Work Sucks Quotes

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She stood in his kitchen, watching him toy with the ring in his lip. It wasn't quite that he was biting it, but sucking it into his mouth. He did that when he was concentrating. It isn't sexy. He's not sexy. But he was, and she was staring at him like a fool. "wow" she whispered (.....)"Wow, huh?" His voice was low, husky. His chair creaked as he stood. His footsteps seemed strangely loud as he closed the couple yards between them. Then he was beside her. "I can work with wow
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
Just because your life isn't as awful as someone else's, that doesn't mean it doesn't suck. You can't compare how you feel to the way other people feel. It just doesn't work. What might look like the perfect life -- or even an okay life -- to you might not be so okay for the person living it.
Michael Thomas Ford (Suicide Notes)
Another year is fast approaching. Go be that starving artist you’re afraid to be. Open up that journal and get poetic finally. Volunteer. Suck it up and travel. You were not born here to work and pay taxes. You were put here to be part of a vast organism to explore and create. Stop putting it off. The world has much more to offer than what’s on 15 televisions at TGI Fridays. Take pictures. Scare people. Shake up the scene. Be the change you want to see in the world.
Jason Mraz
It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I'm losing my mind without you.” His lips were gliding down my neck, his tongue stroking over my racing pulse. He sucked on my skin and pleasure radiated through me. “I can’t think. I can’t work or sleep. My body aches for you. I can make you want me again. Let me try.
Sylvia Day (Bared to You (Crossfire, #1))
The difference between a non-suicide and an ex-suicide leaving the house for work, at eight o'clock on an ordinary morning: The non-suicide is a little traveling suck of care, sucking care with him from the past and being sucked toward care in the future. His breath is high in his chest. The ex-suicide opens his front door, sits down on the steps, and laughs. Since he has the option of being dead, he has nothing to lose by being alive. It is good to be alive. He goes to work because he doesn't have to.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
Rose: "I was testing dorm security. It sucks." Dimitri: "You must be freezing. Do you want my coat?" Rose: "I'm fine. What are you doing out here? Are you testing security too?" Dimitri: "I am security. This is my watch." Rose: "Well, good work. I'm glad I was able to help test your awesome skills." - Rose Hathaway and Dimitri Belikov (Shadow Kiss)
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Capital is dead labour, which, vampire-like, lives only by sucking living labour, and lives the more, the more labour it sucks.
Karl Marx
I’ve been thinking about that ever since. Am I lucky? Am I lucky that I didn’t die? Am I lucky that, compared to the other kids here, my life doesn’t seem so bad? Maybe I am, but I have to say, I don’t feel lucky. For one thing, I’m stuck in this pit. And just because your life isn’t as awful as someone else’s, that doesn’t mean it doesn’t suck. You can’t compare how you feel to the way other people feel. It just doesn’t work. What might look like the perfect life—or even an okay life—to you might not be so okay for the person living it.
Michael Thomas Ford (Suicide Notes)
It truly sucks to doubt your friends when you only have one or two of them, I realized.
Lilith Saintcrow (Working for the Devil (Dante Valentine, #1))
Sunday just came down like a nine-pound hammer ... it was tainted with the closing-in feeling of the loss of freedom. Because after the sun went down, it came back up on Monday morning. And you had to go to work five more days. And it sucked.
Larry Brown (A Miracle of Catfish)
I felt empty and sad for years, and for a long, long time, alcohol worked. I’d drink, and all the sadness would go away. Not only did the sadness go away, but I was fantastic. I was beautiful, funny, I had a great figure, and I could do math. But at some point, the booze stopped working. That’s when drinking started sucking. Every time I drank, I could feel pieces of me leaving. I continued to drink until there was nothing left. Just emptiness.
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
Tonight sucks. And look at me. Look at - look at stupid Buffy. Too dumb for college, and-and-and freak Buffy, too strong for construction work. And-and my job at the magic shop? I was bored to tears even before the hour that wouldn't end. And the only person that I can even stand to be around is a... neutered vampire who cheats at kitten poker.
Joss Whedon
Most people think life sucks, and then you die. Not me. I beg to differ. I think life sucks, then you get cancer, then your dog dies, your wife leaves you, the cancer goes into remission, you get a new dog, you get remarried, you owe ten million dollars in medical bills but you work hard for thirty five years and you pay it back and then one day you have a massive stroke, your whole right side is paralyzed, you have to limp along the streets and speak out of the left side of your mouth and drool but you go into rehabilitation and regain the power to walk and the power to talk and then one day you step off a curb at Sixty-seventh Street, and BANG you get hit by a city bus and then you die. Maybe
Denis Leary
I can’t tell you what to do. No one can. But as the mother of two children, I can tell you what most moms will: that mothering is absurdly hard and profoundly sweet. Like the best thing you ever did. Like if you think you want to have a baby, you probably should. I say this in spite of the fact that children are giant endless suck machines. They don’t give a whit if you need to sleep or eat or pee or get your work done or go out to a party naked and oiled up in a homemade Alice B. Toklas mask. They take everything. They will bring you the furthest edge of your personality and abso-fucking-lutely to your knees. They will also give you everything back. Not just all they take, but many of the things you lost before they came along as well.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
W.W. Hale the Forth bought the car for Headmaster Franklin, or didn’t they mention that? Granted it was to make up for the fire that W.W. Hale allegedly started in the eighth grade before they suggested that all current and future W.W. Hales continue their education elsewhere- which worked out just as well since I’m at the Knightsbury Institute now.” “I’ve never heard of it” “My father got a letter just this week telling him I have become a model student” “Congratulations”… “Yeah, well, I’m the only student.”… “Of course the downside of attending a fictional school is that our lacrosse team sucks.
Ally Carter (Heist Society (Heist Society, #1))
Damn Jeremy, you need to work on your vocabulary. So many good names to call me and the best you could come up with is bitch? Give me the salamander before you hurt yourself." "Suck my dick...whore!
Ilona Andrews (Magic Burns (Kate Daniels, #2))
What you need to give me is to know it is not about you, it’s about me, you gotta suck it up and stand by me, you gotta know, in the end, I’ll work my ass off to make it all worth it to you and you gotta always remember I love you and I have never, not once, said those words to any breathing soul so you also gotta know what that means.
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
Then I remember that God is really, really old. So maybe God has God arthritis. And maybe that's why the world sucks. Maybe God's hands and fingers don't work as well as they used to.
Sherman Alexie (Flight)
I believe in success. No matter how much the hard work sucks, the triumph is just like good sex!
Himmilicious
Number three, you’re so fucking hot when you get worked up that I would really like for you to suck my cock. And when I say I would really like that, I mean suck my cock, Lexi. Now.
Belle Aurora (Raw (RAW Family, #1))
The best way to guarantee you have a job tomorrow is to not finish all the work your boss asked of you today. Wait, that’s not right. Sorry, I’m thinking like a government employee again.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
they pulled Ezra through the streets in a wooden cage. Blake was sure of God. Villon was a mugger. Lorca sucked cock. T. S. Eliot worked a teller's cage
Charles Bukowski (Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit)
I feel like we meet people in life and want so much for them to like us that we suck in our stomachs and pretend we don’t fart and tell them a bunch of things we think they want to know. If it works they fall for the person we want to be, and not for the person we are.
Christina Lauren (My Favorite Half-Night Stand)
Some people work to live, and other people live to work. Then some people, like me, are both unemployed and alive (at least at the time of this writing).

Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
What’s your favorite flavor of shit sandwich?” What Manson means is that every single pursuit—no matter how wonderful and exciting and glamorous it may initially seem—comes with its own brand of shit sandwich, its own lousy side effects. As Manson writes with profound wisdom: “Everything sucks, some of the time.” You just have to decide what sort of suckage you’re willing to deal with. So the question is not so much “What are you passionate about?” The question is “What are you passionate enough about that you can endure the most disagreeable aspects of the work?” Manson explains it this way: “If you want to be a professional artist, but you aren’t willing to see your work rejected hundreds, if not thousands, of times, then you’re done before you start. If you want to be a hotshot court lawyer, but can’t stand the eighty-hour workweeks, then I’ve got bad news for you.” Because if you love and want something enough—whatever it is—then you don’t really mind eating the shit sandwich that comes with it.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
"So I've got to find a mountiain that nobody's ever seen. And work out the answer to a riddle that nobody's ever solved. And kill a bear that nobody can fight." Renn sucked in her breath. "You've go to try."
Michelle Paver (Wolf Brother (Chronicles of Ancient Darkness, #1))
Shut up, Kelsey, and just give Lissa a chance," Chloe snapped. Kelsey mocked surprise. "Oh my God, Chloe can speak? I thought her mouth only worked for sucking dicks. It's a miracle.
Kody Keplinger (Shut Out (Hamilton High, #2))
So often, when someone is in pain, we’re afraid to say, “Yes, this hurts. Yes, this is a big deal. Yes, this sucks.” We think our job is to make things better, so we minimize the pain.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
It turns out that (he) has a condition known as micropenis. This means his penis is less than three inches long, fully erect. It looks like a large clitoris, sticking out above two balls. "Suck my big, fat cock, " he tells me. "You like that big dick?" I am dizzy. I am literally dizzy. I was so shocked to encounter the micropenis and now am even more shocked to encounter the apparent lack of knowledge about the micropenis. I grip it in my hand, and it's lost, so I use my thumb and index finger to jerk it. "Yeah, " he says. "Yeah, man, stroke that long, hard cock. Work it." I am now engaged in what I consider volunteer work. I am jerking him off purely out of pity. This is really no different from donating five percent of my paycheck to United Way every month, and it occurs to me that maybe now I don't need to give to the United Way and instead can keep the cash for myself for dating, which I am obviously going to have to do quite a bit more of.
Augusten Burroughs (Magical Thinking: True Stories)
Me: Well, you see, I, uh, I'm a cancer survivor. Person #1: And how's that working out for you? Me: Well, you see, I, uh, used to have leukemia. Person #2: Dude, how come you're not, like, BALD? Me: Well, you see, I, uh, I had acute lymphocytic lymphoma when I was five. Person #3: Whoa. THAT must'a sucked. I once had my tonsils out...
Jordan Sonnenblick (After Ever After)
But there’s a reason. There’s a reason. There’s a reason for this, there’s a reason education sucks, and it’s the same reason that it will never, ever, ever be fixed. It’s never gonna get any better. Don’t look for it. Be happy with what you got. Because the owners of this country don't want that. I'm talking about the real owners now, the real owners, the big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They’ve long since bought and paid for the senate, the congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying, lobbying, to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don’t want: They don’t want a population of citizens capable of critical thinking. They don’t want well informed, well educated people capable of critical thinking. They’re not interested in that. That doesn’t help them. Thats against their interests. Thats right. They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money. They want your retirement money. They want it back so they can give it to their criminal friends on Wall Street, and you know something? They’ll get it. They’ll get it all from you, sooner or later, 'cause they own this fucking place. It's a big club, and you ain’t in it. You and I are not in the big club. And by the way, it's the same big club they use to beat you over the head with all day long when they tell you what to believe. All day long beating you over the head in their media telling you what to believe, what to think and what to buy. The table is tilted folks. The game is rigged, and nobody seems to notice, nobody seems to care. Good honest hard-working people -- white collar, blue collar, it doesn’t matter what color shirt you have on -- good honest hard-working people continue -- these are people of modest means -- continue to elect these rich cocksuckers who don’t give a fuck about them. They don’t give a fuck about you. They don’t give a fuck about you. They don't care about you at all -- at all -- at all. And nobody seems to notice, nobody seems to care. That's what the owners count on; the fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes everyday. Because the owners of this country know the truth: it's called the American Dream, because you have to be asleep to believe it.
George Carlin
Rose: "I was testing dorm security. It sucks." Dimitri: "You must be freezing. Do you want my coat?" "Rose: "I'm fine. What are you doing out here? Are you testing security too?" Dimitri: "I am security. This is my watch." Rose: "Well, good work. I'm glad I was able to help test your awesome skills.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I spent most of my teen years trying to figure out the rules of life, theories for why things happened, why people behaved as they did, and mostly I came to the conclusion that either there were no rules, or the rules sucked. Reading science fiction wasn't about imagining myself into some more exciting life filled with adventure, it was about finding a world where things worked the way I wanted them to.
Robin Wasserman
Here's what vampires shouldn't be: pallid detectives that drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers that can't get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance. ( American Vampire Vol. 1 : Introduction-"SUCK ON THIS" by Stephen King)
Stephen King
Rust, corrosion, wind, rain. The nibbling teeth of mice and the acrid droppings of insects and the devouring jaws of years. The was of nature upon machines, of the planet's chaotic forces upon the works of humankind. The energy that man had pulled from the earth was being inexorably pulled back into it, sucked like water down a drain. Before long, if it hadn't happened already, not a single high-tension pole would be left standing on the earth. Mankind had built a world that would take a hundred years to die. A century for the last light to go out.
Justin Cronin (The Passage (The Passage, #1))
You know, having a child changes everything. The father starts loving the soul-sucking job he so detested. The mother begins to find the daily mundane tasks she is assigned as pleasurable. Parents realize that they are accountable to their kid. They, therefore, do things out of responsibility and not out of one’s liking for it.
Abhaidev (The Influencer: Speed Must Have a Limit)
But first on earth as vampire sent Thy corpse shall from its tomb be rent Then gastly haunt thy native place And suck the blood of all thy race
Lord Byron (Byron's Poetical Work)
Sometimes we just have to suck it up and do what we have to do, until we are able to do what we want to do.
Mark W. Boyer
Tonight I will suck the marrow from your bones!” it said. “I will dry them and work them most cunningly into instruments of music! Whenever I play upon them, your spirit will writhe in bodiless agony!” “You burn prettily,” I said.
Roger Zelazny (The Guns of Avalon (The Chronicles of Amber, #2))
It drains the bars and cafes after hours, concentrates the wicked and the guilty along its chipped Formica counter, and thrums with the gossip of criminals, policemen, shtarkers,and schlemiels, whores and night owls ... three or four floaters, solitaries, and drunks between benders lean against the sparkly resin counter, sucking the tea from their shtekelehs and working the calulations of their next big mistake.
Michael Chabon
And just because your life isn't as awful as someone else's, that doesn't mean it doesn't suck. You can't compare how you feel to the way other people feel. It just doesn't work. What might look like the perfect life- or even an okay life- to you might not be so okay for the person living it.
Michael Thomas Ford (Suicide Notes)
Adults have an amazing capacity to suck the joy out of such noble pursuits as Reading and Writing until they resemble their favorite pastimes: Working and Suffering.
P.J. Bracegirdle
Oh my God, Chloe can speak? I thought her mouth only worked for sucking dicks. It’s a miracle.
Kody Keplinger
She was too well acquainted with the way things work in real life. Real life sucked. But it was real. It was unapologetic. It made no excuses. It just was.
Maya Banks (Fever (Breathless, #2))
Inertia is the death of creativity. You have to stay in the groove. When you get out of the groove, you start to dread the work, because you know it’s going to suck for a while—it’s going to suck until you get back into the flow.
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
They all call me "Excuse me," even though my nametag clearly says "Jordan." It's like people don't actually exist while they're working. Workers are just tools who aren't supposed to have feelings or personalities. You don't become human until your shift is over. Until then, we're all just zombies. We're dead to the world: infected people who need to be avoided, unless, of course, someone needs to know where the paintbrushes are located.
J. Cornell Michel (Jordan's Brains: A Zombie Evolution)
Let me tell you what I think about your fucking rules," he said, his voice dripping with venom as he pushed past Liam. "You sit up in your room and you pretend like you want what's best for everyone, but you don't do any of the work yourself. I can't tell if you're just a spoiled little shit, or if you're too worried about getting your pretty princess hands dirty, but it sucks. You are fucking awful, and you sure as hell don't have me fooled... You talk about us all being equals, like we're one big rainbow of peace and all that bullshit, but you never once believed that yourself, did you? You won't let anyone contact their parents, and you don't care about the kids that are still trapped in camps your father set up. You wouldn't even listen when the Watch kids brought it up. So what I want to know is, why can't we leave?... What's the point of this place, other than for you to get off on how great you are and toy with people and their feelings?
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
You suck at working with someone," I say, because it's true.
Elizabeth Norris (Unbreakable (Unraveling, #2))
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
It is a common belief that we breathe with our lungs alone, but in point of fact, the work of breathing is done by the whole body. The lungs play a passive role in the respiratory process. Their expansion is produced by an enlargement, mostly downward, of the thoracic cavity and they collapse when that cavity is reduced. Proper breathing involves the muscles of the head, neck, thorax, and abdomen. It can be shown that chronic tension in any part of the body's musculature interferes with the natural respiratory movements. Breathing is a rhythmic activity. Normally a person at rest makes approximately 16 to 17 respiratory incursions a minute. The rate is higher in infants and in states of excitation. It is lower in sleep and in depressed persons. The depth of the respiratory wave is another factor which varies with emotional states. Breathing becomes shallow when we are frightened or anxious. It deepens with relaxation, pleasure and sleep. But above all, it is the quality of the respiratory movements that determines whether breathing is pleasurable or not. With each breath a wave can be seen to ascend and descend through the body. The inspiratory wave begins deep in the abdomen with a backward movement of the pelvis. This allows the belly to expand outward. The wave then moves upward as the rest of the body expands. The head moves very slightly forward to suck in the air while the nostrils dilate or the mouth opens. The expiratory wave begins in the upper part of the body and moves downward: the head drops back, the chest and abdomen collapse, and the pelvis rocks forward. Breathing easily and fully is one of the basic pleasures of being alive. The pleasure is clearly experienced at the end of expiration when the descending wave fills the pelvis with a delicious sensation. In adults this sensation has a sexual quality, though it does not induce any genital feeling. The slight backward and forward movements of the pelvis, similar to the sexual movements, add to the pleasure. Though the rhythm of breathing is pronounced in the pelvic area, it is at the same time experienced by the total body as a feeling of fluidity, softness, lightness and excitement. The importance of breathing need hardly be stressed. It provides the oxygen for the metabolic processes; literally it supports the fires of life. But breath as "pneuma" is also the spirit or soul. We live in an ocean of air like fish in a body of water. By our breathing we are attuned to our atmosphere. If we inhibit our breathing we isolate ourselves from the medium in which we exist. In all Oriental and mystic philosophies, the breath holds the secret to the highest bliss. That is why breathing is the dominant factor in the practice of Yoga.
Alexander Lowen (The Voice of the Body)
My slick finger worked my clit back and forth as my eyes slid shut and I imagined Auric's face. Those hard lips, his strong jaw. My nipples puckered as I pictured him sucking them, those wicked green eyes looking up at me as he nipped my erect nubs.
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
Eventually my dad got home from work and set his briefcase down. 'So. How was practice?' he asked 'It was good. Why? Did you hear it wasn't?' I said, trying to keep my cool. 'Son, no offense, but you play Little League. It's not the Yankees. I don't get daily reports about who's hitting the shit out of the ball
Justin Halpern (I Suck at Girls)
If you haven't noticed yet, working sucks. Unless you are a racecar driver or an astronaut or Beyonce, working is completely and utterly devoid of awesome. It is hard, it lasts all day, the lighting is generally fluorescent, and, apparently, drinking at your desk is frowned upon. If you ever needed to ruin someone's fun, I mean really poop a party, just move things to the workplace. Fun terminated.
Aisha Tyler (Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation)
You're pretty sassy this morning, son. Is it all about Reingold's rulings?" "That didn't suck, but I've got me a fascinating, beautiful woman I'm falling for. Falling hard." "Quick work." "In the blood. My mama and daddy barely did more than look at each other, and that was that. She's got me, Russ. Right here." He tapped a fist on his heart. "Surely it's not considerably lower where she's got you?" "There, too. But, Jesus, Russ, she does it for me. I just think about her, and... I swear I could look at her for hours. Days." Brooks let out a half-laugh, edged with a little surprise. "I'm done. I'm gone.
Nora Roberts (The Witness)
Had I been wrong about Ryan? Did he beat Noah up and leave him there for me to suck the remaining breath from his unconscious body? Were we like some anti-superhero duo, working together to spread our evil stepsibling karma across the planet?
Melissa Francis (Bite Me! (Bite Me, #1))
Just because your life isn't as awful as someone else's that doesn't mean it doesn't suck. You can't compare how you feel to the way other people feel. It just doesn't work. What might look like the perfect life - or even an okay life - to you might not be so okay for the person living it.
Michael Thomas Ford (Suicide Notes)
Tegan leans forward, pressing his lips to mine too quickly for my taste. "Because." Another kiss. "You're." Oh, one more. "My girl." Two kisses this time. "And it doesn't feel right for you to pay me for us to work out together. Because I want to be able to kiss you when I want and I can't do that if you're my client." At least I think that's what he said. I'm not sure I caught anything after him telling me I'm his girl. "I am? Your girl, I mean?" He gives my waist a squeeze and I suck in my stomach. "I thought so, unless you're only using me for my make-out abilities." "You're so -" "Conceited. I know. But you like it.
Nyrae Dawn (Measuring Up)
Shit, the crazy bitch had bitten my cock. I was a vamp so sure I liked to be bit, but my dick: hell no. But then her Sventé saliva got to work in my system as she continued to suck and, Holy Mary Mother of God, I thought my entire cock would explode. “Oh fuck yeah.” I didn’t think it was possible for her to suck harder, but then she did. Only seconds later a loud, guttural groan left my throat as I erupted into her mouth.
Suzanne Wright (Here Be Sexist Vampires (Deep In Your Veins, #1))
Whedon: Studios will tell you: A woman cannot headline an action movie. After The Hunger Games they might stop telling you that a little bit. Whatever you think of the movie, it’s done a great service. And after The Avengers, I think it’s changing. Johansson: A lot of the female superhero movies just suck really badly. Whedon: The suck factor is not small. Johansson: They are really not well made, and already you’re fighting against the tide. There are a couple [female-driven action movies] that have worked-ish, don’t you think? Hemsworth: Angelina Jolie tends to do it pretty well, as the dominant female. Jackson: They got to get The Pro to the screen! Whedon: [Groaning] See, that is the problem. Sam is the problem! Jackson: I love that book! Whedon: [Reluctantly] The Pro is hilarious. Jackson: The Pro’s hilarious. [To the group] You ever see or hear of it? Johansson: No, what’s The Pro? Jackson: It’s [a comic book] about a hooker who gets super powers! Johansson: [Pauses] That is exactly the problem right there. Whedon: That’s why I wasn’t going to bring up The Pro! (From an Entertainment Weekly interview)
Joss Whedon
London, the crouching monster, like every other monster has to breathe, and breathe it does in its own obscure, malignant way. Its vital oxygen is composed of suburban working men and women of all kinds, who every morning are sucked up through an infinitely complicated respiratory apparatus of trains and termini into the mighty congested lungs, held there for a number of hours, and then, in the evening, exhaled violently through the same channels.
Patrick Hamilton (The Slaves of Solitude)
I sucked that smoke in and made it part of me, joined mystically with the universe right at that point, said Yes to drugs forever just by the unique hit I got from that one packet of fags Andy liberated from his dad. It was a revelation, an epiphany; a sudden realisation that it was possible for matter - something there in front of you, in your hand, in your lungs, in your pocket - to take your brain apart and reassemble it in ways you hadn't thought of previously. This was better than religion, or this was what people meant by religion! The whole point was that this worked! People said Believe In God or Do Well At School or Buy This or Vote For Me or whatever, but nothing ever worked the way substances worked, nothing ever fucking delivered the way they did. They were truth. Everything else was falsehood.
Iain Banks (Complicity)
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
I am not, for all my frustration, opposed to capitalism. Most Americans, poor ones included, aren’t. We like the idea that anyone can succeed. What I am opposed to is the sort of capitalism that sucks the life out of a whole bunch of the citizenry and then demands that they do better with whatever they have left. If we could just agree that poor people are doing the necessary grunt work and that there is dignity in that too, we’d be able to make it less onerous.
Linda Tirado (Hand to Mouth: Living in Bootstrap America)
Find somebody else to entertain you," I said. "There is no one else." I turned a page in my notebook and started writing again. "There's always someone else.You've been Feeding off Forfeits for hundreds of years. Get a new one." "You don't give my job enough credit. It's really hard to convince a girl to follow me. The average pickup lines don't work so well. 'Hey,wanna get coffee? And then spend an eternity getting the life force sucked out of you?' They don't go for it.
Brodi Ashton (Everneath (Everneath, #1))
People learn to be hostile,disparaging and manipulative because it works for them.these people expect you to react in certain ways to their style,because in that way they win.if you allow yourself to be sucked into their expectations,you have not only let them get away but you are bound to feel frustrated,helpless and eventuall your bad side of nature will reached its climax.
Windy Dryden (How to Cope When the Going Gets Tough (Any Time Temptations Series))
For winning the competition Chloe and Liz were throwing me a "party" at Chloe's parents' hotel.What this really meant was that Chloe would suck face with Gavin,Liz would suck face with Davis,and I would keep the onion dip company.No one would notice my BOY TOY butt.It was sweet of Chloe and Liz to intendto celebrate my win and show me a good time,even if I knew it wouldn't work out that way.
Jennifer Echols (The Ex Games)
Reading for me, was like breathing. It was probably akin to masturbation for my brain. Getting off on the fantasy within the pages of a good novel felt necessary to my survival. If I wasn't asleep, knitting, or working, I was reading. This was for several reasons, all of them focused around the infititely superior and enviable lives of fictional heroines to real-life people. Take romans for instance. Fictional women in romance novels never get their period. They never have morning breath. They orgasm seventeen times a day. And they never seem to have jobs with bosses. These clean, well-satisfied, perm-minty-breathed women have fulfilling careers as florists, bakery owners, hair stylists or some other kind of adorable small business where they decorate all day. If they do have a boss, he's a cool guy (or gal) who's invested in the woman's love life. Or, he's a super hot billionaire trying to get in her pants. My boss cares about two things: Am I on time ? Are all my patients alive and well at the end of my shift? And the mend in the romance novels are too good to be true; but I love it, and I love them. Enter stage right the independently wealthy venture capitalist suffering from the ennui of perfection until a plucky interior decorator enters stage left and shakes up his life and his heart with perky catch phrases and a cute nose that wrinkles when she sneezes. I suck at decorating. The walls of my apartment are bare. I am allergic to most store-bought flowers. If I owned a bakery, I'd be broke and weigh seven hundred pounds, because I love cake.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Like I said, when I get pissed I say a lotta shit I don't mean and what I said about you I didn't mean," he repeated, beginning to look as impatient as he sounded. "And like I said, you're old enough to learn you shouldn't do that," I repeated too, probably also looking impatient. "That isn't me," he replied. "Well, then, this obviously is eating you and that's your consequence because I have feelings and you walked all over them and you can't order me to shake it off so you can feel better. It's there, burned in my brain and I can't just forget it because you tell me to. So you have to live with that. You can't and want me gone, say it now because I'm beginning to like Betty and I met Shambles and Sunny and I'm having dinner with them tomorrow night and I'd rather not make ties when I'm going to need to hit the road because my boss is going to get rid of me." "Shambles and Sunny?" he asked. "Shambles and Sunny," I answered but didn't share more. "Now, can we just move on and do our best to work together and all other times avoid each other or do you want me to go?" He moved forward an inch and I again fought the urge to retreat. "Forgiveness is divine," he said softly and I'd never heard him talk soft. He had a very nice voice but when it went soft, it was beautiful. This also sucked. (BTW, in the beginning a lot of things sucked! :D) I mean Lauren uses this word 'sucks'. "I'm not divine," I returned. "I'm also not Ace and I'm not Babe. I'm Lauren. You don't like my name, don't call me anything at all. Now can I clean the danged table?" I had my head tipped back to look him in the eye but I could tell he was expending effort to hold his whole body still. Then he said in that soft voice, "I'm sorry, Ace." "Me too," I replied instantly being clear I didn't accept his apology...
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Holy men? Holy cabbages! Holy bean-pods! What do they do but live and suck in sustenance and grow fat? If that be holiness, I could show you hogs in this forest who are fit to head the calendar. Think you it was for such a life that this good arm was fixed upon my shoulder, or that head placed upon your neck? There is work in the world, man, and it is not by hiding behind stone walls that we shall do it.
Arthur Conan Doyle (The White Company (Dover Literature: Historical Fiction))
Pretend you're me," she says. I can barely see her over the frothy mound. And it happens just like that. A feeling of sinking, a falling deep inside. And I'm her. And this is my house, and Matt French is my husband, tallying columns all day, working late into the night for me, for me. And here I am, my tight, my perfect body, my pretty, perfect face, and nothing could ever be wrong with me, or my life, not even the sorrow that is plainly right there in the center of it. Oh, Colette, it's right there in the center of you, and some kind of despair too. Colette-- --that silk sucking into my mouth, the weight of it now, and I can't catch my breath, my breath.
Megan Abbott (Dare Me)
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Come on, Seregil, let's show him how it's done." "I'm busy," replied Seregil, working on a tricky bit of fingering. Moving to stand over him, Micum groweled, "Put away that twopenny toy, you tit-sucking coistril, and show me the length of your blade!" Seregil laid his harp aside with a sigh. "Dear me, that sounds rather like a challenge-" Lunging swiftly past Micum, he sprang to his feet and drew his sword, then swung a flat-bladed attack at Micum's forearm.
Lynn Flewelling (Luck in the Shadows (Nightrunner, #1))
Don’t.” Ryan sits forward. “Don’t you dare cry.”  I suck in a breath, shaking my head and stopping any emotions before they really start. “Sorry. We’re at your work event.”  “Indy.” Both his large hands cup my face. “I don’t give a fuck where we are. You could cry all you want at this fundraiser. You could scream, laugh, throw a temper tantrum in front of these people for all I care. I don’t give a fuck, but you’re not crying over him, here or anywhere else.
Liz Tomforde (The Right Move (Windy City, #2))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
What does it do?" said Loeser. "You feel as if you're being sucked down this fathomless, gloomy tunnel. Or to put it another way, it's as if all the different weights and cares of the world have been lifted from your shoulders to he replaced by a single, much larger sort of consolidated weight. Your limbs stop working and you can't really talk. If you take enough then it can last for hours and hours, but it seems like even longer because time slows down." Hildkraut smiled wistfully. "It's fantastic." At their feet, somebody groaned softly as if in enthusiastic assent. "And it makes Wagner sound really good.
Ned Beauman (The Teleportation Accident)
One should let one’s fingernails grow for a fortnight. Oh! how sweet to snatch brutally from his bed a boy who has as yet nothing upon his upper lip, and, with eyes open wide, to feign to stroke his forehead softly, brushing back his beautiful locks! And all of a sudden, just when he least expects it, to sink your long nails into his tender breast, but not so that he dies, for if he died you would miss the sight of his subsequent sufferings. Then you drink his blood, sucking the wounds, and during this time, which should last an eternity, the child weeps.
Comte de Lautréamont (Maldoror and the Complete Works)
Men enforce a code of behaviour on each other, when working together. Do your work. Pull your weight. Stay awake and pay attention. Don’t whine or be touchy. Stand up for your friends. Don’t suck up and don’t snitch. Don’t be a slave to stupid rules. Don’t, in the immortal words of Arnold Schwarzenegger, be a girlie man. Don’t be dependent. At all. Ever. Period. The harassment that is part of acceptance on a working crew is a test: are you tough, entertaining, competent and reliable? If not, go away. Simple as that. We don’t need to feel sorry for you. We don’t want to put up with your narcissism, and we don’t want to do your work.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
there are girls lined along the street, girls in miniskirts, thigh-highs, and halter tops. The girls stand at the curbs as cars cruise by. Key-lime Cadillac's, fire-red Tornadoes, wide-mouthed, trolling Lincolns, all in perfect shape. Chrome glints. Hubcaps shine. Not a single rust spot anywhere. But now the gleaming cars are slowing. Windows are rolling down and girls are bending to chat with the drivers. There are calls back and forth, the lifting of already miniscule skirts, and sometimes a flash of breast or an obscene gesture, the girls working it, laughing, high enough by 5am to be numb to the rawness between their legs and the residues of men no amount of perfume can get rid of. It isn't easy to keep yourself clean on the street, and by this hour each of those young women smells in the places that count like a very ripe, soft French cheese…They're numb, too, to thoughts of babies left at home, six month olds with bad colds lying in used cribs, sucking on pacifiers, and having a hard time breathing…numb to the lingering taste of semen in their mouths along with peppermint gum, most of these girls, no more than 18, this curb on 12th street their first real place of employment, the most the country has to offer in the way of a vocation. Where are they going to go from here? They're numb to that, too, except for a couple who have dreams of singing backup or opening up a hair shop...
Jeffrey Eugenides
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
They call it the Dementor’s Kiss,” said Lupin, with a slightly twisted smile. “It’s what dementors do to those they wish to destroy utterly. I suppose there must be some kind of mouth under there, because they clamp their jaws upon the mouth of the victim and — and suck out his soul.” Harry accidentally spat out a bit of butterbeer. “What — they kill — ?” “Oh no,” said Lupin. “Much worse than that. You can exist without your soul, you know, as long as your brain and heart are still working. But you’ll have no sense of self anymore, no memory, no… anything. There’s no chance at all of recovery. You’ll just — exist. As an empty shell. And your soul is gone forever… lost.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
Jazz presumes that it would be nice if the four of us--simpatico dudes that we are--while playing this complicated song together, might somehow be free and autonomous as well. Tragically, this never quite works out. At best, we can only be free one or two at a time--while the other dudes hold onto the wire. Which is not to say that no one has tried to dispense with wires. Many have, and sometimes it works--but it doesn't feel like jazz when it does. The music simply drifts away into the stratosphere of formal dialectic, beyond our social concerns. Rock-and-roll, on the other hand, presumes that the four of us--as damaged and anti-social as we are--might possibly get it to-fucking-gether, man, and play this simple song. And play it right, okay? Just this once, in tune and on the beat. But we can't. The song's too simple, and we're too complicated and too excited. We try like hell, but the guitars distort, the intonation bends, and the beat just moves, imperceptibly, against our formal expectations, whetehr we want it to or not. Just because we're breathing, man. Thus, in the process of trying to play this very simple song together, we create this hurricane of noise, this infinitely complicated, fractal filigree of delicate distinctions. And you can thank the wanking eighties, if you wish, and digital sequencers, too, for proving to everyone that technologically "perfect" rock--like "free" jazz--sucks rockets. Because order sucks. I mean, look at the Stones. Keith Richards is always on top of the beat, and Bill Wyman, until he quit, was always behind it, because Richards is leading the band and Charlie Watts is listening to him and Wyman is listening to Watts. So the beat is sliding on those tiny neural lapses, not so you can tell, of course, but so you can feel it in your stomach. And the intonation is wavering, too, with the pulse in the finger on the amplified string. This is the delicacy of rock-and-roll, the bodily rhetoric of tiny increments, necessary imperfections, and contingent community. And it has its virtues, because jazz only works if we're trying to be free and are, in fact, together. Rock-and-roll works because we're all a bunch of flakes. That's something you can depend on, and a good thing too, because in the twentieth century, that's all there is: jazz and rock-and-roll. The rest is term papers and advertising.
Dave Hickey (Air Guitar: Essays on Art & Democracy)
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
Not caring about our own pain and the pain of others is not working. How much longer are we willing to keep pulling drowning people out of the river one by one, rather than walking to the headwaters of the river to find the source of the pain? What will it take for us to let go of that earned self-righteousness and travel together to the cradle of the pain that is throwing all of us in at such a rate that we couldn’t possibly save everyone? Pain is unrelenting. It will get our attention. Despite our attempts to drown it in addiction, to physically beat it out of one another, to suffocate it with success and material trappings, or to strangle it with our hate, pain will find a way to make itself known. Pain will subside only when we acknowledge it and care for it. Addressing it with love and compassion would take only a minuscule percentage of the energy it takes to fight it, but approaching pain head-on is terrifying. Most of us were not taught how to recognize pain, name it, and be with it. Our families and culture believed that the vulnerability that it takes to acknowledge pain was weakness, so we were taught anger, rage, and denial instead. But what we know now is that when we deny our emotion, it owns us. When we own our emotion, we can rebuild and find our way through the pain. Sometimes owning our pain and bearing witness to struggle means getting angry. When we deny ourselves the right to be angry, we deny our pain. There are a lot of coded shame messages in the rhetoric of “Why so hostile?” “Don’t get hysterical,” “I’m sensing so much anger!” and “Don’t take it so personally.” All of these responses are normally code for Your emotion or opinion is making me uncomfortable or Suck it up and stay quiet. One response to this is “Get angry and stay angry!” I haven’t seen that advice borne out in the research. What I’ve found is that, yes, we all have the right and need to feel and own our anger. It’s an important human experience.
Brené Brown (Braving the Wilderness: Reese's Book Club: The Quest for True Belonging and the Courage to Stand Alone)
Say you’re sitting in a cubicle and you hate your job. It’s terrible. Everyone around you is an asshole. Your boss is a dick. All of your work is just mind-numbingly soul-sucking. But in five minutes you are about to leave for your first vacation you’ve had in five years. You’re going to be gone for two weeks at this beautiful Bora Bora seaside bungalow. It’s literally the most lavish thing you’ve ever done in your entire life. How would you feel? You would feel great. Now imagine that you are in Bora Bora. You’re on this beautiful beach with amazing people, and you’ve had so much fun. In five minutes, you’re going to have to put down the piña colada with the little umbrella in it. You have to say goodbye to these people. You will go back to your terrible job and won’t take another vacation for another five years. How would you feel? You would feel terrible. Now, think about it. You’re sitting in the cubicle at the job that you hate and you feel awesome. And you’re sitting on the beach with a drink in your hand and you feel terrible. How you feel is entirely in your mind. Your mind has nothing to do with your environment. It has nothing to do with anyone around you. It is entirely your decision. Making a change in your life is as easy as making a decision and acting on it. That’s it.
Ronda Rousey (My Fight / Your Fight)
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!" Krit shoved him again. "Don't tell me what the fuck to do." I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend. "Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit. I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe. "Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work. "Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me. "She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice. And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth. "Take him out of here," Matty said. I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him. "Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere." "When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
Abbi Glines (Bad for You (Sea Breeze, #7))
One night, a couple of weeks before school started--they must have though I was asleep--Nilda started telling Rafa about her plans for the future. I think even she knew what was about to happen. Listening to her imagining herself was about the saddest thing you ever heard. How she wanted to get away from her moms and open up a group home for runaway kids. But this one would be real cool, she said. It would be for normal kids who just got problems. She must have loved him because she went on and on. Plenty of people talk about having a flow, but that night I really heard one, something that was unbroken, that fought itself and worked together all at once. Rafa didn't say nothing. Maybe he had his hands in her hair or maybe he was just like, fuck you. When she finished, he didn't even say wow. I wanted to kill myself with embarrassment. About a half hour later she got up and dressed. She couldn't see me or she would have known that I thought she was beautiful. She stepped into her pants and pulled them up in one motion, sucked in her stomach while she buttoned them. I'll see you later, she said. Yeah, he said.
Junot Díaz (This Is How You Lose Her)
Quince leans in over the map, studying, and I think he’s going to ask me something about the kingdoms or my plan or Daddy’s trident. Instead, without taking his eyes off the map, he asks, “What happens if I fail?” “What?” I whisper. “If I don’t pass the three tests,” he says. “What’s the consequence?” I suck in a shaky breath. This is the part I didn’t want to talk about, the part I hoped he wouldn’t ask about. But I guess he’s too clever—or has learned too much about how mer-world magic works—to assume there won’t be a price. There is, and it’s a big one. “If you fail,” I say, keeping my voice steady, “then you are banished from the water forever.” He lifts his Caribbean-blue eyes to stare into mine. “And?” “And?” I echo. “I know that can’t be it,” he says. “Nothing in your world is ever that simple.” A part of my heart breaks when he calls it my world. I want it to feel like his world, too. But now isn’t the time. He’s right; there’s more to the consequence of failure than him being exiled. “And . . . ,” I say, wishing I didn’t have to tell him this, “I’ll be banished from land.” I swallow hard. “Forever.” He stares into my eyes, unblinking, and I can’t read any sort of reaction. His mind is racing, I’m sure, but everything on the outside is a stone facade. Finally, after what feels like an eternity, he says, “Then I won’t fail.
Tera Lynn Childs
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
You know, Piggly Wiggly never could hang on to a night stock manager. Your math skills would be a plus, maybe even your Spanish, and you don't mind staying up late." "Piggly Wiggly, wow. I hadn't thought about that. I'll swing by, pick up an application tomorrow. But if it doesn't pan out maybe ... Never mind, it's a crazy idea." "No, tell me. I want to hear it." "Well, just as a backup plan, I did hear that Sony has an opening. They're, um, they're looking for a rock star. The hours suck, but it's no worse than night stock manager at Pigs. I bet it pays better too." Isabel stopped in her tracks, playfully slapping his arm. "Aidan, that's genius! That's what you should do! I've heard you sing, you can carry a decent tune." She looked him up and down. "With a little work, you can probably pull off the image." He tugged on her arms until she was in his. "Only if you're sure. Only if it's what we want." "Aidan, it's who you are. I've known it since the day we brought that first guitar here. I'd never want to take that away.
Laura Spinella (Perfect Timing)
The land of opportunity", "The American dream", "Life, liberty, and the pursuit of happiness": these are the sounds of the great sucking mechanism of the American parasite. The reliance of seduction and persuasion over coercion that sold democracy to the American people eventually sold it to the rest of the world. Although there are a minority of examples of the direct parasitism of involuntary immigration, especially slaves from Africa and the "legal" incorporation of Native Americans, voluntary immigration through the lure of freedom and and equality is only a more indirect form of parasitic predation. What is voluntary can be no less predatory than coercion, just as capitalism can be no less predatory than military imperialism. From the point of view of competition among nations, the point is not whether a citizen or their ancestor originally arrived voluntarily or involuntarily, but whether a nation or ideology is successful in harnessing its human resources towards its national interest or way of life. American parasitism works because it offers the secular Judaism of liberalism rather than the secular Christianity of communism. Communism could never compete with the immigrant American hope that they themselves might one day be a filthy rich capitalist.
Mitchell Heisman (Suicide Note)
As the sun and each atom of ether is a sphere complete in itself, and yet at the same time only a part of a whole too immense for man to comprehend, so each individual has within himself his own aims and yet has them to serve a general purpose incomprehensible to man. A bee settling on a flower has stung a child. And the child is afraid of bees and declares that bees exist to sting people. A poet admires the bee sucking from the chalice of a flower and says it exists to suck the fragrance of flowers. A beekeeper, seeing the bee collect pollen from flowers and carry it to the hive, says that it exists to gather honey. Another beekeeper who has studied the life of the hive more closely says that the bee gathers pollen dust to feed the young bees and rear a queen, and that it exists to perpetuate its race. A botanist notices that the bee flying with the pollen of a male flower to a pistil fertilizes the latter, and sees in this the purpose of the bee's existence. Another, observing the migration of plants, notices that the bee helps in this work, and may say that in this lies the purpose of the bee. But the ultimate purpose of the bee is not exhausted by the first, the second, or any of the processes the human mind can discern. The higher the human intellect rises in the discovery of these purposes, the more obvious it becomes, that the ultimate purpose is beyond our comprehension. All that is accessible to man is the relation of the life of the bee to other manifestations of life. And so it is with the purpose of historic characters and nations.
Leo Tolstoy (War and Peace)
American planes full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors exerted a miraculous magnetism which shrunk the fires gathered them into cylindrical steel containers and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though German fighters came up again made everything and everybody as good as new. When the bombers got back to their base the steel cylinders were taken from the racks and shipped back to the United States of America where factories were operating night and day dismantling the cylinders separating the dangerous contents into minerals. Touchingly it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground to hide them cleverly so they would never hurt anybody ever again.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The next time you drive into a Walmart parking lot, pause for a second to note that this Walmart—like the more than five thousand other Walmarts across the country—costs taxpayers about $1 million in direct subsidies to the employees who don’t earn enough money to pay for an apartment, buy food, or get even the most basic health care for their children. In total, Walmart benefits from more than $7 billion in subsidies each year from taxpayers like you. Those “low, low prices” are made possible by low, low wages—and by the taxes you pay to keep those workers alive on their low, low pay. As I said earlier, I don’t think that anyone who works full-time should live in poverty. I also don’t think that bazillion-dollar companies like Walmart ought to funnel profits to shareholders while paying such low wages that taxpayers must pick up the ticket for their employees’ food, shelter, and medical care. I listen to right-wing loudmouths sound off about what an outrage welfare is and I think, “Yeah, it stinks that Walmart has been sucking up so much government assistance for so long.” But somehow I suspect that these guys aren’t talking about Walmart the Welfare Queen. Walmart isn’t alone. Every year, employers like retailers and fast-food outlets pay wages that are so low that the rest of America ponies up a collective $153 billion to subsidize their workers. That’s $153 billion every year. Anyone want to guess what we could do with that mountain of money? We could make every public college tuition-free and pay for preschool for every child—and still have tens of billions left over. We could almost double the amount we spend on services for veterans, such as disability, long-term care, and ending homelessness. We could double all federal research and development—everything: medical, scientific, engineering, climate science, behavioral health, chemistry, brain mapping, drug addiction, even defense research. Or we could more than double federal spending on transportation and water infrastructure—roads, bridges, airports, mass transit, dams and levees, water treatment plants, safe new water pipes. Yeah, the point I’m making is blindingly obvious. America could do a lot with the money taxpayers spend to keep afloat people who are working full-time but whose employers don’t pay a living wage. Of course, giant corporations know they have a sweet deal—and they plan to keep it, thank you very much. They have deployed armies of lobbyists and lawyers to fight off any efforts to give workers a chance to organize or fight for a higher wage. Giant corporations have used their mouthpiece, the national Chamber of Commerce, to oppose any increase in the minimum wage, calling it a “distraction” and a “cynical effort” to increase union membership. Lobbyists grow rich making sure that people like Gina don’t get paid more. The
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.
Rachel Hawkins (Demonglass (Hex Hall, #2))
My recommendation is to keep up the good work. I’m changing your title to senior executive assistant, and giving you a three percent raise effective next payday. Congratulations.” Wow, three percent. I could move up that early retirement plan to age seventy-five now, instead of eighty. Lucky me. Thank you,” I said. “That’s very generous.” You’re quite welcome.” Ms. Saunders nodded and grabbed a gold-plated letter opener to begin attacking her stack of mail. I turned to leave. Didn’t want to outstay my welcome. Damn it!” she exclaimed, and I turned back around. She winced and nodded at the letter opener that she’d dropped to her desktop. “Damn thing slipped. I’m probably going to need stitches now. Can you be a dear and fetch the first-aid kit for me?” She held her left index finger and frowned at the steady flow of blood oozing out. A few small drops of red splashed onto the other letters spread out on the desk. I felt woozy. And suddenly dizzy. I blinked. When I opened my eyes, I was no longer standing by the door about to leave. I was crouched down next to Ms. Saunders’s imported black leather chair, grasping her wrist tightly…… and sucking noisily on her fingertip. I shrieked and let go of her, staggering backward. I grabbed at her desk to keep from falling, but I dropped on my butt, anyhow, taking most of the contents of the top of her desk with me. She held her injured finger far away from her and stared at me, wide-eyed, with a mixture of shock and disgust. I scrambled to my feet and wiped my mouth with the back of my hand. What in the holy hell just happened? I… I… uh… I’m so sorry,” I managed. “I don’t know what… I wouldn’t normally do something… I just…” Ms. Saunders pulled her hand close to her chest, perhaps to protect it from further abuse. Get out,” she said quietly. Yeah, I’ll get back to work. Again, I’m so, so sorry. Would you like me to bring you a cup of coffee?” No, not to your desk,” she said evenly, but her volume increased with every word. “Get out of here, you freak. I don’t care what you’ve heard, I’m not into women. You’re fired. Now get out of here before I call security.” But… my job review—” Get out!” she yelled.
Michelle Rowen (Bitten & Smitten (Immortality Bites, #1))
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
Callie Vincent (Monster (Sold to the Don, #1))
The Defendant: I am pleading guilty your honors but I'm doing it because I think it would be a waste of money to have a trial over five dollars worth of crack. What I really need is a drug program because I want to turn my life around and the only reason I was doing what I was doing on the street was to support my habit. The habit has to be fed your honors as you know and I believe in working for my money. I could be out there robbing people but I'm not and I've always worked even though I am disabled. And not always at this your honors, I used to be a mail carrier back in the day but then I started using drugs and that was all I wanted to do. So I'm taking this plea to save the city of New York and the taxpayers money because I can't believe that the DA, who I can see is a very tall man, would take to trial a case involving five dollars worth of crack, especially knowing how much a trial of that nature would cost. But I still think that I should get a chance to do a drug program because I've never been given that chance in any of my cases and the money that will be spent keeping me in jail could be spent addressing my real problem which is that I like, no need, to smoke crack every day and every chance I get, and if I have to point people to somebody who's selling the stuff so I can get one dollar and eventually save up enough to buy a vial then smoke it immediately and start saving up for my next one that I'll gladly do that, and I'll do it even though I know it could land me in jail for years because the only thing that matters at that moment is getting my next vial and I am not a Homo-sapiens-sexual your honors but if I need money to buy crack I will suck. . . .
Sergio de la Pava (A Naked Singularity)
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))