And Then She Disappeared Quotes

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She glared at me like she was about to punch me, but then she did something that surprised me even more. She kissed me. "Be careful seaweed brain." She said putting on her invisible cap and disappearing. I probably would have sat there all day, trying to remember my name, but then the sea demons came.
Rick Riordan
Want,’ she told her, in a measured tone, ‘is an interesting word. It means lack. Sometimes if we fill that lack with something else the original want disappears entirely.
Matt Haig (The Midnight Library (The Midnight World, #1))
She peeped through one of the small holes in the outer wall rising up from the walkway. The world on the outside was nothing but countryside now. Dirt roads, like chocolate ribbons, disappeared into woods or green fields in the distance.
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you." He closed his eyes and pressed his head back into his pillow. "I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?" He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears.
Rainbow Rowell (Eleanor & Park)
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky." "She's drunk," Joe Bell informed me. "Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
I did the searching and remembering, she did the disappearing and the forgetting.
Ann Brashares (My Name Is Memory)
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!" Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK! She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again. "Don’t you dare call Hagrid pathetic you foul—you evil—" "Hermione!" said Ron weakly and he tried to grab her hand as she swung it back. "Get off Ron!" Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered. "C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons. "Hermione!" Ron said again, sounding both stunned and impressed.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Wolf, are you asking me to be ... your alpha female?" He hesitated. Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this." Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere." His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers. "Alpha female," he murmured. "I sort of like that." Beaming, Scarlet gave a mild shrug. "It could grow on me.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Do you still distrust me?” “No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
Max Nowaz (The Arbitrator)
All of us are lonely at some point or another, no matter how any people surround us. And then, we meet someone who seems to understand. She smiles, and for a moment the loneliness disappears.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
Precipitate as weather, she appeared from somewhere, then evaporated, leaving only memory.
Haruki Murakami (Dance Dance Dance)
How it's so easy for her to not feel anything at all, to be just completely gone, to not be around to see how fucked up she's made me. She got to disappear completely and I feel like I'm about to combust.
Nina LaCour (Hold Still)
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
David Benioff (City of Thieves)
I'm homesick all the time," she said, still not looking at him "I just don't know where home is. There's this promise of happiness out there. I know it. I even feel it sometimes. But it's like chasing the moon - just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.
Sarah Addison Allen (The Girl Who Chased the Moon)
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word. He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free. His hand was shaking as he held it out. "It's messy." Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.   "Maybe you can't read it," he said in a small voice. "I can do it over."   She shook her head. "I can read it just fine. It's… beautiful." "I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
She thought about him all the time - not so much about Doug the individual, but rather about the nature of love, and the shock of learning how quickly it could disappear.
J. Courtney Sullivan (Commencement)
She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn't as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Once upon a time, a prince fell madly in love with a demon from the Underworld. When she disappeared back into the sea, he ached so much for her that he walked into the ocean and never returned. —Kenettran Folk Tales, various authors
Marie Lu (The Young Elites (The Young Elites, #1))
She'd disappeared like a broken star, leaving the world untouched, save for the bits of missing light that no one would ever see again.
Stephanie Garber (Caraval (Caraval, #1))
Maybe Liz was right and she'd wanted someplace safe. Maybe Mr. Solomon really did understand that running was the only way Macey would find out if we'd run after her. Or maybe, like me, she just wanted to disappear for a little while
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
She was disappearing a little more each day, so thin, so frail, a wisp of smoke. One day she would surely vanish altogether, and there was no way to stop her.
Alice Hoffman (Green Heart (Green Angel, #1-2))
Some women get erased a little at a time, some all at once. Some reappear. Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt.
Rebecca Solnit (Men Explain Things to Me)
each man must realize that it can all disappear very quickly: the cat, the woman, the job, the front tire, the bed, the walls, the room; all our necessities including love, rest on foundations of sand — and any given cause, no matter how unrelated: the death of a boy in Hong Kong or a blizzard in Omaha . . . can serve as your undoing. all your chinaware crashing to the kitchen floor, your girl will enter and you'll be standing, drunk, in the center of it and she'll ask: my god, what's the matter? and you'll answer: I don't know, I don't know . . . — PULL A STRING, A PUPPET MOVES . . .
Charles Bukowski (Burning in Water, Drowning in Flame)
She would disappear folded like origami into her own dreams
Lauren Beukes (The Shining Girls)
Even with everything broken and decided inside her she couldn't quite allow herself to disappear for good.
John Green (Paper Towns)
Instead of disappearing, she makes me feel reappeared. Reimagined. Her touch shapes me, draws out the boldness that had been hiding in my core.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
How can I describe Peter's face, the pieces of him that stick to my heart? Peter sometimes looked aloof and distant; sometimes his face was open and soft as a bruise. Sometimes he looked completely at Tiger Lily, as if she were the point on which all the universe revolved, as if she were the biggest mystery of life, or as if she were a flame and he couldn't not look even though he was scared. And sometimes it would all disappear into carelessness, confidence, amusement, as if he didn't need anyone or anything on this earth to feel happy and alive.
Jodi Lynn Anderson (Tiger Lily)
Amor" So many days, oh so many days seeing you so tangible and so close, how do I pay, with what do I pay? The bloodthirsty spring has awakened in the woods. The foxes start from their earths, the serpents drink the dew, and I go with you in the leaves between the pines and the silence, asking myself how and when I will have to pay for my luck. Of everything I have seen, it's you I want to go on seeing: of everything I've touched, it's your flesh I want to go on touching. I love your orange laughter. I am moved by the sight of you sleeping. What am I to do, love, loved one? I don't know how others love or how people loved in the past. I live, watching you, loving you. Being in love is my nature. You please me more each afternoon. Where is she? I keep on asking if your eyes disappear. How long she's taking! I think, and I'm hurt. I feel poor, foolish and sad, and you arrive and you are lightning glancing off the peach trees. That's why I love you and yet not why. There are so many reasons, and yet so few, for love has to be so, involving and general, particular and terrifying, joyful and grieving, flowering like the stars, and measureless as a kiss. That's why I love you and yet not why. There are so many reasons, and yet so few, for love has to be so, involving and general, particular and terrifying, joyful and grieving, flowering like the stars, and measureless as a kiss.
Pablo Neruda (Intimacies: Poems of Love)
Tiger Lily went back into the house, from which she kept watch of the ocean. She held her arms around her stomach and stayed awake. She didn't want him to catch her sleeping. Peter did not come that night, or the next day, and she stayed awake. She did not believe he could have really gone, because for her, to leave the person you loved was impossible. For three days, she kept on studying the horizon, even speaking to it, as if a ship that had already disappeared could hear her. "Choose me." And Peter did choose. But he chose something else.
Jodi Lynn Anderson (Tiger Lily)
I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service." He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep. Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?" Thanks, Apollo," I said. "I'll, um, let you handle the poetry.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
She liked to disappear, even when she was in the same room as other people. It was a talent, as it was a curse.
Alice Hoffman (The Red Garden)
We weren’t born distrusting and fearing ourselves. That was part of our taming. We were taught to believe that who we are in our natural state is bad and dangerous. They convinced us to be afraid of ourselves. So we do not honor our own bodies, curiosity, hunger, judgment, experience, or ambition. Instead, we lock away our true selves. Women who are best at this disappearing act earn the highest praise: She is so selfless. Can you imagine? The epitome of womanhood is to lose one’s self completely. That is the end goal of every patriarchal culture. Because a very effective way to control women is to convince women to control themselves.
Glennon Doyle (Untamed)
Mothers have martyred themselves in their children’s names since the beginning of time. We have lived as if she who disappears the most, loves the most. We have been conditioned to prove our love by slowly ceasing to exist. What a terrible burden for children to bear—to know that they are the reason their mother stopped living. What a terrible burden for our daughters to bear—to know that if they choose to become mothers, this will be their fate, too. Because if we show them that being a martyr is the highest form of love, that is what they will become. They will feel obligated to love as well as their mothers loved, after all. They will believe they have permission to live only as fully as their mothers allowed themselves to live. If we keep passing down the legacy of martyrdom to our daughters, with whom does it end? Which woman ever gets to live? And when does the death sentence begin? At the wedding altar? In the delivery room? Whose delivery room—our children’s or our own? When we call martyrdom love we teach our children that when love begins, life ends. This is why Jung suggested: There is no greater burden on a child than the unlived life of a parent.
Glennon Doyle (Untamed)
I felt tired for the first time, and I thought of us lying down on some grassy patch of SeaWorld together, me on my back and she on her side with her arm draped against me, her head on my shoulder, facing me. Not doing anything—just lying there together beneath the sky, the night here so well lit that it drowns out the stars. And maybe I could feel her breathe against my neck, and maybe we could just stay there until morning and then the people would walk past us as they came into the park, and they would see us and think that we were tourists, too, and we could just disappear into them.
John Green (Paper Towns)
All men fear death. It’s a natural fear that consumes us all. We fear death because we feel that we haven’t loved well enough or loved at all, which ultimately are one and the same. However, when you make love with a truly great woman, one that deserves the utmost respect in this world and one that makes you feel truly powerful, that fear of death completely disappears. Because when you are sharing your body and heart with a great woman the world fades away. You two are the only ones in the entire universe. You conquer what most lesser men have never conquered before, you have conquered a great woman’s heart, the most vulnerable thing she can offer to another. Death no longer lingers in the mind. Fear no longer clouds your heart. Only passion for living, and for loving, become your sole reality. This is no easy task for it takes insurmountable courage. But remember this, for that moment when you are making love with a woman of true greatness you will feel immortal. I believe that love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.
Woody Allen
You can't go." "Give me a reason why I shouldn't." "Because I'll miss you, damn it!" she hissed, splaying her arms. "Because what's the point in anything if you just disappear forever?" "The point in what, Celaena?" How could he be so calm when she was so frantic? "The point in Skull's Bay, and the point in getting me that music, and the point in... the point in telling Arobynn that you'd forgive him if he never hurt me again." "You said you didn't care what I thought. Or what I did. Or if I died, if I'm not mistaken." "I lied! And you know I lied you stupid bastard!
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
He touched her face, gently, with the back of his hand. 'you disappear so completely into your head sometimes.' he said. 'i wish i could follow you.' you do, she wanted to say, you live in my head all the time
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
How seven days had passed since she had disappeared from existence. That it would take the eyes of the gods to find her. Or the heart of the Lumateran exile.
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
I said, “I just want to know you and then disappear.” She said, “Knowing me does not mean dying.
Jalal ad-Din Muhammad ar-Rumi
What had happened still seemed implausible. A person was present your entire life, and then one day she disappeared and never came back. It resisted belief.
Meghan O'Rourke
You disappear so completely into your head sometimes," he said. "I wish I could follow you." You do, she wanted to say. You live in my head all the time.
Cassandra Clare
He cut her off with brutal precision. "And one last thing." His eyes flicked toward the door, through which Jace, Alec, and Isabelle had disappeared. "Keep in mind that when your mother fled from the Shadow World, it wasn't the monsters she was hiding from. Not the warlocks, the wolf-men, the Fair Folk, not even the demons themselves. It was them. It was the Shadowhunters.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Her hair was strawberry blond, and she had the shape of a popsicle stick: turn her sideways and she practically disappeared.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Disappear, she says. I love that word.
Will Christopher Baer (Kiss Me, Judas)
I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
Edvard Munch
And why is Heather wearing pink? Come on, people." Heather rolled her eyes and disappeared back inside the tent, reappearing a minute later with a dark gray T-shirt on. "Better?" She cocked her head at tristan. "Yes. You've just extended your life by at least an hour.
Chelsea Fine (Avow (The Archers of Avalon, #3))
She had the right idea, old man, don't you think - to disappear before it gets too late?
Patrick Modiano (Rue des boutiques obscures)
It seemed to cast a spell on her as all her earlier despair disappeared and as she went back inside she was filled with hope.
Anne Allen (The Ghost of Seagull Cottage: Inspired by The Ghost and Mrs Muir (The Guernsey Novels Book 9))
My skin will never work like that again, so aware of the other person that I'm unsure where she ends and I begin. Never again. Never again will my skin be a thing that can so perfectly communicate; in losing my skin to the fire, I also lost the opportunity to make it disappear with another person.
Andrew Davidson (The Gargoyle)
At the kitchen table she examined the glass of ice. Each cube was rounded by room temperature, dissolving in its own remains, and belatedly she understood that this was how a loved one disappeared. Despite the shock wave of walking into an empty flat, the absence isn’t immediate, more a fade from the present tense you shared, a melting into the mast, not an erasure but a conversion in form, from presence to memory, from solid to liquid, and the person you once touched runs over your skin, now in sheets down your back, and you may bathe, may sink, may drown in the memory, but your fingers cannot hold it.
Anthony Marra (A Constellation of Vital Phenomena)
If you do not intend to help us," she said, "then leave this house. Dawn is coming." "I am not a vampire." Magnus said. "I shall not disappear with the light" "You will if I kill you before the sun comes up.
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
She meant something different: she wanted to vanish; she wanted every one of her cells to disappear, nothing of her ever to be found. And since I know her well, or at least I think I know her, I take it for granted that she has found a way to disappear, to leave not so much as a hair anywhere in this world.
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Let's face it, she can't have simply disappeared...can she?" Horace shrugged. "That's what I keep telling myself," he said morosley. "But somehow it looks as if she has.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
For the next couple of weeks she held Peter like a secret in her heart, lying right under her necklace. I could see him written on her face, and Tik Tok, too, seemed to catch shadows of him, because he'd stop to stare at her, puzzled, as if he'd just seen the boy flit across her eyes-seen the ghost of the kiss lingering for a second on the skin of her neck before disappearing.
Jodi Lynn Anderson (Tiger Lily)
One day, I lost sight of her. I happened to glance away for a moment, and when I turned back, she had disappeared.
Haruki Murakami (Men Without Women)
Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.” Merripen, attentive as always to his wife, gave her a frowning glance. “Now?” "Yes, now.” "Can’t it wait?” "No,” Win said equably. At his continued hesitation, she said, “I’m expecting.” Merripen blinked. “Expecting what?” "A baby.” They all watched as Merripen’s face turned ashen. “But how ...” he asked dazedly, nearly staggering as he headed to Win. "How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?” "It’s not a ploy,” Win said cheerfully. Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house. "I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Run and run and disappear into the mountains and live in solitude in the dark green of the wild, with a pine needle carpet and a blanket of stars overhead. She could do it.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
The girl looked up to the ceiling and just before she disappeared completely she spoke one last time. ‘They made him eat more flesh,’ she said. ‘Not dead flesh this time. They made him eat the flesh from something that was still alive. He ate flesh from the creature who wept at night.
Frank Lambert (Xyz)
Tell her I'm sorry I sold the diamond, eh?" Sammy said. "I broke my promise. When she disappeared in Alaska... ah, so long ago, I finally used that diamond, moved to Texas as I always dreamed. I started my machine shop. Started my family! It was a good life, but Haze; was right. The diamond came with a curse. I never saw her again." "Oh, Sammy," Hazel said. "No, a curse didn't keep me away. I wanted to come back. I died!" The old man didn't seem to hear. He smiled down at the baby, and kissed him on the head. "I give you my blessing, Leo. First male great-grandchild! I have a feeling you are special, like Hazel was. You are more than a regular baby, eh? You will carry on for me. You will see her someday. Tell her hello for me.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
I watched her walk away, first thinking: good riddance – who needs this abuse? And then after a minute thinking: she never really understood me anyway. Which rapidly changed to: I never understood her at all. And before long I was watching her small back disappear and thinking: there goes the only person who ever gave a damn about me.
Ellen Wittlinger (Hard Love)
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two" She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam. Celaena grabbed Sam's elbow. "Enough," she warned him. The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind. Celaena whirled to face Sam. "What in hell was that for?" "You're drunk," he told her, so close her chest brushed his, "And he knew it, too." "So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground. "You'll thank me in the morning." "Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist. "Let me take you home.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Emilio appeared with wine before Cal could say anything, and Min beamed at him, grateful for the rescue. "Emilio, my darling. I forgot to mention cake boxes. Two hundred cake boxes." "Already on it," Emilio said. "Nonna said you'd need them. She said to get four-inch-square boxes for three-inch-square cakes." "I'm getting the boxes," Min said, nodding. "Sure. Great. Fine. Your grandmother is an angel and you are my hero. And of course, a genius with food." "And you are my favorite customer." Emilio kissed her cheek and disappeared back into the kitchen. "I love him," she told Cal. "I noticed," Cal said. "Been seeing him behind my back, have you?" "Yes," Min said. "We've been having conversations about cake." "Whoa," Cal said. "For you, that's talking dirty.
Jennifer Crusie (Bet Me)
He cocked his head in an overly dramatic fashion. "Hey, I just got it: it was you, wasn't it?" He looked at Lissa, the back at me. "She got you to kill the fox, didn't she?Some weird kind of lesbian voo—ahhh!” Ralf burst into flames. I jumped up and pushed Lissa out of the way—not easy to do, since we were sitting at our desks. We both ended up on the floor as screams—Ralf's in particular—filled the classroom and Ms. Meissner sprinted for the fire extinguisher. And then, just like that, the flames disappeared. Ralf was still screaming and patting himself down, but he didn't have a single singe mark on him. The only indication of what had happened was the lingering smell of smoke in the air. For several seconds, the entire classroom froze. Then, slowly, everyone put the pieces together. Moroi magical specializations were well known, and after scanning the room, I deduced three fire users: Ralf, his friend Jacob, and— Christian Ozera. Since neither Jacob nor Ralf would have set Ralf on fire, it sort of made the culprit obvious. The fact that Christian was laughing hysterically sort of gave it away too.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
I know what you’re thinking. How can a whole person, a kid, disappear and no one say a word? Like if the sun just up and left one day, you’d think someone would sound an alarm, right? But Ma used to say, not everyone circles the same sun. I never knew what she meant by that until Monday went missing.
Tiffany D. Jackson (Monday's Not Coming)
I love you," Amir told her. Samirah stumbled backwards like she'd been hit in the face with a giant eagle egg. Alex propped her up. "I ... yes," Sam squeaked. "Also. Too." Amir nodded. He turned and got into his car. A moment later, his tail-lights disappeared down Flagship Way. Samirah smacked her own forehead. "Also? Too? I am such an idiot." Alex patted her arm. "I thought you were quite eloquent. Come on sister. Your neon-yellow warship awaits.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Just tell me what's so irritating."(katsu) That's none of your damn business!"(kyok) Maybe not. But I'm curious."(katsu) It's EVERYTHING you prick! God, you're annoying! It's everything,okay?! EVERYTHING PISSES ME OFF! Them! And them! And them! And YOU! Everyone and everything!I HATE YOUR GODDAMN GUTS! You just...You all treat people like garbage. But you're all just as bad!QUIT TRYING TO ACT LIKE YOU'RE ALL FRIGGIN' PERFECT! Leave me alone. I wish everyone would just...go. Get out of my life. I'd be better off with YOU DEAD! DIE! DIE! GO TO HELL! YOU DISAPPEAR! YOU FALL APART!"(kyok) Really? I think you WANT them to care. You want them to look at you, don't you? All those people. You want them to need you. You want them.....to listen to you. To understand somehow. You want them to accept you. I think.... you want them to love you.You know something? I'm like that, too."(katsu) ... Wh-why? Why did I....turn out....like this?"(kyok) You're asking me?"(katsu) That's what..That's what I wanna know. Why? Why...did I..?!"(kyok) Where did she go wrong? What was her mistake? "I'm miserable. I feel so alone!"(kyok) -Katsuya and Kyoko Honda
Natsuki Takaya (Fruits Basket, Vol. 16)
I thought that what I felt for you was right," Luce said. "I loved you until it hurt me, until our love was consumed by your pride and rage. The thing you called love made me disappear. So I had to stop loving." She Paused. "Our adoration never diminished the Throne, but your love diminished me. I never meant to hurt you. I only meant to stop you from hurting me.
Lauren Kate (Rapture (Fallen, #4))
She laughed and he felt her breath, and he thought about that warmness, how people were warm like that, from inside to out; how it could hit you and disappear, then back again, and nothing was ever permanent--
Markus Zusak (Bridge of Clay)
When I was fourteen, I thought a lot about killing myself—it’s a hobby today, but at age fourteen it was a vocation. On a September morning, just after school started, I’d gotten Diane’s .44 Magnum and held it, babylike, in my lap for hours. What an indulgence it would be, to just blow off my head, all my mean spirits disappearing with a gun blast, like blowing a seedy dandelion apart. But I thought about Diane, and her coming home to my small torso and a red wall, and I couldn’t do it. It’s probably why I was so hateful to her, she kept me from what I wanted the most.
Gillian Flynn (Dark Places)
I watch her walk up the road, and then she disappears and my anxiety returns, just for a split second. And somehow I find myself running, and by the time I catch up to her, the bus has pulled up. “Justine?” She looks at me, surprised, as the bus doors open. I’m trying to catch my breath because I don’t have much time. “You’re my rock.” The bus driver is telling her to get on the bus, but she’s just standing there, an I-think-I’m-going-to-cry look on her face. But I grin at her and she grins back.
Melina Marchetta (Saving Francesca)
She disappeared; her voice, her laughter, and the warmth of her breath never seen by no one again.
Durgesh Satpathy (Equating the Equations of Insanity: A Journey from Grief to Victory)
Nix and Lothaire: When the collar dropped to the ground, Lothaire rolled his head on his neck. But instead of disappearing immediately, he traced to stand mere feet from Nïx. A towering vampire with skin like marble and chillingly flawless features was staring down a petite Valkyrie with crazed eyes and a cryptic smile. The tension between the two was palpable. Even on the verge of flipping the fuck out, Regin couldn’t look away. “The Accession grinds on, does it not?” Lothaire said. “Just like old times.” Nïx winked. “Alas, Dorada will come for you once she rises again.” “I’ll be ready.” He narrowed his red eyes. “You’ve likely foreseen this moment. Tell me, are we to fight now? As in the past?” “You defy foresight, Lothaire.” “That’s only fair, Phenïx, since you’ve long defied insight.” Phenïx? Nïx canted her head. “What does your Endgame tell you?” “That white queen will never take black king.” He gave her a formal bow. “Until our next match.” “There won’t be a next match, vampire.” His brow creased into a frown, the Enemy of Old disappeared.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
When Hale's hand disappeared inside his tuxedo jacket, Macey wasn't exactly sure what he'd find inside the pocket. It could have been another phone or a breath mint. Really, nothing would have surprised her. Well nothing except... "Is that an earbud?" she whispered. He smiled. "Are you on comms?" "Shhh," he told her softly.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
Hi. Cat was just keeping me company until you came back.” He glanced in the direction she’d just disappeared to before returning his attention to me. “Fourteen hundred and thirty-one." I blinked. "What's that?" "The year I was born, which is not, as you'll note, yesterday.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
I love you and I will until the end of time.And just as she said the words, two bright stars drifted past them overhead and disappeared into the night sky together…
Danielle Steel (Until the End of Time)
One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.
Virginia Woolf (Mrs. Dalloway)
When he nodded, the physician disappeared into thin air, and then a moment later, Payne felt a warm palm encompass hers. It was Vishous's un-gloved hand against her own and the connection between them eased her in ways she couldn't name. Verily, she had lost her mother . . . but if she lived through this, she still had family. On this side.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Andrea turned her back to Desandra and rolled her eyes. Raphael grimaced. They both looked scandalized. Dear God, what could she have said to scandalize a bouda... “No, really!” Desandra nodded. “Okay, so most guys don’t have a nice ball sack, right? It looks all hairy and wrinkled like some small animal died between their legs, but Gerardo’s is like two plums in a velvet bag...” Derek, who’d been lingering in the doorway, took a careful step to the left behind the wall and disappeared from my view. Kill me, somebody. I raised my hand. “Hold that thought. I need to borrow Andrea for a minute.” I grabbed her arm and pulled her into the hallway. Behind us Raphael growled, “Don’t leave me!” Andrea leaned towards me. “Plums.” “Listen...” Andrea raised her hands, imitating holding plums the size of small coconuts, and moved them up and down.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Ron seems to be enjoying the celebrations.” said Hermione. “Don’t pretend you didn’t see him. He wasn’t exactly hiding it, was — ?” The door behind them burst open. To Harry’s horror, Ron came in, laughing, pulling Lavender by the hand. “Oh,” he said, drawing up short at the sight of Harry and Hermione. “Oops!” said Lavender, and she backed out of the room, giggling. There was a horrible, swelling, billowing silence. Hermione was staring at Ron, who refused to look at her. She walked very slowly and erectly toward the door. Harry glanced at Ron, who was looking relieved that nothing worse had happened. “Oppugno!” came a shriek from the doorway. Harry spun around [...] The little flock of birds was speeding like a hail of fat golden bullets toward Ron, pecking and clawing at every bit of flesh they could reach. “Gerremoffme!” he yelled, but with one last look of vindictive fury, Hermione wrenched open the door and disappeared through it. Harry thought he heard a sob before it slammed.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
She imagined all the mothers of the unnamed children, imagined the ad cut from the paper, a mother writing her child’s name at the bottom of the list to add their child to the names of those who would return home, those beautiful children who would never be forgotten, as if their child’s name needed to be on the list to be remembered—to have been disappeared. 
Douglas Weissman
You can always tell when a woman is with the wrong man, because she has so much to say about the fact that nothing's happening. When women find the right person, on the other hand, they just... disappear for six months, then resurface, eyes shiny, and usually about six pounds heavier.
Caitlin Moran (How to Be a Woman)
I'm disappearing, Leo. Like Dootsie's trick, except this is real. Who are you if you lose your favorite person? Can you lose your favorite person without losing yourself? I reach for Stargirl and she's gone. I'm not me anymore.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
She would have needed a reason, Bel, to go through all that effort. People don’t just decide to disappear. She’d need a motive. A reason.
Holly Jackson (The Reappearance of Rachel Price)
She isn't here, but around here, in a deep rain disappearing.
Jennifer Clarvoe (Invisible Tender (Poets Out Loud))
This is the story of how my best friend disappeared. How nobody noticed she was gone except me. And how nobody cared until they found her . . . one year later.
Tiffany D. Jackson (Monday's Not Coming)
She was done playing by other people's rules. Done hiding. If you lived in the dark, you died in the dark. But stand in the light, and it was that much harder to make you disappear.
Victoria Schwab (Vengeful (Villains, #2))
Because she knew that something happened to you when your mother didn't hold you close, or tell you all the time that you were the best thing ever, or even notice when you were home: a little part of you sealed over. You didn't need her. You didn't need anyone. And without even knowing you were doing it, you waited. You waited for anyone who got close to you to see something they didn't like in you, something they hadn't initially seen, and to grow cold and disappear, too, like so much sea mist. Because there had to be something wrong, didn't there, if even your own mother didn't really love you?
Jojo Moyes (One Plus One)
Women want everything of a lover. And too often I would sink below the surface. So armies disappear under sand. And there was her fear of her husband, her belief in her honour, my old desire for self-sufficiency, my disappearances, her suspicions of me, my disbelief that she loved me. The paranoia and claustrophobia of hidden love.
Michael Ondaatje (The English Patient)
Kiss me again without my permission, " she whispered against his lips, "and I'll geld you and sell your balls to a Ruthanian specialty meats shop. Understood?" "You won't do that," he whispered back. "You'd miss them too much." Sin snorted and made the blade disappear into her pocket as she stepped back. "Men are always overestimating the worth of their genitals." ~Sin to Con
Larissa Ione (Sin Undone (Demonica, #5))
She watched him stop to pat the mayor on the back. He stumbled a little in the crowd, and his left hand disappeared ever so briefly inside the mayor’s tuxedo pocket. It was over in a flash, a blink, a second. And Macey was quite certain she was the only person in the entire room to have seen it, but that was just as well. At least, Macey had seen enough. And at last, the boy made sense." — Double Crossed by Ally Carter
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
If I blink she'll disappear," he told her. She looked at him and said,"Maybe that is the best thing for you.
Donna Lynn Hope
For you she learned to wear a short black slip and red lipstick, how to order a glass of red wine and finish it. She learned to reach out as if to touch your arm and then not touch it, changing the subject. Didn't you think, she'd begin, or Weren't you sorry. . . . To call your best friends by their schoolboy names and give them kisses good-bye, to look away when they say Your wife! So your confidence grows. She doesn't ask what you want because she knows. Isn't that what you think? When actually she was only waiting to be told Take off your dress--- to be stunned, and then do this, never rehearsed, but perfectly obvious: in one motion up, over, and gone, the X of her arms crossing and uncrossing, her face flashing away from you in the fabric so that you couldn't say if she was appearing or disappearing.
Deborah Garrison (A Working Girl Can't Win)
When did you become such an idealist?” “When I met a girl who loved her sister so much she was able to wish her back to life. You might possess magic, but love like that is real power.” “And yet all the love in the world wouldn’t have brought Tella back without my magic.” “She never would have died without your magic, either.” Julian’s smile disappeared. “Tella would have found another way. She didn’t and doesn’t need you to save her. She needs to save you.
Stephanie Garber (Finale (Caraval, #3))
If she could have died...if she could have disappeared forever...but the solid surface of things refused to dissolve around her, and her body, her hateful hermaphrodite's body, continued in its stubborn, lumpen way, to live...
J.K. Rowling (The Casual Vacancy)
In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.
Milan Kundera (Ignorance)
Hisli's tail flicked to the side as the arrow buried itself in the sand just inches behind her rear hooves. But Ansel didn't dare look over he shoulder. She kept riding, and she did not stop. Celeana lowered her bow and watched until Ansel disappeared beyond the horizon. One arrow, that had been her promise. But she's also promised Ansel that she's had twenty minutes to get out of range. Celeana had fired after twenty-one.
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
Tell me about your family," I said. And so she did. I listened intently as my mother went through each branch of the tree. Years later, after the funeral, Maria had asked me questions about the family - who was related to whom - and I struggled. I couldn't remember. A big chunk of our history had been buried with my mother. You should never let your past disappear that way.
Mitch Albom (For One More Day)
She sheltered her colors in the dark, where others were blind to see; I caught a glimpse of her lastly when she gave me a chance, before disappearing into the day. There was beauty locked in her that unfolded like an umbrella's claw, her true self that desired compassion, trust, protection and the potential to soar. But I missed to late, that what I wasn't looking for, when she left her reasons in the rain.
Anthony Liccione
She pressed her cheek against his heart and lay there, grateful for the time she’d had with him, however short or long it had been, grateful she had known him, grateful that once, when she was young, she had experienced a love so strong that it did not go away, that decades and distance and miles and children and lies and letters could never make it disappear. She held him in her arms and said to him all she needed to say.
Marjan Kamali (The Stationery Shop)
He knew today that his life was forever changed in that one moment and he was clueless as to why or how it was. Never in his life had he ever felt that quick response to anyone. Breathless and unable to look away from her, like if he did she would disappear.
P.J. Fiala (Second Chances (Second Chances, #1))
She heard the trace of fear in his voice. The fear that a small boy must have felt when every woman he loved had disappeared from his life, swept away by a merciless fever. She didn’t know how to reassure him, or how to console his long-ago grief.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
She'd learned how to disappear in place long ago. She was like one of those animals whose defense mechanism is to blend into the landscape and become invisible. It was her way of dealing with rejection: Say nothing and disappear. Never fight back. If she remained quiet enough, people eventually forgot she was there and left her alone.
Kristin Hannah (The Four Winds)
She wore a cantilevered, augmented-breast-skimming satin dress the colour of egg-yolk. Somewhere in deepest Nebraska, a prom queen two sizes smaller than Selena was wondering where the fuck her outfit had disappeared to.
Tabitha McGowan (The Tied Man (The Tied Man, #1))
What makes you think I have any leverage over her?” “Because she’s been saying your name in her dreams.” A shock of pleasure moves through me. Automatic endorphin rush. “What? Really?” “No.” “Wow, okay, fuck you.” Warner actually smiles. It’s one of his rare grins, dimples appearing and disappearing just to mess with your head. He goes from murderer to boy next door to murderer in two seconds flat. “Look how disappointed you are,” he says softly. “How delighted you were when you thought a minion of The Reestablishment, sent here to kill you and your entire family, was having inappropriate dreams about you.
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.
Lao Tzu (Tao Te Ching)
So what do you wear to dump somebody?" she asked me, twirling a lock of hair around one finger. "Black, for mourning? Or something cheerful and colorful, to distract them from their pain? Or maybe you wear some sort of camouflage, something that will help you disappear quickly in case they don't take it well.
Sarah Dessen (This Lullaby)
Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it — a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!
Virginia Woolf (Mrs. Dalloway)
History tells us that six million Jews disappeared during that war. If there was no Holocaust, where did they go?' She shakes her head. 'All of that, and the world didn't learn anything. Look around. There's still ethnic cleansing. There's discrimination.
Jodi Picoult (The Storyteller)
When I entered and shut the door, the Darkling gave me a small bow. “How are you, Alina?” “I’m fine,” I managed. “She’s fine!” hooted Baghra. “She’s fine! She cannot light a hallway, but she’s fine.” I winced and wished I could disappear into my boots. To my surprise, the Darkling said, “Leave her be.” Baghra’s eyes narrowed. “You’d like that, wouldn’t you?” The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. “Baghra has her own way of doing things,” he said. “Don’t patronize me, boy!” Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he’d caught himself. “Don’t chide me, old woman,” he said in a low, dangerous voice.
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
Raisa felt relieved, yet oddly disappointed. She was the blooded princess heir, yet in servants' clothes she was apparently unrecognizable. In the stories, rulers had a natural presence about them that identified them as such, even dressed in rags. What's the nature of royalty, she wondered. Is it like a gown you put on that disappears when you take it off? Does anyone look beyond the finery? Could anyone in the queendom take her place, given the right accessories? If so, it was contrary to everything she'd ever been taught about bloodlines.
Cinda Williams Chima (The Demon King (Seven Realms, #1))
Eric?" Sometimes I think if I blink, you'll disappear." Oh, Eileithyia, Thea thought. Oh, Aphrodite. I'm in terrible trouble. The thing was, it was terrible and wonderful. She felt awkward and tremendously safe at once, scared to death and not scared of anything. And what she wanted was so simple. If he only felt the same, everything would be all right. I just can't even imagine life without you anymore, but I'm so afraid you'll go away," Eric said, still looking fatalistically at the computer on the desk.
L.J. Smith (Night World, No. 1 (Night World, #1-3))
The stars are out,' Zoe said. She was right. There were millions of them, with no city lights to ruin turn the sky orange. 'Amazing,' Bianca said. 'I've never actually seen the Milky Way.' 'This is nothing,' Zoe said. 'In the old days, there were more. Whole constellations have disappeared because of human light pollution.' 'You talk like you're not human,' I said. Zoe raised an eyebrow. "I am a Hunter. I care what happens to the wild places of the world. Can the same be said for thee?' 'For you,' Thalia corrected. 'Not thee.' 'But you use you for the beginning of a sentence.' 'And for the end,' Thalia said. 'No thou. No thee. Just you.' Zoe threw up her hands in exasperation. 'I hate this language. It changes too often!
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Zoe—" I said. "Stars," she whispered. "I can see the stars again, my lady." A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight." "Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again. Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared. Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished. For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky. "Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Rose Tyler: The time war ends. Emperor Dalek: I will not die! I cannot diieee! [we see Rose's eyes light up, and the Dalek Emperor and his entire fleet disappear in an explosion of golden dust] The Doctor: Rose, you've done it, now stop. [Rose stares straight ahead] The Doctor: Just let go. Rose Tyler: How can I let go of this? I bring life. [we see Jack start breathing again and open his eyes] The Doctor: But this is wrong! You can't control life and death! Rose Tyler: But I can. The sun and the moon, the day and night... but why do they hurt? [she is crying] The Doctor: The power's gonna kill you and it's my fault! Rose Tyler: I can see everything... all that is... all that was... all that ever could be. The Doctor: [stands up] But that's what *I* see. All the time. And doesn't it drive you mad? Rose Tyler: [Rose nods, barely able to speak] My head... The Doctor: Come here. Rose Tyler: ...is killing me. The Doctor: I think you need a Doctor. [He leans down and kisses her, and the golden light transfers from her to him through their lips]
Russell T. Davies
When her blue-black eyes lifted to his, everything disappeared. Their bodies dematerialized. The room they were in ceased to exist. Time became nothing. And in the void, in the wormhold, Wrath's chest opened up sure as if he'd been shot, a piercing pain licking over his nerve endings. He knew then that there are many ways for a heart to break. Sometimes it's from the crowding of life, the compression of responsibility and birthright and burden that just squeezed you until you couldn't breathe anymore. Even though your lungs were working just fine. And sometimes it's from the casual cruelty of a fate that took you far from where you had thought you would end up. And sometimes it's age in the face of youth. Or sickness in the face of health. But sometimes it's just because you're looking into the eyes of your lover, and your gratitude for having them in your life overflows...because you showed them what was on the inside and they didn't run scared or turn away: they accepted you and loved you and held you in the midst of your passion or your fear...or your combination of both. Wrath closed his eyes and focused on the soft pulls at his wrist. God, they were just like the beat of his heart. Which made sense. Because she was the center of his chest. And the center of his world.
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
Want,’ she told her, in a measured tone, ‘is an interesting word. It means lack. Sometimes if we fill that lack with something else the original want disappears entirely. Maybe you have a lack problem rather than a want problem. Maybe there is a life that you really want to live.
Matt Haig (The Midnight Library (The Midnight World, #1))
Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears. I anticipate the next time you are troubled and must close your eyes again. The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe. Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.
Banana Yoshimoto (Lizard)
She had always been a reader… but now she was obsessed. Since her discovery of the book hoard downstairs from her job, she’d been caught up in one such collection of people and their doings after the next…The pleasure of this sort of life – bookish, she supposed it might be called, a reading life – had made her isolation into a rich and even subversive thing. She inhabited one consoling or horrifying persona after another…That she was childless and husbandless and poor meant less once she picked up a book. Her mistakes disappeared into it. She lived with an invented force.
Louise Erdrich (The Master Butchers Singing Club)
Parents don’t get that, though. They don’t understand about the fragility of teen friendships. They don’t understand how easy it is for things to break apart, how someone you thought would be by your side forever can just disappear, or turn on you, or decide she likes someone more than she likes you. Parents always talk about romantic relationships being so ephemeral and fleeting in high school. What they don’t get is that friendships can be the same way.
Lauren Barnholdt (The Thing About the Truth)
Eve held his eyes and confidently licked the length of the razor-sharp blade with the tip of her tongue. Red blood beaded up on her tongue, and she licked her lips, giving them a fresh coat of color. Eve used the knife to blow a kiss in Beckett’s direction and disappeared into the crowd. Beckett forgot to keep dancing. He stood stock still with Kyle still twirling around him. Eve had just f*cked his mind so hard, he wanted to smoke a cigarette and cuddle like some soap-watching woman.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Leo remembered their trip together through the House of Hades. Hazel had led him through that creepy maze of illusions. She’d made the sorceress Pasiphaë disappear through an imaginary hole in the floor. She’d battled the giant Clytius while Leo choked in the giant’s cloud of darkness. She’d cut the chains binding the Doors of Death. Meanwhile Leo had done...well, pretty much nothing.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
She was so emotional, on the verge of tears. This was what I'd wanted to prevent with all those quick disappearances, the tangledness of farewells and all the baggage they brought with them. But now, looking at Deb, I realized what else I'd given up: knowing for sure that someone was going to miss me. What happened to goodbye, Michael in Westcott had written on my Ume.com page. I was pretty sure I knew, now. It had been packed away in a box of its own, trying to be forgotten, until I really needed it. Until now.
Sarah Dessen (What Happened to Goodbye)
It is said that before entering the sea a river trembles with fear. She looks back at the path she has traveled, from the peaks of the mountains, the long winding road crossing forests and villages. And in front of her, she sees an ocean so vast, that to enter there seems nothing more than to disappear forever. But there is no other way. The river can not go back. Nobody can go back. To go back is impossible in existence. The river needs to take the risk of entering the ocean because only then will fear disappear, because that’s where the river will know it’s not about disappearing into the ocean, but of becoming the ocean.
Osho (Beyond Enlightenment)
We lose ourselves,” she repeated, forming each word with care, “but we find our way back.” Wasn’t that the story of her life? Wasn’t that the story of Bethie’s? You make the wrong choices, you make mistakes, you disappear for a decade, you marry the wrong man. You get hurt. You lose sight of who you are, or of who you want to be, and then you remember, and if you’re lucky you have sisters or friends who remind you when you forget your best intentions. You come back to yourself, again and again. You try, and fail, and try again, and fail again.
Jennifer Weiner (Mrs. Everything)
My head is so full of memories!" Cinderheart wailed. "I feel as though there are two lives inside me, not one. How can it be my choice to make? Doesn't Cinderpelt have a choice? I can't make her a warrior! She was a medicine cat!" Lionblaze pressed his muzzle closer. "She chose you", he murmured. "She gave you the choice". Cinderheart began to tremble. Lionblaze could sense her mind whirling. "You can only live one life, Cinderheart. It's your choice! This is your destiny, not Cinderpelt's. She lived her own life". Cinderheart gasped. Then her pelt smoothed. She lifted her chin. "Then I choose the life of a warrior". Her blue eyes shone. "And I choose you". A breeze stirred the ferns. Lionblaze glimpsed a pale gray shape appear like a shadow beside Cinderheart. Stepping back in surprise, he saw it peel away from her and drift up like a cobweb carried by the wind. A soft voice whispered, Thank you. Lionblaze's fur stood on end. "Did you see that? Cinderheart was watching the shadow disappear into the trees. "It was Cinderpelt", she breathed. "I've set her free". Lionblaze purred loudly. "Will you fight alongside me?" Cinderheart pressed her muzzle fiercely against his. "Always".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
Of all the billions of people in this world Raphael is the one I know best and love most. I understand much better now – better than Piranesi ever could – the magnificent thing she did in coming to find me, the magnitude of her courage. I know that she returns to the labyrinth often. Sometimes we go together; sometimes she goes alone. The quiet and the solitude attract her strongly. In them she hopes to find what she needs. It worries me. ‘Don’t disappear,’ I tell her sternly. ‘Do not disappear.’ She makes a rueful, amused face. ‘I won’t,’ she says. ‘We can’t keep rescuing each other,’ I say. ‘It’s ridiculous.’ She smiles. It is a smile with a little sadness in it. But she still wears the perfume – the first thing I ever knew of her – and it still makes me think of Sunlight and Happiness.
Susanna Clarke (Piranesi)
I believe that sometimes, the moment you say goodbye could be as painful as a lifetime worth of pain that you can experience while living with the memories of your loved ones. I couldn’t stop myself from hallucinating about all those things that could have happened, while you were walking away from me today. I stopped walking and turned my head, expecting for you to do the same. I stayed there, motionless, and waited – for you to turn once, to smile, or wave. But you didn’t. You just continued walking away from me, while I stayed there watching your silhouette becoming smaller, and smaller with time, until it disappeared completely. There was nothing else to wait. “What happened?” she asked me when I turned my head again towards the platform. “She let me go, finally,” was all I could say.
Bhavya Kaushik
A light was on in the kitchen. His mother sat at the kitchen table, as still as a statue. Her hands were clasped together, and she stared fixatedly at a small stain on the tablecloth. Gregor remembered seeing her that way so many nights after his dad had disappeared. He didn't know what to say. He didn't want to scare her or shock her or ever give her any more pain. So, he stepped into the light of the kitchen and said the one thing he knew she wanted to hear most in the world. "Hey, Mom. We're home.
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
Think of the most fussy science teacher you ever had. The one who docked your grade if the sixth decimal place in your answer was rounded incorrectly; who tucked in his periodic table T-shirt, corrected every student who said "weight" when he or she meant "mass", and made everyone, including himself, wear goggles even while mixing sugar water. Now try to imagine someone whom your teacher would hate for being anal-retentive. That is the kind of person who works for a bureau of standards and measurement.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Clary was trying not to think about the fact that it had been three days since she'd seen Magnus, and he'd sent no word at all. Or the fact that there was really nothing stopping him from taking the Book of the White and disappearing into the ether, never to be heard from again. She wondered why she'd ever thought trusting who wore that much eye-liner was a good idea.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
All of us are lonely at some point or another, no matter how many people surround us. And then, we meet someone who seems to understand. She smiles, and for a moment the loneliness disappears. Add to that the effects of physical desire-and the excitement you spoke of-and all good sense and judgement fall away. The Rabbi paused, then said, But love founded only on loneliness and desire will die out before long. A shared history, tradition and values will link two people more thoroughly than any physical act.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
I think you just complimented me," said Jane. "You should take better care next time." The music had started, the couples had begun a promenade, but Mr. Nobley paused to hold Jane's arm and whisper, "Jane Erstwhile, if I never had to speak with another human being but you, I would die a happy man. I would that these people, the music, the food and foolishness all disappeared and left us alone. I would never tire of looking at you or listening to you." He took a breath. "There. That compliment was on purpose. I swear I will never idly compliment you again." Jane's mouth was dry. All she could think to say was, "But... but surely you wouldn't banish all the food." He considered, then nodded once. "Right. We will keep the food. We will have a picnic." And he spun her into the middle of the dance.
Shannon Hale (Austenland (Austenland, #1))
I'm glad you told me. About the sex stuff." "None of it was a news flash." "True. But I figure you came out with it because you trust my ass." "I do. Now drag it back to the Pit. Marissa's got to be coming home soon." "She is," Butch headed for the door but then paused and looked over his shoulder. "V?" Vishous raised his stare. "Yeah?" "I think you should know, after all this deep conversatin'…" Butch shook his head gravely. "We still ain't dating." The two of them busted out laughing, and the cop was still yukking it up as he disappeared into the gym.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Three hundred years, and some part of her is still afraid of forgetting. There have been times, of course, when she wished her memory more fickle, when she would have given anything to welcome madness, and disappear. It is the kinder road, to lose yourself. Like Peter, in J. M. Barrie's Peter Pan. There, at the end, when Peter sits on the rock, the memory of Wendy Darling sliding from his mind, and it is sad, of course, to forget. But it is a lonely thing, to be forgotten. To remember when no one else does.
Victoria Schwab (The Invisible Life of Addie LaRue)
He missed you just as I did. He worried about you just as I worried. He looked for you. Tried to find you. Just as I did. But you were gone.” She took a step toward him. “You think he left you? It was you who left, Michael. You left us.” Her voice was shaking now, all the anger and sadness and fear she had felt in those months, those years after Michael had disappeared. “You left me.” She put her hands to his chest, pushing him with all her might, with all her anger. “And I missed you so much. I missed you so much. I still do, damn you.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
Whenever he remembered this moment, it lasted forever: a flash of complete separateness as Lydia disappeared beneath the surface. Crouched on the dock, he had a glimpse of the future: without her, he would be completely alone. In the instant after, he knew it would change nothing. He could feel the ground still tipping beneath him. Even without Lydia, the world would not level. He and his parents and their lives would spin into the space where she had been. They would be sucked into the vacuum she left behind. More than this: the second he touched her, he knew that he had misunderstood everything. When his palms hit her shoulders, when the water closed over her head, Lydia had felt relief so great she had sighed in a deep choking lungful. She had staggered so readily, fell so eagerly, that she and Nath both knew: that she felt it, too, this pull she now exerted, and didn't want it. That the weight of everything tilting toward her was too much.
Celeste Ng (Everything I Never Told You)
When she felt the hot creamy chocolate go down her throat and into her stomach some of the tension in her body disappeared. Three long sips later and she felt close to being able to face the day. By the time half the cocoa was gone she was in her special place, the place where everything was fine and she could face anything including Connor and a visit from her dad. By the time she finished the rest of the cocoa she'd be able to keep this calm going for the rest of the day, but of course she needed a second cup.
R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
...You can have this whole entire life, with all your opinions, your loves, your fears. Eventually those parts of you disappear. And then the people who could remember those parts of you disappear, and before long, all that's left is your name in some ledger. This...person -- she had a favorite food. She had friends and people she disliked. We don't even know how she died...I guess that's why I like preservation better than history. In preservation I feel like I can keep some of it from slipping away.
Katherine Howe (The Physick Book of Deliverance Dane (The Physick Book, #1))
Why do the X-Men need another girl telepath?” she asked. “This one has purple hair.” “It’s all so sexist.” Park’s eyes got wide. Well, sort of wide. Sometimes she wondered if the shape of his eyes affected how he saw things. That was probably the most racist question of all time. “The X-Men aren’t sexist,” he said, shaking his head. “They’re a metaphor for acceptance; they’ve sworn to protect a world that hates and fears them.” “Yeah,” she said, “but—” “There’s no but,” he said, laughing. “But,” Eleanor insisted, “the girls are all so stereotypically girly and passive. Half of them just think really hard. Like that’s their superpower, thinking. And Shadowcat’s power is even worse—she disappears.
Rainbow Rowell (Eleanor & Park)
Saskia.” A hand covered hers. Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.” “I was yesterday. I returned this morning.” “Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.” Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.” Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.” “No. I can finish this. I’m on a roll.” “Yes. You can roll again later.” “Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –” Tania peered at the screen. “Whose statement is that?
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
I looked at Emma and realised that she was grinning – actually grinning – directly at me. ‘Love you, Jamie,’ she said. I fought back a sudden prickling of tears, then told her that I loved her too. And for that moment, nothing more was required. It was, in its way, perfect. I felt safe, and strangely optimistic. My worries had disappeared, like rain on summer earth. I took a deep breath, savoured the feeling for a few seconds more. Then, with a final smile, I turned from the room, secure in the knowledge that even the most difficult times contained moments that made a person feel truly alive.
Andy Marr (Hunger for Life)
The accounts of rape, wife beating, forced childbearing, medical butchering, sex-motivated murder, forced prostitution, physical mutilation, sadistic psychological abuse, and other commonplaces of female experi ence that are excavated from the past or given by contemporary survivors should leave the heart seared, the mind in anguish, the conscience in upheaval. But they do not. No matter how often these stories are told, with whatever clarity or eloquence, bitterness or sorrow, they might as well have been whispered in wind or written in sand: they disappear, as if they were nothing. The tellers and the stories are ignored or ridiculed, threatened back into silence or destroyed, and the experience of female suffering is buried in cultural invisibility and contempt… the very reality of abuse sustained by women, despite its overwhelming pervasiveness and constancy, is negated. It is negated in the transactions of everyday life, and it is negated in the history books, left out, and it is negated by those who claim to care about suffering but are blind to this suffering. The problem, simply stated, is that one must believe in the existence of the person in order to recognize the authenticity of her suffering. Neither men nor women believe in the existence of women as significant beings. It is impossible to remember as real the suffering of someone who by definition has no legitimate claim to dignity or freedom, someone who is in fact viewed as some thing, an object or an absence. And if a woman, an individual woman multiplied by billions, does not believe in her own discrete existence and therefore cannot credit the authenticity of her own suffering, she is erased, canceled out, and the meaning of her life, whatever it is, whatever it might have been, is lost. This loss cannot be calculated or comprehended. It is vast and awful, and nothing will ever make up for it.
Andrea Dworkin (Right-Wing Women)
You believe that you keep yourself safe, she thought. You lock up your mind and guard your reactions so nobody, not an interrogator or a parent or a friend, will break in. You earn a graduate degree and a good position. You keep your savings in foreign currency and you pay your bills on time. When your colleagues ask you about your home life, you don't answer. You work harder. You exercise. Your clothing flatters. You keep the edge of your affection sharp, a knife, so that those near you know how to handle it carefully. You think you established some protection and then you discover that you endangered yourself to everyone you ever met.
Julia Phillips (Disappearing Earth)
Jace had disappeared under the table. He appeared a moment later, holding Church, the Institute's part-time cat. Church had his paws stuck straight out and a look of satisfaction on his face. "We thought the same thing," said Jace, settling the cat on his lap. "But apparently, according to Magnus, there are spells that can be constructed to be activated by a warlock's death." Emma glared at Church. She knew the cat had once lived in the New York Institute, but it seemed rude to show preference so blatantly. The cat was lying on his back on Jace's lap, purring and ignoring her.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.
Kathleen Glasgow (Girl in Pieces)
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
Bellamy Plunged Into The Lake and Closed The Distance Between Them With a Few Powerful Strokes. He'd Boasted About Teaching Himself To Swim. During His Treks to The Stream and For Once He Had'nt Been Exaggerating. He Disappeared Under The Water,Just Long Enough for Clarke To Feel a Flicker of Worry then His Hand Grasped Her Wrist and She Squealed as He Spun Her Around. Expecting Him to Splash Her in Retaliation,But Bellamy Just Stared at Her For a Moment Before Raising a Hand and Running His Fingers Along Her Neck "No Gills Yet" He Said Softly
Kass Morgan (Day 21 (The 100, #2))
...Maybe it's low-wage work in general that has the effect of making feel like a pariah. When I watch TV over my dinner at night, I see a world in which almost everyone makes $15 an hour or more, and I'm not just thinking of the anchor folks. The sitcoms and dramas are about fashion designers or schoolteachers or lawyers, so it's easy for a fast-food worker or nurse's aide to conclude that she is an anomaly — the only one, or almost the only one, who hasn't been invited to the party. And in a sense she would be right: the poor have disappeared from the culture at large, from its political rhetoric and intellectual endeavors as well as from its daily entertainment. Even religion seems to have little to say about the plight of the poor, if that tent revival was a fair sample. The moneylenders have finally gotten Jesus out of the temple.
Barbara Ehrenreich (Nickel and Dimed: On (Not) Getting By in America)
They won't tell you about how Red Riding was the wolf and Snow White went back to kill the queen. Or that Cinderella's step family mysteriously disappeared after she became queen. They are afraid to let you know that Aurora woke up screaming because a strange man was kissing her without her consent. Or how Ariel had no problem killing the two timing prince and restoring herself to the sea. The fairy tales we should tell our daughter should be about strong women with real flaws and incredible qualities. Let's raise girls who don't just wait to be rescued, but take destiny in their own hands and charge to battle dragons and their enemies.
Nikita Gill
The car was on the FDR drive now and, turning her head, she glanced out at the bleak brown buildings of the projects that stretched for blocks along the drive. Something inside her sank at the sight of all that sameness, and she suddenly felt defeated. She shifted uncomfortably in her seat. In the past year, she'd started experiencing these moments of desperate emptiness, as if nothing really mattered, nothing was ever going to change, there was nothing new; and she could see her life stretching before her--one endless long day after the next, in which every day was essentially the same. Meanwhile, time was marching on, and all that was happening to her was that she was getting older and smaller, and one day she would be no bigger than a dot, and then she would simply disappear. Poof! Like a small leaf burned up under a magnifying glass in the sun. These feelings were shocking to her, because she'd never experienced world-weariness before. She'd never had time. All her life, she'd been striving and striving to become this thing that was herself--the entity that was Nico O'Neilly. And then, one morning, time had caught up with her and she had woken up and realized that she was there. She had arrived at her destination, and she had everything she'd worked so hard for: a stunning career, a loving (well, sort of) husband, whom she respected, and a beautiful eleven-year-old daughter whom she adored. She should have been thrilled. But instead, she felt tired. Like all those things belonged to someone else.
Candace Bushnell (Lipstick Jungle)
As people, other people, living in a house who . . . borrow things?" Mrs. May laid down her work. "What do you think?" she asked. "I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be." "Why do you think there must be?" asked Mrs. May. "Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house." "Not lying about the house, no," agreed Mrs. May. "And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-
Mary Norton (The Borrowers (The Borrowers, #1))
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear so suddenly last night? It’s not like you to simply vanish without saying—” “I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.” Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask. “Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea. “Doing what?” Daisy asked blankly. Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Creatures of the Darkness BY VICKI JORDAN It was world of vampires and demons, where innocence was rare and so were the living. It was a world of darkness, where light had been outlawed and nightfall had swallowed us whole. An epic war had been fought, and the creatures of the dark had finally prevailed over the promoters of the light. Finally, for the first time in existence, the people of the shadows could come out and freely walk among one another in the rays of the dying sun, which had once been used to shun them away. A little girl, a child of the light, had survived the battle and crawled out from under the ashes of the destruction. She looked around at her altered world in dismay and confronted a vampire about the changes, of which she did not approve. “Why did you turn my world into a world of night, and make wrong into a new form of right? How could you make all the light disappear, and with it everyone I once loved so dear? Why are the shadows now the new sun, and why is everything lost what you have won?” The vampire looked down at the little girl with amusement and delight. “Because, little girl, this is the real world you see, where there’s no light to shine on false identities. We didn’t destroy the world just to scare; we simply uncovered what was already there. What has come out was all the darkness that was once hidden within, and you’ll soon meet the darkness in you once my fangs pierce your skin.” We are our own greatest fears…..
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
In this pilgrimage in search of modernity I lost my way at many points only to find myself again. I returned to the source and discovered that modernity is not outside but within us. It is today and the most ancient antiquity; it is tomorrow and the beginning of the world; it is a thousand years old and yet newborn. It speaks in Nahuatl, draws Chinese ideograms from the 9th century, and appears on the television screen. This intact present, recently unearthed, shakes off the dust of centuries, smiles and suddenly starts to fly, disappearing through the window. A simultaneous plurality of time and presence: modernity breaks with the immediate past only to recover an age-old past and transform a tiny fertility figure from the neolithic into our contemporary. We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence.
Octavio Paz
You’re here!” She repeated, wrapping her arms around his neck and her legs around his hips. He’d dropped his bags as she’d ran, and now he cupped her bottom in his large hands...His heart gave a giant thump, all the way down from his chest to his stomach, and as she smiled up at him he lowered his head and devoured her mouth, smile and all. Her lips were just as warm, and just as soft as he remembered, and her mouth tasted like peaches and cinnamon and Corinne Carol-Anne and without thought he pushed her back against the hallway wall and kissed her and kissed her and kissed her as though all their time apart would disappear in that frantic mating of tongue and lips and teeth. He wanted to take her into himself, all of her, and keep her warm and safe and happy, just like this moment when she burst with joy, just to see him. --Wounded (Green and Cory, after being apart)
Amy Lane
Though I think the real question is, who would have guessed that the solemn Captain of the Guard could be so passionate?” She lay down beside Celaena, also smiling. “I’m happy for you, my friend.”Celaena smiled back. “I think … I think I’m happy for me, too.” And she was. For the first time in years, she was truly happy. The feeling curled around every thought, a tendril of hope that grew with each breath. She was afraid to look at it for too long, as though acknowledging it would somehow cause it to disappear. Perhaps the world would never be perfect, perhaps some things would never be right, but maybe she stood a chance of finding her own sort of peace and freedom.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Prayer is based on the remote possibility that someone is actually listening; but so is a lot of conversation. If the former seems far-fetched, consider the latter: even if someone is listening to your story, and really hearing, that person will disappear from existence in the blink of a cosmic eye, so why bother to tell this perhaps illusory and possibly un-listening person something he or she is unlikely to truly understand, just before the two of you blip back out of existence? We like to talk to people who answer us, intelligently if possible, but we do talk without needing response or expecting comprehension. Sometimes, the event is the word, the act of speaking. Once we pull that apart a bit, the action of talking becomes more important than the question of whether the talking is working-because we know, going in, that the talking is not working. That said, one might as well pray.
Jennifer Michael Hecht (Doubt: A History)
I move closer to the glass, as close as I can get to it, begging her, begging Lily, begging Grace, begging all of them to tell me what's left, to just tell me while the girl pushes against the window, turns her tiny hands into tiny fists, begging me for a taste of - life. My life. Lily disappears. Grace. They all leave, they're gone, they will never be here again. But the wright of what they've shown me is settling into my bones. I don't know if I will keep it, but just in this moment, however brief, I feel closer to it that I ever have before... The dead girl presses her face against the glass. She wait for me to tell her what's next.
Courtney Summers (This is Not a Test (This is Not a Test, #1))
He loved her in a subtle kind of way. It wasn’t the kind of love you see in movies, with swelling music and giant gestures and running through the streets to catch a departing train. It wasn’t the kind of love that Byron or Shakespeare wrote about, with flowery language and hyperbole and iambic pentameter. It was still and deep, like water that you might mistake for shallow if you just watched the surface. It was entirely his, not dependent on her own feelings for him, and it would still be there whether she, or him, or everyone else on the world disappeared. It was a subtle kind of love, but it was true.
Jake Christie
Let me know when you're ready to talk." She stopped and glanced at them both over her shoulder. "Maybe then I'd be ready to discuss your sexual twists and my own little abnormal desires. You never know what we all might learn that we haven't already." With that, she turned and moved back into the house, closing the door behind her and disappearing out of sight. And Cam found his back slammed against the side of Ian's Hummer, his brother in his face. Lust and irritation flared in his brother's eyes. "You better start talking," he grated. "Because you know what she just did?" "She just dared us, Cam. And I don't know about you, but the thought of 'abnormal desires' dancing through her mind is going to drive me fucking crazy. Now, fix it.
Lora Leigh (Wicked Pleasure (Bound Hearts, #9))
The game is a dominance game called I Must Impress This Woman. Failure makes the active player play harder. Wear a hunched back or a withered arm; you will then experience the invisibility of the passive player. I'm never impressed -- no woman ever is -- it's just a cue that you like me and I'm supposed to like that. If you really like me, maybe I can get you to stop. Stop; I want to talk to you! Stop; I want to see you! Stop; I'm dying and disappearing! SHE: Isn't it just a game? HE: Yes, of course. SHE: And if you play the game, it means you like me, doesn't it? HE: Of course. SHE: Then if it's just a game and you like me, you can stop playing. Please stop. HE: No. SHE: Then I won't play. HE: Bitch! You want to destroy me. I'll show you. (He plays harder) SHE: All right. I'm impressed. HE: You really are sweet and responsive after all. You've kept your femininity. You're not one of those hysterical feminist bitches who wants to be a man and have a penis. You're a woman. SHE: Yes. (She kills herself)
Joanna Russ (The Female Man)
The cruelty could not register for her. Bloodlust, she understood. Bloodlust, she was guilty of. She had lost herself in battle, too; she had gone further than she should have, she had hurt others when she should have stopped. But this—viciousness on this scale, wanton slaughter of this magnitude, against innocents who hadn’t even lifted a finger in self-defense, this she could not imagine doing. They surrendered, she wanted to scream at her disappeared enemy. They dropped their weapons. They posed no threat to you. Why did you have to do this? A rational explanation eluded her. Because the answer could not be rational. It was not founded in military strategy. It was not because of a shortage of food rations, or because of the risk of insurgency or backlash. It was, simply, what happened when one race decided that the other was insignificant. The Federation had massacred Golyn Niis for the simple reason that they did not think of the Nikara as human. And if your opponent was not human, if your opponent was a cockroach, what did it matter how many of them you killed? What was the difference between crushing an ant and setting an anthill on fire? Why shouldn’t you pull wings off insects for your own enjoyment? The bug might feel pain, but what did that matter to you? If you were the victim, what could you say to make your tormentor recognize you as human? How did you get your enemy to recognize you at all? And why should an oppressor care?
R.F. Kuang (The Poppy War (The Poppy War, #1))
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
She suddenly thought one afternoon, when looking in the glass at her fairness, that there was yet another date, of greater importance to her than those; that of her own death, when all these charms would have disappeared; a day which lay sly and unseen among all the other days of the year, giving no sign or sound when she annually passed over it; but not the less surely there. When was it? Why did she not feel the chill of each yearly encounter with such a cold relation? She had Jeremy Taylor's thought that some time in the future those who had known her would say, 'It is the -th, the day that poor Tess Durbeyfield died'; and there would be nothing singular to their minds in the statement. Of that day, doomed to be her terminus in time through all the ages, she did not know the place in month, week, season, or year.
Thomas Hardy (Tess of the D’Urbervilles)
...As she grew older, she was aware of her changing position on mortality. In her youth, the topic of death was philosophical; in her thirties it was unbearable and in her forties unavoidable. In her fifties, she had dealt with it in more rational terms, arranging her last testament, itemizing assets and heirlooms, spelling out the organ donation, detailing the exact words for her living will. Now, in her sixties, she was back to being philosophical. Death was not a loss of life, but the culmination of a series of releases. It was devolving into less and less. You had to release yourself from vanity, desire, ambition, suffering, and frustration - all the accoutrements of the I, the ego. And if you die, you would disappear, leave no trace, evaporate into nothingness...
Amy Tan (Saving Fish from Drowning)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
And yet, they hesitated. The knowledge that they might never see each other again, that some of them—maybe all of them—might not survive this night hung heavy in the air. A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse. Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air. What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too. It was Jesper who spoke first. “No mourners,” he said with a grin. “No funerals,” they replied in unison. Even Matthias muttered the words softly.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Where will you go? What will you do?" he demanded. "That need be no concern of yours--" "The hell it isn't!" he shouted. "Everything about you is my concern." She opened her mouth to deny this but the look of him stopped her. For a long tense moment he studied her and when he spoke his voice was low and furious and yearning. "I don't give a bloody damn if I never share your bed, your name, or your house -- you are still my concern. You can leave, take yourself from my ken, disappear for the rest of my life but you cannot untangle yourself from my -- my concern. That I have of you, Miss Bede, for that, at least, I do not need your permission." His words shocked her. She looked decades hence and she saw a specter of what might have been haunting her every moment, her every act, for the rest of her life. "Your concern is misplaced." "It's mine to misplace," he said steadily.
Connie Brockway (My Dearest Enemy)
When you love a woman, what do you really love in her? It will be different with different people and it will be different at different times. If love really grows, this is the way: first you fall in love with the woman because her body is beautiful. That is the first available beauty - her face, her eyes, her proportion, her elegance, her dancing, pulsating energy. Her body is beautiful. That is the first approach. You fall in love. Then after a few days you start going deeper into the woman. You start loving her heart. Now a far more beautiful revelation is coming to you. The body becomes secondary; the heart becomes primary. A new vision has arisen, a new peak. If you go on loving the woman, sooner or later you will find there are peaks beyond peaks, depths beyond depths. Then you start loving the soul of the woman. Then it is not only her heart - now that has become secondary. Now it is the very person, the very presence, the very radiance, the aliveness, that unknown phenomenon of her being - that she is. The body is very far away, the heart has also gone away - now the being is. And then one day this particular woman's being becomes far away. Now you start loving womanhood in her, the femininity, the feminineness, that receptivity. Now she is not a particular woman at all, she simply reflects womanhood, a particular form of womanhood. Now it is no longer individual, it is becoming more and more universal. And one day that womanhood has also disappeared - you love the humanity in her. Now she is not just a representative of woman, she is also a representative of man as much. The sky is becoming bigger and bigger. Then one day it is not humanity, but existence. That she exists, that's all that you want - that she exists. You are coming very close to God. Then the last point comes - all formulations and all forms disappear and there is God. You have found God through your woman, through your man. Each love is an echo of God's love.
Osho
Knock it off, you two.’ Annabeth handed her scroll to Sadie. ‘Carter, let’s trade. I’ll try your khopesh ; you try my Yankees cap.’ She tossed him the hat. ‘I’m usually more of a basketball guy, but …’ Carter put on the cap and disappeared. ‘Wow, okay. I’m invisible, aren’t I?’ Sadie applauded. ‘You’ve never looked better, brother dear.’ ‘Very funny.’ ‘If you can sneak up on Setne,’ Annabeth suggested, ‘you might be able to take him by surprise, get the crown away from him.’ ‘But you told us Setne saw right through your invisibility,’ Carter said. ‘That was me ,’ Annabeth said, ‘a Greek using a Greek magic item. For you, maybe it’ll work better – or differently, at least.’ ‘Carter, give it a shot,’ I said. ‘The only thing better than a giant chicken man is a giant invisible chicken man.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
Something snaps. I hear a gasp. I spin around. I jump up, alert, searching for the sound. It seemed close by. Someone saw me. Someone— A civilian. She’s already darting away, her body pressed against the wall of a nearby unit. “Hey!” I shout. “You there—” She stops. Looks up. I nearly collapse. Juliette. She’s staring at me. She’s actually here, staring at me, her eyes wide and panicked. My legs are suddenly made of lead. I’m rooted to the ground, unable to form words. I don’t even know where to start. There’s so much I want to say to her, so much I’ve never told her, and I’m just so happy to see her—God, I’m so relieved— She’s disappeared. I spin around, frantic, wondering whether I’ve actually begun to lose my grip on reality. My eyes land on the little dog still sitting there, waiting for me, and I stare at it, dumbfounded, wondering what on earth just happened. I keep looking back at the place I thought I saw her, but I see nothing. Nothing. I run a hand through my hair, so confused, so horrified and angry with myself that I’m tempted to rip it out of my head. What is happening to me.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
What the hell are you doing?' Jacks growled. Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen. 'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.' Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body. Something loud cracked in the doorway. Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands? He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos. Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead. Evangeline took a rasping breath, and her gaze collided with Jacks' once more. He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I paid you five thousand instead and promised the balance only if you made the match. As it turns out, this is your lucky day because I've decided to write you the full check, whether the match comes from you or from Portia. As long as I have a wife and you've been part of the process, you'll get your money." He toasted her with his beer mug. "Congratulations." She put down her fork. "Why would you do that?" "Because it's efficient." "Not as efficient as having Powers handle her own introductions. You're paying her a fortune to do exactly that." "I'd rather have you." Her pulse kicked. "Why?" He gave her the melty smile he must have been practicing since the cradle, one that made her feel as though she was the only woman in the world. "Because you're easier to bully. Do we have a deal or not?" "You don't want a matchmaker. You want a lackey." "Semantics. My hours are erratic, and my schedule changes without warning. It'll be your job to cope with all that. You'll soothe ruffled feathers when I need to cancel at the last minute. You'll keep my dates company when I'm going to be late, entertain them if I have to take a call. If things are going well, you'll disappear. If not, you'll make the woman disappear. I told you before. I work hard at my job. I don't want to have to work hard at this, too." "Basically, you expect me to find your bride, court her, and hand her over at the altar. Or do I have to come on the honeymoon, too?" "Definitely not." He gave her a lazy smile. "I can take care of that all by myself.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
you really not know the reason why I came? I came back for you. I’ll always come back for you.” He pressed his forehead to hers. His nearness tickled her senses, and she couldn’t help but hold him even tighter. Jared gently tipped Mina’s chin up, and he leaned down to press his lips to hers in a soft kiss that quickly turned into desire. So many pent-up emotions and unsaid words spilled out between them in a kiss to top all kisses. Never before had she lost all sense of time and place as her lips sought after those of her protector, her friend and her Fae prince. All thoughts of Brody disappeared as her world encompassed Jared and Jared only. He pulled away, and he was visibly shaking from the intensity of their kiss. “Mina, I want you to know that I’ve felt alone for a very long time. I was incomplete, and nothing could fill that void. Until I met you. I’ve known for a long time, but I wasn’t sure how you felt about me. At times I thought you hated me, but I wanted to tell you that I, uh, Mina, I lo—aaaarrgh!
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
Granma said that when your body died, the body-living mind died with it, and if that’s the way you had thought all your life there you was, stuck with a hickor’nut spirit, as the spirit mind was all that lived when everything else died. Then, Granma said, when you was born back—as you was bound to be—then, there you was, born with a hickor’nut spirit mind that had practical no understanding of anything. Then it might shrink up to the size of a pea and could disappear, if the body-living mind took over total. In such case, you lost your spirit complete. That’s how you become dead people. Granma said you could easy spot dead people. She said dead people when they looked at a woman saw nothing but dirty; when they looked at other people they saw nothing but bad; when they looked at a tree they saw nothing but lumber and profit; never beauty. Granma said they was dead people walking around. Granma
Forrest Carter (The Education of Little Tree)
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her. "Get off her!" Hollyleaf yowled. Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck. The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur. "Run," she hissed. "Because if you stay, I will kill you". Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse. Ivypool stared at the black she-cat. "You saved my life!" Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do. "I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
We got passes, till midnight after the parade. I met Muriel at the Biltmore at seven. Two drinks, two drugstore tuna-fish sandwiches, then a movie she wanted to see, something with Greer Garson in it. I looked at her several times in the dark when Greer Garson’s son’s plane was missing in action. Her mouth was opened. Absorbed, worried. The identification with Metro-Goldwyn-Mayer tragedy complete. I felt awe and happiness. How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show to their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God gives to it. I said (sententiously?) that God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ wasn’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
This power came forth out of the Atlantic Ocean, for in those days the Atlantic was navigable; and there was an island situated in front of the straits which are by you called the Pillars of Heracles; the island was larger than Libya and Asia put together, and was the way to other islands, and from these you might pass to the whole of the opposite continent which surrounded the true ocean; for this sea which is within the Straits of Heracles is only a harbour, having a narrow entrance, but that other is a real sea, and the surrounding land may be most truly called a boundless continent. Now in this island of Atlantis there was a great and wonderful empire which had rule over the whole island and several others, and over parts of the continent, and, furthermore, the men of Atlantis had subjected the parts of Libya within the columns of Heracles as far as Egypt, and of Europe as far as Tyrrhenia. This vast power, gathered into one, endeavoured to subdue at a blow our country and yours and the whole of the region within the straits; and then, Solon, your country shone forth, in the excellence of her virtue and strength, among all mankind. She was pre-eminent in courage and military skill, and was the leader of the Hellenes. And when the rest fell off from her, being compelled to stand alone, after having undergone the very extremity of danger, she defeated and triumphed over the invaders, and preserved from slavery those who were not yet subjugated, and generously liberated all the rest of us who dwell within the pillars. But afterwards there occurred violent earthquakes and floods; and in a single day and night of misfortune all your warlike men in a body sank into the earth, and the island of Atlantis in like manner disappeared in the depths of the sea. For which reason the sea in those parts is impassable and impenetrable, because there is a shoal of mud in the way; and this was caused by the subsidence of the island.
Plato (Timaeus/Critias)
Big Ben struck the half hour. How extraordinary it was, strange, yes, touching, to see the old lady (they had been neighbors ever so many years) move away from the window, as if she were attached to that sound, that string. Gigantic as it was, it had something to do with her. Down, down, into the midst of ordinary things the finger fell making the moment solemn. She was forced, so Clarissa imagined, by that sound, to move, to go - but where? Clarissa tried to follow her as she turned and disappeared, and could still just see her white cap moving at the back of the bedroom. She was still there moving about at the other end of the room. Why creeds and prayers and mackintoshes? when, thought Clarissa, that's the miracle, that's the mystery; that old lady, she meant, whom she could see going from chest of drawers to dressing table. She could still see her. And the supreme mystery, which Kilman might say she had solved, or Peter might say he had solved, but Clarissa didn't believe either of them had the ghost of an idea of solving, was simply this: here was one room, there another. Did religion solve that, or love?
Virginia Woolf (Mrs. Dalloway)
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed. Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
Johanna Spyri (Heidi (Heidi, #1-2))
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Once the government can demand of a publisher the names of the purchasers of his publications, the free press as we know it disappears. Then the spectre of a government agent will look over the shoulder of everyone who reads. The purchase of a book or pamphlet today may result in a subpoena tomorrow. Fear of criticism goes with every person into the bookstall. The subtle, imponderable pressures of the orthodox lay hold. Some will fear to read what is unpopular, what the powers-that-be dislike. When the light of publicity may reach any student, any teacher, inquiry will be discouraged. The books and pamphlets that are critical of the administration, that preach an unpopular policy in domestic or foreign affairs, that are in disrepute in the orthodox school of thought will be suspect and subject to investigation. The press and its readers will pay a heavy price in harassment. But that will be minor in comparison with the menace of the shadow which government will cast over literature that does not follow the dominant party line. If the lady from Toledo can be required to disclose what she read yesterday and what she will read tomorrow, fear will take the place of freedom in the libraries, book stores, and homes of the land. Through the harassment of hearings, investigations, reports, and subpoenas government will hold a club over speech and over the press." [United States v. Rumely, 345 U.S. 41 (1953)]
William O. Douglas
Fate has always been the realm of the gods, though even the gods are subject to it. In ancient Greek mythology, the Three Sisters of Fate spin out a person's destiny within three nights of their birth. Imagine your newborn child in his nursery. It's dark and soft and warm, somewhere between two and four a.m., one of those hours that belong exclusively to the newly born or the dying. The first sister - Clotho - appears next to you. She's a maiden, young and smooth. In her hands she holds a spindle, and on it she spins the thrads of your child's life. Next to her is Lachesis, older and more matronly than her sister. In her hands, she holds the rod used to mesure the thread of life. The length and destiny of your child's life is in her hands. Finally we have Atropos - old, haggardly. Inevitable. In her hands she holds the terrible shears she'll use to cut the thread of your child's life. She determines the time and manner of his or her death. Imagine the awesome and awful sight of these three sisters pressed together, presiding over his crib, dermining his future. In modern times, the sisters have largely disappeared from the collective consiousness, but the idea of Fate hasn't. Why do we still believe? Does itmake tragedy more bearable to believe that we ourselves had no hand in it, that we couldn't have prevented it? It was always ever thus. Things happen for a reason, says Natasha's mother. What she means is Fate has a Reason and, though you may not know it, there's a certain comfort in knowing that there's a Plan.
Nicola Yoon (The Sun Is Also a Star)
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.
Joanna Russ (The Female Man)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
It's not that your mother didn't love you,' the boy named Crow says from behind me. 'She loved you very deeply. The first thing you have to do is believe that. That's your starting point.' 'But she abandoned me. She disappeared, leaving me alone where I shouldn't be. I'm finally beginning to understand how much that hurt. How could she do it if she really loved me?' 'That's the reality of it. It did happen,'the boy named Crow says. 'You were hurt badly, and those scars will be with you forever. I feel sorry for you, I really do. But think of it like this: It's not too late to recover. You're young, you're tough. You're adaptable. You can patch up your wounds, lift your head, and move on. But for her that's not an option. The only thing she'll ever be is lost. It doesn't matter whether somebody judges this as good or bad- that's not the point. You're the one who has the advantage. You ought to consider that.' I don't respond. 'It all really happened, you can't undo it,' Crow tells me. 'She shouldn't have abandoned you then, and you shouldn't have been abandoned. But things in the past are like a plate that's shattered to pieces. You can never put it back together like it was, right?' I nod. You can never put it back together like it was. He's hit the nail on the head. The boy named Crow continues. 'Your mother felt a gut-wrenching kind of fear and anger inside her, okay? Just like you do now. Which is why she had to abandon you.' 'Even though she loved me?' 'Even though she loved you, she had to abandon you. You need to understand how she felt then, and learn to accept it. Understand the overpowering fear and anger she experienced, and feel it as your own- so you won't inherit it and repeat it. The main thing is this: You have to forgive her. That's not going to be easy, I know, but you have to do it. That's the only way you can be saved. There's no other way!' - pg 398-99
Haruki Murakami (Kafka on the Shore)
Justin: I am falling so in love with you. Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words. Justin: I lose myself and find myself at the same time with you. Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have. Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense. Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems. Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place. Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want. Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss. Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport. Ten minutes went by. He had said not to reply, so she hadn’t. Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now. Justin: God, I hope you aren’t… aren’t… something bad. Celeste: Hey, Justin? Justin: I TOLD YOU NOT TO REPLY! Justin: I know, I know. But I’m happy you did because I lost it there for a minute. Celeste: HEY, JUSTIN? Justin: Sorry… Hey, Celeste? Celeste: I am, unequivocally and wholly falling in love with you, too. Justin: Now I’m definitely speeding. I will see you soon.
Jessica Park (Flat-Out Celeste (Flat-Out Love, #2))
You going to the game tonight?" I was about to answer,but another voice rang out from just behind me. "She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it. "Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever. But now he was here. It was my waist he held. It didn't seem real. "I can't carry the team to victory without you," he said. "You're my rabbit's foot." I craned my neck around to look at him. "I've always dreamed of some guy saying that to me." He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered. "It doesn't take much. We're in the middle of the hallway." "You want to know what else I love?" His tone was playful. "No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered. "That." I could feel his smile against my ear. Jack was always smiling.It was what made him so likable. By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk. Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us. "Uh-oh," I said. Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback. "Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?" I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal. We hadn't even been together then. It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing. Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
Brodi Ashton (Everneath (Everneath, #1))
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
Defining philosophy as “an activity, attempting by means of discussion and reasoning, to make life happy,” he believed that happiness is gained through the achievement of moral self-sufficiency (autarkeia) and freedom from disturbance (ataraxia). The main obstacles to the goal of tranquillity of mind are our unnecessary fears and desires, and the only way to eliminate these is to study natural science. The most serious disturbances of all are fear of death, including fear of punishment after death, and fear of the gods. Scientific inquiry removes fear of death by showing that the mind and spirit are material and mortal, so that they cannot live on after we die: as Epicurus neatly and logically puts it: “Death…is nothing to us: when we exist, death is not present; and when death is present, we do not exist. Consequently it does not concern either the living or the dead, since for the living it is non-existent and the dead no longer exist” (Letter to Menoeceus 125). As for fear of the gods, that disappears when scientific investigation proves that the world was formed by a fortuitous concourse of atoms, that the gods live outside the world and have no inclination or power to intervene in its affairs, and that irregular phenomena such as lightning, thunder, volcanic eruptions, and earthquakes have natural causes and are not manifestations of divine anger. Every Epicurean would have agreed with Katisha in the Mikado when she sings: But to him who’s scientific There’s nothing that’s terrific In the falling of a flight of thunderbolts! So the study of natural science is the necessary means whereby the ethical end is attained. And that is its only justification: Epicurus is not interested in scientific knowledge for its own sake, as is clear from his statement that “if we were not disturbed by our suspicions concerning celestial phenomena, and by our fear that death concerns us, and also by our failure to understand the limits of pains and desires, we should have no need of natural science” (Principal Doctrines 11). Lucretius’ attitude is precisely the same as his master’s: all the scientific information in his poem is presented with the aim of removing the disturbances, especially fear of death and fear of the gods, that prevent the attainment of tranquillity of mind. It is very important for the reader of On the Nature of Things to bear this in mind all the time, particularly since the content of the work is predominantly scientific and no systematic exposition of Epicurean ethics is provided.25 Epicurus despised philosophers who do not make it their business to improve people’s moral condition: “Vain is the word of a philosopher by whom no human suffering is cured. For just as medicine is of no use if it fails to banish the diseases of the body, so philosophy is of no use if it fails to banish the suffering of the mind” (Usener fr. 221). It is evident that he would have condemned the majority of modern philosophers and scientists.
Lucretius (On the Nature of Things (Hackett Classics))
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))