Woodpecker Quotes

We've searched our database for all the quotes and captions related to Woodpecker. Here they are! All 100 of them:

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If only, if only," the woodpecker sighs, "The bark on the tree was as soft as the skies." While the wolf waits below, hungry and lonely, Crying to the moo-oo-oon, "If only, If only.
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Louis Sachar (Holes (Holes, #1))
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It's never too late to have a happy childhood.
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Tom Robbins (Still Life with Woodpecker)
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We are our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
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Tom Robbins (Still Life with Woodpecker)
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Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.
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Tom Robbins (Still Life with Woodpecker)
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There are two kinds of people in this world: Those who believe there are two kinds of people in this world and those who are smart enough to know better.
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Tom Robbins (Still Life with Woodpecker)
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There are only two mantras, yum and yuck, mine is yum.
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Tom Robbins (Still Life with Woodpecker)
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When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
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Tom Robbins (Still Life with Woodpecker)
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People are never perfect, but love can be.
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Tom Robbins (Still Life with Woodpecker)
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Albert Camus wrote that the only serious question is whether to kill yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to kill yourself.
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Tom Robbins (Still Life with Woodpecker)
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Who knows how to make love stay? 1. Tell love you are going to Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if loves stays, it can have half. It will stay. 2. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a moustache on your face. Find love. Tell it you are someone new. It will stay. 3. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning.
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Tom Robbins (Still Life with Woodpecker)
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But do we know how to make love stay?' I can't even think about it. The best I can do is play it day by day.
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Tom Robbins (Still Life with Woodpecker)
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You're better equipped for this world than I am," she said. "I'm always trying to change the world. You know how to live in it.
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Tom Robbins (Still Life with Woodpecker)
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If you're honest, you sooner or later have to confront your values. Then you're forced to separate what is right from what is merely legal. This puts you metaphysically on the run. America is full of metaphysical outlaws.
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Tom Robbins (Still Life with Woodpecker)
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There's no point in saving the world if it means losing the moon.
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Tom Robbins (Still Life with Woodpecker)
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A woodpecker can tap twenty times on a thousand trees and get nowhere, but stay busy. Or he can tap twenty-thousand times on one tree and get dinner.
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Seth Godin (The Dip: A Little Book That Teaches You When to Quit (and When to Stick))
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I'll follow him to the ends of the earth,' she sobbed. Yes, darling. But the earth doesn't have any ends. Columbus fixed that.
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Tom Robbins (Still Life with Woodpecker)
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red hair is caused by sugar and lust.
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Tom Robbins (Still Life with Woodpecker)
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Three of the four elements are shared by all creatures, but fire was a gift to humans alone. Smoking cigarettes is as intimate as we can become with fire without immediate excruciation. Every smoker is an embodiment of Prometheus, stealing fire from the gods and bringing it on back home. We smoke to capture the power of the sun, to pacify Hell, to identify with the primordial spark, to feed on them arrow of the volcano. It's not the tobacco we're after but the fire. When we smoke, we are performing a version of the fire dance, a ritual as ancient as lightning.
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Tom Robbins (Still Life with Woodpecker)
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Conversation between a princess and an outlaw: "If I stand for fairy-tale balls and dragon bait--dragon bait--what do you stand for?" "Me? I stand for uncertainty, insecurity, bad taste, fun, and things that go boom in the night." "Franky, it seems to me that you've turned yourself into a stereotype." "You may be right. I don't care. As any car freak will tell you, the old models are the most beautiful, even if they aren't the most efficient. People who sacrifice beauty for efficiency get what they deserve." "Well, you may get off on being a beautiful stereotype, regardless of the social consequences, but my conscience won't allow it." "And I goddamn refuse to be dragon bait. I'm as capable of rescuing you as you are of rescuing me." "I'm an outlaw, not a hero. I never intended to rescue you. We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
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Tom Robbins (Still Life with Woodpecker)
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Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense. Alone, the world offers itself freely to us. To be unmasked, it has no choice.
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Tom Robbins (Still Life with Woodpecker)
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Society had a crime problem. It hired cops to attack crime. Now society has a cop problem.
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Tom Robbins (Still Life with Woodpecker)
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People who sacrifice beauty for efficiency get what they deserve. (Bernard Mickey Wrangle, p 99)
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Tom Robbins (Still Life with Woodpecker)
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Often, moreover, it is...that aspect of our being that society finds eccentric, ridiculous, or disagreeable, that holds our sweet waters, our secret well of happiness, the key to our equanimity in malevolent climes.
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Tom Robbins (Still Life with Woodpecker)
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There are essential and inessential insanities. The later are solar in character, the former are linked to the moon.
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Tom Robbins (Still Life with Woodpecker)
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They glared at her the way any intelligent persons ought to glare when what they need is a smoke, a bite, a cup of coffee, a piece of ass, or a good fast-paced story, and all they're getting is philosophy.
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Tom Robbins (Still Life with Woodpecker)
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Political activism is seductive because it seems to offer the possibility that one can improve society, make things better, without going through the personal ordeal of rearranging one's perceptions and transforming one's self.
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Tom Robbins (Still Life with Woodpecker)
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Now tequila may be the favored beverage of outlaws but that doesn't mean it gives them preferential treatment. In fact, tequila probably has betrayed as many outlaws as has the central nervous system and dissatisfied wives. Tequila, scorpion honey, harsh dew of the doglands, essence of Aztec, crema de cacti; tequila, oily and thermal like the sun in solution; tequila, liquid geometry of passion; Tequila, the buzzard god who copulates in midair with the ascending souls of dying virgins; tequila, firebug in the house of good taste; O tequila, savage water of sorcery, what confusion and mischief your sly, rebellious drops do generate!
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Tom Robbins (Still Life with Woodpecker)
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A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey. A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Great people will always be mocked by those who feel smaller than them. A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey. A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker. Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud, it does not allow the dirt that surrounds it to affect its growth or beauty.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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Brilliantly, ecstatically, irrepressibly. This is the way to burn
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Tom Robbins (Still Life with Woodpecker)
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When the mystery of the connection goes, love goes. It's that simple. This suggests that it isn't love that is so important to us but the mystery itself. The love connection may be merely a device to put us in contact with the mystery, and we long for love to last so that the ecstacy of being near the mystery will last. It is contrary to the nature of mystery to stand still. Yet it's always there, somewhere, a world on the other side of the mirror (or the Camel pack), a promise in the next pair of eyes that smile at us. We glimpse it when we stand still. The romance of new love, the romance of solitude, the romance of objecthood, the romance of ancient pyramids and distant stars are means of making contact with the mystery. When it comes to perpetuating it, however, I got no advice. But I can and will remind you of two of the most important facts I know: 1. Everything is part of it. 2. It's never too late to have a happy childhood.
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Tom Robbins (Still Life with Woodpecker)
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Humans have evolved to their relatively high state by retaining the immature characteristics of their ancestors. Humans are the most advanced of mammals – although a case could be made for the dolphins – because they seldom grow up. Behavioral traits such as curiosity about the world, flexibility of response, and playfulness are common to practically all young mammals but are usually rapidly lost with the onset of maturity in all but humans. Humanity has advanced, when it has advanced, not because it has been sober, responsible and cautious, but because it has been playful, rebellious, and immature.
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Tom Robbins (Still Life with Woodpecker)
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If this typewriter can't do it, then fuck it, it can't be done.
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Tom Robbins (Still Life with Woodpecker)
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Nobody quite knew what to make of the moon any more.
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Tom Robbins (Still Life with Woodpecker)
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It's not men who limit women, it's not straights who limit gays, it's not whites who limit blacks. What limits people is lack of character. What limits people is that they don't have the fucking nerve or imagination to star in their own movie, let alone direct it.
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Tom Robbins (Still Life with Woodpecker)
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Life is like a stew, you have to stir it frequently, or all the scum rises to the top.
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Tom Robbins (Still Life with Woodpecker)
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Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.
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Tom Robbins (Still Life with Woodpecker)
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It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. The fetus bailed out without a parachute. It landed in the sideline Astroturf, so upsetting the cheerleaders that for the remained of the afternoon their rahs were more like squeaks.
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Tom Robbins (Still Life with Woodpecker)
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Don't let yourself be victimized by the age you live in. It's not the times that will bring us down, any more than it's society. When you put the blame on society, then you end up turning to society for the solution. Just like those poor neurotics at the Care Fest. There's a tendency today to absolve individuals of moral responsiblity and treat them as victims of social circumstance. You buy that, you pay with your soul. It's not men who limit women, it's not straights who limit gays, it's not whites who limit black. what limits people is lack of character. What limites people is that they don't have the fucking nerve or imagination to star in their own movie, let alone direct it. Yuck....It's a wonderful time to be alive. As long as one has enough dynamite. --pg. 116-117
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Tom Robbins (Still Life with Woodpecker)
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I'm an outlaw, not a hero. I never intended to rescue you. We're our own dragons as well as heroes, and we have to rescue ourselves from ourselves.
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Tom Robbins (Still Life with Woodpecker)
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If only, if only, the woodpecker sighs, The bark on the tree was just a little bit softer. While the wolf waits below, hungry and lonely, He cries to the moo-oo-oon, If only, if only.
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Louis Sachar (Holes (Holes, #1))
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Poetry, the best of it, is lunar and is concerned with the essential insanities. Journalism is solar (there are numerous newspapers named The Sun, none called The Moon) and is devoted to the inessential.
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Tom Robbins (Still Life with Woodpecker)
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How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding - escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience - maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who're afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar's Hell. Some folks hide, and some folk's seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren't afraid to look and won't turn tail should they find it - and if they never do, they'll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth's sweet gas.
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Tom Robbins (Still Life with Woodpecker)
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It is very normal for one ugly weed to not want to stand alone.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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The camel has a big dumb ugly hump. But in the desert, where prettier, more streamlined beasts die quickly of thirst, the camel survives quite nicely. As legend has it, the camel carries its own water, stores it in its stupid hump. If individuals, like camels, perfect their inner resources, if we have the power within us, then we can cross any wasteland in relative comfort and survive in arid surroundings without relying on the external. Often, moreover, it is our "hump" - that aspect of our being that society finds eccentric, ridiculous, or disagreeable - that holds our sweet waters, our secret well of happiness, the key to our equanimity in malevolent climes.
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Tom Robbins (Still Life with Woodpecker)
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I'll bet I'm as old as you are." "I'm older than Sanskrit." "Well, I was waitress at the Last Supper." "I'm so old I remember when McDonald's had only sold a hundred burgers." "You win.
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Tom Robbins (Still Life with Woodpecker)
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Western civilization was declining too fast for comfort, but too slowly to be very exciting.
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Tom Robbins (Still Life with Woodpecker)
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A person's looking for a simple truth to live by, there it is. CHOICE. To refuse to passively accept what we've been handed by nature or society, but to choose for ourselves. CHOICE. That's the difference between emptiness and substance, between a life actually lived and a wimpy shadow cast on an office wall.
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Tom Robbins (Still Life with Woodpecker)
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The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?
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Tom Robbins (Still Life with Woodpecker)
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Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet.
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Tom Robbins (Still Life with Woodpecker)
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Leave it to a naive world-saver like you to view our love as a Sacred Cause when in actual fact all it was was some barking at the moon.
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Tom Robbins (Still Life with Woodpecker)
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Hey Chris, bet you don't know the Latin name of the red-headed woodpecker." That was a hard one. Chris had to say Melanerpes erythrocephalus very slowly.
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Ellen Raskin (The Westing Game)
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Song of a Second April APRIL this year, not otherwise Than April of a year ago Is full of whispers, full of sighs, Dazzling mud and dingy snow; Hepaticas that pleased you so Are here again, and butterflies. There rings a hammering all day, And shingles lie about the doors; From orchards near and far away The gray wood-pecker taps and bores, And men are merry at their chores, And children earnest at their play. The larger streams run still and deep; Noisy and swift the small brooks run. Among the mullein stalks the sheep Go up the hillside in the sun Pensively; only you are gone, You that alone I cared to keep.
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Edna St. Vincent Millay
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The full moon - the mandala of the sky.
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Tom Robbins (Still Life with Woodpecker)
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Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
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Toni Morrison (Beloved)
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It was autumn, the springtime of death.
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Tom Robbins (Still Life with Woodpecker)
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A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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What we have here is an unexpected touchdown on the runway of the heart.
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Tom Robbins (Still Life with Woodpecker)
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Alone, the world offers itself freely to us. To be unmasked, it has no choice.
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Tom Robbins (Still Life with Woodpecker)
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Some folks hide, and some folks seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding.
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Tom Robbins (Still Life with Woodpecker)
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Not far from this village, perhaps about two miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquillity.
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Washington Irving (The Legend of Sleepy Hollow)
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Who knows how to make love stay? Tell love you are going to the Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if love stays, it can have half.
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Tom Robbins (Still Life with Woodpecker)
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The only question is how to make love stay.
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Tom Robbins (Still Life with Woodpecker)
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Katy was neither a Methodist nor a Masochist. She was a goddess and the silence of goddesses is genuinely golden. None of your superficial plating. A solid, twenty-two-carat silence all the way through. The Olympian's trap is kept shut, not by an act of willed discretion, but because there's really nothing to say. Goddesses are all of one piece. There's no internal conflict in them. Whereas the lives of people like you and me are one long argument. Desires on one side, woodpeckers on the other. Never a moment of real silence.
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Aldous Huxley (The Genius and the Goddess)
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almost any object, including this book you hold, can turn up as Exhibit A in a murder trial.
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Tom Robbins (Still Life with Woodpecker)
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We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
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Tom Robbins (Still Life with Woodpecker)
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I know her by her angry air, Her brightblack eyes, her brightblack hair, Her rapid laughters wild and shrill, As laughter of the woodpecker From the bosom of a hill. 'Tis Kate--she sayeth what she will; For Kate hath an unbridled tongue, Clear as the twanging of a harp. Her heart is like a throbbing star. Kate hath a spirit ever strung Like a new bow, and bright and sharp As edges of the scymetar. Whence shall she take a fitting mate? For Kate no common love will feel; My woman-soldier, gallant Kate, As pure and true as blades of steel. Kate saith "the world is void of might". Kate saith "the men are gilded flies". Kate snaps her fingers at my vows; Kate will not hear of lover's sighs. I would I were an armèd knight, Far famed for wellwon enterprise, And wearing on my swarthy brows The garland of new-wreathed emprise: For in a moment I would pierce The blackest files of clanging fight, And strongly strike to left and right, In dreaming of my lady's eyes. Oh! Kate loves well the bold and fierce; But none are bold enough for Kate, She cannot find a fitting mate.
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Alfred Tennyson
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Equality is not in regarding different things similarly, equality is in regarding different things differently.
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Tom Robbins (Still Life With Woodpecker)
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There is, however, a similarity between juggling and composing on the typewriter. The trick is, when you spill something, make it look like part of the act.
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Tom Robbins (Still Life with Woodpecker)
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Dreamily the Princess stood up. "I'm not sure if I can walk," she said. "Then I'll carry you." "Is that what love is?" "I no longer know what love is. A week ago I had a lot of ideas. What love is and how to make it stay. Now that I'm in love, I haven't a clue. Now that I'm in love, I'm completely stupid on the subject.
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Tom Robbins (Still Life with Woodpecker)
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He worked too hard, smiled too little and dined as one indifferent to both flavor and fate; he clearly was a hero in need of rescue by a princess.
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Tom Robbins (Still Life with Woodpecker)
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One naughty little woodpecker Another day pecking your holes Ruining the the forest, tree wrecker The angry wood god turned your little beak into a poison knife Poor little wood pecker, your nesting holes are all tainted Your foods with toxins rife Touch your friends, and they all will die falling to your feet Oh, sad little woodpecker Poisonous tears, shining brightly as they stream down your cheeks
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Shiro
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The difference between a criminal and an outlaw is that while criminals frequently are victims, outlaws never are. Indeed, the first step toward becoming a true outlaw is the refusal to be victimized. All people who live subject to other people's laws are victims. People who break laws out of greed, frustration, or vengeance are victims. People who overturn laws in order to replace them with their own laws are victims. ( I am speaking here of revolutionaries.) We outlaws, however, live beyond the law. We don't merely live beyond the letter of the law-many businessmen, most politicians, and all cops do that-we live beyond the spirit of the law. In a sense, then, we live beyond society. Have we a common goal, that goal is to turn the tables on the 'nature' of society. When we succeed, we raise the exhilaration content of the universe. We even raise it a little bit when we fail. When war turns whole populations into sleepwalkers, outlaws don't join forces with alarm clocks. Outlaws, like poets, rearrange the nightmare. The trite mythos of the outlaw; the self-conscious romanticism of the outlaw; the black wardrobe of the outlaw; the fey smile of the outlaw; the tequila of the outlaw and the beans of the outlaw; respectable men sneer and say 'outlaw'; young women palpitate and say 'outlaw'. The outlaw boat sails against the flow; outlaws toilet where badgers toilet. All outlaws are photogenic. 'When freedom is outlawed, only outlaws will be free.' There are outlaw maps that lead to outlaw treasures. Unwilling to wait for mankind to improve, the outlaw lives as if that day were here. Outlaws are can openers in the supermarket of life.
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Tom Robbins (Still Life with Woodpecker)
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Indeed, the first step toward becoming a true outlaw is the refusal to be victimized.
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Tom Robbins (Still Life With Woodpecker)
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The most important thing is love,” said Leigh-Cheri. β€œI know that now. There’s no point in saving the world if it means losing the moon.
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Tom Robbins (Still Life With Woodpecker)
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Tunnel vision is caused by an optic fungus that multiplies when the brain is less energetic than the ego. It is complicated by exposure to politics.
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Tom Robbins (Still Life with Woodpecker)
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REMEMBER THE LOTUS FLOWER Great people will always be mocked by those Who feel smaller than them. A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey. A nightingale does not stop singing its beautiful song At the intrusion of an annoying woodpecker. Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud, It does not allow the dirt that surrounds it To affect its growth or beauty. Be that lotus flower always. Do not allow any negativity or ugliness In your surroundings Destroy your confidence, Affect your growth, Or make you question your self-worth. It is very normal for one ugly weed to not want to stand alone. Remember this always. If you were ugly, Or just as small as they feel they are, Then they would not feel so bitter and envious Each and every time they are forced To glance up at magnificently Divine YOU.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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She did know that once tattooed one could no longer expect to lie for all eternity in an orthodox Jewish cemetery. They wouldn't even bury women with pierced ears. A strange theory of mutilation from the people who invented cutting the skin off the pee-pee.
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Tom Robbins (Still Life with Woodpecker)
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I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.
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Tom Robbins (Still Life with Woodpecker)
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The tongue of a woodpecker can extend more than three times the length of its bill. When not in use, it retracts into the skull and its cartilage-like structure continues past the jaw to wrap around the bird’s head and then curve down to its nostril. In addition to digging out grubs from a tree, the long tongue protects the woodpecker’s brain. When the bird smashes its beak repeatedly into tree bark, the force exerted on its head is ten times what would kill a human. But its bizarre tongue and supporting structure act as a cushion, shielding the brain from shock.1 There is no reason you actually need to know any of this. It is information that has no real utility for your life, just as it had none for Leonardo. But I thought maybe, after reading this book, that you, like Leonardo, who one day put β€œDescribe the tongue of the woodpecker” on one of his eclectic and oddly inspiring to-do lists, would want to know. Just out of curiosity. Pure curiosity.
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Walter Isaacson (Leonardo Da Vinci)
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Champagne was discovered by a Catholic monk," said Bernard. "Took one swallow and burst out of his cellar yelling, 'I'm drinking stars, I'm drinking stars!' Tequila was invented by a bunch of brooding Indians. Into human sacrifice and pyramids. Somewhere between champagne and tequila is the secret history of Mexico, just as somewhere between beef jerky and Hostess Twinkies is the secret history of America. Or aren't you in the mood for epigrams?
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Tom Robbins (Still Life with Woodpecker)
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In the world according to the positivist, the inspiring thing about scrambled eggs is that any way you turn them they're sunny side up. In the world according to the existentialist, the hopeless thing about scrambled eggs is that any way you turn them they're scrambled.
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Tom Robbins (Still Life with Woodpecker)
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In addition to his instinct for discerning patterns across disciplines, Leonardo honed two other traits that aided his scientific pursuits: an omnivorous curiosity, which bordered on the fanatical, and an acute power of observation, which was eerily intense. Like much with Leonardo, these were interconnected. Any person who puts β€œDescribe the tongue of the woodpecker” on his to-do list is overendowed with the combination of curiosity and acuity. His curiosity, like that of Einstein, often was about phenomena that most people over the age of ten no longer puzzle about: Why is the sky blue? How are clouds formed? Why can our eyes see only in a straight line? What is yawning? Einstein said he marveled about questions others found mundane because he was slow in learning to talk as a child. For Leonardo, this talent may have been connected to growing up with a love of nature while not being overly schooled in received wisdom.
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Walter Isaacson (Leonardo Da Vinci)
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When we’re incomplete, we’re always searching for somebody to complete us. When, after a few years or a few months of a relationship, we find that we’re still unfulfilled, we blame our partners and take up with somebody more promising. This can go on and onβ€”series polygamyβ€”until we admit that while a partner can add sweet dimensions to our lives, we, each of us, are responsible for our own fulfillment. Nobody else can provide it for us, and to believe otherwise is to delude ourselves dangerously and to program for eventual failure every relationship we enter.
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Tom Robbins (Still Life With Woodpecker)
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In the first week of April the weather turned suddenly, unseasonably, insistently lovely. The sky was blue, the air warm and windless, and the sun beamed on the muddy ground with all the sweet impatience of June. Toward the fringe of the wood, the young trees were yellow with the first tinge of new leaves; woodpeckers laughed and drummed in the copses and, lying in bed with my window open, I could hear the rush and gurgle of the melted snow running in the gutters all night long. In the second week of April everyone waited anxiously to see if the weather would hold. It did, with serene assurance. Hyacinth and daffodil bloomed in the flower beds, violet and periwinkle in the meadows; damp, bedraggled white butterflies fluttered drunkenly in the hedgerows. I put away my winter coat and overshoes and walked around, nearly light-headed with joy, in my shirtsleeves.
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Donna Tartt (The Secret History)
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What I'm saying is simply that every totalitarian society, no matter how strict, has had its underground. In fact, two undergrounds. There's the underground involved in political resistance and the underground involved in preserving beauty and fun--which is to say, preserving the human spirit.
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Tom Robbins (Still Life with Woodpecker)
β€œ
Great people will always be mocked by those who feel smaller than them. Yet a lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey. A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker. Whenever you should question your self-worth, always remember the lotus flower. Even though it plunges to life from beneath the mud, it does not allow the dirt that surrounds it to affect its growth or beauty. Do not allow any negativity or ugliness in your surroundings destroy your confidence or affect your growth. Always be confident and courageous with your truths and the directions set out by your heart. It is very normal for one ugly weed to not want to stand alone.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β€œ
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
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Tom Robbins (Still Life with Woodpecker)
β€œ
The day of the full moon, when the moon is neither increasing nor decreasing, the Babylonians called Sa-bat, meaning "heart-rest." It was believed that on this day, the woman in the moon, Ishtar, as the moon goddess was known in Babylon, was menstruating, for in Babylon, as in virtually every ancient and primitive society, there had been since the earliest times a taboo against a woman working, preparing food, or traveling when she was passing her monthly blood. On Sa-bat, from which comes our Sabbath, men as well as women were commanded to rest, for when the moon menstruated, the taboo was on everyone. Originally (and naturally) observed once a month, the Sabbath was later to be incorporated by the Christians into their Creation myth and made conveniently weekly. So nowadays hard-minded men with hard muscles and hard hats are relieved from their jobs on Sundays because of an archetypal psychological response to menstruation.
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Tom Robbins (Still Life with Woodpecker)
β€œ
It might be noted here that Freudian analysts of fairy tales have suggested that kissing toads and frogs is symbolized fellatio. In that regard, Princess Leigh-Cheri was, on a conscious level, innocent, although not so naΓ―ve as Queen Tilli, who though fellatio was an obscure Italian opera and was annoyed that she couldn’t find the score.
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Tom Robbins (Still Life with Woodpecker)
β€œ
I have learned something that many women these days never learn: Prince Charming really is a toad. And the beautiful Princess has halitosis. The bottom line is that a) people are never perfect, but love can be, b) that is the one and only way that they mediocre and the vile can be transformed, and c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?
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Tom Robbins (Still Life with Woodpecker)
β€œ
The most important thing is love," said Leigh-Cheri. "I know that now. There's no point in saving the world if it means losing the moon." Leigh-Cheri sent that message to Bernard through his attorney. The message continued, "I'm not quite 20, but, thanks to you, I've learned something that many women these days never learn: Prince Charming really is a toad. And the Beautiful Princess has halitosis. The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?" The next day, Bernard's attorney delivered to her this reply: Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free. Leigh-Cheri went out in the blackberries and wept. "I'll follow him to the ends of the earth," she sobbed. Yes, darling. But the earth doesn't have any ends. Columbus fixed that.
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Tom Robbins (Still Life with Woodpecker)
β€œ
REMEMBER THE LOTUS FLOWER Great people will always be mocked by those Who feel smaller than them. A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey. A nightingale does not stop singing its beautiful song At the intrusion of an annoying woodpecker. Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud, It does not allow the dirt that surrounds it To affect its growth or beauty. Be that lotus flower always. Do not allow any negativity or ugliness In your surroundings, Destroy your confidence, Affect your growth, Or make you question your self-worth. It is very normal for one ugly weed To not want to stand alone. Remember this always. If you were ugly, Or just as small as they feel they are, Then they would not feel so bitter and envious Each and every time they are forced To glance up at magnificently Divine YOU. REMEMBER THE LOTUS FLOWER by Suzy Kassem
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β€œ
...ideas are definitely unstable, they not only CAN be misused, they invite misuse--and the better the idea the more volatile it is. That's because only the better ideas turn into dogma, and it is this process whereby a fresh, stimulating, humanly helpful idea is changed into robot dogma that is deadly. In terms of hazardous vectors released, the transformation of ideas into dogma rivals the transformation of hydrogen into helium, uranium into lead, or innocence into corruption. And it is nearly as relentless. The problem starts at the secondary level, not with the originator or developer of the idea but with the people who are attracted by it, who adopt it, who cling to it until their last nail breaks, and who invariably lack the overview, flexibility, imagination, and most importantly, sense of humor, to maintain it in the spirit in which it was hatched. Ideas are made by masters, dogma by disciples, and the Buddha is always killed on the road. There is a particularly unattractive and discouragingly common affliction called tunnel vision, which, for all the misery it causes, ought to top the job list at the World Health Organization. Tunnel vision is a disease in which perception is restricted by ignorance and distorted by vested interest. Tunnel vision is caused by an optic fungus that multiplies when the brain is less energetic than the ego. It is complicated by exposure to politics. When a good idea is run through the filters and compressors of ordinary tunnel vision, it not only comes out reduced in scale and value but in its new dogmatic configuration produces effects the opposite of those for which it originally was intended. That is how the loving ideas of Jesus Christ became the sinister cliches of Christianity. That is why virtually every revolution in history has failed: the oppressed, as soon as they seize power, turn into the oppressors, resorting to totalitarian tactics to "protect the revolution." That is why minorities seeking the abolition of prejudice become intolerant, minorities seeking peace become militant, minorities seeking equality become self-righteous, and minorities seeking liberation become hostile (a tight asshole being the first symptom of self-repression).
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Tom Robbins (Still Life with Woodpecker)
β€œ
Hawaii once had a rat problem. Then, somebody hit upon a brilliant solution. import mongooses from India. Mongooses would kill the rats. It worked. Mongooses did kill the rats. Mongooses also killed chickens, young pigs, birds, cats, dogs, and small children. There have been reports of mongooses attacking motorbikes, power lawn mowers, golf carts, and James Michener. in Hawaii now, there are as many mongooses as there once were rats. Hawaii had traded its rat problem for a mongoose problem. Hawaii was determined nothing like that would ever happen again. How could Leigh-Cheri draw for Gulietta the appropriate analogy between Hawaii's rodents and society at large? Society had a crime problem. It hired cops to attack crime. Now society has a cop problem.
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Tom Robbins (Still Life with Woodpecker)
β€œ
I can call back the solemn twilight and mystery of the deep woods, the earthy smells, the faint odors of the wild flowers, the sheen of rain-washed foliage, the rattling clatter of drops when the wind shook the trees, the far-off hammering of wood-peckers and the muffled drumming of wood-pheasants in the remotenesses of the forest, the snap-shot glimpses of disturbed wild creatures skurrying through the grass, β€” I can call it all back and make it as real as it ever was, and as blessed. I can call back the prairie, and its loneliness and peace, and a vast hawk hanging motionless in the sky, with his wings spread wide and the blue of the vault showing through the fringe of their end-feathers.
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Mark Twain (Autobiography of Mark Twain, Volume 1: The Complete and Authoritative Edition)
β€œ
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
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Washington Irving (The Legend of Sleepy Hollow (Graphic Novel))
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The word that allows yes, the word that makes no possible. The word that puts the free in freedom and takes the obligation out of love. The word that throws a window open after the final door is closed. The word upon which all adventure, all exhilaration, all meaning, all honor depends. The word that fires evolution's motor of mud. The word that the cocoon whispers to the caterpillar. The word that molecules recite before bonding. The word that separates that which is dead from that which is living. The word no mirror can turn around. In the beginning was the word and that word was CHOICE
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Tom Robbins (Still Life with Woodpecker)
β€œ
Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts used cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes - only a dullard would hang such a millstone around the nibbled neck of a lay - but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure - there are ephemeral explosions of passion between strangers that make more erotic sense than many lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris - but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; an honest caring, however singed by lust, that must be present if couplings are to be salubrious and not slow poison.
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Tom Robbins (Still Life with Woodpecker)
β€œ
The first discovery of Dostoievsky is, for a spiritual adventurer, such a shock as is not likely to occur again. One is staggered, bewildered, insulted. It is like a hit in the face, at the end of a dark passage; a hit in the face, followed by the fumbling of strange hands at one's throat. Everything that has been forbidden, by discretion, by caution, by self-respect, by atavistic inhibition, seems suddenly to leap up out of the darkness and seize upon one with fierce, indescribable caresses. γ€€γ€€All that one has felt, but has not dared to think; all that one has thought, but has not dared to say; all the terrible whispers from the unspeakable margins; all the horrible wreckage and silt from the unsounded depths, float in upon us and overpower us. There is so much that the other writers, even the realists among them, cannot, will not, say. There is so much that the normal self-preservative instincts in ourselves do not want said. But this Russian has no mercy. Such exposures humiliate and disgrace? What matter? It is well that we should be so laid bare. Such revelations provoke and embarrass? What matter? We require embarrassment. The quicksilver of human consciousness must have no closed chinks, no blind alleys. It must be compelled to reform its microcosmic reflections, even down there, where it has to be driven by force. It is extraordinary how superficial even the great writers are; how lacking in the Mole's claws, in the Woodpecker's beak! They seem labouring beneath some pathetic vow, exacted by the Demons of our Fate, under terrible threats, only to reveal what will serve their purpose! This applies as much to the Realists, with their traditional animal chemistry, as to the Idealists, with their traditional ethical dynamics. It applies, above all, to the interpreters of Sex, who, in their conventional grossness, as well as in their conventional discretion, bury such Ostrich heads in the sand!
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John Cowper Powys (Visions and Revisions: A Book of Literary Devotions)