Wonderland Famous Quotes

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More recently, Dallas Willard put it this way: Desire is infinite partly because we were made by God, made for God, made to need God, and made to run on God. We can be satisfied only by the one who is infinite, eternal, and able to supply all our needs; we are only at home in God. When we fall away from God, the desire for the infinite remains, but it is displaced upon things that will certainly lead to destruction.5 Ultimately, nothing in this life, apart from God, can satisfy our desires. Tragically, we continue to chase after our desires ad infinitum. The result? A chronic state of restlessness or, worse, angst, anger, anxiety, disillusionment, depression—all of which lead to a life of hurry, a life of busyness, overload, shopping, materialism, careerism, a life of more…which in turn makes us even more restless. And the cycle spirals out of control. To make a bad problem worse, this is exacerbated by our cultural moment of digital marketing from a society built around the twin gods of accumulation and accomplishment. Advertising is literally an attempt to monetize our restlessness. They say we see upward of four thousand ads a day, all designed to stoke the fire of desire in our bellies. Buy this. Do this. Eat this. Drink this. Have this. Watch this. Be this. In his book on the Sabbath, Wayne Muller opined, “It is as if we have inadvertently stumbled into some horrific wonderland.”6 Social media takes this problem to a whole new level as we live under the barrage of images—not just from marketing departments but from the rich and famous as well as our friends and family, all of whom curate the best moments of their lives. This ends up unintentionally playing to a core sin of the human condition that goes all the way back to the garden—envy. The greed for another person’s life and the loss of gratitude, joy, and contentment in our own.
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
I often refer to the great mythologist and American author Joseph Campbell (1904-1987) in this book. He used the designation of „hero“ to describe individuals who embark on the monumental psychological task of expanding and evolving consciousness and famously charted this journey. This hero‘s journey begins in our inherent state of blindness, separation, and suffering and progresses on a circular (as opposed to linear) route made up of stages shared by myths and legends spanning all cultures and epochs. From Buddha to Christ, Arjuna to Alice in Wonderland, the hero‘s journey is one of passing through a set of trials and phases: seeking adventure, encountering mentors, slaying demons, finding treasure, and returning home to heal others. Tibetan Buddhism‘s and Campbell‘s descriptions of the hero both offer a travel-tested road map of a meaningful life, a path of becoming fully human – we don‘t have to wander blindly, like college kids misguidedly hazed by a fraternity, or spiritual seekers abused in the thrall of a cult leader. The hero archetype is relevant to each of us, irrespective of our background, gender, temperament, or challenges, because we each have a hero gene within us capable of following the path, facing trials, and awakening for the benefit of others. Becoming a hero is what the Lam Rim describes as taking full advantage of our precious human embodiment. It‘s what Campbell saw as answering the call to adventure and following our bliss – not the hedonic bliss of chasing a high or acquiring more stuff, but the bliss of the individual soul, which, like a mountain stream, reaches and merges with the ocean of universal reality. (p. 15)
Miles Neale (Gradual Awakening: The Tibetan Buddhist Path of Becoming Fully Human)
Yes, our rules. They’re simple, black and white, and nonnegotiable: No business can be conducted. No VIP status since Wonderland is an equal playground for the most powerful, rich, famous, and connected. No violence, regardless of whether your enemy is drinking beside you. No bashfulness—feel free to fuck for all to see. And the final rule—the most important one—Nick Hudson can break any of his rules.
Alta Hensley (King of Spades (Wonderland, #1))
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Ken Rolston, internationally celebrated game designer, on Lost in the Wonderland... Okay, so here’s the thing I expected this book to be good. Elizabeth Fanning has vision, she’s got wacky genius, and she’s got that rarest of gifts — she knows how to make the heart sing and the mind smirk. What I didn’t expect... what wickedly ambushed me... was just how exceptional this book is. The pacing? Impeccable. It flows like a river in full flood — sometimes tender, sometimes sharp-edged, but always carrying you forward. The structure is solid as bedrock, yet it makes space for myth, dream, and playful digression in ways that remind me why I fell in love with narrative engineering in the first place. It’s mythic realism in mischief mode — a tale of songs, rivers, lost highways, and strange portals, where imagination sideswipes everyday life and leaves notes on your windshield. It’s a road trip through the subconscious, with roadside attractions that feel like they’ve been hiding in your sock drawer all your life. Frankly, it’s one of the most original and satisfying books I’ve read in years. If you love stories that bend reality, shake loose your ordinary assumptions, and leave you grinning with delight... get comfortable, and start reading. I’ve designed world-famous games, spent my life building offbeat stories to suit people's craziest impulses — and I’m telling you... this novel knocked me flat. Elizabeth Fanning has written something unforgettable. Don’t just read it. Dive in. Get lost. Don't. Come. Back.
Elizabeth Fanning (Lost in the Wonderland: Three Tales)