Wooden Cottage Quotes

The rain battered the cottage. Valkyrie risked a look up at Skulduggery. “What is it?” she whispered. “It’s a box,” he whispered back. “What kind of box?” “A wooden one.” She gave him a look.

What is the name of your dream? A lovely wooden cottage in the middle of a forest? Or walking in an endless autumn path? What is the name of your dream? Don’t give a name, always give a list! Fill yourself with dreams because dream is the path to reality!

Could even be some prehistoric tricks with wooden logs flying like pendulums or spikes under the moving floor. Perhaps a net—used to catch monkeys?

A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.

A lovely little wooden cottage in the depths of a forest is the most beautiful palace a king or any man can ever have!

Things look familiar: the high shelves full of books, jars of green tea, dried flowers—also for tea, big rocks, and crystals that emit strong prana and light. The light trapped inside the crystals makes them brighter, stunning against the dark background of the wooden floor and ceiling.

A hidden wooden cottage is much safer than a solid fortress standing in an obvious place on the hill!

Let us hope that life grant an opportunity to those miserable who live in the golden palaces to taste the infinite peace of a wooden cottage in the countryside and so their misery ends!

There are two kinds of learning, from the inside and from the outside. The fist is regarded as the best, or even the only kind. And so people learn through distant journeys, watching, reading, universities and lectures — they learn from what is happening outside them. Man is a stupid creature who had to learn. So he tacks knowledge onto himself, he gathers it like a bee, gaining more and more of it, putting it to use and processing it. But the thing inside that is "stupid" and needs learning doesn't change. Cornspike learned by absorbing things from the outside to the inside. Knowledge that is only grown on the outside changes nothing inside a man, or merely changes him on the surface, as one garment is changed for another. But he who learns by taking things inside himself undergoes constant transformation, because he incorporates what he learns into his being. So by taking the stinking, dirty peasants from Primeval and the district into herself, Cornspike became just like them, was drunk just like them, frightened by the war just like them, and aroused just like them. What's more, by taking them into herself in the bushes behind the inn, Cornspike also took in their wives, their children, and their stuffy, stinking wooden cottages around Maybug Hill. In a way she took the entire village into herself, every pain in the village, and every hope.

When you want to fully isolate yourself from the madnesses of the people, find a wooden cottage in the middle of nowhere by the side of high mountains! Over there, alongside the fresh winds, the mysterious sounds and the pleasant scents, you will find the most precious thing: Freedom!

What filled the rooms of Grete's cottage so decidedly were woven baskets and wooden boxes and clay pots glazed in red and blue, each with its own mishmash of this and that. Roots and leaves still redolent of dirt. Balls of scratchy wool-purple twining into pink easing into periwinkle fading into gray. At least three boxes held squares and strips of fabric, all colors, and eight pots overflowed with apples. The walls were lined with shelves, the shelves were lined with books. Wordless spines peered out. As soon as Isabelle saw them, she itched to open it up and read it from cover to cover.

From here our house looks small and perched, like a storybook cottage up on the hill, white, and gabled, and distant; and for a moment I am astounded by the way our legs have carried us all the way here, where the tracks of voles and field mice make fidgety paths across the snow between tall patches of grass, and the fat blue shadow of a solitary wooden fence post marks the path of the noontime sun above us.

Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.

One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.

It was not a bed with curtains, but a bed with doors like shutters. This may not seem like a nice way of having a bed, but we would all be glad of the wooden curtains about us at night if we lived in such a cottage, on the side of a hill along which the wind swept like a wild river. Through the cottage it would be streaming all night long. And a poor woman with a cough, or a man who has been out in the cold all day, is very glad of such a place to lie in, and leave the the rest of the house to the wind and the fairies.

The house was squashed like a mushroom by a thatched roof that hung far out over the walls. A pair of windows sparkled on either side of a rounded, heavy wooden door. There was nothing particularly creepy or witch-ish about it at all, except for maybe some leeks that grew on the roof around the higgledy-piggledy chimney (out of which wafted a lovely, homey-smelling smoke). Next to the cottage was a small fenced-in kitchen garden, and even in the low light Rapunzel could see it wasn't given over just to herbs and vegetables. Tall rockets of flowers and pretty, feathery foliage shot colorfully out of the corners. There was even a neat flagstone path that led up to the front door. "Witch?" Flynn asked, skeptical. "Or, like... crunchy earth mother type who drinks herbal teas and pretends the goddess speaks to her?

Most of the Hartford crowd had left Fenwick by mid-September, but the big wooden Hepburn house, built on brick piles, was more than a summer cottage. Kate intended to stay there indefinitely—until the afternoon of the twenty-first, when a hurricane, which had been threatening the eastern seaboard all week, gusted northward, heading right for the Connecticut River. Kate swam and golfed that morning, but by the afternoon, the waters had turned ferocious, swamping the lawn and pounding against the house. After the chimneys toppled, the windows imploded, and a wing of the house snapped off, Kate, her mother, her brother Dick, and the cook fled to higher ground. They looked back and saw their uprooted house wash out to sea. 'I think,' said Kate looking back on that entire year, 'God was trying to tell me something.

The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.

In fact, I had amused myself on the ride to the smithy by imagining an aerial view of the village as a representation of a skeletal forearm and hand; the High Street was the radius, along which lay the shops and businesses and the residences of the more well-to-do. St. Margaret’s Lane was the ulna, a narrower street running parallel with the High, tenanted by smithy, tannery, and the less genteel artisans and businesses. The village square (which, like all village squares I had ever seen, was not square at all, but roughly oblong) formed the carpals and metacarpals of the hand, while the several lanes of cottages made up the phalangeal joints of the fingers. The Duncans’ house stood on the square, as behooved the residence of the procurator fiscal. This was a matter of convenience as well as status; the square could be used for those judicial matters which, by reason of public interest or legal necessity, overflowed the narrow confines of Arthur Duncan’s study. And it was, as Dougal explained, convenient to the pillory, a homely wooden contraption that stood on a small stone plinth in the center of the square, adjacent to the wooden stake used—with thrifty economy of purpose—as whipping post, maypole, flagstaff and horse tether, depending upon requirements.

Will you be there waiting for me every night, in our cottage?" he murmured. She nodded, leaning against him. McKenna's bristly black lashes lowered until they cast shadows on his cheeks. "And you'll scrub my back when I'm tired and dusty from the field?" Aline pictured his large, powerful body lowering into a wooden tub... his pleasured sigh at the heat of the water... his bronzed back shining in the firelight. "Yes," she breathed. "And then you can soak while I hang the stew pot over the fire, and I'll tell you about the argument I had with the miller, who didn't give me enough flour because his scale was weighted." McKenna laughed softly while his fingertip skimmed lightly along her throat. "The cheat," he murmured, his eyes sparkling. "I'll speak with him tomorrow- no one tries to fleece my wife and gets away with it. In the meantime, let's go to bed. I want to hold you all night long." The thought of being tucked in a cozy bed with him, their naked bodies entwined, made Aline tremble with longing. "You'll probably fall asleep as soon as your head touches the pillow," she said. "Farming is hard work- you're exhausted." "Never too tired to love you." His arms slid around her, and he hunched over to nuzzle the curve of her cheek. His lips were like hot velvet as he whispered against her skin. "I'm going to kiss you from your head to your toes. And I won't stop until you're crying for me, and then I'll pleasure you until you're weak from my loving.

Dinner was a family affair. And oh, how she enjoyed it! Who knew there was so much to talk about each day? She loved when the men shared stories about their work in the mines, while she often regaled them with stories about life in the castle when she was a small child or about the types of birds she spotted from the window. And then there were the questions. She found she had many! After staying silent for so long, there was much she longed to know, and she was always interested in learning more about the men and their lives. She wanted to know who had carved the beautiful wooden doorways and furniture around the cottage, and why the deer and the birds seemed to linger at the kitchen window while she prepped meals. "They must adore you, as we do," gushed Bashful. "And I you!" Snow would say. She found she could talk to them till the candle burned out each night. It felt like she was finally waking up and finding her voice after years of silent darkness. And while she promised the men she would not do more than her share of the housework, she couldn't help trying to find small ways to repay them for their kindness when she wasn't busy strategizing. Despite their protests, she prepared a lunch basket for them to take to work each day. She mended tiny socks. And secretly, she was using yarn and needles she had found to knit them blankets for their beds. It might have been summer, but she couldn't help noticing they had few blankets for the winter months.

I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.

Is Death miles away from this house, Reaching for a window in Cincinnati Or breathing down the neck of a lost hiker In British Columbia? Is he too busy making arrangments, Tampering with air brakes, Scattering cancer cells like seeds, Loosening the wooden breams of roller coaster To both with my hidden cottage That visitors find so hard to find? Or if he stepping from a black car Parked at the dark end of the lane, Shaking open the familiar cloak, Its hood raised like the head of a crow, And removing the scythe from the trunk? Did you have any trouble with the directions? I will ask, as I start talking my way out of this

Sister, why do you think the stars in the sky don’t fall down?” Ye examined Feng. The kerosene lamp was a wonderful artist and created a classical painting with dignified colors and bright strokes: Feng had her coat draped over her shoulders, exposing her red belly-band, and a strong, graceful arm. The glow from the kerosene lamp painted her figure with vivid, warm colors, while the rest of the room dissolved into a gentle darkness. Close attention revealed a dim red glow, which didn’t come from the kerosene lamp, but the heating charcoal on the ground. The cold air outside sculpted beautiful ice patterns on the windowpanes with the room’s warm, humid air. “You’re afraid of the stars falling down?” Ye asked softly. Feng laughed and shook her head. “What’s there to be afraid of? They’re so tiny.” Ye did not give her the answer of an astrophysicist. She only said, “They’re very, very far away. They can’t fall.” Feng was satisfied with this answer, and went back to her needlework. But Ye could no longer be at peace. She put down her book and lay down on the warm surface of the kang, closing her eyes. In her imagination, the rest of the universe around their tiny cottage disappeared, just the way the kerosene lamp hid most of the room in darkness. Then she substituted the universe in Feng’s heart for the real one. The night sky was a black dome that was just large enough to cover the entirety of the world. The surface of the dome was inlaid with countless stars shining with a crystalline silver light, none of which was bigger than the mirror on the old wooden table next to the bed. The world was flat and extended very far in each direction, but ultimately there was an edge where it met the sky. The flat surface was covered with mountain ranges like the Greater Khingan Mountains, and with forests dotted with tiny villages, just like Qijiatun.… This toy-box-like universe comforted Ye, and gradually it shifted from her imagination into her dreams. In this tiny mountain hamlet deep in the Greater Khingan Mountains, something finally thawed in Ye Wenjie’s heart. In the frozen tundra of her soul, a tiny, clear lake of meltwater appeared.

The turret on one of his A3s swung thirty degrees to the left and fired a 120 mm round of XM1028 Canister at a platoon-sized group of the enemy, which emerged from the smoking ruins of a wooden cottage. More than a thousand tungsten balls, expelled from the container as the shot left the gun’s muzzle, swept over the Japanese like an evil wind, reducing them to pink mist and bone fragments. He saw a Japanese Type 94 “tankette” literally shredded into metal chips as four separate 30 mm chain guns took it under fire. It flew to pieces, the disintegrating steel plate perversely reminding him of leaves blown from a tree in a high wind.

Muffled voices filtered through the closed door as Edmund greeted his wife. When less than a minute later, a very male groan accompanied the rhythmic creaking of a piece of furniture, she gaped. Not much for preliminaries, sixteenth century Scotsmen. Ignoring the sharp grunts of a male engaged in intercourse and the unsurprising lack of happy female noises, she retreated to the farthest place in the cottage from that door, which happened to be the workbench and raised stone hearth that formed the kitchen. She wasn’t about to waste an opportunity to study a late-medieval Scottish cottage. Just as she held up to the lantern light a sharp cleaver with a wooden handle polished from years of regular use, Darcy ducked in the front door. At the same time, Edmund shouted, “Aye! Christ, Fran, take my seed, lass. Take it. Aaarrghhhhh!” Then barely audible, “Glorious, woman. Ye’re glorious.” Darcy paled as his wide eyes jumped from the closed bedroom door to her. “If I had to listen to them go at it for another second, I was going to put myself out of my misery,” she quipped, wagging the cleaver. When his eyes went even wider, she said, “Joking, Darcy. I was joking.” She put down the cleaver and raised her hands. His eyes relaxed and the corner of his mouth lifted. He came to the workbench and picked up the enormous blade. “Well, so long as ye arena using it, mayhap I’ll carve the roast.

Being inside this cottage, with dark wooden walls and hand-carved furniture like my own home, cast a darkened stain onto my heart.

Description: ‘With just five euros from each Facebook friend I could make a dream come true: spark an inextinguishable passion for literature in a tiny village that doesn’t even have a school (a bit like Juliette Binoche in Chocolat, but with books). The village is called Lucignana, only a few kilometres away from dreamy Garfagnana, and it’s here that I want to open a little bookshop – say, a tiny wooden cottage open six months a year where children (but also adults) can find a book that speaks to them, a magical place where you can admire the most wonderful sunsets on the Apuan Alps.

The place was adorable, a white Tudoresque cottage tucked down a narrow road. It had a shingled roof and warped windows lined with flower boxes and a chimney whose smoke curled romantically through the mist, windows softly aglow as we pulled into the parking lot. For two days, we moved between the beach, the redwoods, the inn’s cozy library, and the dining room with its dark wooden tables and blazing fire. We played UNO and Hearts and something called Quiddler. We drank foamy beers and had big English breakfasts.

I used to spend the hours when I couldn’t sleep visiting a mental sanctuary I called Truth Island, a tiny, fictional stretch of rocks in the North Sea, where a sharp, clean wind always blew and the only structure was a square one-room cottage with windows that had no glass. In the room were two wooden chairs. Nothing else. I could go into that house with anyone and ask all the questions I wanted. Here’s the thing: on Truth Island, anyone who lied, even a little bit, even unconsciously, turned blue—powder blue for small lies, periwinkle for naughty fibs, cobalt for outright deception, and so on to deep navy.

interesting place when she’d passed by on her way to the community centre for choir, or to the shops for provisions. The wooden door was painted red, but boasted a glass panel featuring a rising sun over water, and a rainbow beyond it. The café windows were a patchwork of coloured squares of glass joined by black lead piping: cornflower

The healing man left me a wee bit broken so I could understand”—he looked back at his friends—“Kai and Tilly, Roe, Reece, and Jed. And dozens o’ others. When a sufferin’ creature shows up at me cottage, I get to help ’em and bring ’em here. Show ’em the way up the mountain. Fact is, they probably wouldn’t listen to me if I didn’t have this wooden stump. It’s proof that I’ve suffered too.

Before Chiara's eyes, a cottage sprang from the ground, with a pale blue door and windows with painted doves. "Oh, my!" Chia exclaimed. Inside, the cottage was sparsely furnished, with four wooden chairs covered in blue cotton cushions, a table with hearts carved along the edges, an oven that smelled like chocolate and cherries, and a harpsichord in the corner by the window. But it was everything Chiara could have dreamt of. A home of her own. "This spot is one of my favorites," Agata narrated. "Absolutely lovely. Look there, you've a view of the Silver Brook, and in the mornings the moon crickets sing most beautifully." Chiara inhaled. All the smells she had loved most from home---the wild grass, the pine cones from the trees, the fresh loaves Papa baked before dawn, the musty parchment from Ily's music paper. They flooded her nostrils all at once, as if she'd brought them with her.

The past is prelude and now we are leaving the restaurant and the fog is rolling out toward the Southern Ocean. When he kisses me, it feels natural, inevitable. It doesn’t feel like a stranger has his mouth on mine; he doesn’t taste old or male or alien. I go to see his cottage, and it is just as he described it in his letters: “I keep my horse riding tack and saddles on wooden brackets mounted on one wall, and there is usually a surfboard leaning in a corner and a wetsuit hanging in the shower. When I added the wooden loft as a bedroom, I forgot to leave space for the staircase; it now has what is essentially a ladder going up the one side. Chickens roost in the chimney’s ash trap and they emerge from their egg-laying speckled grey.” It is a home, but a wild home, cheerful, peculiar—like Pippi Longstocking’s Villa Villekulla, with a horse on the porch in an overgrown garden on the edge of town, where it “stood there ready and waiting for her.” And then what? I move to South Africa? He teaches me to ride horses and I have his baby? I become a foreign correspondent! I start a whole new life, a life I never saw coming. Either that, or I am isolated and miserable, I’ve destroyed my career, and I spend my days gathering sooty chicken eggs. A different fantasy: I fly to Cape Town. It is not as I remember it. It’s just a place, not another state of being. I am panicky and agitated. I cry without warning, and once I start, I can’t stop. It is not at all clear that my story will work out. Now I have lost my powers in that department, too. Dr. John and I make a plan to meet. But in this fantasy, I arrive at the restaurant and find it intimidating and confusing: I don’t know if I’m supposed to wait to be seated and I can’t get anyone’s attention. I’m afraid of being rude, wrong, American. When John arrives he is a stranger. I don’t know him and I don’t really like him, or worse, I can tell that he doesn’t like me. Our conversation is stilted. I know (and he suspects) that I have come all this way for an encounter that isn’t worth having, and a story that isn’t worth telling, at least not by me. I have made myself ridiculous. My losing streak continues.

The mystery and spiritual beauty of a wooden cottage abandoned at the mercy of nature increases day by day!

Dragging the Lake" They are skimming the lake with wooden hooks. Where the oak throws its handful of shadows Children are gathering fireflies. I wait in the deep olive flux As their cries ricochet out of the dark. Lights spear the water. I hear the oak speak. It foists its mouthful of sibilants On a sky involved with a stillborn moon, On the stock-still cottages. I lean Into the dark. On tiny splints, One trellised rose is folding back Its shawls. The beacon strikes the lake. Rowboats bob on the thick dark Over my head. My fingers wave Goodbye, remember me. I love This cold, these captive stars. I shake My blanket of shadows. I breathe in: Dark replenishes my two wineskins. My eyes are huge, two washed-out mollusks. Oars fall, a shower of violet spray. When will my hosts deliver me, Tearing me with their wooden hooks? Lights flicker where my live heart kicked. I taste pine gum, they have me hooked. They reel me in, a displaced anchor. The cygnets scatter. I rise, I nod, Wrapped in a jacket of dark weed. I dangle, I am growing pure, I fester on this wooden prong. An angry nail is in my tongue.

In a simple wooden hut, you can create great universal ideas because the seed of the great ideas often grows and develops in the land of modesty!

The Elementary Scene" Looking back in my mind I can see The white sun like a tin plate Over the wooden turning of the weeds; The street jerking --a wet swing-- To end by the wall the children sang. The thin grass by the girls' door, Trodden on, straggling, yellow and rotten, And the gaunt field with its one tied cow-- The dead land waking sadly to my life-- Stir, and curl deeper in the eyes of time. The rotting pumpkin under the stairs Bundled with switches and the cold ashes Still holds for me, in its unwavering eyes, The stinking shapes of cranes and witches, Their path slanting down the pumpkin's sky. Its stars beckon through the frost like cottages (Homes of the Bear, the Hunter--of that absent star, The dark where the flushed child struggles into sleep) Till, leaning a lifetime to the comforter, I float above the small limbs like their dream: I, I, the future that mends everything.

If you are given a hundred city, refuse it without any hesitation; if you are given a lovely wooden cottage in the middle of a forest, accept it without any hesitation because all you need is just a peace of mind!

To the lone man ploughing steadily up and down a many-acred field, the sporadic activity of the dwellers in the cottage on the hill-side acquires an enormous importance to him. He will see smoke coming from the wooden shed’s chimney, and surmise that it is washing day.