Wrapped Up Life Quotes

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I can't decide whether I'm a good girl wrapped up in a bad girl, or if I'm a bad girl wrapped up in a good girl. And that's how I know I'm a woman!
C. JoyBell C.
And I felt like my heart had been so thoroughly and irreparably broken that there could be no real joy again, that at best there might eventually be a little contentment. Everyone wanted me to get help and rejoin life, pick up the pieces and move on, and I tried to, I wanted to, but I just had to lie in the mud with my arms wrapped around myself, eyes closed, grieving, until I didn’t have to anymore.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
You think because he doesn't love you that you are worthless. You think that because he doesn't want you anymore that he is right -- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that. Did you ever see the way the clouds love a mountain? They circle all around it; sometimes you can't even see the mountain for the clouds. But you know what? You go up top and what do you see? His head. The clouds never cover the head. His head pokes through, beacuse the clouds let him; they don't wrap him up. They let him keep his head up high, free, with nothing to hide him or bind him. You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
Toni Morrison
That's what I love about Aibileen, she can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket.
Kathryn Stockett (The Help)
Loneliness is a strange sort of thing. It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up. You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt. do I don't I should I why won't I And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough. Loneliness is a bitter, wretched companion. Sometimes it just won't let go.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Some of the most beautiful things worth having in your life come wrapped in a crown of thorns.
Shannon L. Alder
All I can think about is how fucked up it would be for your life to end here, now. I mean I know that your life if fucked up no matter what now, forever. And I'm not dumb enough to think that I can undo that, that anyone can. But I can't wrap my mind around the notion of you not getting old, having kids, going to Juilliard, getting to play that cello in front of a huge audience, so that they can get the chills the way I do every time I see you pick up your bow, every time I see you smile at me.
Gayle Forman (If I Stay (If I Stay, #1))
Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?
Donna Tartt (The Goldfinch)
Sometimes, Just when we need them, life wraps metaphors up in little bows for us. When you think all is lost, the things you need the most return unexpectedly.
Susannah Cahalan (Brain on Fire: My Month of Madness)
Sometimes good choices are really bad ones, wrapped up in so much fear you can't even see straight.
Deb Caletti (The Secret Life of Prince Charming)
We're all busy people and it's easy to get so wrapped up in life, that we forget to live.
Jillian Dodd (That Boy (That Boy, #1))
That’s the thing with the young these days, isn’t it? They watch too many happy endings. Everything has to be wrapped up, with a smile and a tear and a wave. Everyone has learned, found love, seen the error of their ways, discovered the joys of monogamy, or fatherhood, or filial duty, or life itself. In my day, people got shot at the end of films, after learning only that life is hollow, dismal, brutish, and short.
Nick Hornby (A Long Way Down)
Life is like Friday on a soap opera. It gives you the illusion that everything is going to wrap up, and then the same old shit starts up on Monday.
Stephen King (Duma Key)
All my life, up until that moment, I'd had a warm, protective blanket wrapped around me, knitted of aunts and uncles, purled of first and second and third cousins, knot-tied with grandmas and grandpas and greats. That blanket had just dropped from my shoulders. I felt cold, lost and alone.
Karen Marie Moning (Darkfever (Fever, #1))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts.
Sarah Ockler (Twenty Boy Summer)
I wish my life was a John Grisham novel. His heroes always seem to be one step away from death but come up with a brilliant plan. Unfortunately, real life can’t be wrapped up with a nice little bow
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
We’re so wrapped up with egotistical things, career, family, having enough money, meeting the mortgage, getting a new car, fixing the radiator when it breaks—we’re involved in trillions of little acts just to keep going. So we don’t get into the habit of standing back and looking at our lives and saying, Is this all? Is this all I want? Is something missing?
Mitch Albom (Tuesdays with Morrie)
When I found you, I didn’t know what I was finding,” Alec said. “Words about things that are beautiful and precious to me don’t come easily. You know that. You know me better than anyone.” He licked his dry lips. “And when one day people look back on me and what my life meant, I don’t want them to say, ‘Alec Lightwood fought in the Dark War’ or even ‘Alec Lightwood was Consul once.’ I want them to think, ‘Alec Lightwood loved one man so much he changed the world for him.’ ” Magnus’s eyes shone bright as stars. He gazed at Alec with eyes full of joy, of a feeling so profound Alec felt humbled to be a part of it. “You know you’ve already changed the world for me.” “Will you marry me?” Alec whispered. His heart was beating like a frantic bird’s wings. “Right now? Tonight?” Magnus nodded wordlessly and pulled Alec to his feet. They wrapped their arms around each other, and Alec leaned up just that little bit, since Magnus was just that little bit taller, which he had always loved. And they kissed for a long time.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
In My Daughter's Eyes Lyrics In my daughter's eyes I am a hero I am strong and wise and I know no fear But the truth is plain to see She was sent to rescue me I see who I want to be In my daughter's eyes In my daughter's eyes Everyone is equal Darkness turns to light And the world is at peace This miracle God gave to me Gives me strength when I'm weak I find reason to believe In my daughter's eyes And when she wraps her hand around my finger Oh it puts a smile in my heart Everything becomes a little clearer I realize what life is all about It's hangin' on when your heart Is had enough It's givin' more when you feel like givin' up I've seen the light It's in my daughter's eyes In my daughter's eyes I can see the future A reflection of who I am And what we'll be And though she'll grow and someday leave Maybe raise a family When I'm gone I hope you'll see How happy she made me For I'll be there In my daughter's eyes
Martina McBride
Suddenly everything finally made sense because, paradoxically, I finally accepted that it never would make sense. That's life. It's not all wrapped up with a tidy bow - it's crazy and disorganized and unpredictable, and so are the people who live it.
Diane Schwemm (The Year I Turned Sixteen (The Year I Turned Sixteen, #1-4))
Some people think they can find satisfaction in good food, fine clothes, lively music, and sexual pleasure. However, when they have all these things, they are not satisfied. They realize happiness is not simply having their material needs met. Thus, society has set up a system of rewards that go beyond material goods. These include titles, social recognition, status, and political power, all wrapped up in a package called self-fulfillment. Attracted by these prizes and goaded on by social pressure, people spend their short lives tiring body and mind to chase after these goals. Perhaps this gives them the feeling that they have achieved something in their lives, but in reality they have sacrificed a lot in life. They can no longer see, hear, act, feel, or think from their hearts. Everything they do is dictated by whether it can get them social gains. In the end, they've spent their lives following other people's demands and never lived a life of their own. How different is this from the life of a slave or a prisoner?
Liezi (Lieh-tzu: A Taoist Guide to Practical Living (Shambhala Dragon Editions))
A person all wrapped up in themselves makes for a mighty small package.
Michael Bernard Beckwith (Life Visioning: A Four-Stage Evolutionary Journey to Live as Divine Love)
If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning. They're right. It does. However much you beg it to stop. It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember. It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life... All trying not to think about what's waiting at the bottom. Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor. Intoxicated by the motion we forget all the risks. And then the world turns... And somebody falls off... And oh God it's such a long way down. Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller... Receding in our memories until they're no longer visible. We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth. Trying to measure how far we have to fall. No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives... Wrapping ourselves in comforting banalities to keep us warm against the cold. "Time's a great healer." "At least it was quick." "The world keeps turning." Oh Alec— Alec's dead.
Alan Moore (Swamp Thing, Vol. 5: Earth to Earth)
And then you came into my life, and you just blindsided me. I am so fucking wrapped up in you I can’t see straight, and you tell me I’m a caveman for wanting to protect you and that our relationship is bullshit.
Kristen Proby (Fight with Me (With Me in Seattle, #2))
The stars are brilliant at this time of night and I wander these streets like a ritual I don’t dare to break for darling, the times are quite glorious. I left him by the water’s edge, still waving long after the ship was gone and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well. There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew. I used to go there to say goodbye. I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them, one way or the other, leaving sin on my body scrubbing tears off with salt and I built my rituals in farewells. Endings I still cling to. So I go to the ocean to say goodbye. He left that morning, the last words still echoing in my head and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay. I turned away from the ocean as not to fall for its plea for it used to seduce and consume me and there was this one night a few years back and I was not yet accustomed to farewells and just like now I stood waving long after the ship was gone. But I was younger then and easily fooled and the ocean was deep and dark and blue and I took my shoes off to let the water freeze my bones. I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival. Then days passed by and I spent them with my work and now I’m writing letters I will never dare to send. But there is this one day every year or so when the burden gets too heavy and I collect my belongings I no longer need and make my way to the ocean to burn and drown and start anew and it is quite wonderful, setting fire to my chains and flames on written words and I stand there, starring deep into the heat until they’re all gone. Nothing left to hold me back. You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains wrapped around my veins, and if you see a fire from the shore tonight it’s my chains going up in flames. The time of moon i quite glorious. We could have been so glorious.
Charlotte Eriksson (You're Doing Just Fine)
I made up my mind right then what I really wanted in my life. It was comfort of a home and a family. But more than that, I wanted love. I wanted love to surround me. I wanted to swim in it. I wanted to hold it in my hand like heated sand and pour it through my fingers so it covered my feet. I wanted to taste it, I wanted to smell it. I wanted to wrap myself up in it like a blanket and stay safe and warm inside of it forever. And I wanted to give it. I wanted to drown people in it. I wanted to love with all my heart and be loved just as much in return.
Melodie Ramone (After Forever Ends)
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked. “No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?
Jeanette Watts (My Dearest Miss Fairfax)
You cannot bubble wrap and protect your heart from life, and why should you? It is meant to be used, and sometimes broken. Use it up, wear it out, leave nothing left undone or unsaid to the people you love. Let it get banged up and busted if it needs to. That’s what your heart is there for.
Nora McInerny (No Happy Endings: A Memoir)
Damn right! The time of your life! Gotta wrap up all those life events, all those parties, into one - birthdays, wedding, funeral." THen he turns to their father. "Very efficient, right, Dad?".... "Here's to my brother, Lev," Marcus says. "And to our parents! Who have always done the right thing. The appropriate thing. Who have always given generously to charity. Who have always given 10 percent of everything to our church. Hey, Mom - we're lucky you had ten kids instead of five, otherwise we'd end up having to cut Lev off at the waist!
Neal Shusterman (Unwind (Unwind, #1))
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
Unfortunately, real life can’t be wrapped up with a nice little bow.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it — a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!
Virginia Woolf (Mrs. Dalloway)
I’ll never leave you. I’ll never mistreat you. I think you know that by now. Try with me. Let us find what we may find.” “What do you expect to find, Robert?” “How should I know? I’ve never experienced anything like this before in my life.” Tears shone briefly under her graceful long lashes before she blinked them away and glanced at him again with a reluctant twist of a smile. Sitting up, she wrapped her arms around her bent knees and sighed. “You are asking us both to set ourselves up for great hurt when it comes time for me to leave.” “Leave? Don’t speak of leaving, angel. You must stay forever.” “As your mistress.” “As my love,” he countered insistently.
Gaelen Foley (The Duke (Knight Miscellany, #1))
Wrapped up in him, in his bad boy ways and his good guy heart, is my whole world. Somehow, while I wasn’t looking, I fell. And I fell hard. For my soul mate. For the love of my life. For my hero.
M. Leighton
That's the problem with life. It rarely gives you neat decisions wrapped up in shiny paper with a bow on top. Most of the important decisions in life are messy.
Debbie Viguié (The Fall of Candy Corn (Sweet Seasons, #2))
I opened the bag and packed the boots in; and then, just as I was going to close it, a horrible idea occurred to me.  Had I packed my tooth-brush?  I don’t know how it is, but I never do know whether I’ve packed my tooth-brush. My tooth-brush is a thing that haunts me when I’m travelling, and makes my life a misery.  I dream that I haven’t packed it, and wake up in a cold perspiration, and get out of bed and hunt for it.  And, in the morning, I pack it before I have used it, and have to unpack again to get it, and it is always the last thing I turn out of the bag; and then I repack and forget it, and have to rush upstairs for it at the last moment and carry it to the railway station, wrapped up in my pocket-handkerchief.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
I'd rather spend the rest of my life right here in Aibileen's cozy little kitchen, having her explain the world to me. That's what I love about Aibileen, she can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket.
Kathryn Stockett (The Help)
My brother, who grew up with three sisters, was I won't say how many years old when he finally realized that he did not have to wrap the towel around his chest when he came out of the shower.
Amy Krouse Rosenthal (Encyclopedia of an Ordinary Life)
Warner has collapsed in the corner. He's curled into himself, kness pulled up to his chest. arms wrapped around his legs, his head buried in this arms. And he's shaking. Tremors are rocking his entire body. I've never, ever seen him look like a child before. Never, not once, not in all the time I've known him. But right now, he looks just like a little boy. Scared, Vulnerable. All alone. ... I touch his arms, so gently. I run my hand down his back, his shoulders. And then I dare to wrap myself around him until he slowly breaks apart, unfolding in front of me. He lifts his head. His eyes are red-rimmed and a startling, striking shade of green, shining with barely restrained emotion. His face is the picture of so much pain. I almost can't breathe. An earthquake hits my heart then, cracks it right down the middle. And It hink here, in him, there is more feeling then any one person should ever have to contain. I try to hold him closer but he wraps his arms around my hips instead, his head falling into my lap. I bend over him instinctively, shielding his body with my own. I press my cheek to his forehead. Press a kiss to his temple. And then he breaks. Shaking violently, shattering in my arms, a million gasping, choking pieces I'm trying so hard to hold together. And I promise myself then, in that moment that I will hold him forever, just like this, until all the pain and torture and suffering is gone, until he's given a chance to live the kind of life where no one can wound him this deeply ever again.
Tahereh Mafi
Do human beings ever realize life, while they live it - every,every minute? We're all busy people and it's easy to get wrapped up in life, that we forget to live.
Jillian Dodd (That Boy (That Boy, #1))
Daddy. Fuckin’ girl kills me when she calls me daddy. Fuck . Fuck. I want to wrap her up and never let go. Best day of my life when she walked back into it.
Bella Jewel (Knights' Sinner (The MC Sinners, #3))
I am still not good enough. I am still not whole enough. I am still not pure enough. I am still weakness and sharp edges and broken, but He is good and pure and whole, all that I strive for but am not. I wake up every morning and I sit in silence and I choose to believe. I may speak. I may not. I let Him wrap up all my broken in to His grace. He takes me imperfect. This is the great mystery I never knew.
Ännä White (Mended: Thoughts on Life, Love, and Leaps of Faith)
When we think we can do it all ourselves--fix, save, buy, or date a nice solution--it's hopeless. We're going to screw things up. We're going to get our tentacles wrapped around things and squirt our squiddy ink all over, so that there is even less visibility, and then we're going to squeeze the very life out of everything.
Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
my final piece We’re born into the world As just one small piece to the puzzle That makes up an entire life. It’s up to us throughout our years, to find all of our pieces that fit. The pieces that connect who we are To who we were To who we’ll one day be. Sometimes pieces will almost fit. They’ll feel right. We’ll carry them around for a while, Hoping they’ll change shape. Hoping they’ll conform to our puzzle. But they won’t. We’ll eventually have to let them go. To find the puzzle that is their home. Sometimes pieces won’t fit at all. No matter how much we want them to. We’ll shove them. We’ll bend them. We’ll break them. But what isn’t meant to be, won’t be. Those are the hardest pieces of all to accept. The pieces of our puzzle That just don’t belong. But occasionally . . . Not very often at all, If we’re lucky, If we pay enough attention, We’ll find a perfect match. The pieces of the puzzle that slide right in The pieces that hug the contours of our own pieces. The pieces that lock to us. The pieces that we lock to. The pieces that fit so well, we can’t tell where our piece begins And that piece ends. Those pieces we call Friends. True loves. Dreams. Passions. Beliefs. Talents. They’re all the pieces that complete our puzzles. They line the edges, Frame the corners, Fill the centers, Those pieces are the pieces that make us who we are. Who we were. Who we’ll one day be. Up until today, When I looked at my own puzzle, I would see a finished piece. I had the edges lined, The corners framed, The center filled. It felt like it was complete. All the pieces were there. I had everything I wanted. Everything I needed. Everything I dreamt of. But up until today, I realized I had collected all but one piece. The most vital piece. The piece that completes the picture. The piece that completes my whole life. I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I’ll one day be. You, baby girl. You’re my final piece.
Colleen Hoover (This Girl (Slammed, #3))
Things weren't easy or perfect, and the future seemed shaky at times, but life wasn't wrapped up in neat little bows.
Jennifer L. Armentrout (Opposition (Lux, #5))
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
Eric Roth (The Curious Case of Benjamin Button Screenplay)
I didn't know what I was holding on to. I had wrapped my life in the fear of messing up. Of disappointing God, which really meant disappointing my mom and friends. I was finding that so much of my life had been about avoiding the feeling of being in trouble.
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
Man was, and is, too shallow and cowardly to endure the fact of the mortality of everything living. He wraps it up in rose-coloured progress-optimism, he heaps upon it the flowers of literature, he crawls behind the shelter of ideals so as not to see anything. But impermanence, the birth and the passing, is the form of all that is actual -- from the stars, whose destiny is for us incalculable, right down to the ephemeral concourses on our planet. The life of the individual -- whether this be animal or plant or man -- is as perishable as that of peoples of Cultures. Every creation is foredoomed to decay, every thought, every discovery, every deed to oblivion. Here, there, and everywhere we are sensible of grandly fated courses of history that have vanished. Ruins of the "have-been" works of dead Cultures lie all about us. The hybris of Prometheus, who thrust his hand into the heavens in order to make the divine powers subject to man, carries with it his fall. What, then, becomes of the chatter about "undying achievements"?
Oswald Spengler (Man and Technics: A Contribution to a Philosophy of Life)
My love for Finny is buried like a stillborn child; it is just as cherished and just as real, but nothing will ever come of it. I imagine it wrapped up in lace, tucked away in a quiet corner of my heart. It will stay there for the rest of my life, and when I die, it will die with me.
Laura Nowlin (If He Had Been with Me)
I was a caterpillar, my many limbs held tight to my body, wrapped up in a cocoon. He paved the way, eased me from a small and ugly life to a beautiful one. The transition had been painful at times, but never more than it would be to leave him. But that was the path of a butterfly-to fly away from the one who had made her.
Skye Warren (Wanderlust)
Pity preserves things that are ripe for decline, it defends things that have been disowned and condemned by life, and it gives a depressive and questionable character to life itself by keeping alive an abundance of failures of every type. People have dared to call pity a virtue… people have gone even further, making it into the virtue, the foundation and source of all virtues, - but of course you always have to keep in mind that this was the perspective of a nihilistic philosophy that inscribed the negation of life on its shield. Schopenhauer was right here: pity negates life, it makes life worthy of negation, - pity is the practice of nihilism. Once more: this depressive and contagious instinct runs counter to the instincts that preserve and enhance the value of life: by multiplying misery just as much as by conserving everything miserable, pity is one of the main tools used to increase decadence - pity wins people over to nothingness! … You do not say ‘nothingness’ : instead you say ‘the beyond’; or ‘God’; or ‘the true life’; or nirvana, salvation, blessedness … This innocent rhetoric from the realm of religious-moral idiosyncrasy suddenly appears much less innocent when you see precisely which tendencies are wrapped up inside these sublime words: tendencies hostile to life.
Friedrich Nietzsche (The Anti-Christ)
He wanted to wake up every morning to her. Go to sleep with his body wrapped tightly around hers. He wanted her to have his child—his children. He knew he wanted to live out the rest of his life with her by his side and when he died, he wanted to die in her arms.
Christine Feehan (Spirit Bound (Sea Haven/Sisters of the Heart, #2))
On the train I told him about the day we thought he’d drowned and how I was determined to ask my father to round up as many fishermen as he could to go look for him, and when they found him, to light a pyre on our shore, while I grabbed Mafalda’s knife from the kitchen and ripped out his heart, because that heart and his shirt were all I’d ever have to show for my life. A heart and a shirt. His heart wrapped in a damp shirt – like Anchise’s fish.
André Aciman (Call Me by Your Name)
The men who indulged in nocturnal thought, it seemed to me, had without exception dry, lusterless skins and sagging stomachs. They sought to wrap up a whole epoch in a capacious night of ideas, and rejected in all its forms the sun that I had seen. They rejected both life and death as I had seen them, for in both of these the sun had had a hand.
Yukio Mishima (Sun & Steel)
Love is anxiety's greatest killer. Love is an outward force. It is our road out of our own terrors, because anxiety is an illness that wraps us up in our own nightmares. [...] Forcing yourself to see the world through love's gaze can be healthy. Love is an attitude to life. It can save us.
Matt Haig (Reasons to Stay Alive)
That's because true travel, the kind with no predetermined end, is one of the most selfish endeavors we can possibly undertake-an act in which we focus solely on our own fulfillment, with little regard to those we leave behind. After all, we're the ones venturing out into the big crazy world, filling up journals, growing like weeds. And we have the gall to think they're just sitting at home, soaking in security and stability. It is only when we reopen these wrapped and ribboned boxes, upon our triumphant return home, that we discover nothing is the way we had left it before.
Stephanie Elizondo Griest (Around the Bloc: My Life in Moscow, Beijing, and Havana)
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time. Tears are streaming down her face. She’s stroking our baby girl’s cheek, smiling. Crying. Laughing. “I don’t want to count her fingers or toes,” Lake whispers. “I don’t care if she has two toes or three fingers or fifty feet. I love her so much, Will. She’s perfect.” She is perfect. So perfect. “Just like her mom,” I say. I lean my head against Lake’s and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life. I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I can’t choke back my tears any longer. “Hey, Julia. It’s me. It’s your daddy.
Colleen Hoover (This Girl (Slammed, #3))
But I like sleepy. I like nothing-ever-happens. I buy the same chocolate bar from the same shop every day, next to our village pond with its minimalist duck population of three, and then I check the Holksea village newsletter with no news in it. It’s comforting. I can wrap my whole life up in a blanket.
Harriet Reuter Hapgood (The Square Root of Summer)
Nature loves efficiency, which is very odd for something supposedly working at random. When you drop a ball, it falls straight down without taking any unexpected detours. When two molecules with the potential for bonding meet, they always bond- there is no room for indecision. This expenditure of least energy, also called the law of least effort, covers human beings, too. Certainly our bodies cannot escape the efficiency of the chemical processes goings on in each cell, so it is probable that our whole being is wrapped up in the same principle. This argument also applies to personal growth- the idea that everyone is doing the best he or she can from his or her own level of consciousness
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
In our every cell, furled at the nucleus, there is a ribbon two yards long and just ten atoms wide. Over a hundred million miles of DNA in very human individual, enough to wrap five million times around our world and make the Midgard serpent blush for shame, make even the Ourobouros worm swallow hard in disbelief. This snake-god, nucleotide, twice twisted, scaled in adenine and cytosine, in thymine and in guanine, is a one-man show, will be the actors, props and setting, be the apple and the garden both. The player bides his time, awaits his entrance to a drum-roll of igniting binaries. This is the only dance in town, this anaconda tango, this slow spiral up through time from witless dirt to paramecium, from blind mechanic organism to awareness. There, below the birthing stars, Life sways and improvises. Every poignant gesture drips with slapstick; pathos; an unbearably affecting bravery. To dare this stage, this huge and overwhelming venue. Squinting through the stellar footlights, hoping there's an audience, that there's someone out there, but dancing anyway. But dancing anyway.
Alan Moore (Snakes and Ladders)
I looked long and hard for the paper roses! I found the reddest red ribbon, and a little golden card! We were all there together, many of us, in the same place; but I was the only one who found the paper roses, the only one who chose the reddest red ribbon, and the only one who topped off with a golden card. And so I learned that if people are unhappy, it is only because they don't know how to look for the paper roses, they don't see the reddest red ribbon, and they don't like the little golden cards. We are all in the same wrap-shoppe in this life. But we are different. Because some of us are looking for the paper roses, choosing the reddest red ribbon, and picking up the little golden cards.
C. JoyBell C.
I lay on her bed with my arms wrapped around her, wondering how on earth we'd managed to end up like this. I'm not sure what'd been on my mind when I came to see her, but this wasn't it! Strange the way things turn out. When I'd come into her room I'd been burning up with desire to smash her and everything around her. And yet here she was, asleep and still holding on to my arms like I was a life-raft or something. There's not a single millimetre between her body and mine. I could move my hands and, and, anything I liked. Caress or strangle. Kill or cure. Her or me. Me or her.
Malorie Blackman (Noughts & Crosses (Noughts & Crosses, #1))
Sheridan bit back a teary smile at his quip, afraid to believe him, afraid to trust him, and unable to stop herself because she loved him. "Look at me," Stephen said, tipping her chin up again, and this time her glorious eyes looked into his. "I have several reasons for asking you to walk into that chapel, where there is a vicar waiting for us, but guilt is not among them. I also have several things to ask of you before you agree to go in there with me." "What sort of things?" "I would like you to give me daughters with your hair and your spirit," he said, beginning to enumerate his reasons and requests. "I would like my sons to have your eyes and your courage. Now, if that's not what you want, then give me any combination you like, and I will humbly thank you for giving me any child we make." Happiness began to spread through Sheridan until it was so intense she ached from it. "I want to change your name," he said with a tender smile, "so there's no doubt who you are ever again, or who you belong to." He slid his hands up and down her arms, looking directly into her eyes. "I want the right to share your bed tonight and every night from this day onward. I want to make you moan in my arms again, and I want to wake up wrapped in yours." He shifted his hands and cradled her cheeks, his thumbs brushing away two tears at the edges of her shimmering eyes. "Last of all, I want to hear you say 'I love you' every day of my life. If you aren't ready to agree to that last request right now, I would be willing to wait until tonight, when I believe you will. In return for all those concessions, I will grant you every wish that is within my power to grant you.
Judith McNaught (Until You (Westmoreland, #3))
We walked to his Harley, and when I wrapped my arms around him, he rested his hand on mine. “I’m glad you were there tonight, Pidge. I’ve never had so much fun at a fight in my life.” I perched my chin on his shoulder and smiled. “That was because you were trying to win our bet.” He angled his neck to face me. “Damn right I was.” There was no amusement in his eyes, he was serious, and he wanted me to see it. My eyebrows shot up. “Is that why you were in such a bad mood today? Because you knew they’d fixed the boilers, and I would be leaving tonight?” Travis didn’t answer; he only smiled as he started his motorcycle. The drive to the apartment was uncharacteristically slow. At every stoplight, Travis would either cover my hands with his, or he would rest his hand on my knee.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Sydney,” Adrian interrupted, cupping my face in his hands. “Never, ever think like that. I don’t regret anything we’ve faced. Being with you is the best thing that’s ever happened to me, the one perfect decision I’ve made in a lifetime of fumbling and poor judgment. I’d go through it all again to be by your side. Never doubt that. Never doubt how I feel about you.” “Oh, Adrian,” I said, letting him wrap me in his arms, surprised at the bubble of emotion welling up within me. He held me tightly. “I love you. If anything, I can’t believe you gave up everything you did to be with me. You changed your whole life for me.” “My life didn’t even begin until I met you,” I told him fiercely.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Breakfast! My favorite meal- and you can be so creative. I think of bowls of sparkling berries and fresh cream, baskets of Popovers and freshly squeezed orange juice, thick country bacon, hot maple syrup, panckes and French toast - even the nutty flavor of Irish oatmeal with brown sugar and cream. Breaksfast is the place I splurge with calories, then I spend the rest of the day getting them off! I love to use my prettiest table settings - crocheted placemats with lace-edged napkins and old hammered silver. And whether you are inside in front of a fire, candles burning brightly on a wintery day - or outside on a patio enjoying the morning sun - whether you are having a group of friends and family, a quiet little brunch for two, or an even quieter little brunch just for yourself, breakfast can set the mood and pace of the whole day. And Sunday is my day. Sometimes I think we get caught up in the hectic happenings of the weeks and months and we forget to take time out to relax. So one Sunday morning I decided to do things differently - now it's gotten to be a sort of ritual! This is what I do: at around 8:30 am I pull myself from my warm cocoon, fluff up the pillows and blankets and put some classical music on the stereo. Then I'm off to the kitchen, where I very calmly (so as not to wake myself up too much!) prepare my breakfast, seomthing extra nice - last week I had fresh pineapple slices wrapped in bacon and broiled, a warm croissant, hot chocolate with marshmallows and orange juice. I put it all on a tray with a cloth napkin, my book-of-the-moment and the "Travel" section of the Boston Globe and take it back to bed with me. There I spend the next two hours reading, eating and dreaming while the snowflakes swirl through the treetops outside my bedroom window. The inspiring music of Back or Vivaldi adds an exquisite elegance to the otherwise unruly scene, and I am in heaven. I found time to get in touch with myself and my life and i think this just might be a necessity! Please try it for yourself, and someone you love.
Susan Branch (Days from the Heart of the Home)
Girl, you are the epitome of spoiled. I can smell it in your expensive perfume, in the quality of your ridiculous clothing, in the bracelet wrapped ’round that delicate wrist.” He closed the gap between us and all the air sucked from the room. “You won’t last out here. You’ll stay blind to the environment that surrounds you. You’ll live in your clean, perfect bubble and return to your posh life come six months. You are....you. I know your kind. I’ve seen it all before. You will never wake up. Not really,” he explained away before backing up and leaving me to my room once again.
Fisher Amelie (Vain (The Seven Deadly, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Look at our culture. Look at the computer-enhanced people we compare ourselves to. Look at the expensive cars and trinkets we're all supposed to have. Look at how many people are wrapped up in that! Imagine how much money and worry we'd save ourselves if we stopped caring what kind of car we drove! and why do we care? perfection. But there is no such thing, is there? And if there is, then everyone is perfect in their own way, right?
A.S. King (Ask the Passengers)
My research continues to amaze and baffle me. As human beings, we are geniuses. What we didn’t get from the home, we find ways of getting elsewhere. It’s evident, then, when one looks at the stats we don’t have a teenage pregnancy problem and we don’t have a street gang problem. I will even suggest that we don’t have a drug and alcohol problem, nor do we have a crime problem rather, these are only the symptoms that we are experiencing, and the real problem is broken homes that result in broken lives.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Too often, people who need the cheers the most get them the least. Every day, everyone you know faces life with eternity on the line, and life has a way of beating people down. Every life needs a cheering section. Every life needs a shoulder to lean on once in a while. Every life needs a prayer to lift them up to God. Every life needs a hugger to wrap some arms around them sometimes. Every life needs to hear a voice saying, “Don’t give up.
John Ortberg (The Me I Want to Be: Becoming God's Best Version of You)
Then like a bird, he gingerly landed on a protruding rock inside the monstrous cavern. I looked up at the wet walls teaming with sea life and reeled back feeling like I was going to lose my balance when I felt him reach around and carefully lift me off. He placed me so I could stand on the rock in front of him. His strong arms wrapped tightly around me so I wouldn’t fall. We stood in astonishment deafened by the noise of the waves hitting the reef all around us. The warmth of his chest radiated against me. I molded my body up against his, my heart erupting in a flutter that caused my legs to weaken. “What do you think?” he whispered into my ear. I felt his hot breath against the side of my neck, which caused me to be light-headed as my heart raced even harder. “Awesome,” I whispered, which was all I could get out as I slinked into his chest a little bit more.
Brenda Pandos (The Emerald Talisman (Talisman, #1))
There is only one invitation it would kill me to refuse, yet I'm tempted to turn it down all the time. I get the invitation every morning when I wake up to actually live a life of complete engagement, a life of whimsy, a life where love does. It doesn't come in an envelope. It's ushered in by a sunrise, the sound of a bird, or the smell of coffee drifting lazily from the kitchen. It's the invitation to actually live, to fully participate in this amazing life for one more day. Nobody turns down an invitation to the White House, but I've seen plenty of people turn down an invitation to fully live. Turning down this invitation comes in lots of flavors. It looks like numbing yourself or distracting yourself or seeing something really beautiful as normal. It can also look like refusing to forgive or not being grateful or getting wrapped around the axle with fear or envy. I think every day God sends us an invitation to live and sometimes we forget to show up or get head-faked into thinking we haven't really been invited. But you see, we have been invited -- every day, all over again
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
One reader of an early draft of this chapter complained at this point, saying that by treating the hypothesis of God as just one more scientific hypothesis, to be evaluated by the standards of science in particular and rational thought in general, Dawkins and I are ignoring the very widespread claim by believers in God that their faith is quite beyond reason, not a matter to which such mundane methods of testing applies. It is not just unsympathetic, he claimed, but strictly unwarranted for me simply to assume that the scientific method continues to apply with full force in this domain of truth. Very well, let's consider the objection. I doubt that the defender of religion will find it attractive, once we explore it carefully. The philosopher Ronaldo de Souza once memorably described philosophical theology as "intellectual tennis without a net," and I readily allow that I have indeed been assuming without comment or question up to now that the net of rational judgement was up. But we can lower it if you really want to. It's your serve. Whatever you serve, suppose I return service rudely as follows: "What you say implies that God is a ham sandwich wrapped in tin foil. That's not much of a God to worship!". If you then volley back, demanding to know how I can logically justify my claim that your serve has such a preposterous implication, I will reply: "oh, do you want the net up for my returns, but not for your serves? Either way the net stays up, or it stays down. If the net is down there are no rules and anybody can say anything, a mug's game if there ever was one. I have been giving you the benefit of the assumption that you would not waste your own time or mine by playing with the net down.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
When he settles back onto his knee, he wipes a tear away from his own eyes. “Sherry, until I met you I didn’t know what life was. I had no clue that I wasn’t even alive. It’s like you came along and woke up my soul." He's looking straight at her as he talks. He doesn't sound nervous at all, like he's determined to prove to her how serious he is. He takes a deep breath and then continues. "I’ll never be able to give you everything you deserve, but I’ll definitely spend the rest of my life trying.” He pulls the ring out of the box and slides it on her finger. “I’m not asking you to marry me, Sherry. I’m telling you to marry me, because I can’t live without you.” Sherry wraps her arms around his neck and they hold onto one another and cry. “Okay,” she finally says. When they begin to kiss, his hand reaches over and turns off the camera.
Colleen Hoover (Point of Retreat (Slammed, #2))
My god, I hope you find love. And I don’t just mean that in regards to someone you wrap your tired bones around at night. I mean that I hope you find love in every aspect of your life. I hope you find it tucked into early morning sunrises and the smell of your favorite places. I hope you find it strung between the laughter you share with friends I hope it bounces off of you when you hug the people you care for I hope it swells within your rib cage whenever you hear your favorite song or discover something that moves you. I hope you fall in love with growth, and change, and the messiness, and the beauty of fucking up, and making mistakes, and becoming exactly who you want to be. I hope you find love in places that were once devoid of it, in places within yourself that you could have been softer to, kinder to, in the past. Because if there is one thing I have learned, it is that love is so much more than a boy or a girl who holds your heart. Love is everything around you. It is everything.
Bianca Sparacino (The Strength In Our Scars)
I thought that I would go to Romania and that when I got there I would go to some small town and buy secondhand clothes in the market. Shoes. A blanket. I’d burn everything I owned. My passport. Maybe I’d just put my clothes in the trash. Change money in the street. Then I’d hike into the mountains. Stay off the road. Take no chances. Crossing the ancestral lands by foot. Maybe by night. There are bears and wolves up there. I looked it up. You could have a small fire at night. Maybe find a cave. A mountain stream. I’d have a canteen for water for when the time came that I was too weak to move about. After a while the water would taste extraordinary. It would taste like music. I’d wrap myself in the blanket at night against the cold and watch the bones take shape beneath my skin and I would pray that I might see the truth of the world before I died. Sometimes at night the animals would come to the edge of the fire and move about and their shadows would move among the trees and I would understand that when the last fire was ashes they would come and carry me away and I would be their eucharist. And that would be my life. And I would be happy.
Cormac McCarthy (Stella Maris (The Passenger #2))
Life wears us down around the edges. The stress of life and its neces­sities cracks things. We learn to protect ourselves. We learn not to let so much of the world in, because some­times it’s all too much, and we don’t have the resilience we need to survive it. When we’re six, we make best friends easily. When we’re fifty, we don’t. That’s age and expe­rience for you. But books are different. We can let books in. We can wrap them up in our hearts. We can approach them as if we’re still young and open. Even so, it’s not as simple. Because we’re not as simple. (Source: State of the Writer, sort of, September 2015 - blog post)
Michelle Sagara
I'd never been to the Unnamed Sea, but my mother was born there. Her leathered skin and callused hands made her look as if she'd grown up on a ship, but she'd come to the Narrows on her own when she was no more than my age, finding a place on Saint's crew as a dredger and leaving her past in the Unnamed Sea behind. She would wrap her arms around me as we sat up on the mast with our feet dangling, and she would tell me about Bastian, the port city she called home, and the huge ships that sailed those deep water. Once, I asked her if she'd ever go back. If she'd take me there one day. But she only said she'd been born for a different life, and so had I.
Adrienne Young (Fable (The World of the Narrows, #1))
Most of us probably fall several times a day into a fit somewhat like this: The eyes are fixed on vacancy, the sounds of the world melt into a confused unity, the attention is dispersed so that the whole body is felt, as it were, at once, and the foreground of consciousness is filled, if by anything, by a sort of solemn sense of surrender to the empty passing of time. In the dim background of our mind we know meanwhile what we ought to be doing: getting up, dressing ourselves, answering the person who has spoken to us, trying to make the next step in our reasoning. But somehow we cannot start; the pensée de derrière la tête [thought at the back of the head] fails to pierce the shell of lethargy that wraps our state about. Every moment we expect the shell to break, for we know no reason why it should continue. But it does continue, pulse after pulse, and we float with it, until—also without reason that we can discover—an energy is given, something—we know not what—enables us to gather ourselves together, we wink our eyes, we shake our head, the background ideas become effective, and the wheels of life go round again.
William James (Psychology: The Briefer Course)
Yes, I thought. That is how life feels too often. Like you're doing everything you can to survive only to be sabotaged by something beyond your control, maybe even some darker part of yourself. Sometimes, it was your body. Your cells turning into poison and fighting against you. Or chronic pain sprouting up your neck and wrapping around the outsides of your scalp until it felt like fingernails sinking into your brain. Sometimes, it was lust or heartbreak or loneliness or fear driving you off the road toward something you'd spent months of years avoiding. Actively fighting against. At least the last thing they'd seen, the meteor streaming toward Earth, had distracted them because of its beauty. They hadn't been afraid. They'd been mesmerised. Maybe that was all you could hope for in life.
Emily Henry (Beach Read)
The first time you kissed me? That moment when your lips touched mine? You stole a piece of my heart that night. The first time you told me you lived me because you weren't ready to tell me you loved me yet? Those words stole another piece of my heart. The night I found out I was Hope? I told you I wanted to be alone in my room. When I woke up and saw you in my bed I wanted to cry, Holder. I wanted to cry because I needed you there with me so bad. I knew in that moment that I was in love with you. I was in love with the way you loved me. When you wrapped your arms around me and held me, I knew that no matter what happened with my life, you were my home. You stole the biggest piece of my heart that night. Keep them open. I want you to keep them open...because I need you to watch me give you the very last piece of my heart
Colleen Hoover (Hopeless (Hopeless, #1))
She pushed and elbowed and knocked and strained to catch him, and finally, she did, reaching out for his hand--adoring the fact that neither of them wore gloves, loving the way their skin came together, the way his brought wonderful heat in a lush, irresistible current. He felt it too. She knew it because he stopped the instant they touched, turning to face her, grey eyes wild as Devonshire rain. She knew it because he whispered her name, aching and beautiful and soft enough for only her to hear. And she it because his free hand rose, captured her jaw and titled her face up to him even as he leaned down and stole her lips and breath and thought in a kiss that she would never in her lifetime forget. The was like food and drink, like sleep, like breath. She needed it with the same elemental desire and she cared not a bit that all of London was watching. Yes, she was masked, but it did not matter. She would have stripped to her chemise for this kiss. To her skin. Their fingers still intertwined, he wrapped their arms behind her back and pulled her to him, claiming her mouth with lips and tongue and teeth, marking her with one long luscious kiss that went on and on until she thought she might die from the pleasure of it. Her free hand was in his hair then, tangling in the soft locks, loving their silky promise. She was lost, claimed and fairly consumed by the intensity of the kiss, and for the first time in her life, Pippa gave herself up to emotion, pouring every bit of her desire and her passion and her fear and her need into this moment This caress. This man. This man, who was everything she had never allowed herself to dream she would find. This man, who made her believe in friendship. In partnership.. In love
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
Alice Hoffman (Blue Diary)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
Tell me what to do." His warm breath tickled my ear. "Relax." "Please, Noah, I don't want to do this wrong. Tell me how to make you feel good." He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right." His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me." I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended. Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy. And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin. He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love. He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way." My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever. One clear thought forced my eyes open. "You 're putting me to sleep." "So?" he asked a little too innocently. I swallowed. "I'll have nightmares." "Then we 'll have an excuse to do this again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Eh?" "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?" "Mmm," said Logen, leaning back and staring slightly crosseyed at the shining point of the sword. Bayaz let it drop and slid it gently back into its scabbard, something to Logen's relief. "Yes, a sword has a voice. Axes and maces and so forth are lethal enough, but a sword is a subtle weapon, and suited to a subtle man. You I think, Master Ninefingers, are subtler than you appear." Logen frowned as Bayaz held the sword out to him. He had been accused of many things in his life, but never subtlety. "Consider it a gift. My thanks for your good manners.
Joe Abercrombie (The Blade Itself (The First Law, #1))
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
What’s wrong?” Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.” He grunted, “Hmm, let me see what I can do.” Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.” He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head. “Is that more comfortable for you?” “Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.” “What do you mean? Why can’t you relax?” “Because you’re too close for me to relax.” Bemused, he said, “Me being too close never bothered you when I was a tiger.” “The tiger you and the man you are two completely different things.” He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.” “It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck. He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred. “Ren, can you not do that right now?” He lifted his head. “You like it when I purr. It helps you sleep better.” “Yes, well, that only works with the tiger. How can you do that as a man anyway?” He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm. “Uh, Ren? Explain to me how you plan to keep watch like this.” His lips grazed my neck. “I can hear and smell the Kappa, remember?” I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.” Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.” He kissed me softly and smiled. “I haven’t either.” He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!” He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth." He shook his head slowly. "I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it." His face was expressionless. "I know," he said. "I was afraid of your hands more than anything," she said. "They are beautiful hands." He said nothing. "When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?" She watched him swallow. "For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them." "Fleur," he said, and reached out a staying hand. "I love you," she said. "No." "I love you." "It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me." "I love you," she said. "Fleur." She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain." "Fleur," he said, taking her wrist in his hand. "Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be." "Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy." She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again." He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
Mary Balogh (The Secret Pearl)
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I might not like what you do, but you’re not going to lose me, Gin.” “Why not?” I said, forcing the words out through the lump of emotion that clogged my throat. “What’s changed?” Bria looked at me. “Because we came down here, and I saw how Donovan treated you. How he thought he was so much better than you, so much more righteous, and I realize that it’s the same way I’ve been treating you for months now, when you’ve done nothing but save my life over and over again. With no question, no hesitation, and nothing asked in return. Not one damn thing.” Tears streaked down her cheeks, and her blue eyes were agonizingly bright in her face. “The truth is that I’m ashamed of myself for acting like him and most especially for taking you for granted. When we found out that Callie was in trouble, you were the first one to do anything about it. You immediately stepped up and offered to help her. If it wasn’t for you, Callie would be dead now and probably Donovan along with her. You saved her not because I asked you to and not even because she was my friend but because you saw someone who was in trouble and you realized you could help her. Maybe you are an assassin, maybe you are one of the bad guys, but you know what? I don’t give a damn anymore. You’re my sister first, and that’s all that matters to me.” I blinked and was surprised to find hot tears sliding down my own cheeks, one after another in a torrent that I couldn’t control. She . . . she . . . understood. She actually understood who and what I was and that I would probably never change or give up being the Spider. She knew it all, and she was still here with me. All sorts of emotions surged through my heart then, but there was one that drowned out all the others—relief. Pure, sweet relief that she wasn’t going to walk out of my life, that she was going to stick with me through the good and the bad and whatever else the world threw at us. I reached forward and wrapped my arms around Bria, and she did the same to me. We stood like that for several minutes, still and quiet, with silent sobs shaking both of our bodies. Just letting out all the fear and anger and guilt that had crept up on us both and had created this gulf between us. But we’d overcome those emotions, and I’d be damned if we’d ever grow apart like this again.
Jennifer Estep (By a Thread (Elemental Assassin #6))
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)