Witch Sister Quotes

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Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Only in our dreams are we free. The rest of the time we need wages.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
The duke had a mind that ticked like a clock and, like a clock, it regularly went cuckoo.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god's idea of amusement is Snakes and Ladders with greased rungs.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
She walked quickly through the darkness with the frank stride of someone who was at least certain that the forest, on this damp and windy night, contained strange and terrible things and she was it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I hate cats." Death's face became a little stiffer, if that were possible. The blue glow in his eye sockets flickered red for an instant. "I SEE," he said. The tone suggested that death was too good for cat haters.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Things that try to look like things often do look more like things than things.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
It is true that words have power, and one of the things they are able to do is get out of someone’s mouth before the speaker has the chance to stop them.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Granny Weatherwax was not lost. She wasn't the kind of person who ever became lost. It was just that, at the moment, while she knew exactly where SHE was, she didn't know the position of anywhere else.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Everywhere's been where it is ever since it was first put there. It's called geography.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Granny Weatherwax was often angry. She considered it one of her strong points. Genuine anger was one of the world's greatest creative forces. But you had to learn how to control it. That didn't mean you let it trickle away. It meant you dammed it, carefully, let it develop a working head, let it drown whole valleys of the mind and then, just when the whole structure was about to collapse, opened a tiny pipeline at the base and let the iron-hard stream of wrath power the turbines of revenge.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Trouble is, just because things are obvious doesn't mean they're true.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I reckon responsible behavior is something to get when you grow older. Like varicose veins.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Destiny is important, see, but people go wrong when they think it controls them. It's the other way around.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
She, too, is one of Regin’s friends. They’re poker buddies, sisters of the Wii, and Mari is a vaunted member of the karaoke contingent. Regin has long acted as the witches’ designated driver.” “BFF?” Lachlain asked, brows drawn. “Sisters of the what?” Emma supplied, “Best friend forever and a video game.” Lachlain muttered to Emma, “Your relatives are just no’ right.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Lips to lips, mouth to mouth, Comes the speaker of the shrouds, Suck in the spirit, speak the words, Let secrets of the dead be heard.
Yasmine Galenorn (Witchling (Otherworld / Sisters of the Moon, #1))
Sister Mary chose that moment to come in with the tea. Satanist or not, she'd also found a plate and arranged some iced biscuits on it.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Ninety percent of true love is acute, ear-burning embarrassment.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Just call in at the torturer on your way out. See when he can fit you in.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Witches aren’t like that. We live in harmony with the great cycles of Nature, and do no harm to anyone, and it’s wicked of them to say we don’t. We ought to fill their bones with hot lead.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Logic!" said the Professor half to himself. "Why don't they teach logic at these schools? There are only three possibilities. Either your sister is telling lies, or she is mad, or she is telling the truth. You know she doesn't tell lies and it is obvious that she is not mad. For the moment then and unless any further evidence turns up, we must assume that she is telling the truth.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Weave the circle, tightly sewn, Let nothing evil or unknown Enter within. Stay without On pain of death, we cast you out.
Yasmine Galenorn (Blood Wyne (Otherworld / Sisters of the Moon, #9))
Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflected the landscape. And yet ... and yet ... Inside this little world they had taken pains to put all the things you might think they would want to escape from — hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. He was fascinated.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
This is Art holding a Mirror up to Life. That’s why everything is exactly the wrong way around.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I’m not Glinda. I’m Glamora, her twin sister. She’s the Good witch; I’m the Wicked one. Of course, she’s also the one who’s turned Oz into the hellhole it is now, so it’s really all relative.
Danielle Paige (Dorothy Must Die (Dorothy Must Die, #1))
Often a woman that doesn’t have any business being in a fight is there because their ego thinks it can mend what other people can’t. It’s either superiority or a second chance to heal a wound they have, by meddling on your battlefield.
Shannon L. Alder
But I think you have a right to know what it is you’re not being told.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
She'd never mastered the talent for apologizing, but she appreciated it in other people.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
His sister had been sent down to the village to ask Mistress Garlick the witch how you stopped spelling recommendation.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Fairy tales are full of girls who wait, who endure, who suffer. Good girls. Obedient girls. Girls who crush nettles until their hands bleed. Girls who haul water for witches. Girls who wander through deserts or sleep in ashes or make homes for transformed brothers in the woods. Girls without hands, without eyes, without the power of speech, without any power at all. But then a prince rides up and sees the girl and finds her beautiful. Beautiful, not despite her suffering, but because of it.
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
Magrat had used a lot of powder to make her face pale and interesting. It combined with the lavishly applied mascara to give the guard the impression that he was looking at two flies that had crashed into a sugar bowl.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Her sister's shoes. They sparkeled even in the darkening afternoon. They sparkeled like yellow diamonds, and embers of blood and thorny stars.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Don't you want to die nobly for a just cause?" "I'd much rather live quietly for one.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Magrat wondered what it was like, spending your whole life doing something you didn’t want to do. Like being dead, she considered, only worse, the reason being, you were alive to suffer it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I turned to the courtyard and waved at Roman and the witch next to him. "Is that his sister?" Andrea asked me. "No." I had spoken with both of them. "I'd asked her that. Her name is Alina, she isn't his sister, and she feels deeply sorry for his sisters, because if she had to put up with being in his presence for longer than a day, she would throw herself off the nearest bridge just to end the agony." "Well," Andrea said. "Glad she cleared that up.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
Granny’s implicit belief that everything should get out of her way extended to other witches, very tall trees and, on occasion, mountains.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I was going to say he's aimless," the witch replied. "I know he's a bit old to be old to living at home with his mom, but he's had a difficult time holding a job. He's worked at Wendy's, Taco Bell, and Burger King, but it all ends the same way- he challenges his manager to combat, takes over the restaurant, and enslaves his coworkers. Then it's back to video games." - Morgan le Fay
Michael Buckley (Magic and Other Misdemeanors (The Sisters Grimm, #5))
If I'd had to buy you, you wouldn't be worth the price.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Sister Mary was a nurse and nurses, whatever their creed, are primarily nurses, which had a lot to do with wearing your watch upside down, keeping calm in emergencies, and dying for a cup of tea.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The calendar of the Theocracy of Muntab counts down, not up. No-one knows why, but it might not be a good idea to hang around and find out.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
The night was as black as the inside of a cat.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I understood something then. My sister might be twice the goddess I was, but I was twice the witch. Her crumbling trash could not help me.
Madeline Miller (Circe)
The theater troubled her. It had a magic of its own, one that didn’t belong to her, one that wasn’t in her control. It changed the world, and said things were otherwise than they were. And it was worse than that. It was magic that didn’t belong to magical people. It was commanded by ordinary people, who didn’t know the rules. They altered the world because it sounded better.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Fairy tales have a moral: Stay on the path. Don’t trust wolves. Don’t steal things, not even things you think no normal person would care about. Share your food but don’t trust people who want to share their food with you; don’t eat their shiny red apples, not their candy houses, nor any of it. Be nice, always nice, and polite to everyone: kings and beggars, witches and wounded bears. Don’t break a promise.
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
There were only three times in your life when it was proper to come through the front door, and you were carried every time.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Venkat, tell the investigation committee they’ll have to do their witch hunt without me. And when they inevitably blame Commander Lewis, be advised I’ll publicly refute it. I’m sure the rest of the crew will do the same. Also, please tell them that each and every one of their mothers is a prostitute. —Watney PS: Their sisters, too.
Andy Weir (The Martian)
Somewhere deep inside his mind, somewhere beyond the event horizon of rationality, the sheer pressure of insanity had hammered his madness into something harder than diamond.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
We ain’t going to curse anyone,” said Granny firmly. “It hardly ever works if they don’t know you’ve done it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
My name is unpronounceable in your tongue, woman,” it said. “I’ll be the judge of that,” warned Granny, and added, “Don’t call me woman.” “Very well. My name is WxrtHltl-jwlpklz,” said the demon smugly.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
The storm was really giving it everything it had. This was its big chance. It had spent years hanging around the provinces, putting in some useful work as a squall, building up experience, making contacts, occasionally leaping out on unsuspecting shepherds or blasting quite small oak trees. Now an opening in the weather had given it an opportunity to strut its hour, and it was building up its role in the hope of being spotted by one of the big climates.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Man just went past with a cat on his head,
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Things that try to look like things often do look more like things than things. Well-known fact,” said Granny. “But I don’t hold with encouraging it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
We got the spell exactly right. Except for the ingredients. And most of the poetry. And it probably wasn’t the right time. And Gytha took most of it home for the cat, which couldn’t of been proper.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Things like crowns had a troublesome effect on clever folk; it was best to leave all the reigning to the kind of people whose eyebrows met in the middle when they tried to think. In a funny sort of way, they were much better at it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Several sellers of hot meat pies and sausages in a bun had appeared from nowhere and were doing a brisk trade. [Footnote: They always do, everywhere. No-one sees them arrive. The logical explaination is that the franchise includes the stall, the paper hat and a small gas-powered time machine.]
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Divers alarums and excursions', she read, uncertainly. 'That means lots of terrible happenings, said Magrat. 'You always put that in plays.' Alarums and what?', said Nanny Ogg, who hadn't been listening. Excursions', said Magrat patienly. Oh.' Nanny Ogg brightened a bit. 'The seaside would be nice,' she said. Oh do shut up, Gytha,' said Granny Weatherwax. 'They're not for you. They're only for divers, like it says. Probably so they can recover from all them alarums.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
It was destined to be the most impressive kiss in the history of foreplay. The kiss lasted more than fifteen years. Not even frogs can manage that.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
What are you doing sister? / Killing swine.
William Shakespeare
You're wondering whether I really would cut your throat," panted Magrat. "I don't know either. Think of the fun we could have together, finding out
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Less reliable tales also reached his ears, of a dwarf witch who haunted a hill in the riverlands, and a dwarf whore in King's Landing renowned for coupling with dogs. His own sweet sister had told him of the last, even offering to find him a bitch in heat if he cared to try it out. When he asked politely if she were referring to herself, Cersei had thrown a cup of wine in his face.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
In a certain light and from a carefully chosen angle, Magrat was not unattractive.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
... being assassinated is natural causes for a king.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Come hither, Fool." The Fool jingled miserably across the floor.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
If anyone locked me in a dungeon, there'd be screams.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Yes, she was an orphan, a sister, a pirate, a girl, and also a boy. But more importantly, she was a person who sought power to protect those she loved. Including herself. Or himself. Both were equally true to her. Neither told the whole story.
Maggie Tokuda-Hall (The Mermaid, the Witch, and the Sea (The Mermaid, the Witch, and the Sea, #1))
He growled and stood up. “There is a knocking without,” he said. “Without what?” said the Fool. “Without the door, idiot.” The Fool gave him a worried look. “A knocking without a door?” he said suspiciously. “This isn’t some kind of Zen, is it?
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
The Weird Sisters, hand in hand, Posters of the sea and land, Thus do go, about, about, Thrice to thine, thrice to mine, And thrice again to make up nine. Peace, the charm's wound up.
William Shakespeare (Macbeth)
Granny turned slowly in her seat to look at the audience. They were staring at the performance, their faces rapt. The words washed over them in the breathless air. This was real. This was more real even than reality. This was history. It might not be true, but that had nothing to do with it. Granny had never had much time for words. They were so insubstantial. Now she wished that she had found the time. Words were indeed insubstantial. They were as soft as water, but they were also as powerful as water and now they were rushing over the audience, eroding the levees of veracity, and carrying away the past.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Sasha looked at his sister. He had never thought of her as girlish, but the last trace of softness was gone. The quick brain, the strong limbs were there: fiercely, almost defiantly present, though concealed beneath her encumbering dress. She was more feminine than she had ever been, and less. Witch. The word drifted across his mind. We call such women so, because we have no other name.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
We—we spread out,” he said. “Yes. We spread out. That’s what we do.” They moved carefully through the bracken. The sergeant crouched behind a handy log, and said, “Right. Very good. You’ve got the general idea. Now let’s spread out again, and this time we spread out separately.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Someone has to do it. It's all very well calling for eye of newt, but do you mean Common, Spotted or Great Crested? Which eye, anyway? Will tapioca do just as well? If we substitute egg white will the spell a) work b) fail or c) melt the bottom out of the cauldron? Goodie Whemper's curiosity about such things was huge and insatiable*. * Nearly insatiable. It was probably satiated in her last flight to test whether a broomstick could survive having its bristles pulled out one by one in mid-air. According to the small black raven she had trained as a flight recorder, the answer was almost certainly no.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
You’ve become a fire within me.” He pressed her palm to the center of his chest. “Right here. Bringing light to places I never knew were in shadow.” His breath shuddered out of him. “I can’t go back to the darkness, Fiona.” Suza Kates, Chosen Blood
Suza Kates (Chosen Blood (The Sisters' Grimoire #2))
Very well. My name is WxrtHltl-jwlpklz,” said the demon smugly. “Where were you when the vowels were handed out? Behind the door?” said Nanny Ogg.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Actors had a habit of filling all the space around them.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
My sister might be twice the goddess I was, but I was twice the witch
Madeline Miller (Circe)
On nights such as this, evil deeds are done. And good deeds, of course. But mostly evil, on the whole.   On nights such as this, witches are abroad. Well, not actually abroad. They don’t like the food and you can’t trust the water and the shamans always hog the deckchairs.
Terry Pratchett (Wyrd Sisters (Discworld, #6))
They say this fruit be like unto the world / So sweet. Or like, say I, the heart of man / So red without and yet within, unclue’d / We find the worm, the rot, the flaw. / However glows his bloom the bite / Proves many a man be rotten at the core.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Destiny was funny stuff, he knew. You couldn’t trust it. Often you couldn’t even see it. Just when you knew you had it cornered, it turned out to be something else—coincidence, maybe, or providence. You barred the door against it, and it was standing behind you. Then just when you thought you had it nailed down it walked away with the hammer.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Okay. Well, firstly, Marcel is not my mortal enemy—he is my friend, albeit one who is unaware that I'm trying to sabotage his hold over the supernatural community of the French Quarter, but a friend nonetheless. And secondly, I daggered Elijah in order to gain Marcel's trust. If I had known he would place my brother in the hands of a particularly nasty teenaged witch, I certainly would have weighed my options a bit differently. And thirdly, sister, please.
Klaus Mikaelson
Once, he’d been the Seducer, the Executioner, the High Priest of the Hourglass, the Prince of the Darkness, the High Lord of Hell. Once, he’d been Consort to Cassandra, the great Black-Jeweled, Black Widow Queen, the last Witch to walk the Realms. Once, he’d been the only Black-Jeweled Warlord Prince in the history of the Blood, feared for his temper and the power he wielded. Once, he’d been the only male who was a Black Widow. Once, he’d ruled the Dhemlan Territory in the Realm of Terreille and her sister Territory in Kaeleer, the Shadow Realm. He’d been the only male ever to rule without answering to a Queen and, except for Witch, the only member of the Blood to rule Territories in two Realms. Once, he’d been married to Hekatah, an aristo Black Widow Priestess from one of Hayll’s Hundred Families. Once, he’d raised two sons, Mephis and Peyton. He’d played games with them, told them stories, read to them, healed their skinned knees and broken hearts, taught them Craft and Blood Law, showered them with his love of the land as well as music, art, and literature, encouraged them to look with eager eyes upon all that the Realms had to offer—not to conquer but to learn. He’d taught them to dance for a social occasion and to dance for the glory of Witch. He’d taught them how to be Blood. But that was a long, long time ago.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
Genuine anger was one of the world’s great creative forces. But you had to learn how to control it. That didn’t mean you let it trickle away. It meant you dammed it, carefully, let it develop a working head, let it drown whole valleys of the mind and then, just when the whole structure was about to collapse, opened a tiny pipeline at the base and let the iron-hard stream of wrath power the turbines of revenge.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
And yet, I will think of the future,” Vasya retorted. “To remind me that the present is not forever. One day I may see my brother Alyosha again, and my sister Irina. I might have a home of my own, a place and a purpose, a victory. What is the present without the future?
Katherine Arden (The Winter of the Witch (Winternight Trilogy, #3))
Drunkenness had this to be said for it, it stopped the flow of inspirations.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
She never sent the castle to sleep”, said Granny, “that’s just an old wife’s tale. She just stirred up time a little. It’s not as hard as people think, everyone does it all the time. It’s like rubber, is time, you can stretch it to suit yourself.” Magrat was about to say: That’s not right, time is time, every second lasts a second, that’s its job. Then she recalled weeks that had flown past and afternoons that had lasted forever. Some minutes had lasted hours, some hours had gone past so quickly she hadn’t been aware they’d gone past at all. “But that’s just people’s perception, isn’t it?” “Oh yes”, said Granny, “of course it is, it all is, what difference does that make?
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
...there was possibly something complimentary in the way Granny Weatherwax resolutely refused to consider other people's problems. It implied that, in her considerable opinion, they were quite capable of sorting them out by themselves.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Ah, mother! How do you do?' said he, giving her a hearty shake of the hand; 'Where did you get that quiz of a hat? It makes you look like an old witch...' On his two younger sisters he then bestowed an equal portion of his fraternal tenderness, for he asked each of them how they did, and observed that they both looked very ugly.
Jane Austen (Northanger Abbey)
Right,' he said uncertainty. His mind was grinding through the problem. She was a witch. Just lately there'd been a lot of gossip about witches being bad for your health. He'd been told not to let witches pass, but no one had said anything about apple sellers. Apple sellers were not a problem. It was witches that were the problem. She'd said she was an apple seller and he wasn't about to doubt a witch's word.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
They live their lives as a sort of temporal blur around the point where their body actually is – anticipating the future, or holding on to the past. They’re usually so busy thinking about what happens next that the only time they ever find out what is happening now is when they come to look back on it.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches #2))
She did nothing, although sometimes when she saw him in the village she'd smile in a faint, puzzled way. After three weeks of this the suspense was too much for him and he took his own life; in fact he took it all the way across the continent, where he became a reformed character and never went home again.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Particles of raw inspiration sleet through the universe all the time. Every once in a while one of them hits a receptive mind, which then invents DNA or the flute sonata form or a way of making light bulbs wear out in half the time. But most of them miss. Most people go through their lives without being hit by even one. Some people are even more unfortunate. They get them all.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Here in the north each night is a whole winter long. Yet the place is fair enough, doubt it not! Thou shalt see sights here such as thou hast not seen in the halls of the English king. We shall be together as sisters whilst thou bidest with me; we shall go down to the sea when the storm begins once more; thou shalt see the billows rushing upon the land like wild, white-maned horses—and then the whales far out in the offing! They dash one against another like steel-clad knights! Ha, what joy to be a witching-wife and ride on the whale's back—to speed before the skiff, and wake the storm, and lure men to the deeps with lovely songs of sorcery!
Henrik Ibsen (The Vikings of Helgeland)
Do you have children, Dominick?" "Nope." "Well if you did," she said, "you would most likely read them not only Curious George but also fables and fairy tales. Stories where humans outsmart witches, where giants and ogres are felled and good triumphs over evil. Your parents read them to you and your brother. Did they not?" "My mother did," I said. "Of course she did. It is the way we teach our children to cope with a world too large and chaotic for them to comprehend. A world that seems, at times, too random. Too indifferent. Of course, the religions of the world will do the same for you, whether you're a Hindu or a Christian or a Rosicrucian. They're brother and sister, really; children's fables and religious parables...
Wally Lamb (I Know This Much Is True)
Margaret stood all alone at her first witch-burning. She had on her new blue cap and her sister's shawl, and she stood by herself, waiting. She had long ago given up on finding her sister and brother-in-law in the crowd, and was now content to watch alone. She felt a very pleasant fear and a crying excitement over the burning; she had lived all her life in the country and now, staying with her sister in the city, she was being introduced to the customs of society.
Shirley Jackson (Let Me Tell You: New Stories, Essays, and Other Writings)
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Rebecca Solnit (The Faraway Nearby)
Countries are forged by war; perhaps girls are, too. New England and I will be reborn together in this war between the witches and the Brothers. Between Maura and me. I am newly wrought -- a girl of steel and snow and heartrending good-byes. My magic is renewed by my heartbreak. It spills out my fingertips, swirling around me. The wind picks up, bitter cold now. The rain turns abruptly to snow, haloing the gas streetlamps like iron angels. Enormous snowflakes begin to fall -- fast, faster -- obscuring my sister, hiding her and Brenna and the carriage and the gray stone building that has become my home. I am all alone in a sea of whirling white. It feels right that it should be so.
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
Everyone would believe her because at the back of their minds, everyone thinks that twin brothers and sisters grow up magnetized towards each other, the prince at the foot of Rapunzel’s tower before the tower is even built, the lover you can get at all the fucking time, the one who is you but a girl, or you but a boy, whose bed you know as well as your own. How could you endure that without falling in love? The question is, were they born in love with each other, these twins, or did it blossom? At any rate it’s already happened, the onlookers agree. It must have. Ask them when they fell. The brother and sister say no, no, it’s nothing like that, but what they mean is that they can’t remember when.
Helen Oyeyemi (White Is for Witching)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
I am a harmless old seller of apples," she said, in a voice more appropriate for the opening of hostilities in a middle-range war. "Pray let me past, dearie." The last word had knives in it. "No-one must enter the castle," said one of the guards. "Orders of the duke." Granny shrugged. The apple-seller gambit had never worked more than once in the entire history of witchcraft, as far as she knew, but it was traditional. "I know you, Champett Poldy," she said. "I recall I laid out your grandad and I brought you into the world." She glanced at the crowds, which had regathered a little way off, and turned back to the guard, whose face was already a mask of terror. She leaned a little closer, and said, "I gave you your first good hiding in this valley of tears and by all the gods if you cross me now I will give you your last." There was a soft metallic noise as the spear fell out of the man's fearful fingers. Granny reached and gave the trembling man a reassuring pat on the shoulder. "But don't worry about it," she added. "Have an apple.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
If an eagle gives you a feather, keep it safe. Remember: that giants sleep too soundly; that witches are often betrayed by their appetites; dragons have one soft spot, somewhere, always; hearts can be well-hidden, and you betray them with your tongue. Do not be jealous of your sister. Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut. Remember your name. Do not lose hope -- what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. When you come back, return the way you came. Favors will be returned, debts be repaid. Do not forget your manners. Do not look back. Ride the wise eagle (you shall not fall). Ride the silver fish (you will not drown). Ride the grey wolf (hold tightly to his fur). There is a worm at the heart of the tower; that is why it will not stand. When you reach the little house, the place your journey started, you will recognize it, although it will seem much smaller than you remember. Walk up the path, and through the garden gate you never saw before but once. And then go home. Or make a home. Or rest.
Neil Gaiman
My mind had no answers. It was limp and dulled, useless as my missing fingers. One thought came clear: I must do something. I could not stand by while a horror was loosed upon the world. I had the thought that I should find my sister’s workroom. Perhaps there would be something there to help me, some antidote, some great drug of reversal. It was not far, a hall off her bedchamber separated by a curtain. I had never seen another witch’s craft room before, and I walked its shelves expecting I do not know what, a hundred grisly things, kraken livers, dragons’ teeth, the flayed skin of giants. But all I saw were herbs, and rudimentary ones at that: poisons, poppies, a few healing roots. I had no doubt my sister could work plenty with them, for her will had always been strong. But she was lazy, and here was the proof. Those few simples were old and weak as dead leaves. They had been collected haphazardly, some in bud, some already withered, cut with any knife at any time of day. I understood something then. My sister might be twice the goddess I was, but I was twice the witch. Her crumbling trash could not help me. And my own herbs from Aiaia would not be enough, strong as they were. The monster was bound to Crete, and whatever would be done, Crete must guide me.
Madeline Miller (Circe)