“
Head Vs Heart:
A crowded mind
Leaves no space
For a peaceful heart
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
That is what I thought of you, Ellie. Heartless, reckless, selfish, and cruel."
He was back to shooting me when my armor was down. I turned my face away from him, not wanting to let him see the hurt in my eyes. He reached up and put his fingers under my chin, bringing my face forward again, forcing me to look at him.
"Beautiful, sad, wounded, and lost," he continued. "A freak, a work of art, a liar, and a lover."
His gaze was starting to eat away at my insides. Razor-blade butterflies whirled in my heart.
"I hate you, Ellie Watt," he whispered, lips coming closer to mine, "because I still love you after all these years.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
Okay, pull me up."
The rope didn't move.
"Ascanio?" What was it now? Did he see a butterfly and get distracted?
The rope slid up, as fast as if wound by a winch. I shot upward. What the...?
I cleared the edge and found myself face to face with Curran.
Oh boy.
He held the rope with one hand, muscles bulging on his arm under his sweatshirt. No strain showed on Curran's face. It's good to be the baddest shapeshifter in the city. Behind him Ascanio stood very still, pretending to be invisible.
Curran's gray eyes laughed at me. The Beast Lord reached out and touched my nose with his finger. "Boop.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
Wolf took Scarlet’s hands into his, as tenderly as he would pick up an injured butterfly, and slid the band onto her finger. His voice was rough and wavering as he recited—“I, Ze’ev Kesley, do hereby claim you, Scarlet Benoit, as my wife and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything.” He smiled down at her, his eyes swimming with emotion. Scarlet returned the look, and though Wolf’s expression teetered between proud and bashful, Scarlet’s face contained nothing but joy. “You are the one. You have always been, and you will always be, the only one.
Scarlet took the second ring—a significantly larger version of the same unadorned band—and pressed it onto Wolf’s finger. “I, Scarlet Benoit, do hereby claim you, Ze’ev Kesley, as my husband and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything. You are the one. You have always been, and you will always be, the only one.”
Wolf folded his hands around hers. From where she sat, Cinder could see that he was shaking.
Kai grinned. “By the power given to me by the people of Earth, under the laws of the Earthen Union and as witnessed by those gathered here today, I do now pronounce you husband and wife.” He spread his hands in invitation. “You may kiss your—”
Wolf wrapped his arms around Scarlet’s waist, lifting her off the floor, and kissed her before Kai could finish. Or maybe she kissed him. It seemed mutual, as her hands wound through his disheveled hair.
The room exploded with cheers, everyone launching to their feet to congratulate the still-kissing couple. Scarlet had lost one of her red shoes.
“I’ll get the champagne,” said Thorne, heading toward the kitchen. “Those two are going to be thirsty when they finally come up for air.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
Nothingness
It is only in nothing...
A damp, dull, nothingness
Those cold, sharp, empty spaces
In our times of scarcity and loss
That we understand the true meaning of everything
And the indelible value of what was cost
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt. But butterfly wings break when touched. Red knows her own weaknesses as well as anyone. She presses too hard, breaks what she would embrace, tears what she would touch to her teeth.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
He made a small sigh, as he swallowed the first blood, then his mouth closed over my earlobe, mouth working at the wound, tongue coaxing blood from the wound. He pressed his body the length of mine, one hand cupping my turned head, the other playing down the line of my body. Maybe it was just blood, but I never stroked my steak while eating it.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
The butterfly owns her now.
It covers her and her wounds.
”
”
Anne Sexton (Love Poems)
“
Self Love is a romance of its own kind. Remember self love does not imply being selfish and just thinking about your own happiness. I believe it is an idea which revolves around acceptance of yourself as you are so that you can accept others as they are. It is a principle of loving your own being so that you are full of love and positivity. It is about coming to peace with your own self and letting go of your past wounds, it is about healing. Self Love is about becoming a butterfly from a caterpillar. It is about personal development, it is about an evolution. Self Love is about seeing yourself through your own eyes.
”
”
Jasz Gill
“
(Excerpt from) Everlasting:
You can't touch hope
But you can feel her
Through the breath of angels
And in the faces of those with hope etched in their eyes
The ones that give you something to believe in once more
Remember to cherish hope’s rays and her warmth
As she rises through the fire
As a phoenix reborn
For hope springs eternal
Like the shape of the rising sun
And the pools of cascading gold
From heavens-high
As a new dawn wakes to come
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
Love Request:
Isn't this all we request from love?
A brave, vulnerable and sincere exposure,
To be candidly seen in all our faults
Blemishes, quirks and flaws
Yet still be so implicitly loved
Cherished, accepted
And most of all,
Wanted
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
Royce traveled wrapped in his cloak with the weight of the rain collapsing the hood around his head—not a good sign for Thranic and Bernie. Until then, Royce had played the part of the good little sailor, but with the reemergence of the hood, and the loss of his white kerchief, Hadrian knew that role had ended. They had not spoken much since the attack. Not surprisingly, Royce was in no mood for idle discussion. Hadrian guessed that by now his friend had imagined killing Thranic a dozen times, with a few Bernies thrown in here and there for variety. Hadrian had seen Royce wounded before and was familiar with the cocooning—only what would emerge from that cloak and hood would not be a butterfly.
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
there is no more powerful medicine than true love. Love can heal any wound
”
”
Valter Dos Santos (Butterflies in the Garden: A story of how true love travels through time - Second edition)
“
We should not elevate anyone higher than our own heart.
If you do not value what you have to give then no one else will ever come close to what you truly deserve.
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
Sonnet V
I touch you as a lonely violin touches the suburbs of the faraway place
patiently the river asks for its share of the drizzle
and, bit by bit, a tomorrow passing in poems approaches
so I carry faraway's land and it carries me on travel's road
On a mare made of your virtues, my soul weaves
a natural sky made of your shadows, one chrysalis at a time.
I am the son of what you do in the earth, son of my wounds
that have lit up the pomegranate blossoms in your closed-up gardens
Out of jasmine the night's blood streams white. Your perfume,
my weakness and your secret, follows me like a snakebite. And your hair
is a tent of wind autumn in color. I walk along with speech
to the last of the words a bedouin told a pair of doves
I palpate you as a violin palpates the silk of the faraway time
and around me and you sprouts the grass of an ancient place—anew
”
”
Mahmoud Darwish (The Butterfly's Burden (English and Arabic Edition))
“
And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.
”
”
Mervyn Peake (The Illustrated Gormenghast Trilogy)
“
One Day:
One day, you will heal
One day, you will be grateful for the deepest cuts of pain
One day, you will glance at yourself
And see a stronger person through your reflection
One day, you will kiss away your hurt... gently, and with grace
Until then, use it all to propel you forward
Like a white-hot pyre through your star-spangled eyes
A fire to regenerate every shadowy cell
And open your heart to every experience
Knowing that one day
You will search your heart
And understand that love is the only thing to ever hold onto
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
I hold my breath, waiting, because I want something like that to exist, for something, anything, to be the Band-Aid over this gaping wound. And I get it now, I know that's all he could ever be, that's all anyone else could ever be: a Band-Aid, a butterfly strip, a temporary measure, because this is the after, and all the good stuff got left behind in the before.
”
”
Jennifer Dugan (Hot Dog Girl)
“
The Genesis Of Butterflies
The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies
”
”
Victor Hugo
“
His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole, his eyebrows were thin and arched like a woman's, his nose was undamaged, there was a slight tear at the lobe of one ear, his clean black hair was swept upward into a cowlick at the rear of the skull, his forehead was lightly freckled, his fingernails were clean, the skin at his left cheek was peeled back in three ragged strips, his right cheek was smooth and hairless, there was a butterfly on his chin, his neck was open to the spinal cord and the blood there was thick and shiny and it was this wound that had killed him. He lay face-up in the center of the trail, a slim, dead, almost dainty young man.
”
”
Tim O'Brien (The Things They Carried)
“
In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the
street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.
Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years
because of a dry countryside on his knee;
and that boy they buried this morning cried so much
it was necessary to call out the dogs to keep him quiet.
Life is not a dream. Careful! Careful! Careful!
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.
One day
the horses will live in the saloons
and the enraged ants
will throw themselves on the yellow skies that take refuge in the
eyes of cows.
Another day
we will watch the preserved butterflies rise from the dead
and still walking through a country of gray sponges and silent boats
we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful!
The men who still have marks of the claw and the thunderstorm,
and that boy who cries because he has never heard of the invention
of the bridge,
or that dead man who possesses now only his head and a shoe,
we must carry them to the wall where the iguanas and the snakes
are waiting,
where the bear’s teeth are waiting,
where the mummified hand of the boy is waiting,
and the hair of the camel stands on end with a violent blue shudder.
Nobody is sleeping in the sky. Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes,
a whip, boys, a whip!
Let there be a landscape of open eyes
and bitter wounds on fire.
No one is sleeping in this world. No one, no one.
I have said it before.
No one is sleeping.
But if someone grows too much moss on his temples during the
night,
open the stage trapdoors so he can see in the moonlight
the lying goblets, and the poison, and the skull of the theaters
- City That Does Not Sleep
”
”
Federico García Lorca
“
Carpe Diem
By Edna Stewart
Shakespeare, Robert Frost, Walt Whitman did it, why can't I?
The words of Horace, his laconic phrase. Does it amuse me or frighten me?
Does it rub salt in an old wound? Horace, Shakespeare, Robert Frost and Walt Whitman my loves,
we've all had a taste of the devils carpe of forbidden food.
My belly is full of mourning over life mishaps of should have's, missed pleasure, and why was I ever born?
The leaf falls from the trees from which it was born in and cascade down like a feather that tumbles and toil in the wind.
One gush! It blows away. It’s trampled, raked, burned and finally turns to ashes which fades away like the leaves of grass.
Did Horace get it right? Trust in nothing?
The shortness of Life is seventy years, Robert Frost and Whitman bared more, but Shakespeare did not.
Butterflies of Curiosities allures me more.
Man is mortal, the fruit is ripe. Seize more my darling!
Enjoy the day.
”
”
Edna Stewart (The Call of the Christmas Pecan Tree)
“
Henri made it clear by tone alone that if he wanted to buy that fight, Henri would certainly sell it. It bemused me, really. Henri was usually this easy-going gentleman, but man, if he did get pissed off? He was like a wounded badger. I don’t think he knows the whole idiom of ‘float like a butterfly, sting like a bee.’ He was all bee.
”
”
Honor Raconteur (Magic Outside the Box (The Case Files of Henri Davenforth, #3))
“
There are few weapons more dangerous than our wounds, and, being wounded, there are things we all do that we would often rather die than face. But no one heals what they refuse to look at. So when asked if I think you’re a good person, I say, I don’t believe in good people. I believe in people who are committed to knowing their own wounds intimately.
”
”
Andrea Gibson (Lord of the Butterflies)
“
Higher Love:
Fear, manipulation, dependency...
And decimation of any part of who you are
Is not based on a foundation of love
Believe in a higher love
One that sleeps and wakes on a bed of respect
One that sings through a harmony of hope
A higher love
Born from recalling long-lost sweethearts of your soul
Ancient hearts that feel like yours
And love like yours
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
Hearts Don't Reject Love
Fear of rejection slaughters the voice from our heart
But time is short
And life is to be lived
So don't fear to speak your hearts truth
What you feel matters more than the thoughts or opinions of other's
And rejection is an impeding, sinister state of mind...
Remember, hearts don't reject love, only minds do that
The existential truth is that we are all exposed
We are all vulnerable
Whether we are fierce enough to admit it…or not
”
”
Christine Evangelou (Beating Hearts and Butterflies: Poetry of Wounds, Wishes and Wisdom)
“
The Ulfric had waded into the pack with my blood in his hands. They surrounded him, touching him, caressing, begging for him to share. He dipped his lingers in the nearly empty cup and held them down for the wolves to lick.
Edward came to stand near me. He said nothing, just helped me put pressure on the wound, got more napkins from under the bar and a clean cloth to tie it tight. Our eyes met, and he just shook his head, the faintest of smiles playing on his face. "Most people pay money for information.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
Quite our of the blue a bizarre and compelling idea came into my head today: that we have ended up as human beings through forgetfulness, through lack of attention, and that in reality we are creatures participating in a vast, cosmic battle that has probably been going on since time immemorial and which, for all we know, may never end. All we see of it are glimmers, in blood-red moons, in fires and gales, in frozen leaves that fall in October, in the jittery flight of a butterfly, in the irregular pulse of time that can lengthen a night into infinity or come to a violent stop each day at noon. I am actually an angel or a demon sent into the turmoil of one life on a sort of mission, which is either carrying itself out without my help, or else I have totally forgotten about it. This forgetfulness is part of the war--it's the other side's weapon, and they've attacked me with it so that I'm wounded, invalided out of the game for a while. As a result, I don't know how powerful or how weak I am--I don't know anything about myself because I can't remember anything, and that's why I don't try to look for either weakness or power in myself. It's an extraordinary feeling--to imagine that somewhere deep inside, you are someone completely different from the person you always thought you were. But it didn't make me feel anxious, just relieved, finally free of a kind of weariness that used to permeate my life.
”
”
Olga Tokarczuk (House of Day, House of Night (Writings From An Unbound Europe))
“
She didn't look up, her gaze focused entirely on the paper before her as she drew what looked like a wing. He picked up one of the papers from the floor, and on it was a butterfly, the colors a blending of vibrant yellows and oranges.
He held out the paper. "What's this one called?"
"Golden Shimmer," she said. "She loves the sunlight."
He picked up a picture of a light-purple butterfly with a string of pearls around her neck. "And this one?"
"Lavender Lace. She has the power to heal all sorts of wounds."
He scanned the room, all the pictures on the floor. "Do they each have a name?"
Finally she looked at him, her bright-blue eyes meeting his. "Of course."
And he realized with a pang of sadness that these were Libby's friends for life.
"They are beautiful."
A glint of a smile. "Thank you."
He picked up another butterfly, this one a dark violet shade, a silver streak bleeding across the edge of its wings.
"What is she called?"
"Silver Shadow."
"Does she have a story?"
Libby's smile faded. "She's lost and can't seem to find her way home.
”
”
Melanie Dobson (Shadows of Ladenbrooke Manor)
“
Double-clicking on his inbox, Jason noted that one of the three messages was from Suzy, aka ButterfliesInMyTummy, and his mood lifted. It was the fourth or fifth message they’d exchanged, and they were just starting to move beyond the tedious small-talk stage. He skimmed through the message, growing increasingly impatient. Suzy favoured those little face icons. The whole page was littered with them – smiley faces, sad faces, surprised faces, embarrassed faces. Why couldn’t she just use words like everyone else? She also put five or six exclamation marks after a sentence, or added extra vowels to words, so everything was sooooooooo much fun or soooooooooo boring. It wound Jason up when people couldn’t write properly. He wasn’t asking for brain of Britain, but he liked a woman to be able to write a sentence that started with a capital letter and ended with a full stop and at least made an attempt at the Queen’s English. At least it wasn’t in text speak. He refused to answer the messages that spelled thanks ‘tnx’. Britain didn’t go through two World Wars so that the English language could be mutilated beyond recognition.
”
”
Tammy Cohen (First One Missing)
“
I am not Seamus, who tacks emotions to the outside of his skin and whose words charge from his mouth on horseback. No one sees through me, except Xavier, and he does so not because I choose to give him access but because he knows himself. I will have to offer myself to Seamus, if I want something 'more' with him. Part of me can't believe I'd contemplate it, even for a moment. What do I have in common with an oversized, yarn-spinning, bread-mauling, divorced deliveryman attached to a seven-year-old? The rest of me doesn't know if I remember how to be close to another person. I practice mimicry, a Viceroy butterfly masquerading as a Monarch, a Superb Lyrebird echoing the calls of everything from chickadees to chain saws. I practice stories of my past, telling this sad memory or that scary one, and people feel I'm confiding in them because the words touch their deepest wounds, not because the tales hold any emotional resonance for me. My intimacies, the ones that have become my Sisyphus stones, long-term romantic relationships, the college one, ended with the nice young man shocked when I said I didn't love him and we had nothing in common. "We've spent two years talking about everything," he said.
Yes, mimicry.
”
”
Christa Parrish (Stones For Bread)
“
She closed her eyes and listened to the drone of bees as they moved lazily among the flowering bursts of deep pink hydrangea and delicate tendrils of sweet pea that wound through the basket-bed borders. Although she was still very weak, it was pleasant to sit in warm lethargy, half-drowsing like a cat.
She was slow to respond when she heard a sound from the doorway... a single light rap, as if the visitor was reluctant to disrupt her reverie with a loud knock. Blinking her sun-dazzled eyes, Annabelle remained sitting with her legs tucked beneath her. The mass of light speckles gradually faded from her vision, and she found herself staring at Simon Hunt's dark, lean form. He had leaned part of his weight on the doorjamb, bracing a shoulder against it in an unselfconsciously rakish pose. His head was slightly tilted as he considered her with an unfathomable expression.
Annabelle's pulse escalated to a mad clatter. As usual, Hunt was dressed impeccably, but the gentlemanly attire did nothing to disguise the virile energy that seemed to emanate from him. She recalled the hardness of his arms and chest as he had carried her, the touch of his hands on her body... oh, she would never be able to look at him again without remembering!
"You look like a butterfly that's just flown in from the garden," Hunt said softly.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Sleepless City
(Brooklyn Bridge Nocturne)"
Out in the sky, no one sleeps. No one, no one.
No one sleeps.
Lunar creatures sniff and circle the dwellings.
Live iguanas will come to bite the men who don’t dream,
and the brokenhearted fugitive will meet on street corners
an incredible crocodile resting beneath the tender protest of the stars.
Out in the world, no one sleeps. No one, no one.
No one sleeps.
There is a corpse in the farthest graveyard
complaining for three years
because of an arid landscape in his knee;
and a boy who was buried this morning cried so much
they had to call the dogs to quiet him.
Life is no dream. Watch out! Watch out! Watch out!
We fall down stairs and eat the humid earth,
or we climb to the snow’s edge with the choir of dead dahlias.
But there is no oblivion, no dream:
raw flesh. Kisses tie mouths
in a tangle of new veins
and those in pain will bear it with no respite
and those who are frightened by death will carry it on their shoulders.
One day
horses will live in the taverns
and furious ants
will attack the yellow skies that take refuge in the eyes of cattle.
Another day
we’ll witness the resurrection of dead butterflies,
and still walking in a landscape of gray sponges and silent ships,
we’ll see our ring shine and rose spill from our tongues.
Watch out! Watch out! Watch out!
Those still marked by claws and cloudburst,
that boy who cries because he doesn’t know bridges exist,
or that corpse that has nothing more than its head and one shoe—
they all must be led to the wall where iguanas and serpents wait,
where the bear’s teeth wait,
where the mummified hand of a child waits
and the camel’s fur bristles with a violent blue chill.
Out in the sky, no one sleeps. No one, no one.
No one sleeps.
But if someone closes his eyes,
whip him, my children, whip him!
Let there be a panorama of open eyes
and bitter inflamed wounds.
Out in the world, no one sleeps. No one. No one.
I’ve said it before.
No one sleeps.
But at night, if someone has too much moss on his temples,
open the trap doors so he can see in moonlight
the fake goblets, the venom, and the skull of the theaters.
”
”
Federico García Lorca (Poet in New York (English and Spanish Edition))
“
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.”
Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.”
Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck.
We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked.
Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked.
Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled.
“What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn.
“You’ll see,” he replied. He definitely had something up his sleeve.
I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way.
“But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point.
“Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.”
That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me.
Then again, we were walking toward a barn.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
In My Prayer.
My silent niche. You incarnate in my prayer. Dawn is all dancing like a rainbow in your smile. Anxious to uncover dreams after morning. The desire to arrange sparkly beads in your hair. Reduce heartbeat, please at the tips of your fingers. I will pray together with
night just to keep remembering you. A never ending memory to always say your name. Silence that leads to longing for the rising of light. Horizon knocked on all the gates, which grabbed a reprehensible body, who hesitated to stop at the tip of the tongue. Lips murmuring, stringing questions hung at the end of time. The self that is always broken and dishonest, who is kufr and who is infidel. All beings submit to the most holy feet. Let silence accept everything that is magical.
Although the reflection of the moon's face is filled with wounds with lies in our mouths, betrayed by lust and unstoppable desires. May you soon incarnate so that a million flowers bloom in the heart of the most cursory. The eyes are altered, betraying a million flashes of light from the darkest night. The most beautiful gems are buried in mud puddles.
Even though the sky is still dark. Heavy rain that is redder than all blood. Which surpassed the fangs of the old snake. The endless cycle of the sun throws puzzles about the mysteries of the universe that are never answered. The beginning of all this sorrow in myself. If only you please, transform into a butterfly in my prayer tonight. A pair of wings that burned like a fire of longing in my heart. Who suddenly fidgeted and flew into your eyes. Then descend on the branch of the Khuldi tree, before breaking into my tears.
Suppose tonight, in my prayer, you incarnate like a thunderous storm. Like the sound of noisy thunder. The footsteps stepped hurriedly on the foggy road. Infiltrate the gaps of our thoughts and feelings. Shackle our arms, knees and breath.
If only, in my prayer tonight you will be transformed into murky tears. Who trembled, even though it would patiently take care of my sadness. The pain that somehow healed my soul. Beliefs that keep mysteries for my deepest secrets, which you endlessly hum, in order to be a comfort for my sad life.
My dear. Lady of my heart. My love. My soul. Bless me with all your generosity. With your mercy, with your endless love. With your infinite anger.
”
”
Titon Rahmawan
“
The butterfly with a wounded wing glided clumsily down to settle on a leaf by the spider's web. The spider knew he was there, but she was drowsy and ignored him for a time. The butterfly waited patiently, knowing that a hastily aroused spider tends to be bad tempered.
”
”
Howard L. Myers (The Creatures of Man)
“
There are few weapons more dangerous than our wounds, and, being wounded, there are things we all do that we would often rather die than face.
”
”
Andrea Gibson (Lord of the Butterflies)
“
Jenny stiffened. “Nothing’s wrong.” There was a sharpness, a tone I had never heard her use before. It hurt having it directed at me, the edges of those two words cutting, making it hard for me to swallow. “Sorry,” I said. “I’ll go.” “Wait.” She grabbed my wrist before I could turn. “I’m sorry. I’m not mad at you.” “It’s okay,” I said. Words were funny like that. One moment they could wound you, turn into bricks that would sink to the bottom of your stomach. The next moment those bricks were transforming into butterflies, eagles, pterodactyls, Frisbees, various flying objects rising to your chest and nesting in the spaces between your ribs. I smiled at her, relieved that we were all good.
”
”
Jean Kyoung Frazier (Pizza Girl)
“
to be with someone
who will let you breathe here.
and just be here.
and not ask anything else of you,
not to tangle in their weaknesses
or to heal their wounds…
they'll just want to know you…
and have you know them.
someone who just lets you
feel beautiful here
while you wonder of your
dreams together in the
glow of the moon.
”
”
butterflies rising
“
I say, I don’t believe in good people. I believe in people who are committed to knowing their own wounds intimately.
”
”
Andrea Gibson (Lord of the Butterflies)
“
Nicky’s condition is called “Epidermolysis Bullosa”, he has the Recessive Dystrophic form. This is a long fancy name for a condition of the skin where a certain protein called “collagen”, which acts as a glue between the epidermis and the dermis, is missing or the body simply does not produce enough of it. Because the skin is missing this protein, blisters develop easily. This can occur after a slight bump of the skin or scratch, anywhere on his body, including his mouth and esophagus. Many of these blisters are painful, and will heal with scars. The scars cause deformities of the extremities, which lead to disability. Nicky always wears bandages to protect the healthy skin and allow healing of wounded skin. This condition is NOT contagious.
”
”
Silvia Corradin (Butterfly Child)
“
I want you to lie beside me. His voice was a sinful caress, enticing, insistent.
“I think you can manage all by yourself,” she answered, refusing to look into his dark, hypnotic eyes. Instead, she shut off her computer and the generator and locked the door.
I have nightmares, little red hair. The only way to keep them at bay is to have you close beside me. He sounded very earnest, innocent, hopeful.
Shea found herself smiling as she poured him another unit of blood. She was beginning to think the devil himself had shown up at her doorstep. Jacques was temptation incarnate. “I removed a stake from your heart just a couple of nights ago, and you have a major wound there. If I move around while I sleep, I could easily bump into you and start it bleeding again. You wouldn’t want that, would you?”
He took the container from her hand, his fingers curling around the glass precisely over the spot where her fingers had been. He did things like that, intimate things that sent butterfly wings brushing deep within her. Not my heart, Shea. They did not get me in the heart, as they should have. It is here within my body— can you not hear it? Your heart beats with the same rhythm so that it matches mine.
“Were you a playboy before they buried you?” she asked him, tossing a mischievous grin over her shoulder. Shea checked her gun to make certain it was clean and loaded. “You need to drink that, Jacques, not just hold it. And then go back to sleep. The more rest you get, the faster you’ll heal.”
You persist in being my doctor when I so need my lifemate to come and lie beside me. Again his voice was temptation itself.
“Drink, Jacques.” She tried to sound stern, but it was impossible when he was looking so desperate for her company.
I am desperate.
She couldn’t help but shake her head. “You’re outrageous.”
He made an attempt to raise the glass to his mouth, but his arm wobbled. I cannot lift this without your aid, Shea. I am too weak.
“Am I supposed to believe you?” She laughed aloud but crossed to his side.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
With Nicky’s form of EB, once an area gets over-wounded it never gets strong again. Some areas do not even heal ever again. These areas now included his feet. Even when they did heal, they were so incredibly fragile that even a simple step or a little pressure to get himself off the computer chair to the bed would cause a blister the size of my fist.
”
”
Silvia Corradin (Butterfly Child)
“
For a long time I told myself that things would get easier. It was going to be easier once he sat up, or when he was out of diapers, or when he turned 10, but I had been duped. The wounds were bigger, nastier, took longer to heal; the limbs were longer, we needed more bandages, longer wound care, hands worse, more homework, and things were only going to get tougher.
”
”
Silvia Corradin (Butterfly Child)
“
His itching caused ninety percent of his wounds; hence to us it was vital to overwrap to create that very important padding to prevent him from hurting himself.
”
”
Silvia Corradin (Butterfly Child)
“
Ah, the Springtime, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight…
— The Genesis of Butterflies
”
”
Victor Hugo
“
If you kiss Cade by sunset, I’ll leave.”
Her eyes widened. “That sounds almost too good to be true. Kiss Cade and get rid of the biggest thorn in my side? Where do I sign up?”
He clutched a hand to his chest. “You wound me, Audrey. You wouldn’t miss me?”
“Not in the slightest,” she said tartly, but that butterfly in her stomach begged to differ. “So all I need to do is kiss Cade and you’ll pack up and leave? Challenge accepted.
”
”
Jessica Clare (The Wrong Billionaire's Bed (Billionaire Boys Club, #3))
“
To Seduce You With Looks (The Sonnet)
I haven't come to seduce you with looks,
I have come to overwhelm you with love.
I haven't come to break your door by force,
I’ve come to charm it open with my mind’s touch.
I haven't come to bring you worldly riches,
But to offer you the garland of my heart.
I haven't come to usher you with complements,
I’ve come to celebrate you, tearing myself apart.
I haven't come to count the benefits of bond,
I’ve come to make you lose count of your wounds.
I haven't come to feel butterflies in my stomach,
But to fight the world, helping you break all rules.
Let me burn to ashes time and time again,
So I may remove the shadows from your life's lane.
”
”
Abhijit Naskar (Şehit Sevda Society: Even in Death I Shall Live)
“
Victor decides this is a good day. He’s not naïve enough to think that all is well. There will still be pain and trauma, all the wounds of the investigation and trial.
”
”
Dot Hutchison (The Butterfly Garden (The Collector, #1))
“
Sometimes I wish you had known me, the way I used to be. Sometimes I wish that was the version of myself I could give you. A better version. One that wasn’t so…” Broken.
I had thought that, when I noticed my feelings for Tisaanah beginning to change. The night I had given her the butterfly necklace, I had spent the rest of the evening trying to ignore the pleasant burn on my knuckles where they had brushed her skin. And when I lay in bed that night, unable to sleep because of this persistent, nagging fantasy that I couldn’t shake, a cold voice had echoed through my mind: Maybe once, long ago, you could have been worthy of her. Maybe before you were a collection of scars.
Tisaanah’s arm wound around mine. “I do not think I would have liked you then,” she said, so plainly that despite myself a smile tugged at my mouth.
”
”
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
“
And now let me collect my strength and my thoughts and focus with everything I have on the horror of our earthly existence, on the imperfection of the world, on the myriad lives torn asunder, on the beasts that devour one another, on the snake that bites a stag as it grazes in the shade, on the wolves that slaughter sheep, on the mantises that consume their males, on the bees that die once they sting, on the mothers who labor to bring us into the world, on the blind kittens children toss into rivers, on the terror of the fish in the whale's entrails and the terror of the beaching whale, on the sadness of an elephant dying of old age, on the butterfly's fleeting joy, on the deceptive beauty of the flower, on the fleeting illusion of a lover's embrace, on the horror of spilt seed, on the impotence of the aging tiger, on the rotting of teeth in the mouth, on the myriad dead leaves lining the forest floor, on the fear of the fledgling when its mother pushes it out of the nest, on the infernal torture of the worm baking in the sun as if roasting in living fire, on the anguish of a lover's parting, on the horror known by lepers, on the hideous metamorphoses of women's breasts, on wounds, on the pain of the blind...
”
”
Danilo Kiš (The Encyclopedia of the Dead)
“
[Hand Watches]
I opened the drawer
Where I keep old things and tokens
I glanced over some hand watches
With dead batteries and frozen times…
Watches that were gifted to me over time
By teachers or friends
To commend my accomplishments and respect for time…
It never occurred to them or to me then
That Time would die in a heart attack
And will cease to be important
The day my homeland was occupied and destroyed…
The day the occupying thieves
In collaboration with the thieves within
Would burn and destroy everything beautiful in it…
And since then, I refuse to wear hand watches
And will never wear one
Until my people get back their Time and dignity…
And when that happens, Time will remain unimportant
For then, I will turn into a butterfly
A sparrow
A daffodil or an orange blossom,
Or perhaps an apricot blossom on a branch
An unstoppable sprig of water
That flows beyond time and timing …
In that same drawer I found
Pens that have run out of ink
Looking like mummified corpses..
At a moment of despair,
A strong feeling struck me like a lightning
Leaving me with a frightening question:
What if this is a wound that all time can’t cure
A cause that all the ink of the world can’t solve?
[Original poem published in Arabic on February 5, 2023 at ahewar.org]
”
”
Louis Yako
“
Hand Watches"
I opened the drawer
where I keep old things and tokens…
I looked over some hand watches
with dead batteries and frozen times…
Watches gifted to me over the years
by teachers or friends
commending my accomplishments and respect for time…
It never occurred to them nor to me then
that Time would die in a heart attack
and cease to matter
the day my homeland was occupied and destroyed…
The day plunderers, in collaboration with thieves at home,
would burn and destroy everything beautiful…
And ever since, I refuse to wear hand watches…
I vowed not to wear a hand watch
until my people retrieve their Time and dignity…
And when that happens, Time will not matter
for I will then turn into a butterfly
a sparrow
a daffodil
an orange
Or perhaps an apricot blossom on a branch…
I will turn into a spring of water
flowing beyond time and timing …
In that same drawer I found
pens that have run out of ink
looking now like mummified corpses…
At a moment of despair,
A strong feeling struck me like a lightning
leaving me with a frightening question:
What if this is a wound no time can heal,
a cause that no ink can revive?
[Published on April 7, 2023 on CounterPunch.org]
”
”
Louis Yako
“
The wind picks up the pieces of my broken heart and carries them to a world unknown.
”
”
Margie Watts (Wounded Butterfly)
“
You are the horizon
giving birth to loneliness
ideas and roads
a window open to the sky
a butterfly starting to fly
In the end you are
a thought
born from nowhere
and poetry
from “You
”
”
Jorge Argueta (En Carne Propia / Flesh Wounds: Memoria Poetica / A Poetic Memoir (Spanish and English Edition))
“
I have nightmares, little red hair. The only way to keep them at bay is to have you close beside me. He sounded very earnest, innocent, hopeful.
Shea found herself smiling as she poured him another unit of blood. She was beginning to think the devil himself had shown up at her doorstep. Jacques was temptation incarnate. “I removed a stake from your heart just a couple of nights ago, and you have a major wound there. If I move around while I sleep, I could easily bump into you and start it bleeding again. You wouldn’t want that, would you?”
He took the container from her hand, his fingers curling around the glass precisely over the spot where her fingers had been. He did things like that, intimate things that sent butterfly wings brushing deep within her. Not my heart, Shea. They did not get me in the heart, as they should have. It is here within my body--can you not hear it? Your heart beats with the same rhythm so that it matches mine.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
His black eyes smoldered, a velvet seduction. I need a dream to rid myself of nightmares.
She backed away from him, holding a palm outward to ward him off. “Just you keep your ideas to yourself,” she warned. “You have that devil’s look, the one that says no woman is safe.”
That is not true, Shea, he denied, the hard edge of his mouth softening into temptation. Only one woman. You.
She laughed at him. “I think I’m very grateful you’re in no condition to move around. The sun is coming up, and I have to secure the cottage for daylight. Go back to sleep. I’ll be here when you wake up.” Shea patted the one comfortable chair she had.
You will lie beside me where you should be, he informed her.
Shea carefully closed the shutters on the windows and fastened them. She was always cautious in locking her home. During the day she was very vulnerable. Already she could feel her body slowing, becoming heavier, more tired.
I want you to lie beside me. His voice was a sinful caress, enticing, insistent.
“I think you can manage all by yourself,” she answered, refusing to look into his dark, hypnotic eyes. Instead, she shut off her computer and the generator and locked the door.
I have nightmares, little red hair. The only way to keep them at bay is to have you close beside me. He sounded very earnest, innocent, hopeful.
Shea found herself smiling as she poured him another unit of blood. She was beginning to think the devil himself had shown up at her doorstep. Jacques was temptation incarnate. “I removed a stake from your heart just a couple of nights ago, and you have a major wound there. If I move around while I sleep, I could easily bump into you and start it bleeding again. You wouldn’t want that, would you?”
He took the container from her hand, his fingers curling around the glass precisely over the spot where her fingers had been. He did things like that, intimate things that sent butterfly wings brushing deep within her. Not my heart, Shea. They did not get me in the heart, as they should have. It is here within my body--can you not hear it? Your heart beats with the same rhythm so that it matches mine.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
Even though we all have wounds on our bodies, we were still running, running to the land of happiness.
”
”
Chenmeng Butterfly
“
I thought of the opera ‘Madama Butterfly’ that I had just been listening to and saw myself as that sailor in that opera who was born into beauty but left it to chase his
American dream. I had forgotten my heart, and the home in which it beat, and now as I held a life, tightly in my arms, in my eyes, that had wounded itself and was now about to
die.
Neglect. The burning furnace.
I realized that I was never to see her, Life, again and that throughout the years when she had been there
I hath forsaken thee
lost in money, in opinion
in short, an exchange
in which we trade the means for the end (happiness),
but never realize until the end how much we have truly lost
and I.
I was at the end of my road, or at least this road.
Regret. But now was not the time.
She was still here; breathing with the wind, beating against my face that licked with the cool, cool presence.
There was still what was, what is, and for but a short time what was still to be.
I had but a few moments to make up for an entire life that I had lost.
”
”
Michael Szymczyk (Toilet: The Novel)
“
it was the way
you just let me breathe here.
and just be here.
you didn’t ask
anything else of me.
not to tangle in your weaknesses
or to heal your wounds.
you just asked me to know you…
to just know you.
to let it all be unheavy,
here next to you…
and just wonder of our dreams in
the glow of the moon.
”
”
butterflies rising
“
Should I say my thanks
For the open wound filled with salt?
For I say you
But it's me
When asked for whose fault
”
”
Lina Malskies (the butterfly effect)