Volleyball Short Quotes

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She wanted to feel normal. She wanted to feel like everyone else. She wanted more than this even; she wanted to be pretty. She wanted to be like the girls who ran laps in gym class, climbed ropes, jumped, and were asked out on dates. When some girls were wondering if their shorts or skirts were too tight, Sarah was worried about her underpants: granny panties, she called them. When the prettiest and most popular were trying out for cheerleading or volleyball, Sarah went home and read, gorged herself between meals in front of her computer and television.
Todd Nelsen (Appetite & Other Stories)
My worst day was in seventh grade, when Tommy Hewitt pissed on my gym clothes and then the gym teacher said I had to wear my uniform or I’d fail the class. Seventh-grade gym, right? There are worse things to fail. But it was a big deal then, and I was crying, and trying to explain to the teacher what happened, but it was so embarrassing, and he just yelled and yelled and yelled until I put on these piss-soaked shorts and T-shirt. That was the day I stopped caring what people did. I just never cared anymore, about being a loser or not having friends or any of that. So I guess it was good for me in a way, but that moment was awful. I mean, imagine me playing volleyball or whatever in pee-soaked gym clothes while Tommy Hewitt tells everyone what he did. That was the worst day.
John Green (Looking for Alaska)
Let the women play in more feminine clothes like they do in volleyball... They could, for example, have tighter shorts.
Sepp Blatter
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
Laura Moore (Night Swimming: A Novel)
Philip: I have vivid memories from those early volleyball training nights. Memories of looking under the (volleyball) net at this vivacious, sparkling, smiley-faced, bright-eyed vision of female sensuality dressed in her vest top and short shorts. I could not take my eyes off her, and my memory says she smiled at me every time she caught me looking at her. Was I flirting? If I was, it was not knowingly
Philip Elliott
Which leaves many towns in southern Florida no choice but to dig their sand from inland quarries and haul it to the coast one roaring, diesel-spewing truck at a time. Tourists and locals hate the noise and traffic, and county officials hate the extra cost, which can be easily double that of dredged sand. But it does have some advantages. The inland mines, with their elaborate sorting and washing machines, can deliver sand of a precise spec—the exact size, shape, and color county officials deem appropriate for the beach. Beach town residents and tourists alike are very particular about the color and consistency of their beaches. The sugary white-sand beach has become the global standard of perfection, and any resort falling short of it loses points. (That’s nothing compared to the fussiness of Olympic beach volleyball players. To make sure their bare feet come into contact only with grains of just the right size and shape, sand was brought in from Hainan Island for the 2008 Beijing Games, and from a quarry in Belgium for the 2004 Athens Games.)15 “You pump sand from the ocean floor, you don’t know what you’re getting,” said Eastman. That’s not exactly true; sea sand is examined closely to make sure it is suitable for a given beach before the regulatory agencies will allow it to be dredged for nourishment. But land-mined sand can be sorted, sifted, and cleaned to a uniform standard. The grains that Eastman was emplacing were all about the size of a salt grain, all the same silver gray, unadulterated with stones or shell fragments. Their color was approved using the Munsell color order system, a visual index of hues created in 1915. The sand is tested at the mine, at every 3,000 tons, and every 500 yards on the beach after it’s in place to make sure it’s up to spec. The waves will gradually mix in shells and other organic matter, so in a few months it won’t look as obviously artificial as it does now.
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
Then social mores had intervened. A distinct scene from junior high flushes vividly back. Girls sitting out of rotation volleyball in gym class stared at me all gap-mouthed when—of a rainy spring day—I spouted e. e. cummings. Through open green gym doors, sheets of rain erased the parking lot we normally stood staring at as if it were a refrigerator about to manifest food. The poem started: in Just-: spring when the world is mud- luscious… As I went on, Kitty Stanley sat cross-legged in black gym shorts and white blouse, peeling fuchsia polish off her thumbnail with a watchmaker’s precision. She was a mouth breather, Kitty, whose blond bouffant hairdo featured above her bangs a yarn bow the color of a kumquat. That it? Beverly said. Her black-lined gaze looked like an old-timey bandit mask. Indeed, I said. (This was my assholish T. S. Eliot stage circa ninth grade, when I peppered my speech with words I thought sounded British like indeed.) Is that a word, muddy delicious? Kitty said. Mud-luscious, I said. Not no real word, Beverly said, leaning back on both hands, legs crossed. I studied a volleyball arcing white across the gym ceiling and willed it to smash into Beverly’s freakishly round head. It’s squashing together luscious and lush and delicious, and all of it applied to spring mud. It’s poetic license, I said. I think it’s real smart how you learn every word so they come out any time you please, Kitty said. Beverly snorted. I get mud all over Bobby’s truck flaps, and believe you me, delicious don’t figure in. As insults go, it was weak, but Beverly’s facial expression—like she was smelling something—told me to put poetry right back where I’d drug it out from.
Mary Karr (Lit)