the only way you can get on with living." I turn toward the window and think about her words. "What if I can't? Let it go, I mean?" I don't see her smile, but I can hear it. "You can. I know you can. Because no matter how hard life gets, there's always goodness right around the corner. All you have to do is look for it.
Amy Matayo (The Whys Have It)
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
Robert Jordan
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now… In our ”“special place.” Waiting for you… Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you... Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is... The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance... I think you know what I mean... Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm    afraid you don't really want me to come home. Whenever you come see me, I can tell how hard it is on you... I don't know if you hate me or pity me... Or maybe I just disgust you.... I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James. That's why I understand if you do hate me. But I want you to know this, James. I'll always love you. Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together. Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead. I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us... You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James. James... You made me happy. “I love you, Mary.”  As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
Sadamu Yamashita (Silent Hill 2: The Novel)
This woman's skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out, and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love-letter clad statue a single crimson rose.
Erin Morgenstern (The Night Circus)
We’ve reached a point in American history when death has become almost the last obscenity. Have you noticed how many of us refuse to say ‘he or she died’? We’re far more likely to say ‘she passed away,’ as though death were a sterile process of modest preparation, followed by shrink-wrapping, then rapid transit—where? Well, elsewhere. In short, it’s the single thing we’re loath to discuss in public.
Will Schwalbe (The End of Your Life Book Club)
Hope is prayer’s second cousin, darkly dressed and hovering around the outside edge of the family photograph. If prayer is a plea to the Almighty for a precedented miracle—prayer’s memory is long—hope is a plea to nothing, to everything, to any possible refutation of the facts. It is tethered to the dreadful single-digit percentage, the medical equipment humming, the long sleepless night. Prayer can (or once could) deliver a miracle; hope can only give a body another week, maybe another month. Sometimes the dying can set goals and reach them: just let me see my son get married, my granddaughter turn ten, my family carve into the Thanksgiving turkey. Hope can outlast dress fittings, gift wrapping, and potato mashing, but it can’t deliver anything more. What hope does best is make plans. Sometimes those plans are to desperately avoid the worst.
Ann Neumann (The Good Death: An Exploration of Dying in America)
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?' 'Tis I' said a voice. 'Who art thou?' 'I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees. A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold. I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")
James Hain Friswell
Gunner’s grin widened as he took a single step back. “That blouse of yours is causing me all kinds of pain in all the right places.” I gave my blouse a once over and quickly decided that there was nothing wrong with the dang thing. “Then maybe you should go back to your motel room, grab a towel, and do something about it,” I told him. He wrapped a callused hand around my face and tipped my chin up. Our mouths were way too close. “I could use the help of a good-looking lady.
Jodi Linton (Pretty Reckless (Deputy Laney Briggs, #1))
I hadn't told him the news yet, but in that same preternatural way he was always aware of what I was feeling or thinking, he could smell my lies a mile away. He was just giving me time to come to him. To tell him I'd be baking his bun for the next seven and a half months. ''I'm okay." Dex's chuckle filled my ears as he wrapped his arms around my chest from behind, his chin resting on the top of my head. "Just okay?" He was taunting me, I knew it. This man never did anything without a reason. And this reason had him resembling a mama bear. A really aggressive, possessive mama bear. Which said something because Dex was normally that way. I couldn't even sit around Mayhem without him or Sonny within ten feet. I leaned my head back against his chest and laughed. "Yeah, just okay." He made a humming noise deep in his throat. "Ritz," he drawled in that low voice that reached the darkest parts of my organs. "You're killin' me, honey." Oh boy. Did I want to officially break the news on the side of the road with chunks of puke possibly still on my face? Nah. So I went with the truth. "I have it all planned out in my head. I already ordered the cutest little toy motorcycle to tell you, so don't ruin it." A loud laugh burst out of his chest, so strong it rocked my body alongside his. I friggin' loved this guy. Every single time he laughed, I swear it multiplied. At this rate, I loved him more than my own life cubed, and then cubed again. "All right," he murmured between these low chuckles once he'd calmed down a bit. His fingers trailed over the skin of the back of my hand until he stopped at my ring finger and squeezed the slender bone. "I can be patient." That earned him a laugh from me. Patience? Dex? Even after more than three years, that would still never be a term I'd use to describe him. And it probably never would. He'd started to lose his shit during our layover when Trip had called for instructions on how to set the alarm at the new bar. "Dex, Ris, and Baby Locke, you done?" Sonny yelled, peeping out from over the top of the car door. "Are you friggin' kidding me?" I yelled back. Did everyone know? That slow, seductive smile crawled over his features. Brilliant and more affectionate than it was possible for me to handle, it sucked the breath out of me. When he palmed my cheeks and kissed each of my cheeks and nose and forehead, slowly like he was savoring the pecks and the contact, I ate it all up. Like always, and just like I always would. And he answered the way I knew he would every single time I asked him from them on, the way that told me he would never let me down. That he was an immovable object. That he'd always be there for me to battle the demons we could see and the invisible ones we couldn't. "Fuckin' love you, Iris," he breathed against my ear, an arm slinking around my lower back to press us together. "More than anything.
Mariana Zapata (Under Locke)
If I could put back the pieces and make them right,I’d turn back the hands of time with all my might.You’d never think that things went wrong.If I took the pain away and if I say that you complete me in every single way.If I shout it from the clouds above for everyone to hear.Could you ever believe me?If I whisper to you sweetly,you say you need a reason. But I’ve never gone astray.Now if I can once again persuade you to say yes to me today.There is just one more question left for me to ask before we throw it all away.What do you say?Please say yes to me today I gave you my heart, placed it in your hands for our dreams of tomorrow, just like we planned together as one for the rest of our days.But If I’d only showed instead of told you,I would have taken this doubt away.If I scream it from the sky above so everyone is sure to know.Could you ever believe me?If I whisper to you sweetly,you cry out you need a reason.But we’ve never gone astray.Now if I can once again persuade you to say yes to me today If you give me your hand, I’ll wrap it in golden bands for a long future together, I’d be a happy man.I’ll hold you forever as our story unfolds by my side.You’ve been my only lover, let the truth be told. If I scream it from the sky above so everyone is sure to know.Could you ever believe me?If I whisper to you sweetly If I say I am your reason and our love will light our way.Now if I can once again persuade you to say yes to me today.There is just one more question left for me to ask Before we throw it all away.What do you say? Please say yes to me today.
Tina Reber (Love Unscripted (Love, #1))
The Wheel Revolves You were a girl of satin and gauze Now you are my mountain and waterfall companion. Long ago I read those lines of Po Chu I Written in his middle age. Young as I was they touched me. I never thought in my own middle age I would have a beautiful young dancer To wander with me by falling crystal waters, Among mountains of snow and granite, Least of all that unlike Po’s girl She would be my very daughter. The earth turns towards the sun. Summer comes to the mountains. Blue grouse drum in the red fir woods All the bright long days. You put blue jay and flicker feathers In your hair. Two and two violet green swallows Play over the lake. The blue birds have come back To nest on the little island. The swallows sip water on the wing And play at love and dodge and swoop Just like the swallows that swirl Under and over the Ponte Vecchio. Light rain crosses the lake Hissing faintly. After the rain There are giant puffballs with tortoise shell backs At the edge of the meadow. Snows of a thousand winters Melt in the sun of one summer. Wild cyclamen bloom by the stream. Trout veer in the transparent current. In the evening marmots bark in the rocks. The Scorpion curls over the glimmering ice field. A white crowned night sparrow sings as the moon sets. Thunder growls far off. Our campfire is a single light Amongst a hundred peaks and waterfalls. The manifold voices of falling water Talk all night. Wrapped in your down bag Starlight on your cheeks and eyelids Your breath comes and goes In a tiny cloud in the frosty night. Ten thousand birds sing in the sunrise. Ten thousand years revolve without change. All this will never be again.
Kenneth Rexroth (Collected Shorter Poems)
Let’s go.” He wrapped an arm round her waist. “Are you sure you don’t want to try this alone?” “If I knew I’d be able to fly, no problem,” she said. “But I told my folks I’d be there for roast dinner, and if I plunge to my death before that they’ll just think it’s rude, so …” They lifted up and drifted beyond the ledge, the world opening up beneath them. Skulduggery redirected the freezing winds so that not a single hair was disturbed on Valkyrie’s head. It was strangely quiet as they flew, surrounded by the howls and shrieks of the mountains but tucked away from it all. “The thought has occurred to me that maybe you’ll only start flying when you absolutely need to,” Skulduggery said. “Do not drop me.” “Indulge me for a moment. The range of your powers is still largely unknown to us, yes? You can fire lightning from your fingertips, you certainly have destructive potential, and you have the burgeoning psychic abilities of at least a Level 4 Sensitive. Plus, you have flown before.” “Hovering is not flying.” “I bet if I were to drop you, you’d fly.” “I’m not sure if I can emphasise this enough, but do not drop me.
Derek Landy (Midnight (Skulduggery Pleasant, #11))
Hey!" To his horror, the canvas started to move and a perfectly manicured hand appeared. Law rushed across the hall, his feet making not a single sound against the carpet. “Hafta getta way.” Kinley was trying to haul herself out of the laundry cart. One fist came up. “Won’t let you. Won’t.” Riley peered down at her. How did she make that look so fucking adorable? She was a mess of white tulle, and all he could think about was wrapping himself around her. “Baby, it’s all right.” Law reached for her hand, his voice softer than Riley could ever remember hearing it. Law was rough and tumble, but he got so tender around this one bit of blonde fluff. “What the hell. I thought I emptied the fucking syringe in her arm. We need the chloroform, Riley." Yes, it was their last resort. It wouldn’t keep Kinley out for very long, but they had to keep her out long enough to escape this damn hotel. “Don’t want to get married. Want the beach. Happy there.” They weren’t taking her to the beach, but at least Law seemed to be calming her down. Then she turned those kick-him-in-the-gonads brown eyes his way. "So pretty. Wanna get married?
Shayla Black (Their Virgin Hostage (Masters of Ménage, #5))
We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
The seafood is so fresh it is otherworldly! Their rich umami flavors swirl together in my mouth like a whirlpool! The pike is transcendental fresh, yes? It's tender and fatty and melty sweet!" "I'm impressed he had the strength to cram this much powerful umami into a single dish! So refined, yet utterly savage. Ryo Kurokiba has reached a new pinnacle!" "That looks sooo good!" "But still, do all Japan pike have this much flavor in season?" "Good point. Not all do. How did he manage to create this strong of a flavor while using hardly any seasonings? Hm? Wait... it's faint, but I smell hints of a refreshing scent. A scent that is not seafood!" "It is the fragrance of herbs." "Exactly! I added a pat of this to the dish!" "Aha! Herb butter! Finely chopped herbs and spices are mixed into softened butter... ... and then wrapped up and chilled in the refrigerator for a day to allow the flavors to meld." "I stuck a pat of homemade herb butter into each wrap right before I put 'em in the oven. Baking on low heat made the butter melt slowly... ... allowing its richness to seep into every nook and cranny of the entire dish!" Both flavor and fragrance have the punch of an exploding warhead! What an impeccably violent dish!
Yūto Tsukuda (食戟のソーマ 12 [Shokugeki no Souma 12] (Food Wars: Shokugeki no Soma, #12))
I started thinking about how many contented, happy people there are in actual fact! What an oppressive force! Think about this life of ours: the insolence and idleness of the strong, the ignorance and bestiality of the weak, unbelievable poverty everywhere, overcrowding, degeneracy, drunkenness, hypocrisy, deceit... Meanwhile all is quiet and peaceful in people's homes and outside on the street; out of the fifty thousand people who live in the town, there is not one single person prepared to shout out about it or kick up a fuss. We see the people who go to the market for their groceries, travelling about in the daytime, sleeping at night, the kind of people who spout nonsense, get married, grow old, and dutifully cart their dead off to the cemetery; but we do not see or hear those who are suffering, and all the terrible things in life happen somewhere offstage. Everything is quiet and peaceful, and the only protest is voiced by dumb statistics: so many people have gone mad, so many bottles of vodka have been drunk, so many children have died from malnutrition... And this arrangement is clearly necessary: it's obvious that the contented person only feels good because those who are unhappy bear their burden in silence; without that silence happiness would be inconceivable. It's a collective hypnosis. There ought to be someone with a little hammer outside the door of every contented, happy person, constantly tapping away to remind him that there are unhappy people in the world, and that however happy he may be, sooner or later life will show its claws; misfortune will strike - illness, poverty, loss - and no one will be there to see or hear it, just as they now cannot see or hear others. But there is no person with a little hammer; happy people are wrapped up in their own lives, and the minor problems of life affect them only slightly, like aspen leaves in a breeze, and everything is just fine.
Anton Chekhov (About Love and Other Stories)
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts. Up, down. Happy, sad. Shock, awe. Before, after. In that single moment, Matt, formerly known as friend, became something else entirely. I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too. I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
Sarah Ockler (Twenty Boy Summer)
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
There are three ways to approach secrets, you know. The first is what you find on soap operas and in poorly executed middle-school maneuvers. First, you uncover a piece of incriminating information, and then you use it to force a steady stream of favors or payment or behavior. The problem here is that, if extended indefinitely, the expected cost of compliance eventually outweighs the cost of exposure. Moreover, the probability that you'll lose your monopoly of your information increases with each passing day. Never, ever assume that you're only person digging for dirt, especially in Los Angeles. Vipers are measured by the pitful for a reason. The second approach is more effective: You make one, single very carefully chosen demand. And you give your mark just one chance. This was my usual MO. If this mark doesn't do as you ask, when you ask, you leak their secret. No excuses. No mercy. Brutal consistency is the key to credibility. Mothers, dog trainers, Israel -- you know what I'm talking about. But there's also a radical third approach: You reveal that you know the secret...and they you keep it under wraps. Do that, and they're not just going to tell you other secrets, they might even keep yours in return. And they'll think they're doing of their own free will when what you've really done is painstakingly aligned your incentives. That's all trust is, really. Some people are just incentivized by nature.
Elizabeth Little (Dear Daughter)
I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
She remembers blood. A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss. Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms.
Amanda M. Lyons (Wendy Won't Go)
What about the Valorian children?” she demanded. “What have you done with them? Have they been poisoned, too?” “No. Kestrel, no, of course not. They will be cared for. In comfort. By their nurses. This was always part of the plan. Do you think we’re monsters?” “I think you are.” Arin’s fingers curled against the door. He shoved it open. He led her to the dressing room, opened the wardrobe, and riffled through her clothes. He pulled out a black tunic, leggings, and jacket and thrust them at Kestrel. Coolly she said, “This is a ceremonial fighting uniform. Do you expect me to fight a duel on the docks?” “You’re too noticeable.” There was something strange about his voice. “In the dark. You…you look like an open flame.” He found another black tunic and tore it between his hands. “Here. Wrap this around your hair.” Kestrel stood still, the black cloth limp in her arms as she remembered the last time she had worn such clothes. “Get dressed,” said Arin. “Get out.” He shook his head. “I won’t look.” “That’s right. You won’t, because you are going to get out.” “I can’t leave you alone.” “Don’t be absurd. What am I going to do, take back the city single-handedly from the comfort of my dressing room?” Arin dragged a hand through his hair. “You might kill yourself.” Bitterly, she said, “I should think it was clear from the way I let you and your friend push me around that I want to stay alive.” “You might change your mind.” “And do what, exactly?” “You could hang yourself with your dagger belt.” “So take it away.” “You’ll use clothes. The leggings.” “Hanging is an undignified way to die.” “You’ll break the mirror to your dressing table and cut yourself.” Again Arin’s voice seemed foreign. “Kestrel, I won’t look.” She realized why his words sounded rough. She had switched, at some point, to speaking in Valorian, and he had followed her. It was his accent that she heard. “I promise,” he said. “Your promises are worth nothing.” Kestrel turned and began to undress.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.
Michael Stigman
Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.
Nelson A. Denis (War Against All Puerto Ricans: Revolution and Terror in America's Colony)
Did the countess tell you what was said between her and me?” Lillian asked tentatively. Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.” “Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!” “Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—” “I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—” “I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.” She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.” The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?” She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?” “Yes. Now.” The statement shocked her out of her tears. “What?” “I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.” “But… but everyone will expect a respectable church wedding…” “I can’t wait for you. I don’t give a damn about respectability.” A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…” “Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted. “Yes, Marcus.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind. “I want to adopt him,” I said. Karl read the profile. He looked at the picture. “You want to be his mother?” “It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.” “We can do this,” Karl said. We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie. In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits. “When do I meet Stevie?” I asked. “Stevie?” “The boy in the newspaper.” I had already told her the reason I was calling. “Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.” “So where’s Stevie?” She said she wasn’t sure. She thought that maybe someone had adopted him. It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms. And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
Ann Patchett (These Precious Days: Essays)
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
Charlotte McPherren (Song of the Willow)