Wounds Reopening Quotes

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I want to talk about what happened without mentioning how much it hurt. There has to be a way. To care for the wounds without reopening them. To name the pain without inviting it back into me.
Lora Mathis
But the division in him was a sorrow and a torment, and he became accustomed to it only as one gets used to an unhealed and frequently reopened wound.
Boris Pasternak (Doctor Zhivago)
Sticks and stones may break my bones, but words will always hurt me. Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Plunging into the depths of hell, re-opening the gates to wounds and emotions that we have long tried to keep sealed and locked within, we discover that that the devil is not the Herculean ruler of darkness that we had imagined, but only a vulnerable and devastated child. With honesty and without judgment, we must muster the courage to meet this innocent child with whom we have come to label as the devil.
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to re-open the wound.
Fyodor Dostoevsky (The Brothers Karamazov)
Missing people in our lives are like wounds we reopen with thoughts.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
The terror of being judged sharpens the memory: it sends an inevitable glare over that long-unvisited past which has been habitually recalled only in general phrases. Even without memory, the life is bound into one by a zone of dependence in growth and decay; but intense memory forces a man to own his blameworthy past. With memory set smarting like a reopened wound, a man’s past is not simply a dead history, an outworn preparation of the present: it is not a repented error shaken loose from the life: it is a still quivering part of himself, bringing shudders and bitter flavors and the tinglings of a merited shame.
George Eliot (Middlemarch)
The damage can fester under layers of time and change, and an ignorant, thoughtless remark can easily reopen the wound.
Alice Sebold
The defects of the mind are like the wounds of the body. Whatever care we take to heal them the scars ever remain, and there is always danger of their reopening.
François de La Rochefoucauld
I want to talk about what happened without mentioning how much it hurt. There has to be a way. To care for the wounds without reopening them. To name the pain without inviting it back into me.
Lora Mathis
If your battle-wound reopens, say it again, now, twice as loud: 'I attach myself to changing things, and as they change, I hurt
S.B. Joon (Not Knot Naught)
To look back, to go back, is not to be weak. It is not to reopen wounds. It takes strength, it takes courage. It takes a person who is more in control of who they are to cast a discerning, non-judgmental eye over who they once were.
Cecelia Ahern (Postscript (P.S. I Love You, #2))
And we’re both emotionally limping, because having old wounds re-opened is never fun, no matter how beneficial it might be.
Kirsty Eagar (Night Beach)
I'm sorry. For all of us. Sorry for all the little ways the people who were supposed to love us most could hurt us so deeply, despite their shared heritage and blood, as thought their knowledge of our pasts gave them unlimited access to all the most tender places, the old wounds that could be so easily reopened with no more than a glance, a comment, a passing reminder of all the ways in which we failed to live up to their expectations.
Sarah Ockler (The Summer of Chasing Mermaids)
I shall expose and reopen all the wounds which have already healed.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
It wasn't that I couldn't say it. I could. But there are times that you don't speak, because silence hurts less. There was no need to reopen old wounds when we both wanted them healed.
Kat Howard (Roses and Rot)
Working on yourself is one of the hardest things anyone can do. It causes you to have to dig in, reopen wounds for close inspection. It's excruciating, like rebreaking bones to make sure they heal properly.
Sloan Harlow (Everything We Never Said)
Lane closed her eyes and pressed her lips together at the sound of the nickname, a thousand memories whirling through her mind. He hadn’t meant it to hurt her, but even the smallest nick could reopen old wounds.
Courtney Walsh (Just Look Up (Harbor Pointe, #1))
In the days to come, when it will seem as if I were entombed, when the very firmament threatens to come crashing down upon my head, I shall be forced to abandon everything except what these spirits implanted in me. I shall be crushed, debased, humiliated. I shall be frustrated in every fiber of my being. I shall even take to howling like a dog. But I shall not be utterly lost! Eventually a day is to dawn when, glancing over my own life as though it were a story or history, I can detect in it a form, a pattern, a meaning. From then on the word defeat becomes meaningless. It will be impossible ever to relapse. For on that day I become and I remain one with my creation. On another day, in a foreign land, there will appear before me a young man who, unaware of the change which has come over me, will dub me "The Happy Rock." That is the moniker I shall tender when the great Cosmocrator demands-" Who art thou?" Yes, beyond a doubt, I shall answer "The Happy Rock!" And, if it be asked-"Didst thou enjoy thy stay on earth?"-I shall reply: "My life was one long rosy crucifixion." As to the meaning of this, if it is not already clear, it shall be elucidated. If I fail then I am but a dog in the manger. Once I thought I had been wounded as no man ever had. Because I felt thus I vowed to write this book. But long before I began the book the wound had healed. Since I had sworn to fulfill my task I reopened the horrible wound. Let me put it another way. Perhaps in opening my own wound, I closed other wounds.. Something dies, something blossoms. To suffer in ignorance is horrible. To suffer deliberately, in order to understand the nature of suffering and abolish it forever, is quite another matter. The Buddha had one fixed thought in mind all his life, as we know it. It was to eliminate human suffering. Suffering is unnecessary. But, one has to suffer before he is able to realize that this is so. It is only then, moreover, that the true significance of human suffering becomes clear. At the last desperate moment-when one can suffer no more!-something happens which is the nature of a miracle. The great wound which was draining the blood of life closes up, the organism blossoms like a rose. One is free at last, and not "with a yearning for Russia," but with a yearning for ever more freedom, ever more bliss. The tree of life is kept alive not by tears but the knowledge that freedom is real and everlasting.
Henry Miller
There is silent and long-suffering sorrow to be met with among the peasantry. It withdraws into itself and is still. But there is a grief that breaks out, and from that minute it bursts into tears and finds vent in wailing. This is particularly common with women. But it is no lighter a grief than the silent. Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to reopen the wound.
Fyodor Dostoevsky (The Brothers Karamazov)
Abuse is exploitation of trust and exploitation of authority and I was lucky enough never to suffer from that or from any violation or cruelty, real or imagined. It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue. Sticks and stones may break my bones, but words will always hurt me. Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Aura is convinced that the entire country has succumbed to a collective amnesia. This is what happened in a society, where no one is permitted to grow old slowly. Nobody talks of the past, for fear their wounds might reopen. Privately though, their wounds never heal.
Cristina García (The Lady Matador's Hotel)
The writing life is brutal on a wounded mind. It really is. So much time spent alone. So much time spent in self-reflection. Emotional wounds heal in other people’s hearts but you have to reopen yours and examine them in order to re-create their painful feelings on the page. Ugly, twisted, vicious thoughts flitter through other people’s minds, but you have to seize yours and hold them to the light in order to understand the soul’s shadowy corners. You have to shred your comfortable pieties. You have to tear your illusions to feathers and rags. When you’re working well, you become bad company, inward-turning, querulous, obsessed.
Andrew Klavan (The Great Good Thing: A Secular Jew Comes to Faith in Christ)
The town was peopled with sleepwalkers, whose trance was broken only on the rare occasions when at night their wounds, to all appearance closed, suddenly reopened. Then, waking with a start, they would run their fingers over the wounds with a sort of absentminded curiosity, twisting their lips, and in a flash their grief blazed up again, and abruptly there rose before them the mournful visage of their love. In the morning they harked back to normal conditions, in other words, the plague.
Albert Camus (The Plague)
The love she had felt for him in the past was still there within her, covered over now like a bandaged wound, not yet healed underneath and perhaps still easily reopened.
Lee Server (Ava Gardner: Love Is Nothing)
Not a scar just psychological, But as material as roaches, Street corners and billy clubs. A wound reopened systematically, Inflicted with economic anarchy And "No Help Wanted" signs.
Cabrini Gulag
That’s what scars are for. You learn from them. I don’t let my guard down nearly as much as I used to before I got it. But it’s not that. The wound has been reopened a few times since then.
Elizabeth Reyes (Hector (5th Street, #3))
Seeing and acknowledging how gifted assets can get out of control and become liabilities is possibly the most significant step in the quest to complete healing. Consequently we must deal with the shadow side of giftedness—our false-self reactions to people and situations when our primary wounds are reopened—or when our unmanaged assets turn against us in the form of disorderly conduct.
Mary-Elaine Jacobsen (The Gifted Adult: A Revolutionary Guide for Liberating Everyday Genius(tm))
the soul aches as much as the body.there are days when all the scars , all the old and long forgotten hurts" lights up", just like old injuries before winter or bones hurt from blows you have collected in a long life and only forgotten for a short time. in those days you are bad tempered and absorbed in yourself, in your soul whose wound reopened only to remind you that nothing is lost,nothing vanishes, least of all pains and bad memories.they just whither away for a while, withdraw into an unknown depth, just like they will this time and you will put them behind you, until the next time.
Alija Izetbegović
Debriefings were always framed as closure, but sometimes they felt like ritualized reopening of wounds. Having to stand in front of someone with the power to steal your badge and defend the choices you made in the line of fire felt like its own sort of hell. Not the watery hell of that lake with the monster and the madman, but a hell lorded over by the demons Would Have, Could Have, and Should have.
Jaye Wells (Cursed Moon (Prospero's War, #2))
Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to reopen the wound.
Fyodor Dostoevsky (The Brothers Karamazov)
Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to re-open the wound.
Joseph Conrad (50 Masterpieces You Have To Read Before You Die Vol: 01 [newly updated] (Golden Deer Classics))
I whispered into his ear, “Erik...” There was no response from him. “Erik.” My voice was a little bit firmer. I pushed at his shoulders making sure that my hands were well away from his re-opened wound. He weighed more than I did. I couldn’t get out from under him. God, I’m stuck inside of him ...like a dog. “Erik.” I tried to wriggle out from under him. I grew hard. I stilled horrified as my body took pleasure in this situation. I tried to shift his leg over. I thrust into him. Oh... I thrust again. I was hovering around the panic state but lust was driving all thoughts out of my mind. The more I struggled to free myself... I fucked him. I screwed an unconscious man. What kind of man was I? I couldn’t stop. The thwap, thwap sound of me burying my full length inside him hammered at my head. Don’t do this... don’t do.... nnnngghgghhh. I came deep within him.
Derekica Snake (My Hostage My Love)
Some avoid spiritual things because they remind us of our pain and trauma. Burnout in ministry can lead to deep emotional wounds that traumatize and leave us vulnerable and afraid. We come to fear the things that we associate with our burnout.Sometimes the rear may be so great, we begin to avoid those things. That's because every encounter reopens wounds and causes great emotional pain. Since ministers who burn out associate their experiences with spiritual things, it's not surprising that they would avoid them.
Anthony J. Headley (Reframing Your Ministry: Balancing Professional Responsibilities & Personal Needs)
Imagine trying it. Let your madwoman put down the whip. The next thing that happens is that those wounds you’ve been inflicting and reopening for years…finally begin to heal. And here’s a fact about healing that most self-help gurus are not honest about: Healing hurts.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
You quietly slipped into my life, took my hand, and carried me away in a whirlwind of emotions. But then, one day, you just let go, leaving me to spiral out of control until I crashed into a wall. I shattered like glass, and now I'm left walking over the broken pieces, each step reopening the same old wounds. But why?
Shahid Hussain Raja
(...) the dust of light freckles across his nose, the fullness of his lips, and the color of his skin, as tan as a summer day, practically golden; beautiful and perfect. It squeezed his chest, crushed his heart, and drowned him in a flood of memories that had taken him far too long to forget, pulling at the scab of a newly reopened wound.
Olívia S. Zanini (How to Kill an Angel)
The LA Times was practically lactating with cultural understanding about the Hmong’s canine murder, titling the article: “Hmong’s Sacrifice of Puppy Reopens Cultural Wounds.” It seems that Americans were creating “cultural wounds” by complaining about the Hmong clubbing Fido to death. How about the puppy’s wounds? Could we get an article on that? Hello, PETA? Stop hassling that kid for eating a hamburger—I got a real story for you!
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
Do not rejoice too early And let some oracle proclaim That wounds do not reopen That evil crowds don’t rise again. And that I risk seeming retarded; Let him orate. I firmly know that Stalin is not dead. As if the dead alone had mattered And those who vanished nameless in the North. The evil he implanted in our hearts, Had it not truly done the damage? As long as poverty divides from wealth As long as we don’t stop the lies And don’t unlearn to fear Stalin is not dead. —Boris Chichibabin, “Stalin Is Not Dead,” 1967
Anne Applebaum (Gulag)
It's no coincidence that people who had angry parents often end up choosing angry partners, that those with alcoholic parents are frequently drawn to partners who drink quite a bit, or that those who had withdrawn or critical parents find themselves married to spouses who are withdrawn or critical. Why people do this to themselves? Because we pull towards that feeling of "home" makes what they want as adults hard to disentangle from what they experienced as children. They have an uncanny attraction to people who share the characteristics of a parents who in some way hurt them. In the beginning, these characteristics will be barely perceptible, but the unconscious has a finely tuned radar system inaccessible to the conscious mind. It's not that people want to get hurt again. It's that they want to master a situation in which they felt helpless as children. Freud called this "repetition compulsion." Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar - but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone)
One aspect of the civil-rights struggle that receives little attention is the contribution it makes to the whole society. The Negro in winning rights for himself produces substantial benefits for the nation. Just as a doctor will occasionally reopen a wound, because a dangerous infection hovers beneath the half-healed surface, the revolution for human rights is opening up unhealthy areas in American life and permitting a new and wholesome healing to take place. Eventually the civil-rights movement will have contributed infinitely more to the nation than the eradication of racial injustice. It will have enlarged the concept of brotherhood to a vision of total interrelatedness.
Martin Luther King Jr. (Why We Can't Wait)
I shall expose and reopen all the wounds which have already healed. Someone will object: ‘What kind of consolation is this, to bring back forgotten ills and to set the mind in view of all its sorrows when it can scarcely endure one?’ But let him consider that those disorders which are so dangerous that they have gained ground in spite of treatment can generally be treated by opposite methods. Therefore I shall offer to the mind all its sorrows, all its mourning garments: this will not be a gentle prescription for healing, but cautery and the knife. What shall I achieve? That a soul which has conquered so many miseries will be ashamed to worry about one more wound in a body which already has so many scars.
Seneca (On the Shortness of Life)
Those who argued that the number of Cambodians killed was in the hundreds of thousands or those who tried to generate press coverage of the horrors did so assuming that establishing the facts would empower the United States and other Western governments to act. Normally, in a time of genocide, op-ed writers, policymakers, and reporters root for a distinct outcome or urge a specific U.S. military, economic, legal, humanitarian, or diplomatic response. Implicit indeed in many cables and news articles, and explicit in most editorials, is an underlying message, a sort of “if I were czar, I would do X or Y.” But in the first three years of KR rule, even the Americans most concerned about Cambodia—Twining, Quinn, and Becker among them—internalized the constraints of the day and the system. They knew that drawing attention to the slaughter in Cambodia would have reminded America of its past sins, reopened wounds that had not yet healed at home, and invited questions about what the United States planned to do to curb the terror. They were neither surprised nor agitated by U.S. apathy. They accepted U.S. noninvolvement as an established background condition. Once U.S. troops had withdrawn from Vietnam in 1973, Americans deemed all of Southeast Asia unspeakable, unwatchable, and from a policy perspective, unfixable. “There could have been two genocides in Cambodia and nobody would have cared,” remembers Morton Abramowitz, who at the time was an Asia specialist at the Pentagon and in 1978 became U.S. ambassador to Thailand. During the Khmer Rouge period, he remembers, “people just wanted to forget about the place. They wanted it off the radar.
Samantha Power (A Problem from Hell: America and the Age of Genocide)
Because the pull toward that feeling of “home” makes what they want as adults hard to disentangle from what they experienced as children. They have an uncanny attraction to people who share the characteristics of a parent who in some way hurt them. In the beginning of a relationship, these characteristics will be barely perceptible, but the unconscious has a finely tuned radar system inaccessible to the conscious mind. It’s not that people want to get hurt again. It’s that they want to master a situation in which they felt helpless as children. Freud called this “repetition compulsion.” Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar—but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
On the Republican side, the emotional bonds of family launched a major social organization led by nietos, the Association for the Recovery of Historical Memory. Late in 2000 Emilio Silva and Santiago Macías began a personal search for the unmarked graves of their Republican ancestors. [...] Descendants of executed Republicans told a journalist that “without the body, the pain never ceases.” “Never,” she reported, “have they spoken of vengeance, of revenge, or of anything that resembles that. In an exhumation, they never raise their eyes from the ground. They are not thinking of reopening wounds, but of closing, for once, their own.” This journalist, Natalia Junquera, also quoted a distinguished professor of psychiatry who said, “The hatred dies, it is extinguished, but the necessity of putting a name to the dead, of honoring them, no. There always comes a moment in which one has to put an end to this interminable trauma.” [63]
Paul D. Escott (Uncommonly Savage: Civil War and Remembrance in Spain and the United States)
I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!
Jack Kerouac (On the Road)
The Middengard Wyrm had arrived at last. Precisely according to Bryce’s plan. She’d been dripping blood for it all this way, leaving a trail, constantly scraping off her scabs to reopen her wounds—ones she’d intentionally inflicted on herself by “falling” into the stream. If the Wyrm relied on scent to hunt, then she’d left a veritable neon sign leading right to them. She hadn’t known when or how it would attack, but she’d been waiting. And she was ready. Bryce fell back as not only shadows, but blue light flared from Azriel—right alongside the ripple of silver flame from Nesta. Back-to-back, they faced the massive creature with razor-sharp focus. Ataraxia gleamed in Nesta’s hand. Truth-Teller pulsed with darkness in Azriel’s. Now or never. Her legs tensed, readying to sprint. Nesta’s eyes slid to Bryce’s for a heartbeat. As if understanding at last: Bryce’s “unhealing” hand. The blood she’d wiped on the walls. Her musing about the linked river system in these caves, sussing out what they knew regarding the terrain and the Wyrm. To unleash this thing—on them. “I’m sorry,” Bryce said to her. And ran.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Oh doors of your body There are nine and I have opened them all Oh doors of your body There are nine and for me they have all closed again At the first door Clear Reason has died It was do you remember? the first day in Nice Your left eye like a snake slides Even my heart And let the door of your left gaze open again At the second door All my strength has died It was do you remember? in a hostel in Cagnes Your right eye was beating like my heart Your eyelids throbbed like flowers beat in the breeze And let the door of your right gaze open again At the third door Hear the aorta beat And all my arteries swollen from your only love And let the door of your left ear be reopened At the fourth gate They escort me every spring And listening listening to the beautiful forest Upload this song of love and nests So sad for the soldiers who are at war And let the door of your right ear reopen At the fifth gate It is my life that I bring you It was do you remember? on the train returning from Grasse And in the shade, very close, very short Your mouth told me Words of damnation so wicked and so tender What do I ask of my wounded soul How could I hear them without dying Oh words so sweet so strong that when I think about it I seem to touch them And let the door of your mouth open again At the sixth gate Your gestation of putrefaction oh War is aborting Behold all the springs with their flowers Here are the cathedrals with their incense Here are your armpits with their divine smell And your perfumed letters that I smell During hours And let the door on the left side of your nose be reopened At the seventh gate Oh perfumes of the past that the current of air carries away The saline effluvia gave your lips the taste of the sea Marine smell smell of love under our windows the sea was dying And the smell of the orange trees enveloped you with love While in my arms you cuddled Still and quiet And let the door on the right side of your nose be reopened At the eighth gate Two chubby angels care for the trembling roses they bear The exquisite sky of your elastic waist And here I am armed with a whip made of moonbeams Hyacinth-crowned loves arrive in droves. And let the door of your soul open again With the ninth gate Love itself must come out Life of my life I join you for eternity And for the perfect love without anger We will come to pure and wicked passion According to what we want To know everything to see everything to hear I gave up in the deep secret of your love Oh shady gate oh living coral gate Between two columns of perfection And let the door open again that your hands know how to open so well
Guillaume Apollinaire
My oral tradition has gradually been overlaid and is in danger of vanishing: at the age of eleven or twelve I was abruptly ejected from this theatre of feminine confidences - was I thereby spared from having to silence my humbled pride? In writing of my childhood memories I am taken back to those bodies bereft of voices. To attempt an autobiography using French words alone is to lend oneself to the vivisector's scalpel, revealing what lies beneath the skin. The flesh flakes off and with it, seemingly, the last shreds of the unwritten language of my childhood. Wounds arc reopened, veins weep, one's own blood flows and that of others, which has never dried. As the words pour out, inexhaustible, maybe distorting, our ancestral night lengthens. Conceal the body and its ephemeral grace. Prohibit gestures - they arc too specific. Only let sounds remain. Speaking of oneself in a language other than that of the elders is indeed to unveil oneself, not only to emerge from childhood but to leave it, never to return. Such incidental unveiling is tantamount to stripping oneself naked, as the demotic Arabic dialect emphasizes. But this stripping naked, when expressed in the language of the former conquerer (who for more than a century could lay his hands on everything save women's bodies), this stripping naked takes us back oddly enough to the plundering of the preceding century. When the body is not embalmed by ritual lamentations, it is like a scarecrow decked in rags and tatters. The battle-cries of our ancestors, unhorsed in long-forgotten combats, re-echo across the years; accompanied by the dirges of the mourning-women who watched them die.
Assia Djebar (Fantasia: An Algerian Cavalcade)
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Do you need to start changing the channel? Are you reliving every hurt, disappointment, and bad break? As long as you’re replaying the negative, you will never fully heal. It’s like a scab that’s starting to get better, but it will only get worse if you pick at it. Emotional wounds are the same way. If you’re always reliving your hurts and watching them on the movie screen of your mind--talking about them, and telling your friends--that’s just reopening the wound. You have to change the channel. When you look back over your life, can you find one good thing that has happened? Can you remember one time where you know it was the hand of God, promoting you, protecting you, and healing you? Switch over to that channel. Get your mind going in a new direction. A reporter asked me not long ago what my biggest failure has been, my biggest regret. I don’t mean to sound arrogant, but I don’t remember what my biggest failure was. I don’t dwell on that. I’m not watching that channel. We all make mistakes. We all do things we wish we had done differently. You can lean from your mistakes, but you’re not supposed to keep them in the forefront of your mind. You’re supposed to remember the things you did right: The times you succeeded. The times you overcame the temptation. The times you were kind to strangers. Some people are not happy because they remember every mistake they’ve made since 1927. They’ve got a running list. Do yourself a big favor and change the channel. Quit dwelling on how you don’t measure up and how you just should have been more disciplined, should have stayed in school, or should have spent more time with your children. You may have fallen down, but focus on the fact that you got back up. You’re here today. You may have made a poor choice, but dwell on your good choices. You may have some weaknesses, but remember your strengths. Quit focusing on what’s wrong with you and start focusing on what’s right with you. You won’t ever become all you were created to be if you’re against yourself. You have to retrain your mind. Be disciplined about what you dwell on.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
The sense of loss throbs, in this study, like a reopened wound at the heart of Carnhallow. And I feel like I am the shard in the flesh. Renewing the hurt.
S.K. Tremayne (The Fire Child)
Kiara went cold as she realized Syn’s hands were covered in blood. “How’d you reopen the damn thing?” he barked at Nykyrian. “I told you to be careful, you idiot. You’re lucky you haven’t bled out.” “Stand down, asshole. You keep making commentary like an old woman and I’ll put your rank ass in a dress.” Syn glared up at him. “You better take a different tone, too, dick. Remember, I’m the one about to have my hands on that wound. You snap at me and I’ll have you crying on the floor like a little girl.” “And I’ll have you lying dead at my feet.
Sherrilyn Kenyon (Born of Night (The League, #1))
Your destiny is too great to let what someone did to you keep you from moving forward. Forgiveness is not about being nice and kind; it’s about letting go so you can claim the amazing future that awaits you. I know there are valid reasons to be angry. Maybe you were mistreated at a young age. It wasn’t your fault. You had no control over it, and what was done to you was wrong. Forgiving doesn’t mean you’re excusing anything or anyone. It doesn’t mean you’re lessening the offense. I’m not saying you have to go be friends with someone who hurt you. I’m simply saying to let it go for your own sake. Quit dwelling on the offense. Quit replaying it in your memory. Quit giving it time and energy. You have a destiny to fulfill. You have a joyful life to claim. Every time you let past hurts consume your thoughts, you are just reopening an old wound.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
Imagine what it must be like to be confronted with evidence that they have assisted in putting the wrong person in jail; that they have ruined the life of an innocent person; that the wounds of the victim’s family are going to be reopened. It must be stomach churning. In terms of cognitive dissonance, it is difficult to think of anything more threatening.
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
Without consistent care, the wounds reopen, and tyrannical psychosis returns.
Vince Granata (Everything Is Fine)
The wounds Mao sought to reopen had been inflicted during the nineteenth century when the future superpowers were grinding against each other like so many tectonic plates. The world as we know it was forming then, along fault lines of race, culture, and geography.
John Vaillant (The Tiger)
before it even really began, and it was all my fault. My parents had been right about me—I hadn’t taken care of myself and had broken my heart and reopened Ray’s wounds in the process.
Kelsie Stelting (Curvy Girls Can't Date Cowboys (The Curvy Girls Club, #3))
It’s not that people want to get hurt again. It’s that they want to master a situation in which they felt helpless as children. Freud called this “repetition compulsion.” Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar—but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
The pain still lingers. I remember how much it hurt just to look at him. He had always been the one to make me feel safe, but last night was different. It was as though he’d taken a knife and repeatedly plunged it into my chest. Each time I looked at him, the wound was reopened, the pain as fresh and raw as the first time. It was like death by a thousand cuts.
Alissa DeRogatis (Call It What You Want)
Don’t you remember how long it took to get your life together after the shooting? Do you really want to revisit all that? Won’t it just reopen all those old wounds?” “But I’ve got a lead this time! A real one!” “A lead to what?” “The truth! Answers! Anything!
Scott William Carter (Ghost Detective (Myron Vale Investigations, #1))
What the hell do you know about what we lost?! You think we had it easy? That we had it better than you? That our war was somehow easier? War is hell! You think you're honoring your troops by reopening these wounds?! By murdering these people?! All you've done is perpetuate the cycle! Leaving a new generation of broken families! You came here, where you didn't belong-- You bomb their homes-- You murder their children-- And you wonder why they hate us?!
Rick Remender (Captain America, Vol. 3: Loose Nuke)
Things would be a whole lot easier if that were the case. The problem with telling the truth is that, more often than not, it makes life harder instead of easier. It reopens old wounds and makes them bleed twice as hard. But I’ve had enough of keeping secrets now. I’m done with living in the shadows of the compromises I have made to protect the people I love.
Callie Hart (Riot Rules)
Each time I looked at him, the wound was reopened, the pain as fresh and raw as the first time. It was like death by a thousand cuts.
Alissa DeRogatis (Call It What You Want)
Lord, why was it his child you gave to me? Why did you send me here to this man so that I remember the things done to me? Shimei interceded and brought me to you, and you healed me. Now, I see Atretes and feel the old wounds reopened. Hold me fast, Father. Don’t let me slip; don’t let me fall. Don’t let me think as I used to think or live as I used to live. “Life is cruel, Atretes, but you have a choice. Choose forgiveness and be free.” “Forgiveness!” The word came out of the dark shadows like a curse. “There are some things in this world that can never be forgiven.” Her eyes burned with tears. “I once felt the same way, but it turns back on you and eats you alive. When Christ saved me, everything changed. The world didn’t look the same.” “The world doesn’t change.” “No. The world didn’t. I did.” He
Francine Rivers (Mark of the Lion Collection (Mark of the Lion #1-3))
February 2012 On one hand, I was reluctant to write to Aria. It had been too long and I had boxed my emotional feelings for Andy, tucked our beautiful and heartbreaking memories into a tiny compartment deep within the farthest reaches of my heart, never intending to reopen the wounds except as a remembrance to the wonderful times we shared. Now I had unconsciously opened Pandora’s Box while in the process of writing my memoirs. Besides cherishing our loving relationship, it had also unscrupulously released my broken heart to regrettable memories I had forsaken into the recesses of my active mind. The first couple of years after our separation were diabolical hell, which I finally managed to banish into harrowing storage. Now, I was faced with a very real possibility of connecting with the man I loved and still love, after forty two years of separation and non-communication. What am I to do? To write or not to write to Aria, requesting Andy’s current information? That was the looming question I continuously asked myself.
Young (Unbridled (A Harem Boy's Saga, #2))
What was going on? The only way to make sense of this exchange is through the prism of cognitive dissonance. Many prosecutors see their work as more than a job; it is more like a vocation. They have spent years training to reach high standards of performance. It is a tough initiation. Their self-esteem is bound up with their competence. They are highly motivated to believe in the probity of the system they have joined. In the course of their investigations, they get to know the bereaved families well and quite naturally come to empathize with their trauma. And they want to believe that in all those long hours spent away from their own families pursuing justice, they have helped to make the world a safer place. Imagine what it must be like to be confronted with evidence that they have assisted in putting the wrong person in jail; that they have ruined the life of an innocent person; that the wounds of the victim’s family are going to be reopened. It must be stomach churning. In terms of cognitive dissonance, it is difficult to think of anything more threatening.
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
Luke said that he was surprised when I showed up at his room. That he hadn’t meant to give me the wrong idea. That he would never have taken it beyond just kissing. And he looked so genuine. So trustworthy. So sorry about what had happened. He almost convinced me that I’d misread his signals.” Hallelujah pauses. “The whole time, I kept my mouth shut. I wish I hadn’t. But I was still so humiliated. And I felt guilty. I made out with him. I liked it. And no one made me go to his room.” Her voice breaks. She has to swallow past a lump in her throat. “I know Luke’s not a good guy. I know what he did isn’t my fault. It’s his. But still, none of it would’ve happened if I hadn’t gone to his room.” She’s almost there. Almost done. Almost heard. Something deep inside her hurts like it hasn’t hurt in a long time. But she knows that this gash had to reopen in order to heal. That’s how wounds work. They need air. “I knew I’d get punished, and I did. My parents grounded me. I was put on youth group probation. But I honestly thought Luke’s lies would just fade away if I kept a low profile. There’s always gossip about someone. This time it was me.” ... “Luke is still telling people about what supposedly happened that night,” Hallelujah says. “And he makes fun of me. All the time. What I look like, what I say, my name. And he does this thing at church: whenever we sing a hymn with my name in it, he sings it like he’s hooking up with me. He sings the word ‘hallelujah’ at me. He moans it. And I hate it.” That’s one of the reasons she stopped singing: his voice, his fake grunts of satisfaction, ruining the music she loved so much. “You said,” she says to Jonah, “he wanted to keep me upset. To keep me from telling anyone what really happened. Well, it worked.” She pauses. “Until now.” “Until now,” Rachel repeats. Then she curses. “I can’t believe him. I can’t believe he got away with it.” “I let him get away with it,” Hallelujah says softly. “No. He’s the one who crossed the line. And okay, maybe you could’ve spoken up sooner. But if no one pushed you for your side of the story, that’s on them.” Rachel yawns and stretches. “And when we get home, we’re going to set the record straight.
Kathryn Holmes
I didn't mean to reopen closing wounds.
Veronica Roth (Insurgent (Divergent, #2))
John Smith, for one, knew the value of good food during an ocean voyage. The want of good food, he said, “occasions the losse of more men, then in any English fleet hath bin slaine in any fight since 1588.”8 Smith was not exaggerating. Scurvy, a terrible wasting disease caused by a lack of vitamin C, wreaked havoc on crews during long ocean voyages. Symptoms often appeared within weeks of leaving port as men complained of weakness and a feeling of general malaise. Soon bleeding was seen around hair follicles on the arms and legs and around rapidly loosening teeth. As the illness progressed, skin was discolored by large purple bruises that often became open sores. In the worst cases, old wounds that seemed to be healed reopened. Eventually sufferers died screaming in agony.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
The post-massacre protocol was quick and efficient- perfected by practice. Within an hour the dead bodies had been removed to the morgue in the Police Control Room, and the wounded to hospital. The street was hosed down, the blood directed into the open drains. Shops reopened. Normalcy was declared. (Normalcy was always a declaration.)
Arundhati Roy (The Ministry of Utmost Happiness)
The wounds have been healed with time. Why do you want to reopen them?
Avijeet Das
Men ruptured by melancholy, bleeding from their hairlines. Teeth loose in the head as a blown rose’s petals. Weeping for home—more so than usual. Aching at the joints. The smell of an orange, it’s said, could drive a debilitated man to derangement. The word “Mother” is like a lance to the ribs. Old wounds reopen.
Kaliane Bradley (The Ministry of Time)
They say time heals all wounds, but I was beginning to lose faith in that statement. How does anything heal wounds that don’t bleed? That aren’t severed or cut? They don’t scab or close. There was no healing salve or stitch or tea to mend the areas afflicted. How could one heal a wound that reopened with every mention or memory? Would that not lead to a scar more permanent than a wound of grief? A scar of nostalgia, a constant reminder of something or someone irretrievably gone.
J.D. Linton (The Last Draig (Rogue X Ara #2))
the sword of insult seldom cuts on the surface. No, it lacerates from within and leaves wounds that reopen with remembrance.
Vivek Shanbhag (Ghachar Ghochar)
Precisely according to Bryce’s plan. She’d been dripping blood for it all this way, leaving a trail, constantly scraping off her scabs to reopen her wounds—ones she’d intentionally inflicted on herself by “falling” into the stream.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That's the thing about old wounds, you see. To let them heal, first you have to stop reopening them.
Archive Of Our Own
Wrapping my hand back over her mouth, she shakes against me, her wide eyes set on the deacon deprived of life as I press her against the wall before us. She squints her eyes closed, not wanting to bear witness to the reality before her. “Look Briony!” I demand, kneeing her legs open wider as I thrust deeply into her from behind. “Open your fucking eyes!” She gasps as her palms slap against the wall, bracing her from the force. Her eyes snap open, falling back on the deacon. “They don’t want you! You’re fucking worthless to them!” I fist her hair, holding her head against the wall, trying to wake her up to the reality before her. “They never wanted you! You aren’t one of them! They want to eliminate the likes of you from their world. You pushed too far. You’re a force they can’t handle. You just kept fucking pushing!” The words fall from my mouth like venom. Pain sears throughout my emotional core at the deep unresolved wound this reopens. These are the words I’ve told myself from a past life that seems like a lifetime ago. That young man, so lost and confused after the set-up they knew I’d never conquer. They marked me a murderer. Branded me the enemy because Callum Westwood knew a life that included me could never work. I was his greatest mistake. His greatest downfall.
Jescie Hall (That Sik Luv)
Why would people do this to themselves? Because the pull toward that feeling of “home” makes what they want as adults hard to disentangle from what they experienced as children. They have an uncanny attraction to people who share the characteristics of a parent who in some way hurt them. In the beginning of a relationship, these characteristics will be barely perceptible, but the unconscious has a finely tuned radar system inaccessible to the conscious mind. It’s not that people want to get hurt again. It’s that they want to master a situation in which they felt helpless as children. Freud called this “repetition compulsion.” Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar—but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Have you ever stared at yourself in the mirror, and your eyes act like an out of focused camera? You keep zooming in on your face, and out again like you can’t believe you’re you. I get so lost in my own reflection my face starts looking warped. I feel as though I’m watching my life flash through my brain like a VHS being re-winded, and I can’t believe I’m me. All my imperfections are amplified back at me, and I know I can’t open my eyes as someone else. I feel ugly. Not the kind of ugly that someone feels because they don’t think they are beautiful, but the ugly that resonates from experiences. Remembering all the bad shit that you have done or that was done to you, and seeing the wounds of the past re-open through your imperfections.
Mandy Darling (Here it is...my healing)
America bears not just scars, but many layers of racial wounds, both chronic and acute. In order to move beyond them, we need to look at them for what they are, diagnose them, treat them, heal them, and then take care not to pick at the scabs, reopening the old wounds and creating new ones.
Michele Harper (The Beauty in Breaking)
Everyone wanted the possessions to conform to the story they’d been telling themselves for years. Cleaning became the excuse to refight old wars, to reopen scabbed-over wounds, to relitigate settled truths.
Ken Liu (The Cleaners (Faraway Collection))
I’m like a wound barely sewn shut, and every time we talk the stitches break, the wound reopens, and I have to sew it back together.
Chevy Stevens (Still Missing)
The house watches all this with a peculiar kind of horror. It knows that things cannot remain the same forever. It has watched from its high perch how the town below changed over the years. It has seen roads cut through the landscape, buildings erupt, and people multiply. It knows that nothing can escape change. That the djinn just opened the way for what was always going to happen. Still, it cannot bear to witness this. The reopening of history like fingers digging into a wound.
Shubnum Khan (The Djinn Waits a Hundred Years)
What most people mean by type is a sense of attraction—a type of physical appearance or a type of personality turns them on. But what underlies a person’s type, in fact, is a sense of familiarity. It’s no coincidence that people who had angry parents often end up choosing angry partners, that those with alcoholic parents are frequently drawn to partners who drink quite a bit, or that those who had withdrawn or critical parents find themselves married to spouses who are withdrawn or critical. Why would people do this to themselves? Because the pull toward that feeling of “home” makes what they want as adults hard to disentangle from what they experienced as children. They have an uncanny attraction to people who share the characteristics of a parent who in some way hurt them. In the beginning of a relationship, these characteristics will be barely perceptible, but the unconscious has a finely tuned radar system inaccessible to the conscious mind. It’s not that people want to get hurt again. It’s that they want to master a situation in which they felt helpless as children. Freud called this “repetition compulsion.” Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar—but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
It’s no coincidence that people who had angry parents often end up choosing angry partners, that those with alcoholic parents are frequently drawn to partners who drink quite a bit, or that those who had withdrawn or critical parents find themselves married to spouses who are withdrawn or critical. Why would people do this to themselves? Because the pull toward that feeling of “home” makes what they want as adults hard to disentangle from what they experienced as children. They have an uncanny attraction to people who share the characteristics of a parent who in some way hurt them. In the beginning of a relationship, these characteristics will be barely perceptible, but the unconscious has a finely tuned radar system inaccessible to the conscious mind. It’s not that people want to get hurt again. It’s that they want to master a situation in which they felt helpless as children. Freud called this “repetition compulsion.” Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar—but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
I hadn’t wanted to voice the strange healing that seemed to happen every time I got hurt. Scrapes faded quickly; my dislocated shoulder had stopped hurting within hours. Nothing lasted, but every time the blisters healed over, the fresh baby skin that covered the wounds was reopened the next day.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
In an attempt to connect the play with Shakespeare’s life, however, and to compensate for the awkward timing of those comedies, Greenblatt suggests that Shakespeare’s grief at Hamnet’s death lies at the heart of Hamlet: “the coincidence of the names… may well have reopened a deep wound,” he wrote. But what parent would memorialize their dead child as a depressed man who contemplates suicide and the murder of his uncle, before being murdered himself?
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
A dream is like the stained glass of a cathedral window; once shattered, its pieces strewn all over, can not be put together. Never. All your life you tread upon those pieces, every piece reopening the same old wounds.
Shahid Hussain Raja
Whereas in the early days of the plague they had been struck by the host of small details that, while meaning absolutely nothing to others, meant so much to them personally, and thus had realized, perhaps for the first time, the uniqueness of each man's life; now, on the other hand, they took an interest only in what interested everyone else, they had only general ideas, and even their tenderest affections now seemed abstract, items of the common stock. So completely were they dominated by the plague that sometimes the one thing they aspired to was the long sleep it brought, and they caught themselves thinking: "A good thing if I get plague and have done with it!" But really they were asleep already; this whole period was for them no more than a long night's slumber. The town was peopled with sleepwalkers, whose trance was broken only on the rare occasions when at night their wounds, to all appearance closed, suddenly reopened. Then, waking with a start, they would run their fingers over the wounds with a sort of absentminded curiosity, twisting their lips, and in a flash their grief blazed up again, and abruptly there rose before them the mournful visage of their love. In the morning they harked back to normal conditions, in other words, the plague.
Albert Camus (The Plague)
UNION AND CHANGE The third article was union. To those who were small and few against the wilderness, the success of liberty demanded the strength of union. Two centuries of change have made this true again. No longer need capitalist and worker, farmer and clerk, city and countryside, struggle to divide our bounty. By working shoulder to shoulder, together we can increase the bounty of all. We have discovered that every child who learns, every man who finds work, every sick body that is made whole--like a candle added to an altar--brightens the hope of all the faithful. So let us reject any among us who seek to reopen old wounds and to rekindle old hatreds. They stand in the way of a seeking nation. Let us now join reason to faith and action to experience, to transform our unity of interest into a unity of purpose. For the hour and the day and the time are here to achieve progress without strife, to achieve change without hatred--not without difference of opinion, but without the deep and abiding divisions which scar the union for generations. THE AMERICAN BELIEF Under this covenant of justice, liberty, and union we have become a nation--prosperous, great, and mighty. And we have kept our freedom. But we have no promise from God that our greatness will endure. We have been allowed by Him to seek greatness with the sweat of our hands and the strength of our spirit. I do not believe that the Great Society is the ordered, changeless, and sterile battalion of the ants. It is the excitement of becoming--always becoming, trying, probing, falling, resting, and trying again--but always trying and always gaining. In each generation, with toil and tears, we have had to earn our heritage again. If we fail now, we shall have forgotten in abundance what we learned in hardship: that democracy rests on faith, that freedom asks more than it gives, and that the judgment of God is harshest on those who are most favored. If we succeed, it will not be because of what we have, but it will be because of what we are; not because of what we own, but, rather because of what we believe. For we are a nation of believers. Underneath the clamor of building and the rush of our day's pursuits, we are believers in justice and liberty and union, and in our own Union. We believe that every man must someday be free. And we believe in ourselves. Our enemies have always made the same mistake. In my lifetime--in depression and in war--they have awaited our defeat. Each time, from the secret places of the American heart, came forth the faith they could not see or that they could not even imagine. It brought us victory. And it will again. For this is what America is all about. It is the uncrossed desert and the unclimbed ridge. It is the star that is not reached and the harvest sleeping in the unplowed ground. Is our world gone? We say "Farewell." Is a new world coming? We welcome it--and we will bend it to the hopes of man. To these trusted public servants and to my family and those close friends of mine who have followed me down a long, winding road, and to all the people of this Union and the world, I will repeat today what I said on that sorrowful day in November 1963: "I will lead and I will do the best I can." But you must look within your own hearts to the old promises and to the old dream. They will lead you best of all. For myself, I ask only, in the words of an ancient leader: "Give me now wisdom and knowledge, that I may go out and come in before this people: for who can judge this thy people, that is so great?
Lyndon B. Johnson
Usually, when there is a power struggle in a couple, and old childhood wounds are reopening, people tend to blame their partner for all the problems because blame is easier. If we blame others, we never have to look inward and take responsibility for our own stuff, which is exhausting and uncomfortable
Lena Derhally (My Daddy Is a Hero: How Chris Watts Went from Family Man to Family Killer)
Why would people do this to themselves? Because the pull toward that feeling of “home” makes what they want as adults hard to disentangle from what they experienced as children. They have an uncanny attraction to people who share the characteristics of a parent who in some way hurt them. In the beginning of a relationship, these characteristics will be barely perceptible, but the unconscious has a finely tuned radar system inaccessible to the conscious mind. It's not that people want to get hurt again. It's that they want to master a situation in which they felt helpless as children. Freud called this "repetition compulsion." Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago by engaging with somebody familiar — but new. The only problem is, by choosing familiar partners, people guarantee the opposite result: they reopen the wounds and feel even more inadequate and unlovable.
Lori Gottlieb (Maybe You Should Talk to Someone)
Its not that people want to get hurt again. Its that they want to master a situation where they felt helpless. "Repetition compulsion" Maybe this time, the unconscious imagines, I can go back and heal that wound from long ago, by engaging with somebody familiar- but new. The truth is that they reopen the wounds and feel even more inadequate and unlovable." "He may be resistant to acknowledging it now, but I welcome his resistance because resistance is a clue to where the crux of the work lies; it signals what a therapist needs to pay attention to." "Conversion disorder: this is a condition in which a person's anxiety is "converted" into a neurologic conditions such as paralysis, balance issues, incontinence, deafness, tremors, or seizures." "People with conversion disorder aren't faking it- that’s called factitious disorder. People with factitious disorder have a need to be thought of as sick and intentionally go to great lengths to appear ill." "Interestingly, conversion disorder tends to be more prevalent in cultures with strict rules and few opportunities for emotional expression." "Ultracrepidarianism, which means "the habit of giving opinions and advice on matters outside of one's knowledge or competence" "Every decision they make is based on two things: fear and love. Therapy strives to teach you how to tell the two apart." "if you are talking that much, you cant be listening" and its variant, you have two ears and one mouth; there's a reason for that ratio)" "To feel better now, anytime, anywhere, within seconds" Why are we essentially outsourcing the thing that defines uses people? Was it that people couldn’t tolerate being alone or that they couldn’t tolerate being with other people?" "The four ultimate concerns are death, isolation, freedom, and meaningless" "Flooded: meaning one person is in overdrive, and when people feel flooded is best to wait a beat. The person needs a few minutes for his nervous system to reset before he can take anything in." "Developmental stage models: Freud, Jung, Erikson, Piaget and Maslow
Lori Gottlieb
However, the pain is not completely gone from your system. If you come across a person who even distantly reminds you of your lost, the wound reopens. It hurts because you carry the memory of the past.
Bhagavan Sri Nithyananda Paramashivam
But why wake up all that past? Why reopen the old wounds of those who were living in Moscow and in country houses at the time, writing for the newspapers, speaking from rostrums, going off to resorts and abroad? Why recall all that when it is still the same even today? After all, you can only write about whatever “will not be repeated.
Alexander Solzhenitsyn
Resentments stirred up other resentments, reopened old scars, turned them into fresh wounds, and both were dismayed at the desolating proof that in so many years of conjugal battling they had done little more than nurture their rancor.
Gabriel García Márquez (Love in the Time of Cholera)
It’s one of the perks of aging, I suppose—an eagerness to release the baggage that doesn’t serve you. I know this goes against common wisdom; our therapy-obsessed culture seems to think old wounds must be reopened before they can heal. I’m not sure I agree.
Jody Gehrman (The Girls Weekend)
women. But it is no lighter a grief than the silent. Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to reopen the wound.
Fyodor Dostoevsky (The Brothers Karamazov)