Tuned Car Quotes

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If things go wrong, I'll lead them away. Once it's clear, get back to the car. If you don't see me in five minutes, then I've probably died a very brave and heroic death. Oh and don't touch the radio--I've got it tuned right where I want it and I don't want you messing that up.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Cosmetic surgery is not "cosmetic," and human flesh is not "plastic." Even the names trivialize what it is. It's not like ironing wrinkles in fabric, or tuning up a car, or altering outmoded clothes, the current metaphors. Trivialization and infantilization pervade the surgeons' language when they speak to women: "a nip," a "tummy tuck."...Surgery changes one forever, the mind as well as the body. If we don't start to speak of it as serious, the millennium of the man-made woman will be upon us, and we will have had no choice.
Naomi Wolf (The Beauty Myth)
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Insect life was so loud that when you parked the car and got out it sounded as if you had suddenly tuned into a radio frequency from another planet.
David Samuels
If I'd known he was going to die, my last words to him would have meant something. They certainly wouldn't have been my out-of-tune attempt at singing that old Grateful Dead song he loved so much. No, I would have told him how I felt about him, straight out. No more flirting, wild-eyed whispers in the grass outside. I would have looked at him harder to ensure his image was permanently seared in my mind. I'd have asked him a million more things so I could remember what mattered before I got in the car on the way home from Custard's. Because after, nothing mattered.
Sarah Ockler (Twenty Boy Summer)
Our lives hang in the balance of unpredictable situations. One minute you're driving down the road whistling a tune, the next moment the car right in front of you spins out of control and crashes. How you prepare for those unpredictable occurrences determines whether you live or die. Always leave an empty lane to your right or left for escape.
Ted Dekker (The Priest's Graveyard (Danny Hansen, #1))
People talk about books being an escape, but here on the tube, this one feels more like a lifeline. As she leafs through the pages, the rest of it fades away: the flurry of elbows and purses, the woman in a tunic biting her fingernails, the two teenagers with blaring headphones, even the man playing the violin at the other end of the car, its reedy tune working its way through the crowd. The motion of the train makes her head rattle, but her eyes lock on the words the way a figure skater might choose a focal point as she spins, and just like that, she’s grounded again.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Adam relented. As they kept walking and the Orphan Girl kept piping her song and the fish kept darting through the air around them, he threw out intention of his own. The volume of the resulting boom surprised even him; he heard it in one ear and felt it in both feet. The others all startled as another bass-heavy boom sounded at the beginning of the next measure of the tune. By the time the third thud came, it was obviously pounding in time with the music. Each of the trees they passed sounded with a processed thud, until the sound around them was the pulsing electronic beat that invariably played in Ronan’s car or headphones. “Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ” “It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Nobel laureate Steven Weinberg likens this multiple universe theory to radio. All around you, there are hundreds of different radio waves being broadcast from distant stations. At any given instant, your office or car or living room is full of these radio waves. However, if you turn on a radio, you can listen to only one frequency at a time; these other frequencies have decohered and are no longer in phase with each other. Each station has a different energy, a different frequency. As a result, your radio can only be turned to one broadcast at a time.Likewise, in our universe we are "tuned" into the frequency that corresponds to physical reality. But there are an infinite number of parallel realities coexisting with us in the same room, although we cannot "tune into" them. Although these worlds are very much alike, each has a different energy. And because each world consists of trillions upon trillions of atoms, this means that the energy difference can be quite large. Since the frequency of these waves is proportional to their energy (by Planck's law), this means that the waves of each world vibrate at different frequencies and cannot interact anymore. For all intents and purposes, the waves of these various worlds do not interact or influence each other.
Michio Kaku (Parallel Worlds: A Journey through Creation, Higher Dimensions, and the Future of the Cosmos)
of course, he has his shortcomings—but he has an inner moral compass that is finely tuned, the kind of person who leaves notes on car dashboards if he reverses into them. I am hit and run.
Ellie Eaton (The Divines)
When you have two notes from two different performances Auto-Tuned, it sounds like a car horn. And then you add harmonies, and it starts to sound like baby seals honking." - Tom Lord-Alge on Auto-Tune
Greg Milner (Perfecting Sound Forever: An Aural History of Recorded Music)
Self-driving cars are so lonely. Are you really going to use all that extra commute time to binge-watch Netflix? Why not hire me to sit next to you and whistle all your favorite tunes?
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
When she’d finally cranked up her favorite Godsmack CD in an effort to tune him out, he’d let out a roar that had rattled the windows in her car: By all that’s holy, woman, what is that hideous noise? Cease and desist! A battlefield at full charge could be no more cacophonous!
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
The four of us got back into the car. In an instant, I distinctly heard a “soundless music”. It was the melody of friendship, the sound of a perfectly tuned quartet who got together by chance, four hearts playing in harmony.
You Jin (In Time, Out of Place)
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
The people welcome a new da yas if they were certain of liking it, the shopkeepers pull up their blinds serene in the expectation of good trade, the workers go happily to their work, the people who have sat up all night in night clubs go happily to their rest, the orchestra of motor-car horns, of clanking trams, of whistling policemen tunes up for the daily symphony, and everywhere is joy.
Nancy Mitford (The Pursuit of Love & Love in a Cold Climate (Radlett and Montdore, #1-2))
The thing I don't understand about the suicide person is the people who try to commit suicide, for some reason they don't die, and that's it. They stop trying. Why don't they just keep trying? What's changed? Is their life any better now? No. In fact. it's worse, because now they've found out here's one more thing you stink at. And that's why these people don't succeed in life to begin with. They give up too easy. I say, pills don't work? Try a rope. Car won't start in the garage? Get a tune-up. There's nothing more rewarding than reaching a goal you've set for yourself.
Jerry Seinfeld (SeinLanguage)
A CUL-DE-SAC in a working-class neighborhood in Arlington, Virginia, a little after midnight. It is a warm fall night after a rain. The air moves uneasily ahead of a cold front. In the smell of wet earth and leaves, a cricket is playing a tune. He falls silent as a big vibration reaches him, the muffled boom of a 5.0-liter Mustang with steel tube headers turning into the cul-de-sac, followed by a federal marshal’s car. The two cars pull into the driveway of a neat duplex and stop. The Mustang shudders a little at idle. When the engine goes silent, the cricket waits a moment and resumes his tune, his last before the frost, his last ever.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
the dysregulation of the body’s neurobiological system, that impairs one’s ability to pay selective attention to one’s surroundings. The world becomes a land without street signs, the individual a car in bad need of a tune-up. The vastness of the attentional system partially accounts for the variation of ADD “types.” Where one individual needs an oil change, the next needs spark plugs replaced. Where one individual is withdrawn and overwhelmed by stimuli, the next is hyperactive and can’t get enough stimuli. Where one is frequently anxious, the other is depressed. To compensate, each develops his or her own coping strategies that developmentally add to, or subtract from, the brain’s various subsystems. So Mr. A becomes a stand-up comedian, and manic. Ms. B becomes an architectural wizard with obsessive-compulsive traits. Their offspring become a sculptor and a stunt pilot. None of them can balance their checkbook. And all of them wish they had more time in the day. With such diversity in the disorder,
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
I would've given up without her - not on you, never on you, but on myself. I suppose I can tell you this now, but I wasn't a very good student. I wasn't smart enough to just get by. I wasn't focused enough in class. I rarely passed exams. I skipped assignments. I was constantly on academic probation. Not that your grandmother would ever know, but at the time, I was thinking of doing what you were later accused of doing: selling all my belongings, sticking out my thumb, and hitchhiking to California to be with the other hippies who had dropped out and tuned in. Everything changed when I met your mother. She made me want things that I had never dreamed of wanting: a steady job, a reliable car, a mortgage, a family. You figured out a long time ago that you got your wanderlust from me. I want you to know that this is what happens when you meet the person you are supposed to spend the rest of your life with: That restless feeling dissolves like butter.
Karin Slaughter (Pretty Girls)
We don't just have equipment to set up, we have a whole stage set: TVs tuned to static, a busted old Moog synthesizer (also tuned to static - it basically just sits onstage, drooling, like a demented robot friend), an ironing board we use as a percussion stand, lamps (because we prefer mood lighting to rock-show lighting), various car parts and kitchen utensils (for hitting), a movie screen we project slides onto and a pair of mannequin legs in a gold lamé miniskirt with a TV for a torso. All this may sound arty, but really, it's just overenthusiastic.
Kristin Hersh
Shall we tune up?” asked Heimdal. He was answered by a chorus of “Sure,” , “Why not?”, and “Why? Do I look like a car?”   “Okay. Ready. Mee, Mee, Mee, Mee,” Heimdal sang.   The assembled crowd sang back “You, you, you, you.”   “Very good. Now lets try ‘you, you, you, you.’” Heimdal said.   A chorus of “Me, me, me, me,” filled the air.   “Excellent,” Heimdal
Patrick Thomas (Murphy's Lore: Tales From Bulfinche's Pub)
Some were as singable as any human tune. He counted, sensitizing to the calls that played off one another, each a solo against a mass chorus. He lost count after a dozen, unsure where to lump and where to split. Every complex riff was identifiable, although Weber could identify none. Softer, in the middle distance, he heard the shush of cars along Interstate 80 whooshing like sprung balloons.
Richard Powers (The Echo Maker)
Just then things weren't going so well in my life. My business was precariously perched on the brink of bankruptcy, my anemic love life was the stuff of a Sartre treatise – Being with Nothingness – my car could use a tune-up, my apartment could use a scrubbing, my body could use some exercise, though who would give it that was a mystery to me. I was too young to feel old, and yet there it was, the despair of middle age, hanging around my neck like a noose.
William Lashner (Falls the Shadow (Victor Carl, #5))
After all, the media have been and are the major dispenser of the ideals and norms surrounding motherhood: Millions of us have gone to the media for nuts-and-bolts child-rearing advice. Many of us, in fact, preferred media advice to the advice our mothers gave us. We didn't want to be like our mothers and many of us didn't want to raise our kids the way they raised us (although it turns out they did a pretty good job in the end). Thus beginning in the mid-1970s, working mothers became the most important thing you can become in the United States: a market. And they became a market just as niche marketing was exploding--the rise of cable channels, magazines like Working Mother, Family Life, Child, and Twins, all supported by advertisements geared specifically to the new, modern mother. Increased emphasis on child safety, from car seats to bicycle helmets, increased concerns about Johnny not being able to read, the recognition that mothers bought cars, watched the news, and maybe didn't want to tune into one TV show after the next about male detectives with a cockatoo or some other dumbass mascot saving hapless women--all contributed to new shows, ad campaigns, magazines, and TV news stories geared to mothers, especially affluent, upscale ones. Because of this sheer increase in output and target marketing, mothers were bombarded as never before by media constructions of the good mother. The good mother bought all this stuff to stimulate, protect, educate, and indulge her kids. She had to assemble it, install it, use it with her child, and protect her child from some of its features.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
Somebody had been doing some major league tampering to my car. The brake lines were cut. The tires were on fire. There was carbon monoxide coming out of everything. And the radio was tuned to a station I didn’t like. I had to tip my booby-trapped hat to whoever tampered with this car. I was late with my payments on the car anyway, and it looked like a lot of repair work was going to have to be done no matter how this came out, so I figured let the finance company worry about it. I called them up on my cell phone, told them where the car was, and jumped out. I was going over sixty at the time, but luckily I didn't hit the ground. There was a cliff there and I just went harmlessly over that. But just when you’re sailing along, thinking everything is going to be okay, something unexpected comes along to jar you out of your complacency. For me, in this case, it was the bottom of the cliff. I got bruised up pretty bad – they say I bounced for an hour - but luckily no bones were broken. That's where that protective layer of fat I was telling you about comes in.
John Swartzwelder (The Time Machine Did It)
Robin’s voice on the executive chef’s line came to signify tongue. She didn’t say more than a word or two before Denise tuned out. Robin’s tongue and lips continued to form the instructions demanded by the day’s exigencies, but in Denise’s ear they were already speaking that other language of up and down and round and round that her body intuitively understood and autonomously obeyed; sometimes she melted so hard at the sound of this voice that her abdomen caved in and she doubled over; for the next hour-plus there was nothing in the world but tongue, no inventory or buttered pheasants or unpaid purveyors; she left the Generator in a buzzing hypnotized state of poor reflexes, the volume of the world’s noise lowered to near zero, other drivers luckily obeying basic traffic laws. Her car was like a tongue gliding down the melty asphalt streets, her feet like twin tongues licking pavement, the front door of the house on Panama Street like a mouth that swallowed her, the Persian runner in the hall outside the master bedroom like a tongue beckoning, the bed in its cloak of comforter and pillows a big soft tongue begging to be depressed, and then.
Jonathan Franzen (The Corrections)
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Blues Elizabeth Alexander, 1962 I am lazy, the laziest girl in the world. I sleep during the day when I want to, ‘til my face is creased and swollen, ‘til my lips are dry and hot. I eat as I please: cookies and milk after lunch, butter and sour cream on my baked potato, foods that slothful people eat, that turn yellow and opaque beneath the skin. Sometimes come dinnertime Sunday I am still in my nightgown, the one with the lace trim listing because I have not mended it. Many days I do not exercise, only consider it, then rub my curdy belly and lie down. Even my poems are lazy. I use syllabics instead of iambs, prefer slant to the gong of full rhyme, write briefly while others go for pages. And yesterday, for example, I did not work at all! I got in my car and I drove to factory outlet stores, purchased stockings and panties and socks with my father’s money. To think, in childhood I missed only one day of school per year. I went to ballet class four days a week at four-forty-five and on Saturdays, beginning always with plie, ending with curtsy. To think, I knew only industry, the industry of my race and of immigrants, the radio tuned always to the station that said, Line up your summer job months in advance. Work hard and do not shame your family, who worked hard to give you what you have. There is no sin but sloth. Burn to a wick and keep moving. I avoided sleep for years, up at night replaying evening news stories about nearby jailbreaks, fat people who ate fried chicken and woke up dead. In sleep I am looking for poems in the shape of open V’s of birds flying in formation, or open arms saying, I forgive you, all.
Elizabeth Alexander
Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.' 'Gross.' 'Do you want to wear my letterman’s jacket?' 'I’m going to vomit.' '“Should I buy you a corsage?' 'Seriously. Gagging.' 'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?' 'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.' 'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.' He grins. 'Definitely turned on.' 'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.' 'I’m sorry, what?' 'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.' 'Thank you, Zoe, for ruining a beloved Disney classic for me.' 'Anytime.' 'For the record…' He trails off. I wince, anticipating the worst. 'What?' 'I’ll take you on my magic carpet ride any time you want, snookums.' 'Pass.' 'So, that’s a no on rubbing my lamp then?' 'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator. 'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.
Julie Johnson (One Good Reason (Boston Love, #3))
Those groans men use passing a woman on the street or on the steps of the subway to tell her she is a female and their flesh knows it, are they a sort of tune, an ugly enough song, sung by a bird with a slit tongue but meant for music? Or are they the muffled roaring of deafmutes trapped in a building that is slowly filling with smoke? Perhaps both. Such men most often look as if groan were all they could do, yet a woman, in spite of herself, knows it's a tribute: if she were lacking all grace they'd pass her in silence: so it's not only to say she's a warm hole. It's a word in grief-language, nothing to do with primitive, not an ur-language; language stricken, sickened, cast down in decrepitude. She wants to throw the tribute away, dis- gusted, and can't, it goes on buzzing in her ear, it changes the pace of her walk, the torn posters in echoing corridors spell it out, it quakes and gnashes as the train comes in. Her pulse sullenly had picked up speed, but the cars slow down and jar to a stop while her understanding keeps on translating: 'Life after life after life goes by without poetry, without seemliness, without love.
Denise Levertov
Doubtless, if, at that time, I had paid more attention to what was in my mind when I pronounced the words "going to Florence, to Parma, to Pisa, to Venice,” I should have realised that what I saw was in no sense a town, but something as different from anything that I knew, something as delicious, as might be, for a human race whose whole existence had passed in a series of late winter afternoons, that inconceivable marvel, a morning in spring. These images, unreal, fixed, always alike, filling all my nights and days, differentiated this period in my life from those which had gone before it (and might easily have been confused with it by an observer who saw things only from without, that is to say who saw nothing), as in an opera a melodic theme introduces a novel atmosphere which one could never have suspected if one had done no more than read the libretto, still less if one had remained outside the theatre counting only the minutes as they passed. And besides, even from the point of view of mere quantity, in our lives the days are not all equal. To get through each day, natures that are at all highly strung, as was mine, are equipped, like motor-cars, with different gears. There are mountainous, arduous days, up which one takes an infinite time to climb, and downward-sloping days which one can descend at full tilt, singing as one goes. During this month—in which I turned over and over in my mind, like a tune of which one never tires, these visions of Florence, Venice, Pisa, of which the desire that they excited in me retained something as profoundly personal as if it had been love, love for a person—I never ceased to believe that they corresponded to a reality independent of myself, and they made me conscious of as glorious a hope as could have been cherished by a Christian in the primitive age of faith on the eve of his entry into Paradise. Thus, without my paying any heed to the contradiction that there was in my wishing to look at and to touch with the organs of my senses what had been elaborated by the spell of my dreams and not perceived by my senses at all—though all the more tempting to them, in consequence, more different from anything that they knew— it was that which recalled to me the reality of these visions that most inflamed my desire, by seeming to offer the promise that it would be gratified.
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
Lorrie Moore (Who Will Run the Frog Hospital?)
The car ploughed uphill through the long squalid straggle of Tevershall, the blackened brick dwellings, the black slate roofs glistening their sharp edges, the mud black with coal-dust, the pavements wet and black. It was as if dismalness had soaked through and through everything. The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling. The stacks of soap in the grocers’ shops, the rhubarb and lemons in the green-grocers’! the awful hats in the milliners’! all went by ugly, ugly, ugly, followed by the plaster-and-gilt horror of the cinema with its wet picture announcements, “A Woman’s Love!”, and the new big Primitive chapel, primitive enough in its stark brick and big panes of greenish and raspberry glass in the windows. The Wesleyan chapel, higher up, was of blackened brick and stood behind iron railings and blackened shrubs. The Congregational chapel, which thought itself superior, was built of rusticated sandstone and had a steeple, but not a very high one. Just beyond were the new school buildings, expensive pink brick, and graveled playground inside iron railings, all very imposing, and mixing the suggestion of a chapel and a prison. Standard Five girls were having a singing lesson, just finishing the la-me-do-la exercises and beginning a “sweet children’s song.” Anything more unlike song, spontaneous song, would be impossible to imagine: a strange bawling yell that followed the outlines of a tune. It was not like savages: savages have subtle rhythms. It was not like animals: animals mean something when they yell. It was like nothing on earth, and it was called singing... What could possibly become of such a people, a people in whom the living intuitive faculty was dead as nails, and only queer mechanical yells and uncanny will power remained?
D.H. Lawrence
Thanks to our discussion in the last chapter, we can also agree that character is a product of perseverance: “Suffering produces perseverance; perseverance, character; and character, hope” (Rom. 5:3–4). I don’t know how that idea strikes you, but it sounds a little backward to me. I would expect that a person with character would find it easier to persevere through difficult circumstances. That makes sense. But how does perseverance produce character? When I look at the world around me, it seems to me that most things actually decay over time rather than grow stronger. The longer we live in our home, the more I see spots that need a paint touch-up. The longer I drive my car, the more I find I need to take it in for tune-ups and repairs. And the longer I live, the more I realize my body isn’t what it used to be! But maybe this process of perseverance leading to character works differently. Surely God is the X-factor. When you add God to the equation, persistence over time builds up character and strength instead of taking it away. Consider, if you will, the snowball. Left by itself, it doesn’t amount to much. It’s just a little round chunk of white frozen water. Yet place that snowball at the top of a steep hill on a snowy day, and things begin to change. If you invest some time rolling that snowball across the ground so it picks up snow and grows into a larger ball, you begin to create something big and heavy. If you invest even more time and energy (this is where perseverance comes in), you might get that ball rolling down the hill. And the longer it rolls, the faster it goes, the bigger it gets. Now you’ve got something powerful. This is a force to be reckoned with. This is when people start running for cover. Your little snowball suddenly becomes a runaway freight train! I believe that equation of suffering, which produces perseverance, which produces character, works in a similar fashion. Our willingness to trust and rely on the Lord in a time of trouble invites His power to work in our lives. The more we trust and depend on Him, the easier it becomes. As the Lord says, “My yoke is easy and my burden is light” (Matt. 11:30). Pretty soon our perseverance enables the Lord to add character to our “snowball”—and the more we persevere, the stronger we grow. We find ourselves rolling downhill toward a godly life. It still might be a bumpy ride, but the size and momentum of our snowball just about guarantees that as long as we are pursuing God’s will for our lives, nothing will stop us.
Jim Daly (Stronger: Trading Brokenness for Unbreakable Strength)
I reach up to my hair, lifting it, squeezing water out of it down my back, and I know that the movement summons Luca’s attention back to me. I can feel his eyes on me now as I move closer to Evan on the lounger, looking at his hands moving on the strings, the typical girl admiring a boy playing a guitar. Evan flashes me a smile and keeps strumming away, quite unaware of the little drama being enacted around him. “Don’t forget, Vio-let,” he croons softly. And though I can’t really sing, not properly, I know the tune now, and my head leans in toward his as I join in on the last two words: “Dive in!” He finishes on a last, rising chord and lifts his head, our faces close now. The sunshine beats down on us; the blue water of the swimming pool glints brightly in the heat, the breeze raising tiny ripples on the surface. Evan’s eyes are as clear and blue as the water, with no hidden currents, no unexpected, dangerous undertow. The rosemary and lavender bushes planted around the verge are wafting a lovely, sun-warmed scent, bees buzzing in the lavender. It’s paradise. It should be paradise. In the parking lot below, tires screech. We all jump. Luca must be executing the tightest, sharpest three-point turn in history: the car scrapes, churns, tears up the gravel, and shoots out of the lot and down the drive so fast we wince. It snaps back and forth like Road Runner as he speeds downhill. Only a very good driver could make those switchback turns so fast without crashing--and he’s very lucky he didn’t meet anyone coming up. “Wow! I guess they have somewhere they really need to be,” Paige observes. “More like someone to get away from,” Kelly says dryly under her breath, so only I can hear her.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
I went whenever I wasn’t working, either luring Shelby along with promises of onion rings and milkshakes, or otherwise flying solo, snagging Soledad’s car for the night and making the drive to the water with all the windows rolled down, humming softly out of tune.
Katie Cotugno (How To Love)
Humans need a tune up just like cars do. Our bodies can take so much then gives up on us. Did you know that people who takes vacations get less sick then people who works two jobs and cant' afforted to take vacations? Just wondering if big Companies and Corporations knows that is cheaper for them to pay one week vacation for their employees then pay their hospital bills?
Zybejta "Beta" Metani' Marashi
Let’s look at your average American Muslim, someone like Siraj Wahaj, the recipient of the American Muslim community’s highest honors. Mr. Wahaj had the privilege in June of 1991 of becoming the first Muslim to deliver a daily prayer before the U.S. House of Representatives. In his prayer he recited from the Koran and appealed to almighty God to guide America’s leaders ‘and grant them righteousness and wisdom.’ The same Wahaj spoke to a Muslim audience a year later in New Jersey. This time Wahaj was singing a different tune to a different audience, and his words were far from his moderate ones in front of the U.S. House of Representatives. ‘If only Muslims were more clever politically,’ he told his New Jersey listeners, ‘they could take over the United States and replace its constitutional government with a caliphate. If we were united and strong, we’d elect our own emir [leader] and give allegiance to him. . . . [T]ake my word, if 6-8 million Muslims unite in America, the country will come to us." If Wahaj is the example of the American Muslim community and the receiver of its highest honors, who needs enemies? If this is whom our government calls a ‘moderate’ and invites to deliver a prayer before the House of Representatives, we have ignorant elected officials sitting in our capital running our country. Do you feel safer now knowing that not all Muslims are plane-flying, bomb-wearing, or car-driving terrorists? Talking about overthrowing our government and replacing it with an Islamic caliphate is terrorism of a different kind, but it is still terrorism. This is the more dangerous kind, the kind that circles you slowly, so that by the time you realize you are about to be killed, it’s already too late to do anything about it. Where is the outrage? Have we lost our sense of patriotism and loyalty to America? Do you consider this ‘moderation’? A highly respected, award-winning Muslim from the Islamic American community calling to overthrow the United States government?
Brigitte Gabriel (Because They Hate)
MARTIN SHEEN: Terry called me one night, and he had done so after finally making a decision. His gut hunch was to hire me, but he had other considerations, or an obligation to sort through his casting agent’s suggestions. He asked me if I was still interested. I got up just before sunrise and started driving the Pacific Coast Highway to the tune of Bob Dylan’s “Desolation Road.” It was one of the most profound moments of my life. Dylan, who was one of my personal heroes, had cracked something wide open inside of me. I was experiencing an epiphany. There was a realization of what just happened to me. I started to weep, and pulled the car over on the highway and reflected on this. My happiness. Before that phone call, I would have never thought that such a thing would happen to me. I realized that acting was no joke. You don’t show up on a set and just decide that you are going to throw yourself out there without preparation. Me being there was no accident. The stars had aligned and Badlands was a role of a lifetime. I have Terry Malick to thank for it.
Paul Maher Jr. (All Things Shining: An Oral History of the Films of Terrence Malick)
Work had reached a misery point where I had to make myself sing show tunes in my car even to make myself drive to the airport.
Jojo Moyes (After You (Me Before You, #2))
Barre is results-driven and appearance-based—it’s got the cultishness of CrossFit or a boot-camp class, but with looks, not strength, as its primary goal. It’s not a pastime, like going to a dance class or taking a lap swim, because the fun you are pursuing mostly comes after the class and not within it. In barre class, I often feel like my body is a race car that I’m servicing dispassionately in the pit—tuning up arms and then legs and then butt and then abs, and then there’s a quick stretch and I’m back on the track, zooming.
Jia Tolentino (Trick Mirror)
There’s no better case study showing how connectivity and computing power will turn old products into digitized machines than Tesla, Elon Musk’s auto company. Tesla’s cult following and soaring stock price have attracted plenty of attention, but what’s less noticed is that Tesla is also a leading chip designer. The company hired star semiconductor designers like Jim Keller to build a chip specialized for its automated driving needs, which is fabricated using leading-edge technology. As early as 2014, some analysts were noting that Tesla cars “resemble a smartphone.” The company has been often compared to Apple, which also designs its own semiconductors. Like Apple’s products, Tesla’s finely tuned user experience and its seemingly effortless integration of advanced computing into a twentieth-century product—a car—are only possible because of custom-designed chips. Cars have incorporated simple chips since the 1970s. However, the spread of electric vehicles, which require specialized semiconductors to manage the power supply, coupled with increased demand for autonomous driving features foretells that the number and cost of chips in a typical car will increase substantially.
Chris Miller (Chip War: The Fight for the World's Most Critical Technology)
WITH THE ADVENT of the computer and the dawn of the space race, the sixties brought futuristic visions of life to the mainstream consciousness. The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.
Bhu Srinivasan (Americana: A 400-Year History of American Capitalism)
The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.
Bhu Srinivasan (Americana: A 400-Year History of American Capitalism)
There was rationing of rubber, sugar, gasoline, heating oil, milk, coffee, soap, nylon stockings, and even used cars. The merrily dancing worker/spender bees were gone; thrift, not the “spreading of money,” became the desired norm. The “Consumer’s Pledge,” sung to the tune of the “Battle Hymn of the Republic,” urged Americans to eschew canned goods in favor of “fresh fruits and vegetables [to] save tons of tin” and to “take the best care of your wearables, and mend them when they tear.” Waste was reviled, and recycling elevated to a patriotic duty.
Ellen Ruppel Shell (Cheap: The High Cost of Discount Culture)
ADD may be present. Since everybody will answer “yes” to some number of questions, and since we have not established norms for this questionnaire, it should only be used as an informal gauge. 1. Are you left-handed or ambidextrous? 2. Do you have a family history of drug or alcohol abuse, depression, or manic-depressive illness? 3. Are you moody? 4. Were you considered an underachiever in school? Now? 5. Do you have trouble getting started on things? 6. Do you drum your fingers a lot, tap your feet, fidget, or pace? 7. When you read, do you find that you often have to reread a paragraph or an entire page because you are daydreaming? 8. Do you tune out or space out a lot? 9. Do you have a hard time relaxing? 10. Are you excessively impatient? 11. Do you find that you undertake many projects simultaneously so that your life often resembles a juggler who’s got six more balls in the air than he can handle? 12. Are you impulsive? 13. Are you easily distracted? 14. Even if you are easily distracted, do you find that there are times when your power of concentration is laser-beam intense? 15. Do you procrastinate chronically? 16. Do you often get excited by projects and then not follow through? 17. More than most people, do you feel that it is hard for you to make yourself understood? 18. Is your memory so porous that if you go from one room to the next to get something, by the time you get to the next room you’ve sometimes forgotten what you were looking for? 19. Do you smoke cigarettes? 20. Do you drink too much? 21. If you have ever tried cocaine, did you find that it helped you focus and calmed you down, rather than making you high? 22. Do you change the radio station in your car frequently? 23. Do you wear out your TV remote-control switch by changing stations frequently? 24. Do you feel driven, as if an engine inside you won’t slow down? 25. As a kid, were you called words like, “a daydreamer,” “lazy,” “a spaceshot,” “impulsive,” “disruptive,” “lazy,” or just plain “bad”?
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
51. Do you have a really hard time tolerating frustration? 52. Are you restless without “action” in your life? 53. Do you have a hard time reading a book all the way through? 54. Do you regularly break rules or minor laws rather than put up with the frustration of obeying them? 55. Are you beset by irrational worries? 56. Do you frequently make letter or number reversals? 57. Have you been the driver and at fault in more than four car accidents? 58. Do you handle money erratically? 59. Are you a gung-ho, go-for-it sort of person? 60. Do you find that structure and routine are both rare in your life and soothing when you find them? 61. Have you been divorced more than once? 62. Do you struggle to maintain self-esteem? 63. Do you have poor hand-eye coordination? 64. As a kid, were you a bit of a klutz at sports? 65. Have you changed jobs a lot? 66. Are you a maverick? 67. Are memos virtually impossible for you to read or write? 68. Do you find it almost impossible to keep an updated address book, phone book, or Rolodex? 69. Are you the life of the party one day and hangdog the next? 70. Given an unexpected chunk of free time, do you often find that you don’t use it well or get depressed during it? 71. Are you more creative or imaginative than most people? 72. Is paying attention or staying tuned in a chronic problem for you? 73. Do you work best in short spurts? 74. Do you let the bank balance your checkbook? 75. Are you usually eager to try something new?
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
What Musk had done that the rival automakers missed or didn’t have the means to combat was turn Tesla into a lifestyle. It did not just sell someone a car. It sold them an image, a feeling they were tapping into the future, a relationship. Apple did the same thing decades ago with the Mac and then again with the iPod and iPhone. Even those who were not religious about their affiliation to Apple were sucked into its universe once they bought the hardware and downloaded software like iTunes. This sort of relationship is hard to pull off if you don’t control as much of the lifestyle as possible. PC makers that farmed their software out to Microsoft, their chips to Intel, and their design to Asia could never make machines as beautiful and as complete as Apple’s. They also could not respond in time as Apple took this expertise to new areas and hooked people on its applications. You
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
He combed his milk-white hair and crooned a tune to himself, clipped on his yellow chamois shoulder holster and stepped out into the soft night and his smooth car. As he drove, he considered the stars. It would all be over in a flash.
Michael Moorcock
One way to get up-to-date travel information while driving in the South is to install a citizens band, or CB, radio into your car. …truckers devised their own radio dialect based on jargon filtered down from military, aviation and law enforcement radio protocols. A basic understanding of on-air etiquette and terminology is essential for those wishing to join in the conversations…might include an exchange like this (with translations): Break one-nine. (Please, gentlemen, might I break in on this conversation? [on channel 19]) Go ahead, breaker. (Oh, by all means.) Hey J.B., you got your ears on? (You, sir, driving the J.B. Hunt truck, are you listening to your CB radio?) Ten-four. (Yes.). “Can I get a bear report?” (Are there any police behind you?) “Yeah, that town up ahead of you is crawling with local yokels.” (The town I just left has a number of municipal police looking for speeders.) …For an average motorist, tuning a CB radio to channel 19 for the first time is like being cured of life-long deafness – provided there are truckers nearby. The big rigs that loomed large and soulless suddenly have personalities emanating from them. Truckers with similar destinations will keep each other awake for hundreds of miles at a stretch, chatting about politics, religion, sex, sports, and working conditions. This provides hours of entertainment for those listeners who can penetrate the jargon and rich accents.
Gary Bridgman (Lonely Planet Louisiana & the Deep South)
July" Explosions pillaging the night From the fireworks on the fourth of July It's just my lady, our friends, and I Smoking cigars and yelling at cars as they drive by We scaled a ladder ascending to the roof While five years ago I weeped and no one knew Holding my guitar, I strummed a tune I sang "I love you but I have to cut you loose" As the neighbor lights off the small bombs we watch from the rooftop safely, so safely If I had never let go, then only God knows where I would be now I made a bridge between us then I slowly burned it Five years ago, in my backyard I sang love away Little did I know that real love had not quite yet found me
Youth Lagoon
SETTLING into the seat of his ’81 banged-up black 320i, Jade rolled the radio tuning knob through a cacophony of static. Giving up, he reached into his glove compartment, pulled out a CD, and slipped it in. Miles Davis, Kind of Blue. The green lights floated overhead, one after another, as Jade swerved from lane to lane, darting between cars. He drove along the streets with his left arm extended out the broken window, his hand tapping the car roof furiously to the tune: “Du nu nu nu nu nu nu na. So what. Du nu nu nu nu nu nu na. So what.
Gregg Hurwitz (The Tower)
Every car needs a tune-up. Every body needs one too. The best mechanic for that job is your mind. Gratitude is the tool. Use it.
Jarls Forsman (Bite Size Happiness: Volume 1)
Quite often, the Tesla engineers brought their Silicon Valley attitude to the automakers’ traditional stomping grounds. There’s a break and traction testing track in northern Sweden near the Arctic Circle where cars get tuned on large plains of ice. It would be standard to run the car for three days or so, get the data, and return to company headquarters for many weeks of meetings about how to adjust the car. The whole process of tuning a car can take the entire winter. Tesla, by contrast, sent its engineers along with the Roadsters being tested and had them analyze the data on the spot. When something needed to be tweaked, the engineers would rewrite some code and send the car back on the ice. “BMW would need to have a confab between three or four companies that would all blame each other for the problem,” Tarpenning said. “We just fixed it ourselves.
Ashlee Vance (Elon Musk: Inventing the Future)
The poor kid could carry a tune about as well as her car horn.
Shelly Alexander (It's In His Arms (Red River Valley, #4))
Trigger warning: The phrases that follow may cause heartburn, hives, hot flashes, or fainting spells. “Man up!” “Act like a man!” Is there anything deemed more hateful on college campuses in America today than telling someone to “man up”? In the fall, University of San Diego held a seminar titled “Man Up? Masculinity and Pop Culture.” It was sponsored by the campus’s “Women’s Center.” It was described thusly: “This workshop invites men to engage in a cultural analysis of how masculinity is represented, and how that representation frequently has negative repercussions on men’s lives.”10 College-aged men in America were once taught how to tune up a car, skin a deer, and how to pin a flower on the strap of a date’s dress without sticking her. Today, they are taught to “engage in a cultural analysis of how masculinity is represented.” Good grief.
Eric Bolling (Wake Up America: The Nine Virtues That Made Our Nation Great—and Why We Need Them More Than Ever)
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
What Musk had done that the rival automakers missed or didn’t have the means to combat was turn Tesla into a lifestyle. It did not just sell someone a car. It sold them an image, a feeling they were tapping into the future, a relationship. Apple did the same thing decades ago with the Mac and then again with the iPod and iPhone. Even those who were not religious about their affiliation to Apple were sucked into its universe once they bought the hardware and downloaded software like iTunes. This
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
I just start to hum a tune, and then I softly sing the words to the song that has been stuck in my head since I heard it in the car on the way back to his apartment after the tattooing was done—Justin Bieber’s “Sorry.” When I think about what that song is about, I realize that maybe there is a reason it’s stuck in my head. Because I am sorry. Sorry for every time I’ve lied to him. And how I still continue to do so. “Babe, you’re rubbing cream onto my arse and singing Bieber’s ‘Sorry.’ Really not sure how to feel about that
Samantha Towle (The Ending I Want)
Just take me home,” Furi mumbled and moved to the passenger side of the truck. The drive home was deathly quiet. Syn wasn’t sure if Furi was going to forgive him or not, he was certainly hoping he would. Syn really did like Furi. He was the type of man he’d want to spend hours talking to because the deep sexiness of his voice did funny things to Syn’s groin, listening to him laugh was like the sweetest music to his ears. He wanted to see Furi's gorgeous face when he came home from working a shitty case, knowing he would make it better. He wanted to get into bed with him after a hot shower and bury his face in Furi’s soft hair and just lose himself in the erotic scent that lingered in those gorgeous locks. Syn fought the urge to apologize again; he’d done it at least five times now. He looked over at Furi, wishing he would turn and look at him. “Are you going to say anything?” Furi did look at him then, but what he said wasn’t exactly what Syn wanted to hear, “Your truck needs a tune-up.” Then he turned his head back toward the window. Syn pulled up to the curb opposite Furi’s apartment and shut off the engine. Furi didn’t say anything; he just opened the door, got out of the truck and walked across the street. Syn jumped out calling to him, “Furi, please wait.” Furi stopped in the middle of the street and turned to face him, looking completely exasperated. “What?” Syn was just making his way around the truck when he heard tires screeching and bright headlights headed directly at Furi. “Furious!” Syn yelled, but he saw there was no time. He ran at full speed, leaping and slamming his body into Furi's, the car’s front end just missing them. Syn rolled with Furi, a messy tangle of long limbs, hitting the curb hard. Syn kept one arm around Furi while craning his neck to try to see where the car was. All he could see was the make of the dark vehicle and two letters of the license plate. Syn pulled his S&W from behind his back just in case they circled back around. Syn jumped up and pulled Furi up with him. “Inside, now.” Furi moved quickly, Syn right behind him. As soon as they got inside the apartment, Syn turned Furi to face him. He looked him over and determined that he was okay for the most part. Furi looked like he was in shock, and rightfully so, someone had just tried to kill him. Syn put both his hands on Furi’s flushed cheeks. “Furious look at me.” Syn waited for those now haunted eyes to look at his. When Furi finally focused on his face, he had to slip into cop mode and ask his questions while the details were fresh in his mind.
A.E. Via
That was why I enjoyed cars—when you cared for them properly and tuned them up just right, they didn’t ask stupid questions or go around behind your back. They simply purred under the slightest touch and followed orders. Aubrey’s
Skye Callahan (The Redline Series (Sins of Ashville: The Redline Series #1-5))
HERF stands for High Energy Radio Frequency, and it basically means a big, nasty pulse of raw radio energy. You can build a HERF gun that will tune the power from a standard car battery, focusing it into a pencil-beam of ugly brute force by means of a mini satellite dish and use it to kill a laptop at twenty paces. The whole thing'll cost you under $200 if you're smart about parts.
Anonymous
Once upon a time, there lived a man who had a terrible passion for baked beans. He loved them, but they always had an embarrassing and somewhat lively reaction on him. One day he met a girl and fell in love. When it was apparent that they would marry, he thought to himself 'She'll never go for me carrying on like that,' so he made the supreme sacrifice and gave up beans, and shortly after that they got married.      A few months later, on the way home from work, his car broke down and since they lived in the country, he called his wife and told her he would be late because he had to walk. On his way home, he passed a small cafe and the wonderful aroma of baked beans overwhelmed him. Since he still had several miles to walk he figured he could walk off any ill affects before he got home. So he went in and ordered, and before leaving had three extra-large helpings of baked beans. All the way home he farted. He 'putted' down one hill and 'putt-putted' up the next. By the time he arrived home he felt reasonably safe.      His wife met him at the door and seemed somewhat excited. She exclaimed, 'Darling, I have the most wonderful surprise for you for dinner tonight!' She put a blindfold on him, and led him to his chair at the head of the table and made him promise not to peek. At this point he was beginning to feel another one coming on. Just as she was about to remove the blindfold, the telephone rang. She again made him promise not to peek until she returned, and she went to answer the phone.       While she was gone, he seized the opportunity. He shifted his weight to one leg and let go. It was not only loud, but *ripe* as a rotten egg.        He had a hard time breathing, so he felt for his napkin and fanned the air about him. He had just started to feel better, when another urge came on. He raised his leg and 'rrriiiipppp!' It sounded like a diesel engine revving, and smelled worse. To keep from gagging, he tried fanning his arms a while, hoping the smell would dissipate. Things had just about returned to normal when he felt another urge coming. He shifted his weight to his other leg and let go. This was a real blue ribbon winner; the windows rattled, the dishes on the table shook and a minute later the flowers on the table were dead. While keeping an ear tuned in on the conversation in the hallway, and keeping his promise of staying blindfolded, he carried on like this for the next ten minutes, farting and fanning them each time with his napkin.      When he heard the 'phone farewells' (indicating the end of his loneliness and freedom) he neatly laid his napkin on his lap and folded his hands on top of it. Smiling contentedly, he was the picture of innocence when his wife walked in. Apologizing for taking so long, she asked if he had peeked at the dinner. After assuring her he had not, she removed the blindfold and yelled, 'Surprise!'      To his shock and horror, there were twelve dinner guests seated around the table for his surprise birthday party.
E. King (Best Adult Jokes Ever)
much for your time, Mrs. Montague. We will do our best to bring the killer to justice.” “I'm sorry Detective Rafferty, your job is not to bring him to justice. It's to drive a stake through his heart. That's the only way you can stop him.” “I'll talk to the Captain about requisitioning some stakes to all the members of the local police force. Thanks again for your time. Keep your doors locked.” “Doors won't keep a vampire out,” she shouted as they headed for their car. The detectives didn't respond to this last remark. They just got into the car and drove away. “Man, that lady is Looney Tunes. Do you think we should call social services to find a suitable home for her son? There's no telling what that bitch might do next,” Ripley ranted.
Billy Wells (Scary Stories: A Collection of Horror- Volume 4)
In his early twenties, Jobs almost single-handedly introduced the world to the first computer that could sit on your desk and actually do something all by itself. He revolutionized music and the ears of a generation with a spiffy little music player called the iPod and a wide selection of songs at the iTunes store. He funded and nurtured a company called Pixar that made the most amazing computer-animated movies—Toy Story, Cars, and Finding Nemo—bringing to life imaginary characters like never before. Though
Karen Blumenthal (Steve Jobs: The Man Who Thought Different: A Biography)
Is God egotistical for desiring love and worship and sacrifice? Not at all, because he is worthy of them. Would we say that a wife is being egotistical for wanting her husband to love her and the kids more than football and alcohol? Absolutely not. She just wants him to live in accordance with the truth. The truth is that his family is much more important than those other things. To live contrary to reality simply doesn’t work. It leads to nothing but trouble, like trying to run your gasoline-powered car with nothing but water in the fuel tank. This is how we need to understand God’s desire for sacrifice and worship. He did not create people in order to have his ego pumped up. He created us in order to have a reciprocal loving relationship with him. He wants to love and be loved. God is not an arbitrary egomaniac for desiring people to value him above all else. The simple fact is that God is worth more than anything else. To keep our relationship with him in tune with reality, we need to ascribe more worth to him than anything else. To not do so is to turn reality on its head, which always causes problems. The
Donald J. Johnson (How to Talk to a Skeptic: An Easy-to-Follow Guide for Natural Conversations and Effective Apologetics)
A yellow car—nay, a speaker on wheels—cruised by, blaring a rap tune. The bass was set so high that Myron felt the vibrations in his chest. He could not make out the lyrics, but they sounded angry.
Harlan Coben (One False Move (Myron Bolitar, #5))
She grinned at him, “A woman is like a car, and every so many miles, she needs her oil changed, a little tune-up, and while that’s happening, she… and the car… are out of commission for a few days while they get themselves ready for the next three-and-a-half weeks. This car,” she said, waving her hand around her face, “prepares for her tune-up with mashed potatoes and gravy, sometimes cake and sometimes pie.
J.B. Hartnett (Nico (The Leaves, #3))
The meditation is working on what we need first. We cannot get to a higher place or find that other door we discussed until our frequency is right. If we have emotional issues that need to be healed, it's going to work on that first. It's going to take the amount of time it needs to fix it, but it will be fixed. If we don't currently have emotional problems, and are straightened out in every other area, we're going to start having these other experiences more than likely. It's tuning and setting us in a certain way to ready us for what we're going to be. It will never push us into something we're not ready for. It doesn't work that way. It's putting all our parts together like a car being tuned up. While the car is out of shape, we're not going to be able to do one hundred miles per hour; it's going to putter and jerk around. However, if it gets a tune-up, it will perform at a more optimal level. When we meditate we're tuning ourselves up, especially under this system. We will be rewarded by our meditation efforts each time with a better experience, until we're ready to perform flawlessly and effortlessly in higher regions because we're meditating at our highest performance level. We've been working our energy. It gains progressively as we work with it. It rewards us so we can have greater experiences to get to where we're trying to go.
Eric Pepin (Meditation within Eternity: The Modern Mystics Guide to Gaining Unlimited Spiritual Energy, Accessing Higher Consciousness and Meditation Techniques for Spiritual Growth)
What Musk had done that the rival automakers missed or didn’t have the means to combat was turn Tesla into a lifestyle. It did not just sell someone a car. It sold them an image, a feeling they were tapping into the future, a relationship. Apple did the same thing decades ago with the Mac and then again with the iPod and iPhone. Even those who were not religious about their affiliation to Apple were sucked into its universe once they bought the hardware and downloaded software like iTunes. This sort of relationship is hard to pull off if you don’t control as much of the lifestyle as possible. PC makers that farmed their software out to Microsoft, their chips to Intel, and their design to Asia could never make machines as beautiful and as complete as Apple’s. They also could not respond in time as Apple took this expertise to new areas and hooked people on its applications. You can see Musk’s embrace of the car as lifestyle in Tesla’s abandonment of model years. Tesla does not designate cars as being 2014s or 2015s, and it also doesn’t have “all the 2014s in stock must go, go, go and make room for the new cars” sales. It produces the best Model S it can at the time, and that’s what the customer receives. This means that Tesla does not develop and hold on to a bunch of new features over the course of the year and then unleash them in a new model all at once. It adds features one by one to the manufacturing line when they’re ready. Some customers may be frustrated to miss out on a feature here and there. Tesla, however, manages to deliver most of the upgrades as software updates that everyone gets, providing current Model S owners with pleasant surprises.
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
Like medics on the scene of a car accident, we all must act with a sense of urgency and tune into that ticking clock in the back of our minds. Because there is a drop-dead time on everything we do in life. All our dreams and visions come with expiration dates etched in invisible ink. Windows of opportunity can and do close, so it is imperative that we do not waste time on bullshit. None of us have any clue what’s coming for us or when our time might run out, which is why I do my best to ignore anything that is counterproductive.
David Goggins (Never Finished)
I agree with Mike totally: A big part of the secret to materializing your visions is learning how to get to the deep place, your soul’s home frequency, where your truest desires abide. Not all those deep desires are lofty, humanitarian, and spiritual in nature. To want to own a house, or have enough healthy food, or an inspiring view, or nice clothes, or a new car — these might be necessary to help you relax and feel good about yourself so you can more easily access your true desires. When the debilitating distractions and stressors are minimized, you become more transparent, and your deep desires fall through the clarity into your conscious mind.
Mike Murphy (The Creation Frequency: Tune In to the Power of the Universe to Manifest the Life of Your Dreams)
Ari don’t look at me, you won’t be getting two damn cars. When you tired of your shit, we’re trading that bad boy in, and you better hope they giving you a good deal. I’m rich, but I’m not Juelz Kassom rich,” Zelan said with the side-eye directed at Ari. I had tuned them out, I was just in shock. I couldn’t believe what had just taken place.
K. Renee (Loved By A Billionaire: The Kassom Brothers 2)
If readers could talk back to writers (they sometimes do by not reading their work) they might say, “Would you knowingly go to a physician who was weak in his craft? Would you attend a badly conducted concert just because it was available? Would you bring your car for a tune-up to a mechanic who thought fine-tuning was a waste of his time?” The reader trusts the writer to do his best. If he does his second-best, he shouldn’t be surprised if his reader finds another writer to read.
Sol Stein (Stein on Writing)
Joe held the speedometer needle at the maximum speed allowed, and the countryside flashed by. When they hit the turnpike, Frank spelled his brother at the wheeL Now, with greater speed, the miles melted past. “She purrs like a kitten,” Frank said. “A great car, Joe.” “Good thing we had the motor tuned up,” Frank remarked as the wind whipped through his hair. After a quick stop for lunch, Joe drove away from the roadside restaurant. “Want to listen to the news?” “Okay. What country’s having a war today?” “Maybe someone has landed on the moon,” Frank said as he clicked on the high-powered transistor.
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
Writer Gina Trapani has pointed out three prime spots to turn off our brains and take a break from our connected lives: • Commute. A moving train or subway car is the perfect time to write, doodle, read, or just stare out the window. (If you commute by car, audiobooks are a great way to safely tune out.) A commute happens twice a day, and it nicely separates our work life from our home life. • Exercise. Using our body relaxes our mind, and when our mind gets relaxed, it opens up to having new thoughts. Jump on the treadmill and let your mind go. If you’re like me and you hate exercise, get a dog—dogs won’t let you get away with missing a day. • Nature. Go to a park. Take a hike. Dig in your garden. Get outside in the fresh air. Disconnect from anything and everything electronic. It’s very important to separate your work from the rest of your life.
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon))
Poetry. Was there any other worse form of hell? I plopped my sandaled feet up on the picnic table in front of me. Too-bright hot pink nail polish on my toenails claimed my attention, and I squinted, trying for blinders to focus on this stupid assignment. I tuned out the hot summer sun baking me in the staff’s lunch area at the animal shelter. Ignored the country tunes murmuring from my coworker’s car across the lot. Dismissed the distant barking in the building behind me. Focus. Po-et-ry… Nothing. I gnawed on my lower lip and tapped the pencil to the notebook on my thighs.
Amabel Daniels (Secrecy: Year One (Olde Earth Academy #1))
Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
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Parting Tune: Please visit YouTube and pull up the video “Beginning | Chill Out Mix” on the Chilloutdeer channel.736 Sounds amazing in the car. Thank me later.
Charles J. Wolfe (The 11:11 Code: The Great Awakening by the Numbers)
there. And what if all of this – Aaron’s grey areas, his habit of sailing close to the wind – had something to do with why Faye was missing? Not Garvin – but someone else whose path Aaron had crossed? Trampled on? She let that thought percolate for a moment. It didn’t add up. How could anyone have known where she and the kids would be that morning? Unless someone had been following them … The cab lurched around a corner and her stomach turned. She hadn’t eaten since the hotel breakfast, but the thought of food made her feel even sicker. How many hours was it now? She looked at her phone. Almost six o’clock. Faye had been missing for nearly ten hours. And now they’re back, standing on Oxford Street, in the heavy evening heat, yet again at a loss as to what to do. Hawthorn asks if they want to go to the supervisor’s office in the station, warning them it won’t be long before reporters realize they’re back. But Aaron wants to stay here, out on the street, where they’ll feel more useful. Sive is numb. Completely numb. As though her mind is shutting down to protect her from thinking the worst. Hawthorn leaves, and Jude texts. She’s in a Regent Street coffee shop, working on something, but she’ll come to meet them now. To regroup, she says. And less than ten minutes later, she’s here beside them, listening while Aaron gives her more details about their false lead in Leytonstone. Sive is only half tuned in as they swap questions and answers – Is Maggie here? Aaron asks. No, she never came back, Jude says. Are their other friends coming? Dave will follow once he runs home to get his car, Aaron says. Scott is staying with Bea and Toby, and Nita is sharing her participation in the search on Insta Live. Jude
Andrea Mara (No One Saw a Thing)
I smile, because it's a rare and quiet weekday night where I can be alone with Chef Sakamoto. It's nights like these when he whistles to me-a Japanese tune? A Japanese rhyme?-because it's nothing I recognise from my own childhood. It's nights like these when he takes his time with me, picking on the leftovers from my belly that are still good, then turning me upside down to scrub me with warm water and soap. It's after hours, and there is no urgency, no high turnover, no unreasonable demands, and most importantly, no one here but us. Chef Sakamoto caresses me with those long fingers, fingers that have bled under the sushi knife, fingers that can withstand pan-seared beef, fingers that have been dipped into Kumi's secret sauce (which is just butter, mayonnaise and a bit of mustard) before touching his mouth.
Wan Phing Lim (Two Figures in a Car and Other Stories)
No. I actually don’t know much about cars in general. But I saw an old Bel Air in a calendar once in our garage and have been a little obsessed with them ever since.” The response launches Thomas into a dissertation about classic cars, which I tune out as soon as I hear the word carburetor. Olivia hangs on his every word.
Megan Becker (Coffee Dates (The Mates and Dates Collection))
to escape, Ute had dissociated her fear and felt nothing. I see depersonalization regularly in my office when patients tell me horrendous stories without any feeling. All the energy drains out of the room, and I have to make a valiant effort to keep paying attention. A lifeless patient forces you to work much harder to keep the therapy alive, and I often used to pray for the hour to be over quickly. After seeing Ute’s scan, I started to take a very different approach toward blanked-out patients. With nearly every part of their brains tuned out, they obviously cannot think, feel deeply, remember, or make sense out of what is going on. Conventional talk therapy, in those circumstances, is virtually useless. In Ute’s case it was possible to guess why she responded so differently from Stan. She was utilizing a survival strategy her brain had learned in childhood to cope with her mother’s harsh treatment. Ute’s father died when she was nine years old, and her mother subsequently was often nasty and demeaning to her. At some point Ute discovered that she could blank out her mind when her mother yelled at her. Thirty-five years later, when she was trapped in her demolished car, Ute’s brain automatically went into the same survival mode—she made herself disappear.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal. Her car was running great, and her tunes were vibrating the sideboard speakers with rhythm and base and melody. Using her gears, she took the corners and adjusted to the rise and fall of the road in a syncopated rhythm that made she and her car one. With her left hand on the gearshift, her right grasping the steering wheel, and her eyes shifting from road to scenery and back again, she felt the exhilaration of being on her first road trip alone and free.
Bob Stegner (Black Grotto: Book II of the Alban Saga)
and family to my endeavor. Give someone the gift of enlightenment. Parting Tune: Please visit YouTube and pull up the video “Beginning | Chill Out Mix” on the Chilloutdeer channel.736 Sounds amazing in the car. Thank me later.
Charles J. Wolfe (The 11:11 Code: The Great Awakening by the Numbers)
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Yesterday morning, I felt the same way, I saw Madilyn in the corner with her hand wrapped around a ray and it pisses me off so much you have no idea. I wanted her arm wrapped around my waist, not his, or even the other way around; I don’t know what I want at this point. She was smiling and giggling about something stupid that he said like used to do with me, it makes me sick she is mine, I can stand it, him breathing on her and kissing her nick hell I thought she was gay. I am the one that wants to be nuzzled up against her. He was bending down to kiss her, and I so wanted to kick him dead in the ass hole. Payback is a b*tch, is not! She looks up and sees me, yet does she care at this point or am I dreaming yet another dream, that’s even more freaked than the last. She was looking at me with goo-goo eyes, yet kissing him, or was he kissing her? What is going on and what is going down. Then he takes my hand and drags him over to him, pushing other people out of the way, then makes both kiss him at the same freaking time- the same freaking time! What’s wrong with an asshole! Jenny was looking over our shoulder saying damn! Just what I always wanted a three-way with Ray and Madilyn in the hallway. I don’t know what is turning me on anymore. I see getaway and get off, and that is what they both said they were turning to do. And everyone in the hallway has that simple smile on their face, like- oh yeah. I search for my sunglasses in my purse to cover my crying eyes. I just said it was to keep the glare out of my eyes when I put them on. I look in the visor mirror, and I see Liv smiling at me. Like I knew she was going to cry, yet really, I wanted to see if my makeup was okay. I start to tune myself out. I don’t hear the phones going off. I can’t hear their laughter or chirpy voices. I can’t see the houses rushing by or the cars, I just close my eyes and fade away in my daydreams. Maybe I’ll tell her that I wish I was the girl I used to be, but at the same time, I know that I won’t dare. She would think I was crazy. They all would. Jenny might just say- ‘Okay if you feel that way, you can go back to flowing me around like my shadow. Go- to be with all the losers or the speed, and don’t think about coming back.’ I don’t want that either. It gets quiet, and I open my eyes, and I keep quiet, just looking out the window, as it steams up and I have to keep wiping it with my palm. The light outside is faint and soggy-looking like the sun is attempting to roll over the horizon of tree-covered hills and peeking into the valleys. The day is overcast like the sun is too lazy to get out of bed and wake itself up. The shadows are as piercing and jagged as needles. Like the shadow, I used to be wanting to be in the group of three girls following them around in awe. I watch buzzard, black crows, vultures circling the SUV like I am dead meat. It was a scary omen taunting me, from down below. I see all of the fifty or more taking off at the same time from power lines above, following me like a creepy shadow of death.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Yesterday morning, I felt the same way, I saw Madilyn in the corner with her hand wrapped around Ray and it pisses me off so much you have no idea. I wanted her arm wrapped around my waist, not his, or even the other way around; I don’t know what I want at this point. She was smiling and giggling about something stupid that he said like used to do with me, it makes me sick she is mine, I can stand it, him breathing on her and kissing her nick hell I thought she was gay. I am the one that wants to be nuzzled up against her. He was bending down to kiss her, and I so wanted to kick him dead in the ass hole. Payback is a b*tch, is not! She looks up and sees me, yet does she care at this point or am I dreaming yet another dream, that’s even more freaked than the last. She was looking at me with goo-goo eyes, yet kissing him, or was he kissing her? What is going on and what is going down. Then he takes my hand and drags him over to him, pushing other people out of the way, then makes both kiss him at the same freaking time- the same freaking time! What’s wrong with an asshole! Jenny was looking over our shoulder saying damn! Just what I always wanted a three-way with Ray and Madilyn in the hallway. I don’t know what is turning me on anymore. I see getaway and get off, and that is what they both said they were turning to do. And everyone in the hallway has that simple smile on their face, like- oh yeah. I search for my sunglasses in my purse to cover my crying eyes. I just said it was to keep the glare out of my eyes when I put them on. I look in the visor mirror, and I see Liv smiling at me. Like I knew she was going to cry, yet really, I wanted to see if my makeup was okay. I start to tune myself out. I don’t hear the phones going off. I can’t hear their laughter or chirpy voices. I can’t see the houses rushing by or the cars, I just close my eyes and fade away in my daydreams. Maybe I’ll tell her that I wish I was the girl I used to be, but at the same time, I know that I won’t dare. She would think I was crazy. They all would. Jenny might just say- ‘Okay if you feel that way, you can go back to flowing me around like my shadow. Go- to be with all the losers or the speed, and don’t think about coming back.’ I don’t want that either. It gets quiet, and I open my eyes, and I keep quiet, just looking out the window, as it steams up and I have to keep wiping it with my palm. The light outside is faint and soggy-looking like the sun is attempting to roll over the horizon of tree-covered hills and peeking into the valleys. The day is overcast like the sun is too lazy to get out of bed and wake itself up. The shadows are as piercing and jagged as needles. Like the shadow, I used to be wanting to be in the group of three girls following them around in awe. I watch buzzard, black crows, vultures circling the SUV like I am dead meat. It was a scary omen taunting me, from down below. I see all of the fifty or more taking off at the same time from power lines above, following me like a creepy shadow of death.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
While the vision he had shown in building Trump Tower remained, the discipline he had summoned to get the skyscraper built evaporated. Emboldened by easy money and a laudatory press, Donald went on a massive and ill-considered shopping spree. Among the projects he juggled was a promising expanse on the West Side on the same turf where Zeckendorf wanted to erect Atomic City, and Donald gave the development-in-waiting an equally retro, Jetsons-like label: Television City. As Donald wheelied along, fine-tuning his performance as the business world’s answer to Evel Knievel, the media lavished whopping reams of attention on him. For the most part, reporters didn’t cover Donald’s ventures because what he did was smart. They covered Donald’s doings because what he did was fun to watch. Whether any of them recognized that what they were watching was a slow-motion car crash didn’t matter. It was the ’80s.
Timothy L. O'Brien (TrumpNation: The Art of Being the Donald)
Oh, right, just stroll on down to the car lot, big as you please. What’ll I say I’m doing? He knows I can’t afford a car.” Karen started laughing again as she answered. “You could tell him you’ve lost all your marbles and thought you saw one roll that way.
Bobby Underwood (The Strangler's Tune)
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I have seen people with smiling faces and feeling lonely desolate inside their hearts. I have seen people with public success and private failures in their life. I have seen most of us chasing small highs in their life rather than trying to achieve something concrete. I have seen big giants losing basic moral values for small profits in their materialistic pursuit. I have seen people dancing whole day to the tunes of life and crying alone at midnight. I have seen best of relationships breaking off with the test of time. I have seen young teenagers with broken hearts and old ones with cracked minds. And you know what this is not the end of the list. To put it simple, I just wish to say that, life is short. Don’t put too much pressure on yourself trying to overdo everything. Don’t hanker after all the things you see others doing or achieving. Have some good moral values in your life. Be with friends who possess golden hearts rather than gold in their pockets or lockers. Keep few but good relationships. Have absolute faith in God and yourself. And try to be simple yet Happy. In the end what matters is not the number of cars you drive or money you possess in your bank account but what matters most is how well you sail through the winds of life against all the storms and hurricanes past over you. Think what makes you – YOU.
Gaurav S. Kaintura
Soon after the American left, things changed. The government, desperate for tax dollars, levied a series of boating, gaming, and license fees: To continue fishing, the Mexican must pay $400 for a fishing license, a $200 environmental fee, a $350 game endorsement, and $1,800 in mooring fees. If he doesn’t pay ASAP, the Mexican will be barred from fishing. Unfortunately, after paying all the fees, the Mexican has little money left to insure and license his boat. Unable to legally operate at his favorite coastal town, the Mexican fisherman drives three hours south to another town, where the quality of the fish is poor. The long drive takes its toll on the Mexican’s car, where it ultimately breaks down. In order to fix his car, he needs $200 for a water pump and $400 for a radiator. This is after he pays $600 to get his car towed back to his village. But this story is about to get worse. When the Mexican fails to pay the mooring fees to the harbor master, he loses his boat. The Mexican fisherman who spent most of his days in a state of unpreparedness and merriment—strumming around with his friends, sipping wine—is now unable to support his family. His wife divorces him. The Mexican now sings a different tune with his amigos … something along the lines of “Money can buy happiness.
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)