Women's Purses Quotes

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She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
Zadie Smith
Derek caught my arm again as I started to move--at this rate, it was going to be as sore as my injured one. "Dog," he said, jerking his chin toward the fenced yard. "It was inside earlier." Expecting to see a Doberman slavering at the fence, I followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. It wasn't even barking, just staring at us, dancing in place. "Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
Abandon the cultural myth that all female friendships must be bitchy, toxic, or competitive. This myth is like heels and purses--pretty but designed to SLOW women down.
Roxane Gay (Bad Feminist)
Closed door means knock," Elena said to Clay, shooing him out. You've been in here for two hours," he said. "She can't need that much work." He frowned as he examined my outfit. "What the hell is she? A tree?" "A dryad," Elena said, cuffing him in the arm. "Oh, my god," Jamie said, surveying my outfit. "We forgot the bag!" "Bag?" Clay said. "What does a dryad need with-" "An evening bag," Cassandra said. "A purse." "She's got a purse. It's right there on the bed." "That's a day purse," Cassandra snapped. "What, do they expire when the sun goes down?
Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
She shook her head, baffled and amused. “Jesus, Marcella, anyone ever told you that you’re batshit crazy?” Marcella pursed her lips. “Several times,” she said. “It’s an insult men love to aim at ambitious women.
Victoria E. Schwab (Vengeful (Villains, #2))
Expecting to see a Doberman slavering at the fence, i followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. I wasn't even barking, just staring and dancing in place. "Oh, my god! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but i think you can take him." He glared.
Kelley Armstrong
Let's talk about a decision that women have to make every morning- Big purse or little purse?
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
I want to write a poem for the women on Long Island who, when I show them the knife I carry in my purse, tell me it’s not big enough, ("Ode to the Women On Long Island")
Olivia Gatwood (Life of the Party)
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
Pursing my lips, I ask, “What do you know about lingerie?” A bark of a laugh, then, “Uh, I know women look good in it.
Belle Aurora (Raw (RAW Family, #1))
Money is only one kind of power. Faith is power, too. Love is power. Slaughter and madness are both roads to power. Certainly, symbols are power – you wear one wherever you go, that purse you carry. And you wear others when you decide to dress yourself, how to look at men and women, how to carry your body and direct your gaze. And all these symbols can raise people to labour or war.
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
Rich women live at such a distance from life that very often they never see their money — the Queen, they say, for instance, never carries a purse.
Elizabeth Bowen
WHO’S GOT A TAMPON? I JUST GOT MY PERIOD, I will announce loudly to nobody in particular in a women’s bathroom in a San Francisco restaurant, or to a co-ed dressing room of a music festival in Prague, or to the unsuspecting gatherers in a kitchen at a party in Sydney, Munich, or Cincinnati. Invariably, across the world, I have seen and heard the rustling of female hands through backpacks and purses, until the triumphant moment when a stranger fishes one out with a kind smile. No money is ever exchanged. The unspoken universal understanding is: Today, it is my turn to take the tampon. Tomorrow, it shall be yours. There is a constant, karmic tampon circle. It also exists, I’ve found, with Kleenex, cigarettes, and ballpoint pens.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
It is amazing to me," said Bingley, "How young ladies can have patience to be so very accomplished as they all are." "All young ladies accomplished? My dear Charles, what do you mean?" "Yes, all of them, I think. They all paint tables, cover screens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time without being informed that she was very accomplished." "Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished." "Nor I, I am sure." said Miss Bingley. "Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman." "Yes, I do comprehend a great deal in it." "Oh! certainly," cried his faithful assistant, "no one can really be esteemed accomplished who does not greatly surpass knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved." "All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading." "I am no longer surprised at your knowing only six accomplished women. I rather wonder at your knowing any.
Jane Austen (Pride and Prejudice)
Hattie pursed her lips. “Personally, I always found a thousand ships a little excessive. And Menelaus and Paris fought over Helen like dogs over a bone; no one asked her what she wanted. Even her obsession with Paris was compelled by a poisoned arrow—what’s romantic about that?” “Passion,” Annabelle said, “Eros’s arrows are infused with passion.” “Oh, passion, poison,” Hattie said, “either makes people addle-brained.
Evie Dunmore (Bringing Down the Duke (A League of Extraordinary Women, #1))
A fair woman is a paradise to the eye, a purgatory to the purse, and hell to the soul.
Elizabeth Grymeston
Outside, as she passed the kitchen window, she watched her breath appear before her in the lamplight and then it died away in moist clouds. This was the smoke of her internal fire and her soul. Every breath was a letter to the world. These she mailed into the cold air leaning back with pursed lips to send it upward.
Paulette Jiles (Enemy Women)
One historical note that I just love: When the suffragettes were marching, at one point they started wearing red lipstick so they would all be wearing the same bold color and stand in solidarity with one another. I love how this little thing many women had in their purses became a powerful political symbol. It's a reminder that we don't have to diminish ourselves as women to be seen as strong. You can push for societal change and you can love getting dressed up. You don't have to choose.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
Nobody wants to know why Indian women leave or where they go. Our bodies walk across the highway from the dances of our youth into missing narratives without strobe lights or sweet drinks in our small purses, or the talk of leaving. The truth of our leaving or coming into the world is never told.
Terese Marie Mailhot (Heart Berries)
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Francesca Lia Block (I Was a Teenage Fairy)
Not only do women hold up half the sky; we do it while carrying a 500-pound purse.
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
You're a beautiful young woman walking without an escort at one in the morning. Why doesn't one of your staff at least see you to your car?" "Because they're not sexist pigs who think women are incapable of taking care of themselves." Chance rolled his eyes. "This has nothing to do with feminism. I'm all for gender equality, but the fact remains that women are targeted for more specific crimes than men, and the perpetrators of those crimes often look for circumstances such as these to attack." "See this?" Isa pulled something dark and oblong out of her purse. Chance's mouth twitched. "Turbo Vagisil?" "No, It's a taser!" Isa said indignantly. "I can take care of myself, Chance. I've been doing that just fine for the past twenty-nine and a half years before you showed up, remember?
Jeaniene Frost (Happily Never After (Night Huntress, #1.5))
This is something that has been puzzling me for years. Women will stand there watching their items being rung up, and then when the till lady says, ‘That’s £4.20, love,’ or whatever, they suddenly look as if they’ve never done this sort of thing before. They go ‘Oh!’ and start rooting in a flustered fashion in their handbag for their purse or chequebook, as if no-one had told them that this might happen.
Bill Bryson (Notes From A Small Island: Journey Through Britain)
But I also kept thinking of every man I had ever known. The ones from high school who were now in jail or had DUIs or posted pictures on social media of their assault rifles. The men I would see at campus parties where at least two women would discreetly point to them and say, “Watch your drink when he’s around.” The men who would walk too close behind me when I was going home alone at night, who made me grip my keys in my hand, made me reach in my purse and pretend I had a canister of pepper spray in my palm. None of them had to sacrifice their privacy like this. I
Megan Giddings (The Women Could Fly)
Boys are rewarded for playing games where they line up by height and then run into walls. Perhaps I'm making that up--or perhaps you should do a Google search for "Guy Runs into Wall for Fun." Not only do women hold up half the sky; we do it while carrying a 500-pound purse. From age sixteen to age twenty, a woman's body is a temple. From twenty-one to forty-five, it's an amusement park. From forty-five on, it's a terrarium. Bring your sense of humor with you at all times. Bring your friends with a sense of humor. If their friends have a sense of humor, invite them, too
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
Toni Morrison (Jazz (Beloved Trilogy, #2))
And yes, you might be thinking that girls can totally wear cargo pants if they want to, but I disagree. Skinny girls might be able to wear those things, but girls like me look like they’re wearing pants with a bunch of purses stapled to them, and that’s really the last thing you need when you’re looking for something slimming in the plus-size section. In fact, most of the pockets you see on women’s pants are just illusions made to taunt you. Or sometimes they really are pockets but they are intentionally sewn closed, as if to say, “I’m letting you have these pockets but I’m sewing them shut for your own good.” And most of us leave them sewn shut because we’d rather look thin than have pockets.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
women who sat clutching their purses in their laps as they eyed the men with equal parts intrigue and revulsion.
Kirstin Chen (Soy Sauce for Beginners)
Abandon the cultural myth that all female friendships must be bitchy, toxic, or competitive. This myth is like heels and purses - pretty but designed to SLOW women down.
Roxane Gay
Turnoffs: the word conflate and women who think a small dog in a purse is a fashion accessory.
Tim Dorsey (Naked Came the Florida Man (Serge Storms #23))
Rape culture is 1 in 6 women being sexually assaulted in their lifetimes. Rape culture is not even talking about the reality that many women are sexually assaulted multiple times in their lives. Rape culture is the way in which the constant threat of sexual assault affects women’s daily movements. Rape culture is telling girls and women to be careful about what you wear, how you wear it, how you carry yourself, where you walk, when you walk there, with whom you walk, whom you trust, what you do, where you do it, with whom you do it, what you drink, how much you drink, whether you make eye contact, if you’re alone, if you’re with a stranger, if you’re in a group, if you’re in a group of strangers, if it’s dark, if the area is unfamiliar, if you’re carrying something, how you carry it, what kind of shoes you’re wearing in case you have to run, what kind of purse you carry, what jewelry you wear, what time it is, what street it is, what environment it is, how many people you sleep with, what kind of people you sleep with, who your friends are, to whom you give your number, who’s around when the delivery guy comes, to get an apartment where you can see who’s at the door before they can see you, to check before you open the door to the delivery guy, to own a dog or a dog-sound-making machine, to get a roommate, to take self-defense, to always be alert always pay attention always watch your back always be aware of your surroundings and never let your guard down for a moment lest you be sexually assaulted and if you are and didn’t follow all the rules it’s your fault.
Melissa McEwen
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
You mean, if you had known we were going to be sitting here today, you wouldn’t have rubbed your hand on my cock and then ran off?” Nicole’s lips purse. “Maybe I realized your cock wasn’t worth touching again. If it was a bit bigger…” I chuckle. This girl is unlike anyone else I’ve ever met. Most women would be horrified at the insinuation, but she actually insulted me back. “We both know my cock is plenty big enough, darling. I saw your eyes widen…and that was just a semi.
Corinne Michaels (Not Until You (Second Time Around, #3))
I watched women—thin, spare, alone-looking women who were older than me, always carrying parcels, bags, overstuffed leather purses. The light did something to their faces, laid them bare. As if on trains they wore the faces they had when alone.
Sara Majka (Cities I've Never Lived In)
Did Morris put anybody on Coltraine, specifically?” “Clipper.” “Die-For-Ty? Talk about the sex. How come so many death doctors are wholly iced?” “A mystery I’ve pondered throughout my career.” “No, seriously. Clipper’s like ummm. He’s gay and has a partner, but a yummy treat for the eyes. His partner’s an artist. He paints people, literally I mean. Body painting. They’ve been together about six years.” “How do you know all this stuff?” “Unlike you, I enjoy hearing about people’s personal lives, especially when it involves sex.” “At least since Clipper’s not into women, you won’t be troubled by sexual fantasies.” Peabody pursed her lips in thought. “I can work with it. Two naked guys, body paints, me. Oh yeah, endless possibilities.
J.D. Robb (Promises in Death (In Death, #28))
I had a dream about you. Knowing that women like to buy two things above all else, shoes and purses, I combined the two into one product that looked like Margaret Thatcher’s dress on your feet. You asked if my shoes made your ass look fat, and I replied, “If I have to tell you it is, it isn’t.
Jarod Kintz (Dreaming is for lovers)
If you’d stop chattering, we could go get lunch.” “You’re the one who started the conversation by asking why I wear my purse.” “How was I to know you’d give me a full inventory of what you carry? Other women keep that a secret.” “I’m not like other women.” There’s an understatement. “I have noticed.
Cathy Marie Hake (That Certain Spark (Only In Gooding, #4))
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
I'd like to make you an offer." An offer? I was suddenly reminded of who I was dealing with here. Lillian Taft wasn't a powder puff. She was the merciless, dictatorial matriarch who'd kicked my pregnant mother out of her house at the ripe old age of seventeen. I stalked to the front door and retrieved the Post-it I'd placed next to the doorbell when our house had been hit with door-to-door evangelists two weeks in a row. I turned and offered the hand-written notice to the women who'd raised my mother. Her perfectly manicured fingertips plucked the Post-it from my grasp. "'No soliciting,'" my grandmother read. "Except for Girl Scout cookies," I added helpfully. I'd gotten kicked out of the local Scout troop during my morbid true-crime and facts-about-autopsies phase, but I still had a weakness for Thin Mints. Lillian pursed her lips and amended her previous statement. "'No soliciting except for Girl Scout cookies.'" I saw the precise moment that she registered what I was saying: I wasn't interested in her offer. Whatever she was selling, I wasn't buying.
Jennifer Lynn Barnes (Little White Lies (Debutantes, #1))
Except for my net, everything I have need of in the world is contained in that bag—including a second hat and a rather sizable jar of cold cream of roses. Do not tell me you couldn’t travel with as little. I have faith that men can be as reasonable and logical as women if they but try.” He shook his head. “I cannot seem to formulate a clear thought in the face of such original thinking, Miss Speedwell. You have a high opinion of your sex.” I pursed my lips. “Not all of it. We are, as a gender, undereducated and infantilized to the point of idiocy. But those of us who have been given the benefit of learning and useful occupation, well, we are proof that the traditional notions of feminine delicacy and helplessness are the purest poppycock.” “You have large opinions for so small a person.” “I daresay they would be large opinions even for someone your size,” I countered. “And where did you form these opinions? Either your school was inordinately progressive or your governess was a Radical.” “I never went to school, nor did I have a governess. Books were my tutors, Mr. Stoker. Anything I wished to learn I taught myself.” “There are limits to an autodidactic education,” he pointed out. “Few that I have found. I was spared the prejudices of formal educators." “And neither were you inspired by them. A good teacher can change the course of a life,” he said thoughtfully. “Perhaps. But I had complete intellectual freedom. I studied those subjects which interested me—to the point of obsession at times—and spent precious little time on things which did not.” “Such as?” “Music and needlework. I am astonishingly lacking in traditional feminine accomplishments.” He cocked his head. “I am not entirely astonished.” But his tone was mild, and I accepted the statement as nothing like an insult. In fact, it felt akin to a compliment. “And I must confess that between Jane Austen and Fordyce’s Sermons, I have developed a general antipathy for clergymen. And their wives,” I added, thinking of Mrs. Clutterthorpe. “Well, in that we may be agreed. Tell me, do you find many people to share your views?” “Shockingly few,” I admitted.
Deanna Raybourn (A Curious Beginning (Veronica Speedwell, #1))
Among such persons are those women who transform themselves into just that function of a man that is but weakly developed in him, and then become his purse, or his politics, or his social intercourse. Such beings maintain themselves best when they insert themselves in an alien organism; if they do not succeed they become vexed, irritated, and eat themselves up.
Friedrich Nietzsche
It was men, not women, who struck me as foreign and desirable and I disguised myself as a child or a man or whatever was necessary in order to enter their hushed, hieratic company, my disguise so perfect I never stopped to question my identity. Nor did I want to study the face beneath my mask, lest it turn out to have the pursed lips, dead pallor and shaped eyebrows by which one can always recognize the Homosexual.
Edmund White (A Boy's Own Story (The Edmund Trilogy, #1))
Women trailed around vendors, baskets on their arms, bartering for a low price, despite the fact their purses carried plenty of coin. I envied their warm coats and the ruffles on their long dresses. They were never cold, never dressed in threadbare clothes, and never went hungry. They also never worried about what would happen to them if they had an episode and passed out in a gutter. It was no use dwelling on what I didn’t have.
Angela J. Ford (A Sleet Storm's Seduction)
Everything was arranged by the time Laurie returned with a note from Aunt March, enclosing the desired sum, and a few lines repeating what she had often said before, that she had always told them it was absurd for March to go into the army, always predicted that no good would come of it, and she hoped they would take her advice the next time. Mrs. March put the note in the fire, the money in her purse, and went on with her preparations, with her lips folded tightly in a way which Jo would have understood if she had been there.
Louisa May Alcott (Little Women)
Just as summer-killed meat draws flies, so the court draws spurious sages, philosophists, and acosmists who remain there as long as their purses and their wits will maintain them, in the hope (at first) of an appointment from the Autarch and (later) of obtaining a tutorial position in some exalted family. At sixteen or so, Thecla was attracted, as I think young women often are, to their lectures on theogony, thodicy, and the like, and I recall one particularly in which a phoebad put forward as an ultimate truth the ancient sophistry of the existence of three Adonai, that of the city (or of the people), that of the poets, and that of the philosophers. Her reasoning was that since the beginning of human consciousness (if such a beginning ever was) there have been vast numbers of persons in the three categories who have endeavored to pierce the secret of the divine. If it does not exist, they should have discovered that long before; if it does, it is not possible that Truth itself should mislead them. Yet the beliefs of the populace, the insights of the rhapsodists, and the theories of the metaphysicians have so far diverged that few of them can so much as comprehend what the others say, and someone who knew nothing of any of their ideas might well believe there was no connection at all between them. May it not be, she asked (and even now I am not certain I can answer), that instead of traveling, as has always been supposed, down three roads to the same destination, they are actually traveling toward three quite different ones? After all, when in common life we behold three roads issuing from the same crossing, we do not assume they all proceed toward the same goal. I found (and find) this suggestion as rational as it is repellent, and it represents for me all that monomaniacal fabric of argument, so tightly woven that not even the tiniest objection or spark of light can escape its net, in which human minds become enmeshed whenever the subject is one in which no appeal to fact is possible. As a fact the Claw was thus an incommensurable. No quantity of money, no piling up of archipelagoes or empires could approach it in value any more than the indefinite multiplication of horizontal distance could be made to equal vertical distance. If it was, as I believed, a thing from outside the universe, then its light, which I had seen shine faintly so often, and a few times brightly, was in some sense the only light we had. If it were destroyed, we were left fumbling in the dark.
Gene Wolfe (The Sword of the Lictor (The Book of the New Sun, #3))
Why don’t they have backpacks?” Luca asks. “Because they’re deportados. They live in the United States, güey. Like forever. Like, for ten years maybe. Since they were babies, maybe. And then they’re on their way to work one morning, or coming home from school one day, or playing fútbol in the park, or shopping at the mall for some fresh new kicks, and then bam! They get deported with whatever they happen to be carrying when they’re picked up. So unless they happen to be carrying a backpack when la migra gets them, they usually come empty-handed. Sometimes the women have their purse with them or whatever. They don’t get to go home and pack a bag. But they usually have nice clothes, at least. Clean shoes.
Jeanine Cummins (American Dirt)
There is something in the pose of sleeping women. Something soft and slight and slenderly surreal. He understands why painters are so often challenged to attempt them, and why so seldom they succeed. It must exceed the scope of canvas - the implausibility of rendering motion within rest. She is deeply asleep, immovably asleep - and yet she moves. Tiny spasms quiver her legs and tug at her fingers. Lips purse to open, part, then softly close again. Dreaming eyes agitate the surface of their lids. Hands resting on the stomach, rise and fall in rhythm with the pulse that ticks along the valleys of her neck. Even bespeckled with bites like this, there is a beauty to this girl and in this pose well beyond the scope of two dimensions.
Scott Gardiner
This is for women whose purses are a morass of loose Tic Tacs, solitary Advils, lipsticks without tops, ChapSticks of unknown vintage, little bits of tobacco even though there has been no smoking going on for at least ten years, tampons that have come loose from their wrappings, English coins from a trip to London last October, boarding passes from long-forgotten airplane trips, hotel keys from God-knows-what hotel, leaky ballpoint pens, Kleenexes that either have or have not been used but there’s no way to be sure one way or another, scratched eyeglasses, an old tea bag, several crumpled personal checks that have come loose from the checkbook and are covered with smudge marks, and an unprotected toothbrush that looks as if it has been used to polish silver.
Nora Ephron (I Feel Bad About My Neck)
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.
John Steinbeck
Jessica lived on Tremont Avenue, on one of the poorer blocks in a very poor section of the Bronx. She dressed even to go to the store. Chance was opportunity in the ghetto, and you had to be prepared for anything. She didn’t have much of a wardrobe, but she was resourceful with what she had—her sister’s Lee jeans, her best friend’s earrings, her mother’s T-shirts and perfume. Her appearance on the streets in her neighborhood usually caused a stir. A sixteen-year-old Puerto Rican girl with bright hazel eyes, a huge, inviting smile, and a voluptuous shape, she radiated intimacy wherever she went. You could be talking to her in the middle of the bustle of Tremont and feel as if lovers’ confidences were being exchanged beneath a tent of sheets. Guys in cars offered rides. Grown men got stupid. Women pursed their lips. Boys made promises they could not keep.
Adrian Nicole LeBlanc (Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx)
Terms such as "man bun," "man purse," "guyliner," "meggings," and the new "romp-him" (romper) have entered the American lexicon. These terms refer to new fashion trends involving men wearing garments or using grooming regiments once thought of as exclusive to women. The term metrosexual comes to mind. While they may be amusing to read, and certainly to say out loud, they are dangerous roadblocks preventing the collapse of the binary. That notion might also make you laugh. Think about it. What purpose do these unnecessary labels serve, other than to single out that these stylistic choices go against the grain? Eyeliner is applied to people's eyelids. Leggings are worn by people who have legs. The gendered associations exist solely as social constructs. Men used to wear leggings all the time in the middle ages. Probably would have shopped at Sephora too, if there had been one at the faire.
Ian Thomas Malone (The Transgender Manifesto)
When I was young most of them were quite nice - that is to say, they shared their mother's opinions, not only about topics, but what is more remarkable, about individuals, even young men; they said, "Yes, Mamma," and "No, Mamma" at the appropriate moments; they loved their father because it was their duty so to do, and their mother because she preserved them from the slightest hint of wrongdoing. When they became engaged to be married they fell in love with decorous moderation; being married, they recognized it as a duty to love their husbands but gave other women to understand that it was a duty they performed with great difficulty. They behaved nicely to their parents-in-law, while making it clear that any less dutiful person would not have done so; they did not speak spitefully about other women but pursed their lips in such a way as to let it be seen what they might have said but for their angelic charitableness.
Bertrand Russell
Harriet hesitated, then pursed her lips side to side. “Well, fine. Maybe it’s not really advice anyway. It’s more like a tip.” Elizabeth looked back expectantly. “Take a moment for yourself,” Harriet said. “Every day.” “A moment.” “A moment where you are your own priority. Just you. Not your baby, not your work, not your dead Mr. Evans, not your filthy house, not anything. Just you. Elizabeth Zott. Whatever you need, whatever you want, whatever you seek, reconnect with it in that moment.” She gave a sharp tug to her fake pearls. “Then recommit.” And although Harriet didn’t mention she’d never followed this advice herself—that she’d actually only read it in one of those ridiculous women’s magazines—she wanted to believe that someday she would recommit to her goal. To be in love. Real love. Then she opened the back door and gave a small nod and pulled the door closed behind her. And as if on cue, Madeline began to cry.
Bonnie Garmus (Lessons in Chemistry)
Mother charged about five hundred dollars for a delivery, and this was another way midwifing changed her: suddenly she had money. Dad didn’t believe that women should work, but I suppose he thought it was all right for Mother to be paid for midwifing, because it undermined the Government. Also, we needed the money. Dad worked harder than any man I knew, but scrapping and building barns and hay sheds didn’t bring in much, and it helped that Mother could buy groceries with the envelopes of small bills she kept in her purse. Sometimes, if we’d spent the whole day flying about the valley, delivering herbs and doing prenatal exams, Mother would use that money to take me and Audrey out to eat. Grandma-over-in-town had given me a journal, pink with a caramel-colored teddy bear on the cover, and in it I recorded the first time Mother took us to a restaurant, which I described as “real fancy with menus and everything.” According to the entry, my meal came to $3.30.
Tara Westover (Educated)
Unfortunately Women these days, complain A LOT about "wanting" to be equal to men, and insist that they "are" equal to men. However, when it comes to paying the check at the restaurant, paying for the wedding, or handling any other expenses, suddenly they forget the whole equality phenomenon. If you ask women why, they will just tell you that "I was with a MAN, a real man doesn't let a woman touch her purse, a real man takes care of his lady"... ((So they know the difference between a "Man" and a "Woman"... )) - Man spends, man takes responsibility, man has control... - Woman gets taken care of, women expects man to take responsibility, woman is under control! If you are a woman who "WANTS" to be equal to men, if you are a woman who wants to be "IN CONTROL" rather than being "UNDER CONTROL", start by being equal in doing the hard things first, don't let your boyfriend pay when you go out with him for a year or two, just like he did for you, don't let him pick you up at your home, drive everyday and pick him up to go out for a year or two, if you think it's so hard to do so, keep quite about it... you're not ready to be equal... You're just adequate enough to be taken care of... to be spent for...
Hamidreza Bagheri
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
Ladies,” he said as he stepped forward. “I’m afraid we don’t have enough tents or saddles to add you to the group.” “I already tried to stop them,” Elaine said, “but they insisted.” She turned to Phoebe. “Eddie and Gladys are known for being a little hardheaded.” “Among other things,” Maya added wryly. “That one’s Eddie, and that one’s Gladys,” she said, pointing. “We’re not additions,” Eddie said, “we’re replacements.” Gladys dug through the large black purse strapped over her forearm and pulled out a checkbook. “We met a nice couple at Ronan’s last night, and they couldn’t say yes fast enough when we offered to buy their spots on the cattle drive.” “They said they’re gonna stay in town and get a hot stone massage every day instead.” “But--” “We already paid,” Eddie said. “Five hundred bucks a pop. Figured it would be worth it if we could see some sexy cowboys. We’ve taken riding lessons from Shane Stryker, but he refuses to take off his shirt for us. I hope you’re not going to be so stubborn.” Phoebe thought Zane might call off the whole thing, after all, but all he did was mutter, “Fine. Head inside, I’ll bring your things.” She supposed the novices were a bit of a challenge and senior novices would be even more of one, but to her mind, the older women were quirky and delightful. “We’re mighty excited about this trip,” Gladys said. “Eddie here has wanted to go on a cattle drive since she first saw City Slickers.” She winked. “Not that either of us have a hankering to help with a birthing, mind you. It looked a tad messy.” Phoebe was charmed.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Most of the guests left the rehearsal dinner at the country club; the remaining group--a varied collection of important figures in both of our lives--had skittered away to the downtown hotel where all of the out-of-town guests were staying. Marlboro Man and I, not ready to bid each other good night yet, had joined them in the small, dimly lit (lucky for me, given the deteriorating condition of my epidermis) hotel bar. We gathered at a collection of tiny tables butted up together and wound up talking and laughing into the night, toasting one another and spouting various late-night versions of “I’m so glad I know you” and “I love you, man!” In the midst of all the wedding planning and craziness, hanging out in a basement bar with uncles, college friends, and siblings was a relaxing, calming elixir. I wanted to bottle the feeling and store it up forever. It was late, though; I saw Marlboro Man looking at the clock in the bar. “I think I’ll head back to the ranch,” he whispered as his brother told another joke to the group. Marlboro Man had a long drive ahead, not to mention an entire lifetime with me. I couldn’t blame him for wanting a good night’s sleep. “I’m tired, too,” I said, grabbing my purse from under the table. And I was; the long day had finally set in. The two of us stood up and said our good-byes to all the people who loved us so much. Men stood up, some stumbling, and shook hands with Marlboro Man. Women blew kisses and mouthed Love you guys! to us as we walked out of the room and waved good-bye. But no one left the bar. Nobody loved us that much.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Callie prayed and prayed, hoping he was all right. At long last, she heard a cheering roar from the people of the village. Turning around, she saw the group of men coming toward them. And in their midst… Nay. It couldn't be. Callie frowned, then blinked, trying to see if her eyes were deceiving her. Angus was the first to reach the village. "I'll beat the first one of you who laughs," he said in warning. "No mon who fights like that for our women and children will be mocked. You hear me?" "We wouldn't dream of it, Angus MacDougal," Peg said. Choking on her laughter and filled with tremendous relief that he was unhurt, Callie ran to her husband and wrapped her arms around him. Her heart pounded at the feel of his strong arms holding her close. Och, how she loved this wonderful man. She kissed his cheek, then pulled away to look him over one more time and make sure he really was unharmed. Again, she had to purse her lips to keep from smiling. In truth, she had no idea how the village refrained from laughing at the sight of her proud husband. He only had one boot on and his breeches were shredded. The kirtle he'd wrapped around the swatter was now wrapped around his body in a poor, ill-fitting state. He was covered in mud and looked like some half-formed fey beastie. Sin looked at her with humor dancing in his midnight eyes. "Go ahead and laugh, dove. I promise I won't be offended." He draped an arm over her shoulders, drawing her close to him again, and looked around at the people gathered to welcome him back. "By the way, methinks I owe someone a new dress." Several snickers broke out and were silenced as Angus turned a feral glare to the crowd. "Where's the bull?" Callie asked. "Tied to a tree, eating my boot. I'm just glad my leg is no longer in it." That succeeded in making everyone laugh. Angus shook his head as he drew near. "Lad, how did you manage it?" "I run fast when chased by large bulls." -Angus, Peg, Sin, & Callie
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
He served Adaira the first slice and grinned when she cast a wary look his way. “You made this?” “Aye,” he said, standing close to her, waiting. Adaira took her spoon and poked at the pie. “What’s in it, Jack?” “Oh, what all did we dump in there, Frae? Blackberries, strawberries, pimpleberries—” “Pimpleberries?” Frae gasped in alarm. “What’s a pim—” “Honey and butter and a dash of good luck,” he finished, his gaze remaining on Adaira. “All of your favorite things, as I recall, heiress.” Adaira stared at him, her face composed save for her pursed lips. She was trying not to laugh, he realized. He was suddenly flustered. “Heiress, I did not put pimpleberries in there,” Frae frantically said. “Oh, sweet lass, I know you didn’t,” Adaira said, turning a smile upon the girl. “Your brother is teasing me. You see, when we were your age, there was a great dinner in the hall one night. And Jack brought me a piece of pie, to say sorry for something he had done earlier that day. He looked so contrite that I foolishly believed him and took a bite, only to realize something was very strange about it.” “What was it?” Frae asked, as if she could not imagine Jack doing something so awful. “He called it a ‘pimpleberry’, but it was actually a small skin of ink,” Adaira replied. “And it stained my teeth for a week and made me very ill.” “Is this true, Jack?” Mirin cried, setting her teacup down with a clatter. “‘Tis truth,” he confessed, and before any of the women could say another word, he took the plate and the spoon from Adaira and ate a piece of the pie. It was delicious, but only because he and Frae had found and harvested the berries and rolled out the dough and talked about swords and books and baby cows while they made it. He swallowed the sweetness and said, “I believe this one is exceptional, thanks to Frae.” Mirin bustled into the kitchen to cut a new slice for Adaira and find her a clean utensil, muttering about how the mainland must have robbed Jack of all manners. But Adaira didn’t seem to hear. She took the plate from his hands, as well as the spoon, and ate after him.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.” “Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?” Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.” “You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening. “Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark. “Hm, I just can’t imagine why you’re still unmarried.” “I might say the same for you.” “Mr. Nobley!” cried Aunt Saffronia. “No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.” “And perhaps the men do not stick it out for a reason.” “And what reason might that be?” “The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?” Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat. No one in the room made eye contact. “Someone has issues,” said Miss Charming in a quiet, singsongy voice. “I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.” “An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift. I think we feel the lack of Sir Templeton’s presence, indeed I do.” Mr. Nobley, of course, declined to dance, so Jane and the colonel stood up with Captain East and Miss Charming, whose spirits were speedily improving. Twice she turned the wrong way, ramming herself into the captain’s shoulder, saying “pip, pip” and “jolly good.” Jane spied Mr. Nobley on the sofa, staring at the window and a reflection of the dancers.
Shannon Hale (Austenland (Austenland, #1))
Jane, the captain, and the colonel begged out of cards, sat by the window, and made fun of Mr. Nobley. She glanced once at the garden, imagined Martin seeing her now, and felt popular and pretty--Emma Woodhouse from curls to slippers. It certainly helped that all the men were so magnificent. Unreal, actually. Austenland was feeling cozier. “Do you think he hears us?” Jane asked. “See how he doesn’t lift his eyes from that book? In all, his manners and expression are a bit too determined, don’t you think?” “Right you are, Miss Erstwhile,” Colonel Andrews said. “His eyebrow is twitching,” Captain East said gravely. “Why, so it is, Captain!” the colonel said. “Well observed.” “Then again, the eyebrow twitch could be caused by some buried guilt,” Jane said. “I believe you’re right again, Miss Erstwhile. Perhaps he does not hear us at all.” “Of course I hear you, Colonel Andrews,” said Mr. Nobley, his eyes still on the page. “I would have to be deaf not to, the way you carry on.” “I say, do not be gruff with us, Nobley, we are only having a bit of fun, and you are being rather tedious. I cannot abide it when my friends insist on being scholarly. The only member of our company who can coax you away from those books is our Miss Heartwright, but she seems altogether too pensive tonight as well, and so our cause is lost.” Mr. Nobley did look up now, just in time to catch Miss Heartwright’s face turn away shyly. “You might show a little more delicacy around the ladies, Colonel Andrews,” he said. “Stuff and nonsense. I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.” “Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?” Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.” “You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening. “Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark. “Hm, I just can’t imagine why you’re still unmarried.” “I might say the same for you.” “Mr. Nobley!” cried Aunt Saffronia. “No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.” “And perhaps the men do not stick it out for a reason.” “And what reason might that be?” “The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?” Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat. No one in the room made eye contact. “Someone has issues,” said Miss Charming in a quiet, singsongy voice. “I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.” “An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift.
Shannon Hale (Austenland (Austenland, #1))
For thirty-two years I went shopping with my coupon box in tow without ever seeing another consumer with either a coupon box or binder. Not once. I spotted small coupon wallets that fit in a purse or envelopes of coupons, but never a box or binder. By early 2011, I was beginning to see women with coupon binders everywhere I went. All of a sudden, couponing was hot. It was as if couponing was a totally new concept, and yet coupons had been around for over 125 years.
Mary Potter Kenyon (Coupon Crazy: The Science, the Savings, and the Stories Behind America's Extreme Obsession)
I just don’t know what’s wrong with our society,” Suzy muttered. “Women have to fight a guilt trip along with everything else. It shouldn’t be that way. If you were walking home after work and someone came along and hit you over the head and took your purse, would people wonder if you’d dangled your handbag in front of that poor, innocent guy’s nose and teased him into grabbing your purse? Of course not!
Brenda Hill (And Justice for Her: Boxed Set)
Roughly speaking: more than forty held government bonds. More than twenty were moneylenders. Over fifteen were slave owners. The rest an assortment of land and debt speculators. And most dabbled in more than one category. George Washington, for example, was a slave owner, a moneylender, a land speculator, and the largest holder of government IOUs in the country. Who was not at the Convention is as interesting as who was: unrepresented were small farmers, shopkeepers, Revolutionary War veterans, laborers, indentured servants, and, of course, slaves, Indians, and women. What we have instead is a small circle of capitalist elites with George Washington at the center. They were (if we’re to believe only half of what Beard tells us) a rogues’ gallery of scoundrels, scalawags, moneylenders, stockjobbers,XXIX embezzlers, and, as it would turn out, traitors. Not to mention lawyers. Men, it would be fair to say, drawn to the power of their own purses.
Ed Asner (The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs)
Jeremy has wondered about what kind of television shows the characters in television shows watch. Television characters almost always have better haircuts, funnier friends, simpler attitudes toward sex. They marry magicians, win lotteries, have affairs with women who carry guns in their purses. Curious things happen to them on an hourly basis. Jeremy and I can forgive their haircuts. We just want to ask them about their television shows.
John Joseph Adams (Other Worlds Than These)
I remember when you were a child. You used to have a nickname for all the flowers. You called the marigolds ‘fireflies,’ I recall, and lilies were ‘ladies’ purses.’” “I can’t believe you remember that,” Cass said. “You hardly even played out here with me.” “Remember how I used to hide things for you?” Cass remembered. Before they were engaged, Luca would bring her little treasures, things he found when he was out wandering around. Once it was a string of green ceramic beads. Another time he left her a smooth stone shaped like a heart. He used to mark the hiding places with lilies stolen from Agnese’s own plants. Cass had forgotten about the game until Luca mentioned it. “I liked that game,” Cass said. “I was sad when you got older and stop playing it. You practically quit talking to me.” “I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.” “That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile. “You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Money is only one kind of power. Faith is power, too. Love is power. Slaughter and madness are both roads to power. Certainly, symbols are power—you wear one wherever you go, that purse you carry. And you wear others when you decide how to dress yourself, how to look at men and women, how to carry your body and direct your gaze. And all these symbols can raise people to labor or war.
Seth Dickinson (The Traitor (The Masquerade, #1))
The wrap dress is a very flattering style on any body type. You just need to make sure you fit the shoulders, and the rest of the dress takes care of itself. It makes women look feminine, pulled together, and at ease in the world. I encourage all women who are trying to update their work wardrobes to invest in a couple of flattering wrap dresses. It’s easy, one-step-dressing: it travels well, and it’s easy to care for. With a wrap dress and heels – a complete outfit that can fit in the average purse – you’re all set for a business meeting or dinner date.
Tim Gunn (Tim Gunn's Fashion Bible)
a magic purse that can never be emptied no matter how much he spends.
Serinity Young (Women Who Fly: Goddesses, Witches, Mystics, and other Airborne Females)
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There are so many subtle ways we women subconsciously protect ourselves throughout the day; protect ourselves from shadows, from unseen predators. From cautionary tales and urban legends. So subtle, in fact, that we hardly even realize we’re doing them. Leave work before dark. Clutch our purses to our chest with one hand, hold our keys between our fingers in the other, like a weapon, as we shuffle toward our car, strategically parked beneath a streetlight in case we weren’t able to leave work before dark. Approach our car, glance in the back seat before unlocking the front. Grip our phone tight, pointer finger just a swipe away from 9-1-1. Step inside. Lock it again. Do not idle. Drive away quickly.
Stacy Willingham (A Flicker in the Dark)
She turned to me, sliding her arm into her purse’s hook and securing it in the hinge of her elbow.
Kelly Barnhill (When Women Were Dragons)
Butterfly in a world of your own What will you do? Where are you off to today? Floating in between cars, hitchhiking through dreams. With miniature shades to block the sun from your eyes. Be careful to avoid the passing cars That you may not see coming & the children that chase you. Coming this much closer to catching you, in search Of how bright you’ve made their day. Butterfly in a world of its own. Do you know the beauty you possess? Shopping for orange & yellow dresses That compliment your wings, Barefoot in the wind. Often forgetting where you put your purse. Effortless & utterly flawless. Butterfly in a world of your own I too hope that your day is as golden As you are
Kewayne Wadley (Mumbo Jumbo... I Love You)
Roman had questioned why women even carried purses. Only a man who hadn’t struggled daily with where to put his keys and wallet, phone, and notebook would ask something so ridiculous.
Veronica G. Henry (The Quarter Storm (Mambo Reina, #1))
In your post you encouraged women to be bold and be brave. Make decisions that are good for them, no matter what others may think.” Jules pursed her lips, nodding as Golden continued. “So JulesPen, what prevented you from following your own advice. “Whew, you are getting right to it,” Jemma chuckled. “Complacency, fear, denial. I became a wife and a mother before I truly became a woman. At twenty years old I had no clue what it meant to be brave or bold when deciding the next steps in my life. Even after graduating top of my class with a two year old on my hip, finishing my doctorate and establishing my own success, I was afraid to take the risk because I was afraid of failing. My parents have been married for over years. They were my roadmap, my aspiration, my muse and I didn’t want to disappoint them. The threat of being a disappointment can handicap you in ways you never imagine. Then I looked around and suddenly I was married for twenty years and had no clue who I was.
Robbi Renee (Somebody's Wife (A Grown and Sexy Somebody Series Book 1))
Damn, boy, don’t you know how to play? You gotta start soft, get them all warmed up for you. You don’t just slam your piece in hoping for the best. Who’s the newb? Do you bring him around like one of those women with chihuahuas in their purses?
K.A. Knight (Den of Vipers)
As women, we'd be exponentially lighter if we'd sort through some of our emotional clutter... We need to dispose of the crud that we no longer need. Excerpt from essay #3 "What's in my Purse?
Dianne Bright (Mommy's Hiding in the Treehouse--- With a Glass of Merlot)
her.) “On one side you can write $300.00 purse and on the other side, I want you to list all the ways you can think of to pay for this $300.00 purse. When the card is full of ideas, I want you to bring it back to me and we can discuss the options.
Christy Largent (31 Positive Communication Skills Devotional for Women: Encouraging Words to Help You Speak Your Truth with Confidence)
RACH, DO YOU REALLY NEED THIS MANY SHOES?” I watched as she unpacked the third box in our closet just inside the bathroom and wondered how any person could ever have a need for that many pairs of shoes. Her hand stopped midway to the shelf with another pair, and her bright blue glare turned on me. I took a step back. “Are you actually asking me that right now?” “Say no,” my dad whispered from behind me. “Course he wasn’t, Rachel. He’s just mad that he won’t have anywhere to put his sparkly hooker heels.” Rachel laughed and went back to putting her dozens of shoes away. “No worries about that one, Rich. I put them up already, they even have their own little place away from everything so they don’t get ruined.” My mom pushed through Dad and me to get into the closet with an armful of clothes to hang up. “Really, Logan. Give the girl a break. I have more shoes than this.” “Oh, Marcy! I forgot to tell you—” “Is this gonna be a long story?” Dad drawled, cutting Rachel off. “Actually, it is,” she snapped right back with a playful smirk. “So get comfy!” As soon as she launched into her story about whatever the hell those two always talked excitedly about, my dad turned and gave me a shove into the large bathroom. “Have I taught you nothing when it comes to women?” he asked softly. “What? That’s a shit ton of shoes!” I hissed and looked back to see her pull more out. I swear to Christ this last box was like Mary Poppins’s purse. It was a never-ending pit of shoes. “Okay, we’re gonna do this quick and easy. One, your woman can never have too many shoes, clothes, purses, or jewelry. Two, it doesn’t matter if you know you’re right—because God knows your mother is wrong about . . . well . . . just about everything—but it doesn’t matter. They are always right. Just say a simple ‘Yes, sweetheart, I’m sorry I’m a dumbass’ and you’ll be fine. Three, them asking if they look okay is a trick question. Because, let’s face it, even if we think it’s the ugliest shirt we’ve ever seen, it’s probably in style and we wouldn’t know either way. So they always look amazing, remember that word.” I laughed. Rachel could wear a sack and I would think she looked amazing. Or she could wear nothing . . . I preferred her in nothing. I cleared my throat and had to look away from Rachel when I started picturing her naked. “Four, and probably the most important if you want to keep your manhood, do not ever ask if she is PMS-ing. No matter what. Might as well dig your own grave if you do that.” Too late. I was always asking Rach if that was why she was in a bad mood. And if I was right, there was no way in hell I was going to tell her I was in the wrong. She could bitch about it if she wanted, but I wasn’t going to go easy on her for the sake of getting out of an argument. Arguing with her was one of my favorite things. Nodding, I slapped my dad’s shoulder and smiled. “Thanks, Dad, I’ll remember all that.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
I want you to yell down the stairs. Tell her that I’m here. Tell her I’m coming down,” I demanded. “But . . . you . . . how long were you there?” she stuttered. I waited, not answering, and Robin’s face twisted into a scowl. “You’re right about me, you know,” I said, giving her an indirect answer. “I do like women. I like them a lot. Especially beautiful women. And I’ve never been interested in having just one. I’ve never even had a girlfriend. There’s never been a girl that’s kept my attention. Until now.” Robin’s scowl evaporated instantly, and her pursed lips slid into a smile. Without another word, she turned, opened the door, and bellowed down the stairs. “Amelie! You’ve got company!” I slid past Robin, winking as I headed back down the way I’d just come. “Don’t screw this up!” she hissed. “She’s had too much shit in her life, and she doesn’t need more, Tag Taggert. Sunshine. Roses. Kisses. Adoration. That’s your job! No shit allowed!” I couldn’t promise a future with no shit. I couldn’t even promise I wouldn’t cause some. I couldn’t alter my DNA, and I was sure I had strands that were soaked in the stuff. But I was bound and determined to shelter Millie from as much as I could. I shot a look over my shoulder and nodded once at Millie’s protective cousin, an acknowledgement that I’d heard her, and Robin closed the door, giving us the privacy I hadn’t afforded them.
Amy Harmon (The Song of David (The Law of Moses, #2))
He leaned toward her, bracing hands on the bar. Rich brown eyes glowed warm under serious hooded brows. “I can get that cabin put right for you in no time,” he said. “Yeah, I’ve heard that before.” She put out a hand and he took it. She felt his calluses as he gently squeezed her hand; he was a man who did hard, physical work. “Thanks, Jack. Your bar was the only part of this experiment I enjoyed.” She stood and began fishing for her wallet in her purse. “What do I owe you?” “On the house. The least I could do.” “Come on, Jack—none of this was your doing.” “Fine. I’ll send Hope a bill.” At that moment Preacher came out of the kitchen with a covered dish wrapped in a towel. He handed it to Jack. “Doc’s breakfast. I’ll walk out with you.” “All right,” she said. At her car, he said, “No kidding. I wish you’d think about it.” “Sorry, Jack. This isn’t for me.” “Well, damn. There’s a real dearth of beautiful young women around here. Have a safe drive.” He gave her elbow a little squeeze, balancing the covered dish in his other hand. And all she could think was, what a peach of a guy. Lots of sex appeal in his dark eyes, strong jaw, small cleft in his chin and the gracious, laid-back manner that suggested he didn’t know he was good-looking. Someone should snap him up before he figured it out. Probably someone had. Mel
Robyn Carr (Virgin River (Virgin River #1))
I know this was a scare for you today, but your wife and babies are doing just fine.” From the corner of his eye, Gabe saw Nic grimace. Why would she … His heart began to pound and his eyes flew open wide. “Excuse me? Did you just say …?” The doctor pursed her lips in dismay. Looking at Nic, she asked, “Did I speak out of turn?” “He just got here a few minutes ago.” Gabe cleared his throat. “Nic?” She tried to smile, but it was a sickly effort at best. “I had a sonogram today.” She held up the pictures. “Gabe, we’re having twins.” He exhaled as if she’d punched him in the gut and closed his eyes. Twins. He dropped his chin to his chest. Twins. He leaned over, propped his elbows on his knees, and cradled his head in his hands. Twins. His stomach rolled and his skin grew clammy. Without saying a word to the women, he rose and walked into the room’s bathroom, where he turned on the cold water, leaned over, and splashed his face for a full minute. Then he shut off the water, gave his head a shake, and looked up, staring at his reflection in the mirror. He was as white as the snow atop Sinner’s Prayer Pass. “Twins,” he murmured. “You’re not going to faint, are you, Mr. Callahan?” Dr. Marshall asked from the doorway. “We don’t want you to bang your head today, too.” “I’m fine,” he lied, grabbing a white hand towel off a towel bar and wiping his face. He replaced the towel, took a bracing breath, and exited the bathroom. Nic watched him with an anxious expression, her hands clasped and resting protectively over her stomach. Was she worried he’d be upset? Angry? Maybe he would get angry later—at fate, not at Nic—but right now he was too numb for that. Twins. Double the risk. Double the responsibility. Double the potential loss. Great. Just great. He
Emily March (Angel's Rest (Eternity Springs, #1))
What’s your name?” he asked again. She pursed her lips tight, shaking her head. Her eyes welled up again. “It’s okay,” he said softly. “Really.” “Paige,” she whispered, a tear running down her cheek. “Paige,” she repeated in a small voice. “Yeah, that’s good. That’s a pretty name. You can say your name around here without being afraid.” “Your name?” “John,” he said, then wondered why he had done that. Something about her, he guessed. “John Middleton. No one calls me John, though. I’m known as Preacher.” “You’re a preacher?” “No,” he said with a short laugh. “Way far from it. The only one ever to call me John was my mother.” “What did your father call you?” she asked him. “Kid,” he said, and smiled. “Hey, kid,” he emphasized. “Why do they call you Preacher?” “Aw,” he said, ducking shyly. “I don’t know. I got the nickname way back, when I was just a kid in the Marine Corps. The boys said I was kinda straitlaced and uptight.” “Really? Are you?” “Nah, not really,” he said. “I never used to curse at all. I used to go to mass, when there was a mass. I grew up around priests and nuns—my mother was real devout. None of the boys ever went to mass, that I remember. And I kind of hung back when they went out to get drunk and look for women. I don’t know...I never felt like doing that. I’m not good with women.” He smiled suddenly. “That should be obvious right away, huh? And getting drunk never really appealed to me.” “But you have a bar?” she asked. “It’s Jack’s bar. He watches over people real good. We don’t let anybody out of here if they’re not safe, you know? I like a shot at the end of the day, but no reason to get a headache over it, right?” He grinned at her. “Should I call you John?” she asked him. “Or Preacher?” “Whatever you want.” “John,” she said. “Okay?” “If you want. Yeah,” he said. “Yeah, I like that. Been a while since anyone called me that.” She
Robyn Carr (Shelter Mountain (Virgin River, #2))
At about 11:45, I grabbed my purse and headed for the door. I did a quick stop by Mags’s desk again. “Meeting the ‘complication’ for lunch,” I said, widening my eyes. “Well, on behalf of women everywhere, I would just like to say … fuck him already. The rest of us need to live vicariously through you.” I laughed. “I’ll take that under advisement.
Erin Lyon (I Love You Subject to the Following Terms and Conditions)
Two old ladies are standing at a bus station and they are both smoking. Suddenly, it starts to pour. One of the women takes a condom out of her purse, cuts the end off, and slips it over her cigarette. “What are you doing?” the other woman inquires. “I don’t like it when my cigarette gets wet so I cover it with a condom.” “That’s quite a handy device. Where did you get it?” “At the pharmacy, of course.” The next day, her friend goes to the pharmacy and asks the clerk for a condom. “What size?” asks the clerk. “I don’t know. . . one that will fit a Camel.
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
When I saw the women ranged in the windows, when I saw their calculating looks, assessing my purse...and other things, I realized I didn't want any of them in my bed." ..."That's why I left, princess," he rasped. "Because I realized it was you I wanted in my bed. Only you.
Sabrina Jeffries (How the Scoundrel Seduces (The Duke's Men, #3))
Take care of your husband and do your "homework." For every headache you have there will be a women out there with an aspirin in her purse.
Jane Jenkins Herlong (Bury Me with my Pearls)
You don’t have to tell me, but does Luke have anything to do with this?” “No. No, of course not.” “You sure about that?” She turned away from her uncle. “I’ve been thinking about things and…” She turned back. “Listen, it’s tempting to just stay here, like this, forever. I could travel from here, go to school from here… There’s no future in it, that’s all. I’m thinking like a boxer—I want to go out a winner.” “Has he hurt you, Shelby?” She shook her head. “Just the opposite. Things are nice enough that if I stay in this pattern for six more months, I might stay for six more years. But, Uncle Walt, it’s never going to become all I’d like it to be. It won’t change. My clothes will hang in your closet and I’ll spend most of my nights at his house. In the long term, I’m looking for something more than that….” Walt pursed his lips and shook his head. Under his breath he muttered, “That sorry son of a bitch…” “Now stop,” she said firmly. “You’re surprised by this? Be fair—I had a big crush on Luke. He was always wonderful to me and it would probably be just fine with him if I didn’t move on. But it’s going nowhere. In the end, I’d be selling out. That’s not what I intend to do.” He looked at the floor and shook his head. Then he took a slow sip of his coffee. “Remember that song, Uncle Walt?” she asked him. “‘Me and Mrs. Jones, we got a thing going on…?’ Me and Mr. Riordan, we have a thing going on…and the next man in my life is going to be more than a thing. I want the whole deal. And Luke said from the start, if I was looking for something like that, I wouldn’t find it with him. Really, if I’m honest with myself, I never doubted that.” “This is your decision, then?” he asked. “Oh, absolutely. I haven’t even mentioned this to Luke yet. And you’re under strict orders—you are not to treat him like he’s done something wrong. Do you hear me? Because if you do, you’re going to be in big trouble with me. Are we clear?” “If that’s what you want.” “It’s what I want.” Then she laughed. “Give him a year, he’ll be so damn sorry he let me go.” “You think so, huh?” “Oh, you bet. He’ll manage to find women—he’s good-looking and can be real charming. But he won’t find one like me. And once I make a clean break and get myself in a new life, he’s gonna be shit outta luck.” Walt chuckled. “You’re a lot tougher than you look.” “Yeah, I know. You shouldn’t underestimate me so much. It’s your biggest mistake. And it’ll be Luke’s, too.” “Honey, all I want is that you be happy. If these plans make you happy, then I’m on board. Just as long as he hasn’t hurt you.” “He hasn’t. He’s been great to me. But I want more than he has to give. I want it all, Uncle Walt.” “Then
Robyn Carr (Temptation Ridge)
Women with big purses freaked him out. What the fuck was so important they had to carry a damn suitcase with them everywhere they went?
Susan Fanetti
Women should never carry purses in the Metro or on the street in Paris. Unless the bag is purely for show, that is. Money, credit cards and ID should never be put in a purse.
James Laxer (Is Paris Burning?: Diary in the Time of Crisis)
They took turns stepping over a pile of cracked leather purses to get to the women’s department. Kate wrinkled her nose at the donated shoes—sandals, flats, boots—all in dull shades. She preferred her shoes new, of course, and always with at least a two-inch heel to compensate for her height. Joely sorted through a long row of tops. Her face brightened when she discovered a floral-patterned blouse. “These colors remind me of the lilacs I’m painting for my new client. She’s a heart surgeon and appears to have everything—an amazing career, a house decorated with antique furniture, a Jaguar in the garage. . . .” She held the material
Karen Lenfestey (A Sister's Promise (Sisters Series, #1))
Whether this courage was innate or whether their parents conditioned them to have resolve, knowing that there were other women in the world also pursing science and math perhaps inspired them with perseverance. This sisterly inspiration, though minimal and new to the world, was a powerful movement. Even though their diligence may have wavered for thousands of years, like the women who persisted, they never gave up.
Gabrielle Birchak (Hypatia: The Sum of Her Life)
My neck and hand tattoos are fairly new. I’d gotten them about six months ago, and I quickly noticed that it brings out one of two responses in women. They either give me a disgusted look and clutch their purses tighter, or they look like they want to rip their clothes off and spread their legs for me.
Sonja Grey (Born into Blood (Devils Will Rise: Melnikov Legacy #2))
Seven years ago tonight, every dream I ever had came true. That's not something too many men get to claim. I'm very lucky, blessed, whichever you believe. Probably a lot of both. Tonight marks the anniversary of my debut performance at Ceasars Palace." On his cue, the crowd whipped into congratulary rapture. Blindsided by his recollection, Isavel was motionless. That's what he recalls happening on this date? "Indulgent, lazy, self-centered... jerk!" she said, grabbing her purse, thinking she'd climb over the seat. "I'm going home!" Before she could turn, hositing herself over, a spotlight landed on her. In the darkened arena Aidan and Isabel were face-to-face. He stared. The same way he did years ago in his pickup truck, holding tight to her wrist, the same way he did on the dance floor at the gala. The same way he did in the moment she left him. "If you can believe it," he said, still staring, "something even more important happened that day. As dreams of fame and fortune go, this topped everything. I've always know that." Then, in a softer voice: "And I'm a fool because I should have never given up." Even from her vantage point, Isabel could see the gulp roll through his throat. "It's my great privilege this evening to introduce my wife, Isabel Royce." He gestered to the box. Isabel responded by sinking to her seat. "What's he talking about?" she hissed to Mary Louise. "We're divorced!" From her right, Tanya nudged her. It was like being on a palace balcony, Isabel offering a deer-in-the-headlights wave to the subjects, a thoroughly baffled look at Aidan. In return, he smiled at her clear confusion. "My wife ..." Why is he calling me that? There was a mixed reaction, lots of gasps, some applause, and the disappointed groans from female fans. "She's done me the tremendous honor of making a rare appearance at one of my shows. Seven years ago, she agreed to marry me. At the time, my life was more trouble than promise. We were two scared kids who had nothing but each other. Really, it was all I needed. We were married in true Vegas fashion." Hoots and hollers echoed, his glance dropping to the stage floor. Sharing this was making the performer uncomfortable. He pushed on. "While most women would have been satisfied with a ring ... " His long fingers fluttered over the snake. "This was Isabel's idea of a permanent bond." It drew a wave of subtle laughter, Isabel included. "Do you remember how the story went?" he said, speaking only to Isabel in a crowd of thousands. "As long as I had it, I'd never be without you. Turns out, it wasn't a story, it was the absolute truth. Lately though," he said, turning back to his public narrative, "circumstance, some serious, some calculated, has prevented me from getting my wife's attention. So tonight I resorted to an old performer's trick, a captive audience. I planned this moment, Isabel, knowing you'd be here. Regardless of anything you may believe, I meant what I said on our wedding night, in the moment I said it. I love you. I always have.
Laura Spinella (Perfect Timing)
In her purse, she always carried blotting papers, lipstick, and mascara, because she'd learned the hard way that by lunchtime women who didn't do repairs resembled Janice the Muppet after a light microwaving.
Wildgen Michelle
Men, build wealth by making strategic, long-term financial decisions that actually make a difference. Women, that Dior purse ain’t it, you cow.
Tori Dunlap (Financial Feminist: Overcome the Patriarchy's Bullsh*t to Master Your Money and Build a Life You Love)
These women, who carry a pen, a switchblade, and bubble gum in their purses. I say these women, make the world go 'round in verses.
Ebony Stewart (Love Letters to Balled Fists)
The bottom of my purse is where my worst sins reside: vanity and sloth.
Elizabeth Renzetti (Shrewed: A Wry and Closely Observed Look at the Lives of Women and Girls)
This myth is like heels and purses—pretty but designed to SLOW women down.
Roxane Gay (Bad Feminist)