“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
Such short little lives our pets have to spend with us, and they spend most of it waiting for us to come home each day.
It is amazing how much love and laughter they bring into our lives and even how much closer we become with each other because of them.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-war day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I've discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
The laughter of the world is merely loneliness pathetically trying to reassure itself.
”
”
Neal A. Maxwell (The Neal A. Maxwell Quote Book)
“
Gandalf! I thought you were dead! But then I thought I was dead myself. Is everything sad going to come untrue? What's happened to the world?"
A great Shadow has departed," said Gandalf, and then he laughed and the sound was like music, or like water in a parched land; and as he listened the thought came to Sam that he had not heard laughter, the pure sound of merriment, for days upon days without count.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
There are many kinds of betrayals. There are the small ones: the unkind word, the laughter behind someone's back, the petty lies. And there are the betrayals that break hearts, destroy worlds, and turn the strong, sweet light of day into bitter dust.
”
”
Gillian Shields (Betrayal (Immortal #2))
“
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion — put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
”
”
Wendell Berry
“
Outside, there was that predawn kind of clarity, where the momentum of living has not quite captured the day. The air was not filled with conversation or thought bubbles or laughter or sidelong glances. Everyone was sleeping, all of their ideas and hopes and hidden agendas entangled in the dream world, leaving this world clear and crisp and cold as a bottle of milk in the fridge.
”
”
Reif Larsen (The Selected Works of T.S. Spivet)
“
If I told you that I wanted to spend my days and nights with you, live with you, as my partner, because out there, in Hell, I realised that you mean the world to me? That you are my sanity, my laughter, my lust, my love, my comfort, my day and my night, my heat and cold and everything? If I told you that, would you think that translates to 'convenient'?
”
”
Marquesate & Vashtan
“
From day one it was like society was this violent, complicated dance and everybody had taken lessons but me. Knocked to the floor again, climbing to my feet each time, bloody and humiliated. Always met with disapproving faces, waiting for me to leave so I'd stop fucking up the party.
The wanted to push me outside, where the freaks huddled in the cold. Out there with the misfits, the broken, the glazed-eye types who can only watch as the normals enjoy their shiny new cars and careers and marriages and vacations with the kids.
The freaks spend their lives shambling around, wondering how they got left out, mumbling about conspiracy theories and bigfoot sightings. Their encounters with the world are marked by awkward conversations and stifled laughter, hidden smirks and rolled eyes. And worst of all, pity.
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
My litter sister looks up at me.
Mom was right. Her eyes are the same as they've always been. Brown eyes fringed with long lashes and steeped with the memory of sweetness and light, laughter and joy - trapped in this mangled corpse-like face.
"It's all right, baby girl," I whisper into her hair as I hug her. "I'm here. I came for you."
Her face crumples and her eyes shine. "You came for me."
I stroke her hair. It's as silky as ever.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
I Love Loving You
You are my favorite song; a rhythm of beauty that captures my spirit.
You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance.
You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure.
You are my soul mate; a connection so pure, so powerful, that it can only be considered divine.
You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe.
You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself.
You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging.
You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you.
I love loving you.
”
”
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
“
December 27, 11:00 p.m.
My Dear America,
I’ve never written a love letter, so forgive me if I fail now. . . .
The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you.
I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me.
I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife.
And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now.
I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want.
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
You are sunlight falling through trees. You are laughter that breaks through the sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion. You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.
”
”
Kiera Cass (The One (The Selection, #3))
“
If you tell me Christian commitment is a kind of thing that has happened to you once and for all like some kind of spiritual plastic surgery, I say go to, go to, you're either pulling the wool over your own eyes or trying to pull it over mine. Every morning you should wake up in your bed and ask yourself: "Can I believe it all again today?" No, better still, don't ask it till after you've read The New York Times, till after you've studied that daily record of the world's brokenness and corruption, which should always stand side by side with your Bible. Then ask yourself if you can believe in the Gospel of Jesus Christ again for that particular day. If your answer's always Yes, then you probably don't know what believing means. At least five times out of ten the answer should be No because the No is as important as the Yes, maybe more so. The No is what proves you're human in case you should ever doubt it. And then if some morning the answer happens to be really Yes, it should be a Yes that's choked with confession and tears and. . . great laughter.
”
”
Frederick Buechner
“
I have always felt that laughter in the face of reality is probably the finest sound there is and will last until the day when the game is called on account of darkness. In this world, a good time to laugh is any time you can
”
”
Linda Ellerbee
“
Most people live their lives as if the end were always years away. They measure their days in love, laughter, accomplishment, and loss. There are moments of sunshine and storm. There are schedules, phone calls, careers, anxieties, joys, exotic trips, favorite foods, romance, shame, and hunger. A person can be defined by clothing, the smell of his breath, the way she combs her hair, the shape of his torso, or even the company she keeps.
All over the world, children love their parents and yearn for love in return. They revel in the touch of parental hands on their faces. And even on the worst of days, each person has dreams about the future-dreams that sometimes come true.
Such is life.
Yet life can end in less time than it takes to draw one breath.
”
”
Bill O'Reilly (Killing Kennedy: The End of Camelot)
“
Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and there’s no peace from their laughter.
Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone. If torture were to stop now, I might still recover – if never my looks, then at least my strength and my kes.
But other week… or maybe five days… or even three… and it will be too late. Even if the torture stops, I’ll die. And you’ll die too, for when love leaves the world, hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
Such short little lives our pets have to spend with us, and they spend most of it waiting for us to come home each day. It is amazing how much love and laughter they bring into our lives and even how much closer we become with each other because of them.
”
”
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
“
My wild spirit is my deepest truth, my greatest expression and my highest love. It cannot be contained. It defies rules and explanations and logic. I embrace my untamed spirit and unleash her into a world that is meant to be filled with joy and love and laughter. I feel the wind in my hair, lift my gaze to the sky, raise my arms and invite the thunder. I remember how great it feels to be exposed and wildly alive.
”
”
Adrienne Enns (Intentional Days: Creating Your Life on Purpose)
“
A Brief for the Defense
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.
”
”
Jack Gilbert (Refusing Heaven: Poems)
“
I am an old man, and I am dying...Will you remember me, Jacob?"
I promise, one day, I will join you, Mr. Gold."
Mr. Gold's laughter sounded like a trumpet and brought light to the corners of the room.
”
”
Noah benShea (Jacob the Baker: Gentle Wisdom For a Complicated World)
“
Taken from the dedication in my debut novel Exactly 23 days. To honour all women on International Women's day.
For women everywhere: When you know you are finally mended, spread the word, hold out your hand, share some love from your heart and some laughter from your soul and be there for a new member of the sisterhood who needs your help. Let's all help our sisters worldwide to stand tall and know, they can and they will recover, survive and thrive, to live the life they deserve.
To all the sisters who reached out and held my hand in whatever way you could, who cried my tears with me, and laughter my laughter too, I thank every one of you. I survived.
”
”
Jayne Higgins (Exactly 23 Days)
“
So what’s it like to live without emotions? (Geary)
It’s hard. Imagine a world without taste. A world where you can see the colors and all, but you can’t feel it. A beautiful clear day can never choke you up. A child’s laughter doesn’t make you smile. You don’t look at a bunny and think ‘how cute.’ You feel absolutely nothing. It’s like being wrapped in thick cotton all the time. (Arik)
”
”
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
“
Laugh, and the world longs to be your friend.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
The world seems to want us to be sad and angry because bad things frequently happen. But I say we should feel the opposite. We should be happy and cheerful because good things happen. We should be delighted to see the sun rise and stars glow and rainbows color stormy skies. We should savor every simple breath and eat each meal with gratitude. We should slumber in sweet dreams and relish moments of laughter and love. We should take more notice of the joys and kindnesses that do exist, still dictating the actions of millions of good people all over the world. Life is filled with pleasant moments, not just grief. We should be happy because this is true.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams
as the north wind lays waste the garden.
For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.
Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast.
All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart.
But if in your fear you would seek only love's peace and love's pleasure,
Then it is better for you that you cover your nakedness and pass out of love's threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.
When you love you should not say, "God is in my heart," but rather, "I am in the heart of God."
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.
Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
”
”
Kahlil Gibran (The Prophet)
“
I'm a woman; in so many ways I've been programmed to please. I took the job and spent time hunkered over figures, budgets, charts, and fiscal-year projections. I tried, but I hated it.
"Working at a job you don't like is the same as going to prison every day," my father used to say. He was right. I felt imprisoned by an impressive title, travel, perks, and a good salary. On the inside, I was miserable and lonely, and I felt as if I was losing myself. I spent weekends working on reports no one read, and I gave presentations that I didn't care about. It made me feel like a sellout and, worse, a fraud.
Now set free, like any inmate I had to figure out what to do with the rest of my life.
”
”
Kathleen Flinn (The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears at the World's Most Famous Cooking School)
“
The Ballad of Lucy Jordan
The morning sun touched lightly on the eyes of Lucy Jordan
In a white suburban bedroom in a white suburban town
As she lay there 'neath the covers dreaming of a thousand lovers
Till the world turned to orange and the room went spinning round.
At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair.
So she let the phone keep ringing and she sat there softly singing
Little nursery rhymes she'd memorised in her daddy's easy chair.
Her husband, he's off to work and the kids are off to school,
And there are, oh, so many ways for her to spend the day.
She could clean the house for hours or rearrange the flowers
Or run naked through the shady street screaming all the way.
At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair
So she let the phone keep ringing as she sat there softly singing
Pretty nursery rhymes she'd memorised in her daddy's easy chair.
The evening sun touched gently on the eyes of Lucy Jordan
On the roof top where she climbed when all the laughter grew too loud
And she bowed and curtsied to the man who reached and offered her his hand,
And he led her down to the long white car that waited past the crowd.
At the age of thirty-seven she knew she'd found forever
As she rode along through Paris with the warm wind in her hair
”
”
Marianne Faithfull
“
Working at a job you don't like is the same as going to prison every day," my father used to say.
”
”
Kathleen Flinn (The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears at the World's Most Famous Cooking School)
“
Love Song
My own dear love, he is strong and bold
And he cares not what comes after.
His words ring sweet as a chime of gold,
And his eyes are lit with laughter.
He is jubilant as a flag unfurled—
Oh, a girl, she’d not forget him.
My own dear love, he is all my world,—
And I wish I’d never met him.
My love, he’s mad, and my love, he’s fleet,
And a wild young wood-thing bore him!
The ways are fair to his roaming feet,
And the skies are sunlit for him.
As sharply sweet to my heart he seems
As the fragrance of acacia.
My own dear love, he is all my dreams,—
And I wish he were in Asia.
My love runs by like a day in June,
And he makes no friends of sorrows.
He’ll tread his galloping rigadoon
In the pathway of the morrows.
He’ll live his days where the sunbeams start,
Nor could storm or wind uproot him.
My own dear love, he is all my heart,—
And I wish somebody’d shoot him.
”
”
Dorothy Parker
“
And one day, God would send another baby, a baby promised to a girl who didn't even have a husband. But this baby would bring laughter to the whole world. This baby would be everyone's dream come true.
”
”
Sally Lloyd-Jones (The Jesus Storybook Bible: Every Story Whispers His Name)
“
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth.
The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death.
The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade.
The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
”
”
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
“
I remember spending an afternoon with Mr. Richter in the Central Park Zoo, I went weighted down with food for the animals, only someone who’d never been an animal would put up a sign saying not to feed them, Mr. Richter told a joke, I tossed hamburger to the lions, he rattled the cages with his laughter, the animals went to the corners, we laughed and laughed, together and separately, out loud and silently, we were determined to ignore whatever needed to be ignored, to build a new world from nothing if nothing in our world could be salvaged, it was one of the best days of my life, a day during which I lived my life and didn’t think about my life at all.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I bumped into something and was knocked to the ground. It took me several breaths to gather myself together, at first I thought I’d walked into a tree, but then that tree became a person, who was also recovering on the ground, and then I saw that it was her, and she saw that it was me, ‘Hello,’ I said, brushing myself off, ‘Hello,’ she said. ‘This is so funny.’ ‘Yes.’ How could it be explained? ‘Where are you going?’ I asked. ‘Just for a walk,’ she said, ‘and you?’ ‘Just for a walk.’ We helped each other up, she brushed leaves from my hair, I wanted to touch her hair, ‘That’s not true,’ I said, not knowing what the next words out of my mouth would be, but wanting them to be mine, wanting, more than I’d ever wanted anything, to express the center of me and be understood. ‘I was walking to see you.’ I told her, ‘I’ve come to your house each of the last six days. For some reason I needed to see you again.’ She was silent, I had made a fool of myself, there’s nothing wrong with not understanding yourself and she started laughing, laughing harder than I’d ever felt anyone laugh, the laughter brought on tears, and the tears brought on more tears, and then I started laughing, out of the most deep and complete shame, ‘I was walking to you,’ I said again, as if to push my nose into my own shit, ‘because I wanted to see you again,’ she laughed and laughed, ‘That explains it,’ she said when she was able to speak. ‘It?’ ‘That explains why, each of the last six days, you weren’t at your house.’ We stopped laughing, I took the world into me, rearranged it, and sent it back out as a question: ‘Do you like me?
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
We are scared of happiness, you see. From a tender age we have been taught that in the air, in the Etesian wind, an uncanny exchange is at work, so that for every morsel of contentment there will follow a morsel of suffering, for every peal of laughter there is a drop of tear ready to roll, because that is the way of this strange world, and hence we try not to look too happy, even on days when we might feel so inside.
”
”
Elif Shafak (The Island of Missing Trees)
“
We seem to live in a world where you have to walk around grinning like a loon. I can’t understand all the fuss about Mona Lisa painting, everyone wondering why she’s not smiling, if she’s depressed or heartbroken. No, she was just normal!
Emotions are always extreme these days: you either have to be crying with laughter or crying in pain. No wonder water levels are rising. It’s not global warming, it’s all the tears from crying.
”
”
Karl Pilkington
“
God will not be tolerated. He instructs us to worship and fear Him.
In our world, where hundreds of things distract us from God, we have to intentionally and consistently remind ourselves of Him.
Because we don’t often think about the reality of who God is, we quickly forget that He is worthy to be worshiped and loved. We are to fear Him.
The answer to each of these questions is simply this: because He’s God. He has more of a right to ask us why so many people are starving. As much as we want God to explain himself to us, His creation, we are in no place to demand that He give an account to us.
Can you worship a God who isn’t obligated to explain His actions to you? Could it be your arrogance that makes you think God owes you an explanation?
If God is truly the greatest good on this earth, would He be loving us if He didn’t draw us toward what is best for us (even if that happens to be Himself)? Doesn’t His courting, luring, pushing, calling, and even “threatening” demonstrate His love? If He didn’t do all of that, wouldn’t we accuse Him of being unloving in the end, when all things are revealed?
Has your relationship with God actually changed the way you live? Do you see evidence of God’s kingdom in your life? Or are you choking it out slowly by spending too much time, energy, money, and thought on the things of this world?
Christians who did most for the present world were precisely those who thought most of the next.
Jesus’ call to commitment is clear: He wants all or nothing.
Our greatest fear as individuals and as a church should not be of failure but of succeeding at things in life that don’t really matter.
If life is a river, then pursuing Christ requires swimming upstream. When we stop swimming, or actively following Him, we automatically begin to be swept downstream.
How could we think for even a second that something on this puny little earth compares to the Creator and Sustainer and Savior of it all?
True faith means holding nothing back; it bets everything on the hope of eternity.
When you are truly in love, you go to great lengths to be with the one you love. You’ll drive for hours to be together, even if it’s only for a short while. You don’t mind staying up late to talk. Walking in the rain is romantic, not annoying. You’ll willingly spend a small fortune on the one you’re crazy about. When you are apart from each other, it’s painful, even miserable. He or she is all you think about; you jump at any chance to be together.
There is nothing better than giving up everything and stepping into a passionate love relationship with God, the God of the universe who made galaxies, leaves, laughter, and me and you.
Do you recognize the foolishness of seeking fulfillment outside of Him?
Are you ready and willing to make yourself nothing? To take the very nature of a servant? To be obedient unto death?
True love requires sacrifice.
What are you doing right now that requires faith?
God doesn’t call us to be comfortable.
If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one?
Am I loving my neighbor and my God by living where I live, by driving what I drive, by talking how I talk?”
If I stop pursuing Christ, I am letting our relationship deteriorate.
The way we live out our days is the way we will live our lives.
What will people say about your life in heaven? Will people speak of God’s work and glory through you? And even more important, how will you answer the King when He says, “What did you do with what I gave you?
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
God...made childhood joyous, full of life, bubbling over with laughter, playful, bright and sunny. We should put into their childhood days just as much sunshine and gladness, just as much cheerful pleasure as possible.
Pour in the sunshine about them in youth. Let them be happy, encourage all innocent joy, provide pleasant games for them, romp and play with them; be a child again among them. Then God's blessing will come upon your home, and your children will grow up sunny-hearted, gentle, affectionate, joyous themselves and joy-bearers to the world.
”
”
J.R. Miller
“
For more than a hundred centuries the Emperor has sat immobile on the Golden Throne of Earth. He is the Master of Mankind by the will of the gods and master of a million worlds by the might of his inexhaustible armies. He is a rotting carcass writhing invisibly with power from the Dark Age of Technology. He is the Carrion Lord of the Imperium, for whom a thousand souls die every day, for whom blood is drunk and flesh eaten. Human blood and human flesh – the stuff of which the Imperium is made. To be a man in such times is to be one amongst untold billions. It is to live in the cruellest and most bloody regime imaginable. This is the tale of those times.
Forget the power of technology, science and common humanity. Forget the promise of progress and understanding, for there is no peace amongst the stars, only an eternity of carnage and slaughter and the laughter of thirsting gods.
”
”
Dan Abnett
“
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have.
The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said.
"Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done."
"Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you."
He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team."
"We were." In more ways than one, I thought. Which is why this sucked so bad.
I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist.
I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms.
My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his.
How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
I can still to this day hear my folks whispering and laughing before they went off to sleep: perhaps it is all I want to recall, perhaps our stories should stop on a dime, maybe things could begin and end right there, at the moment of laughter, but things don’t begin and end really, I suppose; they just keep on going.
”
”
Colum McCann (Let the Great World Spin)
“
Life is too hard to maintain a constantly serious outlook. You have to laugh at yourself and the world now and then―see humor in undesirable circumstances, even harsh situations―or you will either rot from the inside or go stark-raving mad. Humor is power against the worst oppression. It lightens heavy burdens; it allows one to smile while in agony; it eases excruciating pains. In short, humor makes the intolerable tolerable.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
In Port William, more than anyplace else I had been, this religion that scorned the beauty and goodness of this world was a puzzle to me. To begin with, I don’t think anybody believed it. I still don’t think so. Those world-condemning sermons were preached to people who, on Sunday mornings, would be wearing their prettiest clothes. Even the old widows in their dark dresses would be pleasing to look at. By dressing up on the one day when most of them had leisure to do it, they had signified their wish to present themselves to one another and to Heaven looking their best. The people who heard those sermons loved good crops, good gardens, good livestock and work animals and dogs; they loved flowers and the shade of trees, and laughter and music; some of them could make you a fair speech on the pleasures of a good drink of water or a patch of wild raspberries. While the wickedness of the flesh was preached from the pulpit, the young husbands and wives and the courting couples sat thigh to thigh, full of yearning and joy, and the old people thought of the beauty of the children. And when church was over they would go home to Heavenly dinners of fried chicken, it might be, and creamed new potatoes and hot biscuits and butter and cherry pie and sweet milk and buttermilk. And the preacher and his family would always be invited to eat with somebody and they would always go, and the preacher, having just foresworn on behalf of everybody the joys of the flesh, would eat with unconsecrated relish.
”
”
Wendell Berry (Jayber Crow)
“
In every step, in every breath of yours, you’ll feel me…
I will always be in every sight you see, in ever voice you hear…
Your ears will be always filled with my whispers, my laughter and my cries…
My fights and tantrums will never leave your mind…
My footsteps, my shadow, will haunt you in every corner you go…
I will be your mornings, your days and nights…
I am the breeze that wraps your body in the morning…
I am the moonlight that bathes your body at night…
I am the fire that will burn you. I am the storm that you cannot handle…
I am the rain that will wash away the dust from your soul…
I am in your reflection. I am your shadow…
Your heart whispers my name in every beat…
Every word you say, echoes my name…
I am the secret you want to hide, but the secret that the world knows…
I am your dream…
I am your nightmare…
I am your darkest sin...
I am you…
”
”
Ama H. Vanniarachchy
“
The world seems to want us to be sad and angry because bad things frequently happen. But I say we should feel the opposite. We should be happy and cheerful because good things happen. We should be delighted to see the sun rise and stars glow and rainbows color stormy skies. We should savor every simple breath and eat each meal with gratitude. We should slumber in sweet dreams and relish moments of laughter and love. We should take more notice of the joys and kindnesses that do exist, still dictating the actions of millions of good people all over the world. Life is filled with pleasant moments, not just grief. We should be happy because this is true.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and there’s no peace from their laughter.
Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone. If torture were to stop now, I might still recover – if never my looks, then at least my strength and my kes.
But another week… or maybe five days… or even three… and it will be too late. Even if the torture stops, I’ll die. And you’ll die too, for when love leaves the world, hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
They had to die. They were killing innocent people. (Wulf)
They were surviving, Wulf. You never had to face the choice of being dead at twenty-seven. When most people’s lives are just beginning, we are looking at a death sentence. Have you any idea what it’s like to know you can never see your children grow up? Never see your own grandchildren? My mother used to say we were spring flowers who are only meant to bloom for one season. We bring our gifts to the world and then recede to dust so that others can come after us. When our loved ones die, we immortalize them like this. I have one for my mother and the other four are my sisters. No one will ever know the beauty of my sisters’ laughter. No one will remember the kindness of my mother’s smile. In eight months, my father won’t even have enough of me left to bury. I will become scattered dust. And for what? For something my great-great-great-whatever did? I’ve been alone the whole of my life because I dare not let anyone know me. I don’t want to love for fear of leaving someone like my father behind to mourn me. I will be a vague dream, and yet here you are, Wulf Tryggvason. Viking cur who once roamed the earth raiding villages. How many people did you kill in your human lifetime while you sought treasure and fame? Were you any better than the Daimons who kill so that they can live? What makes you better than us? (Cassandra)
It’s not the same thing. (Wulf)
Isn’t it? You know, I went to your Web site and saw the names listed there. Kyrian of Thrace, Julian of Macedon, Valerius Magnus, Jamie Gallagher, William Jess Brady. I’ve studied history all my life and know each of those names and the terror they wrought in their day. Why is it okay for the Dark-Hunters to have immortality even though most of you were killers as humans, while we are damned at birth for things we never did? Where is the justice in this? (Cassandra)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
These days, every politician is a laughing-stock, and the laughter which occasionally used to illuminate the dark corners of the political world with dazzling, unexpected shafts of hilarity has become an unthinking reflex on our part, a tired Pavlovian reaction to situations that are too difficult or too depressing to think about clearly.
”
”
Jonathan Coe
“
There spoke the race!" he said; "always ready to claim what it hasn't got, and mistake its ounce of brass filings for a ton of gold-dust. You have a mongrel perception of humor, nothing more; a multitude of you possess that. This multitude see the comic side of a thousand low-grade and trivial things--broad incongruities, mainly; grotesqueries, absurdities, evokers of the horse-laugh. The ten thousand high-grade comicalities which exist in the world are sealed from their dull vision. Will a day come when the race will detect the funniness of these juvenilities and laugh at them--and by laughing at them destroy them? For your race, in its poverty, has unquestionably one really effective weapon--laughter. Power, money, persuasion, supplication, persecution-- these can lift at a colossal humbug--push it a little--weaken it a little, century by century; but only laughter can blow it to rags and atoms at a blast. Against the assault of laughter nothing can stand. You are always fussing and fighting with your other weapons. Do you ever use that one? No; you leave it lying rusting. As a race, do you ever use it at all? No; you lack sense and the courage.
”
”
Mark Twain (The Mysterious Stranger)
“
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I've discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
”
”
Kiera Cass (The One (The Selection, #3))
“
One man in a thousand, Solomon says.
Will stick more close than a brother.
And it's worth while seeking him half your days
If you find him before the other.
Nine hundred and ninety-nine depend
On what the world sees in you,
But the Thousandth Man will stand your friend
With the whole round world agin you.
'Tis neither promise nor prayer nor show
Will settle the finding for 'ee.
Nine hundred and ninety-nine of 'em go
By your looks, or your acts, or your glory.
But if he finds you and you find him,
The rest of the world don't matter;
For the Thousandth Man will sink or swim
With you in any water.
You can use his purse with no more talk
Than he uses yours for his spendings,
And laugh and meet in your daily walk
As though there had been no lendings.
Nine hundred and ninety-nine of 'em call
For silver and gold in their dealings;
But the Thousandth Man he's worth 'em all
Because you can show him your feelings.
His wrong's your wrong, and his right's your right,
In season or out of season.
Stand up and back it in all men's sight
With that for your only reason!
Nine hundred and ninety-nine can't bide
The shame or mocking or laughter,
But the Thousandth Man will stand by your side
To the gallows-foot - and after!
”
”
Rudyard Kipling
“
I've tried to teach what I learned all those years in my mother and father's house, all those things I didn't realize I was learning and that I never knew I'd be so grateful for. When you have love and it's proffered every day in a kind of tender, yet stern insistence and even reckless laughter, when it is given to you and you accept it in life as a thing as natural as rain or snow, or the littler of leaves in fall, you can't help but take it for granted. For a bewildered while you incorrectly understand that the world has given you this becuase it's there in equal measure, everywhere. You never knowuntil it's too late to do anything about it, how seet the effort is: how lasting the human will to love can be in the breast of people who want to make it for you, who want to give it to you, without calculating what's in it fo them, without thinking at all of what it will mean when you grow to full adulthood, see the world as it is, and forget to mention what you have been given.
Ever day of my grown-up life, I have wanted to do what my parents did. I have wanted to widen the province of love and weaken hate and bitterness in the hearts of my children. And I've done these things because of what I got from my family, all those lovely years when I was growing up, being loved and cherished and, unbeknown to me, and in the best way, honored, for myself.
”
”
Marian Wright Edelman (Dream Me Home Safely: Writers on Growing Up in America)
“
In the end, a person is only know by the impact he or she has on others.
The Gift of Work: He who loves his work never labors.
The Gift of Money: Money is nothing more than a tool. It can be a force for good, a force for evil, or simple be idle.
The Gift of Friends: It is a wealthy person, indeed, who calculates riches not in gold but in friends.
The Gift of Learning: Education is a lifelong journey whose destination expands as you travel. The desire and hunger for education is the key to real learning.
The Gift of Problems: Problems can only be avoided by exercising good judgment. Good judgment can only be gained by experiencing life's problems.
The Gift of Family: Some people are born into wonderful families. Others have to find or create them. Being a member of a family is a priceless privilege which costs nothing but love.
The Gift of Laughter: Laughter is good medicine for the soul. Our world is desperately in need of more such medicine.
The Gift of Dreams: Faith is all that dreamers need to see into the future.
The Gift of Giving: The only way you can truly get more out of life for yourself is to give part of yourself away. One of the key principles in giving, is that the gift must be yours to give-either something you earned or created or maybe, simply, part of yourself.
The Gift of Gratitude: In those times when we yearn to have more in our lives, we should dwell on the things we already have. In doing so, we will often find that our lives are already full to overflowing.
The Golden List: Every morning before getting up visualize a golden tablet on which is written ten things in your life you are especially thankful for.
The Gift of a Day: Life at its essence boils down to one day at a time. Today is the Day! If we can learn how to live one day to its fullest, our lives will be rich and meaningful.
The Gift of Love: Love is a treasure for which we can never pay. The only way we keep it is to give it away.
The Ultimate Gift: In the end, life lived to its fullest is its own ultimate gift.
”
”
Jim Stovall (The Ultimate Gift)
“
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do.
”
”
Kiera Cass (The One (The Selection, #3))
“
Open Letter to Neil Armstrong"
Dear Neil Armstrong,
I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard?
Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky?
I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath.
Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love.
God, I'd do it every day, if I could just land next to her.
One small step for man, but she's one giant leap for my kind.
”
”
Mike McGee
“
People might feel sorry for a man who's fallen on hard times, but when an entire nation is poor, the rest of the world assumes that all its people must be brainless, lazy, dirty, clumsy fools. Instead of pity, the people provoke laughter. It's all a joke: their culture, their customs, their practices. In time the rest of the world may, some of them, begin to feel ashamed for having thought this way, and when they look around and see immigrants from that poor country mopping their floors and doing all the other lowest paying jobs, naturally they worry about what might happen if these workers one day rose up against them. So, to keep things sweet, they start taking an interest in the immigrants' culture and sometimes even pretend they think of them as equals.
”
”
Orhan Pamuk
“
INT. DEFENSE AGAINST THE DARK ARTS CLASS—FOURTEEN YEARS PREVIOUSLY—DAY
It is Boggart time. DUMBLEDORE supervises the line of teenagers advancing to try their luck. “Riddikulus”—“Riddikulus”—gusts of hilarity as a shark becomes a flotation device, a zombie’s head turns into a pumpkin, a vampire turns into a buck-toothed rabbit.
DUMBLEDORE: All right, Newt. Be brave.
16-YEAR-OLD NEWT moves to the front of the queue. The Boggart turns into a Ministry desk.
DUMBLEDORE: Mmm, that’s an unusual one. So Mr. Scamander fears what more than anything else in the world?
16-YEAR-OLD NEWT: Having to work in an office, sir.
The class roars with laughter.
DUMBLEDORE: Go ahead, Newt.
16-YEAR-OLD NEWT: Riddikulus!
NEWT turns the desk into a gamboling wooden dragon and moves aside.
DUMBLEDORE: Well done. Good job.
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
When I see two little Jewish old ladies giggling over coffee at a Manhattan diner, it makes me smile, because I hear my own mother’s laughter beneath theirs. Conversely, when I hear black “leaders” talking about “Jewish slave owners” I feel angry and disgusted, knowing that they’re inflaming people with lies and twisted history, as if all seven of the Jewish slave owners in the antebellum South, or however few there were, are responsible for the problems of African-Americans now. Those leaders are no better than their Jewish counterparts who spin statistics in marvelous ways to make African-Americans look like savages, criminals, drags on society, and “animals” (a word quite popular when used to describe blacks these days). I don’t belong to any of those groups. I belong to the world of one God, one people.
”
”
James McBride (The Color of Water)
“
To live through the days sometimes you moan like deer. Sometimes you sigh. The world says stop that. Another sigh. Another stop that. Moaning elicits laughter, sighing upsets. Perhaps each sigh is drawn into existence to pull in, pull under, who knows; truth be told, you could no more control those sighs than that which brings the sighs about.
”
”
Claudia Rankine (Citizen: An American Lyric)
“
Everyone takes his revenge on the world. My revenge consists in bearing my distress and anguish enclosed deeply within me while my laughter entertains everyone. If I see someone suffer I give him my sympathy, console him as best I can, and listen to him calmly when he assures me that I am fortunate. If I can only keep this up until the day I die I shall have had my revenge.
”
”
Søren Kierkegaard (Papers and Journals: A Selection)
“
The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp.
But what of your question? asks Greta. Should we consider asking the men to leave?
None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body.
Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave?
The women break out laughing again.
They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again.
It's not an option, says Agata, at last.
No, the others (finally in complete accord!) agree. Asking the men to leave is not an option.
Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing.
Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs.
Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour.
This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.
”
”
Miriam Toews (Women Talking)
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
Clouds And Waves
Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.
”
”
Rabindranath Tagore
“
And the beasts of the earth and the birds looked down,
In a wild solemnity,
On a stranger sight than a sylph or elf,
On one man laughing at himself
Under the greenwood tree-
The giant laughter of Christian men
That roars through a thousand tales,
Where greed is an ape and pride is an ass,
And Jack's away with his master's lass,
And the miser is banged with all his brass,
The farmer with all his flails;
Tales that tumble and tales that trick,
Yet end not all in scorning-
Of kings and clowns in a merry plight,
And the clock gone wrong and the world gone right,
That the mummers sing upon Christmas night
And Christmas day in the morning.
”
”
G.K. Chesterton (The Ballad of the White Horse)
“
But my parents understood that the world that they made within the walls of our house was what constituted home. So I grew up in spaces framed by art and color, filled with candlelight, marked by beauty. I grew up within a rhythm of time made sacred by family devotions in the morning and long conversations in the evening. I grew up with the sense of our daily life as a feast and delight; a soup-and-bread dinner by the fire, Celtic music lilting in the shadows, and the laughter of my siblings gave me a sense of the blessedness of love, of God's life made tangible in the food and touch and air of our home.
It was a fight for my parents, I know. Every day was a battle to bring order to mess, peace to stressful situations, beauty to the chaos wrought by four young children. But that's the reality of incarnation as it invades a fallen world....What my parents-bless them-knew...is that to make a home right in the midst of the fallen world is to craft out a space of human flesh and existence in which eternity rises up in time, in which the kingdom comes, in which we may taste and see the goodness of God.
”
”
Sally Clarkson (The Lifegiving Home: Creating a Place of Belonging and Becoming)
“
First of all I express sincerity. There's also that sense of humor, by which people sometimes learn to laugh about themselves. I mean, the situation is so serious that the people could go crazy because of it. They need to smile and realize how ridiculous everything is. A race without a sense of humor is in bad shape. A race needs clowns. In earlier days people knew that. Kings always had a court jester around. In that way he was always reminded how ridiculous things are. I believe that nations too should have jesters, in the congress, near the president, everywhere.....You could call me the jester of the Creator. The whole world, all the disease and misery, it's all ridiculous.
”
”
Sun Ra
“
I remembered all the Christmases we’d celebrated, always with a huge tree, situated next to the staircase where I now sat. As a child, I’d sat upon that same step, huddled up against the balus- ters, studying the tree, its shape and decorations; enthralled by the magical light and shadows upon the walls around me. Dancing. Over Christmas the only light in the hallway had come from the silver candelabra burning on the hallway table. But on Christmas Eve and Christmas Day night small candles were attached to the branches of the tree, their soft light reflected in the vast chande- lier suspended high above and thrown back across the walls like stars across the universe. I remembered the smell, that mingling of pine and wax and burning logs: the smell of home, the smell of happiness. I’d sat there in my nightgown, listening to the chime of crystal; the laughter, music and voices emanating from another room, an adult world I could only imagine. And always hoping for a glimpse of Mama, as she whooshed across the marble floor, beautiful, resplendent . . . invincible.
”
”
Judith Kinghorn (The Last Summer)
“
Every time i see a butterfly, it reminds me of how precious life can truly be. To be able to turn from a caterpillar into a beautiful butterfly and fly away so freely and gracefully wherever she may please, without no one in the world to tell her what to do. I wait for that special moment in time when I get to live freely, without no worries, pain or tears. I just want to be happy. I want the laughter in the air without all of the pain. One special day I’ll get to live my life just like that beautiful butterfly. I will no longer feel blue inside.
”
”
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed - A Memoir of the Cleveland Kidnappings)
“
It's a long trek, and James is admittedly lost in his own little world, so he's not really paying attention when heading to his porch. That's why a yelp tumbles out of his mouth as he reaches for the door and, instead, feels a cold clump of snow collide directly into the back of his head.
Immediately, from behind him, there's a roar of laughter James would know in his sleep, all belonging to his children. He swivels on the spot, swiping the snow out of his hair, and Regulus stands there with a smug little smile as he wipes his snow-dusted gloves together, surrounded by their kids that, apparently, find this to be absolutely hilarious.
"You walked by like we weren't even here," Regulus calls out, eyebrows raised. "Don't ignore us."
James just stares at him for a long moment, his breath caught in his chest, knowing the same thing he's known since the day Regulus turned fifteen—that he's absolutely, unequivocally beautiful. Helplessly, James breaks out into a grin, and he makes his way back to them, because apparently it's the perfect day to build a snowman.
Well, James can't argue that one.
”
”
Zeppazariel (Crimson Rivers)
“
Towards the end of the Second World War, when I was sixteen years old, I was taken out of school and forced into the army. After a brief period of training at a base in Wüzburg, I arrived at the front, which by that time had already crossed the Rhine into Germany. There were well over a hundred in my company, all of whom were very young. One evening the company commander sent me with a message to battalion headquarters. I wandered all night long through destroyed, burning villages and farms, and when in the morning I returned to my company I found only the dead, nothing but dead, overrun by a combined bomber and tank assault. I could see only dead and empty faces, where the day before I had shared childhood fears and youthful laughter. I remember nothing but a wordless cry. Thus I see myself to this very day, and behind this memory all my childhood dreams crumble away.
”
”
Johann Baptist Metz (A Passion for God: The Mystical-Political Dimension of Christianity)
“
Before the Dawn
In the darkest night the sun may seem like an extinguished match or an ember drowned by rain.
A light forever lost.
The cold world grows steadily colder and shrinks like the abused, closing in on all sides. Laughter, smiles, the glimmer of dancing eyes, and all else indicative of human brightness is gone. Colors leeched from everything leave shadows and emotion dull-gray in their absence.
Time is a void. A moment feels eternal.
Hope does not blossom in the darkness but withers fast, starving for what only the sun can offer. As its petals turn to dust, fear blows in and sweeps the remnants away. The soul succumbs by degrees to nightmares emboldened by the dead of night.
All is lost! All is lost! The wretched sun, repulsed by our nothingness, has abandoned the lives in its care!
And then the eyes open wide, seeing mountains take shape on the horizon.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
She shook with laughter. “I might have something else in mind now.” Rowan let out a growl, and nipped at her ear, her neck. “Good. I do, too.” “And tomorrow?” she asked breathlessly, and they both paused to look at each other. To smile. “Will you work to rebuild this kingdom, this world, with me tomorrow?” “Tomorrow, and every day after that.” For every day of the thousand blessed years they were granted together. And beyond. Aelin kissed him again and took his hand, guiding him into the castle. Into their home. “To whatever end?” she breathed. Rowan followed her, as he had his entire life, long before they had ever met, before their souls had sparked into existence. “To whatever end, Fireheart.” He glanced sidelong at her. “Can I give you a suggestion for what we should rebuild first?” Aelin smiled, and eternity opened before them, shining and glorious and lovely. “Tell me tomorrow.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I am totally lost in the folds of Love,
totally free of worry and care.
I have passed beyond the four qualities.
My heart has torn away the veil of pretense.
There was a time I circled with the nine spheres, rolling with the stars across the sky.
There was a time I stayed by his side—
I lived in his world
and he gave me everything.
With the best of intentions
I became a prisoner in this form.
How else did I get here?
What crime did I commit?
But I’d rather be in a prison with my Friend
than in a rosegarden all alone.
I came to this world
To have a sight of Joseph’s purity.
Like a baby born of its mother’s womb,
I was brought here with blood and tears.
People think they are born only once
But they have been here so many times.
In the cloak of this ragged body
I have walked countless paths.
How many times I have worn out this cloak!
With ascetics in the desert
I watched night turn into day.
With pagans in the temple
I slept at the foot of idols.
I’ve been a charlatan and a king;
I’ve been a healer, and fraught with disease.
I’ve been on my death-bed so many times. . . . Floating up like the clouds
Pouring down like the rain.
As a darvish I sought the dust of annihilation
but it never touched my robe.
So I gathered armfuls of roses
in this faded garden of existence.
I am not of wind nor fire
nor of the stormy seas.
I am not formed out of painted clay.
I am not even Shams-e Tabriz—
I am the essence of laughter,
I am pure light.
Look again if you see me—
It’s not me you have seen!
”
”
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
“
But you're going to do what the doctor ordered."
"And if I don't?"
He gave her one of those dangerous, heart-stopping grins. "I'm thinking, if I really apply myself,I can probably find several clever ways to keep you in bed all day,Ms. Trainor."
She was laughing as she allowed him to lead her to her bed.But as he lay beside her and drew her into his arms, her laughter faded,replaced by a series of soft,gentle sighs.
"All right.I'll let you persuade me. But only because the doctor ordered it."
Her words were followed by muffled laughter as they found the perfect way to leave the cares of the world behind.
”
”
R.C. Ryan (Montana Destiny)
“
The connection between radical attentiveness, prayer, and joy pervades Jewish mystical thinking in its diverse phases but never so brightly, so every-day-related, and so clearly as in Hasidism. Melancholy is the dust in the soul that Satan spreads out. Worry and dejection are seen to be the roots of every evil force. Melancholy is a wicked quality and displeasing to God, says Martin Buber.
Rabbi Bunam said: "Once when I was on the road near Warsaw, I felt that I had to tell a certain story. But this story was of a worldly nature and I knew that it would only rouse laughter among the many people who had gathered about me. The Evil Urge tried very hard to dissuade me, saying that I would lose all those people because once they heard this story they would no longer consider me a rabbi. But I said to my heart: `Why should you he concerned about the secret ways of God?' And I remembered the words of Rabbi Pinhas of Koretz: 'All joys hail from paradise, and jests too, provided they are uttered in true joy’ And so in my heart of hearts I renounced my rabbi's office and told the story. The gathering burst out laughing. And those who up to this point had been distant from me attached themselves to me." (a quote from Tales of the Hasidim by Martin Buber).
Joy, laughter, and delight are so powerful because, like all mysticism, they abolish conventional divisions, in this case the division between secular and sacred. The often boisterous laughter, especially of women, is part and parcel of the everyday life of mystical movements.
”
”
Dorothee Sölle (The Silent Cry: Mysticism and Resistance)
“
If it is not my portion to meet thee in this life then let me ever feel that I have missed thy sight---let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing---let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
When I sit by the roadside, tired and panting, when I spread my bed low in the dust, let me ever feel that the long journey is still before me---let me not forget a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
When my rooms have been decked out and the flutes sound and the laughter there is loud, let me ever feel that I have not invited thee to my house---let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
”
”
Rabindranath Tagore (Gitanjali)
“
167
It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog.
I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot.
Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop?
Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing?
A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
”
”
Fernando Pessoa (The Book of Disquiet)
“
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child.
When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
”
”
Samantha Harvey (Orbital)
“
Leslie Marmon Silko whispers the story is long. No, longer. Longer than that even. Longer than anything. With Anne Sexton and Sylvia Plath drink at the bar. Laugh the dark laughter in the dark light. Sing a dark drunken song of men. Make a slurry toast. Rock back and forth, and drink the dark, and bask in the wallow of women knowing what women know. Just for a night. When you need to feel the ground of your life and the heart of the world, there will be a bonfire at the edge of a canyon under a night sky where Joy Harjo will sing your bonesong. Go ahead-with Anne Carson - rebuild the wreckage of a life a word at a time, ignoring grammar and the forms that keep culture humming. Make word war and have it out and settle it, scattering old meanings like hacked to pieces paper doll confetti. The lines that are left … they are awake and growling. With Virginia Woolf there will perhaps be a long walk in a garden or along a shore, perhaps a walk that will last all day. She will put her arm in yours and gaze out. At your backs will be history. In front of you, just the ordinary day, which is of course your entire life. Like language. The small backs of words. Stretching out horizonless. I am in a midnight blue room. A writing room. With a blood red desk. A room with rituals and sanctuaries. I made it for myself. It took me years. I reach down below my desk and pull up a bottle of scotch. Balvenie. 30 year. I pour myself an amber shot. I drink. Warm lips, throat. I close my eyes. I am not Virginia Woolf. But there is a line of hers that keeps me well: Arrange whatever pieces come your way. I am not alone. Whatever else there was or is, writing is with me.
”
”
Lidia Yuknavitch (The Chronology of Water)
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Another example of how the sense of the self has been disintegrating in our day can be seen when we consider humor and laughter. It is not generally realized how closely one’s sense of humor is connected with one’s sense of selfhood. Humor normally should have the function of preserving the sense of self. It is an expression of our uniquely human capacity to experience ourselves as subjects who are not swallowed up in the objective situation. It is the healthy way of feeling a “distance” between one’s self and the problem, a way of standing off and looking at one’s problem with perspective. One cannot laugh when in an anxiety panic, for then one is swallowed up, one has lost the distinction between himself as subject and the objective world around him.
”
”
Rollo May (Man's Search for Himself)
“
Mad Lib Elegy"
There are starving children left on your plate.
There are injuries without brains.
Migrant workers spend 23 hours a day
removing tiny seeds from mixtures
they cannot afford to smoke
and cannot afford not to smoke.
Entire nations are ignorant of the basic facts
of hair removal and therefore resent
our efforts to depilate unsightly problem areas.
Imprisonment increases life expectancy.
Finish your children. Adopt an injury.
‘I'm going to my car. When I get back,
I'm shooting everybody.'
[line omitted in memory of_______]
70% of pound animals will be euthanized.
94% of pound animals would be euthanized
if given the choice. The mind may be trained
to relieve itself on paper. A pill
for your safety, a pill for her pleasure.
Neighbors are bothered by loud laughter
but not by loud weeping.
Massively multiplayer zombie-infection web-games
are all the rage among lifers.
The world is a rare case of selective asymmetry.
The capitol is redolent of burnt monk.
‘I'm going to my car. When I get back
I'm shooting everybody.'
[line omitted in memory of _______]
There are two kinds of people in the world:
those that condemn parking lots as monstrosities,
‘the ruines of a broken World,' and those
that respond to their majesty emotionally.
70% of the planet is covered in parking lots.
94% of a man's body is parking lot.
Particles of parking lot have been discovered
in the permanent shadows of the moon.
There is terror in sublimity.
If Americans experience sublimity
the terrorists have won.
‘I'm going to my car. When I get back
I'm shooting everybody.'
[line omitted in memory of _______]
”
”
Ben Lerner
“
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
In every step, in every breath of yours, you’ll feel me…
I am in every sight you see, in every voice you hear…
Your ears will be filled with my whispers, my laughter and my cries…
My fights and tantrums will never leave you…
My footsteps, my shadow, will haunt you in every corner you go…
I will be your mornings, your days and nights…
I am the breeze that wraps your body in the morning…
I am the moonlight that bathes your body at night…
I am the fire that will burn you. I am the storm that you cannot handle…
I am the rain that will wash away the dust from your soul…
I am in your reflection. I am your shadow…
Your heart whispers my name in every beat…
Every word you say, echoes my name…
I am the secret you want to hide, but the secret that the world knows…
I am your dream…
I am your nightmare…
I am your darkest sin...
I am you…
”
”
Ama H. Vanniarachchy
“
Thanks for getting me out of there,” I murmur, lacing my fingers around my knees, and looking up at him on his step.
“Yeah. You looked a little green. “
“I don’t handle crowds too well. I’ve always been that way, I guess.”
“You might get in trouble,” he warns, staring at me in that strange, hungry way that unravels me. He strokes his bottom lip with a finger. For a flash of a second, his eyes look strange. Different. All glowing irises and thin dark pupils. Almost drake-like. I blink to clear my vision. His eyes are normal again. Just my imagination in overdrive. I’m probably projecting missing home and Az—everything--onto him. “Pep rallies are mandatory,” he continues. “A lot of people saw you leave. Teachers included.”
“They saw you leave, too,” I point out.
He leans to the side, propping an elbow on one of the steps behind him. “I’m not worried about that. I’ve been in trouble before.” He smiles a crooked grin and holds up crossed fingers. “The principal and I are like this. The guy loves me. Really.”
Laughter spills from me, rusty and hoarse.
His grin makes me feel good. Free. Like I’m not running from anything. Like I could stay here in this world, if only I have him.
The thought unsettles me. Sinks heavily in my chest. Because I can’t have him. Not really. All he can ever be for me is a temporary fix.
“But you’re worried I’ll get in trouble?” I try not to show how much this pleases me. I’ve managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. “Why do you care? I’ve ignored you for days.”
His smile fades. He looks serious, mockingly so. “Yeah. You got to stop that.”
I swallow back a laugh. “I can’t.”
“Why?” There’s no humor in his eyes now, no mockery. “You like me. You want to be with me.”
“I never said—”
“You didn’t have to.”
I inhale sharply. “Don’t do this.”
He looks at me so fiercely, so intently. Angry again. “I don’t have friends. Do you see me hang with anyone besides my jerk cousins? That’s for a reason. I keep people away on purpose,” he growls. “But then you came along . . .”
I frown and shake my head.
His expression softens then , pulls at some part of me. His gaze travels my face, warming the core of me. “Whoever you are, Jacinda, you’re someone I have to let in.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
The Garden of Proserpine"
Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
”
”
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
“
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember:
"The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..."
I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination.
When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me.
A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible.
After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare.
Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
”
”
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
“
He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness.
Lazily soaping himself, he gave examples.
When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity.
He slid down in the warm, foamy water until just his face and his knobby white knees were exposed.
Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.
”
”
Edward Lewis Wallant (The Tenants of Moonbloom)
“
Every day the material world mistreats me. My sensibility is like a flame in the wind. I walk down the street and I see in the faces of the passers-by, not their real expressions, but the expressions they would wear if they knew about my life and how I am, if the ridiculous, timid abnormality of my soul were made transparent in my gestures and in my face. In the eyes that avoid mine I suspect a mockery I find only natural, aimed at the inelegant exception I represent in a world that takes pleasure in things and in activity and, in the depths of these passing physiognomies, I imagine and interpose an awareness of the timid nature of my life that sparks off guffaws of laughter. After thinking this, I try in vain to convince myself that I alone am the source of this idea of other people's mockery and mild opprobrium. But once objectified in others, I can no longer reclaim the image of myself as a figure of fun. I feel myself grow suddenly vague and hesitant in a hothouse rife with ridicule and animosity. From the depths of their soul, everyone points a finger at me. Everyone who passes stones me with merry insolence. I walk amongst enemy ghosts that my sick imagination has conjured up and planted inside real people. Everything jabs and jeers at me. And sometimes, in the middle of the road - unobserved, after all - I stop and hesitate, seeking a sudden new dimension, a door onto the interior of space, onto the other side of space, where without delay I might flee my awareness of other people, my too objective intuition of the reality of other people's living souls.
”
”
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
“
Telling you all this, Camilo, the stab of pain that sliced through my chest that day comes back in full force; it’s a recurring pain that ambushes me out of nowhere. There can’t be a pain worse than that one, so great it has no name. I know, I know, who am I to complain? My daughter’s death wasn’t a punishment. I’m just a statistic, this is the oldest and most common suffering in human history. Before, no one even expected children to survive, so many died in childhood, and it’s still that way in a large part of the world, but that does nothing to lessen the horror when you’re the mother. I felt like I’d been emptied out from the inside, I was a bloody cavity, I couldn’t breathe, my bones were made of wax, my soul had taken flight. And the world still turned as if nothing had happened: I stand up, take one step then another, find my voice and respond, I haven’t lost my mind, I drink water, my mouth full of sand, my eyes burning, and my little girl stiff, frozen, sculpted in alabaster—my daughter who will never again call me Mom, who left a tremendous imprint in her passage through my life, the memory of her laughter, her grace, her rebelliousness, her suffering.
”
”
Isabel Allende (Violeta)
“
The Pretender"
I'm going to rent myself a house
In the shade of the freeway
I'm going to pack my lunch in the morning
And go to work each day
And when the evening rolls around
I'll go on home and lay my body down
And when the morning light comes streaming in
I'll get up and do it again
Amen
Say it again
Amen
I want to know what became of the changes
We waited for love to bring
Were they only the fitful dreams
Of some greater awakening
I've been aware of the time going by
They say in the end it's the wink of an eye
And when the morning light comes streaming in
You'll get up and do it again
Amen
Caught between the longing for love
And the struggle for the legal tender
Where the sirens sing and the church bells ring
And the junk man pounds his fender
Where the veterans dream of the fight
Fast asleep at the traffic light
And the children solemnly wait
For the ice cream vendor
Out into the cool of the evening
Strolls the Pretender
He knows that all his hopes and dreams
Begin and end there
Ah the laughter of the lovers
As they run through the night
Leaving nothing for the others
But to choose off and fight
And tear at the world with all their might
While the ships bearing their dreams
Sail out of sight
I'm going to find myself a girl
Who can show me what laughter means
And we'll fill in the missing colors
In each other's paint-by-number dreams
And then we'll put our dark glasses on
And we'll make love until our strength is gone
And when the morning light comes streaming in
We'll get up and do it again
Get it up again
I'm going to be a happy idiot
And struggle for the legal tender
Where the ads take aim and lay their claim
To the heart and the soul of the spender
And believe in whatever may lie
In those things that money can buy
Though true love could have been a contender
Are you there?
Say a prayer for the Pretender
Who started out so young and strong
Only to surrender
Jackson Browne, The Pretender (1976)
”
”
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords (Jackson Browne Classic Songbook Collection))
“
I wondered how I would come to love a woman, and with both pleasure and terror, I would think that somewhere in the world there was some laughing, singing girl who would one day become my wife. In my mind, I could see her dancing and playing and flirting in preparation for that day of awe and wonder when we would meet and in mutual ecstasy declare, “I shall live with you forever.” How much of my father would I bring to that singing girl’s life? How much of my mother? And how many days would it take before I, Tom Wingo, child of storm, would silence her laughter and song for all time? How long would it take for me to end the dance of that laughing girl who would not know the doubts and imperfections I brought to the task of loving a woman? I loved the image of this girl long before I ever met her and wanted to warn her to beware the day when I would come into her life. Somewhere in America she was waiting out her childhood innocent of her destiny. She did not know that she was on a collision course with a boy so damaged and bewildered he would spend his whole life trying to figure out how love was supposed to feel, how it manifested itself between two people, and how it could be practiced without rage and sorrow and blood. I was thirteen years old when I decided that this wonderful girl deserved much better and I would warn her long before I interfered with her lovely passage and transfiguring dance.
”
”
Pat Conroy (The Prince of Tides)
“
But when Aragorn arose all that beheld him gazed in silence, for it seemed to
them that he was revealed to them now for the first time. Tall as the sea-kings of old, he
stood above all that were near; ancient of days he seemed and yet in the flower of
manhood; and wisdom sat upon his brow, and strength and healing were in his hands,
and a light was about him. And then Faramir cried:
'Behold the King!'
And in that moment all the trumpets were blown, and the King Elessar went
forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music
of harp and of viol and of flute and the singing of clear voices the King passed through
the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar
began, of which many songs have told.
In his time the City was made more fair than it had ever been, even in the days of
its first glory; and it was filled with trees and with fountains, and its gates were
wrought of mithril and steel, and its streets were paved with white marble; and the Folk
of the Mountain laboured in it, and the Folk of the Wood rejoiced to come there; and all
was healed and made good, and the houses were filled with men and women and the
laughter of children, and no window was blind nor any courtyard empty; and after the
ending of the Third Age of the world into the new age it preserved the memory and the
glory of the years that were gone.
”
”
J.R.R. Tolkien
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
The Major's laughter boomed out again.
"And I never kept a diary in my life!" he cried. "Why there's enough cream in this situation to make a dishful of meringues. You and I, you know, the students of Tilling! The serious-minded students who do a hard day's work when all the pretty ladies have gone to bed. Often and often has old--I mean has that fine woman, Miss Mapp, told me that I work too hard at night! Recommended me to get earlier to bed, and do my work between six and eight in the morning! Six and eight in the morning! That's a queer time of day to recommend an old campaigner to be awake at! Often she's talked to you, too, I bet my hat, about sitting up late and exhausting the nervous faculties."
Major Flint choked and laughed and inhaled tobacco smoke till he got purple in the face.
"And you sitting up one side of the street," he gasped, "pretending to be interested in Roman roads, and me on the other pulling a long face over my diaries, and neither of us with a Roman road or a diary to our names. Let's have an end to such unsociable arrangements, old friend; you lining your Roman roads and the bottle to lay the dust over to me one night, and I'll bring my diaries and my peg over to you the next. Never drink alone--one of my maxims in life--if you can find someone to drink with you. And there were you within a few yards of me all the time sitting by your old solitary self, and there was I sitting by my old solitary self, and we each thought the other a serious-minded old buffer, busy on his life-work. I'm blessed if I ever heard of two such pompous old frauds as you and I, Captain! What a sight of hypocrisy there is in the world, to be sure! No offence--mind: I'm as bad as you, and you're as bad as me, and we're both as bad as each other. But no more solitary confinement of an evening for Benjamin Flint, as long as you're agreeable.
”
”
E.F. Benson (Miss Mapp (Lucia, #2))
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands.
“Woohoo! All right!” the person shouted. “Yes!”
It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still.
The kiss had sealed the deal in so many ways.
I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind.
We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The
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Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
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Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one.
And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division.
Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded.
But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us?
We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright.
So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
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Amanda Gorman
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XVIII TO HIS LADY Beloved beauty who inspires love from afar, your face concealed except when your celestial image stirs my heart in sleep, or in the fields 5 where light and nature’s laughter shine more lovely; was it maybe you who blessed the innocent age called golden, and do you now, blithe spirit, 10 soar among men? Or does the miser, fate, who hides you from us save you for the future? No hope of seeing you alive remains for me now, except when, naked and alone, 15 my soul will go down a new street to an unfamiliar home. Already, at the dawning of my dark, uncertain day, I imagined you a fellow traveler on this parched ground. But no thing on earth 20 compares with you; and if someone who had a face like yours resembled you in word and deed, still she would be less lovely. In spite of all the suffering that fate assigned to human life, 25 if there was anyone on earth who truly loved you as my thought portrays you, this life for him would be a joy. And I see clearly how your love would still inspire me to seek praise and virtue, 30 the way I used to in my early years. Though heaven gave no comfort for our suffering, still mortal life with you would be like what in heaven becomes divinity. In the valleys, where you hear 35 the weary farmer singing and I sit and mourn my youth’s illusions leaving me; and on the hills where I turn back and lament my lost desires, 40 my life’s lost hope, I think of you and start to shake. In this sad age and sickly atmosphere, I try to keep your noble look in mind; without the real thing, I enjoy the image. 45 Whether you are the one and only eternal idea that eternal wisdom disdains to see arrayed in sensible form, to know the pains of mournful life in transitory dress; 50 or if in the supernal spheres another earth from among unnumbered worlds receives you, and a near star lovelier than the Sun warms you and you breathe benigner ether, from here, where years are both ill-starred and brief, 55 accept this hymn from your unnoticed lover.
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Giacomo Leopardi (Canti: Poems / A Bilingual Edition (Italian Edition))