Wolf Of The Plains Quotes

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We did not think of the great open plains, the beautiful rolling hills and the winding streams with tangled growth, as 'wild'. Only to the white man was nature a 'wilderness' and only to him was the land 'infested' with 'wild' animals and 'savage' people. To us it was home. Earth was beautiful and we were surrounded with the blessings of the Great Mystery." - Chief Standing River of the Lakota
Paul Goble (Dream Wolf)
Dying before you pay someone back is just plain rude.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
It is a country to breed mystical people, egocentric people, perhaps poetic people. But not humble ones…Puny you may feel there, and vulnerable, but not unnoticed. This is a land to mark the sparrow’s fall
Wallace Stegner (Wolf Willow)
The world has never had a good definition of the word liberty, and the American people, just now, are much in want of one. We all declare for liberty; but in using the same word we do not all mean the same thing. With some the word liberty may mean for each man to do as he pleases with himself, and the product of his labor; while with others the same word may mean for some men to do as they please with other men, and the product of other men’s labor. Here are two, not only different, but incompatible things, called by the same name, liberty. And it follows that each of the things is, by the respective parties, called by two different and incompatible names, liberty and tyranny. The shepherd drives the wolf from the sheep’s throat, for which the sheep thanks the shepherd as a liberator, while the wolf denounces him for the same act as the destroyer of liberty, especially as the sheep was a black one. Plainly the sheep and the wolf are not agreed upon a definition of the word liberty.
Abraham Lincoln
We… believed once in English liberalism and English sympathy; but we believe no longer, for facts are stronger than words. Your liberalness we see plainly is only for yourselves, and your sympathy with us is that of the wolf for the lamb which he deigns to eat.
Mohammed Abduh
He says, this silence of More's, it was never really silence, was it? It was loud with his treason; it was quibbling as far as quibbles would serve him, it was demurs and cavils, suave ambiguities. It was fear of plain words, or the assertion that plain words pervert themselves; More's dictionary, against our dictionary. You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Your wolf doesn’t need to hate what he kills. It would be easier if we could kill without compunction, like your wolf does, but then, we wouldn’t be human.
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
Some things you simply accepted, the way you accepted the sunrise or the winter cold. They called it lupine fatalism, but in reality it was plain common sense.
Ilona Andrews (Magic Stars (Kate Daniels, #8.5, Grey Wolf, #1))
Well," he said, quite seriously, "it's this way: you work because you're afraid not to. You work becuase you have to drive yourself to such a fury to begin. That part's just plain hell! It's so hard to get started that once you do you're afraid of slipping back. You'd rather do anything than go through all that agony again--so you keep going--you keep going faster all the time--you keep going till you couldn't stop even if you wanted to. You forget to eat, to shave, to put on a clean shirt when you have one. You almost forget to sleep, and when you do try to you can't--because the avalanche has started, and it keeps going night and day. And people say: 'Why don't you stop sometime? Why don't you forget about it now and then? Why don't you take a few days off?' And you don't do it because you can't--you can't stop yourself--and even if you could you'd be afraid to because there'd be all that hell to go through getting started up again. Then people say you're a glutton for work, but it isn't so. It's laziness--just plain, damned, simple laziness, that's all...Napoleon--and--and Balzac--and Thomas Edison--these fellows who never sleep more than an hour or two at a time, and can keep going night and day--why that's not because they love to work! It's because they're really lazy--and afraid not to work because they know they're lazy! Why, hell yes!..I'll bet you anything you like if you could really find out what's going on in old Edison's mind, you'd find that he wished he could stay in bed every day until two o'clock in the afternoon! And then get up and scratch himself! And then lie around in the sun for awhile! And hang around with the boys down at the village store, talking about politics, and who's going to win the World Series next fall!
Thomas Wolfe (You Can't Go Home Again)
She had been a pleasant surprise. From what her father had said I had expected an intellectual treat in a plain wrapper, but the package was attractive enough to take your attention off of the contents....she was not in any way hard to look at, and those details which had been first disclosed when she appeared in her swimming rig were completely satisfactory.
Rex Stout (The Second Confession (Nero Wolfe, #15))
NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
Their presence also offers inestimable aesthetic value to many residents, even if they never manage to see one. Besides that, shooting wolves from airplanes is just plain wrong and reflects horribly on the state’s image. Anyone who doesn’t see things that way is a nearsighted, beetle-browed, knuckle-dragging redneck.
Nick Jans (A Wolf Called Romeo)
The wolf had not only ridden her into damn near unconsciousness, he’d given her the best orgasms of her life. And that was plain embarrassing. Her best sex had been with a wolf. Pathetic. Except her body was telling her to shut up and wallow. ’Cause this felt gooooood. Good enough that she might even want to repeat it.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
His eyes say quite plainly that he once trusted someone, that he has been repenting it for longer than you or I have been alive, and that he will never take the chance again.
Gene Wolfe (The Sorcerer's House)
What has happened to me is extreme; however, it is not that different from what everyone deals with. I am a sort of microcosm for what we all feel. I can barely walk, even with a cane, but who feels free even if they can? My face is paralyzed, but who feels beautiful even when they look normal? I have no coordination in my right hand, so I can’t hold things, even my child, but who feels like a competent parent even if all their faculties are intact? For months I could not eat, and even today I have difficulty swallowing, but who feels fully satisfied even if they can enjoy every delectable treat they desire? I am tired almost all the time now, but who always feels energized to engage fully in their life? My voice is messed up, but who feels understood even if they can speak plainly? I have double vision, but who sees everything clearly even if they can see normally? My future is uncertain, but whose isn’t? So
Katherine Wolf (Hope Heals)
That’s Bruce,” said Derren, watching as the dog rubbed his body all over Ally’s legs and butted her hand for a stroke. His wolf was jealous, wanted the same attention, which was just plain pathetic.
Suzanne Wright (Spiral of Need (The Mercury Pack, #1))
They hurry in; the wind bangs a door behind them. Rafe takes his arm. He says, this silence of More's, it was never really silence, was it? It was loud with his treason; it was quibbling as far as quibbles would serve him, it was demurs and cavils, suave ambiguities. It was fear of plain words, or the assertion that plain words pervert themselves; More's dictionary, against our dictionary. You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, holds a concord. A shrivelled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts. Someone - probably not Cristophe - has put on his desk a shining silver pot of cornflowers. The dusky blueness at the base of the crinkled petals reminds him of this morning's light; a late dawn for July, a sullen sky.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Urban Trelawny is a bony man of fifty and more, with side whiskers. His eyes say quite plainly that he once trusted someone, that he has been repenting it for longer than you or I have been alive, and that he will never take the chance again.
Gene Wolfe (The Sorcerer's House)
Wolf, who was roaming about on the plain when the sun was getting low in the sky, was much impressed by the size of his shadow, and said to himself, “I had no idea I was so big. Fancy my being afraid of a lion! Why, I, not he, ought to be King of the beasts”; and, heedless of danger, he strutted about as if there could be no doubt at all about it. Just then a lion sprang upon him and began to devour him. “Alas,” he cried, “had I not lost sight of the facts, I shouldn’t have been ruined by my fancies.
Aesop (Aesop's Fables)
Position B: Wolves, as top predators, are a natural part of healthy, complex, self-regulating ecosystems, and removing most of them (the plans call for 80, even 100 percent reduction in certain management units) is only bound to screw things up. Without wolves, deer and moose numbers explode in unsustainable numbers, then crash, over and over. Wolves, too, are a valued resource on which trappers and subsistence hunters depend, and a multimillion-dollar cash cow attracting throngs of ecotourists and photographers. Their presence also offers inestimable aesthetic value to many residents, even if they never manage to see one. Besides that, shooting wolves from airplanes is just plain wrong and reflects horribly on the state’s image. Anyone who doesn’t see things that way is a nearsighted, beetle-browed, knuckle-dragging redneck.
Nick Jans (A Wolf Called Romeo)
Plainly put, the imperative to “be professional” is the imperative to be whiter, straighter, wealthier, and more masculine. A wolf in sheep’s clothing masquerading as a neutral term, professionalism hangs over the head of anyone who’s different, who deviates from the hegemony of white men.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
How much farther?” Derek asked. “Patience is a virtue,” Ghastek advised. “Lecturing a wolf about patience is unwise." That was the first time Derek condescended to addressing Ghastek directly, and his face plainly showed he felt quite soiled by having to stoop so low. “Should I find myself speaking to an animal for some bewildering reason, I'll take it under advisement.” The magic hit, so thick my heart skipped a beat. Derek clenched his teeth. His face strained, muscles on his forearms bulged, and his eyes flooded with yellow. The hair on the back of my arms rose. The intense cold fire of those eyes chilled me. He was on the verge of going furry. “You okay?” His lips quivered. The fire in his eyes died to its usual soft brown. “Yeah,” he said. “Took me by surprise.” The vampire kept galloping as if nothing had happened. “Ghastek, you okay?” He offered Derek a smile. “Never better. Unlike Pack members, the People don't tolerate losses of control.” Derek's eyes flashed gold. “If I lose control, you'll be the first to know.” “I'm quite perturbed by the idea.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
The shepherd drives the wolf from the sheep’s throat, for which the sheep thanks the shepherd as a liberator, while the wolf denounces him for the same act as the destroyer of liberty. Plainly the sheep and the wolf are not agreed upon a definition of the word liberty; and precisely the same difference prevails today among us human creatures, and all professing to love liberty.
Abraham Lincoln
The plain shiprock walls, and the painted statue of Lord Pas (from which the paint was peeling) will remain with me until the day I die, always somewhat colored by the wonder I felt as a small boy at seeing a black cock struggling in the old man’s hands after he had cut its throat, its wings beating frantically, beating as if they might live after all, live somehow somewhere, if only they could spray the whole place with blood before they
Gene Wolfe (On Blue's Waters (The Book of the Short Sun, #1))
The day was warm; but the fact that the sky was covered with a filmy veil of grey clouds gave to the vast plain before him the appearance of a landscape whose dominant characteristic consisted in a patient effacement of all emphatic or outstanding qualities. The green of the meadows was a shy, watery green. The verdure of the elm trees was a sombre, blackish monotony. The yellow of the stubble land was a whitish-yellow, pallid and lustreless.
John Cowper Powys (Wolf Solent)
The plain shiprock walls, and the painted statue of Lord Pas (from which the paint was peeling) will remain with me until the day I die, always somewhat colored by the wonder I felt as a small boy at seeing a black cock struggling in the old man’s hands after he had cut its throat, its wings beating frantically, beating as if they might live after all, live somehow somewhere, if only they could spray the whole place with blood before they failed. My
Gene Wolfe (On Blue's Waters (The Book of the Short Sun, #1))
Abruptly, Eugene was touched with pity. For the first time he saw plainly that great Gant had grown old. The sallow face had yellowed and lost its sinew. The thin mouth was petulant. The chemistry of decay had left its mark. No, there was no return after this. Eugene saw now that Gant was dying very slowly. The vast resiliency, the illimitable power of former times had vanished. The big frame was breaking up before him like a beached ship. Gant was sick. He was old.
Thomas Wolfe (Look Homeward, Angel)
All the young beauty in the world dwelt for him in that face that had kept wonder, that had kept innocency, that had lived in such immortal blindness to the terror and foulness of the world. He came to her, like a creature who had travelled its life through dark space, for a moment of peace and conviction on some lonely planet, where now he stood, in the vast enchanted plain of moonlight, with moonlight falling on the moonflower of her face. For if a man should dream of heaven and, waking, find within his hand a flower as token that he had really been there--what then, what then?
Thomas Wolfe (Look Homeward, Angel)
There sounded in his heart a solemn music. It filled the earth, the air, the universe; it was not loud, but it was omnipresent, and it spoke to him of death and darkness, and of the focal march of all who lived or had lived, converging on a plain. The world was filled with silent marching men: no word was spoken, but in the heart of each there was a common knowledge, the word that all men knew and had forgotten, the lost key opening the prison gates, the lane-end into heaven, and as the music soared and filled him, he cried: "I will remember. When I come to the place, I shall know.
Thomas Wolfe (Look Homeward, Angel)
[T]he very existence of such powers argues a counterforce. We call powers of the first kind dark, though they may use a species of deadly light... and we call those of the second kind bright, though I think that they may at times employ darkness, as a good man nevertheless draws the curtains of his bed to sleep. Yet there is truth to the talk of darkness and light, because it shows plainly that one implies the other. The tale I read to little Severian said that the universe was but a long word of the Increate's. We, then, are syllables of that word. But the speaking of any word is futile unless there are other words, words that are not spoken. If a beast has but one cry, the cry tells nothing; and even the wind has a multitude of voices, so that those who sit indoors may hear it and know if the weather is tumultuous or mild. The powers we call dark seem to me to be the words the Increate did not speak... and these words must be maintained in a quasi-existence, if the other word, the word spoken is to be distinguished. What is not said can be important - but what is said is more important... And if the seekers after dark things find them, may not the seekers after bright find them as well? And are they not more apt to hand their wisdom on?
Gene Wolfe (Sword & Citadel (The Book of the New Sun, #3-4))
The Law of the Jungle NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!
Rudyard Kipling
He saw then that there was a lens at one end, disguised as a dewdrop in the throat of an asphodel. Gently he took the egg in his hands, closed one eye, and looked. The light of the interior was not, as he had half expected, gold tinted, but brilliantly white, deriving from some concealed source. A world surely meant for Earth shone within, as though seen from below the orbit of the moon—indigo sea and emerald land. Rivers brown and clear as tea ran down long plains. His mother said, “Isn’t it pretty?” Night hung at the corners in funereal purple, and sent long shadows like cold and lovely arms to caress the day; and while he watched and it fell, long-necked birds of so dark a pink that they were nearly red trailed stilt legs across the sky, their wings making crosses.
Gene Wolfe (The Island of Dr. Death and Other Stories and Other Stories)
All of them, giants and the dead and the burning sons of Muspell, will travel to the battle plain called Vigrid. Vigrid is huge: three hundred miles across. Fenris Wolf pads his way there also, and the Midgard serpent will navigate the flooded seas until it too is close to Vigrid, then it will writhe up on to the sand and force itself ashore—only its head and the first mile or so of its body. Most of it will remain in the sea. They will form themselves into battle order: Surtr and the sons of Muspell will be there in flames; the warriors of Hel and Loki will be there from beneath the earth; the frost giants will be there, Hrym’s troops, the mud freezing where they stand. Fenrir will be with them, and the Midgard serpent. The worst enemies that the mind can imagine will be there that day.
Neil Gaiman (Norse Mythology)
It was the very fact of the note, stuck on my windshield on the Red Lake Indian Reservation in northern Minnesota, hundreds of miles from where Fatback had lived and, apparently, died. That, and the small deerskin pouch of tobacco that was tied to it. Fatback was a black Lab — a good dog — who had belonged to Dan, an elderly Lakota man who lived far out on the Dakota plains. Years before, as a result of a book of elders’ memories I had done with students at Red Lake, Dan had contacted me to come out to his home to speak with him. His request was vague, and I had been both skeptical and apprehensive. But, reluctantly, I had gone, and it had changed my life. We had worked together, traveled together, and created a book together in which the old man told his stories and memories and thoughts about Indian people and our American land.
Kent Nerburn (The Wolf at Twilight: An Indian Elder's Journey through a Land of Ghosts and Shadows)
Ascent To The Sierras poet Robinson Jeffers #140 on top 500 poets Poet's PagePoemsCommentsStatsE-BooksBiographyQuotationsShare on FacebookShare on Twitter Poems by Robinson Jeffers : 8 / 140 « prev. poem next poem » Ascent To The Sierras Beyond the great valley an odd instinctive rising Begins to possess the ground, the flatness gathers to little humps and barrows, low aimless ridges, A sudden violence of rock crowns them. The crowded orchards end, they have come to a stone knife; The farms are finished; the sudden foot of the slerra. Hill over hill, snow-ridge beyond mountain gather The blue air of their height about them. Here at the foot of the pass The fierce clans of the mountain you'd think for thousands of years, Men with harsh mouths and eyes like the eagles' hunger, Have gathered among these rocks at the dead hour Of the morning star and the stars waning To raid the plain and at moonrise returning driven Their scared booty to the highlands, the tossing horns And glazed eyes in the light of torches. The men have looked back Standing above these rock-heads to bark laughter At the burning granaries and the farms and the town That sow the dark flat land with terrible rubies... lighting the dead... It is not true: from this land The curse was lifted; the highlands have kept peace with the valleys; no blood in the sod; there is no old sword Keeping grim rust, no primal sorrow. The people are all one people, their homes never knew harrying; The tribes before them were acorn-eaters, harmless as deer. Oh, fortunate earth; you must find someone To make you bitter music; how else will you take bonds of the future, against the wolf in men's hearts?
Robinson Jeffers
Valerie, I love you so much. I wanted you to have a normal childhood—so I lived a double life. Hiding in plain sight. Living modestly.” He began to pace the room, the words tumbling out of him. “I tried to keep it up, but I’ve been so disrespected. Even by my own wife. I couldn’t do it anymore. I’ve settled for far less than I deserved, and I just couldn’t do it anymore. I decided it was time to leave for the city....For richer hunting grounds.” Cesaire was snarling now, a scary, powerful force. Valerie felt herself being drawn to it.... She took a deep, steadying breath. It was not just fear that she felt. What she felt was so much more complex than that, something she couldn’t understand. “Then why didn’t you just go?” “Because I loved you girls, and I wanted you to come with me. To share the wealth.” “But you had to wait until the blood moon.
Sarah Blakley-Cartwright (Red Riding Hood Bonus Chapter)
Deep blue like the hour between the dog and the wolf. An attractively scooped neckline. Sleeves and hemline a length and cut you would call kind. Buttons in back like discreetly sealed lips. Good give in the fabric. Double lined. The sort of dress that looks like nothing but a sad dark sack on the hanger, but on the body it’s a different story. Takes extremely well to accessories. My mother loved this sort of dress. At whatever weight she was—thin, fat, middling—she owned an iteration. I saw her wear it to work, lunch with friends, on dates, to movies, parties, funerals. I saw her wear it alone in her apartment for days on end. Scratch at a stain on the boob. Shit. The hemline begin to unravel. Fuck fuck fuck. Do you have a safety pin? Holes begin to appear in the armpits. Jesus. The sleeves fray. Well. That’s that, isn’t it? She wore it so much she’d wear it out and then she’d have to hunt for another, whip through the plus-size racks for something that fit just as impossibly well, that was just as dignified, just as forgiving in its plain dark elegance.
Mona Awad (13 Ways of Looking at a Fat Girl)
Ah!" said the doctor, in his most complacent manner, "here is the opportunity I have long been waiting for. I have often desired to test and taste the indian mode of cooking. What do you suppose this is?" holding up the dripping morsel. Unable to obtain the desired information, the doctor, whose naturally good appetite had been sensibly sharpened by his recent exercise á la quadrupède, set to with a will and ate heartily of the mysterious contents of the kettle. "What can this be?" again inquired the doctor. He was only satisfied on one point, that it was delicious - a dish fit for a king. Just then Gurrier, the half-breed, entered the lodge. He could solve the mystery, having spent years among the Indians. To him the doctor appealed for information. Fishing out a huge piece and attacking it with the voracity of a hungry wolf, he was not long in determining what the doctor had supped so heartily upon. His first words settled the mystery: "Why this is dog." I will not attempt to repeat the few but emphatic words uttered by the heartedly disgusted member of the medical fraternity as he rushed from the lodge.
George Armstrong Custer (My Life on the Plains: Or, Personal Experiences with Indians)
The Haight-Ashbury hippies had collectively decided that hygiene was a middle-class hang-up. So they determined to live without it. For example, baths and showers, while not actually banned, were frowned upon as retrograde. Wolfe was intrigued by these hippies who, he said, “sought nothing less than to sweep aside all codes and restraints of the past and start out from zero.”4 After a while their principled aversion to modern hygiene had consequences that were as unpleasant as they were unforeseen. Wolfe describes them thus: “At the Haight-Ashbury Free Clinic there were doctors who were treating diseases no living doctor had ever encountered before, diseases that had disappeared so long ago they had never even picked up Latin names, diseases such as the mange, the grunge, the itch, the twitch, the thrush, the scroff, the rot.”5 The itching and the manginess eventually began to vex the hippies, leading them individually to seek help from the local free clinics. Step by step, they had to rediscover for themselves the rudiments of modern hygiene. That rueful process of rediscovery is Wolfe’s Great Relearning. A Great Relearning is what has to happen whenever reformers go too far—whenever, in order to start over “from zero,” they jettison basic values, well-proven social practices, and plain common sense.
Christina Hoff Sommers (The War Against Boys: How Misguided Policies are Harming Our Young Men)
All that stirring of old instincts which at stated periods drives men out from the sounding cities to forest and plain to kill things by chemically propelled leaden pellets, the blood lust, the joy to kill—all this was Buck's, only it was infinitely more intimate. He was ranging at the head of the pack, running the wild thing down, the living meat, to kill with his own teeth and wash his muzzle to the eyes in warm blood. There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive. This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad on a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight. He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time. He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars and over the face of dead matter that did not move.
Jack London (The Call of the Wild)
LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!
Lord Byron (Childe Harold's Pilgrimage)
THE ORIGIN OF INTELLIGENCE Many theories have been proposed as to why humans developed greater intelligence, going all the way back to Charles Darwin. According to one theory, the evolution of the human brain probably took place in stages, with the earliest phase initiated by climate change in Africa. As the weather cooled, the forests began to recede, forcing our ancestors onto the open plains and savannahs, where they were exposed to predators and the elements. To survive in this new, hostile environment, they were forced to hunt and walk upright, which freed up their hands and opposable thumbs to use tools. This in turn put a premium on a larger brain to coordinate tool making. According to this theory, ancient man did not simply make tools—“tools made man.” Our ancestors did not suddenly pick up tools and become intelligent. It was the other way around. Those humans who picked up tools could survive in the grasslands, while those who did not gradually died off. The humans who then survived and thrived in the grasslands were those who, through mutations, became increasingly adept at tool making, which required an increasingly larger brain. Another theory places a premium on our social, collective nature. Humans can easily coordinate the behavior of over a hundred other individuals involved in hunting, farming, warring, and building, groups that are much larger than those found in other primates, which gave humans an advantage over other animals. It takes a larger brain, according to this theory, to be able to assess and control the behavior of so many individuals. (The flip side of this theory is that it took a larger brain to scheme, plot, deceive, and manipulate other intelligent beings in your tribe. Individuals who could understand the motives of others and then exploit them would have an advantage over those who could not. This is the Machiavellian theory of intelligence.) Another theory maintains that the development of language, which came later, helped accelerate the rise of intelligence. With language comes abstract thought and the ability to plan, organize society, create maps, etc. Humans have an extensive vocabulary unmatched by any other animal, with words numbering in the tens of thousands for an average person. With language, humans could coordinate and focus the activities of scores of individuals, as well as manipulate abstract concepts and ideas. Language meant you could manage teams of people on a hunt, which is a great advantage when pursuing the woolly mammoth. It meant you could tell others where game was plentiful or where danger lurked. Yet another theory is “sexual selection,” the idea that females prefer to mate with intelligent males. In the animal kingdom, such as in a wolf pack, the alpha male holds the pack together by brute force. Any challenger to the alpha male has to be soundly beaten back by tooth and claw. But millions of years ago, as humans became gradually more intelligent, strength alone could not keep the tribe together.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
What are the great poetical names of the last hundred years or so? Coleridge, Wordsworth, Byron, Shelley, Landor, Keats, Tennyson, Browning, Arnold, Morris, Rossetti, Swinburne—we may stop there. Of these, all but Keats, Browning, Rossetti were University men, and of these three, Keats, who died young, cut off in his prime, was the only one not fairly well to do. It may seem a brutal thing to say, and it is a sad thing to say: but, as a matter of hard fact, the theory that poetical genius bloweth where it listeth, and equally in poor and rich, holds little truth. As a matter of hard fact, nine out of those twelve were University men: which means that somehow or other they procured the means to get the best education England can give. As a matter of hard fact, of the remaining three you know that Browning was well to do, and I challenge you that, if he had not been well to do, he would no more have attained to write Saul or The Ring and the Book than Ruskin would have attained to writing Modern Painters if his father had not dealt prosperously in business. Rossetti had a small private income; and, moreover, he painted. There remains but Keats; whom Atropos slew young, as she slew John Clare in a mad-house, and James Thomson by the laudanum he took to drug disappointment. These are dreadful facts, but let us face them. It is—however dishonouring to us as a nation—certain that, by some fault in our commonwealth, the poor poet has not in these days, nor has had for two hundred years, a dog’s chance. Believe me—and I have spent a great part of ten years in watching some three hundred and twenty elementary schools, we may prate of democracy, but actually, a poor child in England has little more hope than had the son of an Athenian slave to be emancipated into that intellectual freedom of which great writings are born.’ (cit. The Art of Writing, Sir Arthur Quiller-Couch) Nobody could put the point more plainly. ‘The poor poet has not in these days, nor has had for two hundred years, a dog’s chance . . . a poor child in England has little more hope than had the son of an Athenian slave to be emancipated into that intellectual freedom of which great writings are born.’ That is it. Intellectual freedom depends upon material things. Poetry depends upon intellectual freedom. And women have always been poor, not for two hundred years merely, but from the beginning of time. Women have had less intellectual freedom than the sons of Athenian slaves. Women, then, have not had a dog’s chance of writing poetry. That is why I have laid so much stress on money and a room of one’s own. However, thanks to the toils of those obscure women in the past, of whom I wish we knew more, thanks, curiously enough to two wars, the Crimean which let Florence Nightingale out of her drawing-room, and the European War which opened the doors to the average woman some sixty years later, these evils are in the way to be bettered. Otherwise you would not be here tonight, and your chance of earning five hundred pounds a year, precarious as I am afraid that it still is, would be minute in the extreme.
Virginia Wolf
Their young, perfect bodies, wasted, squandered, covered in the end with wet grass they'd pulled into the pit from the surrounding plain. Trying to put it off. Children. Children in the grip of a vision whose origins lay down within my own young dreams, in the wild freedom those dreams had represented for me, in my desperation: to build and destroy and rebuild, to create mazes on blank pages.
John Darnielle (Wolf in White Van)
Along came Aldo Leopold. He was a U.S. Forest Service ranger who initially supported Pinchot’s use-oriented management of forests. A seasoned hunter, he had long believed that good game management required killing predators that preyed on deer. Then one afternoon, hunting with a friend on a mountain in New Mexico, he spied a mother wolf and her cubs, took aim, and shot them. “We reached the old wolf in time to watch a fierce green fire dying in her eyes,” Leopold wrote. “There was something new to me in those eyes—something known only to her and the mountain. I was young then, and full of trigger-itch. I thought that because fewer wolves meant more deer, no wolves would mean a hunter’s paradise. But after seeing the fierce green fire die, I sensed that neither the wolf nor the mountain agreed with such a view.” The wolf’s fierce green fire inspired Leopold to extend ethics beyond the boundaries of the human family to include the larger community of animals, plants, and even soil and water. He enshrined this natural code of conduct in his famous land ethic: “A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it tends otherwise.” Carol inscribed Leopold’s land ethic in her journal when she was a teenager and has steadfastly followed it throughout her life. She believes that it changes our role from conqueror of the earth to plain member and citizen of it. Leopold led the effort to create the first federally protected wilderness area: a half million acres of the Gila National Forest in New Mexico was designated as wilderness in 1924. Leopold had laid the groundwork for a national wilderness system, interconnected oases of biodiversity permanently protected from human development.
Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
It is this heightened state that may produce several relatively new phenomena in childhood today. As the clinical psychologist Catherine Steiner-Adair,10 the author of The Big Disconnect: Protecting Childhood and Family Relationships in the Digital Age, observes, the most commonly heard complaint when children are asked to go off-line is “I’m bored.” Confronted with the dazzling possibilities for their attention on a nearby screen, young children quickly become awash with, then accustomed to, and ever so gradually semi-addicted to continuous sensory stimulation. When the constant level of stimulation is taken away, the children respond predictably with a seemingly overwhelming state of boredom. “I’m Bored.” There are different kinds of boredom. There is a natural boredom that is part of the woof of childhood that can often provide children with the impetus to create their own forms of entertainment and just plain fun. This is the boredom that Walter Benjamin described years ago as the “dream bird that hatches the egg of experience.”11 But there may also be an unnatural, culturally induced, new form of boredom that follows too much digital stimulation. This form of boredom may de-animate children in such a fashion as to prevent them from wanting to explore and create real-world experiences for themselves, particularly outside their rooms, houses, and schools. As Steiner-Adair wrote, “If they become addicted to playing on screens,12 children will not know how to move through that fugue state they call boredom, which is often a necessary prelude to creativity.” It would be an intellectual shame to think that in the spirit of giving our children as much as we can through the many creative offerings of the latest, enhanced e-books and technological innovations, we may inadvertently deprive them of the motivation and time necessary to build their own images of what is read and to construct their own imaginative off-line worlds that are the invisible habitats of childhood. Such cautions are neither a matter of nostalgic lament nor an exclusion of the powerful, exciting uses of the child’s imagination fostered by technology. We will return to such uses a little later. Nor should worries over a “lost childhood” be dismissed as a cultural (read Western) luxury. What of the real lost childhoods? one might ask, in which the daily struggle to survive trumps everything else? Those children are never far from my thoughts or my work every day of my life.
Maryanne Wolf (Reader, Come Home: The Reading Brain in a Digital World)
Tom gazed down at the tiny forms of Londoners clambering over the new city, laying cables, welding girders, marking out the shapes of streets and buildings on the bare deckplates. “But it’s got no wheels,” Wren pointed out. “I can see you don’t know what Mag-Lev stands for, my dear,” said Dr. Childermass. “It’s a code name, isn’t it?” asked Tom, who didn’t know, either. “Oh no,” Dr. Childermass said. “Mag-Lev is just a shorter way of saying Magnetic Levitation.” “It floats!” said Wolf, gazing down at the new city entranced. “Like a gigantic hovercraft …
Philip Reeve (A Darkling Plain (The Hungry City Chronicles, #4))
Instead of shaking it, Armand slowly brought her hand to his lips and kissed the backs of her knuckles. Gwen’s breath hitched and her eyes widened. Jacque wanted to smash his fist into his cousin’s pearly whites. The bastard was purposely taunting both him and Louis by turning on the charm. Women loved Armand. Young and old, pretty or plain, it didn’t matter. He
N.J. Walters (Wolf at the Door (Salvation Pack, #1))
There was not one of them who had not been forced to fight for his money, his life or to preserve his fictitious identity: Plummer had a cracked rib; Guthrie a scar from a Janissary run drunk-wild with a mace. They had been blackmailed by ferrymen and cheated by inadequate guides and faced philosophically the unpleasantness of travelling at night through forests harbouring boar and plains ranged by wild cat or wolf. By comparison, this was harbour and comfort. They had perhaps hoped for more, but they had been promised nothing. And being professional men they made, caustically, the best of it with the help of Danny Hislop’s sharp tongue.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
The Vackna rang loud, Waking-horn bold and blaring, In the hills ringing as red sun was rising, Filling all Vigrið, This Battle-Plain, This land of ash, This land of ruin. Gods stirred from slumber deep, Fell Snaka, the slitherer shed his skin, that slayer of souls. Wolf-waking, hard-howling Ulfrir, the breaker of chains ran roaring, Racing to the Guðfalla, The gods-fall. Orna, eagle-winged came shrieking, wings beating, talons rending, beak biting, flesh tearing. Deep-cunning dragon, Lik-Rifa, Corpse-tearer from Dark-of-Moon Hills, tail lashing as she swept low. Berser raging, jaws frothing, claws ripping. Gods in their war glory, Brave Svin, mischievous Tosk, deceitful Rotta, Gods and kin, their warriors willing, Blood-tainted offspring, waging their war, all came to the Battle-Plain. Death was dealt, Red ran the rivers, Land laden with slaughter’s reek. There they fought, There they fell, Berser pierced, Orna torn, Ulfrir slain. Cunning Lik-Rifa laid low, chained in chamber deep, Beneath boughs of Oskutreð, the great Ash Tree. And Snaka fell, serpent ruin, venom burning, land-tearing, mountain breaking, cracked the slopes of Mount Eldrafell. Frost and fire, Flame and snow, Vaesen clambered from the pit, And the world ended… And was born anew… A silence settled, all staring at the skáld, though
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
Images of a pale dragon caged and raging, locked within a chamber among the roots of a great tree. A wolf upon a plain, a thick chain binding him, small figures swarming, stabbing, the wolf’s jaws wide as it howled. “Ulfrir, wolf-god,” Kráka breathed. “It’s the Guðfalla,” Biórr whispered. “The gods-fall.” So many images, Elvar struggled to take it all in: figures hanging from the boughs of trees, many of them, skeletal wings spiking from their backs. “The Gallows Wood,” Elvar said. She remembered that tale, of how the gods Orna and Ulfrir had found their firstborn daughter slain, her wings hacked from her back. Lik-Rifa had done it, the dragon, Orna’s sister. As vengeance Orna and Ulfrir had hunted Lik-Rifa’s god-touched offspring and slaughtered them. Ripped their backs open and hacked their ribs apart, pulling them out in a parody of wings and hanging the corpses from trees. The blood-eagle, it was now called. The first blood feud, Elvar thought. The images went on and on, telling the tale of the gods at war: Berser the bear, Orna the eagle, Hundur the hound, Rotta the rat, many, many more; and Snaka, father, maker, coiling about them all, glowing venom dripping from his fangs as he entered the blood-fray and consumed his children. “I thought all of the oath stones had been destroyed,” Sighvat said. “We are on the arse-end of the world,” Agnar said. “This one has survived.” He was still staring up at the huge slab, eyes following the glowing lines as they traced the images. “So, that is where your bloodline comes from,” Agnar said to Berak in his chains. He pointed to an image of a giant bear, jaws wide, spittle spraying. Berak said nothing, just glowered at the image. “They are the fathers and mothers of all us Tainted,” Kráka said. “Snaka loved his creations, when he was not feasting on them, and so did his children.” She stared at the serpent-coils that spiralled across the granite. “Why did they fight?” Sighvat muttered. “What started this war, led to the near-destruction of all?” “Jealousy and murder,” Uspa said. “Blood feud. Lik-Rifa the dragon thought her sister was plotting her death, and Rotta the rat fuelled her paranoia. She murdered Orna and Ulfrir’s daughter, created the vaesen in secret, would have used them to destroy Orna and all those who supported her. But Orna found out and lured Lik-Rifa into the caverns and chambers deep within the roots of Oskutreð, the great Ash Tree, and with her siblings bound Lik-Rifa there. That is what caused the war.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.
Alexander C Eberhart
A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.
Alexander C. Eberhart (There Goes Sunday School (There Goes Sunday School #1))
A man you once knew as the greatest Seer in Solaria and I have been hiding in plain sight all this time.” He turned to the screen and the word Drav rearranged itself to spell out Vard instead. “Roland Vard!” He declared and the crowd fell quiet, confused looks passing between people. “The Vard,
Caroline Peckham (Wild Wolf (Darkmore Penitentiary, #4))
Will you lead us?” asked Tubal-cain. “No,” said Mikael. “You will. We archangels have gods to bind.” They could see the armies of the gods moving into formation on the dry plains before them: Phalanxes of humans, followed by battalions of falcon-headed, hawk-headed, dog- and wolf-headed soldiers. Behind them, platoons of Nephilim finished off a demonic army of genetically mutated beasts. They were twenty thousand strong. Then the three lead generals of the gods came forward from the rear. They were Enki, Ninhursag, and Enlil, mounted on special harnesses on the backs of monstrous Nephilim.
Brian Godawa (Noah Primeval (Chronicles of the Nephilim Book 1))
Put plainly, Lincoln was a politician, building a public life on points that could be sustained by popular opinion—or, in extreme cases, sustained despite popular opinion. Doing good depended on winning elections. Not incidentally, his work as a lawyer nurtured this perspective, bringing him before panels that decided guilt and innocence, truth and falsehood. Lincoln had to constantly keep in mind the predilections and prejudices of ordinary people in Illinois—especially central Illinois, a region thick with hostility to antislavery agitation. But
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
So you’re a wolf, and she’s plain and mousy? I’m just trying to figure out which of you is more short-sighted.
Toni Anderson (Her Box Set: Volume I (Her, #1-3))
Ah! said the doctor, in his most complacent manner, "here is the opportunity I have long been waiting for. I have often desired to test and taste the indian mode of cooking. What do you suppose this is?" holding up the dripping morsel. Unable to obtain the desired information, the doctor, whose naturally good appetite had been sensibly sharpened by his recent exercise á la quadrupède, set to with a will and ate heartily of the mysterious contents of the kettle. "What can this be?" again inquired the doctor. He was only satisfied on one point, that it was delicious - a dish fit for a king. Just then Gurrier, the half-breed, entered the lodge. He could solve the mystery, having spent years among the Indians. To him the doctor appealed for information. Fishing out a huge piece and attacking it with the voracity of a hungry wolf, he was not long in determining what the doctor had supped so heartily upon. His first words settled the mystery: "Why this is dog." I will not attempt to repeat the few but emphatic words uttered by the headily disgusted member of the medical fraternity as he rushed from the lodge.
George Armstrong Custer (My Life on the Plains (Illustrated & Annotated): Personal Experiences With Indians (History in Words and Pictures Series Book 1))
In truth we do not know how long we may have on this plain. Perhaps we shouldn't damn ourselves with reservation and instead truly accept what is most attractive to our hearts.
Kia Carrington-Russell (Phantom Wolf (Phantom Wolf, #1))
He arrived tentatively at his own idea, that melancholy arose from natural, sometimes beneficent forces. Talking about it in plain human terms was his first step toward claiming his own ground as a person who, through no fault of his own, needed help.
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
Around young, beautiful, fat women, I am generally thrown into confusion. I don’t know why. Maybe it’s because an image of their dietary habits naturally congeals in my mind. When I see a goodly sized woman, I have visions of her mopping up that last drop of cream sauce with bread, wolfing down that final sprig of watercress garnish from her plate. And once that happens, it’s like acid corroding metal: scenes of her eating spread through my head and I lose control. Your plain fat woman is fine. Fat women are like clouds in the sky. They’re just floating there, nothing to do with me. But your young, beautiful, fat woman is another story. I am demanded to assume a posture toward her. I could end up sleeping with her. That is probably where all the confusion comes in. Sex is an extremely subtle undertaking, unlike going to the department store on Sunday to buy a thermos. In this sense, sleeping with fat women can be a challenge. There must be as many paths of human fat as there ways of human death.
Haruki Murakami
Could you have been content to live with Nighteyes among the wolves?” “I would have been willingly to try,” I said stubbornly. “Even if his mate could never completely accept you?” “Could you, for once, simply say whatever it is you are trying to say?” He looked at me and rubbed his chin as if he were truly considering it. Then he smiled sadly. “No. I can’t. Not without damaging something precious to me.” As if he were not changing the subject at all, he asked, “Will you ever tell Dutiful that your body fathered his?” I did not like him to speak that aloud even when it was just we two. My strong Skill-bond with Dutiful made him seem ever close. “No,” I said shortly. “He would see too many things differently. It would hurt him, to no good end. It would damage the image of his father, his feelings toward his mother, even his feelings toward me. What purpose could it serve?” “Exactly. So you will always love him as a son, but treat him as your prince. One step from where you long to be. Because even if you told him, you could never be his father.” I was starting to get angry again. “You are not my father.” “No.” He stared at the fire. “And I’m not your lover, either.” I felt suddenly weary and sour. “Is that what this is about? Bedding with me? You won’t return to Buckkeep because I won’t bed with you?” “No!” He did not shout the word, but something in the way he said it stunned me into silence. His voice was low, almost harsh as he spoke. “Always, you bring it back to that, as if that is the only possible culmination of love.” He sighed and abruptly settled back in his chair. He looked at me speculatively, and then asked, “Tell me, did you love Nighteyes?” “Of course.” “Without reserve.” “Yes.” “Then by your logic, you wished to couple with him?” “I wished…No!” “Ah. But that was only because he too was male? It had nothing to do with your other differences?” I gaped at him. A moment longer he managed to keep his face straight in honest inquiry. Then he laughed at me, more freely than I had heard him laugh in a long time. I wanted to be offended, but it was such a relief to hear him laugh, even at my expense, that I could not. He caught his breath, and said, “There it is. Plainly, Fitz. I told you I set no limits on my love for you. I don’t. Yet I never expected you to offer me your body. It was the whole of your heart, all for myself, that I sought. Even though I’ve never had a right to it. For you gave it away ere you ever saw me.” He shook his head. “Long ago, you told me that Molly would never be able to tolerate your bond with the wolf. That she would force you to decide between them. Do you still believe that?” “I think it likely,” I had to reply softly. “And how do you think she would react to me?” He paused for a heartbeat. “Whom would you choose? And what would you lose, either way, by being forced to make such a choice?
Robin Hobb (Fool's Fate (Tawny Man, #3))
Could you have been content to live with Nighteyes among the wolves?” “I would have been willingly to try,” I said stubbornly. “Even if his late could never completely accept you?” “Could you, for once, simply say whatever it is you are trying to say?” He looked at me and rubbed his chin as if he were truly considering it. Then he smiled sadly. “No. I can’t. Not without damaging something precious to me.” As if he were not changing the subject at all, he asked, “Will you ever tell Dutiful that your body fathered his?” I did not like him to speak that aloud even when it was just we two. My strong Skill-bond with Dutiful made him seem ever close. “No,” I said shortly. “He would see too many things differently. It would hurt him, to no good end. It would damage the image of his father, his feelings toward his mother, even his feelings toward me. What purpose could it serve?” “Exactly. So you will always love him as a son, but treat him as your prince. One step from where you long to be. Because even if you told him, you could never be his father.” I was starting to get angry again. “You are not my father.” “No.” He stared at the fire. “And I’m not your lover, either.” I felt suddenly weary and sour. “Is that what this is about? Bedding with me? You won’t return to Buckkeep because I won’t bed with you?” “No!” He did not shout the word, but something in the way he said it stunned me into silence. His voice was low, almost harsh as he spoke. “Always, you bring it back to that, as if that is the only possible culmination of love.” He sighed and abruptly settled back in his chair. He looked at me speculatively, and then asked, “Tell me, did you love Nighteyes?” “Of course.” “Without reserve.” “Yes.” “Then by your logic, you wished to couple with him?” “I wished…No!” “Ah. But that was only because he too was male? It had nothing to do with your other differences?” I gaped at him. A moment longer he managed to keep his face straight in honest inquiry. Then he laughed at me, more freely than I had heard him laugh in a long time. I wanted to be offended, but it was such a relief to hear him laugh, even at my expense, that I could not. He caught his breath, and said, “There it is. Plainly, Fitz. I told you I set no limits on my love for you. I don’t. Yet I never expected you to offer me your body. It was the whole of your heart, all for myself, that I sought. Even though I’ve never had a right to it. For you gave it away ere you ever saw me.” He shook his head. “Long ago, you told me that Molly would never be able to tolerate your bond with the wolf. That she would force you to decide between them. Do you still believe that?” “I think it likely,” I had to reply softly. “And how do you think she would react to me?” He paused for a heartbeat. “Whom would you choose? And what would you lose, either way, by being forced to make such a choice?
Robin Hobb (Fool's Fate (Tawny Man, #3))
Her son’s voice is like a piece of thread being slowly pulled away from this room, out of this house that she loves, this house filled with books and firewood and simple comforts. She follows his voice over the hide of the nearby mountains, into snowy forests stripped of their leaves, along the rugged shores of ancient lakes, across vast, unending plains of wheat and corn and lentil, through rocky mountains, deserts, canyons, and on into blue oceans of infinity.
Adam Rapp (Wolf at the Table)
I have thought it well to utter here a provisional warning against the lamentable error of proposing (just as people have proposed a Zionist movement) to create a Sodomist movement and to rebuild Sodom. For, no sooner had they arrived there than the Sodomites would leave the town so as to not have the appearance of belonging to it, would take wives, keep mistresses in other cities where they would find, incidentally, every diversion that appealed to them. They would repair to Sodom only on days of supreme necessity, when their own town was empty, at those seasons when hunger drives the wolf from the woods. In other words, everything would go on very much as it does today in London, Berlin, Rome, Petrograd, or Paris.
Marcel Proust (Sodom and Gomorrah: Part 1 (Cities of the Plains) (Remembrance of Things Past, 7))
As easy as this distinction is to execute, virtually all untrained salespeople ignore it, simply because they’re unaware of how negatively it will impact their ability to get into rapport. Plain and simple, unless you ask for permission to ask questions, you run an extremely high risk of being perceived as the Grand Inquisitor–type, instead of a trusted advisor, and the Grand Inquisitor–type does not “care about you,” nor are they “just like you,” which are the two driving forces behind getting into rapport. However, the good news here is that all you have to do to avoid this outcome is remember always to ask for permission to ask questions. It’s as simple as that.
Jordan Belfort (Way of the Wolf: Straight line selling: Master the art of persuasion, influence, and success)
it is plain that thoughts, feelings, and behavior beget like thoughts, feelings, and behavior.
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
Images of a pale dragon caged and raging, locked within a chamber among the roots of a great tree. A wolf upon a plain, a thick chain binding him, small figures swarming, stabbing, the wolf’s jaws wide as it howled. “Ulfrir, wolf-god,” Kráka breathed. “It’s the Guðfalla,” Biórr whispered. “The gods-fall.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
When I pulled my locker open, a small piece of paper fell to the ground. I bent down and picked it up, quickly realizing it was an envelope with a card inside. Someone must have slipped it through the vent in the door since I didn’t recognize it and my name was scrawled on the outside. Wary but curious, I opened it to find a plain, white note card. Inside was a gift card to my favorite coffee shop on Main Street, the one Grace and I liked to go to. I was excited for exactly half a second before I read the message written in serial killer print on the card. Bex, For the sake of Savage River’s overrun emergency room, use this to buy yourself something to eat. If you keep starving yourself, you’ll wind up with a cracked skull. I don’t know what you’ve heard, but scars aren’t a great look on girls. You know what is? A little meat on their bones. EAT! Asher
Julia Wolf (Through the Ashes (The Savage Crew, #2))
He walked like a famished wolf, its stomach hollow, its ribs sticking out, coming down from mountains where there is nothing but snow, advancing warily across the plain, and stopping every so often, one paw raised, and wagging its mangy tail: “Lifting its muzzle to sniff the treacherous air.”[*] Whenever it catches a scent of man or steel, it pricks its sharp ears and surveys the land with two bloodshot eyes, gleaming with lust for the prey and terror of the hunt. (For anyone interested in knowing its origin, by the way, that lovely verse is taken from a tangled tale, unpublished, of crusades and Lombards, which will soon no longer be unpublished and is bound to make quite an impression. I have used it since it fits my purpose, and I mention where I found it so as not to take credit for another’s work. I wouldn’t want anyone to think this is my sly way of indicating that the author of that tale and I are like brothers, and that I riffle through his manuscripts at my leisure.)
Alessandro Manzoni (The Betrothed: A Novel)
Half a century ago, only Teilhard foresaw what is now known as the Internet. What Teilhard’s superiors in the Society of Jesus and the Church hierarchy thought about it all in the 1920s, however, was not much. The plain fact was that Teilhard accepted the Darwinian theory of evolution. He argued that biological evolution had been nothing more than God’s first step in an infinitely grander design. Nevertheless, he accepted it.
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
This Steppenwolf...has discovered that... at best he is only at the beginning of a long pilgrimage towards this ideal harmony.... No, back to nature is a false track that leads nowhere but to suffering and despair.... Every created thing, even the simplest, is already guilty, already multiple.... The way to innocence, to the uncreated and to God, leads on, not back, not back to the wolf or the child, but ever further into guilt, ever deeper into human life.... Instead of narrowing your world and simplifying your soul, you will have at the last to take the whole world into your soul, cost what it may. The last image of the treatise recalls an idea of Rilke’s: the Angel of the Duinese Elegies who, from his immense height, can see and summarize human life as a whole. Were he already among the immortals—were he already there at the goal to which the difficult path seems to be taking him—with what amazement he would look back over all this coming and going, all the indecision and wild zigzagging of his tracks. With what a mixture of encouragement and blame, pity and joy, he would smile at this Steppenwolf. The Outsider’s ‘way of salvation’, then, is plainly implied. His moments of insight into his direction and purpose must be grasped tightly; in these moments he must formulate laws that will enable him to move towards his goal in spite of losing sight of it. It is unnecessary to add that these laws will apply not only to him, but to all men, their goal being the same as his.
Colin Wilson (The Outsider)
Editing a written text is a collaborative enterprise that commences with the other parties commenting up the author’s initial ideas and it can include technical assistance in correction of grammatical mistakes, misspellings, poorly structured sentences, vague or inconsistent statements, and correcting errors in citations. Editing is as much as an art form as writing a creative piece of literature. A good editor is a trusted person whom instructs the writer to speak plainly and unabashedly informs the writer when they write absolute gibberish. Perhaps the most successful relationship between a writer and an editor is the storied relationship shared by Thomas Wolfe and his renowned editor, Maxwell Perkins. By all accounts, the prodigiously talented and mercurial Wolfe was hypersensitive to criticism. Perkins provided Wolfe with constant reassurance and substantially trimmed the text of his books. Before Perkins commenced line editing and proofreading Wolfe’s bestselling autobiography Look Homeward, Angel,’ the original manuscript exceeded 1,100 pages. In a letter to Maxwell Perkins, Thomas Wolfe declared that his goal when writing “Look Homeward, Angel,” was “to loot my life clean, if possible of every memory which a buried life and the thousand faces of forgotten time could awaken and to weave it into a … densely woven web.” After looting my own dormant memories by delving into the amorphous events that caused me to lose faith in the world and assembling the largely formless mulch into a narrative manuscript of dubious length, I understand why a writer wishes to thank many people for their assistance, advice, and support in publishing a book.
Kilroy J. Oldster (Dead Toad Scrolls)
It is never certain for her that the wolves will answer each Wednesday. I wonder for a moment why they do. Surely they know that these are just a bunch of humans trying to speak wolf. Surely they smell us, a group of sixty people cloaked in lotions, colognes, insecticides, and deodorant - announcing our odiferous presence to an animal whose world is ordered by scent - standing in the woods a mere few hundred yards away. Surely they heard our engines as we arrived. Surely they could hear that our pitch is off, that we are an imitation. Yet they accept this and play along. Why? Wolves, it turns out, will howl to a variety of stimuli, including the sirens of emergency responder vehicles. In the late 1960s, when researchers discovered that the red wolf was nose-diving into extinction, they played electronic sirens in southeastern Texas coastal marshes and plains to elicit howls from wild canids. From the howls, they made probable identifications of red wolves and possible hybrids. Coyote vocalizations often have a series of broken yips and barns and emanate at a comparatively higher frequency, whereas red wolves will howl at lower frequencies that start “deep and mournful” but may break off into yapping like a coyote, according to a report authored in 1972 by two trappers, Glynn Riley and Roy McBride, who were employed by the federal government. Early surveyors noted, too, that the red wolves were more likely to howl in good weather and less likely to respond in rainy or overcast weather. Confined to their facility, perhaps the red wolves of Sandy Ridge howl to humans because it gives them a way to communicate with living beings outside their fence. Who knows: maybe they are simply telling us to bugger off and go away. Or, as frightened as they are of seeing a human, perhaps howling to a group of them on a dark night is more palatable since they do not have to look at us or be gawked at in turn. Perhaps howling is a way of reaching out on their own terms, in their own language, through which they can proclaim their space and their place on the land - their way of saying, “Even though I’m in here, behind this fence, I own this place.” Or maybe they just want to remind us that this land had been theirs for millennia before we invaded and claimed it. In the dark of night, I fantasize that their howls are calling out: “All this was ours. This was ours.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
The next morning, Carley was nervous about both wolves encountering people. He made the decision to recapture them and place them back in their pens. The men shot cracker shells at Margie, hoping to push her back across the marsh to Bulls Island, but she hunkered down in the woods under deep leafy cover. The team set traps, hoping to catch her quickly, but their activity pushed her closer to U.S. Highway 17, which she crossed and moved to the northwest. It appeared she was on a beeline for the Francis Marion National Forest. On December 22, Carley decided to shoot her with a tranquilizer dart. If that didn’t work out, he’d just plain shoot her the next day. Luckily, a gunner in a Bell JetRanger helicopter lodged a dart in Margie’s back end by 1:00 P.M., saving Carley from having to make a fatal decision. By 3:00 P.M., she was back in her pen on Bulls Island, groggy but alive. The incident marked the first time in the lower forty-eight states that a live wolf was shot with a tranquilizer dart from a helicopter. (It worked so well that Carley began renting helicopters to flush and dart wild canids in the inaccessible marshes and swamps that neither horses nor boats could help his team penetrate in Louisiana and Texas.) The next afternoon, they caught Buddy, too. He had returned to Bulls Island, likely in search of Margie. With both wolves safely in their pen, Carley quipped to his team that the wolves were in better shape than their keepers. He and Dorsett were flat tuckered out. Though everyone laughed at his joke, Carley felt they all looked at him askance. They knew he had been prepared to shoot Margie. “Although it was ‘we’ who decided the statements [to shoot escaped wolves] should be made and adhered to,” Carley wrote in a field report on the incident, “in looking around after the recapture of the wolves, I had the distinct uncomfortable feeling of abandonment, and that ‘we’ had suddenly narrowed to ‘I.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Even the terminal dryness of bone hides inside our skin plainly, like dust on a mirror.
Kaveh Akbar (Calling a Wolf a Wolf)
In the black eye sockets of the dead, and over the thousands of molehills spread throughout the plains, the snow fell noiselessly. Only the bandy-legged wolf, wandering over my footprints among the crosses on the graves, did not leap over the cemetery walls, on this long night.
Josef Winkler (When the Time Comes)
His mind reached out for Raven’s, craving the contact. What are you doing all alone in that spooky old house? Her soft laugher filled his utter coldness with warmth. Waiting for my big bad wolf to come home. Do you have your clothes on? This time her response sent fingers playing over his skin, touching him intimately, heating his body. Warmth, laughter. He hated being away from her, hated the distance separating them. Of course I have my clothes on! What if more unexpected visitors arrive? I can’t very well greet them naked, can I? She was teasing, but the thought of anyone approaching his home with her alone and unprotected made a sliver of fear slice through him. It was an unfamiliar emotion, and he almost couldn’t identify it. Mikhail? Are you all right? Do you need me? I’ll come to you. Stay there. Listen for the wolves. If they sing to you, call me right away. Do not wait. There was that brief hesitation that meant she was annoyed with his tone. I don’t want you to worry about me, Mikhail. You have enough people who make demands on you. Perhaps that is so, little one, but you are the only one I truly give a damn about. And drink another glass of juice. You will find some in the refrigerator. He broke contact, smiling at their brief exchange. She would have argued over the order for nourishment if he had waited long enough. He rather liked to irritate her sometimes. He liked the way her blue eyes deepened into sapphire, and how she got that little edge in her carefully controlled voice. Mikhail? Her voice startled him, low and warm and filled with feminine amusement. Try making suggestions next time, or just plain asking. You go do whatever it is you’re doing, and I’ll search your extensive library for a book on manners. He nearly forgot he was crouched at the base of a tree only a few hundred feet from the shack belonging to Hans and Heidi Romanov. Mikhail managed to suppress his urge to laugh. You will not find one. Why am I not surprised? This time Raven broke contact.
Christine Feehan (Dark Prince (Dark, #1))
THE JOE PICKETT NOVELS Long Range Wolf Pack The Disappeared Vicious Circle Off the Grid Endangered Stone Cold Breaking Point Force of Nature Cold Wind Nowhere to Run Below Zero Blood Trail Free Fire In Plain Sight Out of Range Trophy Hunt Winterkill Savage Run Open Season THE STAND-ALONE NOVELS The Bitterroots Paradise Valley Badlands The Highway Back of Beyond Three Weeks to Say Goodbye
C.J. Box (Dark Sky (Joe Pickett, #21))
Sean at sixteen thought 'Rexecutioner's Dream' was the greatest thing he'd ever heard, something so strange and different it seemed like a message from another realm. It had cover art, but the art was glued onto the inner sleeve of a standard-issue black cassette; the spine was hand lettered. It was the product of someone's hard work, a vision brought into the world of real things. A dream disguised in a crude, plain package.
John Darnielle (Wolf in White Van)
Bee. Listen to Lant and the Fool. Obey them. They will get you to safety.” “But Fitz—” Beloved said in a broken voice. “There’s no time to argue. Keep your promise to me!” My father’s voice was the harshest I’d ever heard it. Beloved’s gasp sounded like a sob. “Papa,” I said. I held to the cuff of his sleeve. “You promised me! You said you’d never leave me again!” “I’m sorry, Bee.” He looked at all of us. “I’m sorry. Get inside. Hurry.” But at the last moment he reached over and set his hand on my head. I do not think he knew what would happen. The touch broke our walls. I felt him. I felt his disappointment in himself. He did not feel he deserved anything from me. Not to touch me or even to say that he loved me, for he had failed so badly at being my father. It stunned me. It was like a second wall beyond his Skill-walls, something that prevented him from believing that anyone could love him. Wolf-Father spoke to both of us. You would not feel so terrible if you had not loved her so recklessly. Without limits. Be proud of our cub. She fought. She killed. She stayed alive. I felt Wolf-Father leap to my father. I heard his parting words. Run, cub. We stand and fight like cornered wolves. Follow the Scentless One. He is part of us. Protect each other. Kill for him, if need be. As the wolf went to him, I felt the surge of joy that linked those two. They would stand and fight, not just for me, but because it was what they loved to do. What they had always loved to do. My father stood a bit straighter. They both looked at me from his eyes. Puzzlement and pride. And love of me. It poured out of my father, as uncontrollable as the blood seeping from his wound. It drenched and filled me. He lifted his hand from my head. Did he know how he had revealed himself? Did he understand that Wolf-Father had been with me, all those days, and now returned to him? Almost gently, he peeled my grip from his cuff. He spoke. “Please Lant. Take Bee. Take the Fool, take all of them. Get them safely home. It’s the best thing you can do for me. Hurry!” He gave me the softest of pushes. Away from him. He turned away from us, as if confident that we would obey. He turned and began to limp away. “Why?” I shouted at him. I was too angry to cry, I thought, but tears came anyway. “Bee, I’m leaving a blood trail that a child could follow. Per saw guards coming, searching rooms as they come. I will be sure they find me before they find you. Now follow Lant.” He sounded terribly tired and sad. I looked back at the way we had come. His bloody footprints were plain on the once-clean floor. He was right, and that only made me angrier. Lant stood by the open door. “Per, Spark, take them in. I’m staying with Fitz.” “No, Lant, you won’t! I need you with them, to be a sword to protect them and use your strength to barricade that door.” Beloved didn’t move. “I can’t do this,” he said in a very soft voice. My father rounded on him. “You promised!” he roared. He seized the front of Beloved’s shirt and pulled him close. “You promised me. You said you would choose her life over mine.” “Not like this,” Beloved wailed. “Not like this!” Abruptly my father seized him in a hug. He held him tight as he spoke “We don’t get to choose how it happens. Only that you save her, not me. Now go!” He pushed him away. “All of you, go!” He turned and limped away from us. His hand left bloody prints on the wall, and his footprints were red on the white floor. He didn’t look back.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))