Cows Feeling Quotes

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Are wild strawberries really wild? Will they scratch an adult, will they snap at a child? Should you pet them, or let them run free where they roam? Could they ever relax in a steam-heated home? Can they be trained to not growl at the guests? Will a litterbox work or would they make a mess? Can we make them a Cowberry, herding the cows, or maybe a Muleberry pulling the plows, or maybe a Huntberry chasing the grouse, or maybe a Watchberry guarding the house, and though they may curl up at your feet oh so sweetly can you ever feel that you trust them completely? Or should we make a pet out of something less scary, like the Domestic Prune or the Imported Cherry, Anyhow, you've been warned and I will not be blamed if your Wild Strawberries cannot be tamed.
Shel Silverstein (Where the Sidewalk Ends)
We love dogs and eat cows not because dogs and cows are fundamentally different--cows, like dogs, have feelings, preferences, and consciousness--but because our perception of them is different.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Your perceptions are derived from your feelings and your ability to be yourself, to own and trust yourself, and to say what you feel, even when it may be diametrically opposed to everyone eles's opinion. You may be called the Devil Incarnate. You may feel like cow pies are being thrown at you. Sometimes that is part of being true to yourself.
Barbara Marciniak (Family of Light: Pleiadian Tales and Lessons in Living)
Feelings come and go, unless you don't feel them. Then they stay, and hurt, and grow pear-shaped and weird.
David Duchovny (Holy Cow)
To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.
Anthony Doerr (All the Light We Cannot See)
He turned to Nina and said in Fjerdan, “Do not let them cow you. You are not the girl you were. You are not just a soldier to command.” “So why do I feel like finding a corner to sob in?” “This is a round room. There are no corners.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What are you doing here, Simi? (Astrid) Feeling peckish. Is there any food? Something not too heavy. Maybe a cow or two? (Simi)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
You.. love me?'' Snow nods. ''Yeah,'' he says, ''of course.'' Like it's obvious. It isn't obvious. It has not been obvious. ''You never said,'' I say. ''Haven't I?'' ''No.'' He frowns. ''I thought- I mean... I've killed so many things for you.'' I laught. It might be another sob, but mabe it's just a laugh. ''What are you, a house cat? Am I supposed to know how you feel because you brought me a mouse?'' The corner of Snow's mouth twitches. ''I brought you a cow once, remember? And I killed that chimera for you in fifth year.
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
Some people become depressed at the scale of the universe, because it makes them feel insignificant. Other people are relieved to feel insignificant, which is even worse. But, in any case, those are mistakes. Feeling insignificant because the universe is large has exactly the same logic as feeling inadequate for not being a cow. Or a herd of cows. The universe is not there to overwhelm us; it is our home, and our resource. The bigger the better.
David Deutsch (The Beginning of Infinity: Explanations That Transform the World)
I write in order to attain that feeling of tension relieved and function achieved, which a cow enjoys on giving milk.
H.L. Mencken
Coming forward with a placating smile, Win handed him a piece of paper. "Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won't you take a glance and see if any of them appeals to you?" Deciding to humor her, Leo looked down at the list. "Marietta Newbury?" "Yes," Amelia said. "What's wrong with her?" "I don't like her teeth." "What about Isabella Charrington?" "I don't like her mother." "Lady Blossom Tremaine?" "I don't like her name." "Oh, for heaven's sake, Leo, that's not her fault." "I don't care. I can't have a wife named Blossom. Every night I would feel as if I were calling in one of the cows." Leo lifted his gaze heavenward. "I might as well marry the first woman off the street. Why, I'd be better off with Marks." Everyone was silent.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Talaith leaned forward, studied her youngest daughter. “You think you’re evil?” “Pure evil,” Izzy clarified, which got her a rather vicious glare from Rhi. An expression Dagmar had never thought the young, perpetually smiling or sobbing girl was capable of. “Why would you think you’re evil?” “It’s a feeling I have.” “No. Someone told her.” Rhi glowered at her sister. “I never said that.” “You didn’t have to,” Izzy shot back. “I know you.” “Well, who told her that?” Talaith demanded. And, as one, they all turned and looked at Gwenvael. He blinked, sat up straight. “I would never say such a thing to my dear sweet niece!” “You said it to me,” Talwyn snapped. “That’s because you’re not my dear sweet niece. You’re the rude little cow who threw a knife at my head.” “I wasn’t aiming for you. I was aiming for Mum.” “She’s right,” Annwyl admitted. “I just ducked behind you.” She shrugged. “Sorry.
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
Michael Pollan likens consumer choices to pulling single threads out of a garment. We pull a thread from the garment when we refuse to purchase eggs or meat from birds who were raised in confinement, whose beaks were clipped so they could never once taste their natural diet of worms and insects. We pull out a thread when we refuse to bring home a hormone-fattened turkey for Thanksgiving dinner. We pull a thread when we refuse to buy meat or dairy products from cows who were never allowed to chew grass, or breathe fresh air, or feel the warm sun on their backs. The more threads we pull, the more difficult it is for the industry to stay intact. You demand eggs and meat without hormones, and the industry will have to figure out how it can raise farm animals without them. Let the animals graze outside and it slows production. Eventually the whole thing will have to unravel. If the factory farm does indeed unravel - and it must - then there is hope that we can, gradually, reverse the environmental damage it has caused. Once the animal feed operations have gone and livestock are once again able to graze, there will be a massive reduction in the agricultural chemicals currently used to grow grain for animals. And eventually, the horrendous contamination caused by animal waste can be cleaned up. None of this will be easy. The hardest part of returning to a truly healthy environment may be changing the current totally unsustainable heavy-meat-eating culture of increasing numbers of people around the world. But we must try. We must make a start, one by one.
Jane Goodall (Harvest for Hope: A Guide to Mindful Eating)
Monogamy, it follows, is the sacred cow of the romantic ideal, for it is the marker of our specialness: I have been chosen and others renounced. When you turn your back on other loves, you confirm my uniqueness; when your hand or mind wanders, my importance is shattered. Conversely, if I no longer feel special, my own hands and mind tingle with curiosity. The disillusioned are prone to roam. Might someone else restore my significance
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
The unworthies in power feel danger, like cows uneasily pawing the ground with a great "Moo.
William S. Burroughs (Last Words: The Final Journals)
I'm really not looking to date anyone." I know people often say that when secretly looking for a romantic partner, but I mean it. I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
You think plants don’t have feelings? Maybe not the type of feelings you and I have, but they do have planty feelings, really slow feelings that unfold or blossom over years rather than seconds.
David Duchovny (Holy Cow)
I always wanted this - to come to restaurants that raise their own cows and mortgage bottles of wine. But, it makes me feel insecure - reminds me that I'm really just poor, white trash with a good job.
Tarryn Fisher (Thief (Love Me with Lies, #3))
But if I feel, may I never express?” “Never!” declared Reason. I groaned under her bitter sternness. Never - never - oh, hard word! This hag, this Reason, would not let me look up, or smile, or hope; she could not rest unless I were altogether crushed, cowed, broken-in, and broken down. According to her, I was born only to work for a piece of bread, to await the pains of death, and steadily through all life to despond. Reason might be right; yet no wonder we are glad at times to defy her, to rush from under her rod and give a truant hour to Imagination - her soft, bright foe, our sweet Help, our divine Hope.
Charlotte Brontë (Villette)
Feeling insignificant because the universe is large has exactly the same logic as feeling inadequate for not being a cow.
David Deutsch (The Beginning of Infinity: Explanations That Transform the World)
We're an Ag college," I explain to them. "Not as good as the one in Yanco but we have livestock." "Cows?" Anson Choi asks, covering his nose. "Pigs, too. And horses. Great for growing tomatoes. The Cadets are wanna-be soldiers. City people. They may know how to street fight but they don't know how to wade through manure. "I'm going to throw up," one of the guys says. "Don't feel too bad," I explain. "Some of our lot did while they were laying out this stuff. Actually, right there where you're standing.
Melina Marchetta (On the Jellicoe Road)
Becoming aware of the intense suffering of billions of animals, and of our own participation in that suffering, can bring up painful emotions: sorrow and grief for the animals; anger at the injustice and deception of the system; despair at the enormity of the problem; fear that trusted authorities and institutions are, in fact, untrustworthy; and guilt for having contributed to the problem. Bearing witness means choosing to suffer. Indeed, empathy is literally 'feeling with.' Choosing to suffer is particularly difficult in a culture that is addicted to comfort--a culture that teaches that pain should be avoided whenever possible and that ignorance is bliss. We can reduce our resistance to witnessing by valuing authenticity over personal pleasure, and integration over ignorance.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
But why must the system go to such lengths to block our empathy? Why all the psychological acrobatics? The answer is simple: because we care about animals, and we don't want them to suffer. And because we eat them. Our values and behaviors are incongruent, and this incongruence causes us a certain degree of moral discomfort. In order to alleviate this discomfort, we have three choices: we can change our values to match our behaviors, we can change our behaviors to match our values, or we can change our perception of our behaviors so that they appear to match our values. It is around this third option that our schema of meat is shaped. As long as we neither value unnecessary animal suffering nor stop eating animals, our schema will distort our perceptions of animals and the meat we eat, so that we feel comfortable enough to consume them. And the system that constructs our schema of meat equips us with the means by which to do this.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
It feels strange to me to be living in a box, hiding from the steadying influence of the moon; wearing the hide of a cow, which is supposed to be dyed to match God-knows-what, on my feet; making promises over the telephone about things I will do at a precise hour next year.
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
As with Dutchy and Carmine on the train, this little cluster of women has become a kind of family to me. Like an abandoned foal that nestles against cows in the barnyard, maybe I just need to feel the warmth of belonging. And if I'm not going to find that with the Byrnes, I will find it, however partial and illusory, with the women in the sewing room.
Christina Baker Kline (Orphan Train)
You listen to me,” she says. Her jaw is set, ironclad. It’s the game face he’s seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. “I am your mother. I was your mother before I was ever the president, and I’ll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you’re serious about this, I’ll back your play.” Alex is silent. But the debates, he thinks. But the general. Her gaze is hard. He knows better than to say either of those things. She’ll handle it. “So,” she says. “Do you feel forever about him?” And there’s no room left to agonize over it, nothing left to do but say the thing he’s known all along. “Yeah,” he says, “I do.” Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, unflattering one she never uses in public, the one he knows best from when he was a kid
Casey McQuiston (Red, White & Royal Blue)
It is impossible to exercise free will as long as we are operating from within the system. Free will requires consciousness, and our pervasive and deep-seated patterns of thought are unconscious; they are outside of our awareness and therefore outside of our control. While we remain in the system, we see the world through the eyes of carnism. And as long as we look through eyes other than our own, we will be living in accordance to a truth that is not of our own choosing. We must step outside the system to find our lost empathy and make choices that reflect what we truly feel and believe, rather than what we've been taught to feel and believe.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this: 1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
don't be scared, don't be scared, you won't feel any pain there, you'll dream of squirrels abd rabbits, you'll have cows there, and Mefisto will be there, don't be scared"...
Milan Kundera (The Unbearable Lightness of Being)
When the feelings would come, the emotions, the grief, I would push them down deeper, furious at myself for allowing them to peek through. My inner dialogue could be ruthless: You're fine. You're not starving, no one beats you. Your parents are still alive. There is real sadness in the world and yours is pathetic, you whiny, insignificant cow.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Bother the right man!” cried Miss Findlater, crossly. “I do hate that kind of talk. It makes one feel dreadful—like a prize cow or something. Surely, we have got beyond that point of view in these days.
Dorothy L. Sayers (Unnatural Death (Lord Peter Wimsey, #3))
(...) the train goes fast and is going fast when it crosses a little trestle. You catch the sober, metallic, pure, late-light, unriffled glint of the water between the little banks, under the sky, and see the cow standing in the water upstream near the single leaning willow. And all at once you feel like crying. But the train is going fast, and almost immediately whatever you feel is taken away from you, too.
Robert Penn Warren (All the King’s Men)
Society conspires against her from early infancy. Her brain is steadily filled with plaster until it sets: ‘If you’re not married by the time you’re twenty-five, you’ll have good reason to be ashamed’; ‘if you laugh, you won’t look dignified’ ; ‘if your face betrays your feelings, you’ll look coarse’; ‘if you mention the existence of a single body hair, you’re repulsive’ ; ‘if a boy kisses you on the cheek in public, you’re a whore’; if you enjoy eating, you’re a pig’; ‘if you take pleasure in sleeping, you’re no better than a cow’; and so on. These precepts would be merely anecdotal if they weren’t taken so much to heart.
Amélie Nothomb (Stupeur et tremblements)
But you know, even worrying about haircuts couldn't depress me. Because every time I started sinking low, I'd just remember about football. All this time I'd thought I wanted to be a trainer, when it turned out I wanted to be a player instead. I saw something I wanted to do and I decided to do it. The feeling of freedom this gave me—I can't even describe it. It was my decision. I chose it. I am not a cow.
Catherine Gilbert Murdock (Dairy Queen (Dairy Queen, #1))
I think this is a bodhi tree,” I said, “just like Buddha sat under! It’s so exciting. I’m feeling sort of enlightened just standing here. Really, I can feel ripe bodhies squishing between my toes.” Joshua looked at my feet. “I don’t think those are bodhies. There was a cow here before us.” I lifted my foot out of the mess. “Cows are overrated in this country. Under the Buddha’s tree too. Is nothing sacred?
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
He spoke to her as if she could understand him, never in high pitch or in monosyllables, and never in nonsense words. This is milk that I am feeding you. It comes from Mordechai the milkman, whom you will meet one day. He gets the milk from a cow, which is a very strange and troubling thing if you think about it, so don't think about it . . . This is my hand that is petting your face. Some people are left-handed and some are right-handed. We don't know which you are yet, because you just sit there and let me do the handling . . . This is a kiss. It is what happens when lips are puckered and pressed against something, sometimes other lips, sometimes a cheek, sometimes something else. It depends . . . This is my heart. You are touching it with your left hand, not because you are left-handed, although you might be, but because I am holding it against my heart. What you are feeling is the beating of my heart. It is what keeps me alive.
Jonathan Safran Foer (Everything is Illuminated)
My view [is] that what morality boils down to is, 'Don’t harm, and do help.' And now the question is, 'Can creatures like chickens and cows be harmed?' And the answer is, 'Of course they can.' Consequently, I think it’s immoral to harm them. And that seems to me to provide a very strong moral reason to be vegetarian, to not wear leather... it seems to me that our treatment of animals is morally appalling... and that we ought to radically revise the way we live, precisely because they feel pain, they can be hurt, and we’re constantly hurting these creatures!
Shelly Kagan
Outside, the Air was Alert and Bright and Hot... She could see the pattern of the cross-stitch flowers from the blue cross-stitch counterpane on Ammu's cheek. She could hear the blue cross-stitch afternoon. The slow ceiling fan. The sun behind the curtains. The yellow wasp wasping against the windowpane in a dangerous dzzzzzzzzzzzz. A disbelieving lizard's blink. High-stepping chickens in the yard. The sound of the sun crinkling the washing.Crisping white bed-sheets. Stiffened starched saris. Off white and gold. Red ants on yellow stones. A hot cow feeling hot. Ahmoo in the distance.
Arundhati Roy (The God of Small Things)
Most abusive men put on a charming face for their communities, creating a sharp split between their public image and their private treatment of women and children. He may be: Enraged at home but calm and smiling outside Selfish and self-centered with you but generous and supportive with others Domineering at home but willing to negotiate and compromise outside Highly negative about females while on his own turf but a vocal supporter of equality when anyone else is listening Assaultive toward his partner or children but nonviolent and nonthreatening with everyone else Entitled at home but critical of other men who disrespect or assault women The pain of this contrast can eat away at a woman. In the morning her partner cuts her to the quick by calling her a “brainless fat cow,” but a few hours later she sees him laughing with the people next door and helping them fix their car. Later the neighbor says to her, “Your partner is so nice. You’re lucky to be with him—a lot of men wouldn’t do what he does.” She responds with a mumbled “Yeah,” feeling confused and tongue-tied. Back at home, she asks herself over and over again, “Why me?
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
I can't help but recall, at this point, a horribly elitist but very droll remark by one of my favorite writers, the American "critic of the seven arts", James Huneker, in his scintillating biography of Frédéric Chopin, on the subject of Chopin's étude Op. 25, No. 11 in A minor, which for me, and for Huneker, is one of the most stirring and most sublime pieces of music ever written: “Small-souled men, no matter how agile their fingers, should avoid it.” "Small-souled men"?! Whew! Does that phrase ever run against the grain of American democracy! And yet, leaving aside its offensive, archaic sexism (a crime I, too, commit in GEB, to my great regret), I would suggest that it is only because we all tacitly do believe in something like Hueneker's' shocking distinction that most of us are willing to eat animals of one sort or another, to smash flies, swat mosquitos, fight bacteria with antibiotics, and so forth. We generally concur that "men" such as a cow, a turkey, a frog, and a fish all possess some spark of consciousness, some kind of primitive "soul" but by God, it's a good deal smaller than ours is — and that, no more and no less, is why we "men" feel that we have the perfect right to extinguish the dim lights in the heads of these fractionally-souled beasts and to gobble down their once warm and wiggling, now chilled and stilled protoplasm with limitless gusto, and not feel a trace of guilt while doing so.
Douglas R. Hofstadter (Gödel, Escher, Bach: An Eternal Golden Braid)
I'll remind you of that someday , Maura says. "when you're married to a man who once looked into your eyes and promised to forsake all others. I'll remind of that after you've just had his baby and you have postpartum depression and feel as fat as cow and you are pumping milk into a plastic containers in the middle of the night while he's running around with some twenty-two-years old named Lissette. I'll remind you of that. Maura to Jess.
Emily Giffin (Baby Proof)
Speak from right attitude. Ask yourself, “What do I really need to communicate to this person?” and refrain from venting your feelings for other motives. Check for self-indulgence, ill will, potential harm in one’s own words and actions. Ask yourself not only what must I say, buthow must I say it.
Leonard Scheff (The Cow in the Parking Lot: A Zen Approach to Overcoming Anger)
What behaviors are rewarded? Punished? Where and how are people actually spending their resources (time, money, attention)? What rules and expectations are followed, enforced, and ignored? Do people feel safe and supported talking about how they feel and asking for what they need? What are the sacred cows? Who is most likely to tip them? Who stands the cows back up? What stories are legend and what values do they convey? What happens when someone fails, disappoints, or makes a mistake? How is vulnerability (uncertainty, risk, and emotional exposure) perceived? How prevalent are shame and blame and how are they showing up? What’s the collective tolerance for discomfort? Is the discomfort of learning, trying new things, and giving and receiving feedback normalized, or is there a high premium put on comfort (and how does that look)?
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
for them, not just something that makes you feel good giving it. Because Mrs. Myers had helped him already by understanding that he would never forget Leslie. He thought about it all day, how before Leslie came, he had been a nothing—a stupid, weird little kid who drew funny pictures and chased around a cow
Katherine Paterson (Bridge to Terabithia)
You have the power to shape your own destiny, you have the power to dictate how people treat you. You have the power not to be made to feel small, put down, or intimidated. As Ghandi said, ‘Be the change that you wish to see in the world’. Everything that happens to you is in your control, because you control how you respond. Don’t apologise for who you are, and don’t take shit. Don’t be a victim. Feminism needs you to step up. Get what you want. Just go out there, and take it.
Dawn O'Porter (The Cows)
The story of how shit got in our meat is the story of one of the central characteristics of carnism, and of other violent ideologies: the system depends on a constituency of indirect victims, inadvertent victims who not only suffer the consequences of the system, but who also help that system by unwittingly participating in their own victimization. The system creates such victims by appearing to be something it is not, so that we feel safe when we are at risk and free when we have been coerced. The story of how shit got in our meat is the story of the human casualties of carnism.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
There was no water at my grandfather’s when I was a kid and would go for it with two zinc buckets. Down the path, past the cow by the foundation where the fine people’s house was before they arranged to have it burned down. To the neighbor’s cool well. Would come back with pails too heavy, so my mouth pulled out of shape. I see myself, but from the outside. I keep trying to feel who I was, and cannot. Hear clearly the sound the bucket made hitting the sides of the stone well going down, but never the sound of me.
Jack Gilbert
Why is it that we love our companion animals so much, animals that we call “pets,” and get so much deep human value from those relationships, but then we turn around and call other animals “dinner,” and by virtue of that semantic distinction feel entitled to treat those animals with any manner of cruelty as long as it lowers the price per pound?
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Little Joe was still behind him. Eli could feel it. He wanted to look back, but he couldn’t. The tears were too close. If he were Fancy, he’d turn around and kick and buck and moo and do just about anything to keep his calf near. But Eli wasn’t Fancy; he was a farmer.
Sandra Neil Wallace
Change comes, not by struggling to change or by fighting or disciplining oneself, but by becoming aware of what we are feeling and how we habitually act.
Leonard Scheff (The Cow in the Parking Lot: A Zen Approach to Overcoming Anger)
She just knew that she felt weird – but literally every teenager feels weird. Who doesn't feel weird? All the music she listened to was about feeling weird. All the books she read were about feeling weird. So when she was seventeen it didn't seem strange to hang out with, like, a kid who was really into racism and another, a future truck stop mechanic, in a tent, with a ton of flannel and a bottle of Everclear or a dozen hits of acid. In a cow pasture. That was just, like, what you did. On one level you just went along with what was going on but on another you mythologized what a cool outlier you were and so you internalized a sense of your own weirdness as a badge of pride even as you emotionally dissociated yourself from it. Everybody cool is weird. This is how she mythologized her sense of being trans without understanding that she was trans.
Imogen Binnie (Nevada)
the fact that Stacy seems to feel some kind of rapport with that woebegone creature, the fact that whether this is because she feels fierce and free, or caged and cowed, doesn’t bear thinking about.
Lucy Ellmann (Ducks, Newburyport)
Cows...weren't like people, with feelings of lonesomeness and worrying about what might happen next. That was just people, wasn't it? Sure, you could scare a cow, but wouldn't they get over it as soon as you let them be? They didn't stand around fretting about the next scare and the next and the next.
Katherine Paterson (The Same Stuff as Stars)
I held up my ice-cream cone in the gesture of a toast. "Number thirteen: Eat ice cream in public." About this one... I don't get it. What's the big deal about eating ice cream?" Fat people aren't allowed to eat in public." What are you talking about?" she said, a bit snobbily in my opinion. "I notice them eating all the time." Exactly." You lost me." It's hard to enjoy the eating experience when you feel everyone's staring at you, thinking, No wonder she's such a fat cow. Look how she eats." I don't think that!" Sure.
Jill Smolinski (The Next Thing on My List)
Progress is a wonderful thing of course, and I can appreciate the lactiferins that are sprinkled on the pasture to turn the grass to cheese. And yet this lack of cows, however rational it may be, gives one the feeling that the fields and meadows, deprived of their phlegmatic, bemusedly ruminating presence, are pitifully empty.
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
I can only conclude that her feelings toward me are very similar to what I've read about love: passionate, random, inexplicable, and totally uncontrollable. She can't help hating me any more than Heathcliff could help loving Cathy. It's simply written in the stars. Which would be quite sweet if she wasn't such a cow all the time.
Holly Smale (Geek Girl (Geek Girl, #1))
Oh, I know, I know, she was a sweet girl, a simple country girl; everyone told me that, both then and since. But I could not forgive her animal dumbness - worse, her rank sensuality, easy as any cow's, and like her dumpling breasts, quite irresistable to men - while those of us whom God has made to think and feel, who are strung out like harps along the wires of our own nature, why, we are rarer than music and must content ourselves with smaller audiences.
Rosalind Miles (I, Elizabeth)
When you get beef from the butcher, you don’t feel bad for the cow that has been killed. But if someone asked you to wield a knife and kill the cow yourself, you wouldn’t be able to do it.” “Are you saying that you are a cow?” “Exactly.” “What?” “You found me alive and couldn’t bring yourself to kill me. It would have been alright if the storm had finished me off. I am like that cow and the storm is the butcher. Do you see now?” “Yes, I see. You absolutely insist that you are a cow. I am not arguing.
Anya Wylde (Penelope (Fairweather Sisters, #1))
I turn just as Aithinne leaps from a rock that juts out under the cliff. She lands with a soft thud, looking very pleased with herself. Her clothes are sopping wet, hair dripping, every inch of her covered in sand. And she doesn’t seem to mind one bit. Aithinne makes her way across the larger beach rocks toward us, her movements graceful. “You both look miserable.” “I’m cold and wet,” I say. “I feel wretched, and my blunderbuss is probably destroyed from the swim. No need to state the obvious.” She glances at her brother. “And I suppose your face is just stuck that way?” Kiaran pushes to his feet and I do the same. “What you see is the incessant, grave look of someone in possession of a sibling.” “Ha ha.” Aithinne focuses her attention on me, tilting her head. “You know, I had a kyloe look at me exactly like that once. His hair was a similar color and everything.” I glare at her. “You did not just compare me to a cow.” “No, no. I compared your expression to one. Cows truly are majestic creatures, aren’t they
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Whenever somebody challenges me with the notion that killing carrots is no different to killing cows, I make a point of pointing out how different they would feel if they spent the day weeding in the garden, or the day slaughtering chickens. Just to make it clear how ridiculous they are being, because there can be no doubt, their argument is ridiculous, there isn’t a person out there who given both scenarios would look at them and say “yes they are the same”. I like to state this clearly, because I understand that even if the person challenging me refuses to acknowledge the difference, others who come along later and read the conversation will see both sides to the argument and maybe it will help these new people to not start presenting the same kind of ridiculous logic in opposition towards compassionate living.
Mango Wodzak
Most Germans, so far as I could see, did not seem to mind that their personal freedom had been taken away, that so much of their splendid culture was being destroyed and replaced with a mindless barbarism, or that their life and work were being regimented to a degree never before experienced even by a people accustomed for generations to a great deal of regimentation … On the whole, people did not seem to feel that they were being cowed and held down by an unscrupulous tyranny. On the contrary, they appeared to support it with genuine enthusiasm
William L. Shirer (The Nightmare Years: 1930-40 (20th Century Journey, #2))
But then, he said, "Cute nose." Cute. I have a cute nose. And a cute boyfriend. With cute elk kisses. Also, elk do not sleep standing up. Also, female elk don't have antlers. Also, male elk (bulls) have a harem of cows. Which is maybe why elk popped into my head randomly. Me and Sadie were the cows in Heck's harem. That's weird. But it does explain why I'd randomly think of elks. Elk. Also, though, elk remind me of when we went to Yellowstone—me, Mom, Dad, Mr. Griffin—and saw elk. It was nice. Happy family. And fun. Therefore, elk make me feel happy. And that's probably the real reason for elk randomly popping into my head. Or maybe my mind is a bull with a harem of way too many thought cows! Weirdo.
Nicole Schubert (Saoirse Berger's Bookish Lens In La La Land)
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The indignity of being Asian in this country has been underreported. We have been cowed by the lie that we have it good. We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I'm shadowed by doubt that I didn't have it bad compared to others. But racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
This is the balancing act that vegans face: we either voice our objection and get labelled as extremist, militant, awkward or abnormal, or we stay silent and smile through the image of a cow having their throat cut that passes through our minds as we watch our loved ones bite into beef burgers. We either feel like we are betraying our morals out of fear of causing upset or find ourselves being labelled as preachy, forceful vegan extremists.
Ed Winters (This Is Vegan Propaganda (& Other Lies the Meat Industry Tells You))
We heard about people who go back to their roots. That is good, but don't get stuck in the root. There is the branch, the leaf, the flower - all reaching toward the immense sky. We are many things. In Israel looking for my "roots", I realized that while I was a Jew, I was also an American, a feminist, a writer, a Buddhist. We are products of the modern era - it is our richness and our dilemma. We are not one thing. Our roots are becoming harder to dig out. Yet they are important and the ones most easy to avoid because there is often pain embedded there - that's why we left in the first place. When I first moved to Minnesota, Jim White, a very fine poet, said to me, "Whatever you do, don't become a regional writer." Don't get caught in the trap of becoming provincial. While you write about the cows in Iowa, how they stand and bend to chew, feel compassion simultaneously for the cows in Russia, in Czechoslovakia, for their eventual death and for their flanks cooked and served in stews, in bowls and on plates, to feed people on both sides of the earth. Go into your region, but don't stop there. Let it pique your curiosity to examine and look closely at more of the world.
Natalie Goldberg
Do some magic,” Ryan whispered to me, right in my ear. “Slowly. So I can watch.” “When we get out of here, I’m going to do so much magic all over you,” I told him. “You’re going to be covered in it.” At that moment, I really wished I’d been born mute and had never set eyes on Ryan Foxheart. “Make it stop!” Gary wailed. “Yeah. Cover me in your magic.” Ryan was blushing so hard, I thought his face was about to explode. “I want to stop talking. You have no idea how much I want to stop talking.” He leaned closer and I could feel his breath on my face. It smelled of corn and eroticism. “Um,” Eloise said. “Maybe you guys could—” We ignored her completely. “I’m going to do so many spells,” I said, because it seemed impossible for me to stop. “You won’t even believe how many spells I can do. Flora Bora Slam, motherfucker.” Our lips were inches apart. “I want you to Flora Bora Slam me,” Ryan said and I just choked. “Therapy,” Gary said. “I’m going to need so much therapy. It’s like watching cows mating and it’s wet and sticky and uncomfortable but I can’t look away because I’m worried some of it is going to get on me.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
The situation is established not only to provoke defensiveness but to sidetrack the reformer into answering the wrong questions.... In this, the pattern of discourse resembles that of dinnertime conversations about feminism in the early 1970s. Questions of definition often predominate. Whereas feminists were parlaying questions which trivialized feminism such as "Are you one of those bra burners?" vegetarians must define themselves against the trivializations of "Are you one of those health nuts?" or "Are you one of those animal lovers?" While feminists encountered the response that "men need liberation too," vegetarians are greeted by the postulate that "plants have life too." Or to make the issue appear more ridiculous, the position is forwarded this way: "But what of the lettuce and tomato you are eating; they have feelings too!" The attempt to create defensiveness through trivialization is the first conversational gambit which greets threatening reforms. This pre-establishes the perimeters of discourse. One must explain that no bras were burned at the Miss America pageant, or the symbolic nature of the action of that time, or that this question fails to regard with seriousness questions such as equal pay for equal work. Similarly, a vegetarian, thinking that answering these questions will provide enlightenment, may patiently explain that if plants have life, then why not be responsible solely for the plants one eats at the table rather than for the larger quantities of plants consumed by the herbivorous animals before they become meat? In each case a more radical answer could be forwarded: "Men need first to acknowledge how they benefit from male dominance," "Can anyone really argue that the suffering of this lettuce equals that of a sentient cow who must be bled out before being butchered?" But if the feminist or vegetarian responds this way they will be put back on the defensive by the accusation that they are being aggressive. What to a vegetarian or a feminist is of political, personal, existential, and ethical importance, becomes for others only an entertainment during dinnertime.
Carol J. Adams (The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory)
People in Japan and the Faeroe Islands kill dolphins and pilot whales by running steel rods into their spinal columns while they squeal in pain and terror and thrash in agony. (In Japan, it’s illegal to kill cows and pigs as painfully and inhumanely as they kill dolphins.) The lack of compassion for dolphins and whales indicates that humans’ “theory of mind” is incomplete. We have an empathy shortfall, a compassion deficit. And human-on-human violence, abuse, and ethnic and religious genocide are all too pervasive in our world. No elephant will ever pilot a jetliner. And no elephant will ever pilot a jetliner into the World Trade Center. We have the capacity for wider compassion, but we don’t fully live up to ourselves. Why do human egos seem so threatened by the thought that other animals think and feel? Is it because acknowledging the mind of another makes it harder to abuse them? We seem so unfinished and so defensive. Maybe incompleteness is one of the things that “makes us human.
Carl Safina (Beyond Words: What Animals Think and Feel)
Calling for the humane treatment of animals, seventeenth-century philosopher Jeremy Bentham argued, “The question is not, ‘Can they reason?’ nor, ‘Can they talk?’ but rather, ‘Can they suffer?’” The question of sentience—the ability to feel pleasure and pain—has been at the center of arguments surrounding both human and animal welfare.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Cardan half-turns, and I shove him so hard that his back hits one of the trees. His eyes go wide. ¨I dont know what you said to her, but you dont ever go near my sister again,¨ I tell him,my hand still on the front of his velvet doublet.¨You gave her your word.¨ I can feel the eyes of all the other students on me. Everyones breath is drawn. For a moment, Cardan just stares at me with stupid, cow-black eyes. Then one corner of his mouth curls. ¨Oh,¨ He says. ¨You´re going to regret doing that.¨ page 66
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Jesus, this world, this world. I feel so heartsick. I cannot even retch. And I dream of that awful board, piled with tokens moving each other by their own secret rules. A game of alien powers but those powers escape the game to move among us. They roam the world cow-eyed and compassionate and offer hands with fingers like fishhooks. We live in a paddock, a fattening pen, and we cannot leave it, because when we try to go the hooks say, Think of who you’ll hurt. So much hurt to try to heal. And the healing hurts too much.
Seth Dickinson (Please Undo This Hurt)
It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wide iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees.
Trish Deseine (Home: Recipes from Ireland)
Dev tsked at him. "Next time you wanna play ping-pong, I suggest you use a ball and not your head. Slim, you look awful." "Thanks, Dev. That was just the look I was going for. Got up this morning, glanced in the mirror, and said, 'Nick, you're just too dang handsome. You need to find us someone to kick the crap out of you and bruise you all over. That'll make you feel all better.'" Aimee laughed, then popped Dev in the stomach with her hand. "Holy cow, I think we may have found the one person in existence who can give you a run for your sarcasm. Go, Nick.
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
Lilath took me to a slaughterhouse on Earth when I was young. And I saw how they would kill the cows and then make them into food for us to eat. Tell me: why are cows different from people? Cows have dreams. Cows have affection for their friends and family. If you are going to say it is because cows are less intelligent than people, it is acceptable to slaughter them, why is not acceptable for me to slaughter people who are proportionately less intelligent to me than cows are to them? And if you say it is because people feel more, then I invite you to stab a cow and a human in the throat and see how very similar they are.
Pierce Brown (Dark Age (Red Rising Saga #5))
The British investigators know what butchers have long known: If you want people to feel comfortable about dead bodies, cut them into pieces. A cow carcass is upsetting; a brisket is dinner. A human leg has no face, no eyes, no hands that once held babies or stroked a lover’s cheek. It’s difficult to associate it with the living person from which it came. The anonymity of body parts facilitates the necessary dissociations of cadaveric research: This is not a person. This is just tissue. It has no feelings, and no one has feelings for it. It’s okay to do things to it which, were it a sentient being, would constitute torture.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Promethea has awakened in me dreams extinguished for thousands of years; sometimes one catches on fire even through so many icy layers. Promethea has rekindled dreams of fire in me, dreams of abysses, they are terribly dangerous dreams: as long as they are dreams alone, as long as one dreams alone, one can fool around with dreaming, because afterward one forgets. But now, ever since I learned how Promethea brings the fire of all dreams up into reality, how she climbs back up through the shaft of the Red Cows, bearing the first fire, how she crosses the Chamber of the Mares, how she goes through every epoch of existence reawakening along the walls memories of times so fragile and so inflammable, and comes out in 1982 still carrying in her hands the primitive spark, I feel myself wavering between exultation and terror. Formerly, I too sucked satiny coals. Once I burned my tongue. (That only happens if someone makes you lose faith.) Ever since I have no longer dared suck real fire; for a long time I lived on electricity. But I have never forgotten the fiery taste of eternity. I just was sure that I could live with my tongue extinguished until the end of my days. I was not even tempted. I was calm. I had firm definitions. I called happiness the absence of unhappiness. I wrote in ink and I dedicated my dreams to the Moons.
Hélène Cixous (The Book of Promethea)
Bacon would not be a choice if the pig had any say in the matter. A lamb, given the gift of speech, would most probably say "no" if you asked if you could eat her leg. Fish would no doubt choose to stay in the water, if they could and I feel pretty sure turkeys must object once their Christmas fête (or should that be fate?) is made clear to them. Chickens are surely protesting from having their eggs systematically stolen and freedoms restricted, and both cows and their calves would be up in arms, if they had any, with the theft of their milk and violent separation. Given the chance, bees will attack and defend ferociously, even sacrificing themselves in the process, in order to protect their precious honey; a sure sign they do not part with it voluntarily.
Mango Wodzak (Destination Eden - Eden Fruitarianism Explained)
Hattie remembers she took her body for granted back then, when it automatically did what her mind instructed it to She remembers when she could milk thirty cows every morning and every evening, slowly straining the warm milk into cans, then muck out the milking parkour, was and sterilize the utensils and help the dairymen load the milk on to their horse-drawn wagons Without feeling tired Now her body fights her over the simplest things like putting on her overalls, getting out of chairs, and climbing stairs
Bernardine Evaristo (Girl, Woman, Other)
I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets. I tried the Scarsdale diet and the Stillman water diet (you remember that one, where you run weight off trying to get to the bathroom). I tried Optifast, Juicefast, and Waterfast. I even took those shots that I think were made from cow pee. I endured every form of torture anybody with a white coat and a clipboard could devise for a girl who really liked fried pork chops. One night while I was on some kind of liquid-protein diet made from bone marrow, or something equally appetizing, I was with a group of friends at a Howard Johnson’s and some of them were having fried clams. I’ll never forget sitting there with all of that glorious fried fat filling my nostrils and feeling completely left out. I went home and wrote one of my biggest hits, “Two Doors Down.” I also went off my diet and had some fried clams. There were times when I thought of chucking it all in. “Damn the movie,” I would say. “I’m just gonna eat everything and go ahead and weigh five hundred pounds and have to be buried in a piano case.” Luckily, a few doughnuts later, that thought would pass and I would be back to the goal at hand. I remember something in a book I read called Gentle Eating. The author said you should pretend the angels are eating with you and that you want to save some for them. I loved that idea, because I love angels. I have to admit, though, there were times I would slap those angels out of the way and have their part too. A true hog will do that.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
still other winters average their rain months into a long, cold season of relentless sog and little color. At such times, looking out through the spattered glass, I feel, deep in some spongy, unignorable organ, that we will have floods, and damage, and losses; we will have gray till the cows come home, and there will be no more cows--they'll all just rot, drown, or simply wash away. We will have rain until the very hills dissolve. And when the dirty cotton swaddling of fog finally falls away, we will all be desperate for vital signs.
Robert Michael Pyle
We get caught in the sign “person.” We separate humans from animals, trees, and rocks, and feel that non-humans — the fish, the cows, the vegetation, the earth, the air, and the seas — are there for our exploitation. Other species also hunt for food, but not in such an exploitative way. When we look deeply at our own species, we can see the non-human elements in it, and when we look deeply at the animal, vegetal, and mineral realms, we see the human element in them. When we practice the Concentration on Signlessness, we live in harmony with all other species.
Thich Nhat Hanh (The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation)
What gives us word-users the right to make life-and-death decisions concerning other living creatures that have no words? Why do we find ourselves in positions of such anguish (at least for some of us)? In the final analysis, it is simply because might makes right, and we humans, thanks to the intelligence afforded us by the complexity of our brains and our embeddedness in rich languages and cultures, are indeed high and mighty, relative to the “lower” animals (and vegetables). By virtue of our might, we are forced to establish some sort of ranking of creatures, whether we do so as a result of long and careful personal reflections or simply go along with the compelling flow of the masses. Are cows just as comfortably killable as mosquitoes? Would you feel any less troubled by swatting a fly preening on a wall than by beheading a chicken quivering on a block?
Douglas R. Hofstadter (I Am a Strange Loop)
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
John Steinbeck (The Grapes of Wrath)
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep
Federico García Lorca
I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; and 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that sort of means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
THE VOICE YOU HEAR WHEN YOU READ SILENTLY is not silent, it is a speaking- out-loud voice in your head; it is *spoken*, a voice is *saying* it as you read. It's the writer's words, of course, in a literary sense his or her "voice" but the sound of that voice is the sound of *your* voice. Not the sound your friends know or the sound of a tape played back but your voice caught in the dark cathedral of your skull, your voice heard by an internal ear informed by internal abstracts and what you know by feeling, having felt. It is your voice saying, for example, the word "barn" that the writer wrote but the "barn" you say is a barn you know or knew. The voice in your head, speaking as you read, never says anything neutrally- some people hated the barn they knew, some people love the barn they know so you hear the word loaded and a sensory constellation is lit: horse-gnawed stalls, hayloft, black heat tape wrapping a water pipe, a slippery spilled *chirr* of oats from a split sack, the bony, filthy haunches of cows... And "barn" is only a noun- no verb or subject has entered into the sentence yet! The voice you hear when you read to yourself is the clearest voice: you speak it speaking to you. ~~-Thomas Lux
Thomas Lux
I have never before considered the feelings of a cow. I suppose they must not care for us at all.’ ‘They are only dumb beasts,’ Laurence said, ‘and such thought surely beyond them. Any animal will defend its life and young, but that is not the same as being a thinking, reasoning creature.’ ‘Only, how could one be certain?’ Temeraire said. ‘After all, if one wishes to be particularly dull, one might be like that fellow Salcombe, and say that dragons are also dumb beasts. And I am quite sure the bunyips are not, though they do not seem to talk at all: they are only nasty thinking creatures. It is not very fair, though, that I should allow them to have sense because they will contrive one unpleasantness after another; what if cows are very clever, only they do not like to make a fuss about it?’ ‘If they dislike fuss enough to tolerate being eaten,’ Laurence said, with rather an amused expression, ‘surely it need not matter one way or another.’ ‘Perhaps they think they will be eaten anyway, as they are so delicious,
Naomi Novik (Tongues of Serpents (Temeraire, #6))
Becoming aware of the intense suffering of billions of animals, and of our own participation in that suffering, can bring up painful emotions: sorrow and grief for the animals; anger at the injustice and deception of the system; despair at the enormity of the problem; fear that trusted authorities and institutions are, in fact, untrustworthy; and guilt for having contributed to the problem. Bearing witness means choosing to suffer. Indeed, empathy is literally “feeling with.” Choosing to suffer is particularly difficult in a culture that is addicted to comfort—a culture that teaches that pain should be avoided whenever possible and that ignorance is bliss. We can reduce our resistance to witnessing by valuing authenticity over personal pleasure, and integration over ignorance.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
We now have many statistical software packages. Their power is incredible, but the pioneers of statistical inference would have mixed feelings, for they always insisted that people think before using a routine. In the old days routines took endless hours to apply, so one had to spend a lot of time thinking in order to justify using a routine. Now one enters data and presses a button. One result is that people seem to be cowed into not asking silly questions, such as: What hypothesis are you testing? What distribution is it that you say is not normal? What population are you talking about? Where did this base rate come from? Most important of all: Whose judgments do you use to calibrate scores on your questionnaires? Are those judgments generally agreed to by the qualified experts in the entire community?
Ian Hacking (Rewriting the Soul: Multiple Personality and the Sciences of Memory)
At that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of “must” was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home. But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at.
George Orwell (Shooting an Elephant)
But the biggest news that month was the departure from Apple, yet again, of its cofounder, Steve Wozniak. Wozniak was then quietly working as a midlevel engineer in the Apple II division, serving as a humble mascot of the roots of the company and staying as far away from management and corporate politics as he could. He felt, with justification, that Jobs was not appreciative of the Apple II, which remained the cash cow of the company and accounted for 70% of its sales at Christmas 1984. “People in the Apple II group were being treated as very unimportant by the rest of the company,” he later said. “This was despite the fact that the Apple II was by far the largest-selling product in our company for ages, and would be for years to come.” He even roused himself to do something out of character; he picked up the phone one day and called Sculley, berating him for lavishing so much attention on Jobs and the Macintosh division. Frustrated, Wozniak decided to leave quietly to start a new company that would make a universal remote control device he had invented. It would control your television, stereo, and other electronic devices with a simple set of buttons that you could easily program. He informed the head of engineering at the Apple II division, but he didn’t feel he was important enough to go out of channels and tell Jobs or Markkula. So Jobs first heard about it when the news leaked in the Wall Street Journal. In his earnest way, Wozniak had openly answered the reporter’s questions when he called. Yes, he said, he felt that Apple had been giving short shrift to the Apple II division. “Apple’s direction has been horrendously wrong for five years,” he said.
Walter Isaacson (Steve Jobs)
Tabula Rasa can make you feel like you’ve taken a train to Bizarro world. I remember my very first night here—and this is goin’ on fifteen years ago—I was takin’ a walk downtown, tryin’ to get a feel for the place. And I’m walkin’ through a construction site—and it was all construction sites back then, you understand—and I come across this hole in the ground, ’bout ten feet in diameter. I look down and I can’t see a bottom, so I pull a quarter out of my pocket and toss it down, and listen for a clink or a splash. Nothin’. Coin just tumbles into the darkness and disappears. So now I’m real curious, and I look around for somethin’ else to throw down there. And teeterin’ right on the edge of the hole is an old refrigerator. So, I circle around and I give it a good kick and it tumbles down into the hole. I hear it bang off the side a few times but once again, there’s no crash, no splash, like it just kept fallin’ forever. It was the strangest thing. So I figure this is the first of this city’s many unknowable mysteries and I start to go on about my way. But then I see the second strange thing—this goat, it goes flying past me, in midair. Like it was fired from a cannon. And now I think I’m losin’ my mind, like maybe it’s not just tobacco in my cigar, if you know what I’m sayin’. So I walk along and I come across a guy sittin’ on the curb and I say, ‘Holy cow, partner, did you see that goat?’ And the fella says, ‘Well, that’s my goat.’ And I say, ‘Well, I hate to tell ya, but I think it’s gone. It took off flyin’.’ And the fella says, ‘That’s impossible. I had him chained to a refrigerator.’” Zoey stared for a moment, then snorted a laugh that almost caused her to choke on her sandwich.
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
No...I knew a Martin. And was he wiley? If there was one thing he wasn't was wiley, John. Oh? Poor Martin was an inordinately stupid man. He could barely tie his shoelaces. A ha'penny short? Ah listen. Martin kept animals had more wile in them. What kind of animals? He'd sheep. A few cattle, I suppose. Though they'd have been wind-bothered up that way. They'd have been... Bothered, John. By the wind coming in. The way it would unseat cattle. Unseat them? Cornelius lowers his sad eyes - In the mind. You mean you'd have a cow'd take a turn? Cornelius squares his jaw. Do you realise you're looking at a man who's seen a cow step in front of a moving vehicle? Purposefully. On account of? Wind coming easterly. That's the kind of thing that can leave a beast beyond despair. Because of the pure evil sound of it, John. The way it would play across the country in an ominous way. An easterly? If it was to come across you for a fortnight and it might? Sleep gone out the window and a horrible black feeling racing through your fucken blood. Day and night. All sorts of thoughts of death and hopelessness. This is what you'd get on the tail end of an easterly wind. Man nor animal wouldn't be right after it.
Kevin Barry (Beatlebone)
The sour old cow gave me a sum much more difficult than any I had encountered before: say, a four-digit number divided by a three-digit number. I guessed how to do it, and got it wrong. Without offering help, she told me to do it again. I failed a second time; she warned me to try hard; I did; I failed again; and she told me to hold my hand out and, grasping it firmly, she caned the palm three times, hard. My first reaction was astonishment: none of my kindergartens had been Catholic establishments, so I was unprepared for this kind of assault. Then it hurt, a lot! My precious palm! When I first started having therapy twenty-five years later, this was one of the first traumas I recalled, and I was astonished at the power of the feelings that came flooding back: anger—no, fury; self-pity; humiliation; a deep, deep sense of hurt; and a pure indignation at not so much the unfairness, but the insanity of punishing someone physically for getting an answer wrong. It is terrifying how much of this deeply unkind, utterly pointless, in fact, mind-bogglingly COUNTERPRODUCTIVE kind of behaviour was meted out to children over the centuries by half-witted, power-crazed zombies like this heinous old bat—a large proportion of such psychopaths allegedly acting in the name of an all-loving God. (A
John Cleese (So, Anyway...)
William Slothrop was a peculiar bird. He took off from Boston, heading west in true Imperial style, in 1634 or -5, sick and tired of the Winthrop machine, convinced he could preach as well as anybody in the hierarchy even if he hadn’t been officially ordained. The ramparts of the Berkshires stopped everybody else at the time, but not William. He just started climbing. He was one of the very first Europeans in. After they settled in Berkshire, he and his son John got a pig operation going—used to drive hogs right back down the great escarpment, back over the long pike to Boston, drive them just like sheep or cows. By the time they got to market those hogs were so skinny it was hardly worth it, but William wasn’t really in it so much for the money as just for the trip itself. He enjoyed the road, the mobility, the chance encounters of the day—Indians, trappers, wenches, hill people—and most of all just being with those pigs. They were good company. Despite the folklore and the injunctions in his own Bible, William came to love their nobility and personal freedom, their gift for finding comfort in the mud on a hot day—pigs out on the road, in company together, were everything Boston wasn’t, and you can imagine what the end of the journey, the weighing, slaughter and dreary pigless return back up into the hills must’ve been like for William. Of course he took it as a parable—knew that the squealing bloody horror at the end of the pike was in exact balance to all their happy sounds, their untroubled pink eyelashes and kind eyes, their smiles, their grace in crosscountry movement. It was a little early for Isaac Newton, but feelings about action and reaction were in the air. William must’ve been waiting for the one pig that wouldn’t die, that would validate all the ones who’d had to, all his Gadarene swine who’d rushed into extinction like lemmings, possessed not by demons but by trust for men, which the men kept betraying . . . possessed by innocence they couldn’t lose . . . by faith in William as another variety of pig, at home with the Earth, sharing the same gift of life. . . .
Thomas Pynchon (Gravity's Rainbow)
Gardening Work There was a man breaking up the ground, getting ready to plant, when another man came by, "Why are you ruining this land?" "Don't interfere. Nothing can grow here until the earth is turned over and crumbled. There can be no roses and no orchard without first this devastation. You must lance an ulcer to heal. You must tear down parts of an old building to restore it." So it is with the sensual life that has no spirit. A person must face the dragon of his or her appetites with another dragon, the life energy of the soul. When that's not strong, everyone seems to be full of fear and wanting, as one thinks the room is spinning when one's whirling around. If your love has contracted into anger, the atmosphere itself feels threatening, but when you're expansive and clear, no matter what the weather, you're in an open windy field with friends. Many people travel as far as Syria and Iraq and meet only hypocrites. Others go all the way to India and see only people buying and selling. Others travel to Turkestan and China to discover those countries are full of cheats and sneak thieves. You always see the qualities that live in you. A cow may walk through the amazing city of Baghdad and notice only a watermelon rind and a tuft of hay that fell off a wagon. Don't repeatedly keep doing what your lowest self wants. That's like deciding to be a strip of meat nailed to dry on a board in the sun.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
Egg-laying hens, for example, have a complex world of behavioural needs and drives. They feel strong urges to scout their environment, forage and peck around, determine social hierarchies, build nests and groom themselves. But the egg industry often locks the hens inside tiny coops, and it is not uncommon for it to squeeze four hens to a cage, each given a floor space of about 10 by 8.5 inches. The hens receive sufficient food, but they are unable to claim a territory, build a nest or engage in other natural activities. Indeed, the cage is so small that hens are often unable even to flap their wings or stand fully erect. Pigs are among the most intelligent and inquisitive of mammals, second perhaps only to the great apes. Yet industrialised pig farms routinely confine nursing sows inside such small crates that they are literally unable to turn around (not to mention walk or forage). The sows are kept in these crates day and night for four weeks after giving birth. Their offspring are then taken away to be fattened up and the sows are impregnated with the next litter of piglets. Many dairy cows live almost all their allotted years inside a small enclosure; standing, sitting and sleeping in their own urine and excrement. They receive their measure of food, hormones and medications from one set of machines, and get milked every few hours by another set of machines. The cow in the middle is treated as little more than a mouth that takes in raw materials and an udder that produces a commodity. Treating living creatures possessing complex emotional worlds as if they were machines is likely to cause them not only physical discomfort, but also much social stress and psychological frustration.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles? He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus. I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be. The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy. 'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.' 'Billy just loves to read all the time...' 'Isn't Joan sweet? She always likes to let the other person win.' 'Sylvia's so pretty and so grown up; she just loves all the time to dress up.' It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . . Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery. What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
Luke Rhinehart (The Dice Man)