“
Midnight Omen Deja vu" - Because everyone should experience love in the Caribbean...at least once in a lifetime.
”
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Marti Melville
“
There are only two indisputable facts in this world: One, that the sun will set in the west. And two, that I'll come for you. Always.
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Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
“
There is no master narrative nor realist perspective to provide a background of social and historical facts.
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Kathy Acker (Pussy, King of the Pirates)
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They were indeed what was known as 'old money', which meant that it had been made so long ago that the black deeds which had originally filled the coffers were now historically irrelevant. Funny, that: a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of.
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Terry Pratchett (Making Money (Discworld, #36; Moist Von Lipwig, #2))
“
All that is or ever was good in me begins and ends with you. Every time I said you were mine, I meant that I was yours. Always. Always.
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Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
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Catherine bristled at the amusement in his voice. He could laugh all he wanted when he stood tied to a wall utterly naked. A little humiliation might do him good.
”
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Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
“
He was a living, breathing sin.
In her bedroom.
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Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
“
I’d never leave you, Fairy.”
“Truly? Not even to be a pirate?”
“I promise. I might be a highwayman, though.
”
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Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
If you have found a woman who can stir both body and spirit, sir, do not give her up lightly. Do not. The alternatives can be damnably complicated. [Joseph Warren]
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Donna Thorland (The Rebel Pirate (Renegades of the American Revolution))
“
In medieval times, contrary to popular belief, most knights were bandits, mercenaries, lawless brigands, skinners, highwaymen, and thieves. The supposed chivalry of Charlemagne and Roland had as much to do with the majority of medieval knights as the historical Jesus with the temporal riches and hypocrisy of the Catholic Church, or any church for that matter. Generally accompanied by their immoral entourage or servants, priests, and whores, they went from tourney to tourney like a touring rock and roll band, sports team, or gang of South Sea pirates. Court to court, skirmish to skirmish, rape to rape. Fighting as the noble's substitution for work.
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Tod Wodicka (All Shall Be Well; And All Shall Be Well; And All Manner of Things Shall Be Well)
“
That’s got to stop,” says I. “The idea of any blood-thirsty pirate (Mexican President Diaz) sitting on a throne and reaching across the border to tromp on our Constitution makes my blood boil.” — Mother Jones
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Jerry Ash (Hellraiser—Mother Jones: An Historical Novel)
“
Sparhawk had fallen into a nest of pirates.
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Donna Thorland (The Rebel Pirate (Renegades of the American Revolution))
“
She promised you'd get to shore in one piece.' Cheap said, 'and I won't make a liar out of her. But if you know what's good for you, you'll forget about that girl. Ask anyone on the coast. Or the Lord God himself. They'll tell you. Lucas Cheap sailed with the Brethren. He makes good ever on his threats.
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Donna Thorland (The Rebel Pirate (Renegades of the American Revolution))
“
He kept pushing her, expecting for her to break. Fearing it. But he was the one who splintered apart. He was the one who broke.
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Amber Lin (Falling For The Pirate (Men Of Fortune, #2))
“
Those green eyes mocked her, and the ass leaned into her blade as if daring her to slice him
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Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
“
She would do whatever she had to, even make this man’s life a living hell if it were required, and judging by the arrogance of Thomas Glanville, that possibility was quite likely.
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Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
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One should never giggle in handcuffs unless one were naked. I was sure I'd read that rule somewhere.
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Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
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Then, after picking up his papers, Pierre began: “A beautiful woman can be the downfall of a gentleman . . . but the uplift of a beggar!
”
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Ted Anthony Roberts (Captain Skull: From the Memoirs of Sir Charles of Riley)
“
- Hugo... e nebun? îl întrebă Mazu printre dinți.
Cu o umbră de îngrijorare, Yanosh îi cercetă chipul asudat, murdar, și tunica mânjită de o dâră de sânge.
- Nebun? Oscilează.
”
”
Agape F.H. (Busola către Nova Scotia (Clepsidra Cormoranului, #1))
“
– Nu te-oi speria cu Hugo, continuă rusul. Probabil c-o moarte din partea lui ți-ar părea mai comodă decât propria ta piele.
”
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Agape F.H. (Busola de pe Nova Scotia (Clepsidra Cormoranului, #2))
“
Ancient societies have some constants which horrify us, like the total acceptance of slavery. Very few ancient writers or thinkers questioned it; most assumed it was the natural order of things. And yet–though in the abstract slavery was considered natural for some people–no one wanted to be a slave, and even slaves might cling to a status that marks them out as essentially unslavish. So in the Odyssey, we see a distinction being made between those who were born into slavery and those who were just unlucky–on the losing side in a war, say–who were enslaved after an early life of freedom. Eumaeus the swineherd wants Odysseus to know that he was the son of a king until he was kidnapped by his nanny (herself a woman of high status enslaved by pirates) when she ran away with sailors. 58 In other words, he is not a slave by disposition, just by ill fortune. So where are the slaves who were just born for that life and no other? It seems that while ancient writers and thinkers could believe in an abstract sense that such people existed, there aren’t many of the enslaved–historical or imagined–jumping up to claim that status.
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Natalie Haynes (Divine Might: Goddesses in Greek Myth)
“
Dear comrades, soldiers, sailors and workers! I am happy to greet in your persons the victorious Russian revolution, and greet you as the vanguard of the worldwide proletarian army… The piratical imperialist war is the beginning of civil war throughout Europe… The hour is not far distant when the peoples will turn their arms against their own capitalist exploiters… The worldwide socialist revolution has already dawned… Germany is seething… Any day now the whole of European capitalism may crash. The Russian revolution accomplished by you has prepared the way and opened a new epoch. Long live the worldwide socialist revolution!
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Brian MacArthur (The Penguin Book of Historic Speeches)
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If you like pirate adventure novels and wondered what happened to Long John Silver and the Treasure of Dead Man's Chest, then go to Amazon and look up my three titles: John Flint's Bastard, Slavery and Revenge, and Treasure and Redemption.
”
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Commander Roger L Johnson
“
It seems you want me at your mercy, Princess. The question is why?
No, the question is, do I?
”
”
Meg Hennessy (A Pirate's Revenge (Secrets of the Bayous, #3))
“
It seems you want me at your mercy, Princess. Question is, why?
No, she whispered, question is do I?
”
”
Meg Hennessy (A Pirate's Revenge (Secrets of the Bayous, #3))
“
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will.
She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips.
Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves
she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence.
“We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to
know we outnumbered you.”
He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness…
“It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers.
He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men.
“I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own
and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman.
“What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.”
Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the
Ruby Cross.”
How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong.
The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate.
Bloody hell.
”
”
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
“
The scarcity of data is due in part to the familiar problems of gathering information on homosexuality, but it is also a result of the difficulty plaguing research endeavors on Caribbean piracy. Not only was the corpse of the last potential interviewee dipped in tar and chained to a gibbet between flood marks at Wapping Stairs when George II was King of England, but the usual literary remnants particular to subjects of historical investigation were never extant for the cadre of illiterate and inarticulate sea rovers.
”
”
B.R. Burg (Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean)
“
If you insist on standing in such a state of undress, it is your shadow that will have to get out of my way.
”
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Meg Hennessy (A Pirate's Command (Secrets of the Bayous, #2))
“
Until we find Enio, I'm closer to you than your own shadow.
”
”
Meg Hennessy (A Pirate's Command (Secrets of the Bayous, #2))
“
This book is a work of fiction.
Actually, it is a work of fiction within a fiction, as the main characters, though real persons in a fictional world, are being depicted in a book which other fictional characters in the same world are reading. Any reference to historical events-- rather, historical events non-Marridonian, and also non-Sesternese-- real people—rather, people in our realm, not the persons I was referring to in the previous line-- or real places—places that are not Marridon, Sesterna, and any place on the Two Continents-- are used fictitiously, because this is a work of fiction, and is a fiction within a fiction, as was previously stated. All names, characters, places, and incidents are the product of the author's imagination—referring to the ultimate author, not the fictitious author who has written the book within the book-- and any resemblance to actual events, locales, persons, living, dead, or otherwise, is entirely coincidental, but any resemblance to actual persons or places in the Two Continents is intentional. Absolutely no parts of this book, text or art, may be reproduced or transmitted in any form, by any means, whether electronically or mechanically, including photocopying—
“By Myrellenos, are we here in the disclaimer again? This is the third time, I believe. And there are still no cups out. Where is the teapot?”
“Here, boss.”
“Oh, there is tea in this story? I might be more inclined to stay and hear this one. The others were dreadful slow. I must have some tea, if I am going to be made to sit and listen to a whole book. I am not Bartleby, who can sit at his desk and flump over his tomes until he moulders.”
“He’s gonna hear you, boss.”
“I should say not, Rannig. He is too busy with doing the edits. He found a mistake in one of the other books about us and demanded he perform the editing this time around. The author was very good to let him do as he likes. He is missing tea, however.”
--audio recording, data retrieval, cloud storage, torrent, or streaming service. If you do decide to ignore this disclaimer and print or share this book illegally, I will have Bartleby come to your house with a sample from the Marridonian legal extracts, and he will read them to you until you promise never to do anything illegal again.
”
”
Michelle Franklin (The Ship's Crew: A Marridon Novella)
“
Historical Santa Clara
Santa Clara is the fifth largest city in Cuba with a population of over 210,000 people. It is the capital of the Province of Villa Clara and was founded by 138 people from only two families on July 15, 1689. As with many Cuban cities during the 17th century, it was constantly attacked and plundered by pirates. Santa Clara has had a number of names since it was founded. Its layout is clearly that of Colonial Spanish origin, having a squared design with a plaza and a church in the center. It is conveniently located along the highway connecting Santiago de Cuba with Havana.
Santa Clara is known as the site of the last battle of the Cuban Revolution. Two columns of rebels attacked the Batista forces on December 31, 1958. One was led by “Che” Guevara and the other by Camilo Cienfuegos. Guevara’s troops destroyed the Trans-Cuban railroad tracks and overturned a train sent by Batista carrying reinforcements. The victory over the city’s demoralized defenders was decisive, forcing Batista to leave Cuba and fly to the Dominican Republic. Fleeing into exile, Batista opened the way for the rebel troops to take the capital city of Havana.
From the award winning book “The Exciting Story of Cuba” by Captain Hank Bracker
”
”
Hank Bracker
“
He’d do what was best for her. He’d take her to safety and send her back home to a bright future…with a more honorable man than him. The stick broke in his hand, and he muttered an oath. All he wanted was for Amelia to be safe and happy, dammit. That and to beat every honorable man in England into the dust.
”
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Tamara Hughes
“
He’d do what was best for her. He’d take her to safety and send her back home to a bright future…with a
more honorable man than him. The stick broke in his hand, and he muttered an oath.
All he wanted was for Amelia to be safe and happy, dammit. That and to beat every honorable man in England into the dust.
”
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Tamara Hughes (Beauty's Curse (Love on the High Seas, #2))
“
Whether David believed in her affliction or not didn’t change the fact that it existed, and some day it would catch up with her.
”
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Tamara Hughes (Beauty's Curse (Love on the High Seas, #2))
“
He’d do what was best for her. He’d take her to safety and send her back home to a bright future…with a
more honorable man than him. The stick broke in his hand, and he muttered an oath. All he wanted was for Amelia to be safe and happy, dammit. That and to beat every honorable man in England into the dust.
”
”
Tamara Hughes (Beauty's Curse (Love on the High Seas, #2))
“
I believe he's been asked to testify today," I told Lennox, who'd continued to track Truman's progress through the room. "He's a member of the historical undead, Truman Capote, the author. He wrote Breakfast at Tiffany's and In Cold Blood."...
"Hi, Truman, you're sitting next to me," I said, pulling out his chair. I figured after he'd asked me to suck on his cherry, we should be on a first-name basis.
”
”
Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
“
You’re as lovely as a flower in the stark of winter… Your hair is the color of wheat under the midday sun, and your eyes—”
“Yes, yes. My eyes are like the sea or the sky or some such nonsense,” she quipped with a laugh, the lilting sound like the finest music, better than anything he could ever play.
”
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Tamara Hughes (Beauty's Curse (Love on the High Seas, #2))
“
Charity followed the pirate. To salvation or to hell, she would soon find out.
”
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Tamara Hughes (Tempting the Pirate (Love on the High Seas, #1))
“
When he bowed his head to hide his grin, she stiffened. “This is most certainly not amusing.”
He looked up, the humor still glittering in his eyes, and spoke one word. “James.”
“Pardon me?”
“James Lamont. It’s my name. You’ll need it if you’re to curse me properly.
”
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Tamara Hughes (Tempting the Pirate (Love on the High Seas, #1))
“
The only woman who would wear a gown like this one, love, is one who knows the power she wields and isn’t afraid to use it.
”
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Tamara Hughes (Tempting the Pirate (Love on the High Seas, #1))
“
So you are the brash young lover returned from the dead?" the Frenchman finally said.
"And you are the devoted fiance returned from the card room," Robert shot back...
”
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Hope C. Tarr (Claimed by the Rogue (Regency Rogues, #2))
“
You would fare far better with a lover who makes you laugh than one who makes you curse - and cry," he added, stepping to the cone of colored light.
Beyond mortified, Phoebe dashed a quick hand across her damp eyes, hoping he might at least miss that much of her shame. "Sir, you should have made your presence known."
One dark brow arched upward, "I believe I am doing just that.
”
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Hope C. Tarr (Claimed by the Rogue (Regency Rogues, #2))
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Are you quite certain you won't mind having a virgin on your hands?" Not that she imagined she would remain that way for much longer. The penis pressing against her seemed to say that her time as a virgin was down to mere minutes.
”
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Hope C. Tarr (Claimed by the Rogue (Regency Rogues, #2))
“
There’s several colonies setup on islands that have not been touched yet by Europeans and I’m sure some of them will be happy to take them in, also anyone that wants too can join my crew but I won’t force them to join, it will have to be their decision, either way it will be a though life for them but it will be a free life... their life and that’s all that really matters in the end... making your own decisions
”
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Gordon Allard (A Walk in the Brambles and Other Short Stories (Gordon Allards Short Stories))
“
Ireland was historically made up of fiercely independent clans with their own culture, language, religion and customs. Ireland was different from England, and resented becoming subordinate vassals of England. Most of all, they resented the discrimination.
”
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History Nerds (Grace O'Malley: The Pirate Queen of Ireland (Pirate Chronicles Book 1))
“
Pe observator, Yanosh, îl găsi afară, molfăind o portocală. Era o scândură de om cu chip ravisant, cu umerii ascuțiți și răbdarea mai puternică decât brațele (...)
”
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Agape F.H. (Busola către Nova Scotia (Clepsidra Cormoranului, #1))
“
Hugo își linse un deget cu cea mai serioasă mină de care dispunea. Să spună că era alb era ca și cum ar fi zis „e soare afară”.
- Pun la bătaie greutatea lui în aur pentru fiecare membru din echipajul dumitale, își reveni Perucă după câteva momente de stat în cumpănă.
- Dublează.
- Pe jumătate.
- Serios?
- Credeam că urma să cer suma asta, nu s-o ofer, dar văd că ai de gând să joci în continuare.
Căpitanul termină de mestecat. Brusc mai serios, trezorierul se aplecă peste masă, iar tonul vocii îi deveni mai jos.
- Problema e că noi doi nu jucăm după aceleași reguli.
”
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Agape F.H. (Busola către Nova Scotia (Clepsidra Cormoranului, #1))
“
Rolland inspiră adânc. Îi întoarse spatele, blestemându-se când gândurile îi scăpară printre buze.
- Unde să se fi dus averea dobândită de Kidd?
- Au luat-o alții! A luat-o marea! Chiar nu pricepi că nu mai există?!
- A luat-o mă-ta și s-a dus la dracu’!
”
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Agape F.H. (Busola către Nova Scotia (Clepsidra Cormoranului, #1))
“
Câteva minute și o împușcătură mai târziu, stătea întins pe nisip. Avea mâinile sub cap, un crab singuratic aproape de tălpi, ghetele uzate în dreapta și un om mort în stânga.
”
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Agape F.H. (Busola către Nova Scotia (Clepsidra Cormoranului, #1))
“
Împăturind scrisoarea Valynei, încerca să alunge senzația că făcuse schimb de piei cu un copil rănit, pe care sora ghinionului îl învelea înainte de culcare.
”
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Agape F.H. (Busola de pe Nova Scotia (Clepsidra Cormoranului, #2))
“
– Ar trebui să apreciezi libertatea. Și nu mai mârâi așa! Gaițele ciripesc, nu se pregătesc să latre.
”
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Agape F.H. (Busola de pe Nova Scotia (Clepsidra Cormoranului, #2))
“
– Ceilalți din echipaj or să aibă vreun cuvânt de spus? se încordă șeful de echipaj. Sau o să ne tragi după tine, ca până acum?
– Pot rămâne la mal. S-or găsi alți curajoși în locul lor să facă onoare prostească pirateriei, sub comanda mea.
– Nu tuturor le convine să roadă lămâi.
– A venit rândul meu să calc pe cadavre, Seraphim. N-o să te învinovățesc dacă din lămâia asta nici să muști n-o să vrei.
”
”
Agape F.H.
“
But it wasn't just the fight that had Zephyr's attention. It was his eyes, or rather his one eye. He wore an honest-to-god eye patch over his right eye, his left glimmering a light color she couldn't really make out from afar. Eye patches, in her head, were things pirates wore to look badass, as they raided ships and claimed maidens in historical romances. In this day and age, people usually just put in a fake prosthetic eye if they needed. The fact that this veritable giant wore an eye patch to a fight with an opponent of seemingly good vision... damn. But he looked nothing like the boy from her fateful memories.
”
”
RuNyx (The Finisher (Dark Verse, #4))
“
Such a glorious history you have, slaughtering outnumbered men and torturing helpless women and children! You dare call yourselves civilized? You’re nothing but a pack of Norse pirates, who took the cross only when the French king promised you land to grasp and wine to guzzle and women to deflower!
”
”
Avellina Balestri (Saplings of Sherwood (The Telling of the Beads #1))
“
From Introduction to The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): It may well be asked how, from so many thieves, kidnappers, pirates, slavers and assassins within and beyond the Pale, one can isolate five individuals and identify them as ‘Demon Princes’. The author, while conceding to a certain degree of arbitrariness, can nevertheless in good conscience define the criteria which in his mind establish the Five as arch-fiends and overlords of evil. First: the Demon Princes are typified by grandeur. Consider the manner in which Kokor Hekkus gained his cognomen ‘The Killing Machine’, or Attel Malagate’s ‘plantation’ on Grabhorne Planet (a civilization of his own definition), or Lens Larque’s astounding monument to himself, or Viole Falushe’s Palace of Love. Certainly these are not the works of ordinary men, nor the results of ordinary vices (though Viole Falushe is said to be physically vain and in certain exploits of Kokor Hekkus there is the quaintly horrid quality of a small boy’s experiments with an insect). Secondly: these men are constructive geniuses, motivated not by malice, perversity, greed, or misanthropy, but by violent inner purposes, which are for the most part shrouded and obscure. Why does Howard Alan Treesong glory in chaos? What are the goals of the inscrutable Attel Malagate, or that fascinating flamboyant Kokor Hekkus? Thirdly: each of the Demon Princes is a mystery; each insists on anonymity and facelessness. Even to close associates these men are unknown; each is friendless, loveless (we can safely discount the self-indulgences of the sybaritical Viole Falushe). Fourthly: and obverse to the above, is a quality best to be described as absolute pride, absolute self-sufficiency. Each considers the relationship between himself and the balance of humanity as no more than a confrontation of equals. Fifthly: and ample in itself, I cite the historic conclave of 1500 at Smade’s Tavern (to be discussed in Chapter One) where the five acknowledged themselves, grudgingly perhaps, as peers, and defined their various areas of interest. Ipsi dixerunt!
”
”
Jack Vance (Demon Princes (Demon Princes #1-5))
“
We would seem to be in the presence of a genuine historical anomaly: a political entity that presented itself to the outside world as a kingdom, organized around the charismatic figure of a brilliant child of pirates, but which within operated by a decentralized grassroots democracy without any developed system of social rank. How to explain this? Are there any real historical analogies? In fact, the most obvious parallel would be pirate ships themselves. Pirate captains often tried to develop a reputation among outsiders as terrifying, authoritarian desperadoes, but on board their own ships not only were they elected by majority vote and could be removed by the same means at any time, they were also empowered to give commands only during chase or combat, and otherwise had to take part in the assembly like anybody else. There were no ranks on pirate ships, other than the captain and the quartermaster (the latter presided over the assembly). What’s more, we know of explicit attempts to translate this form of organization onto the Malagasy mainland. Finally, as we’ll see, there is a long history of buccaneers or other questionable characters who found themselves a foothold in some Malagasy port town, trying to pass themselves off as kings and princes without doing anything to reorganize actual social relations on the ground in the surrounding communities.
Discipline on board sixteenth-century European ships was arbitrary and brutal, so crews often had good reason to rise up; but the law on land was unforgiving. A mutinous crew knew they had signed their own death warrants. To go pirate was to embrace this fate. A mutinous crew would declare war “against the entire world,” and hoist the “Jolly Roger.” The pirate flag, which existed in many variations, is revealing in itself. It was normally taken to be an image of the devil, but often it contained not only a skull or skeleton, but also an hourglass, signifying not a threat (“you are going to die”) so much as a sheer statement of defiance (“we are going to die, it’s only a matter of time”)—which crews making out such a flag on the horizon would likely have found, if anything, even more terrifying. Flying the Jolly Roger was a crew’s way of announcing they accepted they were on their way to hell.
”
”
David Graeber (Pirate Enlightenment, or the Real Libertalia)
“
All at once, she was leaning into him, his hands were sliding into her hair, and they kissed, right there on the open deck, under the sails and the stars.
”
”
Shelly Thacker (One Night with a Scoundrel (Escape with a Scoundrel #3))
“
I… I do not think that… gentlemen do this sort of thing.” Her pulse raced with excitement and anticipation. “Only scoundrels.
”
”
Shelly Thacker (One Night with a Scoundrel (Escape with a Scoundrel #3))
“
I will never again be able to look at this rug without grinning like an idiot.
”
”
Shelly Thacker (One Night with a Scoundrel (Escape with a Scoundrel #3))
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Broadly speaking, there seem to be two methods for developing combat forces-for successfully cajoling or coercing collections of men into engaging in the violent, profane, sacrificial, uncertain, masochistic, and essentially absurd enterprise known as war. The two methods lead to two kinds of warfare, and the distinction can be an important one.
Intuitively, it might seem that the easiest (and cheapest) method for recruiting combatants would be to...enlist those who revel in violence and routinely seek it our or who regularly employ it to enrich themselves, or both. We have in civilian life a name for such people-criminals...Violent conflicts in which people like that dominate can be called criminal warfare, a form in which combatants are induced to wreak violence primarily for the fun and material profit they derive from the experience.
Criminal armies seem to arise from a couple of processes. Sometimes criminals-robbers, brigands, freebooters, highwaymen, hooligans, thugs, bandits, pirates, gangsters, outlaws-organize or join together in gangs or bands or mafias. When such organizations become big enough, they can look and act a lot like full-blown armies.
Or criminal armies can be formed when a ruler needs combatants to prosecute a war and concludes that the employment or impressment of criminals and thugs is the most sensible and direct method for accomplishing this. In this case, criminals and thugs essentially act as mercenaries.
It happens, however, that criminals and thugs tend to be undesirable warriors....To begin with, they are often difficult to control. They can be troublemakers: unruly, disobedient, and mutinous, often committing unauthorized crimes while on (or off) duty that can be detrimental or even destructive of military enterprise....
Most importantly, criminals can be disinclined to stand and fight when things become dangerous, and they often simply desert when whim and opportunity coincide. Ordinary crime, after all, preys on the weak-on little old ladies rather than on husky athletes-and criminals often make willing and able executioners of defenseless people. However, if the cops show up they are given to flight. The motto for the criminal, after all, is not a variation of "Semper fi," "All for one and one for all," "Duty, honor, country," "Banzai," or "Remember Pearl Harbor," but "Take the money and run."...
These problems with the employment of criminals as combatants have historically led to efforts to recruit ordinary men as combatants-people who, unlike criminals and thugs, commit violence at no other time in their lives....
The result has been the development of disciplined warfare in which men primarily inflict violence not for fun and profit but because their training and indoctrination have instilled in them a need to follow orders; to observe a carefully contrived and tendentious code of honer; to seek glory and reputation in combat; to love, honor, or fear their officers; to believe in a cause; to fear the shame, humiliation, or costs of surrender; or, in particular, to be loyal to, and to deserve the loyalty of, their fellow combatants.
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John Mueller