“
On the morning in question, she wore white shorts and a pink T-shirt that featured a green dragon breathing a fire of orange glitter. It is difficult to explain how awesome I found this T-shirt at the time.
”
”
John Green
“
The last time I wore an animal hide; but this time I settled for this." Eric had been wearing a long trench coat. Now he threw it off dramatically, and I could only stand and stare. Normally, Eric was a blue-jeans-and-T-shirt kind of guy. Tonight, he wore a pink tank top and Lycra leggings[...]They were pink and aqua, like the swirls down the side of Jason's truck.
”
”
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
“
If she did have to describe the kind of person who hunted vampires though, she was certain of one thing. It wouldn't be the kind of person who wore pink fluffy slippers at night and fell asleep in front of the television
”
”
Kailin Gow (Wicked Woods (Wicked Woods, #1))
“
Wrapped around each other but now clad in a pink nightie and a pair of sweatpants. To be clear, I wore the pink nightie.
”
”
Alice Clayton (Wallbanger (Cocktail, #1))
“
He knew her now. She was the weird girl in the class above him, who dyed her hair pink and always wore a lot of pentragrams and crystals. Right now she was also wearing giant chandelier earings and a violent pink T-Shirt that bore the words ROMEO AND JULIET WOULDN'T HAVE LASTED.
”
”
Sarah Rees Brennan (The Demon's Lexicon)
“
The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.
”
”
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
“
Barrons stood inside the front door, dripping cool old-world elegance.
I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me.
“ ‘One eye is taken for an eye . . .’ ” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare.
He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped.
I’d reached the sound dock, and just turned it off, when he exploded.
I whirled. “I didn’t look that funny,” I snapped.
His shoulders shook.
“Oh, come on! Stop it!”
He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet,
not a hot pink one.
I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs.
“You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder.
I wasn’t sure he even heard me, he was laughing so hard.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.
”
”
William Gibson (Neuromancer (Sprawl #1))
“
Aaron was wearing a T-shirt that was practically transparent with washing and sweatpants with a hole in the knee. His blond hair stuck up like duck fluff and he looked barely awake. Tamara looked tense. Her hair was carefully braided and she wore pink pajamas that said I FIGHT LIKE A GIRL across the front. Under the words was a screen print of cartoon girls executing deadly ninja moves.
”
”
Cassandra Clare (The Iron Trial (Magisterium, #1))
“
I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.
”
”
Jean Rhys (Wide Sargasso Sea)
“
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door.
Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers.
'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome.
'Husband at home?' I croaked, fist in pocket.
I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
”
”
Vladimir Nabokov
“
When I was younger, Maman assumed pink was my favorite color for no reason at all. I didn't hate the color. It just wasn't me. I preferred jewel tones, emeralds and sapphires as deep as oceans, colors captains wore when they helmed ships and heroines when they sneaked away to meet their secret lover in the dead of night.
”
”
Emily J. Taylor (Hotel Magnifique)
“
He wore a fluorescent green T-shirt with a large picture of Malcolm Ericson from Stage Dive on the front, and a matching fluorescent pink hat. “Mal for President” had been embroidered on the hat. Guess he really loved the drummer from Stage Dive. A lot.
”
”
Kylie Scott (Dirty (Dive Bar, #1))
“
He attacked her throat and she was so startled by the sudden move that she squeaked. He was laving her with his tongue, openmouthed, and she moaned, arching, wondering wildly if this was the same man who wore pink silk coats and black velvet bows. This seemed so base, so animal. Not at all like the effete aristocrat she thought she knew.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
She wore her best dinner dress, made of silk dyed in a fashionable shade called bois de rose, a deep earthy pink that flattered her fair complexion. It was a severely simple style, with a low square-cut bodice and skirts pulled back tightly to reveal the shape of her waist and hips.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Today is the starting line for the rest of your life. Yes, today is the tomorrow you worried about yesterday. The problem with the past is that we remember memories we shouldn't, and we don't forget what we should“ If your eyes are stuck in the rearview mirror, you're stuck in the past. If you're stuck in the past, you're not looking ahead. If you're not looking ahead, you can't hit the mark of your future.
The universe doesn't care about your past. It is blind to it. The universe doesn't care that I wore pink pants in high school. (Hey, remember Miami Vice?) The universe doesn't care that I got in a fight with Francis Franken and lost. The universe doesn't care about your MBA from UCLA, your drug-dealing father, or that you wet your bed in junior high. The universe simply doesn't care. One person and one person only weaponizes past transgressions: you.
”
”
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
“
Gus, dressed in the finest button-down shirt he could find in his house (plain white—Pastor Tommy had worn it when he was trying to infiltrate a Young Republicans meeting, only to have been found out, as he was neither young nor a Republican). He also found a bright pink tie to be his splash of color. He wore his slacks from work and a pair of loafers that he hoped would be considered sensible. “I look like a gay Mormon missionary,” he lamented in the mirror. “Pardon me, have you heard the word of the Lord? It’s fabulous!” He scowled at his reflection.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
suit. He was reading The Wall Street Journal. The lady across the table was probably Mrs. Dare, though all I could see of her were hot pink fingernails and the cover of Condé Nast Traveler. Why she’d be reading about vacations while she was on vacation, I wasn’t sure. Rachel stood at the porch railing and sighed. She wore Bermuda shorts and her Van Gogh T-shirt. (Yeah, Rachel was trying to teach me about art, but don’t get too impressed. I only remembered the dude’s name because he cut his ear off.)
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity.
”
”
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
“
I cleaned the shit off my pink high-tops and drove home, stopping for an espresso at the coffeehouse across from the college. Men and women were hunched over copies of Jean Paul Sartre and writing in their journals. Most wore the thin-rimmed tortoiseshell glasses favored by intellectuals. Their clothes were faded to a precisely fashionable degree; you can buy them that way from catalogs now, new clothes processed to look old. The intellectuals looked at me in my overalls the way such people inevitably look at farmers.
I dumped a lot of sugar in my espresso and sipped it delicately at a corner table near the door. I looked at them the way farmers look at intellectuals.
”
”
Mary Rose O'Reilley
“
Marlys was a sturdy woman in her fifties, white curls clinging to her scalp like vanilla frosting. She wore rimless glasses, a homemade red-checked gingham dress, and low-topped Nikes. Short-nosed and pale, she had a small pink mouth that habitually pursed in thought, or disapproval.
”
”
John Sandford (Extreme Prey (Lucas Davenport, #26))
“
A big man stood looking out the window at the night. He had a close-cropped haircut, obviously military, and wore a camouflage uniform. Pink scalp showed through his light colored hair and his thick neck glowed red.
There's a stroke waiting to happen. Tara couldn't stop the irreverent thought.
”
”
D. L. Robinson Red Death
“
Sunny laughed. "It's okay. You're right, Emma. My name is unusual, but I like to think of it as... special also."
Special?
Sam cocked his head as he studied Sunny. Almost all of her hair had escaped out of her ponytail now. She wore a baggy pink sweatshirt and had on the kind of drawstring plaid pants that would've set Bozo the Clown's heart pitter-pattering with envy. Her yellow tennis shoes were covered with dog hair.
Yeah, special was one word for her.
”
”
Jennifer Shirk (Sunny Days for Sam)
“
After that, a strange thing happened: Amy couldn't stop her expectations from rising. She imagined herself transformed and beautiful, like Molly Ringwald in Pretty in Pink, with her homemade dress and mysterious lace boots. She pictured her hair in an upsweep of loose curls. In the fantasy, her prom face looked like the one she only wore asleep, loose and relaxed. She imagined a photographer asking her to smile and, for the first time in her life, being able to do it.
”
”
Cammie McGovern (Say What You Will)
“
She looks extra comfy in her pink pajama bottoms and gray Hello Kitty tank top, and I’m glad I wore my sweats and a loose T-shirt, otherwise I’d be asking to borrow some of her pj’s. That’s how you know you have a best friend on your hands. Regular friends invite you over and ask if you’d like water or coffee or something. Best friends offer you their favorite raspberry soda and their comfiest clean pajamas. Best friends can meet up after not speaking for a while, as if nothing happened.
”
”
Brittney Morris (SLAY)
“
On Saturday Ben and I drove to Johns Island to see Skyfall.”
“You did?” Hi asked sharply. “Thanks for the invite, jerks.”
Shelton raised his palms. “You were at temple. We’re supposed to just wait around? Plus, you’ve seen that move like five times.”
“You still could’ve asked,” Hi grumbled.
“I don’t—”
“Guys!” I clapped my hands once. “The story, please.”
“An hour in, I go for a popcorn refill.” Shelton shuddered. “When I get back, Ben’s sitting in the dark, flaring away, and he’s not even wearing his sunglasses! I almost wet myself. He said he wanted to watch the movie in HD. Man, I don’t remember a single minute from the rest of the film.”
“In a theater!?” My temper exploded. “That stupid mother—”
“Hiram!”
Our heads whipped. Ruth Stolowitski was standing on her front stoop.
“Get back in here this instant! You’re not dressed.”
Ruth wore a fuzzy pink bathrobe, her free hand vising the garment closed. Her eyes darted, as if worried that cagey perverts were surveilling our remote island, waiting for just this opportunity to get an eyeful.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
When he went out it was freezing, and a pale winter sun was rising over Paris.
No thought of escape had as yet crossed Monsieur Monde's mind.
'Morning, Joseph.'
'Morning, monsieur.'
As a matter of fact, it started like an attack of flu. In the car he felt a shiver. He was very susceptible to head colds. Some winters they would hang on for weeks, and his pockets would be stuffed with wet handkerchiefs, which mortified him. Moreover, that morning he ached all over, perhaps from having slept in an awkward position, or was it a touch of indigestion due to last night's supper?
'I'm getting flu,' he thought.
Then, just as they were crossing the Grands Boulevards, instead of automatically checking the time on the electric clock as he usually did, he raised his eyes and noticed the pink chimney pots outlined against a pale blue sky where a tiny white cloud was floating.
It reminded him of the sea. The harmony of blue and pink suddenly brought a breath of Mediterranean air to his mind, and he envied people who, at that time of year, lived in the South and wore white flannels.
”
”
Georges Simenon (Monsieur Monde Vanishes)
“
Letter to Myself, in Remission, from Myself, Terminal"
You'll come to hate your own poems,
read them as pretty wisps of colorful thinking,
all those images just a splash of colored oil
sloshed over a pool gone rancid. Admit it.
Atheists always scared you. And no wonder.
Those nights you switched on the fan so no one
could hear you scream into your pillow, weeping
and biting your own hands like a motherless
monkey,banded to a body that despised you,
a suit of coals with a jammed-shut zipper.
Instead of the truth, you took refuge in stories
and souls, wore the word survivor like a pink nimbus.
All the while, my dear, I waited, knowing
you'd catch up to me one day. I'm holding the black-
backed mirror to your face. Look into it.
”
”
Anya Krugovoy Silver
“
Dylan looked promising. Tomboy. Tall and deliciously rangy. Her raven hair was unevenly sliced, streaked auburn in a patch or two. A thatch of black hair hung like a flag of bad-girl honor over Dylan’s right eye. She was delightfully loud. Her black, paint-splattered jeans were ripped at both knees. She wore a red T-shirt that proclaimed: “Ask Me About My Big Pink Pussy.
”
”
Ana B. Good (The Big Sugarbush)
“
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America.
As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards.
My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
He was disappointed on his first Vietnam tour in 1965 when he’d seen little action. Now, with his own company, he was eager to be put to use. His ears stuck out on either side of his high-and-tight and he wore US Marine Corps–issued glasses in thick black plastic frames. In his wallet, he carried a formal portrait of his wife, Missy, and daughter, Marianne, both wearing pink. The politics of the war didn’t concern him at all. He was a marine; there was a war on.
”
”
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
“
A multitude of harlequin lifeforms bobbed and twirled and played in the depths of the Atlantic. Pink cucumbers with thorny backs. Algae. Starfish. Annelids with simple brains and a hundred toes. Sponges—like yellow, swollen hands—sucked in water and pushed out oxygen. Most amusing were the mysterious buggers who had no likeness on the previous earth; tiny beasts with exotic exoskeletons engraved with deep grid-like patterns, snails with horns, and slithering plants that looked like magenta weeping willows.
”
”
Jake Vander-Ark (The Day I Wore Purple)
“
She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit.
They were different, and yet not ill matched.
They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats.
But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together?
They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm.
She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.
”
”
Peter Carey (Oscar and Lucinda)
“
Is she pretty?”
That would be a hell yes. Big soft eyes, full pink lips. Legs and tight skirts. And those damn cowboy boots. And the yoga pants and bra top she wore sailing. Long blond hair—-at least he thought it was long; she always kept it wound up and clipped in a messy bun. He’d dated white girls before, a time or two. But never someone that white, from Texas. Or that young. She was what, fifteen years younger, at least. An itty-bitty thing who could throw a grown man to the ground.
“Yeah,” he said. “She’s real pretty.
”
”
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
“
Thankfully, Gabriel was five minutes late, and by the time he knocked on the door I’d just finished putting on lipstick and slipping my feet into sandals. I opened the door.
“I hope I didn’t keep you wait . . .” His voice drifted off as he quite blatantly checked me out.
“What?” I asked, hand on my hip.
He flashed me a devilish grin. “The little pink dress. You look cute.”
What I found frumpy, he found cute. Wonder what his response would have been to the tight number. My eyes gave him a discreet once-over. He wore jeans and a Yankees T-shirt. It wasn’t exactly going to win over the locals, but I had to admit, he filled the shirt out ridiculously well. His short black hair was damp, like he’d just taken a shower. I felt my face behind to flush, so I turned away. “Come on in.”
He stopped and surveyed the foyer. “I was only here for a minute when we came to get Joni. I didn’t get a chance to check the place out.” He paused. “It’s not what I was expecting.”
“What were you expecting? Voodoo dolls hung from the ceiling?”
He smirked. “Maybe just a little one of me.”
“That’s hidden under my bed.
”
”
Kim Harrington (Clarity (Clarity, #1))
“
This time, I sat next to a pixie girl called Takara, who had pinkish hair and wore a bright pink dress to match. She was the first forest-dweller I had seen wearing jewellery: she was wearing a necklace and bracelet of finely worked crystal beads. When she noticed my interest, she removed her bracelet and held it out to me.
“Sophiel, I would be so pleased if you would wear this!”
I was surprised by this kind and very selfless gesture; after all, I had not been admiring her jewels with any intention of asking her to part with them!
“You’re very kind, Takara, but I was merely admiring your handiwork!” I said, trying politely to refuse her gift. “Mitsuko told me that you make your jewellery yourself. You’re very talented, they’re really lovely pieces, but I wouldn’t want to take them away from you. It’s you that makes these jewels really beautiful!
”
”
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
“
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one—
—and froze.
Barrons stood inside the front door, dripping cool-world elegance.
I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me.
“‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped.
I’d reached the sound dock, and just turned it off, when he exploded.
I whirled. “I didn’t look that funny,” I snapped.
His shoulders shook.
“Oh, come on! Stop it!”
He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one.
I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs.
“You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder.
I wasn’t sure he even heard me, he was laughing so hard.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
Opposite the gates was a low concrete building. Dozens of men were spilling out of its windowless structure and stood in dark clumps on the Pit Road. At first it looked like they were leaving chapel, but as the diesel engine roared nearer, they turned as if they were one. The miners stopped their talking and squinted to get a good look. They all wore the same black donkey jackets and were holding large amber pints and sucking on stubby doubts. The miners had scrubbed faces and pink hands that looked free of work. It seemed wrong, these men being the only clean thing for miles. Reluctantly, the miners parted and let the taxi go by. Leek watched them as they were watching him. His stomach sank. The men all had his mother’s eyes.
”
”
Douglas Stuart (Shuggie Bain)
“
AS IT HAPPENED, CATHY’S CONFIRMATION DAY was a great success. By the time the hairdresser was finished with her, Cathy was more than pleased with the outcome. On the day she wore a pink two-piece suit decorated with tiny flowers around the edge of the lapel, a white high-collared blouse and white shoes. Archbishop McQuaid gave her the Sacrament of Confirmation, and to her relief Cathy was not even asked a question. The one-and-a-half-hour ceremony was followed by lunch in Bewley’s Café which, as always, was sumptuous. Then began the obligatory visiting of friends and relations. Transport for the day was provided by Ned Brady, a local baker. Ned had an Austin Cambridge and supplied the car, himself as driver and the petrol for five pounds. By
”
”
Brendan O'Carroll (The Mammy (Agnes Browne, #1))
“
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school.
“He did not say that!”
“Yes, he did! And you wouldn’t believe what she said!”
Please, someone tell me I wouldn’t be that annoying if I had girlfriends.
“Sure, you will be.”
I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt.
“You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.”
She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.”
“Pick up anything interesting?”
“Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head.
I blushed. “Did you happen to pick up anything important?”
“Like a man walking along thinking, ‘I killed Victoria Happel’?”
“Exactly.”
“No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.”
“Have you seen Billy Rawlinson or Frankie Creedon?” I asked.
Distaste turned her mouth down. “No. Why are you looking for those scoundrels?”
“Billy might be a witness in the case. Or a suspect.”
“I’ll keep my eyes out and my mind open.”
“Thanks,” I said. “Enjoy invading everyone’s privacy.
”
”
Kim Harrington (Clarity (Clarity, #1))
“
He wanted to give Eliza the scolding she deserved, to tell her he hadn’t saved her life just to have her start acting rash and putting herself at risk again. But he couldn’t speak. All thoughts escaped him but the scent of the rose-perfumed soap that had circled him when he’d been only inches from her freshly washed hair and the thought of how feminine she felt in his arms. Her silken locks, all smooth and still wet from its wash, rested around her shoulders in a tight braid. The clean clothes she wore—his clothes—draped over her flawless curves. Her skin had more pink to it now, and if he wasn’t mistaken, that pink color was deepening. Was she blushing? Her chin was tucked and she focused a great deal of attention on her fingernails. He held back a smile, remembering Nathaniel’s words. Did she really have feelings for him?
”
”
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
“
If asked about Carlos, Less always calls him “one of my oldest friends.” The date of their first encounter can be pinpointed precisely: Memorial Day, 1987. Less can even remember what each of them wore: he, a green Speedo, Carlos, the same in bright banana. Each with a white-wine spritzer in hand, like a pistol, eyeing the other from across the deck. A song was playing, Whitney Houston wanting to dance with somebody. Shadow of a sequoia falling between them. With somebody who loved her. Oh, to have a time machine and a video camera! To capture thin pink-gold Arthur Less and brawny nut-brown Carlos Pelu in their youth, when your narrator was only a child! But who needs a camera? Surely, for each of them, that scene replays itself whenever the other’s name is mentioned. Memorial Day, spritzer, sequoia, somebody. And each smiles and says the other is “one of my oldest friends.” When of course they hated each other on sight.
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
Today I saw the most beautiful girl in the world...
She is the most beautiful girl in the world, Bartolomeo Scappi thought. Never have I seen a woman so perfect, so angelic, so impossible for me to attain.
"Bella," he breathed when air filled his lungs once again.
Even Ippolito d'Este's presence at the dining table could not mar his giddiness. The girl was so beautiful she glowed like a painting of the Madonna, making everyone around her seem colorless in comparison. She was clearly a principessa of a grand house, sitting between Ippolito's father, the Duke of Ferrara, on one side, and a woman most likely to be her mother on the right.
Bartolomeo sought to memorize every feature of this goddess with golden hair that shone with glints of red in the last rays of the day's sunlight. Her eyes were dark chestnut, rich and deep, while her lips were pink, like the inside of a seashell. Her hair was braided, but much of it flowed loose over shoulders, teasing her pale skin. She wore a dress of red, with sleeves billowing white. Rubies and pearls spilled across her delicate collarbone toward her beautiful breasts. Scappi painted her picture in his mind and stored it deep within the frame of his heart.
That evening, while staring at the sky, his thoughts lost in the memory of the signorina, a shooting star passed across his vision. "Stella," he said under his breath. I will call her Stella. My shining star.
”
”
Crystal King (The Chef's Secret)
“
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant.
And on these were the mermaids.
Wendy gasped at their beauty.
Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive.
The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers.
Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared.
They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did.
"Oh!" Wendy whispered. "They're-" And then she stopped.
Tinker Bell was giving her a funny look. An unhappy funny look.
The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
”
”
Liz Braswell (Straight On Till Morning)
“
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes.
As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’
So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from.
Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet.
‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’
In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
March 1898
What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.
They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!
They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.
I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...
I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.
Their vitreous eyes were looking at me...
I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.
Am I to be haunted by masks now?
”
”
Jean Lorrain (Monsieur de Phocas)
“
The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another.
'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.
”
”
Ashim Shanker (Don't Forget to Breathe (Migrations, Volume I))
“
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh.
"Uh, too tight."
He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy.
The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner.
After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust.
He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them.
Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked.
"Archibald's going to love your costume," he initiated.
She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever.
She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the
Tra-kay, tra-kay, tra-kay,
tra-kay, tra-kay, tra
on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.'
Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face.
Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands.
The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness.
Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.
”
”
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)