Winter Savage Quotes

She had survived the frost and the flame, had found a harbor, however brief. Perhaps that was all anyone could ask, in the world’s savage turning.

I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )

I saw Oberon charge into the fray on a huge black warhorse, glamour swirling around him, and sweep a hand toward the thickest of the fighting. Vines and roots erupted from the ground, coiling around the Iron fey, strangling them or pulling them beneath the earth. Atop a rise, Mab raised her arms, and a savage whirlwind swept across the field, freezing fey solid or impaling them with ice shards. The armies of Summer and Winter howled with renewed vigor and threw themselves at the enemy.

Steep are the seas and savaging and cold In broken waters terrible to try; And vast against the winter night the wold, And harbourless for any sail to lie. But you shall lead me to the lights, and I Shall hymn you in a harbour story told. This is the faith that I have held and hold, And this is that in which I mean to die.

It is deep January. The sky is hard. The stalks are firmly rooted in ice. It is in this solitude, a syllable, Out of these gawky flitterings, Intones its single emptiness, The savagest hollow of winter-sound.

It was dusk - winter dusk. Snow lay white and shining over the pleated hills, and icicles hung from the forest trees. Snow lay piled on the dark road across Willoughby Wold, but from dawn men had been clearing it with brooms and shovels. There were hundreds of them at work, wrapped in sacking because of the bitter cold, and keeping together in groups for fear of the wolves, grown savage and reckless from hunger.

In the morning this light breasts your windowpane and, having pried your eye open like a shell, runs ahead of you, strumming its lengthy rays - like a hot-footed schoolboy running his stick along the iron grate of the park or garden - along arcades, colonnades, red-brick chimneys, saints and lions. "Depict! Depict!" it cries to you, either mistaking you for some Canaletto or Carpaccio or Guardi, or because it doesn't trust your retina's ability to retain what it makes available, not to mention your brain's capacity to absorb it. Perhaps art is simply an organism's reaction against its retentive limitations. At any rate, you obey the command and grab your camera, supplementing both your brain cells and your pupil. Should this city ever be short of cash, it can go straight to Kodak for assistance - or else tax its products savagely. By the same token, as long as this place exists, as long as winter light shines upon it, Kodak shares are the best investment.

savageness beneath the cool façade.

Outside, its tracks begin to fill up with snow, and the shriek of the wind seems savage with pleasure. There is nothing of God or Light in that heartless sound—it is all black winter and dark ice.

Winter always waited. It might seem far away for now, but it would be back before he was ready. It would come back to steal his hope—of survival, of rescue, of having a family or people to love him.

My hips bristle with totems and talismans, proof that I am not simply a character in a fixed book or film. I am no single narrative. As neither Rebecca de Winter nor Jane Eyre, I am free to revise my story, to reinvent myself, my world, at any given moment. Advancing beside Archer, I am resplendent in my savage finery of seized power. In my service charge the collected blackguards of a dozen tyrants now dispatched to a lesser oblivion. My fingers, stained crimson with the blood of despots, are not the fingers which paged through the paper lives of helpless romantic heroines. No more am I a passive damsel who waits for circumstance to decide her fate; now have I become the scalawag, the swashbuckler, the Heathcliff of my dreams bent on rescuing myself. For now do I embody all the traits I had so hoped to find in Goran. Meaning: No longer am I limited.

I’d learned pretty early on that men were basic creatures. Take away their suits and wives and jobs and responsibilities, and you’re left with a beast. A beast who wanted to spar and maim—to embrace their inner savage.

As children, we tolerate working conditions that we'd find intolerable as adults: the constant exposure of our attainment to a hostile audience; the motivation by threat instead of encouragement (and big threats, too: if you don't do this, you'll ruin your whole future life . . .); the social world in which you're mocked and teased, your most embarrassing desires exposed, your new-formed body held up for the kind of scrutiny that would destroy an adult. Often, during childhood, this comes with physical threats, too—being pushed and shoved on the playground, punched and kicked. The eternal menace that something more savage is waiting around the corner on your way home. Imagine how that would feel to you as an adult: that perpetual threat to your bodily integrity and your mental wellbeing. We would never stand for it, but we did as children because it was expected of us and we didn't know any better.

O black winter of savage death that froze the spring of your unnumbered charms. The tomb tore you from brilliant day in this, your bitter sixteenth year. Your husband and father—blind with grief— Think of you, Anastasia, who were our sun.

Old Rekohu’s claim to singularity, however, lay in its unique pacific creed. Since time immemorial, the Moriori’s priestly caste dictated that whosoever spilt a man’s blood killed his own mana - his honor, his worth, his standing & his soul. No Moriori would shelter, feed, converse with, or even see the persona non grata. If the ostracized murderer survived his first winter, the desperation of solitude usually drove him to a blowhole on Cape Young, where he took his life. Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam first tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rekohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and where only, were those elusive phantasms, those noble savages, framed in flesh & blood!” (Henry, as we later made our back to the Musket confessed, “I could never describe a race of savages too backwards to throw a spear as ‘noble.

You’re dreaming. That world is about as real as a Disney fairy tale. You might have lived like a princess, but most people don’t. Normal people suffer. They hurt, they die, and they lose their loved ones. And they hurt each other. They tear at each other like the savage predators they are. There is no light without darkness, Nora; the night ultimately catches up with us all.

But how marvelous to get the order into the mails, how delicious and terrible to wait for the parcel from Seattle or Portland that might include with it the new gloves, new shoes for town, phonograph records, a musical instrument to charm away the loneliness of winter evenings when the winds howled like wolves down from the mountain peaks. Our very best guitar. Play Spanish-style music and chords. Wide ebony fingerboard, fine resonant fan-ribbed natural spruce top, rosewood sides and back, genuine horn bindings. This is a real Beauty. Waiting for their order to get to the post office fifteen miles down the road, they read again and again such descriptions, reliving the filling out of the order blank, honing their anticipation. Genuine horn bindings!

Back in the time before Columbus, there were only Indians here, no skyscrapers, no automobiles, no streets. Of course, we didn't use the words Indian or Native American then; we were just people. We didn't know we were supposedly drunks or lazy or savages. I wondered what it was like to live without that weight on your shoulders, the weight of the murdered ancestors, the stolen land, the abused children, the burden every Native person carries. We were told in movies and books that Indians had a sacred relationship with the land, that we worshipped and nurtured it. But staring at Nathan, I didn't feel any mystical bond with the rez. I hated our shitty unpaved roads and our falling-down houses and the snarling packs of dogs that roamed freely in the streets and alleys. But most of all, I hated that kids like Nathan - good kids, decent kids - got involved with drugs and crime and gangs, because there was nothing for them to do here. No after-school jobs, no clubs, no tennis lessons. Every month in the Lakota Times newspaper there was an obituary for another teen suicide, another family in the Burned Thigh Nation who'd had their heart taken away from them. In the old days, the eyapaha was the town crier, the person who would meet incoming warriors after a battle, ask them what happened so they wouldn't have to speak of their own glories, then tell the people the news. Now the eyapaha, our local newspaper, announced losses and harms too often, victories and triumphs too rarely.

Now with the squadrons marshaled, captains leading each, the Trojans came with cries and the din of war like wildfowl when the long hoarse cries of cranes sweep on against the sky and the great formations flee from winter's grim ungodly storms, flying in force. shrieking south to the Ocean gulfs, speeding blood and death to the Pygmy warriors, laonching at daybreak savage battle down upon their heads. But Achaea's armies came on strong in silence, breathing combat-fury, hearts ablaze to defend each other to the death.

The civilized man is distinguished from the savage mainly by prudence, or, to use a slightly wider term, forethought. He is willing to endure present pains for the sake of future pleasures, even if the future pleasures are rather distant. This habit began to be important with the rise of agriculture; no animal and no savage would work in the spring in order to have food next winter, except for a few purely instinctive forms of action, such as bees making honey or squirrels burying nuts. In these cases, there is no forethought; there is a direct impulse to an act which, to the human spectator, is obviously going to prove useful later on. True forethought only arises when a man does something towards which no impulse urges him, because his reason tells him that he will profit by it at some future date. Hunting requires no forethought, because it is pleasurable; but tilling the soil is labour, and cannot be done from spontaneous impulse. Civilization checks impulse not only through forethought, which is a self-administered check, but also through law, custom, and religion. This check it inherits from barbarism, but it makes it less instinctive and more systematic. Certain acts are labelled criminal, and are punished; certain others, though not punished by law, are labelled wicked, and expose those who are guilty of them to social disapproval. The institution of private property brings with it the subjection of women, and usually the creation of a slave class. On the one hand the purposes of the community are enforced upon the individual, and, on the other hand the individual, having acquired the habit of viewing his life as a whole, increasingly sacrifices his present to his future. It is evident that this process can be carried too far, as it is, for instance, by the miser. But without going to such extremes, prudence may easily involve the loss of some of the best things in life.

It is a mistake to suppose that, in a country where the usual evidences of civilization exist, the condition of a very large body of inhabitants may not be as degraded as that of savages. I refer to the degraded poor, not now to the degraded rich. To know this I should not need to look farther than to the shanties which everywhere border our railroads, that last improvement in civilization; where I see in my daily walks human beings living in sties, and all winter with an open door, for the sake of light, without any visible, often imaginable, wood-pile, and the forms of both old and young are permanently contracted by the long habit of shrinking from cold and misery, and the development of all their limbs and faculties is checked.... Such too, to a greater or less extent, is the condition of the operatives of every denomination in England, which is the great workhouse of the world. Or I could refer you to Ireland, which is marked as one of the white or enlightened spots on the map. Contrast the physical condition of the Irish with that of the North American Indian, or the South Sea Islander, or any other savage race before it was degraded by contact with the civilized man. Yet I have no doubt that that people's rulers are as wise as the average of civilized rulers. Their condition only proves what squalidness may consist with civilization.

In the savage state every family owns a shelter as good as the best, and sufficient for its coarser and simpler wants; but I think that I speak within bounds when I say that, though the birds of the air have their nests, and the foxes their holes, and the savages their wigwams, in modern civilized society not more than one half the families own a shelter. In the large towns and cities, where civilization especially prevails, the number of those who own a shelter is a very small fraction of the whole. The rest pay an annual tax for this outside garment of all, become indispensable summer and winter, which would buy a village of Indian wigwams, but now helps to keep them poor as long as they live.

When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods. I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter. I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.

Totally Biased List of Tookie’s Favorite Books Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai

I dreamt of a City to the West of here,” Dixon tries to recall, scrying in his Coffee-Mug, the wind blowing Wood-smoke in his eyes, “at some great Confluence of Rivers, or upon a Harbor in some inland Sea,— a large City,— busy, prospering, sacred.” “A Sylvan Philadelphia. . . .” “Well . . . well yes, now tha put it thah’ way,— ” “I hope you are prepar’d for the possibility, that waking Philadelphia is as sacred as anything over here will ever get, Dixon,— observe you not, as we move West, more and more of those Forces, which Cities upon Coasts have learn’d to push away, and leave to Back Inhabitants,— the Lightning, the Winter, an Indifference to Pain, not to mention Fire, Blood, and so forth, all measur’d upon a Scale far from Philadelphian,— whereunto we, and our Royal Commission, and our battery of costly Instruments, are but Fleas in the Flea Circus. We trespass, each day ever more deeply, into a world of less restraint in ev’rything,— no law, no convergence upon any idea of how life is to be,— an Interior that grows meanwhile ever more forested, more savage and perilous, until,— perhaps at the very Longitude of your ‘City,’— we must reach at last an Anti-City,— some concentration of Fate,— some final condition of Abandonment,— wherein all are unredeemably alone and at Hazard as deep as their souls may bear,— lost Creatures that make the very Seneca seem Christian and merciful.

I dreamt of a City to the West of here,” Dixon tries to recall, scrying in his Coffee-Mug, the wind blowing Wood-smoke in his eyes, “at some great Confluence of Rivers, or upon a Harbor in some inland Sea,— a large City,— busy, prospering, sacred.” “A Sylvan Philadelphia. . . .” “Well . . . well yes, now tha put it thah’ way,— ” “I hope you are prepar’d for the possibility, that waking Philadelphia is as sacred as anything over here will ever get, Dixon,— observe you not, as we move West, more and more of those Forces, which Cities upon Coasts have learn’d to push away, and leave to Back Inhabitants,— the Lightning, the Winter, an Indifference to Pain, not to mention Fire, Blood, and so forth, all measur’d upon a Scale far from Philadelphian,— whereunto we, and our Royal Commission, and our battery of costly Instruments, are but Fleas in the Flea Circus. We trespass, each day ever more deeply, into a world of less restraint in ev’rything,— no law, no convergence upon any idea of how life is to be,— an Interior that grows meanwhile ever more forested, more savage and perilous, until,— perhaps at the very Longitude of your ‘City,’— we must reach at last an Anti-City,— some concentration of Fate,— some final condition of Abandonment,— wherein all are unredeemably alone and at Hazard as deep as their souls may bear,— lost Creatures that make the very Seneca seem Christian and merciful.” “Eeh, chirpy today . . . ?

I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.

I have fallen in love within the last month with a Romagnuola Countess from Ravenna--the Spouse of a year of Count Guiccioli--who is sixty--the Girl twenty--he has eighty thousand ducats of rent--and has had two wives before--but he is Sixty--he is the first of Ravenna Nobles--but he is sixty--She is fair as Sunrise--and warm as Noon--we had but ten days--to manage all our little matters in beginning middle and end. & we managed them;--and I have done my duty--with the proper consummation.--But She is young--and was not content with what she had done--unless it was to be turned to the advantage of the public--and so She made an eclat which rather astonished even the Venetians--and electrified the Conversazioni of the Benzone--the Albrizzi--& the Michelli--and made her husband look embarrassed.--They have been gone back to Ravenna--some time--but they return in the Winter.--She is the queerest woman I ever met with--for in general they cost one something in one way or other--whereas by an odd combination of circumstances--I have proved an experience to HER--which is not my custom,--but an accident--however it don't mater.--She is a sort of an Italian Caroline Lamb, except that She is much prettier, and not so savage.--But She has the same red-hot head--the same noble disdain of public opinion--with the superstructure of all that Italy can add to such natural dispositions.--To by sure they may go much further here with impunity--as her husband's rank ensured their reception at all societies including the Court--and as it was her first outbreak since Marriage--the Sympathizing world was liberal.--She is also of the Ravenna noblesse--educated in a convent--sacrifice to Wealth--filial duty and all that.--I am damnably in love--but they are gone--gone--for many months--and nothing but Hope--keeps me alive seriously.

The river’s isolation and secrecy, however, were only part of what made it superlative. There was also its vertical drop. The Colorado’s watershed encompasses a series of high-desert plateaus that stretch across the most austere and hostile quarter of the West, an area encompassing one-twelfth the landmass of the continental United States, whose breadth and average height are surpassed only by the highlands of Tibet. Each winter, storms lumbering across the Great Basin build up a thick snowpack along the crest of the mountains that line the perimeter of this plateau—an immense, sickle-shaped curve of peaks whose summits exceed fourteen thousand feet. As the snowmelt cascades off those summits during the spring and spills toward the Sea of Cortés, the water drops more than two and a half miles. That amounts to eight vertical feet per horizontal mile, an angle that is thirty-two times steeper than that of the Mississippi. The grade is unequaled by any major waterway in the contiguous United States and very few long stretches of river beyond the Himalayas. (The Nile, in contrast, falls only six thousand feet in its entire four-thousand-mile trek to the Mediterranean.) Also unlike the Nile, whose discharge is generated primarily by rain, the engine that drives almost all of this activity is snow. This means that the bulk of the Colorado’s discharge tends to come down in one headlong rush. Throughout the autumn and the winter, the river might trickle through the canyonlands of southern Utah at a mere three thousand cubic feet per second. With the melt-out in late May and early June, however, the river’s flow can undergo spectacular bursts of change. In the space of a week, the level can easily surge to 30,000 cfs, and a few days after that it can once again rocket up, surpassing 100,000 cfs. Few rivers on earth can match such manic swings from benign trickle to insane torrent. But the story doesn’t end there, because these savage transitions are exacerbated by yet another unusual phenomenon, one that is a direct outgrowth of the region’s unusual climate and terrain. On

Glaring, I snarled, “Kiss me. Give me one fracture of human company, and I’ll never say another word to you again. I’ll be whatever you want. Just kiss me!” His eyes narrowed. “You’re an idiot.” “So you keep telling me.” “You’re wasting your time.” “So you keep telling me.” “I don’t want to kiss you!” I lashed out. My arms came up. I opened my palm. And I slapped the self-righteous, egotistical arsehole on the cheek. The moment went from lust-heavy to stagnant with violence. We stared, caught dead centre in war. “You’re a fucking nightmare,” he snapped. “Kiss me.” “You’re ruining my life.” “Kiss me.” “You’re—” “Kiss me, Jethro. Kiss me. Just fucking kiss me and give me—” His body crashed against mine. His hands flew up, grabbing my cheeks and holding me firm. His lips, oh his lips, they bruised mine as his head tilted, and with pure anger, he gave me what I’d wanted for weeks. He kissed me. My lungs were empty—he’d stolen all my air, but I no longer survived on oxygen. I survived on his mouth, his taste, his unbridled energy pouring down my throat. His tongue tore past my lips, taking me savage and hungry. There was nothing sweet or gentle. This was a punishment. A reminder that I hadn’t won. He wasn’t kissing me. He was fighting me in every underhanded way. His hands dropped from my cheeks, cupping my breasts. The violence in his touch throbbed instantly. I arched my back, opening my mouth wider to scream, but he swallowed my cries, kissing me deeper, harder, stealing every inch of sanity I had left. I thought a kiss would put me on even ground—show him that he did care. That he was human—just like me. I hadn’t gambled on being detonated into a billion tiny pieces that had no notion of who I’d been before he’d stolen my soul. He backed me up, faster and faster to the bed. His breath saturated my lungs. His touch skated from my cheeks, to my breasts, to my waist, to my arse. Jerking me hard against the huge length of arousal in his jeans. The bed stopped our motion, tumbling us onto the sheets, but nothing, absolutely nothing could unweld our lips. We were joined, kissing, frantic, desperate. He groaned as I slid my hands beneath his t-shirt, needing to feel his skin against mine. He was blood and fire and heat. So different to the glacier he pretended to be. “Fuck,” he grunted

Let’s say a man really loves a woman; he sees her as his equal, his ally, his colleague; but she enters this other realm and becomes unfathomable. In the krypton spotlight, which he doesn’t even see, she falls ill, out of his caste, and turns into an untouchable. He may know her as confident; she stands on the bathroom scale and sinks into a keening of self-abuse. He knows her as mature; she comes home with a failed haircut, weeping from a vexation she is ashamed even to express. He knows her as prudent; she goes without winter boots because she spent half a week’s paycheck on artfully packaged mineral oil. He knows her as sharing his love of the country; she refuses to go with him to the seaside until her springtime fast is ended. She’s convivial; but she rudely refuses a slice of birthday cake, only to devour the ruins of anything at all in a frigid light at dawn. Nothing he can say about this is right. He can’t speak. Whatever he says hurts her more. If he comforts her by calling the issue trivial, he doesn’t understand. It isn’t trivial at all. If he agrees with her that it’s serious, even worse: He can’t possibly love her, he thinks she’s fat and ugly. If he says he loves her just as she is, worse still: He doesn’t think she’s beautiful. If he lets her know that he loves her because she’s beautiful, worst of all, though she can’t talk about this to anyone. That is supposed to be what she wants most in the world, but it makes her feel bereft, unloved, and alone. He is witnessing something he cannot possibly understand. The mysteriousness of her behavior keeps safe in his view of his lover a zone of incomprehension. It protects a no-man’s-land, an uninhabitable territory between the sexes, wherever a man and a woman might dare to call a ceasefire. Maybe he throws up his hands. Maybe he grows irritable or condescending. Unless he enjoys the power over her this gives him, he probably gets very bored. So would the woman if the man she loved were trapped inside something so pointless, where nothing she might say could reach him. Even where a woman and a man have managed to build and inhabit that sand castle—an equal relationship—this is the unlistening tide; it ensures that there will remain a tag on the woman that marks her as the same old something else, half child, half savage.

A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.

Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.

«They are a bunch of fucking savages». Donna Winters, asistente del embajador de Estados Unidos.

I was a preacher, and now I am thirsting for vengeance,” answered Christy, his face clouding darkly. “Wait until you learn what frontier life means. You are young here yet; you are flushed with the success of your teaching; you have lived a short time in this quiet village, where, until the last few days, all has been serene. You know nothing of the strife, of the necessity of fighting, of the cruelty which makes up this border existence. Only two years have hardened me so that I actually pant for the blood of the renegade who has robbed me. A frontiersman must take his choice of succumbing or cutting his way through flesh and bone. Blood will be spilled; if not yours, then your foe’s. The pioneers run from the plow to the fight; they halt in the cutting of corn to defend themselves, and in winter must battle against cold and hardship, which would be less cruel if there was time in summer to prepare for winter, for the savages leave them hardly an opportunity to plant crops. How many pioneers have given up, and gone back east? Find me any who would not return home to-morrow, if they could. All that brings them out here is the chance for a home, and all that keeps them out here is the poor hope of finally attaining their object. Always there is a possibility of future prosperity. But this generation, if it survives, will never see prosperity and happiness. What does this border life engender in a pioneer who holds his own in it? Of all things, not Christianity. He becomes a fighter, keen as the redskin who steals through the coverts.

In the winter of 1941 the German army succeeded in starving between 1.3 and 1.65 million Soviet prisoners of war to death.

Prince Cadwy of Isca was there, and King Melwas of the Belgae and Prince Gereint, Lord of the Stones, while distant Kernow, the savage kingdom at Britain’s western tip, had sent its edling, Prince Tristan, who sat swathed in wolf fur at the dais’s edge next to one of the two vacant thrones.

You’re family, Winter. And a Romero will do anything for family,” he said intensely.

Winter…it was dark, the end of everything, the death of the old in preparation for the new. It was perfect. It was me. It was my revenge.

A theatrical tribute to John Knox is one way of measuring his failure. John Kox was a strong advocate of the death penalty for actors, and consistent supporters of his doctrine should properly have strung up Tom Fleming, his impersonator, along with the rest of the cast of Robert Kemp's Master John Knox presented at the Gateway Theatre during October. The play and the man cannot both be justified, and an unrealistic element enters into a theatrical interpretation that is devised to do fulsome homage to a historical character without conceding that he was one of the Theatre's most savage enemies. This element of calculated inaccuracy was sustained in a piece that Christopher Small, writing in the Glasgow Herald, rightly observed presented us with the Knox of tradition, or sentiment, rather than the Knox of history. But if we are prepared to swallow the legend, Mr. Kemp succeeded in giving it theatrical life.

The paramedic moved away, giving me a line of sight into the crowd and my gaze latched onto Darcy. I was so starved, I moved before I was even aware of making the decision, colliding with her and driving my fangs into her neck. She squealed in fright and I growled deeply as I drank the sweet nectar of her blood, shutting my eyes and enjoying every second of it. She felt connected to me by it, her spiking pulse seeming to thump within my own body and I relished the feeling of having her power in my grasp. I lost all sense of everything as I fell into the needs of my Order and the desire to devour this girl’s magic. I wanted every last drop. I needed more of her. Everything. She clawed at my arm and I enjoyed the contact, holding her firmly against my hip as my cock began to throb. I was in the middle of a crowd of students and this was the wrong fucking time to get turned on for so many reasons. But hell she tasted so good. And it was more than that, I had her in my arms again and I didn’t want to let go. She was the summer sun after the longest winter of my life and all I wanted to do was bask in her glow. Especially after I’d seen Capella touching her. This girl didn’t belong to him. I’d staked my claim and maybe that should have only been about her blood, but it was becoming clear to me that it was far more than that. I didn’t want anyone but me getting this close to her. And I’d fight any rival I had to to keep it that way. “Hey,” Tory snapped, shoving me roughly to try and force me off of her sister but I was in a frenzy and I couldn’t stop. “That’s enough!” I released a growl in warning for her to back off, but then she shoved me with fire in her palms, the power behind the blast sending me staggering backwards and freeing Blue from my hold. My head was spinning with so much power I felt drunk and my breaths came heavily as I realised how much blood I’d just taken. Far too much. There were two hand marks singed into my chest, my shirt smoking and my flesh reddened, and Tory looked ready to burn me alive if I took so much as a step closer to her sister again. “You’ve had enough!” Tory snarled and I bared my fangs at the challenge in her voice. “Maybe you want to donate to the cause then?” I snapped, but I was just trying to deflect from how much I wanted her sister, how every student close by had witnessed me go fully savage on Darcy Vega like I had no self control at all. Caleb appeared, dropping an arm around Tory’s shoulders and releasing a deep growl in the back of his throat. “You might want to rethink that statement, Professor.” I stared at them when I really wanted to be looking at Darcy, but I feared if I did, I’d lunge at her again. And I wasn’t sure I’d stop this time. Fuck. What’s wrong with me? I shook my head to try and clear it, taking a breath as I realised my magic reserves were full and I didn’t need any more blood. This craving left in me wasn’t anything to do with my power reserves. It was purely about the girl I could see glaring at me in the corner of my eye. I couldn’t believe what I’d just done. I’d taken too much blood and it was wrong. It went against the Vampire Code. I swallowed the lasting taste of her and finally glanced her way, finding so much hatred in her eyes it scolded me.(ORION POV)

Inky ice slaves away the caterwauling of each broken day and within the storms that leave behind a dust of crystallizing diamond shore I walk and walk and walk some more...

Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabal Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai

He thought that she looked like Winter; meaning both the girl he had once known and the season. He had always believed that winter's beauty deepened further into the season, when the memory of fall and the promise of spring were stripped away and there was nothing to do but accept the day-in, day-out reality of what winter entailed. This was what he thought when he looked at her: that the embattled woman before him was a wonder to behold, and, as much as he wished he might have spared her the pain of the last eleven years, it contributed to her spellbinding presence.

Where have you gone, O noble lords of the plain? Time has erased your footprints with the passing seasons’ rain. Your voices have now been silenced to no longer echo in the hills. The battles are but memories when you watched your lifeblood spill. It is we who are the losers; it is we who bear the shame. O mighty Blackfoot warrior, only your legend remains the same. Constance O’Banyon

Realizing that she was clad only in the fur, she pulled it tight around her, trying to cover her legs, her shoulders, and her breasts all at the same time. “You monster!” she said. “You promised me you’d call out before you came back. You tricked me.” She grabbed her shift and retreated to the shadows in the back of the cave. “I did call you,” he said. “You were sleeping like a bear in winter. I killed the turkey, plucked it, and cooked it. Still you slept. I think Simon Brandt has a lazy woman for a wife.” Rebecca sputtered, too angry for words, as she struggled to get into her shift without dropping the wolfskin. She did notice that not only was she dry, but her garment was dry as well. She had been asleep, and not just for a few moments. “You seem to have lost your dress,” he said, “so I brought you the Huron’s French coat instead. I think it will fit you if you tie his belt around your waist.” He reached over and held up a blue men’s military jacket. “You expect me to wear a dead man’s coat?” “You will wear it, woman, or I will take your last garment and leave you only the wolf pelt to wear.” “Go to hell!” she shouted. “If the English are right about their god, I will. But what if the Shawnee are right, and you are wrong. Have you thought of that?” “No.” “Think of it while you eat my turkey and sit at my fire. Perhaps it will help you to be properly grateful to a man who has gone to great lengths to keep you from harm.” “I’ll never be grateful to you.” He smiled. “But you will eat my turkey.” She nodded. “Only to have enough strength to live long enough to see you hanged for the savage you are.

Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.” Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?” “The woman. I bring many horses in trade.” Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood. He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins. Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare. “I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.

What is he, my keeper? I don’t have to listen to him if I don’t want to. I’m a fucking adult and Rowan can kiss my ass.

Birthdays come with too many expectations—expectations that someone needs to care about your birthday to begin with; there’s the inescapable disappointment when they don’t.

Your purpose has always been there, only now, it’s known.

Korea was the most brutal war of the twentieth century, measured by the intensity of violence and per capita civilian deaths. In three years, four million died, and half of them were civilians—a higher proportion of the population than in any modern war, including World War II and the Vietnam conflict. As Korea showed, World War II did not end the tradition of inhumane war, especially against “savages.” The winter of 1950 was a bleak parody of what was supposed to be a new age of peace.

I would say you steal my breath away, Winter, but that’s not quite right. You steal my entire lungs and my heart along with them.

I'm yours, Winter. In all senses. You can have my tainted soul to keep or to destroy, I don't care which. You've given me purpose when I thought I had none left in this world. I can't thank you enough for that.

And to the discontent of the spring there was now added the new discontent which the young man and others like him spread abroad in the spirits of the dwellers in the huts, the sense of unjust possession, by others of those things which they had not. And as they thought day after day on all these matters and talked of them in the twilight, and above all as day after day their labor brought in no added wage, there arose in the hearts of the young and the strong a tide as irresistible as the tide of the river, swollen with winter snows—the tide of the fullness of savage desire.

The Allosaurus in Winter (a poem of inner terror)- Muddied fields brown, tells horrors secreted in hush, When snow drips back and the ground turns to mush. Sharp air cools, snaps, cirrus clouds do whisp’— Every spring it came—to but lurk and to hiss. Not in summer nor in the fall— The Allosaurus in Winter stalked– To prey over the boy with rancid call. From the Lower Regions it came, to hunt a most desperate soul, To consume the real, this, this image from the wastes below. Who knows why the Allosaurus in Winter hunted the lad so, Terrifying in all aspects–it did quite know– (As its eye sallow in broken frames did show). Flat, impotent, inert, nowhere to hide or to run— It scent his frame; took its time, hours before the set of sun. The dry withered grass peeped through driblets of ice to shew, Forming mud puddles and prints a foot deep; nightmare construed. Into this dying winter ’scape did he in panic fled, Toward the burnt out apartments, not compulsed yet was led. Of destinies time, decreed a savage ungodly hour of fate, Never arrived too soon or on time–but it was always too late. Each room a hauntmare to trap and entangle, For unto him fortune proclaimed him to be mangled. For after him plod the lone Allosaurus in stark of Winter— Slow, calculating reptilian hunting, the dark in the hinter.

The Gilkey Memorial is a grisly necessity because corpses rarely make it down the mountain in one piece. For Everest losses, families sometimes send a recovery team. This doesn't happen on K2. The Savage Mountain devours its victims during the long winter beteween climbing seasons. It encases the torsos in ice and grates them against the rocks, only to spit out the digested remains decades later, scattering limbs among the avalanche debris. When Art Gilkey's team gathered stones to honor their friend in 1953, they started a morbid tradition. To keep the campsites sanitary, climbers began using the memorial as a place to dispose of the fingers, pelvic bones, arms, heads, and legs found in the glacial melt. Burying these scraps under the Gilkey Memorial felt more respectful than leaving them to the ravens. For more than half a century, the memorial has been a place to caution the living and consecrate the dead. Mountaineers attempting K2 visit the site to remind themselves of what they are getting into......On hot days, the cairn stews with the scent of defrosting flesh, and the odor clings to mourners' hair and clothing.” (Buried in the Sky, p. 102).

As Mother, the Goddess is the birther, caretaker and sustainer of all that She brings forth. She is the embodiment of maternal concern, protectiveness, nurturance, tenderness and love. She bestows her blessings, pours out Her nourishment, much as we expect Her human counterparts to do. But the Great Mother is not only benevolent and tender. She does not only pour forth the sustenance upon which the world depends. To see Her fully, to image this great a Mother, is also to see Her as depriver and destroyer. She is the gorgon who terrifies and petrifies the, earth who is fertilized by blood, the vulture who feeds on the dead. She gives birth to Her children but She also devours them. She is the Goddess of Life but also the Goddess of Death. The Great Mother is essentially bi-valent, embodying both a 'good' and a 'terrible' aspect. Even the most benevolent of Her images have a darker, more savage side or a destructive 'sister.' Yet this ambivalence is not a static either/or; it expresses one of the most profound and deeply held beliefs of the Old Religion—that life is essentially a process, 'becoming' instead of 'being,' and that this process follows a cyclical pattern that endlessly repeats itself. Just as autumn and winter inevitably follow summer and then give rise to a new spring, just as decaying fruit produces from its dying the medium that enables the hidden seeds within it to sprout, so it was a 'given' to the ancients that the Mother of All embodied this basic and implacable natural way. So the Goddess created life, sustained it, destroyed it, and took it back into Herself in death, only to recycle what She had killed back into new life once more.

I’d say rumors keep people warm on cold winter nights. I’d say the only way to justify hatred against another person is to make them into savages in your mind. Then it’s easy. Label someone as your enemy, and it becomes effortless to believe anything you hear about them—far-fetched as it may be.