Wp Quotes

We've searched our database for all the quotes and captions related to Wp. Here they are! All 79 of them:

Success is getting what you want, happiness is wanting what you get
W.P. Kinsella
Is it dangerous to plan too much? Yes, we all need to plan, to have a plan, but life goes on regardless of our plans and we know only too well what happens to so many of the best laid plans of mice and men!
Leslie Garland (The Golden Tup (The Red Grouse Tales))
Hardly anybody recognizes the most significant moments of their life at the time they happen.
W.P. Kinsella
It was cold out here in this world beyond childhood.
Leslie Garland (The Bat (The Red Grouse Tales) - A coming of age story involving a search after truth, doubt and a bat!)
Baseball is the most perfect of games, solid, true, pure and precious as diamonds. If only life were so simple. Within the baselines anything can happen. Tides can reverse; oceans can open. That's why they say, "the game is never over until the last man is out." Colors can change, lives can alter, anything is possible in this gentle, flawless, loving game.
W.P. Kinsella (Shoeless Joe)
Stridey-Man: " Want 2 vaca w/me?" William: "Romantic getaway for 2? UR not my type" Stridey-Man: "I'm everyone's type. So U in or out? 'Cause I'm thinking about hooking up w/P, wherever he is. U'd just B extra baggage." William: "In" Stridey: "Knew you couldn't resist me. B ready in 5." William: "Right on. Make it 10. I want 2 style my hair for U. U know, just how U like it." Stridey: "Now U only have 8 minutes 2 do UR hair.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Or is it that slow paced evil creeps in when it espies and envies happiness, and then takes a deliberate foul delight in spoiling it?
Leslie Garland (The Golden Tup (The Red Grouse Tales))
Any game becomes important when you know and love the players.
W.P. Kinsella (Shoeless Joe)
I don't have to tell you that the one constant through all the years has been baseball. America has been erased like a blackboard, only to be rebuilt and then erased again. But baseball has marked time while America has rolled by like a procession of steamrollers.
W.P. Kinsella (Shoeless Joe)
You know,” he continued reflectively, “there is something very satisfying about making something, creating it, modelling it on your dream and making that dream become a reality. Yes, we all have dreams. That's the easy bit. It's making them come real that's not so easy.
Leslie Garland (The Golden Tup (The Red Grouse Tales))
She had fouled off of the curves that life had thrown at her.
W.P. Kinsella (The Thrill Of The Grass)
Why is it that good times aren't permitted to last? Especially when we have put in so much time and effort, as these two had? It is as if enjoying the fruits of our labours is one of life's luxuries that we are not permitted to indulge for too long - one day we have summer sun and the next winter storms !
Leslie Garland (The Golden Tup (The Red Grouse Tales))
God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says. No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit. I think you're right, Joe,' I say, but softly enough not to disturb his concentration.
W.P. Kinsella (Shoeless Joe)
Once you’ve been touched by the land, the wind never blows so cold again, because your love files the edges off it.
W.P. Kinsella (Shoeless Joe)
Growing up is a ritual, more deadly than religion, more complicated than baseball, for there seem to be no rules. Everything is experienced for the first time.
W.P. Kinsella (Shoeless Joe)
Writers are magicians. They write down words, and, if they’re good, you believe that what they write is real, just as you believe a good magician has pulled the coins out of your ear, or made his assistant disappear. But the words on the page have no connection to the person who wrote them. Writers live other peoples’ lives for them.
W.P. Kinsella (Shoeless Joe)
The kind of people I absolutely cannot tolerate are those who never let you forget they are religious. It seems to me that a truly religious person would let his life be example enough, would not let his religion interfere with being a human being, and would not be so insecure as to have to fawn publicly before his gods.
W.P. Kinsella
Your work has been described as touching the soul of the reader. That's the way I felt. Feel. Honestly. You've touched my soul. I'm sorry if I sound like a middle-aged librarian at a book-autographing session.
W.P. Kinsella (Shoeless Joe)
Imagination and the pure delight in stories drive out fear.
W.P. Ker
If I had my life to live over again, I’d take more chances. I’d want more passion in my life. Less fear and more passion, more risk. Even if you fail, you’ve still taken a risk.
W.P. Kinsella (Shoeless Joe)
I have to absorb the new season like sunlight, letting it turn my winter skin pink and then brown. I must stuff myself with lore and statistics until my fingers ooze balm.
W.P. Kinsella (Shoeless Joe)
Serenity is a very elusive quality. I've been trying all my life to find it.
W.P. Kinsella (Shoeless Joe)
Hari tak selamanya malam, dan langit tak selamanya hitam.
Suryawan W.P. (Hari Tak Selamanya Malam)
I live. I write. I watch old movies. I read. I watch the sunset. I watch the moon rise.
W.P. Kinsella (Shoeless Joe)
I dream of things that never were,
W.P. Kinsella (Shoeless Joe)
You have to make time, even for something as universal as staring at the stars.
W.P. Kinsella (Shoeless Joe)
Sayangnya waktu sering menjadi terasa singat saat kita dalam keadaan bahagia, dan berjalan amat lambat saat hati sedang nelangsa.
Suryawan W.P. (Hari Tak Selamanya Malam)
We all have the beast in us Bill, and it is up to us to control it.
Leslie Garland (The Little Dog (The Red Grouse Tales))
Talent is something, but tact is everything. Talent is serious, sober, grave and respectable; tact is all that, and more too. It is not a seventh sense, but it is the life of all the five. It is the open eye, the quick ear, the judging taste, the keen smell, and the lively touch; it is the interpreter of all riddles, the surmounter of all difficulties, the remover of all obstacles.
W.P. Scargill
I'm not trying to bleed you. I want to renew you.
W.P. Kinsella (Shoeless Joe)
What causes all this?" "Pride. What else?
W.P. Kinsella (The Iowa Baseball Confederacy)
I wonder if there are soft-spoken voices who deliver assignments to all of us in various times ... It is nice to think I have company-that others dance to the muted music I hear.
W.P. Kinsella (Shoeless Joe)
Senja selalu seperti ini. Perlahan datang, lalu tiba-tiba hilang. Tergantikan keremangan malam, menyisakan kehampaan.
Suryawan W.P. (Hari Tak Selamanya Malam)
The Yankees lose so seldom, you have to celebrate every single time.
W.P. Kinsella (Shoeless Joe)
On the north verandah is a wooden porch swing where Annie and I sit on humid August nights, sip lemonade from teary glasses, and dream.
W.P. Kinsella (Shoeless Joe)
Shoeless Joe became a symbol of the tyranny of the powerful over the powerless. The name Kenesaw Mountain Landis became synonymous with the Devil.
W.P. Kinsella (Shoeless Joe)
Baseball is a ceremony, a ritual, as surely as sacrificing a goat beneath a full moon is a ritual.
W.P. Kinsella (Shoeless Joe)
He who takes his eyes off the goal has a good chance of not scoring!" - Allan Rufus - learningcentre (dot)transformationcoach(dot)help/wp
Allan Rufus
Writers are magicians. They write down words, and, if they’re good, you believe that what they write is real, just as you believe a good magician has pulled the coins out of your ear, or made his assistant disappear. But the words on the page have no connection to the person who wrote them. Writers live other peoples’ lives for them. I don’t write autobiography.
W.P. Kinsella (Shoeless Joe)
I am more than a little jealous that the wonder I am party to has been sprinkled over Salinger's gray head.
W.P. Kinsella (Shoeless Joe)
Saat aku berusaha tidak memikirkan apa-apa, justru pada saat itulah banyak hal yang terpikirkan tiba-tiba.
Suryawan W.P. (Hari Tak Selamanya Malam)
Laut memang selalu bisa menghadirkan kebebasan.
Suryawan W.P. (Hari Tak Selamanya Malam)
In these days when anything goes in literature, movies, and even TV, to think there are some places so isolated, so backward, so ill-informed as to what’s going on in the world
W.P. Kinsella (Shoeless Joe)
Perhaps crossing the barriers of time has freed me.
W.P. Kinsella (The Iowa Baseball Confederacy)
Sungguh tidak ada yang lebih menyedihkan daripada mengecewakan seseorang yang menyayangimu, bukan?
Suryawan W.P. (Hari Tak Selamanya Malam)
Sandor Boatly had never guessed that, properly played, baseball consisted of mathematics, geometry, art, philosophy, ballet, and carnival, all intertwined like the mystical ribbons of color in a rainbow.
W.P. Kinsella (Butterfly Winter)
Writers are magicians. They write down words, and, if they're good, you believe that what they write is real, just as you believe a good magician has pulled the coins out of your ear, or made his assistant disappear.
W.P. Kinsella (Shoeless Joe)
He pops a bat twice more on home plate, then tosses a ball in the air and swings. The crack of the bat sounds like a paper bag exploding, yet the sound is cold and lonely, too, like a hunter firing on an endless tundra.
W.P. Kinsella (Shoeless Joe)
When i remember your name i know you are my hope. for what ? not for love... 'cause i know you can't love me. but i know you are my hope for... Life. Just remembering your smile... i know you are my world you shaping my world that became like this... you are my story Not to be told, But to remember... i love you and... I miss you now i miss my world i miss your face, your smile and your voice I miss you more than anyone that I've ever met -For Enno Indi WP-
Yulianto Eko P
He cranks up his arm, rears back, and throws, and the ball, taking an even more perfect path than it took off the bat, travels in a white arc, seeming to leave behind a line like a streak of forgotten rainbow as it drops over the fence, silent as a star falling into a distant ocean.
W.P. Kinsella (Shoeless Joe)
http://www.google.com/imgres?hl=en&am... The proper criterion for distinguishing "right" from "wrong" is not mysterious.It is embodied in the principles that advance the cause of the oppressed and exploited over the cause of those who live by oppression and exploitation.
Dhoruba Bin Wahad
to the ITU-R and subsequently passed as an international standard at an International Standards Meeting (ITU-WP5D).
카톡PCASH폰캐시
And how grave and dangerous it is to search curiously into the things passing our understanding, to put faith in what is new without consulting the opinion of the Church and its prelates; and even to invent new and unaccustomed things, for devils are wont to insinuate themselves into this kind of oddity, either by occult instigation or by visible apparitions in which they transform themselves into angels of light, and beneath an appearance of piety or some other good they lead one on to pernicious pacts, plunge one into error, as is permitted by God to punish the presumption of those who allow themselves to be carried away by such things. Therefore he admonished her to renounce these vain imaginations, to cease propagating such falsehoods, and to return to the way of truth.
W.P. Barrett (The Trial of Jeanne D'Arc)
Praise the name of baseball. The word will set captives free. The word will open the eyes of the blind. The word will raise the dead. Have you the word of baseball living inside you? Has the word of baseball become part of you? Do you live it, play it, digest it, forever? Let an old man tell you to make the word of baseball your life. Walk into the world and speak of baseball. Let the word flow through you like water, so that it may quicken the thirst of your fellow man.
W.P. Kinsella
After you have successfully uploaded your first image, reset the /wp-content permissions to not be writable, typically 755.
Brad Williams (Professional WordPress: Design and Development)
It’s more effective to do something valuable than to hope a logo or name will say it for you.” Jason Cohen (founder of WP Engine)
Dan Norris (The 7 Day Startup: You Don't Learn Until You Launch)
Kenapa setiap orang harus merasa berhak untuk bertanya, dan membuat orang lain seolah menjadi wajib untuk memberikan jawabannya?
Suryawan W.P. (Hari Tak Selamanya Malam)
Terkadang pertanyaan itu hanya perlu dijawab sekenanya karena seseorang tidak begitu peduli dengan isi jawabannya.
Suryawan W.P. (Hari Tak Selamanya Malam)
Tapi, terkadang tenang tak selamanya aman. Seperti halnya lautan, tenang di permukaan, tapi siapa yang menyangka ada pusaran arus yang sangat kuat di dasarnya.
Suryawan W.P. (Hari Tak Selamanya Malam)
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TeIItaIe Inc. (Minecraft: Story Mode)
Nietzsche’s most famous views are his earliest ones: the accounts of the Apollonian and Dionysian “art-drives” (Kunsttrieben) in The Birth of Tragedy. Already there, let’s note, Nietzsche is explaining aesthetic experience by “drives”. But in that first book these drives are mainly thought of in Schopenhauer’s way, as manifestations of a metaphysical, noumenal will. This early aesthetics is premised as responding to this noumenal reality: both Apollonian and Dionysian art drives are ways of coping with that reality of Schopenhauerian will. But Nietzsche soon insists on thinking of drives scientifically—not only of what they are (the body’s abilities), but of why we have them (evolution by selection)... It’s in aesthetics that this step into naturalism moves Nietzsche furthest from Schopenhauer. For Schopenhauer had depicted our aesthetic experience as (unlike intellect) genuinely a disengagement from willing: it really achieves the objectivity we only thought we could have in our science. But Nietzsche insists that it too expresses a (naturalized) will and drive—and “serves life” by making us more fit. As such, the aesthetic attitude is not “disinterested” or “disengaged” at all, as not just Schopenhauer but Kant had found it. Nietzsche now scorns their notion of it. The aesthetic attitude in fact involves a heightening of our engagement and feeling. These drives, in which art and aesthetic experience are ultimately rooted, are something ancient and fixed in us. Indeed, artistic drives have been designed into all organisms. They were set into our bodies and our “blood” in our presocietal deep history, and persist there today beneath the layers of customs and habits that societies have superimposed on them (to exploit them, or counteract them, or both). By acting on these drives, beauty works on the “animal” in us—directly on the body, on the “muscles and senses” (WP809 [1888]), and the drives embedded in them. Our bodies themselves have a taste for certain kinds of beauty—above all the beauty of human bodies.
John Richardson, Nietzsche's New Darwinism
In other words, a positional parallelism in which sound is foregrounded as an independent feature (Nathanson, WP, 140), comes to override an ideational parallelism at the exact moment the subjective proprietorship of a feeling, ostensibly secured by analogical equivalences between affect, money, and language, is rendered questionable and unstable simply by the amplification of these equivalences.
Sianne Ngai (Ugly Feelings)
I know that some of us, and for some reason I am one of them, get to reach out and touch our heart's desire, like a child who gets to pet the nose of an old horse, soft as satin, safe as a grandfather's lap. And I know, too, that when most people reach for that heart's desire, it appears not as a horse but as a tiger, and they are rewarded with snarls, frustration, and disillusionment.
W.P. Kinsella
The picture of human life is complete. The picture of the Russian of those days is complete. The picture of what we call history and the struggle of nations is complete. The picture of everything that people consider to be their happiness and greatness, their sorrow and their humiliation is complete. That is what War and Peace is. (WP, p. 1102)
Andrei Zorin (Leo Tolstoy (Critical Lives))
Nietzsche’s most famous views are his earliest ones: the accounts of the Apollonian and Dionysian “art-drives” (Kunsttrieben) in The Birth of Tragedy. Already there, let’s note, Nietzsche is explaining aesthetic experience by “drives”. But in that first book these drives are mainly thought of in Schopenhauer’s way, as manifestations of a metaphysical, noumenal will. This early aesthetics is premised as responding to this noumenal reality: both Apollonian and Dionysian art drives are ways of coping with that reality of Schopenhauerian will. But Nietzsche soon insists on thinking of drives scientifically—not only of what they are (the body’s abilities), but of why we have them (evolution by selection)... It’s in aesthetics that this step into naturalism moves Nietzsche furthest from Schopenhauer. For Schopenhauer had depicted our aesthetic experience as (unlike intellect) genuinely a disengagement from willing: it really achieves the objectivity we only thought we could have in our science. But Nietzsche insists that it too expresses a (naturalized) will and drive—and “serves life” by making us more fit. As such, the aesthetic attitude is not “disinterested” or “disengaged” at all, as not just Schopenhauer but Kant had found it. Nietzsche now scorns their notion of it. The aesthetic attitude in fact involves a heightening of our engagement and feeling. These drives, in which art and aesthetic experience are ultimately rooted, are something ancient and fixed in us. Indeed, artistic drives have been designed into all organisms. They were set into our bodies and our “blood” in our presocietal deep history, and persist there today beneath the layers of customs and habits that societies have superimposed on them (to exploit them, or counteract them, or both). By acting on these drives, beauty works on the “animal” in us—directly on the body, on the “muscles and senses” (WP809 [1888]), and the drives embedded in them. Our bodies themselves have a taste for certain kinds of beauty—above all the beauty of human bodies.
John Richardson (Nietzsche's New Darwinism)
You are building something that must be greater than the sum of its parts, if it is to last.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
Fairy tales depict white knights as saviors, but I know better now. Her brain understood that, but her heart was a different matter.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
We tell people to work hard and never give up, and I carry in me the promise of all Americans that that is not just a line in some tragic comedy. I carry in me the promise that this nation's worst injustices can be righted.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
Change is hard, but that just makes it more important than ever to take pleasure in the small things. That’s what I’m trying to do here. … Remember: though we’re all capable of great things, life consists of small things.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
There’s no point in holding on to the past, especially not when the future holds such promise.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
To be yourself was the bravest thing you could do, and this world didn’t allow for happiness without bravery.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
We're in this together. Life is a team sport.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
For that was the meaning of life, wasn’t it? To stare all the bad and all the good of the world right in the eyes and decide to make the bravest judgment possible—to continue moving forward, to decide to fight for one’s happiness.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
Maybe that's part of the problem," Rebecca said. How can we fix the law while we bend it to our will?
Bharat Krishnan (Privilege (WP Trilogy #1-3))
The world stopped for a moment. Sadiya saw nothing but her true love, complete with all her flaws and imperfections, and recognized the beauty evident within her. She saw what the kinnara had seen when it revealed itself to Maadhini and realized that nothing but happiness awaited them, as long as they could be brave and trust in each other.
Bharat Krishnan (Privilege (WP Trilogy #1-3))
Unfortunately, majority of today's leadership look no further than their inner circle to find a scapegoat.
WP
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Joe Smith
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I’m 36 years old, I love my family, I love baseball, and I’m about to become a farmer. But until I heard The Voice, I’d never done a crazy thing in my whole life.
W.P. Kinsella (Shoeless Joe)