World Cutting Slash Quotes

We've searched our database for all the quotes and captions related to World Cutting Slash. Here they are! All 20 of them:

an old man with no destiny with our never knowing who he was, or what he was like, or even if he was only a figment of the imagination, a comic tyrant who never knew where the reverse side was and where the right of this life which we loved with an insatiable passion that you never dared even to imagine out of the fear of knowing what we knew only too well that it was arduous and ephemeral but there wasn't any other, general, because we knew who we were while he was left never knowing it forever with the soft whistle of his rupture of a dead old man cut off at the roots by the slash of death, flying through the dark sound of the last frozen leaves of his autumn toward the homeland of shadows of the truth of oblivion, clinging to his fear of the rotting cloth of death's hooded cassock and alien to the clamor of the frantic crowds who took to the streets singing hymns of joy at the jubilant news of his death and alien forevermore to the music of liberation and the rockets of jubilation and the bells of glory that announced to the world the good news that the uncountable time of eternity had come to an end.
Gabriel García Márquez (The Autumn of the Patriarch)
You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it’s all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
In Group, Casper doesn't like us to say cut or cutting or burn or stab. She says it doesn't matter what you do or how you do it: it's all the same. You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it's all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
The dark breaks wide in fragile rays. Dawn on Ithiss-Tor is more subtle than other sunrises. I have lost count of the worlds where I have stood and watched the light rise, peeling away the sky, sometimes in quiet colors, and sometimes in raw, violent slashes, as if the goddess I don't believe in has cut her veins. And sometimes, as on Gehenna, the sky changes not at all, just endless night, or endless brilliance--and after a time, the constant uniformity makes you feel as if you are the thing that must give way.
Ann Aguirre (Doubleblind (Sirantha Jax, #3))
The purpose of any economic system should be to produce the goods and services people need to live full and happy lives. But that is not the purpose of capitalism. Capitalism is a system of competitive capital accumulation driven by profit and the enrichment of the few. The drive for profit – as much as possible, as quick as possible, no matter how – had created the speculative bubble of the late 1920s. Now, in the crash, shoring up profits meant cutting wages, slashing services, and choking trade, thereby plunging the world into permanent slump.
Neil Faulkner (A Marxist History of the World: From Neanderthals to Neoliberals)
[For the past forty years], guided by the dogmas of neoliberalism, governments have privatised public services, slashed social spending, cut wages and labour protections, handed tax cuts to the richest and sent inequality soaring. In an age of climate breakdown, we need to be doing exactly the opposite.
Jason Hickel (Less Is More: How Degrowth Will Save the World)
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
H.G. Wells (The Holy Terror)
As we have seen, neoliberalism propagated its ideology through a division of labour – academics shaping education, think tanks influencing policy, and popularisers manipulating the media. The inculcation of neoliberalism involved a full-spectrum project of constructing a hegemonic worldview. A new common sense was built that came to co-opt and eventually dominate the terminology of ‘modernity’ and ‘freedom’ – terminology that fifty years ago would have had very different connotations. Today, it is nearly impossible to speak these words without immediately invoking the precepts of neoliberal capitalism. We all know today that ‘modernisation’ translates into job cuts, the slashing of welfare and the privatisation of government services. To modernise, today, simply means to neoliberalise. The term ‘freedom’ has suffered a similar fate, reduced to individual freedom, freedom from the state, and the freedom to choose between consumer goods.
Nick Srnicek (Inventing the Future: Postcapitalism and a World Without Work)
Today, nearly every government in the world, rich and poor alike, is focused single-mindedly on GDP growth. This is no longer a matter of choice. In a globalised world where capital can move freely across borders at the click of a mouse, nations are forced to compete with one another to attract foreign investment. Governments find themselves under pressure to cut workers’ rights, slash environmental protections, open up public land to developers, privatise public services – whatever it takes to please the barons of international capital in what has become a global rush towards self-imposed structural adjustment. All of this is done in the name of growth.
Jason Hickel (Less Is More: How Degrowth Will Save the World)
And now it is said of me That my love is nothing because I have borne no children, Or because I have fathered none; That I twisted the twig in my hands And cut the blossom free too soon from the seed; That I lay across the fire, And snuffed it dead sooner than draft or rain. But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me, Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again. I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it. I will not banish love to empty rain. For I know that I am asked to hate myself For their sweet sake Who sow the world with child. I am given to burn on the dark fire they make With their sly voices. But I have burned already down to bone. There is a fire that burns beyond the names Of sludge and filth of which this world is made. Agony sears the dark flesh of the body, And lifts me higher than the smoke, to rise Above the earth, above the sacrifice; Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air: Free of the body’s work of twisted iron.
James Wright
The principal energy sources of our present industrial civilization are the so-called fossil fuels. We burn wood and oil, coal and natural gas, and, in the process, release waste gases, principally CO2, into the air. Consequently, the carbon dioxide content of the Earth’s atmosphere is increasing dramatically. The possibility of a runaway greenhouse effect suggests that we have to be careful: Even a one- or two-degree rise in the global temperature can have catastrophic consequences. In the burning of coal and oil and gasoline, we are also putting sulfuric acid into the atmosphere. Like Venus, our stratosphere even now has a substantial mist of tiny sulfuric acid droplets. Our major cities are polluted with noxious molecules. We do not understand the long-term effects of our course of action. But we have also been perturbing the climate in the opposite sense. For hundreds of thousands of years human beings have been burning and cutting down forests and encouraging domestic animals to graze on and destroy grasslands. Slash-and-burn agriculture, industrial tropical deforestation and overgrazing are rampant today. But forests are darker than grasslands, and grasslands are darker than deserts. As a consequence, the amount of sunlight that is absorbed by the ground has been declining, and by changes in the land use we are lowering the surface temperature of our planet. Might this cooling increase the size of the polar ice cap, which, because it is bright, will reflect still more sunlight from the Earth, further cooling the planet, driving a runaway albedo* effect? Our lovely blue planet, the Earth, is the only home we know. Venus is too hot. Mars is too cold. But the Earth is just right, a heaven for humans. After all, we evolved here. But our congenial climate may be unstable. We are perturbing our poor planet in serious and contradictory ways. Is there any danger of driving the environment of the Earth toward the planetary Hell of Venus or the global ice age of Mars? The simple answer is that nobody knows. The study of the global climate, the comparison of the Earth with other worlds, are subjects in their earliest stages of development. They are fields that are poorly and grudgingly funded. In our ignorance, we continue to push and pull, to pollute the atmosphere and brighten the land, oblivious of the fact that the long-term consequences are largely unknown.
Carl Sagan (Cosmos)
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
Philip Roth (The Human Stain (The American Trilogy, #3))
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
Anonymous
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
But Ford’s experiment in paying a livable wage worked. He later described the pay hike as the best cost-cutting move he ever made. Turnover shrank, slashing training costs, and absenteeism decreased as productivity increased—the expectation from managers was that the increased wages deserved increased speed on the line. Wall Street investors and fellow automakers initially excoriated Ford for his wage scheme, but other carmakers eventually followed suit, propelled by Ford’s massive leaps in production while reducing his per-unit costs. A Model T that cost $850 in 1908, on par with cars sold by the new Cadillac company, dropped to $290 by 1920, helping make Ford one of the world’s wealthiest men. And the high wages made Detroit a magnet. Nondecennial surveys by the Census Bureau chart the impact. In 1909, Detroit had 81,000 wage earners who made $43 million working for 2,036 establishments that cranked out $253 million worth of products. In 1914, after Ford’s $5 day began, the same number of establishments employed nearly 100,000 people who made $69 million while producing $400 million worth of goods. In 1919, with World War I raging and the $5 day in full force across the automotive industry, 2,176 establishments were employing 167,000 people, who made $245 million as they produced $1.2 billion worth of goods. In short, the ranks of industrial workers more than doubled, and their wages and the value of the products they made nearly quintupled. Detroit’s ancillary businesses, from clothing stores to restaurants, thrived.
Scott Martelle (Detroit: A Biography)
Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.
Catherine Anderson (Comanche Moon (Comanche, #1))
You two,” Klasto went on, “started complicating your relationship to the streams. First, you started drawing from deep magic.” He drew lines from the figures to the chaotic scribbles at the bottom of the page. “And then you started drawing from each other, even though you both Wielded different types of magic. And if you were actually making use of that magic together, then you were accessing deep magic through each other.” He drew lines between the two figures, and more that ran from each figure, to each other, to each of the streams, to the scribbles, and back. It quickly devolved into a tangled mess. “It may look messy, but this actually would have worked fine for you if you’d managed to avoid getting A’Maril and dying. But…” He drew a slash across the page, cutting through all the lines. “If something were to disrupt those connections, especially if, as you say, you were together when it happened, then it’s much more likely to affect both of you.” This all seemed, frankly, ridiculous. “So what does this mean, exactly?” I asked. “You’re saying that if we’re going to fix this, we need to do it together?” “You don’t need to, but it would be the easiest path.” “What do we do?” Tisaanah already looked prepared to face down the world. It was a little charming. Klasto smiled. “We’re going to be a bit unconventional, darlings. I hope you forgive me.
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
Past the woodshed, past the creek that ran behind our inn, deep in the wild heart of the forest, was a circle of alder trees we called the Goblin Grove. The trees grew in such a way as to suggest twisted arms and monstrous limbs frozen in an eternal dance, and Constanze liked to tell us that the trees had once been humans- naughty young women- who displeased Der Erlkönig. As children we had played here, Josef and me, played and sang and danced, offering our music to the Lord of Mischief. The Goblin King was the silhouette around which my music was composed, and the Goblin Grove was the place my shadows came to life. I spied a scarlet shape in the woods ahead of me. Käthe in my cloak, walking to my sacred space. An irrational, petty slash of irritation cut through my dread and unease. The Goblin Grove was my haunt, my refuge, my sanctuary. Why must she take everything that was mine? My sister had a gift for turning the extraordinary into the ordinary. Unlike my brother and me- who lived in the ether of magic and music- Käthe lived in the world of the real, the tangible, the mundane. Unlike us, she never had faith.
S. Jae-Jones (Wintersong (Wintersong, #1))
The horror of death came not in the slash of a knife or a splash of blood, it came from knowing that life could be cut down as easily as plucking a flower from a field. One moment, there was a glimmer in someone’s eyes, the next, a corpse with no more hope for tomorrow than a rock.
Peter Cawdron (Hello World)
Buy Verified Payoneer Accounts Payoneer is a financial services company that provides online money transfer and digital payment services. It gives individuals and businesses the ability to send and receive payments globally, including the ability to withdraw funds to local bank accounts or ATMs. So, if you think you need a payoneer account! To receive your payments quickly and securely, you must purchase a Payoneer account. We provide fully verified Payoneer accounts in USA, UK, CA, and other countries at affordable prices. Buy Payoneer Accounts Service Features 2024 :- ✅ Email verified ✅ USA number verified ✅ SSN verified ✅ Driver’s license verified ✅ Passport verified ✅ Bank verified ✅ Billing Papers Verified ✅ Login access guaranteed ✅ 100% satisfaction guaranteednt. ✅ We offer 7 days replacement guarantee. ✅ 24/7 customer support for any kind of help. ✅ Accounts Is Available (USA,UK,CAN,AUS, And Other Countries) ➤ 24/7 Hours Reply/Contact ➤ Skype: Top5StarShop ➤ Telegram: @Top5StarShop ➤ WhatsApp: +1 (470) 206-8684 ➤ Email: top5starshop99@gmail.com reaking: Payoneer Slashes Verification Fees For Global Users Article Image Payoneer has become one of the most trusted platforms for global payments. Millions of users need a verified Payoneer account to run their business transactions. The platform works seamlessly with Amazon, eBay, Upwork, and Fiverr, making it vital for freelancers and digital entrepreneurs around the world. The verification process usually takes several days to weeks, and this has been the biggest problem for users who need quick access to global payment solutions. Payoneer recently announced they're cutting down verification fees, which tackles one of their toughest challenges. This change matters even more because Payoneer's resilient security features, like two-factor authentication and fraud protection, have always set strict standards for account verification. The platform keeps these security measures intact while becoming more available to users of all regions who want to send and receive money in different currencies. Users Celebrate as Payoneer Slashes Verification Fees Payoneer's decision to cut verification fees has created excitement among freelancers and entrepreneurs worldwide. Many freelancers who found the verified account fees too expensive now see it as a viable option. Original reactions from freelancers and entrepreneurs The freelance and business community has welcomed Payoneer's fee reduction with open arms. The platform's millions of users worldwide, especially those on Amazon and Upwork, share positive feedback about their experience. This change addresses one of their biggest concerns. ➤ 24/7 Hours Reply/Contact ➤ Skype: Top5StarShop ➤ Telegram: @Top5StarShop ➤ WhatsApp: +1 (470) 206-8684 ➤ Email: top5starshop99@gmail.com
Candelaria Guadalupe Domínguez Coronado (Soy judia: historia personal del holocausto judio)