Witches Key Quotes

Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god's idea of amusement is Snakes and Ladders with greased rungs.

Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.” There was a moment of stunned silence. “What?” Hespe asked incredulously. “His ass fell off.

And yet, despite repeated assurances that women aren't particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about "insatiable" whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality...all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?

[V]iolence against women is a key element in this new global war, not only because of the horror it evokes or the messages it sends but because of what women represent in their capacity to keep their communities together and, equally important, to defend noncommercial conceptions of security and wealth.

Eyes of blue and hair of fire Are the keys to your desire. Angel's voice and will of steel Shall force the dark witch to kneel. Death to bind and bind to break Sun and moon for all our sake. Prince of night, daughter of day, Bound as one the witch they'll slay. Same hour they their first breath drew, On her last, the witch will rue. Join the two named in this verse And see the end of the curse.

telling me not all men have bad intentions doesn't do anything to reassure me. after i walk away from you, nothing will have changed. i will still be scared to leave my house after sundown. i will still find comfort in keys resting between fingers, i will still question the intentoins of every man i know i will still wonder when i am to become a story meant to warn other people's daughters, & i will still cry when i turn on the television to find yet another man getting away with well-- what they always seem to get away with. i am not the one who has to change the way i think or the way i act. they are.

She was prisoner to an old, forgotten god, kept from her home, probably never to see it again, and yet... the way she sat, poised, calm, clear like a full moon night, she seemed much happier than me, the witch who contained them all, the jailer with the magic key.

(a) Are the skies you sleep under likely to open up for weeks on end? (b) Is the ground you walk on likely to tremble and split? (c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason? Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.

Key shrugged. “If you ask me, she’s too good for him.” “He’s the supreme monarch of our land, and she’s a treacherous witch whose sins scream to the sky for the gods to strike her down.” Key nodded approval. "I do like her.

When you are experiencing pain, depression and exhaustion from being on the battlefield, (or at any other time), don’t forget one of our key weapons — praise. I

There she is, that girl, on a planet of grass. Her wants are simple: to tilt her face to the sun and feel its warmth. To clutch the earth beneath her fingers. To escape from and return to the house she was born in. To see her life from a distance, as clear as a photograph, as mysterious as a fairy tale. This is a girl who has lived through broken dreams and promises. Still lives. Will always live on that hillside, at the center of a world that unfolds all the way to the edges of the canvas. Her people are witches and persecutors, adventurers and homebodies, dreamers and pragmatists. Her world is both circumscribed and boundless, a place where the stranger at the door may hold a key to the rest of her life. What she wants most—what she truly yearns for—is what any of us want: to be seen. And look. She is.

When I pointed out this fallacy in her thought process, however, all she said was, “Just do it,” only not the way they say it in Nike ads. She said it the way the Wicked Witch of the West said it to the winged monkeys when she sent them out to kill Dorothy and her little dog, too.

All human beings, independent of a dominant gender orientation, embody qualities of the masculine and feminine, and the whole of humanity has suffered from the aggressions of the immature and nongenerative masculine.

Raw, freezing magic detonated from her outstretched hand with the sound of a thousand thunderclaps.

Ice women diary: A witches tin key.

A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.

back in the middle ages they burned unruly women at the stake and out of the ashes of their bones and flesh rose the Enlightenment and Reason fresh and the white men declared there's no such thing as witches they're just crazy psycho-bitches but we certainly can't let them run free lock 'em up and throw away the key yeah they said: lock 'em up and throw away the key cause there's nothing scarier than a woman mad and/or aware of her own magic tragic how much violence is done in the name of science to ensure our silence in Victorian times they located suffering in our uterus in the blood in the soft internal organs took our pain our righteous rage they called it 'hysteria' and then Dr. Freud ignored women's horror stories herstories of abuse and rape and took a justified hatred of the penis and called it envy (he sold more books that way)

Magic must have meaning to hold power. You must believe in your magic or it is useless. Focus is the key. Focus your mind and your spirit. You must have a strong will to do what you must. Doubt causes weakness. Weakness causes doubt. Fear cripples us. Believe in your power and you will become powerful.

If women were as libidinous as men, we’re told, society itself would collapse. Lord Acton was only repeating what everyone knew in 1875 when he declared, “The majority of women, happily for them and for society, are not very much troubled with sexual feeling of any kind.” And yet, despite repeated assurances that women aren’t particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about “insatiable” whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality…all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?

Little boys jump, but they do not know where. Into the mouth of the demon lair. Hold still and you will see, in his hand is the key. Fire and brimstone. Brimstone and fire. Your ally is clever. a thief and a liar. All is not lost. You can turn it around. But, for a moment...all will be well.....peaceful and sound." Alice.

In antiquity, Hekate was loved and revered as the goddess of the dark moon. People looked to her as a guardian against unseen dangers and spiritual foes. All was well until Persephone, the goddess of spring, was kidnapped by Hades and ordered to live in the underworld for three months each year. Persephone was afraid to make the journey down to the land of the dead alone, so year after year Hekate lovingly guided her through the dark passageway and back. Over time Hekate became known as Persephone's attendant. But because Persephone was also the queen of the lower world, who ruled over the dead with her husband, Hades, Hekate's role as a guardian goddess soon became twisted and distorted until she was known as the evil witch goddess who stalked the night, looking for innocent people to bewitch and carry off to the underworld. Today few know the great goddess Hekate. Those who do are blessed with her compassion for a soul lost in the realm of evil. Some are given a key.

Aspects of Witchcraft rituals may sometimes seem silly to very serious-minded people, who fail to realize that ritual is aimed at Younger Self. The sense of humor, of play, is often the key to opening the deepest states of consciousness. Part of the “price of freedom,” then, is the willingness to play, to let go of our adult dignity, to look foolish, to laugh at nothing. A child makes believe that she is a queen; her chair becomes a throne. A Witch makes believe that her wand has magic power, and it becomes a channel for energy.

And I must smile and dance with this man, and say nothing, for he holds the key to the prison my life has become.

Two of the essential keys to magick that I don't see discussed nearly enough are enthusiasm and sincerity.

After the dream-witch’s visit I resolved never to sleep again.

Half witch half demon my blood is the key.

I think about all the ways I’ve been perceived by others over the years: as a burden, a dutiful daughter, a girlfriend, a spiteful wretch, an invalid… This is my letter to the World that never wrote to Me. “You showed what no one else could see,” I tell him. He squeezes my shoulder. Both of us are silent, looking at the painting. There she is, that girl, on a planet of grass. Her wants are simple: to tilt her face to the sun and feel its warmth. To clutch the earth beneath her fingers. To escape from and return to the house she was born in. To see her life from a distance, as clear as a photograph, as mysterious as a fairy tale. This is a girl who has lived through broken dreams and promises. Still lives. Will always live on that hillside, at the center of a world that unfolds all the way to the edges of the canvas. Her people are witches and persecutors, adventures and homebodies, dreamers and pragmatists. Her world is both circumscribed and boundless, a place where the stranger at the door may hold a key to the rest of her life. What she most wants—what she most truly yearns for—is what any of us want: to be seen. And look. She is.

What’s going on?” Ingrid asked. “Listen, nothing bad today, please.” She pulled a chair out and sat down. Faye stared at her and said the words as quickly as she could. “I’m just going to give it to you straight as I can. Mila is a witch.” Ingrid busted out with a laugh. “I wouldn’t call her that,” she said. “That’s a little harsh, isn’t it?” She poured the juice into her glass and took a drink. “What did the brat do this time?” She set her glass down.

He finished shaving me silently, and then brought the sun-tan lamp over to the chair and put cool white pads of cotton soaked in witch hazel over my eyes. There, in the bright red inner darkness I saw what happened the night he took me away from the house for the last time .

I Just as my fingers on these keys Make music, so the selfsame sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music. It is like the strain Waked in the elders by Susanna: Of a green evening, clear and warm, She bathed in her still garden, while The red-eyed elders, watching, felt The basses of their beings throb In witching chords, and their thin blood Pulse pizzicati of Hosanna. from "Peter Quince at the Clavier

Let me out, witch," growled Alice. She began to hum off key. Griselda stepped away from the door. "I can help the little wee babes," Alice sung sweetly. "Through the woods and into the dark. Where he whispers the words to make his mark. Little boy of green..." Alice chuckled. "...has gone to the wizard who is evil and mean.

It is essential to emphasize that violence against women is a key element in this new global war, not only because of the horror it evokes or the messages it sends but because of what women represent in their capacity to keep their communities together and, equally important, to defend noncommercial conceptions of security and wealth.

KUNDALINI DANCE Dark and cold and wet were Her hands I felt Her chilly breath inside my throat Her claws deep inside trying to find traces of Fear within me I stayed still Accepting Opening Receiving Within a moment She was inside Two fingers below My belly button In there She found no traces of shivers no traces of resistance, no traces of weakness just clear pure Passage-Way Then She grew into Her most powerful Self She stood undisturbed, unmoved, unchanged Totally free and She screamed AAAAAUUUUUUMMM From the centre of the earth, Through the tunnels of the caves, To the surface of the volcanoes AAAAUUUUUUMMMM To open: Mountain tops untouched by clouds and rain Cherry fields in their full blossom A dog running after a train filled with the excitement A witch laughing at passers-by mirroring their paranoia Death looking us in the eyes searching for the chosen Few Capable to see the Key behind Her magic veil

During the 2016 US presidential campaign, the hatred shown toward Hillary Clinton far outstripped even the most virulent criticisms that could legitimately be pinned on her. She was linked with “evil” and widely compared to a witch, which is to say that she was attacked as a woman, not as a political leader. After her defeat, some of those critics dug out the song “Ding Dong, the Witch is Dead,” sung in The Wizard of Oz to celebrate the Witch of the East’s death—a jingle already revived in the UK at the time of Margaret Thatcher’s death in 2013. This reference was brandished not only by Donald Trump’s electors, but also by supporters of Bernie Sanders, Clinton’s main rival in the primaries. On Sanders’ official site, a fundraising initiative was announced under the punning title “Bern the Witch”—an announcement that the Vermont senator’s campaign team took down as soon as it was brought to his attention. Continuing this series of limp quips, the conservative commentator Rush Limbaugh quipped, “She’s a witch with a capital B”—he can’t have known that, at the Salem witch trials in the seventeenth century, a key figure had already exploited this consonance by calling his servant, Sarah Churchill, who was one of his accusers, “bitch witch.” In reaction, female Democrat voters started sporting badges calling themselves “Witches for Hillary” or “Hags for Hillary.”48

But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.

A notion of character, not so much discredited as simply forgotten, once held that people only came into themselves partway through their lives. They woke up, were they lucky enough to have consciousness, in the act of doing something they already knew how to do: feeding themselves with currants. Walking the dog. Knotting up a broken bootlace. Singing antiphonally in the choir. Suddenly: This is I, I am the girl singing this alto line off-key, I am the boy loping after the dog, and I can see myself doing it as, presumably, the dog cannot see itself. How peculiar! I lift on my toes at the end of the dock, to dive into the lake because I am hot, and while isolated like a specimen in the glassy slide of summer, the notions of hot and lake and I converge into a consciousness of consciousness–in an instant, in between launch and landing, even before I cannonball into the lake, shattering both my reflection and my old notion of myself.

One night, I sat Beauty on my knee. —And I found her bitter. —And I hurt her. I took arms against justice. I fled, entrusting my treasure to you, o witches, o misery, o hate. I snuffed any hint of human hope from my consciousness. I made the muffled leap of a wild beast onto any hint of joy, to strangle it. Dying, I called out to my executioners so I could bite the butts of their rifles. I called plagues to suffocate me with sand, blood. Misfortune was my god. I wallowed in the mud. I withered in criminal air. And I even tricked madness more than once. And spring gave me an idiot’s unbearable laughter. Just now, having nearly reached death’s door, I even considered seeking the key to the old feast, through which, perhaps, I might regain my appetite. [...] “A hyena you’ll remain, etc.… ” cries the demon that crowns me with merry poppies. “Make for death with every appetite intact, with your egotism, and every capital sin.” Ah. It seems I have too many already: —But, dear Satan, I beg you not to look at me that way, and while you await a few belated cowardices—you who so appreciate a writer’s inability to describe or inform—I’ll tear a few terrible leaves from my book of the damned.

Don’t shut me out,” she breathed. “Never,” he murmured. “That’s not—” He rubbed his eyes with his thumb and forefinger. “I failed you tonight.” His words were a whisper in the darkness. “Rowan—” “He got close enough to kill you. If it had been another enemy, they might have.” The bed rumbled as he took a shuddering sigh and lowered his hand from his eyes. The raw emotion there made her bite her lip. Never—never did he let her see those things. “I failed you. I swore to protect you, and I failed tonight.” “Rowan, it’s fine—” “It’s not fine.” His hand was warm as it clamped on her shoulder. She let him turn her onto her back, and found him half on top of her as he peered into her face. His body was a massive, solid force of nature above hers, but his eyes—the panic lingered. “I broke your trust.” “You did no such thing. Rowan, you told him you wouldn’t hand over the key.” He sucked in a breath, his broad chest expanding. “I would have. Gods, Aelin—he had me, and he didn’t even know it. He could have waited another minute and I would have told him, ring or no ring. Erawan, witches, the king, Maeve … I would face all of them. But losing you …” He bowed his head, his breath warming her mouth as he closed his eyes. “I failed you tonight,” he murmured, his voice hoarse. “I’m sorry.

A Season in Hell - 1854-1891 A while back, if I remember right, my life was one long party where all hearts were open wide, where all wines kept flowing. One night, I sat Beauty down on my lap.—And I found her galling.—And I roughed her up. I armed myself against justice. I ran away. O witches, O misery, O hatred, my treasure's been turned over to you! I managed to make every trace of human hope vanish from my mind. I pounced on every joy like a ferocious animal eager to strangle it. I called for executioners so that, while dying, I could bite the butts of their rifles. I called for plagues to choke me with sand, with blood. Bad luck was my god. I stretched out in the muck. I dried myself in the air of crime. And I played tricks on insanity. And Spring brought me the frightening laugh of the idiot. So, just recently, when I found myself on the brink of the final squawk! it dawned on me to look again for the key to that ancient party where I might find my appetite once more. Charity is that key.—This inspiration proves I was dreaming! "You'll always be a hyena etc. . . ," yells the devil, who'd crowned me with such pretty poppies. "Deserve death with all your appetites, your selfishness, and all the capital sins!" Ah! I've been through too much:-But, sweet Satan, I beg of you, a less blazing eye! and while waiting for the new little cowardly gestures yet to come, since you like an absence of descriptive or didactic skills in a writer, let me rip out these few ghastly pages from my notebook of the damned.

The rose is a symbol of the inner mysteries of Witchcraft. A red rose symbolizes the mysteries as they reside in Nature, within the living things. The white rose symbolizes the Otherworld and the mysteries hidden in secret places. When a single rose appears with white petals in the center of red petals, this represents the mysteries joined together within one reality. Thorns appearing with the rose represent challenges and the dedication required to fully grasp the enlightenment of the rose. One of the symbolisms associated with the rose reveals the covenant between the Witch and the Faery. In this, we find that both are stewards of the portal that opens to the inner mysteries. The Faery holds the celestial key, and the Witch bears the terrestrial key. When the two are joined together, they form an X—the sign of the crossroads. In this formation, where the keys cross we find a third point, the in-between place at the center. This is where the portal exists, and this is where it opens between the worlds. Look at the shape of the X and you can see four pointed tip markers (the V shapes). The upper half of the X points down, and the lower half points up. On the sides of the X, you can see that the left and right halves point to the center. This shows us that when the celestial and terrestrial realms join, they pull together the left ways and the right ways. These are occult terms for esoteric and exoteric modes of consciousness. In the fusion, everything briefly loses its distinction, its ability to mask the opposite reality, and in doing so, the secret third reality emerges in the center of it all. If this sounds confusing or nonsensical, then the guardian of that portal is doing its job well. The material in this book will connect you with an entity connected to the rose and its mystery. This is the previously mentioned She of the Thorn-Blooded Rose. With her guidance, you can be directed to the portal, and through it you can meet a variety of beings and entities. However, her primary task is to connect you with the Greenwood Realm and the plant spirits within it. In your journey to encounter these spirits, you will pass through the organic memory of the earth. You'll walk upon roads of mystical concepts and be accompanied by the Old Ones of

Fruit of the Poisonous Tree, The True Story of Murder in a Small Town, begins on a steamy August night with two teenagers, brother and sister, on an evil mission deep in a rural Michigan forest. For one desperate moment headlights appear on the lonely access road. Will they be found out? Thus the story of one of state’s strangest criminal cases unfolds. Girl breaks up with boyfriend. He turns violent. She disappears without a trace. Then state police investigators set out on what at first looks like a fool’s journey. The story is colored by a bizarre Ouija board death prophesy and the roles of two psychics, a former practicing witch and a handsome young artist who is suspected of Satanism. The canny and elusive suspect taunts police and seems always to be one step ahead of them. When a key witness is daunted by uncharacteristic injuries, a mysterious medium tells him he is the victim of black magic practiced by the suspect’s grandmother. And when, after eight years, the suspect finally is brought to trial, he is represented by a Roman Catholic priest.

Sabine dear, you behaved so wonderfully, so poised and mature. I was very proud of you." Huh? Was I hearing right? My mother-proud of me? "You looked lovely and I was very impressed with your young man," she continued. "Has Josh ever considered modeling? I could put him in contact with some key people if he's interested." "I don't think so. But I'll tell him." "Also be sure to tell him he's welcome to visit anytime." "Should I come, too?" "Don't make jokes, Sabine. I'm being sincere." "Well ... thanks. I'll tell josh and we'll plan a visit." "Excellent. He's exactly the sort of young man I'd hoped you'd find, and clearly a very good influence to help you overcome your past problems." "You don't have to worry about me." "I'm not-but I'm concerned about Amy." "Why?" I asked cautiously. "She's at an impressionable age, and I don't want her to experience anything unnatural. I wouldn't have allowed her to stay with you if I hadn't thought you'd outgrown all the woo-woo nonsense." Yeah, like I'm going to take Amy to a coven meeting where we'll dance naked with spirits in the moonlight. Mom hadn't changed at all-my abilities still freaked her out. She'd only called to make sure I didn't corrupt my little sister. Her sugary compliments were as fake as artificial sweetener. Arguing would just bring a quick end to Amy's visit. So I said what Mom wanted to hear-lying through my clenched teeth for Amy's sake. Then I slammed the phone down.

jangled. Would you look at that? A pair of open handcuffs dangled from my headboard. The key glistened on the bedside table, reflecting a sunbeam right into my aching eyeballs. I didn’t make a habit of decorating my bedroom with my work equipment, so I assumed that recreational use of my cuffs meant I had company. The best kind of company. I swatted it with a finger and

She thought I hadn't seen her, but she's no good at hiding her intentions. She can't help tiptoeing around with a finger to her lips at key moments.

I chose a man and he chose me You should have simply let it be I chose a man and he chose you Now this choice you both shall rue You stole mine so I'll steal yours Each mother's child that she adores From every generation born The first new child she will mourn This curse unbroken now shall be Down into eternity Unless you find the pathway through And solve the riddle with this clue A rose's cry at rock enchanted The sun's bright ray where none is slanted A magic key to a gift divine True love must merge when stars align

Well then share it with the world, and if they don’t love it, who cares, as long as you’re having a good time. We all make mistakes in life, so if your voice goes off key once in a while, then so be it. You’ll still wake up tomorrow and the world will still be spinning. I’m so sorry, that was ultra-corny.” “Yeah

Father O’Day stiffened. “Don’t ever confuse your master with mine!” he thundered. “Do you think the Lord on high is so frail that this little planet, with its greedy little people, is all that he can do? Bah!” Abruptly his great hand swept out, seized Deranian by the coat collar, shook him, and hurled him into the midst of the other men. “Get out of my sight! Go tell the rest of your kind there are marvels in Creation far beyond their narrow dreaming.” There

It was a curious box with rounded corners, made of a dark leather that had been beautifully tooled. On either side, done in gold leaf, was a striking design in the form of a double star, with each star having eight points.

The doll lay crumpled and motionless until he found his harmonica and blew a few soft notes. Gradually, life seemed to enter it. It stirred, rose slowly, and finally began to dance as he played.

They were about to continue a journey that had really started long ago. A journey that had been strangely interrupted, that even now someone was trying to prevent.

there was no better spot than a mountaintop for taking on the minions of the devil. He

defense lawyers are key in promoting the idea that many convicted of child abuse are innocent

She’d always said that there must be something very bad about money, because those who needed it most never had it, and so many who had it would do such awful things to get more of it. The

Unfortunately there’s only one way to silence a revolution. Sooner or later, the bodies start burning. And if there’s one thing the Church has always been good at, it’s a witch hunt.

The click, clack of the typewriter weakened as I casually strolled through the forest. I stopped for a moment, turned back to study the cottage and the faint light in the window. I felt sad for the man because whatever it was that he was smiling about, whatever it was that he was typing, was disappearing with every stroke of the key.

Alas! For impropriety, The guillotine of piety. To remedy society Indulge not to satiety In mirth and shameless gaiety. Choose sobering sobriety. Behave as if the deity Approaches in its mystery, And greet it with sonority. Let your especial history Be built upon sorority Whose Virtues do examplify, And Social Good thus multiply. Animals should be seen and not heard. Again, there was mumbling, but it was of a different nature now, a meaner key. Doctor Dillamond harrumphed and beat a cloven hoof against the floor, and was heard to say, "Well that's not poetry, that's propaganda, and it's not even good propaganda at that." Elphaba sidled over to Galinda's side with her chair under her arm, and plunked it down between Galinda and Shenshen. She put her bony behind on its slatted seat and leaned to Galinda and asked, "What do you make of this?" It was the first time Galinda had ever been addressed by Elphaba in public. Mortification bloomed. "I don't know," she said faintly, looking in the other direction. "It's cleverness, isn't it?" said Elphaba. "I mean that last line, you couldn't tell by that fancy accent whether it was meant to be Animals or animals. No wonder Dillamond's furious.

It’s easier to fear a caricature of a villain than it is to confront the villainy within. The tendency toward evil, toward violence, that hides in the darkness of a human soul is the most terrifying monster in the world. Want to fight something evil? Start with yourself. Confront your darkness before you fuck with mine. [...] Ironic, I suppose, since there’s more than enough monster in humans to spare. There’s also a lot within humanity that’s beautiful, that motivates people to pursue virtue rather than vice. Vampire, witch, mambo, human, whatever . There’s a little good in the worst of us and a little bad in the best of us. The key isn’t so much about choosing one path or the other, but having the wisdom to discern the difference. After all, even the world’s worst villains believed they were heroes. Bad guys usually think they’re the good guys.

The concept of a pact, particularly one with the Devil is a relative latecomer to witchcraft mythology.[23] Early examples of magical grimoires such as the Greek Magical Papyri and even the Key of Solomon both present the occultist as ‘master of spirits’, just as the tribal shaman is in traditional cultures. In fact the Greek Magical Papyri actually shows the mage extracting an oath of allegiance from the daimon, rather than the other way around! It seems to be a uniquely post-Christian idea that the witch obtained his or her power from a pact with the devil or other powerful familiar

As for the rest, nobody’s life is perfect. The key is picking up the pieces when your life shatters and finding a way to move on.

Dina hummed to herself as she pulled out an empty jam jar from a busy cupboard. It was still labeled "Apricot Jam" from the batch her mum had made for her last year--- jam that tasted like bottled sunshine. There wasn't an exact science to the magic, but Dina often found that the best tea blends were ones she put into secondhand jars, ones that had been full of delicious, wonderful things. She clipped her curls out of her face and headed into the pantry. The walls were lined floor-to-ceiling with all manner of jars and boxes, all individually labeled in Dina's messy handwriting. She kept her spices together, along with other baking essentials like fish vanilla, cake flour, and a tin that was labeled "Eye of Newt" but actually contained nutmeg. Her tea selection had several shelves dedicated to it. Aside from the specialty blends she made for the shop, Dina kept a collection of tea and tisane ingredients, which she could mix into more personal blends at a moment's notice. Dina never felt more in her element as a kitchen witch than when she was looking through her pantry. Scott's tea blend needed to be something that encapsulated his energies yet also helped him in some way. A tea to drink in the middle of a long work day, Dina decided. She twirled a curl around her finger as she focused. She hadn't met any of his fellow curators yet, but from what Scott had told her they could be a bit of a handful. So the kind of tea that would help him get through a long meeting. Something to sharpen a tired mind. Dina knew just the thing for it. She scooped up several jars and laid them out on the counter before her. Black tea--- a full-bodied assam, cacao nibs, dried ginger and... it was missing something. Dina stepped back into the pantry and surveyed her shelves with her hands on her hips. She knew that this would need one more ingredient to be perfect for Scott. Lion's mane mushroom? Perhaps a little too earthy. Clove? Too heavy. It would overpower the other flavors. As her eyes skirted over the rows of jars, she spotted it. A small glass jar with a dark red powder in it. Dried beetroot! Perfect! Energizing yet slightly sweet and smooth, and it would make Scott look like he was drinking some kind of red-velvet-themed drink. Which was also his favorite cake flavor.

Many witches are of a rational, bookish, and quite frankly, nerdy bent. We place high value on science, critical thought, and careful discernment. Yet also, the immediacy of our experience tells us that there is more wonder than we can describe.

You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.

Aside from the evil nature of the witch figure in mainstream society, the pre-Christian depiction of the witch is different in key ways. Over time the witch was transformed from a sorceress calling upon a goddess of witchcraft to a deviant worshipping the Devil. The latter obliterated the earlier model and fixed the public mind on a new enemy of Christian society. The fictional witch of pre-Christian literary tradition was thereby reshaped into the fictional witch of popular Christian culture. This was reinforced with transplanted ideas about witches and witchcraft from theologians and other agents of the Church. The Christianized image of the witch is a cultivated one. It came along hand in hand with the vilification of pre-Christian deities, practices, and beliefs that were contrary to the theology of Christianity. With the resources of the Church, and a multitude of individuals devoted to converting pagans, the culture and spirit of the pre-Christian European people were beaten into submission. The campaign is what I refer to as spiritual ethnocide, which targeted not only beliefs and practices but also the enchanted worldview of paganism and its adherents. The witch, as she or he was once known, became one of the many casualties. Duni

It would be a pretty good bet that the gods of a world like this probably do not play chess and indeed this is the case. In fact no gods anywhere play chess. They haven’t got the imagination. Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god’s idea of amusement is Snakes and Ladders with greased rungs.

Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.

Don’t shut me out,” she breathed. “Never,” he murmured. “That’s not—" He rubbed his eyes with his thumb and forefinger. “I failed you tonight.” His words were a whisper in the darkness. “Rowan—” “He got close enough to kill you. If it had been another enemy, they might have.” The bed rumbled as he took a shuddering sigh and lowered his hand from his eyes. The raw emotion there made her bite her lip. Never—never did he let her see those things. “I failed you. I swore to protect you, and I failed tonight.” “Rowan, it’s fine—” “It’s not fine.” His hand was warm as it clamped on her shoulder. She let him turn her onto her back, and found him half on top of her as he peered into her face. “I broke your trust.” “You did no such thing, Rowan, you told him you wouldn’t hand over the key.” “I would have. Gods, Aelin—he had me, and he didn’t even know it. He could have waited another minute and I would have told him, ring or no ring. Erawan, witches, the king, Maeve… I would face all of them. But losing you…” He bowed his head, his breath warming her mouth as he closed his eyes. “I failed you tonight,” he murmured, his voice hoarse. “I’m sorry.

Parsons was a founding member of JPL (Jet Propulsion Laboratory, which was transferred to NASA in 1958). Much has been written about his Babalon Working: a series of magical workings or practices aimed at manifesting an incarnation of the archetypal divine feminine, Babalon, but it is Parsons’s recognition as one of the most important figures in the history of space flight that is significant. His occult beliefs played a key part in his scientific ambitions, and he would passionately recite Crowley’s “Hymn to Pan” during rocket tests. The invention and subsequent development of rocket technology changed humanity’s fortunes forever.

Using the confessions as the primary source materials, I will focus on five key areas: The dark appearance and appellation Appearance as a composite being Shape-shifting Interceptor and trickster nature Sex and sexual interest in human beings

Song of the Dark Man is an important text, one that fills a notable gap in the annals of “occult” research. It provides a dedicated focus on a key, one may even say foundational, subject: the “Dark Man” of the Witches’ Sabbath—a being of myth but also a shapeshifter, one who is prone to stepping out of the world of folklore and taking on an all too real presence in the lives of those who encounter him.

Hope Jones and Nozy Cat held a spirited exchange, and it wasn’t the first time they’d broached the subject. “I still cannot believe I’m talking to my cat,” Hope said. You are a witch, Hope. That’s what the witches do.

If my parents were still alive, we'd most likely be in Europe fighting vampires in an ancient castle, but it seemed life had other plans for me right now. As I looked around at the huge crowd of students, all I could think was that I'd have been more comfortable with the vampires.

Something that my parents always taught me is that there are no coincidences. Everything happens for a reason, and if you see a pattern start to emerge, pay attention to it. It might save your life.

Okay, I'll go, but I don't have to be happy about it," I said. Uncle Martin smiled. "No teenager ever is.

It is more important to honor the cycles of nature in a way that is authentic to your location and sense of spiritual ancestry than to do what is done by others.

You are just living with cycles, like the rest of nature. The magic is yours, a witch unto yourself. You are beholden to no one but connected to many as you stand at the forest’s edge. May the strong ones guard you May the old ones guide you May enchantment surround you This day and all the days of your life.

But if we ask whether there was not sonic madness about him, whether his naturally just mind was not subject to some kind of disturbing influence which was not essential to itself, then we ask a very different question, and require, unless I am mistaken, a very different answer. When all Philistine mistakes are set aside, when all mystical ideas are appreciated, there is a real sense in which Blake was mad. It is a practical and certain sense, exactly like the sense in which he was not mad. In fact, in almost every case of his character and extraordinary career we can safely offer this proposition, that if there was something wrong with it, it was wrong even from his own best standpoint. People talk of appealing from Philip drunk to Philip sober; it is easy to appeal from Blake mad to Blake sane. When Blake lived at Felpham angels appear to have been as native to the Sussex trees as birds. Hebrew patriarchs walked on the Sussex ])owns as easily as if they were in the desert. Some people will be quite satisfied with saying that the mere solemn attestation of such miracles marks it man as a madman or a liar. But that is a short cut of sceptical dogmatism which is not far removed from inipu- dence. Surely we cannot take an open question like the supernatural and shut it with a bang, turning the key of the n►ad-house. on all the mystics of history. To call a man mad because lie has seen ghosts is in a literal sense religious persecution. It is denying him his full dignity as a citizen because lie cannot be fitted into your theory of the cosmos. It is disfranchising him because of his religion. It is just as intolerant to tell an old woman that she cannot be a witch as to tell her that she must be a witch. In both cases you are setting your own theory of things inexorably against the sincerity or sanity of human testimony. Such dogmatism at least must be quite as impossible to anyone calling himself an agnostic as to anyone calling himself a spiritualist. You cannot take the region called the unknown and calmly say that though you know nothing about it, you know that all its gates are locked. You cannot say, "This island is not discovered yet; but I am sure that it has a wall of cliffs all round it and no harbour." That was the whole fallacy of Herbert Spencer and Huxley when they talked about the unknowable instead of about the unknown. An agnostic like Huxley must concede the possibility of a gnostic like Blake. We do not know enough about the unknown to

Why not sell them?” She gave him a withering look. “Because my spells are written in there. I’m not letting that knowledge loose in the world.” Roga had been a witch before she’d defected to the House of Flame and Shadow and called herself a sorceress instead. He could only imagine what she’d seen in her long, long life. “So what do they say? The Parthos books?” The clacking keys resumed. “Nothing. And everything.” Ithan snorted. “Cryptic, as usual.” Her typing stopped again. “They’d bore most people. Some are books on complex mathematics, entire volumes on imaginary numbers. Some are philosophical treatises. Some are plays—tragedies, comedies—and some are poetry.

There must be some kind of logic or pattern or something to the curse, because that’s how they work, right? In every other story Luca has ever heard, every myth and legend and fairy tale. A spell from a wronged witch, a punishment for an old crime, vengeance for eating the fruit that wasn’t yours. That’s how it always goes. But the stories of Parris have never had that element, are always missing the key to the why of it all, and—

The discovery of a birthmark or extra nipple became a key factor in determining a witch’s guilt.

small piece of her heart mend. She’d almost forgotten that in Keating Hollow, kindness bred its own very real magic. “I hope so.” She turned to go, but as she pulled the door open, she glanced back and smiled. “Thanks, Shannon. I needed to hear that.” “You’re very welcome. Enjoy your homecoming.” Abby nodded and stepped back out onto Main Street, the bell on the door clanging behind her. She paused and sucked in a deep breath, letting the faint redwood-scented air wash over her before climbing back into her car. She’d just jammed the key into the ignition when someone blaring “Fireball” by Pitbull

A key to the understanding of all religion is that a god's idea of amusement is Snakes and Ladders with greased rungs.

turn-key,

You may be familiar (unwillingly so) with your mind skittering away from what you should be working on because you don’t want to expend the energy required to bite into it and get it done. When you’re tired—physically or mentally—it’s easier to do superficial stuff. Focused meditation helps us relearn the skill of focusing on the task at hand. It goes hand in hand with the concept of awareness of the moment, which is key to self-care. Focusing your attention on the task at hand—eating, reading, exercising—allows you to be aware of all the sensations that accompany that task and offers you the opportunity to examine how you respond to them.

women are considered to be possessions before we are ever considered to be human beings, & if our doors & our windows are ever smashed in by wicked men, then we are deemed worthless— foreclosed. never sold. so we move out of our neighborhoods & we make sister-homes out of each other. - we lock those doors & eat those keys.

telling me not all men have bad intentions doesn’t do anything to reassure me. after i walk away from you, nothing will have changed. i will still be scared to leave my house after sundown, i will still find comfort in keys resting between fingers, i will still question the intentions of every man i know, i will still wonder when i am to become a story meant to warn other people’s daughters, & i will still cry when i turn on the television to find yet another man getting away with well— what they always seem to get away with. i am not the one who has to change the way i think or the way i act. they are. - expectations vs. reality.

With the shower on full blast, I crank my Wet Tunes, the hope being that I can drown out one song in my head with another. Better yet, maybe they’ll play the same song, so I can hear the lyrics and figure out what it is. Somehow, I don’t imagine myself being that lucky. The shower does feel good, though, so I stay in there for a while. As the water cascades over my head, I begin to relax. I’ve got the radio tuned to WFUV, the college radio station out of Fordham, and they’re playing “Alison” by Elvis Costello, one of my favorites. Before I know it — and just as I hoped — it’s the only thing I hear between my ears. That is, until the song ends and some guy comes on reading the news. I whip back my head from the shower spray. I could swear he said something about a tragedy at the Fálcon Hotel. But that’s not what has me shaking like a leaf as I try to towel myself dry. The radio newsman didn’t say it happened yesterday. He said it happened this morning. Thirty minutes later, Michael hasn’t called, but I’m heading out the door of my place. I turn my key to double-lock it. And — “Ms. Burns? Ms. Burns?” Not again. It’s way too early to face the Wicked Witch on Nine. I turn — and it’s even worse than I thought. Mrs. Rosencrantz has brought a bald old man, who towers over her despite his being no more than five-foot-five, six tops. “You were screaming and screaming,” she practically screams in my face. “You woke up my Herbert. He heard it. Ask him, Ms. Burns.” I don’t ask Herbert.

We think we have sound relationships,’ said George, answering the doubt beyond doubt, ‘and suddenly there’s a word said or a thing done, so shatteringly out of key that you find yourself alone, and know you’ve never actually touched your partner at any point, or said a word in the same language. And it doesn’t always even absolve you from loving, when it happens. That’s the hell of it.

off from the same line, they were scattered peacefully across the globe for centuries, each mostly disregarding the others. But in the Middle Ages, the witches, who by nature did the most interacting with normal humans, began to be discovered. And then persecuted, and tortured, and murdered. Their leaders went to the vampires and the wolves and begged for help, but both groups turned away, the vampires from apathy and the wolves from fear of meeting the same fate. Wolves are pack animals, and look after their pack before anything else. So the witches did the only thing they could: they looked to strengthen their magic. They didn’t know about evolution and magical lines back then, but during their research, the witches managed to stumble upon a group of plants that magic had bonded itself to, just like the human conduits. They were known as nightshades: belladonna, mandragora, Lycium barbarum (which also became known as wolfberry), tomatillo, cape gooseberry flower, capsicum, and solanum. The entire subspecies was rife with magic. The latter four plants could be used in hundreds of charms and potions, many of which helped the witches to deter the human persecutors. But the former three plants were unique; they interacted with the remaining magical beings in mystifying ways. Belladonna was poisonous to vampires—it took unbelievable amounts to actually kill them, but even a sprinkle of the plant would work as a paralytic. Proximity to wolfberry caused the shifters to lose control, painfully unable to stop from changing, again and again, which was very dangerous to anyone nearby. And mandragora, also called mandrake, was the key ingredient in a spell that could grant a very powerful witch the ability to communicate between living and dead. Which is how I ended up disposing of that naked guy’s body in Culver City, all those years ago. This discovery was your classic Pandora’s box scenario. A small group of witches, furious that the vampires and the wolves had abandoned them during their darkest time, began to use wolfberry and belladonna against them—sometimes without much provocation. The balance of power shifted once again, and while the witches’ discovery didn’t cause a full-out war, it did spawn thousands of skirmishes, minor battles breaking out between the three major factions. Eventually, the use of those herbs was “outlawed” in the Old World, but it was done the way that marijuana has been outlawed in the US—basically, don’t get caught. The witches are always arguing about this among themselves; some of them think it should be open season, and others think the ban should be more strictly enforced. But while they may not be able to pull together a majority vote, in Los Angeles Kirsten has organized the witches into sort of an informal union. I know it sounds crazy, but if actors and directors can have unions in this town, why not witches? As I understand it, the real benefit to joining the union is access: to chat rooms, newsletters, support groups, spell sessions—and me. The witches’ dues pay Kirsten a small salary, and she uses the rest to organize the network and pay me. There are plenty of “non-union” witches in LA, too, ones who either haven’t

Magic Oh, a bottle of ink, a bottle of ink! What’s bottled up in a bottle of ink? Princes and ponies and pirates and bees, Pixies and brownies and magical keys, Lions and tigers and ladies and knights, Colourful peeps at most marvellous sights, Witches and goblins and fairies and fays, Heroes who lived in the far-away days— More wonderful things than you ever could think, All bottled up in a bottle of ink!

He thinks questions are power but it only reveals that he is lacking, seeking and lost, poking aimlessly like a key in the dark, prodding for the relief of a lock to release. They pursue and in the end, it will be flames.

Practice, Ami. There is no talent without practice." And practice you did. You hacked at livers and pig brains for sisig, spent hours over a hot stove for the perfect sourness to sinigang. You dug out intestines and wound them around bamboo sticks for grilled isaw, and monitored egg incubation times to make balut. Lola didn't frequent clean and well-lit farmers markets. Instead, you accompanied her to a Filipino palengke, a makeshift union of vendors who occasionally set up shop near Mandrake Bridge and fled at the first sight of a police uniform. Popular features of such a palengke included slippery floors slicked with unknown ichor; wet, shabby stalls piled high with entrails and meat underneath flickering light bulbs; and enough health code violations to chase away more gentrification in the area. Your grandmother ruled here like some dark sorceress and was treated by the vendors with the reverence of one. You learned how to make the crackled pork strips they called crispy pata, the pickled-sour raw kilawin fish, the perfect full-bodied peanuty sauce for the oxtail in your kare-kare. One day, after you have mastered them all, you will decide on a specialty of your own and conduct your own tests for the worthy. Asaprán witches have too much magic in their blood, and not all their meals are suitable for consumption. Like candy and heartbreak, moderation is key. And after all, recipes are much like spells, aren't they? Instead of eyes of newt and wings of bat they are now a quarter kilo of marrow and a pound of garlic, boiled for hours until the meat melts off their bones. Pots have replaced cauldrons, but the attention to detail remains constant.

We believe that focusing on disparate impacts rather than intentional discrimination is helpful in at least two ways. First, contemporary racial inequality is reproduced through the accumulation of actions that do not necessarily require intent. In fact, we believe that this is one key dimension of contemporary racial inequality that is missed when we mistakenly focus too heavily on old-fashioned forms of racial animus. Instead, our focus should be on how organizational policies and practices lead to disparate impacts on students...Second, using evidence of differential impacts on students that arise from organizational processes can help shift the conversation away from individual blame (a potentially unproductive witch hunt for racists) and toward frank conversations about racial dynamics that can move beyond fights about who's at fault and toward a discussion of interventions and solutions. From: Despite the Best Intentions: How Racial Inequality Thrives in Good Schools

And yet, despite repeated assurances that women aren’t particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about “insatiable” whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality…all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?