Beating Wife Quotes

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Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city's reservoir, he turns to the cupboards, only to find the vodka bottle empty.
P.G. Wodehouse (The Best of Wodehouse: An Anthology)
Amy: This time can we... lose the bunk beds? The Doctor: No Bunk beds are cool, a bed with a ladder, you can't beat that!
Neil Gaiman
How many kids are in the Graveyard?" "A bunch." "Who sends your supplies?" "George Washington. Or is it Abraham Lincoln? I forget." "How often do you receive new arrivals?" "About as often as you beat your wife.
Neal Shusterman (UnWholly (Unwind, #2))
...all of our laments could not add a single second to her life, not one additional beat of the heart, nor a breath.
Audrey Niffenegger (The Time Traveler's Wife)
The space that I can call mine.. is so small that my ideas have become small. I am like a caterpillar in a cocoon of paper; all around me are sketches for sculptures, small drawings that seem like moths fluttering against the windows, beating their wings to escape from this tiny space.. Every day the ideas come more reluctantly, as though they know I will starve them and stunt their growth.
Audrey Niffenegger (The Time Traveler's Wife)
Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet?" I'd gotten used to Ian's assumption that everyone was as perverted as he was, so I didn't miss a beat. "We prefer blender beaters for our kitchen utensil kink," I said with a straight face. Bones hid his smile behind his hand, but Ian looked intrigued. "I haven't tried that ... oh, you're lying, aren't you?" "Ya think?" I asked with a snort. Ian gave a sigh of exaggerated patience and glanced at Bones. "Being related to her through you is a real trial.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
I am the woman who is willing to display her scars and put them within exhibition frames. I am the madwoman of moon days. I am the breast-beating woman who howls. I am the woman who wills the skies to weep in my place.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
It's most dangerous nowadays for a husband to pay any attention to his wife in public. It always makes people think that he beats her when they are alone. The world has grown so suspicious of anything that looks like a happy married life.
Oscar Wilde (Lady Windermere's Fan)
Whatever you do,” I said quietly, “don’t marry Tomas Mandray. His father beats his wife, and none of his sons do anything to stop it.” Nesta’s eyes widened, but I added, “Bruises are harder to conceal than poverty.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The Great Gatsby's my favorite book," he says. "F. Scott Fitzgerald dedicated it to Zelda." "His wife?" I say. "Yeah. His crazy-ass wife who he had no business loving that much," he says, giving me a loaded look. "You know what their joint epitaph says? It's a quote from the book... Their kid picked it for them." I shake my head. "What's it say?" His eyes close halfway as he recites, "So we beat on, boats against the current, borne back ceaselessly into the past.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
It’s so easy to be with her, my lusty fairy, my beautiful wife. Wanting her is like breathing. Needing her is in my blood. And loving her will always be the beat of my heart.
Nina Lane (Awaken (Spiral of Bliss, #3))
Our two hearts beat as one, which is two better than two hearts that beat as three, as was the case with me and my ex wife.
Jarod Kintz (This Book is Not for Sale)
Wife beating without alcohol is like a circus without lions.
Terence McKenna (Food of the Gods: The Search for the Original Tree of Knowledge)
God, I know you’re sick of hearing me beg, but this is my woman, my wife. My best friend! No, she’s so much more than that—she’s the other half of my heart. I’ve waited my whole life for her—I’d give my life a hundred times to keep her safe! A thousand times! She’s every breath I take, every single beat of my heart. I don’t think I can live without her now. Not now…Please, God. Please. Oh God, please…
Robyn Carr (Second Chance Pass (Virgin River, #5))
The symphony orchestra had played poorly, so the conductor was in a bad mood. That night he beat his wife--because the music hadn't been beautiful enough.
George Carlin (Brain Droppings)
That's how I knew, for example, that Private Seamus Fletcher, 45B-76423, was beating his wife and children every night.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Sometimes the shame is not the beatings, not the rape. The shaming is in being asked to stand judgment.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
I feel moderately bad about this whole thing. On the one hand, I am providing myself with urgently required survival skills. Other lessons in this series include Shoplifting, Beating People Up, Picking Locks, Climbing Trees, Driving, Housebreaking, Dumpster Diving, and How to Use Oddball Things like Venetian Blinds and Garbage Can Lids as Weapons. On the other hand, I’m corrupting my poor innocent little self. I sigh. Somebody’s got to do it.
Audrey Niffenegger (The Time Traveler's Wife)
For two weeks, I lay awake at night and said Hail Marys over and over to stop my heart from beating too fast. I suddenly realized how much being a husband was about fear: fear of not being able to keep somebody safe, of not being able to protect somebody from all the bad stuff you want to protect them from. Knowing they have more tears in them than you will be able to keep them from crying. I realized that Renee had seen me fail, and that she was the person I was going to be failing in front for the rest of my life. It was just a little failure, but it promised bigger failures to come. Additional ones, anyway. But that's who your wife is, the person you fail in front of. Love it so confusing; there's no peace of mind.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Connor barely blinks before he says, “Normally I wouldn’t even waste words on someone who I find parochial and meaningless, but maybe I pity you just enough to say this: in the next two centuries, my wife and I will still exist. We will live beyond you through minds and words and hearts. If that makes you feel weak and insignificant, then maybe you should reevaluate your own stance in the world—and not attempt to beat at mine with two flailing hands.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
She is the best wife a guy could want. I didn’t realize how good she was until I got in here. I beat her at times. She writes to me all the time. She is going to have a baby.
Vincent Bugliosi (Helter Skelter)
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
Myra McEntire (Hourglass (Hourglass, #1))
Sometimes people say to me, “I want to write, but I have five kids, a full-time job, a wife who beats me, a tremendous debt to my parents,” and so on. I say to them, “There is no excuse. If you want to write, write. This is your life. You are responsible for it. You will not live forever. Don’t wait. Make the time now, even if it is ten minutes once a week.
Natalie Goldberg
Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood.
Carol Ann Duffy (The World's Wife)
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
I feel like a pink worm in the core of this green room, as though I have eaten my way in and should be working on becoming a butterfly, or something. I’m not real awake, here, at the moment. I hear somebody coughing. I hear my heart beating and the high-pitched sound which is my nervous system doing its thing. Oh, God, let today be a normal day. Let me be normally befuddled, normally nervous; get me to the church on time, in time. Let me not startle anyone, especially myself. Let me get through our wedding day as best I can, with no special effects. Deliver Clare from unpleasant scenes. Amen.
Audrey Niffenegger (The Time Traveler's Wife)
Part of me wants to turn him into hamburger and part of me doesn't want to beat up somebody who's taped to a tree.
Audrey Niffenegger (The Time Traveler's Wife)
There is no “universal moral urge” and not all ethical systems agree. Polygamy, human sacrifice, infanticide, cannibalism (Eucharist), wife beating, self-mutilation, foot binding, preemptive war, torture of prisoners, circumcision, female genital mutilation, racism, sexism, punitive amputation, castration and incest are perfectly “moral” in certain cultures. Is god confused?
Dan Barker (Godless: How an Evangelical Preacher Became One of America's Leading Atheists)
The accounts of rape, wife beating, forced childbearing, medical butchering, sex-motivated murder, forced prostitution, physical mutilation, sadistic psychological abuse, and other commonplaces of female experi ence that are excavated from the past or given by contemporary survivors should leave the heart seared, the mind in anguish, the conscience in upheaval. But they do not. No matter how often these stories are told, with whatever clarity or eloquence, bitterness or sorrow, they might as well have been whispered in wind or written in sand: they disappear, as if they were nothing. The tellers and the stories are ignored or ridiculed, threatened back into silence or destroyed, and the experience of female suffering is buried in cultural invisibility and contempt… the very reality of abuse sustained by women, despite its overwhelming pervasiveness and constancy, is negated. It is negated in the transactions of everyday life, and it is negated in the history books, left out, and it is negated by those who claim to care about suffering but are blind to this suffering. The problem, simply stated, is that one must believe in the existence of the person in order to recognize the authenticity of her suffering. Neither men nor women believe in the existence of women as significant beings. It is impossible to remember as real the suffering of someone who by definition has no legitimate claim to dignity or freedom, someone who is in fact viewed as some thing, an object or an absence. And if a woman, an individual woman multiplied by billions, does not believe in her own discrete existence and therefore cannot credit the authenticity of her own suffering, she is erased, canceled out, and the meaning of her life, whatever it is, whatever it might have been, is lost. This loss cannot be calculated or comprehended. It is vast and awful, and nothing will ever make up for it.
Andrea Dworkin (Right-Wing Women)
WebMD calls it a stage of grief - anger. But I doubt I'll ever get to the other stages. This one slices me into millions of pieces. Every time I'm whole and back to normal, something happens to tear me apart, and I'm forced to start all over again. The rain lets up. The devil stops beating his wife, but I beat the dashboard, punching it over and over, numb to the pain of it. I wanna be numb to the pain of all this.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
People become very upset,' Gavo tells me, 'when they find out they are going to die' . . . 'They behave very strangely,' he says. 'They are suddenly filled with life. Suddenly they want to fight for things, ask questions. They want to throw hot water in your face, or beat you senseless with an umbrella, or hit you in the head with a rock. Suddenly they remember the things they have to do, people they have forgotten.
Téa Obreht (The Tiger's Wife)
If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight, and suddenly, in less time than it takes to cry out, to plunge into an abyss, to fall, to roll, to crush, to be crushed, to see the heads of grain, the flowers, the leaves, the branches, unable to catch hold of anything, to feel your sword useless, men under you, horses over you, to struggle in vain, your bones broken by some kick in the darkness, to feel a heel gouging your eyes out of their sockets, raging at the horseshoe between your teeth, to stifle, to howl, to twist, to be under all this, and to say, ‘Just then I was a living man!
Victor Hugo
Bruges was his dead wife. And his dead wife was Bruges. The two were united in a like destiny. It was Bruges-la-Morte, the dead town entombed in its stone quais, with the arteries of its canals cold once the great pulse of the sea had ceased beating in them.
Georges Rodenbach (Bruges-La-Morte)
Where you go, I will go,” Shade said, holding his wife closer. “I love you, Lily. Always.” Shade listened to the night, focusing on the sounds around him until he could separate each sound, searching for the one he wanted—the sound of his heartbeat. He concentrated on the speed of his pumping heart then each single beat. Gradually, he slowed his heartbeat, one beat at a time, just how he had learned to do all those years ago as a sniper. It took time and concentration on each … single … beat … before there was nothing other than complete and utter silence.
Jamie Begley
I dislike persons who change their basic ideas, and I dislike them when they change them for good reasons quite as much as when they change them for bad ones. A convert to a good idea is simply a man who confesses that he was formerly an ass—and is probably one still. When such a man favors me with a certificate that my eloquence has shaken him I feel about him precisely as I’d feel if he told me that he had started (or stopped) beating his wife on my recommendation.
H.L. Mencken (H.L. Mencken on Religion)
Dear Livia McHugh I'll be your husband. I'll be nothing but yours for the rest of forever. A single, simple day with you is something I'll refuse to take for granted. You have been the reason my heart beats since the moment I saw you, long before your hands actually had to do the job for me. Sleep in my arms. Wake up by my side. My beautiful love, be my wife and make me the happiest man. And I will never, ever lose count. Love always, Blake Hartt
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
For a minute the Sun came out, while it was snowing. People say that means the devil is beating his wife.
Barbara Kingsolver (Demon Copperhead)
In nearly all communities wife beating is punishable with a fine, and in no community is it made a felony.
Ida B. Wells-Barnett (The Red Record)
He seemed to be doing his best to marry into a family of pronounced loonies, and how the deuce he thought he was going to support even a mentally afflicted wife on nothing a year beat me. Old Bittlesham was bound to knock off his allowance if he did anything of the sort and, with a fellow like young Bingo, if you knocked off his allowance, you might just as well hit him on the head with an axe and make a clean job of it.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
Walls keep you from seeing things. They help make things less real. Sure, maybe you hear loud, sharp noises outside some nights. But it’s easy to tell yourself that those aren’t gunshots, that there’s no need to call the police, no need to even worry. It’s probably just a car backfiring. Sure. Or a kid with fireworks. There might be loud wailing or screams coming from the apartment upstairs, but you don’t know that the drunken neighbor is beating his wife with a rolling pin again. It’s not really any of your business, and they’re always fighting, and the man is scary, besides. Yeah, you know that there are cars coming and going at all hours from your neighbor’s place, and that the crowd there isn’t exactly the most upright-looking bunch, but you haven’t seen him dealing drugs. Not even to the kids you see going over there sometimes. It’s easier and safer to shut the door, be quiet, and turn up the TV. We’re ostriches and the whole world is sand.
Jim Butcher (Small Favor (The Dresden Files, #10))
No wonder Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoi's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city reservoir, he turns to the cupboard, only to find the vodka bottle empty.
P.G. Wodehouse (Jill the Reckless (Collector's Wodehouse))
In this town you can be a wife-beating, manic-depressive crack-head and everyone opens their arms to you. They say, "Hey, pal, don't worry about it. We'll get you into recovery. It's all part of the journey." But if you become a born-again Christian and love Jesus Christ and want to share that with other people, they say, "You've committed the unpardonable sin.
Kirk Cameron (Still Growing: An Autobiography)
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure." "Ron!" Lily and Hugo laughed, but Albus and Rose looked solemn. "He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. "Look who it is" Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again. "So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains." "Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!" "You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood." "Hey!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
If it were not for you, my Daisy, I would have belonged to Belial long ago. For there is no one else in this world, my most beautiful, maddening, adorable wife, that I could ever have loved half as much as I have loved you. My heart beats for you," he said. "Only ever you.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun, to be in full possession of viral force; to possess health and joy; to laugh valiantly; to rush toward a glory which one sees dazzling in front of one; to feel in ones's breast lounges which breath, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children, to have the light - and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed,to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one's sword useless, men beneath one, horses on top of one; to struggle in vain, since ones bones have been broken by some kick in the darkness; to feel a heel which makes ones's eyes start from their sockets; to bite horses' shoes in one's rage,; to stifle. to yell, to writhe; to be beneath, and to say to one's self, "But just a little while ago I was a living man!
Victor Hugo (Les Misérables)
Hear this now. Nothing, not even death, will keep me from loving you. Though this body may wither and become a dry shell, my spirit will pursue you until the end of time. We will never be apart.” He covered her mouth with his and tasted her blood. Trailing tender kisses across her cheek and jawline, he nestled against her neck. “Eternally yours,” he whispered. She clutched his head and offered her throat. “Together forever,” she responded. Broderick hesitated, her erratic pulse beating against his tongue. “Give me peace,” she whispered in a tortured breath. “Do this for me.” “I will love you forever, Davina.” His fangs pierced her cool skin and Broderick drank the life from his wife, granting her wish…and tormenting his already damned soul.
Arial Burnz (Midnight Captive (Bonded By Blood Vampire Chronicles, #2))
In this martial world dominated by men, women had little place. The Church's teachings might underpin feudal morality, yet when it came to the practicalities of life, a ruthless pragmatism often came into play. Kings and noblemen married for political advantage, and women rarely had any say in how they or their wealth were to be disposed in marriage. Kings would sell off heiresses and rich widows to the highest bidder, for political or territorial advantage, and those who resisted were heavily fined. Young girls of good birth were strictly reared, often in convents, and married off at fourteen or even earlier to suit their parents' or overlord's purposes. The betrothal of infants was not uncommon, despite the church's disapproval. It was a father's duty to bestow his daughters in marriage; if he was dead, his overlord or the King himself would act for him. Personal choice was rarely and issue. Upon marriage, a girl's property and rights became invested in her husband, to whom she owed absolute obedience. Every husband had the right to enforce this duty in whichever way he thought fit--as Eleanor was to find out to her cost. Wife-beating was common, although the Church did at this time attempt to restrict the length of the rod that a husband might use.
Alison Weir (Eleanor of Aquitaine: A Life (World Leaders Past & Present))
It would take a hell of a wife to beat no wife at all.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
the rule of thumb’ referred historically to the maximum width of the stick with which a man could beat his wife without breaking the law.
Raghuram G. Rajan (I Do What I Do)
I experienced the happiest moment of my life when you took me in your arms as your wife and pressed me to your heart; when I even think of that moment my heart beats madly and I have a terrible longing for you, and I think I would hug you to death if I had you here now.
Hannah Pakula (An Uncommon Woman - The Empress Frederick: Daughter of Queen Victoria, Wife of the Crown Prince of Prussia, Mother of Kaiser Wilhelm)
Good girl,” I whisper. “You’re such a fucking good girl, Valentina. You deserve a reward, baby.” She looks at me with such desperation that my heart skips a fucking beat. This is my every fantasy come true.
Catharina Maura (The Temporary Wife (The Windsors, #2))
Another savage trait of our time is the disposition to talk about material substances instead of about ideas. The old civilisation talked about the sin of gluttony or excess. We talk about the Problem of Drink--as if drink could be a problem. When people have come to call the problem of human intemperance the Problem of Drink, and to talk about curing it by attacking the drink traffic, they have reached quite a dim stage of barbarism. The thing is an inverted form of fetish worship; it is no sillier to say that a bottle is a god than to say that a bottle is a devil. The people who talk about the curse of drink will probably progress down that dark hill. In a little while we shall have them calling the practice of wife-beating the Problem of Pokers; the habit of housebreaking will be called the Problem of the Skeleton-Key Trade; and for all I know they may try to prevent forgery by shutting up all the stationers' shops by Act of Parliament.
G.K. Chesterton (All Things Considered)
A woman who is baarri is like a pious slave. She honors her husband’s family and feeds them without question or complaint. She never whines or makes demands of any kind. She is strong in service, but her head is bowed. If her husband is cruel, if he rapes her and then taunts her about it, if he decides to take another wife, or beats her, she lowers her gaze and hides her tears. And she works hard, faultlessly. She is a devoted, welcoming, well-trained work animal. This is baarri. If
Ayaan Hirsi Ali (Infidel)
Nezhdanov's heart began to beat violently and he lowered his eyes involuntarily. This girl, who had fallen in love with a homeless wretch like him, who trusted him, who was ready to follow him, to go with him towards one and the same goal — this wonderful girl — Marianna — at that moment was, for Nezhdanov, the embodiment of everything good and just on earth; the embodiment of that love, that of a family, sister or wife, which he had not experienced; the embodiment of homeland, happiness, struggle and freedom.
Ivan Turgenev (Virgin Soil)
I want to wake up every day I have left to the warmth of your lips on mine, the sound of your voice singing next to me, the feel of your fingers on my skin and your heart beating music with mine.”  His eyes shined with love and need.  “How about becoming my wife?
Christine Zolendz (Saving Grace (Mad World, #2))
The sun is shining, mynah birds are chattering, palm trees are swaying, so what. I'm in the hospital and I'm healthy. My heart is beating as it should. My brain is firing off messages that are loud and clear. My wife is on the upright hospital bed, positioned the way people sleep on airplanes, her body stiff, head cocked to the side. Her hands on her lap.
Kaui Hart Hemmings (The Descendants)
That’s not the whole of it. As with many other faiths—including our own Christian one—a small group of zealots have distorted Islam to further their own agenda. When many women took to imitating the fashions of the Prophet’s wives, some Moslem men saw an opportunity to put all women under their thumb. They espoused foul laws like those allowing a man to beat his wife or force her into his bed.
Matthew Reilly (The Tournament)
On Egyptian television during a 2010 talk show, a Muslim cleric, Sa’d Arafat, reviewed the rules for beating one’s wife. He began by saying, “Allah honored wives by installing the punishment of beating.”21 Beating, he explained, was a legitimate punishment if a husband did not receive sexual satisfaction from his wife. But he added: “There is a beating etiquette.” Beatings must avoid the face because they should not make a wife ugly. They must be done at chest level. He recommended using a short rod.
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun; to be in full possession of virile force; to possess health and joy; to laugh valiantly; to rush towards a glory which one sees dazzling in front of one; to feel in one’s breast lungs which breathe, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children; to have the light—and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed; to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one’s sword useless, men beneath one, horses on top of one; to struggle in vain, since one’s bones have been broken by some kick in the darkness; to feel a heel which makes one’s eyes start from their sockets; to bite horses’ shoes in one’s rage; to stifle, to yell, to writhe; to be beneath, and to say to one’s self, “But just a little while ago I was a living man!
Victor Hugo (Les Misérables)
Keep his mind on the inner life. He thinks his conversion is something inside him, and his attention is therefore chiefly turned at present to the state of his own mind--or rather to that very expurgated version of them which is all you should allow him to see. Encourage this. Keep his mind off the most elementary duties of directing it to the most advanced and spiritual ones. Aggravate the most useful human characteristics, the horror and neglect of the obvious. You must bring him to a condition in which he can practise self-examination for an hour without discovering any of those facts about himself which are perfectly clear to anyone who has ever lived in the same house with him or worked in the same office. 2. It is, no doubt, impossible to prevent his praying for his mother, but we have means of rendering the prayers innocuous. Make sure that they are always very 'spiritual', that is is always concerned with the state of her soul and never with her rhuematism. Two advantages will follow. In the first place, his attention will be kept on what he regards are her sins, by which, with a little guidance from you, he can be induced to mean any of her actions which are inconvenient or irritating to himself. Thus you can keep rubbing the wounds of the day a little sorer even while he is on his knees; the operation is not at all difficult and you will find it very entertaining. In the second place, since his ideas about her soul will be very crude and often erroneous, he will, in some degree, be praying for an imaginary person, and it will be your task to make that imaginary person daily less and less like the real mother--the sharp-tongued old lady at the breakfast table. In time you may get the cleavage so wide that no thought or feeling from his prayers for the imagined mother will ever flow over into his treatment of the real one. I have had patients of my own so well in hand that they could be turned at a moment's notice from impassioned prayer for a wife's or son's soul to beating or insulting the real wife or son without any qualm. 3. When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face whice are almost unedurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy--if you know your job he will not notice the immense improbablity of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this is easily managed.
C.S. Lewis (The Screwtape Letters)
Lily, I have known you all my life, and I have watched you grow up from my sister’s annoying best friend who followed me around everywhere I went into the woman who I love with all my heart and all my soul. You are my best friend, my soul mate and the wife that I will love and cherish for the rest of my days. You are my every heart beat and the reason that I breathe. I love you. I love you forever. I love you beyond forever.
Susie Kaye Lopez
You break me, wife," he said, his voice hoarse and low as he turned back to her. His eyes shimmered beneath narrowed brows. "You know what it means? It means I want you, as I want water when my lips thirst. As I want food when I have hunger. But this need, this need I have for you- it breaks me. It takes the breath from my chest. It drains the blood from my veins and the spirit from my soul. I cannot be, unless I can be here with you, like this. With our flesh touching and your heart beating here against mine. I cannot be, not without you.
E.B. Brown (Return of the Pale Feather (Time Walkers, #2))
This was ambiguity: holding on to an empty space between two extremes. “You were hurt, a little, weren’t you?” his wife had asked. “I’m human, after all. I was hurt,” he’d replied. But that wasn’t true. Half of it, at least, was a lie. I wasn’t hurt enough when I should have been, Kino admitted to himself. When I should have felt real pain, I stifled it. I didn’t want to take it on, so I avoided facing up to it. Which is why my heart is so empty now. The snakes have grabbed that spot and are trying to hide their coldly beating hearts there.
Haruki Murakami (Men Without Women)
I've thought all my life, 'Lord Christ in heaven! what did I live for?' Beatings, work! I saw nothing except my husband. I knew nothing but fear! And how Pasha grew I did not see, and I hardly know whether I loved him when my husband was alive. All my concerns, all my thoughts were centered upon one thing—to feed my beast, to propitiate the master of my life with enough food, pleasing to his palate, and served on time, so as not to incur his displeasure, so as to escape the terrors of a beating, to get him to spare me but once! But I do not remember that he ever did spare me. He beat me so—not as a wife is beaten, but as one whom you hate and detest.
Maxim Gorky (Mother)
This one,” he said, “is for my wife.” With a pointed glance, Gideon signaled the band to start. An instantly recognizable bass beat ratcheted up my pulse. “Lifehouse!” Shawny crowed, clapping her hands. “I love them!” “He’s calling you his wife already!” Megumi yelled, leaning toward me. “How freaking’ lucky are you?” I didn’t glance at her. I couldn’t. My attention was riveted on Gideon as he looked directly at me and sang, telling me in a lusciously raspy voice that he was desperate for change and starving for truth. He was answering my song. My eyes burned even as my heart began to beat with a different rhythm. Had I thought he’d be unemotional? My Good, he was killing me, baring his soul in the rough timbre of his voice. “Holy fuck,” Cary said, his eyes on the stage. “The man can sing.” I was hanging by a moment, too, hanging on to every word, hearing his message about chasing after me and falling more in love.
Sylvia Day (Captivated by You (Crossfire, #4))
For the Wife Beater's Wife With blue irises her face is blossomed. Blue Circling to yellow, circling to brown on her cheeks. The long bone of her jaw untracked She hides in our kitchen. He sleeps it off next door. Her chicken legs tucked under her She's frantic with lies, animated Before the swirling smoke. On her cigarette she leaves red prints, red Like a cut on the white cup. Like a skin she pulls her sweater around her. She's cold, She brings the cold in with her. In our kitchen she hides. He sleeps it off next door, his great Belly heaving with booze. Again and again she tells the story As if the details ever changed, As if blows to the face were somehow Different beating to beating. We reach for her but can't help. She retreats into her cold love of him And looks across the table at us As if across a sea. Next door he claws out of sleep. She says she thinks she'll do something After all, with her hair tonight.
Bruce Weigl
The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.
Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
I am a child of Alban’s earth Her ancient bones brought me to birth Her crags and islands built me strong My heart beats to her deep wild song. I am the wife with bairn on knee I am the fisherman at sea I am the piper on the strand I am the warrior, sword in hand. White Lady shield me with your fire Lord of the North my heart inspire Hag of the Isles my secrets keep Master of Shadows guard my sleep. I am the mountain, I am the sky I am the song that will not die I am the heather, I am the sea My spirit is forever free.
Juliet Marillier (Shadowfell (Shadowfell #1))
Mr. Brundy, you are no doubt as well acquainted with my circumstances as I am with yours, so let us not beat about the bush. I have a fondness for the finer things in life, and I suppose I always will. As a result, I am frightfully expensive to maintain. I have already bankrupted my father, and have no doubt I should do the same to you, should you be so foolhardy as to persist in the desire for such a union. Furthermore, I have a shrewish disposition and a sharp tongue. My father, having despaired of seeing me wed to a gentleman of my own class, has ordered me to either accept your suit or seek employment. If I married you, it would be only for your wealth, and only because I find the prospect of marriage to you preferable –but only slightly!- to the life of a governess or a paid companion. If, knowing this, you still wish to marry me, why, you have only to name the day.” Having delivered herself of this speech, Lady Helen waited expectantly for Mr. Brundy’s stammering retraction. Her suitor pondered her words for a long moment, then made his response. “’ow about Thursday?
Sheri Cobb South (The Weaver Takes a Wife (Weaver, #1))
Yet some would say, why women's history at all? Surely men and women have always shared a world, and suffered together all its rights and wrongs? It is a common belief that whatever the situation, both sexes faced it alike. But the male peasant, however cruelly oppressed, always had the right to beat his wife. The black slave had to labor for the white master by day, but he did not have to service him by night as well. This grim pattern continues to this day, with women bearing an extra ration of pain and misery whatever the circumstances, as the sufferings of the women of war-torn Eastern Europe will testify. While their men fought and died, wholesale and systematic rape—often accompanied by the same torture and death that the men suffered— was a fate only women had to endure. Women's history springs from moments of recognition such as this, and the awareness of the difference is still very new. Only in our time have historians begun to look at the historical experience of men and women separately, and to acknowledge that for most of our human past, women's interests have been opposed to those of men. Women's interests have been opposed by them, too: men have not willingly extended to women the rights and freedoms they have claimed for themselves. As a result, historical advances have tended to be "men only" affairs. When history concentrates solely on one half of the human race, any alternative truth or reality is lost. Men dominate history because they write it, and their accounts of active, brave, clever or aggressive females constantly tend to sentimentalize, to mythologize or to pull women back to some perceived "norm." As a result, much of the so-called historical record is simply untrue.
Rosalind Miles (Who Cooked the Last Supper: The Women's History of the World)
Since when has a man not beaten his wife? If he doesn't beat her, it's either because he doesn't love her or because he isn't a real man. Since when is a man's paycheck or the fruit of the earth or what the chickens lay shared between them, when everybody knows he is the one in charge? Since when has a woman ever done the same things as a man? Besides, she was born with a wound between her legs and without balls, right, Senora Clara?
Isabel Allende (The House of the Spirits)
Geez, Vi, you didn’t need to break your own leg to get out of going to the dance with Grady Spencer. A simple ‘no’ would have been just fine, I’m sure.” Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle’s teasing comment without looking away from Violet for even a split second. “She’s not going to the dance with Grady,” he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. “Really?” her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn’t going to let the comment pass unnoticed. “Why is that?” she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. “Because she’s going with me.” He winked at violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn’t entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I’m-keeping-my-eye-on-you look, but a quick “Hmm” was the only sound he made. How much embarrassment could one person possible survive? There was a moment of awkward silence, made even more uncomfortable by Jay’s refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.' His long fingers smooth over the wood of Dain's desk. 'You really want honesty?' 'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?' 'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.' ... 'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself. I said I wasn't going to be charmed, but I let him trick me in to opening up to him. As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.' 'That's really why you hate me?' I demand. 'Only that? There's no better reason?' For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth. 'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!' He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.' I am shocked in to silence. 'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The child's heart beat: but she was growing in the wrong place inside her extraordinary mother, south of safe...she and her mother were rushed to the hospital, where her mother was operated on by a brisk cheerful diminutive surgeon who told me after the surgery that my wife had been perhaps an hour from death from the pressure of the child growing outside the womb, the mother from the child growing, and the child from growing awry; and so my wife did not die, but our mysterious child did...Not uncommon, an ectopic pregnancy, said the surgeon...Sometimes, continued the surgeon, sometimes people who lose children before they are born continue to imagine the child who has died, and talk about her or him, it's such an utterly human thing to do, it helps deal with the pain, it's healthy within reason, and yes, people say to their other children that they actually do, in a sense, have a sister or brother, or did have a sister or brother, and she or he is elsewhere, has gone ahead, whatever the language of your belief or faith tradition. You could do that. People do that, yes. I have patients who do that, yes... One summer morning, as I wandered by a river, I remembered an Irish word I learned long ago, and now whenever I think of the daughter I have to wait to meet, I find that word in my mouth: dunnog, little dark one, the shyest and quietest and tiniest of sparrows, the one you never see but sometimes you sense, a flash in the corner of your eye, a sweet sharp note already fading by the time it catches your ear.
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
Dodger made haste towards the house of the Mayhews while in his mind he saw the cheerful face and hooked nose of Mister Punch, beating his wife, beating the policeman and throwing the baby away, which made all the children laugh. Why was that funny, he thought? Was that funny at all? He’d lived for seventeen years on the streets, and so he knew that, funny or not, it was real. Not all the time, of course, but often when people had been brought down so low that they could think of nothing better to do than punch: punch the wife, punch the child and then, sooner or later, endeavour to punch the hangman, although that was the punch that never landed and, oh how the children laughed at Mister Punch! But Simplicity wasn't laughing...
Terry Pratchett (Dodger)
I am convinced that the world’s liberals are to blame for the rise of conservatives. Liberals were meant to uphold values such as freedom of speech, gender equality, free choice in worship and freedom of sexual orientation. But they looked the other way when it came to Islamic societies that stoned and genitally mutilated their women, killed homosexuals, permitted wife beating, enforced the hijab, allowed marriage of minor girls, killed apostates and instituted laws against blasphemy. It was these double standards of liberals that made ordinary people look for solutions from the right.
Ashwin Sanghi (Keepers of the Kalachakra)
Contrary to all expectations, I seem to grow happier as I grow older. I think that America has been sold on the theory that youth is marvelous but old age is a terror. On the contrary, it's taken me sixty years to learn how to live reasonably well, to do my work and cope with my inadequacies. For me youth was a woeful time—sick parents, war, relative poverty, the miseries of learning a profession, a mistake of a marriage, self-doubts, booze and blundering around. Old age is knowing what I'm doing, the respect of others, a relatively sane financial base, a loving wife and the realization that what I can't beat I can endure.
George E. Vaillant (Aging Well: Surprising Guideposts to a Happier Life from the Landmark Study of Adult Development)
I can walk,” she growled. “Give me my staff. And give me a minute.” “I do not know how many more minutes we have,” he said. “My sense of time is not working well, but I think that we are very close to running out of it.” “I might still be able to enchant the babe,” said Agnes a bit doubtfully. “Even if we miss the christening. But it doesn’t take as well, not with humans. You lay a name on them and suddenly their whole future is rolled out like dough in front of you, but it doesn’t last. Life starts to bake it pretty quick.” “That,” said the dust-wife witheringly, “was a terrible analogy. Someone give me my staff so that I can beat her about the head and shoulders.” Agnes giggled.
T. Kingfisher (Nettle & Bone)
He married and made a home. He went endlessly from house to house and spoke the mission and the truth. The hopeless suffering of his people made in him a madness, a wild and evil feeling of destruction. At times he drank strong liquor and beat his head against the floor. In his heart there was a savage violence, and once he grasped the poker from the hearth and struck down his wife. She took Hamilton, Karl Marx, William, and Portia with her to her father's home. He wrestled in his spirit and fought down the evil blackness. But Daisy did not come back. And eight years later when she died his sons were not children anymore and they did not return to him. He was left an old man in an empty house.
Carson McCullers (The Heart Is a Lonely Hunter)
Lady Gregory, in a note to her play Aristotle’s Bellows, writes: Aristotle’s name is a part of our folklore. The wife of one of our labourers told me one day as a bee buzzed through the open door, “Aristotle of the Books was very wise, but the bees got the best of him in the end. He wanted to know how they did pack the comb, and he wasted the best part of a fortnight watching them doing it. Then he made a hive with a glass cover on it and put it over them, and thought he would watch them, but when he put his eye to the glass, they had covered it with wax, so that it was as black as the pot, and he was as blind as before. He said he was never rightly killed until then. The bees beat him that time surely.
Hilda M. Ransome (The Sacred Bee in Ancient Times and Folklore)
clumsy fingers, feeling faintly guilty about going through his wife’s purse. It feels private. But this is an emergency. He dumps the contents onto the middle of their neatly made bed. Her wallet is there, her change purse, lipstick, pen, a tissue packet—it’s all there. Not an errand then. Maybe she stepped out to help a friend? An emergency of some kind? Still, she would have taken her purse with her if she was driving the car. And wouldn’t she have called him by now if she could? She could borrow someone else’s phone. It’s not like her to be thoughtless. Tom sits on the edge of the bed, quietly unraveling. His heart is beating too fast. Something is wrong. He thinks that maybe he should call the police. He
Shari Lapena (The Couple Next Door)
I met Zach’s wife today.” “Ah, the once and future Mrs. Easton. What did you think of her?” “I think he’ll go back to her.” Søren nodded. “That was inevitable.” Nora swallowed. “And last night meant nothing.” “I’m sure your night together meant a great deal to him. More than you may ever know. The same wind that blows us off course can turn and carry us home.” “She is his home. I could see that in her eyes. She’s perfect, Søren.” “Perfect for him perhaps. To me, Eleanor, it is you who is flawless.” Nora’s heart beat heavy in her chest. Søren’s love never ceased to humble her. “I’m as flawed as it gets.” “You are human. And that is the better part of your beauty. But you always knew your editor longed for his wife more than anything. This can’t be a surprise to you. What else?
Tiffany Reisz
Lawn roller? ... What is it for?" Why it is for rolling lawns." I shook my head and laughed back at him. "Do I look like I have hay in my ears fellow? Just why, madman, would anyone want to roll a lawn? There would be nothing left but mud, and the grass would die from lack of sun." No, Korvas. Rolling means to flatten." No, it doesn't. A roller rollsa a flattener flattens." Obushawn sighed and nodded. "Very well, it is a lawn flattener. It's for flattening lawns." I see no purpose in it. If I wanted a flat lawn, that's what I would have planted in the first place. I think you are a failure at business, you obviously drink to excess, and beat your wife, dog, and children, you steal from the temple and blind beggars, and are most likely well on your way to being put away in a home. I do not want to talk to you anymore. Go away.
Barry B. Longyear
It was his power, his gift, suddenly to shed all superfluities, to shrink and diminish so that he looked barer and felt sparer, even physically, yet lost none of his intensity of mind, and so to stand on his little ledge facing the dark of human ignorance, how we know nothing and the sea eats away the ground we stand on - that was his fate, his gift. But having thrown away, when he dismounted, all gestures and fripperies, all trophies of nuts and roses, and shrunk so that not only fame but even his own name was forgotten by him, he kept even in that desolation a vigilance which spared no phantom and luxuriated in no vision, and it was in this guise that he inspired in William Bankes (intermittently) and in Charles Tansley (obsequiously) and in his wife now, when she looked up and saw him standing at the edge of the lawn, profoundly, reverence, and pity, and gratitude too, as a stake driven into the bed of a channel upon which the gulls perch and the waves beat inspires in merry boat-loads a feeling of gratitude for the duty it is taking upon itself of marking the channel out there in the floods alone.
Virginia Woolf (To the Lighthouse)
As delightful as Dr. Gibson is, she doesn't have the makings of a farmwife." Ethan's brows lifted. "Are you thinking about taking a wife?" West shrugged. "The nights can be long and quiet in the country," he admitted. "If I found a woman who was an interesting companion and attractive enough to bed... yes, I'd consider marrying her." He paused. "Better yet if she were educated. A sense of humor would be icing on the cake. Red hair isn't a requirement, but I do have a fatal weakness for it." West's mouth twisted with a self-mocking grin. "Of course, she'd have to be willing to overlook the fact that I was an undisciplined and obnoxious swill-tub until about three years ago." A nearly imperceptible look of bitterness flashed across his face before he masked it. "Who is she?" Ethan asked softly. "No one. An imaginary woman." Averting his gaze, West used the toe of his boot to flick a loose pebble to the side of the drive. "Who happens to despise me," he muttered. Ethan regarded him with sympathetic amusement. "You might be able to change her opinion." "Only if I could travel back in time and beat my former self to a pulp.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
In time of war, our attention is called so exclusively to the sins of other people that we are sometimes inclined to forget our own sins. Attention to the sins of other people is, indeed, sometimes necessary. It is quite right to be indignant against any oppression of the weak which is being carried on by the strong. But such a habit of mind, if made permanent, if carried over into the days of peace, has its dangers. It joins forces with the collectivism of the modern state to obscure the individual, personal character of guilt. If John Smith beats his wife nowadays, no one is so old-fashioned as to blame John Smith for it. On the contrary, it is said, John Smith is evidently the victim of some more of that Bolshevistic propaganda; Congress ought to be called in extra session in order to take up the case of John Smith in an alien and sedition law.
J. Gresham Machen (Christianity and Liberalism)
These young-marrying, contemporaries or juniors of the Beat Generation, have often expressed themselves as follows: "My highest aim in life is to achieve a normal healthy marriage and raise healthy [non-neurotic] children." On the face of it, this remark is preposterous. What was always taken as a usual and advantageous life-condition for work in the world and the service of God, is now regarded as an heroic goal to be striven for. Yet we see that it is a hard goal to achieve against the modern obstacles. Also it is a real goal, with objective problems that a man can work at personally, and take responsibility for, and make decisions about—unlike the interpersonal relations of the corporation, or the routine of the factory job for which the worker couldn't care less. But now, suppose the young man is achieving this goal: he has the wife, the small kids, the suburban home, and the labor-saving domestic devices. How is it that it is the same man who uniformly asserts that he is in a Rat Race? Either the goal does not justify itself, or indeed he is not really achieving it. Perhaps the truth is, if marriage and children are the goal, a man cannot really achieve it. It is not easy to conceive of a strong husband and father who does not justified in his work and independent in the world. Correspondingly, his wife feels justified in the small children, but does she have a man, do the children have a father, if he is running a Rat Race? Into what world do the small children grow up in such a home?
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
In place of a firing squad, I stare down the barrels of endless interrogation. Why did she not run away? Why did she not use the opportunities she had for escape? Why did she stay if, indeed, the conditions were as bad as she claims? How much of this wasn't really consensual? Let me tell you a story. Not mine, this time around. It is the story of a girl we call after the place of her birth, lacking the integrity to even utter her name. The Suranelli Girl. Forty-two men rape this girl, over a period of forty days. She is sixteen years old. The police do not investigate her case. The high court questions her character. The highest court in the land asks the inevitable. Why did she not run away? Why did she not have the opportunities she had for escape? Why did she say, if need, the conditions were as bad as she claims? How much of this wasn't really consensual? Sometimes the shame is not the beatings, not the rape. The shaming is in being asked to stand for judgement.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
You ask me why the I.W.W. is not patriotic to the United States. If you were a bum without a blanket; if you had left your wife and kids when you went west for a job, and had never located them since; if your job had never kept you long enough in a place to qualify you to vote; if you slept in a lousy, sour bunkhouse, and ate food just as rotten as they could give you and get by with it; if deputy sheriffs shot your cooking cans full of holes and spilled your grub on the ground; if your wages were lowered on you when the bosses thought they had you down; if there was one law for Ford, Suhr, and Mooney, and another for Harry Thaw; if every person who represented law and order and the nation beat you up, railroaded you to jail, and the good Christian people cheered and told them to go to it, how in hell do you expect a man to be patriotic? This war is a business man’s war and we don’t see why we should go out and get shot in order to save the lovely state of affairs that we now enjoy.
Howard Zinn (A People's History of the United States: 1492 to Present)
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun; to be in full possession of virile force; to possess health and joy; to laugh valiantly; to rush towards a glory which one sees dazzling in front of one; to feel in one's breast lungs which breathe, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children; to have the light—and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed; to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one's sword useless, men beneath one, horses on top of one; to struggle in vain, since one's bones have been broken by some kick in the darkness; to feel a heel which makes one's eyes start from their sockets; to bite horses' shoes in one's rage; to stifle, to yell, to writhe; to be beneath, and to say to one's self, "But just a little while ago I was a living man!
Victor Hugo (Les Misérables)
These women accept their beatings with a simplicity worthy of all praise, and far from considering themselves insulted, admire the strength and energy of the man who can administer such eloquent rebukes. In Russia, not only may a man beat his wife, but it is laid down in the catechism and taught all boys at the time of confirmation as necessary at least once a week, whether she has done anything or not, for the sake of her general health and happiness." I thought I observed a tendency in the Man of Wrath rather to gloat over these castigations. "Pray, my dear man," I said, pointing with my whip, "look at that baby moon so innocently peeping at us over the edge of the mist just behind that silver birch; and don't talk so much about women and things you don't understand. What is the use of your bothering about fists and whips and muscles and all the dreadful things invented for the confusion of obstreperous wives? You know you are a civilised husband, and a civilised husband is a creature who has ceased to be a man. "And a civilised wife?" he asked, bringing his horse close up beside me and putting his arm round my waist, "has she ceased to be a woman?" "I should think so indeed,--she is a goddess, and can never be worshipped and adored enough.
Elizabeth von Arnim (Elizabeth and Her German Garden)
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
He ruffled her hair as he came in, all uncle and no cop about him now. She far preferred her uncle to the chief; he had inherited the sense of humor in the family, while her father got the receding hairline and mad skills with numbers. "Geez, Vi, you didn't need to break your own leg to get out of going to the dance with Grady Spencer. A simple 'no' would have been just fine, I'm sure." Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle's teasing comment without looking away from Violet for even a split second. "She's not going to the dance with Grady," he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. "Really?" her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn't going to let the comment pass unnoticed. "Why is that?" she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. "Because she's going with me." He winked at Violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn't entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I'm-keeping-my-eye-on-you look, but a quick "Hmm" was the only sound he made. How much embarrassment could one person possibly survive? There was a moment of awkward silence, made even more uncomfortable by Jay's refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them. Her uncle Stephen cleared his throat, and Violet jumped a little.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Warren,still staring at the splendid black eye and several cuts on his face, remarked, "Hate to see what the other fellow looks like," which James supposed was a compliment of sorts, since Warren had personal experience of his fists from numerous occasions himself. "Like to congratulate the other fellow myself," Nicholas said with a smirk, which got him a kick under the table from his wife. James nodded to Reggie. "Appreciate it, m'dear. My feet wouldn't reach." To which she blushed that her kick had been noticed. And Nicholas, still wincing, managed a scowl,which turned out rather comical looking, considering the two expressions didn't mix all that well. "Is Uncle Toony still among the living?" Amy asked, probably because neither James nor his brother had returned back downstairs last night. "Give me a few more days to figure that out,puss, 'cause I bloody well ain't sure just now," Anthony said as he came slowly into the room,an arm tucked to his side as if he were protecting some broken ribs. A melodramatic groan escaped as he took the seat across from his brother. James rolled his eyes hearing it. "Give over,you ass," he sneered. "Your ife ain't here to witness your theatrics." "She's not?" Anthony glanced down the table, then made a moue and sat back in his chair-minus groaning this time. However, he did complain to James, "You did break my ribs,you know." "Devil I did, though I'll admit I considered it. And by the by, the option is still open." Anthony glared at him. "We're too bloody old to be beating on each other." "Speak for yourself, old man. One is never too old for a spot of exercise." "Ah,so that's what we were doing?" Anthony shot back dryly, as he gently fingered his own black eye. "Exercising, was it?" James raised a brow. "And that's not what you do weekly at Knighton's Hall? But I understand your confusion in the matter, since you're used to doling out the damage, rather than receiving any. Tends to give one a skewed perspective. Glad to have cleared that up for you." It was at that point that Jason walked in, took one look at his two younger brothers' battered faces, and remarked, "Good God, and at this time of the year,no less? I'll see you both in my study.
Johanna Lindsey (The Holiday Present)
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)
He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.
Orson Scott Card