Gaffer Quotes

Elves and Dragons! Cabbages and potatoes are better for me and you. Don't go getting mixed up in the business of your betters, or you'll land in trouble too big for you. ~Hamfast Gamgee (the Gaffer)

Sméagol won't grub for roots and carrotses and - taters. What's taters, precious, eh, what's taters?' 'Po-ta-toes,' said Sam. 'The Gaffer's delight, and rare good ballast for an empty belly. But you won't find any, so you needn't look. But be good Sméagol and fetch me some herbs, and I'll think better of you. What's more, if you turn over a new leaf, and keep it turned, I'll cook you some taters one of these days. I will: fried fish and chips served by S. Gamgee. You couldn't say no to that.' 'Yes, yes we could. Spoiling nice fish, scorching it. Give me fish now, and keep nassty chips!' 'Oh, you're hopeless,' said Sam. 'Go to sleep!

It is best to love first what you are fitted to love, I suppose: you must start somewhere and have some roots, and the soil of the Shire is deep. Still there are things deeper and higher; and not a gaffer could tend his garden in what he calls peace but for them, whether he knows about them or not. I am glad that I know about them, a little.

To think things out properly and fairly, a fellow's got to be calm and old and toothless: When you're an old gaffer with no teeth, it's easy to say: 'Damn it, boys, you mustn't bite!' But, when you've got all thirty-two teeth...

Dear me! We Tooks and Brandybucks, we can't live long on the heights.' 'No,' said Merry. 'I can't. Not yet, at any rate. But at least, Pippin, we can now see them, and honour them. It is best to love first what you are fitted to love, I suppose: you must start somewhere and have some roots, and the soil of the Shire is deep. Still there are things deeper and higher; and not a gaffer could tend his garden in what he calls peace but for them, whether he knows about them or not.

He locked the door that lay behind his eyes and walked away, leaving the body, the plaster dust, the flask of cold tea, and the angry gaffer behind.

It’s the job that’s never started as takes longest to finish, as my old gaffer used to say.

Should we tolerate the blatant incorrectness of religion? Tolerating ignorance, superstition and stupidity will not provide for a healthy advancement of our society. Religion is cancer for modern thought, rationality, and even common sense.

(knitting while on a motorcycle) "For several years she knitted in secret (my father would not approve; she was to concentrate on motorcycling and LEAN into the curves, etc), and used a small circular needle (socks and mittens) in order to keep the knitting in her pocket until they were under way; then she leaned back slightly so Gaffer couldn't feel the movement of her hands. On the interstate one day, they were slowly passing a semi and my father happened to see the truck driver laugh and point out my mother's knitting to his passenger. Whoops-

Gaffer Swanthold speaks truth when he saith, 'Better a crust with content than honey with a sour heart.

Maybe,' said Sam; 'but where there's life there's hope, as my gaffer used to say; and need of of vittles, as he mostways used to add. You have a bite, Mr. Frodo, and then a bit of sleep.

Amal: It isn't sad. When they shut me in here first I felt the day was so long. Since the King's Post Office I like it more and more being indoors, and as I think I shall get a letter one day, I feel quite happy and then I don't mind being quiet and alone. I wonder if I shall make out what'll be in the King's letter? Gaffer: Even if you didn't wouldn't it be enough if it just bore your name?

Various reproachful names for himself came to Sam’s mind, drawn from the Gaffer’s large paternal word-hoard;

So instead of a bra, what do you think I wore for support, intergalactically? Gaffer’s tape.

sinclair "They were obsessed by the gaffer in Terra Haute who got converted every single night in the meetings. He may have been insane and he may have been a plain drunk.

They were obsessed by the gaffer in Terra Haute who got converted every single night in the meetings. He may have been insane and he may have been a plain drunk.

What’s taters, precious, eh, what’s taters?’ ‘Po – ta – toes,’ said Sam. ‘The Gaffer’s delight, and rare good ballast for an empty belly.

Twenty. Five. Years. Out at the Dalmarnock Iron Works, and all he got was three weeks’ wages. Three weeks! I went up there maself, chapped on the big red gaffer’s door, and I telt him what he could dae with three weeks’ wages.

What a skeletal wreck of man this is. Translucent flesh and feeble bones, the kind of temple where the whores and villains try to tempt the holistic domes. Running rampid with free thought to free form, and the free and clear. When the matters at hand are shelled out like lint at a laundry mat to sift and focus on the bigger, better, now. We all have a little sin that needs venting, virtues for the rending and laws and systems and stems are ripped from the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve? When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned. For the rest of us, there is always Sunday. The day of the week the reeks of rest, but all we do is catch our breath, so we can wade naked in the bloody pool, and place our hand on the big, black book. To watch the knives zigzag between our aching fingers. A vacation is a countdown, T minus your life and counting, time to drag your tongue across the sugar cube, and hope you get a taste. WHAT THE FUCK IS ALL THIS FOR? WHAT THE HELL’S GOING ON? SHUT UP! I can go on and on but lets move on, shall we? Say, your me, and I’m you, and they all watch the things we do, and like a smack of spite they threw me down the stairs, haven’t felt like this in years. The great magnet of malicious magnanimous refuse, let me go, and punch me into the dead spout again. That’s where you go when there’s no one else around, it’s just you, and there was never anyone to begin with, now was there? Sanctimonious pretentious dastardly bastards with their thumb on the pulse, and a finger on the trigger. CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT! Government is another way to say better…than…you. It’s like ice but no pick, a murder charge that won’t stick, it’s like a whole other world where you can smell the food, but you can’t touch the silverware. Huh, what luck. Fascism you can vote for. Humph, isn’t that sweet? And we’re all gonna die some day, because that’s the American way, and I’ve drunk too much, and said too little, when your gaffer taped in the middle, say a prayer, say a face, get your self together and see what’s happening. SHUT UP! FUCK YOU! FUCK YOU! I’m sorry, I could go on and on but their times to move on so, remember: you’re a wreck, an accident. Forget the freak, your just nature. Keep the gun oiled, and the temple cleaned shit snort, and blaspheme, let the heads cool, and the engine run. Because in the end, everything we do, is just everything we’ve done.

M. le Comte de Maucombe, disguised in a provincial printer’s jacket, set up, read, and corrected the decrees which forbade citizens to harbor aristocrats under pain of death; while the “bear,” now a “gaffer,” printed the copies and duly posted them, and the pair remained safe and sound.

I've stuck like a plaster to the old faith I was born in. Yes; there's this to be said for the Church, a man can belong to the Church and bide in his cheerful old inn, and never trouble or worry his mind about doctrines at all. But to be a meetinger, you must go to chapel in all winds and weathers, and make yerself as frantic as a skit. Not but that chapel members be clever chaps enough in their way. They can lift up beautiful prayers out of their own heads, all about their families and shipwrecks in the newspaper." "They can -- they can," said Mark Clark, with corroborative feeling; "but we Churchmen, you see, must have it all printed aforehand, or, dang it all, we should no more know what to say to a great gaffer like the Lord than babes unborn," "Chapelfolk be more hand-in-glove with them above than we," said Joseph, thoughtfully. "Yes," said Coggan. "We know very well that if anybody do go to heaven, they will. They've worked hard for it, and they deserve to have it, such as 'tis. I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.

Save me!" said Sam turning white, and then flushing scarlet. "There I go again! 'Whenever you open your big mouth you put your foot in it' the Gaffer used to say to me, and right enough. O dear, O dear!

Gaffer sind Menschen, die nicht alle Tassen im Schrank haben.

Gaffer’s torch powers on and then it is turned off again. It is then the sea is visible, the sound of the ocean woven with the racing breeze as they cross a road and follow a sandy path through dunes onto a beach and she knows the name of this beach, she has been here so many times before, and there is a man standing in a pale anorak with his hood pulled up texting into a phone and she sees two inflatable boats by the water’s edge and something inside her is flung when she sees the ocean dark and barren but for the rollers breaking whitely by the headland.

God is a great gaffer.

On the Goldwyn lot Walter still liked to talk to everybody, including the floor sweeper. Walter asked him what he was thinking about when he swept. Nothing, the man said. But when Brennan said he might play a worker like the sweeper, the man said, “Well, I’m thinking I’m damn lucky to have a job because I know a lot of fellows who wish they had a job now. Most people don’t realize when they’re well off.” Walter liked to sit around the set, gabbing with the gaffer, grips, and prop men.

I wish you’d take his Ring. You’d put things to rights. You’d stop them digging up the Gaffer and turning him adrift. You’d make some folk pay for their dirty work.’ ‘I would,’ she said. ‘That is how it would begin. But it would not stop with that, alas! We

The Gaffer once told me how it was when he was a child and someone died in the Endlands. The relatives of the deceased would blacken one of their mules from tail to lips with wet peat and sent it wandering down the valley to let the other families know that death had paid a visit. When the mule was found, it was washed in the river and taken back to where it belonged. And with them they'd bring bread and meat and soul's cake. In those days, the Gaffer said, the body was not considered unclean or frightening and before it went to the undertaker's the loved one was laid out in the front room for touch and kisses. Yuck, says Adam. But think of it like this, I say: Death would have plenty of time with them. The least we could do was let them stay in the house with their family for a little while longer. Special candles, thick as leeks, were placed at the head and the feet, and the floor was strewn with salt and rosemary. And then the soul's cake would be laid on the chest over the heart and the living would each take their share. Not a speck could be left, no hidden under shirt buttons or between the fingers of folded hands. It was a privilege of the dead to pass on with all their sins eaten away. The burden now rested with the living.

The two friends read the handbill as it stuck against the wall, and Gaffer read them as he held the light.

Film Lighting: Talks with Hollywood’s Cinematographers and Gaffers by Kris Malkiewicz. And for sound: Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema by David Sonnenschein.

éclairage zénithal natural lighting from above éclairagiste /eklɛʀaʒist/ nm electrician • chef ~ | gaffer

And you can say what you like, about what you know no more of than you do of boating, Mr. Sandyman,’ retorted the Gaffer, disliking the miller even more than usual. ‘If that’s being queer, then we could do with a bit more queerness in these parts.

It’s the job that’s never started as takes longest to finish, as my old gaffer used to say. And I don’t reckon that these folk can do much more to help us, magic or no. It’s when we leave this land that we shall miss Gandalf worse, I’m thinking.

In my experience as a cameraman, it was quite exceptional to have to light up a surface and volumes that were so immense as those in the Berlin library. I was both very impressed and also worried when the decision was made to shoot in that location. My general philosophy is never to argue with the director. I have only done so very rarely. I can't remember ever refusing to shoot any given scene - as certain of my colleagues had. Whatever difficulties were involved, I told myself: "Actually, I'm here to try to effectuate the thought of the director. So let's try to acquiesce to his vision." And Wim wanted this fabulous decor. But with respect to technical matters, it required a lot of equipment. And it was my good fortune to be working for a company that could finance my own needs, which were enormous. Since there was a lot of current needed, a lot of lights, a lot of gaffers to do the installations. Since everything had to be hidden. And in fact, you don't see a single light, despite the fact that there were scores of them set up at the location. And it was difficult because we filmed in the daytime - but since it was winter, at three or four o'clock in the afternoon, it looks light night - we had to take whatever measures we could to prolong the day, even if we continued filming in the same direction as at the start. It was then decided - and this is one of the nice things about working with Wim - that as long as the daylight lasted, we would film in one direction, and when night came, we would change direction, and return a week later (since we could only film there one day a week: on Sunday). So there were in fact immense difficulties. And in the end, I found that these were beneficial constraints, because something good always comes from having constraints. The same is true of painting. Painters who have no constraints don't produce anything extraordinary. I think that in all the arts, these constraints are present. And there are plenty of them in the art of cinema. So I acquiesced to these difficult conditions for shooting, and in the end I was rather happy with the situation.

It's the job that's never started as takes longest to finish, as my [Sam] old gaffer used to say.

...all's well as ends well,...' [ - the Gaffer]

gaffer.

It is best to love first what you are fitted to love, I suppose: you must start somewhere and have some roots, and the soil of the Shire is deep. Still there are things deeper and higher; and not a gaffer could tend his garden in what he calls peace but for them, whether he knows about them or not. I am glad that I know about them, a little. But I don’t know why I am talking like this. Where is that leaf? And get my pipe out of my pack, if it isn’t broken.

Elves and Dragons! I [the Gaffer] says to him. Cabbages and potatoes are better for me and you. Don't go getting mixed up in the business of your betters, or you'll land in trouble too big for you, I says to him [Sam]...

It's the job that's never started as takes longest to finish, my old gaffer used to say.

Eddie!” Miriam shouted. “Stop it. I’m trying to do my job, here. I’m asking for your help.” Eddie stared at her. She was almost pleading. Most gaffers didn’t want to hear your opinion outside of the crime scene. To them you were a necessary evil, an added extra; you were the heartburn after eating onions, and your opinions were never sought; your opinions were discouraged, drowned in Pepto Bismal.

I haven’t seen the lad, but he comes highly recommended by my greengrocer. Brian Clough on signing Nigel Jemson

You’re nowt but a ninnyhammer, Sam Gamgee: that’s what the Gaffer said to me often enough, it being a word of his. Rope!

Sméagol won’t grub for roots and carrotses and - taters. What’s taters, precious, eh, what’s taters?’ ‘Po—ta—toes,’ said Sam. ‘The Gaffer’s delight, and rare good ballast for an empty belly.

Rope!’ cried Sam, talking wildly to himself in his excitement and relief. ‘Well, if I don’t deserve to be hung on the end of one as a warning to numbskulls! You’re nowt but a ninnyhammer, Sam Gamgee: that’s what the Gaffer said to me often enough, it being a word of his. Rope!

There I go again! When ever you open your big mouth you put your foot in it the Gaffer used to say to me, and right enough.

Looking at his face, I got the memory of him. He was the cheeky bleeder at the Tipton livery who called me a gypo when I first come to the port with Bill and the Gaffer.

My clothes are burned, but wearable, if you ignore the burning garbage smell. I have on an ancient Germs T-shirt that my girlfriend lifted from a West Hollywood vintage shop for me, worn black jeans with holes in the knees, a pair of ancient engineer boots, and a battered leather motorcycle jacket, strategic points of which are held together with black gaffer’s tape. The heel of my right boot is loose from when I’d kicked the living Jesus out of some carjacking piece of shit after he dragged some screaming soccer mom to the pavement at a stoplight. I hate cops and I fucking hate goody-goody hero types, but there is some shit I will not put up with if it happens in front of me