Emma Key Quotes

We've searched our database for all the quotes and captions related to Emma Key. Here they are! All 68 of them:

And I know someone who’s perfect for her. He works in my lab. He’s smart. He’s funny. His name is Bert.” Bert? Is she fucking kidding me? What kind of sick son of a bitch names his kid Bert in this day and age? That’s just cruel. “He’ll show Kate a good time. I plan on setting them up this weekend.” And I plan on handcuffing myself to Kate’s ankle and eating the key. Let’s see what kind of good time Bert can show Kate when she’s dragging me around behind her like a Siamese twin.
Emma Chase (Tangled (Tangled, #1))
It’s not my fault keys abandon me. I put them in a specific spot, so I’ll know where they are for later—and I swear to God, they sprout legs and run away. Slippery, little Houdini bastards.
Emma Chase (Royally Endowed (Royally, #3))
Forgetting isn’t the key to moving on. Remembering is, because only once we’ve remembered can we forget.
Emma Hart (The Right Moves (The Game, #3))
So this is what I've decided: In the eyes of many people, I may never live an extraordinary life. But I will love in extraordinary ways. And I hope I choose to always see the best in people" -Emma
Natalie Lloyd (The Key to Extraordinary)
The key to your power is simple: love. Love is strength. Your compassion is commanding. Your ability to heal is hailing. Let this be your Goddess ethos.
Emma Mildon (Evolution of Goddess: A Modern Girl's Guide to Activating Your Feminine Superpowers)
There are four key pillars holding you up that you can re-ground yourself to. Your responsibility. Your power. Your Compassion. And your sense of unity. This, is your foundation.
Emma Mildon (Evolution of Goddess: A Modern Girl's Guide to Activating Your Feminine Superpowers)
Maybe that was the key to all good relationships, having oceans of time apart.
Emma Straub (The Vacationers)
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded. She squirmed in his arms. “What are you—” He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides. Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate. Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
Katie Ashley (The Proposition (The Proposition, #1))
Alex strode through a doorway and kicked the door shut, finally dumping Emma down upon a large four-poster bed. She immediately made a mad dash for the door, but Alex ably blocked her, redeposited her on the bed, crossed the room, and locked the door with a resounding click. "Why you-" Alex tossed the key out the window.
Julia Quinn (Splendid (The Splendid Trilogy, #1))
Every day you live is a day for dreaming. Every day is a day for adventuring. And every day is for sharing with people you love, because love's all that lasts. It's the only thing we all carry out of this world. It connects us all, in the end" -Emma
Natalie Lloyd (The Key to Extraordinary)
Mrs. Greene made me understand the parallels between race and caste--- and how women's bodies were used to perpetuate both. Different prisons. Same key.
Gloria Steinem (My Life on the Road)
He grinned his low-key grin and stretched. She didn't look at where his shirt rode up. There was no reason to sail down Sexy Throughts River to the Sea of Perversion when it wasn't going to go anywhere.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Are you happy, Zack?” I ask. A dangerous question. One I have no right to ask. I’m standing, my hand on the passenger door to the Suburban. He’s on the driver’s side, key in the lock. “I’m not sure I ever will be. Something’s missing. I don’t even know what it is, but I know I want it back in the worst possible way.
S.J. Harper (Reckoning (Fallen Siren, #2))
He grinned his low-key grin and stretched. She didn't look at where his shirt rode up. There was no reason to sail down Sexy Thoughts River to the Sea of Perversion when it wasn't going to go anywhere.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
But that had been Alex's immediate thought how easy it would be to take things, out here. All sorts of things. The bikes leaning against the fence. The bags unattended on towels. The cars left unlocked, no one wanting to carry their keys on the beach. A system that existed only because everyone believed they were among people like themselves.
Emma Cline (The Guest)
But maybe every creature in the world needs to be reminded that they aren't alone. That somebody cares about them. That they have a friend to lead them out of their present mess" -Emma
Natalie Lloyd (The Key to Extraordinary)
Yes. Mind you, sociopaths experience many of the same needs we all do," Hetheridge continued. "They attend school, maintain jobs. I believe they can even love, in the way little children love—a combination of wanting and demanding. But sociopaths have no conscience, no innate sense of responsibility toward others. They cannot believe other people have separate lives beyond the sociopath's own needs and expectations. Sociopaths are incapable of empathy, though the more intelligent ones are frequently able to fake it. And that's the key.
Emma Jameson (Blue Murder (Lord and Lady Hetheridge, #2))
I know there is a true and scientific explanation of where he wind comes from. But I like to think it happens when clouds shrug their shoulders. When stars spin hard enough for a few lucky people on earth to get caught up in their cosmic whirl. Sometimes wind just feels like weather. But sometimes it feels special, like it's carrying something with it" -Emma
Natalie Lloyd (The Key to Extraordinary)
starless nights, i am a stranger, i sail the black and white, by the key of Ursa Major, sending songs to points of light
Emma Brodie (Songs in Ursa Major)
I hope every person in the world gets to have an experience so wondrous: the sweet tug at your heart when you look at a dog, and a dog looks at you, and you know you're meant to take care of each other" -Emma
Natalie Lloyd (The Key to Extraordinary)
I think about how nobody knows how long they have in the world. And how we only get a certain number of words to say and share. I'd hate for the last words that come out of my mouth to be mean ones. I don't want to waste my words" -Emma
Natalie Lloyd (The Key to Extraordinary)
It’s not a mystery, not the Holy Grail, and not some secret to which only a few people hold the key – regardless of what the gurus charging vast amounts per hour tell you. Dieting IS straight forward once you understand the principals and get to know your own body.
Emma James
To most rich people, money is power." I opened the door and got out of the truck. "That's what's cool about Emma," Pete said. "She's totally into money, but she isn't like that at all. Money isn't power to her." "What is it?" He thought about it for a second, then grinned. "Lego," he said.
Jordan K. Weisman (Cathy's Key (Cathy Vickers Trilogy, #2))
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Dating yes. But she thinks we're, uh, more than dating." "Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-" "Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing. He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave." "Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door. "She cried? That's pretty insulting." She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..." "More than date me?" She nods. He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms? He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?" "Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first." "Should I be afraid?" She sighs. "Normally I would say no. But after this morning..." She shrugs. "How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me." She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?" "This is getting complicated," he says, unlocking her car. "Just remember, this is your idea and your fault. Now would be the time to back out." He chuckles and opens the door for her. "Don't lose me on the road.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Emma, I came out here to tell you that you don't have to mate with Grom." I raise a brow. "Uh, I was never going to mate with Grom." "What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-" "I don't have to mate with Grom," I finish for him. "That's what I just said." "I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom." He grins. "Exactly." "But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?" He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do." He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes. "Thank you," I tell him as he walks around to the driver's side. "It's a little late to blush," he says, strapping in. "I don't think I'll ever stop blushing." "I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet." I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me? For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level. But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his. I pull back. "Right. Sorry." He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you." I laugh, even as a charge runs through my veins. "Yeah. No." He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up." "Let me think about it some more," I tell him on the brink of giggling at his expression. "I'll see what I can do to help you make up your mind." We stay parked for another fifteen minutes. But at least we're not broken up anymore.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The piano entered the story, bringing a new voice to the narrative. Her fingers brushed the keys, her heart straining to find satisfaction in the harmonic shifts and subtle colorings. It wasn't there. Leila closed her eyes, tried new ways of speaking a phrase - holding back, pushing forward, adding an unexpected accent, waiting a breath before the harmonic resolution. But she couldn't find it. She pushed the music forward with frantic exhilaration, dragging the orchestra behind her.  René shot her a warning look. Leila drove hard, demanding they follow, viciously attacking the finale as she searched for what eluded her. But when the last chord exploded, ringing with a rage composed of love and longing, Leila felt nothing but a drained emptiness. It was as if the reins keeping her in control, in the carefully constructed environment where she'd always created music, had snapped and broken away.  Everything had felt just beyond reach. The notes had danced before her but she'd been unable to grasp them, to own and mold them into what she wanted to say. "Brava!" Leila blinked. People stood, flooding the hall with a deluge of approval for her sacrifice on stage.
Emma Raveling (Breaking Measures)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Jactricia," I snicker, before I even realize what I'm saying--- and then we're both red in the face, because it's the first time we've mutually acknowledged the extreme awkwardness that is strangers actually, legitimately shipping us online. Pepper clears her throat. "Well, obviously, we need to petition for a better ship name." Some of the awkwardness diffuses, but the tension is still there, tight like a coil between us. "Jepper? Pack?" "Pass," she says, nudging me with her elbow again---and then something shifts. The apartment is eerily still, with the same kind of quiet there was in the pool the other day, where you're not sure if it's actually quiet or if the rest of the world's sounds just don't apply to you anymore. "Maybe just Jack and Pepper, then," I concede. There's a ghost of a smirk on Pepper's face, but she's so close, I can hear it more than I can see it. "Pepper and Jack," she corrects me. Then her eyes light up. "Pepperjack." It's ridiculous, but the word is like a key turning into a lock. And then impossibly, even though some part of me knew it would happen the moment I saw Pepper walk out of the subway, we lean in and our lips touch and we're kissing on my couch.
Emma Lord (Tweet Cute)
He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.
Paul Hendrickson (Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961)
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no. "I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets." My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me." She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?" Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?" "Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand." Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round. I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area. Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress. Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too. I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular. Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?" "Mom!" I screech. "No!" She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening. "Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples. "You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes. One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now. I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?" "What were you arguing about in the hall, then?" "I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
Drawing on the latest findings from psychology, organizational behavior, and neuroscience—research on resilience, creativity, mindfulness, compassion, and more—I will show you how the following six strategies for attaining happiness and fulfillment are actually the key to thriving professionally.
Emma Seppälä (The Happiness Track: How to Apply the Science of Happiness to Accelerate Your Success)
I tucked my laptop into a big enough handbag with my purse, phone, and keys, along with the other essentials like just-in-case sanitary products, a lip balm, a charge cable, a hairbrush, three pens, one pack of chewing gum, a half-empty bottle of water, three hundred receipts from the past two years, four car park tickets, the dried liver of a goat, six crow’s feet, and the blood of a virgin.
Emma Hart (Love Language (The Aristocrat Diaries, #1))
Fallowlees holds the key to that ‘other life’, the ‘more-than-this’ life I always sensed was out there for me.
Emma Gray (One Girl and Her Dogs: Life, Love and Lambing in the Middle of Nowhere)
...being in danger is its own kind of lock and key. There's a freedom in safety, Nicholas. Remember that.
Emma Törzs (Ink Blood Sister Scribe)
Maybe just Jack and Pepper, then,” I concede. There’s a ghost of a smirk on Pepper’s face, but she’s so close, I can hear it more than I can see it. “Pepper and Jack,” she corrects me. Then her eyes light up. “Pepperjack.” It’s ridiculous, but the word is like a key turning into a lock. And then impossibly, even though some part of me knew it would happen the moment I saw Pepper walk out of the subway, we lean in and our lips touch and we’re kissing on my couch.
Emma Lord (Tweet Cute)
And speaking of your hero getting what they want: Why haven’t they? Why doesn’t Wade from Ready Player One just wake up one day and efortlessly collect all three keys to the Easter egg hidden in the Oasis? Why doesn’t Emma successfully set up Harriet with Mr. Elton in Emma? Because if they did, there would be no story. It would be too easy. There would be nothing left for the reader to root for. That’s why it shouldn’t be easy for your hero to get what they want. It should be hard. They should have to work for it
Jessica Brody (Save the Cat! Writes a Novel)
Experts suggest that the key to being idle or to unfocusing is to diversify our activities rather than being constantly focused on a single task. To get a new perspective on something, we actually need to disengage from it. We can diversify in two ways: through mindless tasks or through a broader set of experiences. Diversifying
Emma Seppälä (The Happiness Track: How to Apply the Science of Happiness to Accelerate Your Success)
Really?’ Emma found the keys. ‘We’d better get inside and take a look.’ She pulled out her keys but as she did so, they slipped
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Not bad for a practice kiss,” he said in a casual voice that pissed her off. No way could he have felt nothing while her senses sizzled like a drop of water on a hot, oiled skillet. “And the Oscar goes to,” she muttered when he winked and walked out of the room. She was about to swear and take a kick at the coffee-table leg when she spotted him in the full-length mirror on the closet door standing ajar. He’d stopped just outside in the hall, and she watched his reverse image as he pulled at the fly of his jeans, no doubt adjusting for the evidence he wasn’t as unaffected as he wanted her to think he was. Despite the fact both of them being affected would be an even greater complication, Emma was smiling when she met up with him again in the front hall. “We can take my truck,” he told her in a terse voice that made her have to smother a bigger and much more smug smile. “No, we can’t. I have the extended cab and it might rain. We can’t throw Gram’s luggage in the bed to get wet.” “I’m driving.” She paused halfway out the front door. “Excuse me?” “You drive like a girl.” He held out his hand, presumably for her keys. “You’re an ass.” “We can stand here and argue about it. I’m sure your grandmother will understand.” “A sexist ass, no less.” He grinned and snatched her keys out of her hand before she could react. “Next time, you might want to actually meet the man you’re going to marry before you tell your family about him. Get in the truck. Honey.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
As I've said, some songs are fight songs, and they give you the courage to push through an ordeal. But some songs latch on to you, heart-first, and pull you out on the dance floor" -Emma
Natalie Lloyd (The Key to Extraordinary)
My treasures weren't just in the walls of that place. My treasure was the people I loved." -Emma
Natalie Lloyd (The Key to Extraordinary)
...every book is somebody's treasure" -Emma
Natalie Lloyd (The Key to Extraordinary)
What’s the matter, chile? The debil chasin’ after you?” Emma paused to take a deep breath and recover her dignity. “Yes,” she said. “Do you know where Chloe put Mr. Fair—Steven’s pistol?” “She done locked it up in her desk drawer with the derringer. Why? You gonna give it back to him?” Emma nodded, then proceeded toward the hallway. “I most certainly am.” “Why you wanna do that?” Daisy fussed, following her out of the kitchen and into Chloe’s study. Finding the key in its customary hiding place, Emma unlocked Chloe’s desk and lifted the formidable Colt .45 gingerly from its depths. “There’s always the hope that he’ll shoot himself,” she said cheerfully. Daisy shrank back against the doorway. “Miss Emma, you put that thing down right now, or I’s gonna take you over my knee and paddle you!” Emma raised the gun and sited in on a book shelf across the room. She wondered what it would be like to fire the weapon. In the next instant she found out, for the gun went off with no intentional help from Emma, and several of Chloe’s leatherbound books exploded into a single smoldering tangle of paper. Daisy screamed and so did Emma, who dropped the gun in horror only to have it fire again, this time splintering the leg of Big John’s favorite chair. “Don’t you dare touch that thing again!” Daisy shrieked, when Emma bent to retrieve it. Emma left the pistol lying on the rug and straightened up again, one hand pressed to her mouth in shock. The two women stood in their places for a long time, afraid to move. Emma, for her part, was busy imagining all the dreadful things that could have happened. She was amazed to see Steven stumble into the room, fully dressed except for his boots, drenched in sweat from the effort of making his way down the stairs in a hurry. The expression in his eyes was wild and alert, almost predatory. “What the hell’s going on in here?” he rasped. Emma pointed to the pistol as though it were a snake coiled to strike. “It went off—twice.” Steven was supporting himself by grasping the edge of Chloe’s desk. “Pick it up very carefully and hand it to me,” he said. Emma bit her lower lip, remembering what had happened when she’d handled the gun before. “You can do it,” Steven urged. “Just make sure you don’t touch the hammer or the trigger.” Emma crouched and picked it up cautiously. The barrel was hot against her palm. “Here,” Steven said, holding out his hand. Emma surrendered the gun, and leaning back against the desk, Steven spun the chamber expertly, dropping the four remaining bullets into his palm. He gave a ragged sigh, then just stood there, cradling the pistol in his hands like a kitten or a puppy. “I was going to bring it to you,” Emma confessed in a small voice. “She was hopin’ you’d blow your brains out with it,” Daisy muttered, before she turned and went back to the kitchen. Steven
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Delores points at me. And now she looks pissed. “That, I believe. Fucking prick.” She holds her hands up. “But it’s okay. Don’t panic. I’ll take care of everything. We have this new fuel at the lab that’s ready for animal testing. He won’t know what hit him—I can slip it right through the vents.” She turns to Billy. “You’re in charge of the garden hose and duct tape.” Then she looks at me. “I’ll need your keys and security code.” I shake my head. “Delores, you can’t gas Drew to death.” “It might not kill him. If I had to guess, I’d say the odds for survival are fifty-fifty.” “Delores . . .” “Okay, thirty-seventy. But still, that gives us plausible deniability.” My mother and George walk into the room, interrupting the diabolical plan. My mom hugs Dee Dee tight. “Hi, honey! It’s so good to see you. Are you hungry?” “Starved.” She looks at George. “Hey George, how they hanging?” I think George Reinhart is a little afraid of Delores. Maybe more than a little. He adjusts his glasses. “They’re . . . hanging well . . . thank you.
Emma Chase (Twisted (Tangled, #2))
Daios liked the sound of her voice. It was a little rough, a little raspy, slightly off key—just like her singing—but it was pretty. Prettier than he’d expected. He must have heard her talking in their first encounter, but he couldn’t for the life of him remember it. Maybe that was because he wanted to remember this as their first meeting forever. With her pressed against his chest and all that long, lean body at his mercy. He’d swallowed hard the moment she’d leapt into the water. Her awkward limbs flailed, and he was reminded again of her swimming. She was a terrible swimmer.
Emma Hamm (Song of the Abyss (Deep Waters, #2))
The key to solving a transition puzzle is to control what you can and influence what you cannot.
Emma Toops (Wait, What?!: The Success Formula for When Life Plays Out Differently Than You Expected)
What was so special about me that you thought it was a good idea to ruin my life?” “You were you. Your crazy ass mother, that falling apart house, and being kept under lock and key. In spite of it all, you were this bright spot. Nothing ever kept you down. I didn’t know how you could be that way. I wanted it, you, for myself. Besides the whole ‘boy having the hots for the girl’ thing I had going on.
Emma Cole (The Redemption of Shelby Ann (Twisted Love #2))
The key to assertive communication is, to be honest and direct while still respecting the other person’s feelings.” - Sharon Anthony Bower
Emma Leigh Weber (Nonviolent Communication [3-in-1]: 137 Techniques & Hacks to Have Difficult Conversations Without Fighting. Set Boundaries and Take Charge of your Life by Speaking Up, Saying No, and Defining Limits)
Alice felt drunk on the idea of how many of her friends smoked, how adult they had all seemed and felt. How the cigarettes had been giant flashing signposts, to themselves and each other. you could never trust someone who smoked Marlboro Lights, the Diet Coke of cigarettes-those were for the girls with pale lipstick and overplucked eyebrows, the girls who maybe also played volleyball and had sex with their boyfriends in their beds which were still covered with stuffed animals. Girls who smoked Parliments were neutral-it was as close as you could get to not smoking, but still, you could flick your thumb against the recessed filter, and you could bum one to anybody, the Type O negative of smoking. Girls who smoked Marboro Reds were wild-those were for the girls who had no fear, and in their whole school, there was only one, a tiny girl with brown, wavy hair to her waist whose parents had been in a cult and then escaped. Newport girls were equally harsh but listened to hip-hop, and those girls, like Phoebe, wore lipstick and nail polish like vampire blood, rich and purple. Newport Lights girls were like that, only virgins. The girls who smoked American spirits were beyond everyone-they were grown-ups. with keys to their boyfriends' houses. Alice had to laugh at the secret rooms of her brain, where this information lived and had been sleeping. She had smoked Newport Lights, and yes, she was a virgin.
Emma Straub (This Time Tomorrow)
She dged sideways, slipping her fingers out of his--- closer to the edge of the bed-- and went over the side with an ungainly tumble. She landed with a thump and a scream that woke Julian, who peered over the side of the bed in confusion. "Why are you on the floor?" "I've heard rolling out of bed in the morning helps you build up resistance to surprise attacks," Emma said, lying sprawled on the hardwood. "Oh yeah?" He sat up and rubbed his eyes. "What does screaming 'holy crap!' do?" "That part's optional," she said. She got to her feet with as much dignity as she could muster. "So," she said. "What's for breakfast?" He grinned his low-key grin and stretched. She didn't look at where his shirt rode up. There was no reason to sail down Sexy Thoughts River to the Sea of Perversion when it wasn't going to go anywhere. "You hungry?
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Meiksins Wood explains that, “by the seventeenth century, the word ‘improver’ was firmly fixed in the English language to refer to someone who rendered land productive and profitable.”35 The word “improvement” was well established by the eighteenth century, by which time it was acquiring the more general meaning we give it today. Nonetheless—and this is key—Meiksins Wood asks us to consider the “implications for a culture where the word for ‘making better’ is rooted in the word for monetary profit.
Emma Dabiri (What White People Can Do Next: From Allyship to Coalition)
Because I was sure my mother new the secrets of a happy baby. That she held the keys to the kingdom in her grasp. But for some evil, vengeful reason she just wasn't handing them the fuck over.
Emma Chase (Tied (Tangled, #4))
Maybe that was the key—telling people exactly what you wanted, the actual truth, and then getting out of the way.
Emma Straub (This Time Tomorrow)
Prophecy is a key that breaks stagnancy, breaks the stalemate, breaks through blockages, breaks down barriers, and releases forward momentum and progress back to a people. It propels forward Kingdom work and it stops the enemy.
Emma Stark (The Prophetic Warrior: Operating in Your True Prophetic Authority)
Patience. Patience is the key to most things in life.
Emma Renshaw (Vow of Retribution (Vow Series Book 1))
us. Is the sacristy door locked, Father?” “Yes. Yes it is. I locked it after me.” “Will you give me the keys, please.” Father Martin fumbled in the pocket of his cloak and handed over a bunch. It took a little time for his shaking fingers to find the right keys. Dalgliesh said again, “I won’t be long. I’ll lock the door behind me. Will you be all right until I come back?” Emma said, “I don’t think Father Martin ought to stay here long.” “He won’t have to.” It should, thought Dalgliesh, take only a matter of minutes to fetch Roger Yarwood. Whichever force took
P.D. James (Death In Holy Orders (Adam Dalgliesh, #11))
Gran was waiting for me in the car and raring to go.
Emma V. Leech (The Key to Erebus (Les Corbeaux: The French Vampire Legend, #1))
front of a bookshelf. John didn’t have very many books, maybe a couple dozen on this bookshelf. She took her hand out of her mouth and tapped on the spine of one of the books. “What’s in this book? Monsters and Myths.” “Just like it sounds. It’s a compendium of monsters and mythology.” “Like vampires and werewolves?” John nodded. “As well as the more famous gods and demons throughout human history.” “You mind if I look through it?” said Emma. “Be my guest. I haven’t looked at that thing in years.” Emma pulled the book down and sat on the couch and began leafing through it. I looked back at the computer and pointed to it. “Can you check again?” John rolled his eyes. He tapped a couple keys and then said, “Still nothing new.” “Should we go surfing then?” I said. “But,
Dr. Block (Diary of a Surfer Villager, Book 25 (Diary of a Surfer Villager #25))
Swimming up to the glass, he slapped at it hard. “Ace!” She whipped around, that glare on her face sending a tingle all the way down to the tip of his tail. “What?” she hissed, stomping up to the window in that adorable way she always did and slapping it in response. “I’m busy!” “I can’t get in.” “I don’t care! I’ll meet you back where we first came in.” “What if you need me?” She bared her teeth in a little snarl that might have been terrifying if he didn’t see how blunted they were. “Maketes, I am trying very hard to be polite to you. But I do not need you. No one knows I’m here. I have not been attacked. Stay out in your giant ocean with all your wide open space and let me work.” “You said I could join you.” Did she not want him with her? That thought stung a bit. “I know I said that, but plans change. You’re just going to have to roll with it. I’m this close to getting the key. This doctor kept a journal, so-” She pinched her fingers together and moved them over her lips. “Zip it, fish man.” He had no idea what that meant, but she’d already moved away from the window and back to the desk. He had a mind to slap the glass again and again until she was annoyed enough to come back, but Fortis cleared his throat behind him.
Emma Hamm (Echoes of the Tide (Deep Waters, #3))
It wasn’t much of a display. But he’d never been one for big displays of affection. He’d tried before, he’d just never been able to do it. And yet right now, with this little achromo, he wanted to make those gills shake so hard she’d feel the wind of them on her face. “Do I?” she asked, her tone amused and her gaze never moving from his. “Yours are entirely black.” “I know.” “I thought there would be some color in them.” What was he supposed to say to that? He already felt like an idiot talking about her eyes. But then he leaned forward and he could smell her. The soft scent of her, like the warmth of the sun after a storm. Electric and heated. “You smell so good,” he muttered, his eyes drifting shut as he told himself not to put his head back down. “I’m sorry I touched your breasts.” She made a choked sound, and when he looked back at her, she was bright red. Even the tips of her ears seemed to burn with some emotion he couldn’t name. But he was quite certain it was his favorite color on her. “Get up.” She struggled underneath him, and he released her. “The cabinet I just pulled out should have a directory in it, and then I can get to the office and find that damned key.” “I said I was sorry.” “I heard you,” she muttered, those ears somehow turning even deeper red. “Just... Help me find the key.
Emma Hamm (Echoes of the Tide (Deep Waters, #3))
A soft laugh bubbled out of her, flowing into him with the soft sound. And then she was stroking his hair, like she seemed to always enjoy. He curved into her touch, knowing this was the last chance they’d have for a little while yet. “Maketes?” she said. “Yes?” “What does kefi mean?” “I will tell you when all of this is done. When you have your hands on that key, and when your sister is free from the man who would kill her.” He turned his head and pressed a kiss to her palm. “No matter what happens, you are always my kefi, and I will help you until the very end of this.” He could see how his words hurt her. She flinched as though he’d struck her, but there was also safety in what he said. Because they were a vow. He would protect her and her kin for the rest of his life, even if that was insanity.
Emma Hamm (Echoes of the Tide (Deep Waters, #3))
Remember our deal. If we don’t get that key, you don’t get the weapons.” “I couldn't care less about your weapons,” he replied, knowing full well that only Ace could understand him. “I do this as a favor for her, not for you.” He thought he was the only one who heard her tiny gasp echo inside the chamber of her bubble. And it would probably be dangerous for anyone else to have heard it. These people didn’t seem trustworthy to him, and he’d rather have Ace in his arms now rather than theirs. He reached for her, his hands wide and his claws already curled. Ready to protect her. But unfortunately, she only saw it as a threat. He knew how scary he must look, but he’d forgotten that he was large in comparison to her. No one was frightened of him. Not usually, at least. But she hesitated before putting her hands on his shoulders, and then he scooped her up and dove perhaps a little too quickly. But he would take no risks when it came to this strange achromo. She would be safer with him than with them.
Emma Hamm (Echoes of the Tide (Deep Waters, #3))
Jacob cleared his throat, obviously a little uncomfortable. “There is a key in another tower that I need you to get. The problem is that we can’t get into the other towers, and we aren’t sure which tower it’s in to begin with. But that key is vital to us being safe and living where we are. It holds a great amount of power in Gamma, and I want it.” She hadn’t ever heard about a key. A key to what? “All we need from you is transportation. You will bring Ace to the main tower where I believe the key was last seen, and then you will pick her back up and bring her here. We even have a dive suit that will suffice for travel, so the only thing you have to worry about is getting her in and out of a building.” Jacob spread his hands wide with a grin that was far too smarmy for comfort. “It’s an easy job to do, and in return, I’ll give you the best weapons you’ll ever have.” That was a stretch. She didn’t have to say it though, because Maketes was quick to reply, “The best weapons are my own hands, achromo. I could rip your head off and toss it into the crowd of your people before you take your next breath. Let’s not pretend you can create any weapon more deadly than me.” She felt faint. She knew her face had turned white at the same time she felt dizzy because Jacob immediately snarled, “What did he say?” She didn’t know how to lie about that one.
Emma Hamm (Echoes of the Tide (Deep Waters, #3))
Not knowing how he had come to sit behind the steering wheel, he considered driving into town for help but was too fucked up to walk much less commandeer Emma’s truck. The hike into the canyon where her body would be—500 feet beneath the Claw and at least a 90-minute jog from the truck—was too much to consider, the stream requiring being forded at least a dozen times. Paralyzed by indecision and the horror of seeing her jump, he pounded the steering wheel with palms, tears soaking his face, collecting like dew drops in the wiry strands of his beard. “What the fuck? What the fucking fuck? Goddammit Emma…” Desiring nothing other than to have her back, he felt the urge to lie down on the seat and cry himself into oblivion, having no more control over himself than he had over the way Powerball had spun the universe, spitting out random equations from a spinning cage. So maybe, his mind conspired, she didn’t jump and was still wandering around the Claw, lost, searching him out. But the image of her stretching her arms wide and leaping was crystalline in its authenticity, tangible and substantial. She’s not here. The voice returned, stripping earthly context from reality. Go look somewhere else. “...the other half found me stumbling around and drunk on burgundy wine,” the tape player shattered his thoughts as though someone had thrown a large rock through the windshield, the engine suddenly idling. Like it just happened on its own, there was no way he’d touched the key. Fumbling for the cassette deck’s knobs, he watched his hand disappear into the dash, lacking mass or substance, sensation, an immaterial thing dangling uselessly from the end of his arm. Outside the truck, the mountain and trees pivoted, the world turning on a spindle, the turnout giving way to the meadow and the rutted path back to the gate. Gooch watched the speedometer needle bounce back and forth, wind tumbling the dashboard trash and debris so that everything danced against the windshield in time to the music. “I’ll get up and fly away….
James R McQuiggin (A Rare and Different Tune: Book Two in the Powerball Trilogy)
If you hurl outside?” From his far-off hidey-hole, Dave was directing, not asking. “Shovel it up and put it in the trash. I don’t want my dogs to get to it because it’s whatever you ate plus the shrooms and they’ll gobble it all up and freak the fuck out.” “I promise you. I won’t throw up,” Flynn heard Allison groan before her vomit hit the kitchen sink. “Outside.” “It’s cold out there, honey,” LA Tina said with a deep, soothing voice. “Someone grab up all that pretty blonde hair so it don’t get puked on.” As Flynn fully immersed himself in the music, the merry-go-round in the song was spinning sound and vision around him. Mushrooms were coming on quickly, powerfully, puckering his saliva glands and twisting his stomach into knots. Unsure if he’d actually made it to the bathroom, he was relieved when he saw his emesis kaleidoscopically stewing in the sink. Opening the spigot to wash the corruption down the drain, he splashed cold water on his face as he watched his eyes lit like fires from faraway camps, lips pushing the folds of his cheeks into reiterative grins. A timeless face reminded him of who he was and what resided within him as water drizzled down his chin and swirled into the drain. Emerging back into the rest of the world, a melodic hum hung just above his head. He found his way back to where the notes fully unfurled the song’s motif. Throwing himself into an air-guitar stance, he grimaced as he acted bending out the first, bluesy guitar note. Sparking and glowing like a welding rod, the room around him blazed with his light. Emma leered and licked her lips after glugging down a huge swig of Flynn pretending to be Pink Floyd. Tall, thin, somewhat handsome and exotic in his urbanity, Flynn was poised in a way Pogoner boys could never be. Something about him prickled wildly on her skin and excited her. Gliding from the kitchen to where he rocked, arms raised to reveal her Venus form, she sashayed with dabs of riffing blues, synthesizers scaling the air while guitars and bass vibrated through shabby carpet. As she joined him to take the music within, two objects in space edged closer and closer, gravity pulling both to an inevitable collision. In the gentle light of Christmas bulbs and uncountable candles, they circled round in time to the music, watching each other as neon Nazca-line insects scrambled across the walls. “Remember when you were young?” Emma crooned deep and soft. “You shone like the sun…” Flynn picked up before they both continued with the chorus. “Now there’s a look in your eyes,” she watched him draw closer. “Like black holes in the sky…” “Shine! On! You! Crazy… DIAMOND!” they both shouted, him with uncertainty, her full-throated and stepping into her own, reminding the house why no band playing in town turned down her offer to stand on stage and belt one out. Continuing to spin toward one another, trading lyrics and leers, the two ground their desire like peppercorns, seasoning the diminishing space between them. Whisper came out of the kitchen after a few verses, singing loudly and a bit off-key, Ra-Ra and LA Tina in tow. “You wore out your welcome, with random precision…” “Blown on the steel… breeze…” the followers continued as a chorus. Emma and Flynn unraveled from one another and gave the group a look of, Really? Now? “Come on you raver,” all a chorus, “you seer of visions. Come on you painter, you piper, you prisoner and shine….” Everyone then fell out, shaking to various degrees as though they’d just been brought to tongues by some tent-preacher’s sermon.
James R McQuiggin