Woodworking Man Quotes

Soetsu Yanagi, in the "Unknown Craftsman", writes, "Man is most free when his tools are proportionate to his needs." For example, for optimal productivity, a carpenter needs woodworking tools and an environment conducive to his work, not a steam shovel or army tank.

Candle In the Wind Author: Bernie Tauplin Goodbye Norma Jeane. Though I never knew you at all. You had the grace to hold yourself While those around you crawled. And they crawled out of the woodwork, And they whispered into your brain, They set you on the treadmill And they made you change your name. And it seems to me you lived your life Like a candle in the wind, Never knowing who to cling to When the rain set in. And I would have liked to have known you But I was just a kid, Your candle burned out long before Your legend ever did. Loneliness was tough. The toughest role you ever played. Hollywood created a superstar And pain was the price you paid. Even when you died The press still hounded you- All the paper had to say Was that Marilyn was found in the nude. Goodbye Norma Jeane. Though I never knew you at all. You had the grace to hold yourself While those around you crawled. Goodbye Norma Jeane. From the young man in the 22nd row Who sees you as something more than sexual, More than just our Marilyn Monroe.

Here are some of the things I learned while living in New York: That you shouldn’t interpret direct and efficient communication as rudeness. That a sidewalk operates by the same rules as a highway: if you walk slow, walk in the right lane, and if you have to stop, pull over. I learned that once the late June sunshine hits the streets, pretty girls in summer dresses come out of the woodwork. I also learned that summer brings with it the inescapable smell of marinating garbage and human urine. In the city, you can get weed delivered to your front door by a hipster on a bicycle or pick up a screwdriver in the dead of the night at a twenty-four-hour hardware store. I learned that the city has resilience like no other city during natural (or man-made) disasters, and that the people of New York generally coexist peacefully, which is impressive, considering there are 27,352 people per square mile.

The rifle said more than the man. It was a short-magazine Lee-Enfield, three-oh-three caliber, and its worn brass buttplate and the scars & scratches on its woodwork spoke volumes of the century gone by. They spoke of Mons, 1914, where cries of TEN ROUNDS RAPID! convinced the German soldiers they faced machine-gun fire, and English bowmen from the time of Agincourt-- so legend has it-- appeared in the clouds to cover the retreat. They spoke of Harry and Jack on their way up to Arras, of the morning on the Somme where men of Ulster, Scotland, Wales, and Ireland, all the children of the empire fixed bayonets as long as swords and went to feed the earth. They spoke of Tommies on the beach at Dunkirk, taking hopeful potshots at the Stukas, and of stopping Rommel dead at Alam Halfa. They spoke of Normandy, the sneaking gang-fights in the hedgerows, where a platoon could bleed out faster than its predecessors on the Somme. Finally, they spoke of Afghanistan, the land that swallows armies. Of ancient rifles in the hands of men as hard as mountains, glimpsed on CNN & BBC, anachronisms next to things of tin and plastic. Of weapons taken by the locals from the empire that had fought them, an inheritance of iron and gun-oil out on the Northwest Frontier. They spoke of history. The man was Russian.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

Working with wood is one of the joys of life.