Winter Good Morning Quotes

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Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’ Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.
Vincent van Gogh
To say goodbye, is to die a little. To say good morning, is a hope for a new sunshine in a cloudy winter.
Nabil TOUSSI
Please do it your own way. Do it in the mornings when your mind is cold Do it in the evenings when everything is sold. Do it in the springtime when springtime isn't there Do it in the winter We know winter well Do it on very hot days Try doing it in hell. Trade bed for a pencil Trade sorrow for a page No work it out your own way Have good luck at your age.
Ernest Hemingway (88 Poems)
Our lives are made up of choices. Big ones, small ones, strung together by the thin air of good intentions; a line of dominoes, ready to fall. Which shirt to wear on a cold winter's morning, what crappy junk food to eat for lunch. It starts out so innocently, you don't even notice: go to this party or that movie, listen to this song, or read that book, and then, somehow, you've chosen your college and career; your boyfriend or wife.
Abigail Haas (Dangerous Boys)
I think reading a good book makes one modest. When you see the marvelous insight into human nature which a truly great book shows, it is bound to make you feel small--like looking at the Big Dipper on a clear night, or seeing the winter sunrise when you go out to collect the morning eggs. And anything that makes you feel small is mighty good for you.
Christopher Morley (Parnassus on Wheels)
Whatever you may have heard, self-publishing is not a short cut to anything. Except maybe insanity. Self-publishing, like every other kind of publishing, is hard work. You don’t wake up one morning good at it. You have to work for that.
Zoe Winters (Smart Self-Publishing: Becoming an Indie Author)
There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.
Joanne Harris (Peaches for Monsieur le Curé (Chocolat, #3))
Along the open road on winter nights, homeless, cold, and hungry, one voice gripped my frozen heart: 'Weakness or strength: you exist, that is strength. You don't know where you are going or why you are going, go in everywhere, answer everyone. No one will kill you, any more than if you were a corpse.' In the morning my eyes were so vacant and my face so dead, that the people I met may not even have seen me. In cities, mud went suddenly red and black, like a mirror when a lamp in the next room moves, like treasure in the forest! Good luck, I cried, and I saw a sea of flames and smoke rise to heaven; and left and right, all wealth exploded like a billion thunderbolts.
Arthur Rimbaud
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
I think reading a good book makes one modest. When you see the marvelous insight into human nature which a truly great book shows, it is bound to make you feel small—like looking at the Dipper on a clear night, or seeing the winter sunrise when you go out to collect the morning eggs. And anything that makes you feel small is mighty good for you.
Christopher Morley (Parnassus on Wheels)
You are beautiful like Russian winter And hot like Indian summer
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
The boss's got all he needs, certainly, Eats swell, Owns a lotta houses, Goes vacationin', Breaks strikes, Runs politics, bribes police, Pays off congress, And struts all over the earth-- But me, I ain't never had enough to eat. Me, I ain't never been warm in winter. Me, I ain't never known security-- All my life, been livin' hand to mouth, Hand to mouth.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Already she is adapting herself, as she will adapt herself to very new régime. This morning I even heard her talking reverently about 'Der Führer' to the porters' wife. If anybody were to remind her that, at the elections last November, she voted communist,she would probably deny it hotly, and in perfect good faith. She is merely acclimatizing herself, in accordance with a natural law, like an animal which changes its coat for the winter. Thousands of people like Frl. Schroeder are acclimatizing themselves. After all, whatever government is in power, they are doomed to live in this town.
Christopher Isherwood
A good way to fall in love is to turn off the headlights and drive very fast down dark roads. Another way to fall in love is to say they are only mints and swallow them with a strong drink. Then it is autumn in the body. Your hands are cold. Then it is winter and we are still at war. The gold-haired girl is singing into your ear about how we live in a beautiful country. Snow sifts from the clouds into your drink. It doesn’t matter about the war. A good way to fall in love is to close up the garage and turn the engine on, then down you’ll fall through lovely mists as a body might fall early one morning from a high window into love. Love, the broken glass. Love, the scissors and the water basin. A good way to fall is with a rope to catch you. A good way is with something to drink to help you march forward. The gold-haired girl says, Don’t worry about the armies, says, We live in a time full of love. You’re thinking about this too much. Slow down. Nothing bad will happen.
Kevin Prufer
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains.
Anton Chekhov (The Lady with the Little Dog)
Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner— something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.” What does Bessie say I have done?” I asked. Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.
Charlotte Brontë (Jane Eyre)
Almost from the time he arrived in Hanover, New Hampshire, the gangly, somewhat nerdy, and idealistic young Fred Rogers felt out of place. By the time the bitter New Hampshire winter set in—lots of mornings below zero—he was miserable. Fred and Dartmouth were a mismatch from the first.
Maxwell King (The Good Neighbor: The Life and Work of Fred Rogers)
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
I think reading a good book makes one modest. When you see the marvellous insight into human nature which a truly great book shows, it is bound to make you feel small-- like looking at the Dipper on a clear night, or seeing the winter sunrise when you go out to collect the morning eggs. And anything that makes you feel small is mighty good for you.
Christopher Morley (Parnassus on Wheels)
Mark’s horror came from the fact that Christopher proposed to eschew comfort. An Englishman’s duty is to secure for himself for ever, reasonable clothing, a clean shirt a day, a couple of mutton chops grilled without condiments, two floury potatoes, an apple pie with a piece of Stilton and pulled bread, a pint of Club Médoc, a clean room, in the winter a good fire in the grate, a comfortable arm-chair, a comfortable woman to see that all these were prepared for you, and to keep you warm in bed and to brush your bowler and fold your umbrella in the morning. When you had that secure for life you could do what you liked provided that what you did never endangered that security. What was to be said against that?
Ford Madox Ford (Parade's End (Vintage Classics))
Winter was every kid’s favorite season in Kabul, at least those whose fathers could afford to buy a good iron stove. The reason was simple: They shut down school for the icy season. Winter to me was the end of long division and naming the capital of Bulgaria, and the start of three months of playing cards by the stove with Hassan, free Russian movies on Tuesday mornings at Cinema Park, sweet turnip qurma over rice for lunch after a morning of building snowmen.
Khaled Hosseini (The Kite Runner)
It is sometimes so bitterly cold in the winter that one says, `The cold is too awful for me to care whether summer is coming or not; the harm outdoes the good.’ But with or without our approval, the severe weather does come to an end eventually and one fine morning the wind changes and there is the thaw. When I compare the state of the weather to our state of mind and our circumstances, subject to change and fluctuation like the weather, then I still have some hope that things may get better.
Vincent van Gogh
Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
On a crisp, fresh morning in the Scottish Highlands, I had planned a ten-mile run. Both Jon Pratt and I were training a lot that winter, and we were both in good shape. Our run had a delightful and magical quality. My mind was very clear, and I remained completely present, noticing every rock on the trail and even the dew glistening on the pine needles. Every gust of wind invigorated and refreshed me. Even the clear echoes of our feet hitting the trail brought me back to the moment. As we inhaled and exhaled, the vapors created a mist. I felt connected to the sky and the earth.
Sakyong Mipham (Running with the Mind of Meditation: Lessons for Training Body and Mind)
I Want You to See" I want you to see the hole in my shirt where your heart went through like a Colt 45, and opened a dream at the back of the neck. Here, let me unbutton it for you. Notice the ribs, those sweet things you loved, notice the insides, the parchment lampshades, the books, the furniture. Notice yourself sitting, holding my hand on a winter night, notice the look in my eyes, now close it all up and walk away. Stumble, pretend you’re dead. Just for me, pretend you can be hurt by something so simple as a failed emotion. Pretend you have seen loss. For god’s sake what was I holding when you said good morning.
Pier Giorgio Di Cicco (Women we never see again)
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
An Englishman’s duty is to secure for himself for ever reasonable clothing, a clean shirt a day, a couple of mutton-chops grilled without condiments, two floury potatoes, an apple-pie with a piece of Stilton and pulled bread, a pint of Club Medoc, a clean room, in the winter a good fire in the grate, a comfortable armchair, a comfortable woman to see that all these were prepared for you, to keep you warm in bed and to brush your bowler and fold your umbrella in the morning. When you had that secure for life, you could do what you liked provided that what you did never endangered that security. What was to be said against that?
Ford Madox Ford (Parade's End (Wordsworth Classics))
April 25 MORNING “Rise up my love, my fair one, and come away.” — Song of Solomon 2:10 LO, I hear the voice of my Beloved! He speaks to me! Fair weather is smiling upon the face of the earth, and He would not have me spiritually asleep while nature is all around me awaking from her winter’s rest. He bids me “Rise up,” and well He may, for I have long enough been lying among the pots of worldliness. He is risen, I am risen in Him, why then should I cleave unto the dust? From lower loves, desires, pursuits, and aspirations, I would rise towards Him. He calls me by the sweet title of “My love,” and counts me fair; this is a good argument for my rising. If He has thus exalted me, and thinks me thus comely, how can I linger in the tents of Kedar and find congenial associates among the sons of men? He bids me “Come away.” Further and further from everything selfish, grovelling, worldly, sinful, He calls me; yea, from the outwardly religious world which knows Him not, and has no sympathy with the mystery of the higher life, He calls me. “Come away” has no harsh sound in it to my ear, for what is there to hold me in this wilderness of vanity and sin? O my Lord, would that I could come away, but I am taken among the thorns, and cannot escape from them as I would. I would, if it were possible, have neither eyes, nor ears, nor heart for sin. Thou callest me to Thyself by saying “Come away,” and this is a melodious call indeed. To come to Thee is to come home from exile, to come to land out of the raging storm, to come to rest after long labour, to come to the goal of my desires and the summit of my wishes. But Lord, how can a stone rise, how can a lump of clay come away from the horrible pit? O raise me, draw me. Thy grace can do it. Send forth Thy Holy Spirit to kindle sacred flames of love in my heart, and I will continue to rise until I leave life and time behind me, and indeed come away.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Much is said about love and heartbreak but nobody ever talks about falling out of love. Nobody has penned words on how glorious an experience it can be. Nobody talks about how it can feel like wings of healing and winds of enrapturement; how it can feel like snowflakes against your cheeks when you've been waiting and waiting for the blissful calm of winter. No one recognizes the pristine beauty of falling out of love, what a breathtaking process and journey it can be. We talk about falling into love like it's something so good we should wake up every morning wanting it. But nobody talks about the enrapturement, the ascension, of rising up and out of it!
C. JoyBell C.
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
In April, he perched on a witch hazel branch, shivering, one eye closed, waiting for the sun to warm his wings. The night had been particularly cold, the winter long, the fishing scarce. He'd been alone all the time. When the sun appeared, the warmth felt good on his wings. he lifted from his perch, wheeled, then cackled over the river, studying the surface for the slightest flash: a trout, a small shad, a frog. He lit on a willow snag downriver and sunned himself, raised his tail, shat, and called again. The days were growing longer now, the alewives ascending the streams. The year before, he'd built his nest near the estuary in a seam of clay, and soon - if she returned - the time would come for a new nest along the bank. The kingfisher fished all morning. He returned to the willow snag at noon; slept, then woke shortly after, startled by the call. Was it she? They hadn't seen each other since the summer before. He dropped from the branch, called, winged downriver, his image doubled in the water. He heard the call again, closer now. If she returned, he'd dive into the river, greet her with a fish, fly around her, feed her beak to beak. If she returned, he'd begin to exxcavate a new nest, claw clay out of the earth, arrange the perfect pile of fish bones to lay their eggs upon. He pumped his wings harder now. He heard the cackle closer, louder more insistent. he recognized her voice. She was hurling her way upriver. Any moment now: she'd fly into his vision.
Brad Kessler (Birds in Fall)
My darling was purring in her sleep, with the archaic smile on her lips, and she had the extra glow of comfort and solace she gets after love, a calm fulfilledness. I should have been sleepy after wandering around the night before, but I wasn't. I've noticed that I am rarely sleepy if I know I can sleep long in the morning. The red dots were swimming in my eyes, and the street light threw the shadows of naked elm branches on the ceiling, where they made slow and stately cats' cradles because the spring wind was blowing. The window was open halfway and the white curtains swelled and filled like sails on an anchored boat... I felt good and fulfilled, too, but whereas Mary dives for sleep, I didn't want to go to sleep. I wanted to go on fully tasting how good I felt.
John Steinbeck (The Winter of Our Discontent)
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
I feel so far away from them, on the top of this hill. It seems as though I belong to another species. They come out of their offices after their day of work, they look at the houses and the squares with satisfaction, they think it is their city, a good, solid, bourgeois city. They aren’t afraid, they feel at home. All they have ever seen is trained water running from taps, light which fills bulbs when you turn on the switch, half-breed, bastard trees held up with crutches. They have proof, a hundred times a day, that everything happens mechanically, that the world obeys fixed, unchangeable laws. In a vacuum all bodies fall at the same rate of speed, the public park is closed at 4 p.m. in winter, at 6 p.m. in summer, lead melts at 335 degrees centigrade, the last streetcar leaves the Hotel de Ville at 11.05 p.m. They are peaceful, a little morose, they think about Tomorrow, that is to say, simply, a new today; cities have only one day at their disposal and every morning it comes back exactly the same. They scarcely doll it up a bit on Sundays. Idiots. It is repugnant to me to think that I am going to see their thick, self-satisfied faces. They make laws, they write popular novels, they get married, they are fools enough to have children. And all this time, great, vague nature has slipped into their city, it has infiltrated everywhere, in their house, in their office, in themselves. It doesn’t move, it stays quietly and they are full of it inside, they breathe it, and they don’t see it, they imagine it to be outside, twenty miles from the city. I see it, I see this nature . . . I know that its obedience is idleness, I know it has no laws: what they take for constancy is only habit and it can change tomorrow. What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they’d think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present.
Jean-Paul Sartre (Nausea)
The parasol wasn’t a very good cane. Its tip dug into the hard, grassless earth, and the folded frame creaked as Kestrel limped across the grounds. But it brought her where she needed to go. She found Arin walking through the bare orange grove, horse tack draped over his shoulder. It jangled when he stopped and stared at her. He stood, shoulders stiff. As Kestrel came close she saw that his jaw was clenched, and that there was no trace of what her guards had done to him. No bruises. Nor would there be, not for something that had happened nearly a month ago. “Did I shame you?” Kestrel said. Something strange crossed his face. “Shame me,” Arin repeated. He looked up into the empty branches as if he expected to see fruit there, as if it weren’t almost winter. “The book. The inscription I read. The duel. The way I tricked you. The order I gave to have you imprisoned. Did I shame you?” He crossed his arms over his chest. He shook his head, his gaze never wavering from the trees. “No. The god of debts knows what I owe.” “Then what is it?” Kestrel was trying so hard not to ask about the rumors or the woman in the market that she said something worse. “Why won’t you look at me?” “I shouldn’t even be speaking with you,” he muttered. It dawned on her why it had never made sense that Rax had been the one to release Arin. “My father,” she said. “Arin, you don’t have to worry about him. He’ll be leaving the morning of the Firstwinter ball. The entire regiment has been ordered east to fight the barbarians.” “What?” He glanced at her, eyes sharp. “Things can be as they were.” “I don’t think so.” “But…you are my friend.” His expression changed, though not in a way Kestrel could read. “Just tell me what’s wrong, Arin. Tell me the truth.” When he spoke, his voice was raw. “You own me. How can you believe I’ll tell you the truth? Why would I?” The parasol trembled in Kestrel’s grip. She opened her mouth to speak, yet realized that if she did, she wouldn’t be able to control what she said. “I will tell you something you can trust is true.” Arin’s eyes held hers. “We are not friends.” Kestrel swallowed. “You’re right,” she whispered. “We’re not.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I had to pass that bear, to get home. I thought that if I could scare him, he might get out of the road and let me go by. So I took a deep breath, and suddenly I shouted with all my might and ran at him, waving my arms. “He didn’t move. I did not run very far toward him, I tell you! I stopped and looked at him, and he stood looking at me. Then I shouted again. There he stood. I kept on shouting and waving my arms, but he did not budge. “Well, it would do me no good to run away. There were other bears in the woods. I might meet one any time. I might as well deal with this one as with another. Besides, I was coming home to Ma and you girls. I would never get here, if I ran away from everything in the woods that scared me. “So at last I looked around, and I got a good big club, a solid, heavy branch that had been broken from a tree by the weight of snow in the winter. “I lifted it up in my hands, and I ran straight at that bear. I swung my club as hard as I could and brought it down, bang! on his head. “And there he still stood, for he was nothing but a big, black, burned stump! “I had passed it on my way to town that morning. It wasn’t a bear at all. I only thought it was a bear, because I had been thinking all the time about bears and being afraid I’d meet one.” “It really wasn’t a bear at all?” Mary asked. “No, Mary, it wasn’t a bear at all. There I had been yelling, and dancing, and waving my arms, all by myself in the Big Woods, trying to scare a stump!” Laura said: “Ours was really a bear. But we were not scared, because we thought it was Sukey.” Pa did not say anything, but he hugged her tighter. “Oo-oo! That bear might have eaten Ma and me all up!” Laura said, snuggling closer to him. “But Ma walked right up to him and slapped him, and he didn’t do anything at all. Why didn’t he do anything?” “I guess he was too surprised to do anything, Laura,” Pa said. “I guess he was afraid, when the lantern shone in his eyes. And when Ma walked up to him and slapped him, he knew she wasn’t afraid.” “Well, you were brave, too,” Laura said. “Even if it was only a stump, you thought it was a bear. You’d have hit him on the head with a club, if he had been a bear, wouldn’t you, Pa?” “Yes,” said Pa, “I would. You see, I had to.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Loneliness covers the earth like a blanket. It flows in the stream down through the Callows to the lake. It's in the muck in the yard and the briars in the haggard and the empty outbuildings are bursting with it. It runs down the walls inside of the house like tears and grows on the walls outside like a poisonous choking weed. It's in the sky and the stones and the clouds and the grass. The air is thick with it: you breath it into your lungs and you feel like it might suffocate you. It runs into hollow places like rainwater. It settles on the grass and on trees and takes their shapes and all the earth is wet with it. It has a smell, like the inside of a saucepan: scrapped metal, cold and sharp. When it hits you, it feels like a rap of a hurl across your knuckles on a frosty winter's morning. in PE: sharp, shocking pain, but inside you, so it can't be seen and no one says sorry for causing it nor asks are you ok, and no kind teacher wants to look at it and tut-tut and tell you you'll be grand, good lad. But you know if another man stood where you're standing and looked at the same things he wouldn't see it or feel it.
Donal Ryan
We got dressed, and walked downstairs and into the parlor. Everyone was clean in the clean parlor, and waiting for supper, sitting patiently but unrelaxed; with labor past, with hands unbusied, with mind unmolested, they sat very tired waiting for their food and for their few hours of quiet and for their few hours of sleep; and for the next morning, and for the next evening, and for a Sunday, and for another week and Sunday; for autumn and for winter, for spring and for summer; for another year, for another ten; for the slow chemistry of change and age; for the loss of pigments and tissues, of senses and wits, of faculties and perceptions; for the silencing of all clamor and the sealing of all sight; for the final levelling of all desire, of all despair, of all joy, of all tribulations; for the final quelling of all fear and pride and love and disaffection; for the final dissolution of the flesh and of all that flesh must suffer, sickness of soul and body, fast-withering delight and clouded love, unkindness and grief and wrong beyond reckoning; for the final resolution of all the good they had wrought, and all the ill; they sat resting after battle, with quiet hands and unperceiving eyes, without emotion to receive once more the deliberate edge of evening.
James Agee (Let Us Now Praise Famous Men / A Death in the Family / Shorter Fiction)
Honey is also an excellent moisturizer. If you notice that your face is drying out, just put some honey on it and rinse after five minutes. Immediately, your skin will be sheen and moisturized. You can even mix it with milk cream if you want your skin to stay hydrated during the cold winter season. As for your hair, you can use honey as a conditioner. Simply mix it with olive oil, and then apply it on your hair. Just make sure that you have already shampooed your hair before you apply it on. Leave the honey on your hair for an hour. When one hour has passed, wash it off and pat your hair dry with a clean towel. You will see that your hair has become silky and shiny upon conditioning with honey. You already know that honey is a natural sweetener that does not raise your blood sugar levels. If you take it with lemon juice and warm water in the morning, it can help you lose extra weight. So stop going on fad diets and starving yourself. Drink some warm honey lemon water instead. Do this on a regular basis and soon you will be a few sizes smaller. You will feel more confident with yourself. The anti-inflammatory property of honey is another good reason why you should eat it on a regular basis. It can help delay the degenerative process of your skin and make you look younger. Using honey on your food or drink daily can help you fight the symptoms of aging. With honey, you will feel and look young.
Kathy Grey (Honey: Learn The Amazing Uses of Natural Honey for Curing, Healing & Beauty Purposes)
I want porridge!" she said, exasperated. "That's all. I wanted a bunny before and 'it' appeared, and now I want porridge. The way my aunts used to make it on cold mornings. Warm and buttery, with rich toasted acorns in it." "Acorns? Really? That sounds... um... I mean, it's an interesting gastronomic choice." She rolled her eyes. "We lived in the middle of a 'forest,' Royal Prince. It was what we had. And a real treat in the middle of winter." Then she proceeded to ignore him. She closed her eyes and cupped her hands. She prayed and wished and imagined and begged. Phillip stayed politely silent- though he did look around, sigh a little, and do all sorts of other things to obviously fret over the passage of time. She tried to call up the feel of the wooden bowl in her hands: it warmed almost like flesh where the wood was thin and the heat of her fingers and the hot porridge mingled. She summoned the smell, a mix of dairy and things of the earth and the tall green grass and the woods. Sometimes there was even a dollop of honey on top. She thought so hard she felt like she had to go to the privy. Her concentration faltered for a moment when she distractedly wondered if that ever happened to Maleficent when she was performing an incantation. But after a few seconds she was back in her dream of porridge. Time passed... "GOOD LORD!" The smell in her head was giving to a real scent in her nose now, with even that faint, almost 'un'tasty burnt smell the acorns sometimes gave off. She smiled and opened her eyes. In her hands was a cracked wooden bowl full of porridge, just like she remembered.
Liz Braswell (Once Upon a Dream)
The Seer's Map by Stewart Stafford Howling dog, thou cursèd hound, Plaguest thy master with baleful sound, The cur's yelps taint the air around; A dirge for all that hear thy wound. The rooftop magpie foretells: Herald of guests to visit soon, A noisy speech announceth, Companions of the afternoon. Lucky horseshoe and iron key, Bringeth good fortune to the finder, But spilling salt provokes fate, And draws the evil eye's reminder. A shoe upon the table laid, Tempts the dead to live anon, For this ungracious gesture waketh, Flesh and blood from skeleton. Who crosses the path of hare or priest, A perilous milestone on thy road, Their very presence signifies That gathering trouble doth forebode. A toad on thy merry travels, Brings sweet smiles and kindest charms, Keep one about thy person warm, To shelter safe from danger's harms. Red sky at night delights the eye, Of shepherd that beholds thy light, Thy colour doth betoken dawn Of weather fair and clear and bright. Red sky at morn troubles the heart, Of shepherd that surveys thy shade, Thy hue doth presage day Of stormy blast and tempest made. December's thunder balm, Speaks of harvest's tranquil mind, January's thunder, fierce! Warns of war and gales unkind. An itchy palm hints at gold To come into thy hand ere long, But if thou scratch it, thou dost lose The fair wind that blows so strong. A Sunday Christmas forewarns: Three signs of what the year shall hold; A winter mild, a Lenten wind, And summer dry, to then unfold. Good luck charm on New Year's Day Maketh fortune bloom all year, But to lose it or give it away, Thou dost invite ill-omened fear. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
While she was enjoying this heady control, she decided to test a few minor spells on the werewolf—because it would be good practice, and by good practice she meant amusing for her. She caused a root to hike up directly in front of his feet. When he tripped, she folded her lips in, biting back a laugh. Magick . . . good. For the next hour, whenever his boots came untied just in time for the laces to collect bullet ants, or limbs whacked him across the face, or he scarcely dodged bird and monkey droppings, he always regarded her with narrow-eyed suspicion. She would casually glance over at him with a “Whaaa . . . ?” expression. But he hadn’t said anything, and as for her, well, she could do this all day— Out of the corner of her eye she spied movement. What looked like a vine suddenly uncoiled from the ground and came flying toward her. With a shriek, she attempted a pulse of energy to ward it off. But MacRieve had already snatched the snake; her magick caught him and sent him flying, his body crashing through the brush, felling the trees in his way. After landing one hundred feet away and angrily tossing the snake, he shot to his feet, charging back to her, eyes ice blue with fury. “Goddamn it, witch, no’ again!” “It was an accident!” the witch cried, and she might have been truthful, but Bowe was beyond caring. “All morning you’ve toyed with me, have you no’?” He stalked closer to her, letting her see a good glimpse of the beast within. Yet after swallowing loudly and retreating several steps, she seemed to force herself to stand her ground. He was dumbfounded that she wasn’t cowering. Battle hardened vampires recoiled in the face of a Lykae’s werewolf form, but she’d planted her boots, and she hadn’t budged. She even raised her chin. Cade had started hurrying down the embankment as if to protect her. The very idea made Bowe draw his lips back from his fangs. No doubt thinking his renewed fury was for her, she pulled magick into her hands.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding. We mounted our horses and began walking slowly up the hillside. When we reached the top, Marlboro Man pointed across a vast prairie. “See that thicket of trees over there?” he said. “That’s where we’re headed.” Almost immediately, he gave his horse a kick and began to trot across the flat plain. With no prompting from me at all, my horse followed suit. I braced myself, becoming stiff and rigid and resigning myself to looking like a freak in front of my love and also to at least a week of being too sore to move. I held on to the saddle, the reins, and my life as my horse took off in the same direction as Marlboro Man’s. Not two minutes into our ride, my horse slightly faltered after stepping in a shallow hole. Having no experience with this kind of thing, I reacted, shrieking loudly and pulling wildly on my reins, simultaneously stiffening my body further. The combination didn’t suit my horse, who decided, understandably, that he pretty much didn’t want me on his back anymore. He began to buck, and my life flashed before my eyes--for the first time, I was deathly afraid of horses. I held on for dear life as the huge creature underneath me bounced and reared, but my body caught air, and I knew it was only a matter of time before I’d go flying. In the distance, I heard Marlboro Man’s voice. “Pull up on the reins! Pull up! Pull up!” My body acted immediately--it was used to responding instantly to that voice, after all--and I pulled up tightly on the horse’s reins. This forced its head to an upright position, which made bucking virtually impossible for the horse. Problem was, I pulled up too tightly and quickly, and the horse reared up. I leaned forward and hugged the saddle, praying I wouldn’t fall off backward and sustain a massive head injury. I liked my head. I wasn’t ready to say good-bye to it. By the time the horse’s front legs hit the ground, my left leg was dangling out of its stirrup, even as all my dignity was dangling by a thread. Using my balletic agility, I quickly hopped off the horse, tripping and stumbling away the second my feet hit the ground. Instinctively, I began hurriedly walking away--from the horse, from the ranch, from the burning. I didn’t know where I was going--back to L.A., I figured, or maybe I’d go through with Chicago after all. I didn’t care; I just knew I had to keep walking. In the meantime, Marlboro Man had arrived at the scene and quickly calmed my horse, who by now was eating a leisurely morning snack of dead winter grass that had yet to be burned. The nag. “You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
Winter again. The summer people have gone. The early morning walks are solitary once more. Fog wraps the ocean and sky like a wet, gray glove. Sprinting through the frosty dune grass, my dog Buddy emerges soaked and grinning. He's become a man-child, his boundless puppy love and mindless exuberance caroming off the walls in a muscular body. He lives by one rule: To be alive is to be gloriously happy. Not a bad way to be, I often remind myself. Comfortable in the ebb and flow of each other's idiosyncracies and needs, he keeps me company while I work, I join him often in his play. His unflagging high spirits urge me to cram activity and joy into every waking moment as he does. By so doing, I tell myself, I will multiply my allotted time by dog years and dilate the remaining seasons accordingly. A good way to look at life, I figure.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
They spent three more long days in the whitened mountain ash trees on the whitened bay. Tatiana baked pies in Nellie’s big kitchen. Alexander read all the papers and magazines from stem to stern and talked post-war politics to Tatiana and Jimmy, and even to indifferent Nellie. In Nellie’s potato fields, Alexander built snowmen for Anthony. After the pies were in the oven, Tatiana came out of the house and saw six snowmen arrayed like soldiers from big to little. She tutted, rolled her eyes and dragged Anthony away to fall down and make angels in the snow instead. They made thirty of them, all in a row, arrayed like soldiers. On the third night of winter, Anthony was in their bed restfully asleep, and they were wide awake. Alexander was rubbing her bare buttocks under her gown. The only window in their room was blizzarded over. She assumed the blue moon was shining beyond. His hands were becoming very insistent. Alexander moved one of the blankets onto the floor, silently; moved her onto the blanket, silently; laid her flat onto her stomach, silently, and made love to her in stealth like they were doughboys on the ground, crawling to the frontline, his belly to her back, keeping her in a straight line, completely covering her tiny frame with his body, clasping her wrists above her head with one hand. As he confined her, he was kissing her shoulders, and the back of her neck, and her jawline, and when she turned her face to him, he kissed her lips, his free hand roaming over her legs and ribs while he moved deep and slow! amazing enough by itself, but even more amazingly he turned her to him to finish, still restraining her arms above her head, and even made a brief noise not just a raw exhale at the feverish end...and then they lay still, under the blankets, and Tatiana started to cry underneath him, and he said shh, shh, come on, but didn’t instantly move off her, like usual. “I’m so afraid,” she whispered. “Of what?” “Of everything. Of you.” He said nothing. She said, “So you want to get the heck out of here?” “Oh, God. I thought you’d never ask.” “Where do you think you’re going?” Jimmy asked when he saw them packing up the next morning. “We’re leaving,” Alexander replied. “Well, you know what they say,” Jim said. “Man proposes and God disposes. The bridge over Deer Isle is iced over. Hasn’t been plowed in weeks and won’t be. Nowhere to go until the snow melts.” “And when do you think that might be?” “April,” Jimmy said, and both he and Nellie laughed. Jimmy hugged her with his one good arm and Nellie, gazing brightly at him, didn’t look as if she cared that he had just the one. Tatiana and Alexander glanced at each other. April! He said to Jim, “You know what, we’ll take our chances.” Tatiana started to speak up, started to say, “Maybe they’re right—” and Alexander fixed her with such a stare that she instantly shut up, ashamed of questioning him in front of other people, and hurried on with the packing. They said goodbye to a regretful Jimmy and Nellie, said goodbye to Stonington and took their Nomad Deluxe across Deer Isle onto the mainland. In this one instant, man disposed. The bridge had been kept clear by the snow crews on Deer Isle. Because if the bridge was iced over, no one could get any produce shipments to the people in Stonington. “What a country,” said Alexander, as he drove out onto the mainland and south.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Wishing to let David sleep, she eased one arm free. “Good morning, wife.” His sleep-graveled voice tickled her ear. Megan smiled and lifted her head to enjoy being near him. They’d slept side by side on the train too, in a smaller bed. But they’d never snuggled up like this. “Good morning, David. I’ve lazed the morning away, it seems. Time to be up and about.” He seemed to focus on her smile with undue interest. Then slowly, smoothly, he lowered his head and kissed her. Her first kiss. It was warm and gentle and she found a surprising pleasure in it. How could a kiss be felt all through a woman’s body? It made no sense, yet at the same time it was undeniable. David raised himself up on his left arm—the one wrapped behind her neck. Without loosening his grip, he was over her, the kiss deeper, his head slanted as if he wanted to be closer, which didn’t seem possible. Just as David shifted his weight to press down on her more fully, the bedroom door flew open. “Pa, it’s morning! Get up! We’re hungry, Ma!” David moved away from her fast, but his arm was wrapped around her and he dragged her on top of him. Their eyes met. She saw dismay dawning in his gaze. She wasn’t sure why he was dismayed, but she found herself annoyed at it. Hadn’t he enjoyed their kiss? Before she could ask what he was thinking, the boys pounced, Zack on top of Megan’s back. Ben on his knees, bouncing on the bed beside them.
Mary Connealy (Winter Wedding Bells: A Bride for All Seasons Novella)
In December of each year the Tolowa people gathered together at the Axis Mundi to celebrate the creation of the earth. It’s a ten day celebration beginning at the winter solstice, the shortest day of the year ... It would take days for people to arrive and as the population grew, the new Anglo settlement in Crescent City became a little worried, they thought that the Indians were maybe gathering to ... wipe them out or something. Since they had only been in the area less than a year, the settlers didn’t realize that this was a normal annual thing. So the Tolowa people all across the area and the Yurok further south gathered together at the centre of the world, to dance and celebrate ... They danced all night until morning, and then they rested during the day and prepared food and so forth and then in the evening the dance started again ... And each night the dance became a little more elaborate than the night before ... On about the sixth night ... the local militiamen got together, and they drank some whisky and got a good buzz going, and then they got on their horses and went out and surrounded the village, which was one of the larger towns in the area. And of course we all lived in plankhouses made from redwood then. They lined up along a slough which lies in front of the village and then they began to set the buildings on fire, and as the people were trying to escape they were killed. Anybody who jumped into the slough to get away was gunned down into the water. And it happens that I have a great-great-uncle who survived, he was in the sweat house and he slid out and went into the slough and got away, and then he pushed himself southward in the slough. In the morning the entire village was set aflame, and hundreds of people were burned and killed outright. He said the slough was literally red with the blood of the people, and the babies that were found crying were just tossed into the flames to destroy them as well. So several hundred people perished there at ... Yan’daak’$$$$t, and later the place was called Burnt Ranch. And the local people still know where Burnt Ranch is ... The next year, because Axis Mundi was destroyed, the dance was moved to ‘Eechuulet, and they started to dance there and they were attacked again and my great-grandmother said that there were seven layers of bodies in the dance house when they burned it. They just stacked them in and torched the house down and ... burned them up there. The next year, 1855, there was ... a battle at the mouth of the Smith River, where about seventy of our people were killed. But by this time our numbers were drastically reduced...
James Wilson (The Earth Shall Weep: A History of Native America)
swung his long legs out of bed, and plunged his feet into a basin of cold water—a lifelong habit he believed good for his health.2,3,4 At Monticello, his plantation in the Southwest Mountains near the Blue Ridge of Virginia, the metal bucket brought to Jefferson every morning wore a groove on the floor next to the alcove where he slept.5 Six foot two and a half, Jefferson was nearly fifty-eight years old in the Washington winter of 1800–1801.6 His sandy hair, reddish in his youth, was graying; his freckled skin—always susceptible to the sun—was wrinkling a bit.7,8,9 His eyes were penetrating but elusive, alternately described as blue, hazel, or brown.10 He had great teeth.11 It was early February 1801. The capital, with its muddy avenues and scattered buildings, was in chaos, and had been for weeks.12 The future of the presidency was
Jon Meacham (Thomas Jefferson: The Art of Power)
YOU ARE PRECIOUS   A young woman named June volunteered at a church agency that served the poor and homeless of her city. One day June met George, who had come in to receive some help. Winter was coming and he needed a jacket and some shoes to help keep him warm. He took a seat in the chapel because the waiting room was crowded and noisy. When he indicated he wanted a Bible, June went to get one for him while he waited his turn in the clothing room. When she returned with a Bible, she sat down to talk to him for a while. George looked like he was in his late ’50s or early ’60s. June noticed his thin hair beginning to gray and the deep lines which marked his face. His hands were stiff and he had lost part of one finger. Although it was 1:30 in the afternoon, he smelled slightly of alcohol. He was a short, slight man, and he spoke softly. He had come into the agency alone, and June wondered if he had any family—anyone who cared that he existed. June wrote George’s name in the front of his Bible along with the date. Then she showed him the study helps in the back, which would help him find key passages. As they talked, the thought occurred to June: George is one of God’s very precious creatures. She wondered if George knew that. She wondered how long it had been since someone had told him. What if no one had ever told him he was precious to God—and to all God’s other children as well? George had very little influence or stature, but God spoke to June through him that day, “My children need to know they are precious to Me. Please tell them that.” Since then, she has made that message a part of every encounter she has at the church agency. Ask the Lord how you might share the message, “You are precious to God,” with others today through your words and actions.   SINCE THOU WAST PRECIOUS IN MY SIGHT, THOU HAST BEEN HONOURABLE, AND I HAVE LOVED THEE. ISAIAH 43:4 KJV
David C. Cook (Good Morning, God: Wake-up Devotions to Start Your Day God's Way)
after they interviewed the owner, then she’d need the change in the cupholder in her car to loosen their lips. Giving it away now would only throw that chance away later.  Roper paused at the door and proffered it to her. ‘After you,’ he said. She knew he just didn’t want to touch the handle. She took hold of it and pulled back, wondering for a second if she should open it just enough to slip through so that Roper would have to grab it to let himself in.  She decided that was too petty for the morning of a murder investigation. Inside, the interior was cool. A short reception area led into the main hall — a double-height function room with a hard rubberised floor filled with sleeping bags and other homeless people. There were at least twenty, maybe thirty. It was difficult to tell at a glance. At the back of the room, a woman in her fifties with a long fleece vest on, the pockets heavy and sagging with keys and who knows what else, was filling cups of coffee from a big stainless steel dispenser, handing them to a line of people queuing silently, their heads bowed.  The air was humid inside and the low murmurings of the people talking around them created a soft background din that swallowed their footsteps. Roper looked around, not hiding his disdain very well.  But with the nights getting colder, these people deserved somewhere warm to hole up. The winter was vicious and it was closing in fast this year, bearing down on the city in waves of rain and frost.  The woman serving coffee leaned around the line and looked at them, squinting a little to make them out. Her cheeks were rosy from the cold and her reddish hair was curled back up over her head, spilling around her ears. Big and cheap gold earrings clung to her stretched lobes and shook a little as she looked them up and down, her face a mixture of trepidation and worry. Police turning up at a homeless shelter never meant anything good. She smiled warmly at the person at the front of the line, told him to help himself to coffee, and then walked around the table towards Roper and Jamie.  She held her hands wide and then clasped them together, raising her eyebrows and shaking her head. Her earlobes wobbled and her heavy earrings caught the halogen strip lights overhead, glinting. ‘Can I, uh, help you?’ she asked.  Jamie and Roper flashed their badges to get it out of the way. ‘My name is Detective Sergeant Paul Roper, and this is my associate, Detective Sergeant Jamie Johansson.’ ‘Mary Cartwright,’ she answered diligently. ‘Are you the owner of this — er — establishment, Mary?’ Roper asked less than tactfully.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
The boys were desirous of having the pleasure that morning of giving the dogs their breakfast. They were very much surprised, however, when informed that the dogs were only fed once a day, and that that one meal was given to them in the evening, when their day’s work was done. This information at first aroused their sympathies for the dogs, but after some experience they found out that they could not only do much better work on one good meal a day, but were always in much better health.
Egerton Ryerson Young (Winter Adventures of Three Boys)
She loved rhubarb pie. She loved the morning sun. She loved drying the sheets on the clothesline, even in the dead of winter. She loved a good pot of jasmine tea. She loved orange rinds and gossip and peacock feathers. She loved plums." "Plums. Greengage plums?" "Yes, greengage plums.
Melanie Gideon (Valley of the Moon)
Do you not know that your faith never looks as good in summer as it does in winter? Love is too often like a glowworm, showing but little light unless it is surrounded by darkness. Hope itself is like a star—not to be seen in the sunshine of prosperity, and only to be discovered in the night of adversity. Afflictions are often the black foils in which God sets the jewels of His children’s graces, to make them shine brighter.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Coyote Mountain too much for her, alone with pine trees up to your neck, wooden bench by the Pecos River which runs silver in the winter untold. Dust-bit dirt lonely Indians with wet brown bellies which the moon shines upon like a frosty lake, the silver show of market stalls and paintings of four pitiful horses likes of which the Spanish brought under the Mexican memory of nightfall but the old Ming china-woman on her rickety bicycle with broken straw hat with bow-legged strength,simply; the perfect depiction of the fellaheen world riddled with ancient endeavour, the old china women of the world you’ll find them so perfect in all your cities under the twinkle of stars. The would be fishermen of dawn, collected wintery downpours and sunlight situations which never beckon further than his share, meant on this earth , match stick motels which warp your loving tales of good mornings or whichever is left.
Samuel J Dixey (An evening in Autumn: The unbegotten procession)
Why do you want to marry me, Benjamin? The real reason.” “Honor is a real reason.” It was not the real reason. He wasn’t quite sure he could admit the real reason, even to himself, even in the darkness, but if he said he wanted to keep her safe and make her troubles go away, she’d likely be on a packet to France by morning. “Why don’t you want to marry me?” “I don’t want to marry anybody.” “We’re back to your glorious independence?” She remained silent, which was a good tactic. It made him feel petty and a trifle bullying, though no less determined. “Is it so hard to believe a man could esteem you greatly enough to want to share his fortune, his title, and his life with you?” She withdrew her hand and rose, shifting to stand at the railing so she looked out over the garden—and could keep her expression from Ben’s gaze, no doubt. “I believe a man could want to share his body with me.” Oh-ho. Except her words were anything but an invitation. “You are cranky, my love. Let me tuck you in. Finding a ring worthy of gracing your elegant hand might take us all day tomorrow, and that would be fatiguing indeed.” “We’re not going to take an entire day wasting coin…” He came up behind her and wrapped both arms around her middle. “Guns down, Maggie. Even the Corsican didn’t expect to make war all winter—and see what his march to Moscow cost him when he made the attempt.” She sighed softly, her shoulders dropping. “You should not be here.” “Now there you are wrong. There is no place I would rather be. You, however, should not be alone, night after night, year after year, when any man with eyes and a brain can see what a treasure you are.” “Flattery ill becomes you, Benjamin. You should be blushing to speak such arrant flummery aloud. I hired you to find my reticule, and you end up with a scandal on your hands.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They marched until the captives could not take another step. Eben dragged Eliza half the way and Sarah dragged her the rest. Mercy and Joseph took turns hauling Ruth. That night they slept like rocks, and in the morning Mercy understood why bears spent the whole winter sleeping. It sounded good to Mercy.
Caroline B. Cooney (The Ransom of Mercy Carter)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They marched until the captives could not take another step. Eben dragged Eliza half the way and Sarah dragged her the rest. Mercy and Joseph took turns hauling Ruth. That night they slept like rocks, and in the morning Mercy understood why bears spent the whole winter sleeping. It sounded good to Mercy. Perhaps it sounded good to the Indians too, because they did not leave camp. Instead, they built two fires, gathering an enormous woodpile. Joseph was stripped of his English clothes. Too torn and filthy to bother with, they were tossed into the woods. He was given a long deerskin shirt and leggings that hung from thigh to ankle, held up by cords strung to a belt. Then came coat, hat and mittens, all Indian. How dark Joseph’s hair was. How tan his skin. Joseph looked like a young brave. In a moment, the Indians did the same with Eben, whose coloring was very English, ruddy cheeks and straw-yellow hair. He did not look at all Indian, but in deerskin, he looked tough and strong and much older. The girls were nervous. They did not want their clothes stripped off their bodies, no matter how torn and filthy. But Eben’s Indian, Thorakwaneken, hoisted a flintlock musket and looked questioningly at each girl. Mercy could not imagine what he was asking of her. Eliza did not notice him or the gun. And Ruth was the last person to whom a sensible Indian would hand a weapon. Sarah, however, nodded. “I’m a good shot.” She took the musket from Thorakwaneken. Food was such a problem that even Joseph and Eben would be armed and sent forth to hunt. The girls would stay by the fire with enough wood to last for days, and Sarah to fend off wolves.
Caroline B. Cooney (The Ransom of Mercy Carter)
I Tonight my father steps drunk into the snare, is lifted in his fur coat like a small bear who upside down feels only the weight of its tongue. Alone in moonlight he circles for hours on the palms of his hands, finds by touch, the green bottle of wine upright in snow. Already his eyes are small pockets of ice a paw has pushed through. And these are the tracks he follows into the first few moments of sleep, into a life now hanging by one heel among the birches. This is the world gone white at the edges of maps where even wolves disappear in silence, where my father's bewildered ear twists its own deaf center, calling home. II By morning he is still alive, this noose a last foothold turning his body slowly in a light snow. He wakes like a man whose skin has swallowed the cold, thin air wintering in the heart of a stone. Here, he dreams of dragging a sled of pelts across a field. But always his one caught leg keeps falling behind like en exhausted animal too heavy to move on the crust. There is sweat and a stiff wind carving a trail in his back, snow falling harder in every direction but time. III At last he thinks of a woman undressing below him in the snow. Her skin is blue, her legs crossed and long. When he reaches down darkness falls all the way from his chest. Inside one finger he has written his name in blood. Now he must bed down for good in the thought of this one woman cold and naked who begins to stir openly in her perfect camouflage like absence entering the eye of this storm.
Jack Driscoll
The Resemblance Between Your Life And A Dog I never intended to have this life, believe me— It just happened. You know how dogs turn up At a farm, and they wag but can’t explain. It’s good if you can accept your life—you’ll notice Your face has become deranged trying to adjust To it. Your face thought your life would look Like your bedroom mirror when you were ten. That was a clear river touched by mountain wind. Even your parents can’t believe how much you’ve changed. Sparrows in winter, if you’ve ever held one, all feathers, Burst out of your hand with a fiery glee. You see them later in hedges. Teachers praise you, But you can’t quite get back to the winter sparrow. Your life is a dog. He’s been hungry for miles, Doesn’t particularly like you, but gives up, and comes in.
Robert Bly (Morning Poems)
Dad set his own plate at the table and sat down. He drew out the torture, taking a bite, chewing slowly, staring a hole through me without speaking. Finally I said, “Good morning, respected padre.” “Hmph,” he said. “Your brother tells me that by giving in to your acrophobia, thereby ruining your chances of a professional snowboarding career, you are also sabotaging his chances of having the same sort of career through no special effort on his part. Shame on you! You’re grounded.” I sniffed. “Did you really wake me up early during my winter break just so you could make a sarcastic comment to Josh?” Josh stuck out his tongue at me, then took a huge bite of pancake. Dad pointed at me with his fork. “Yes, sorry. If I’d waited until you woke up on your own to make that sarcastic comment, I might have been late for work.
Jennifer Echols (The Ex Games)
Why do Southerners eat Black Eyed Peas on New Year’s Day? The story of the Southern tradition of eating black-eyed peas as the first meal on New Year's Day is generally believed to date back to the winter of 1864 - 1865. When Union General William T. Sherman led his invading troops on their destructive march through Georgia, the fields of black-eyed peas were largely left untouched because they were deemed fit only for animals. The Union foragers took everything, plundered the land, and left what they could not take, burning or in shambles. But two things did remain, the lowly peas and good Ol’ Southern salted pork. As a result, the humble yet nourishing black-eyed peas saved surviving Southerners - mainly women, children, elderly and the disabled veterans of the Confederate army - from mass starvation and were thereafter regarded as a symbol of good luck. The peas are said to represent good fortune. Certainly the starving Southern families and soldiers were fortunate to have those meager supplies. According to the tradition and folklore, the peas are served with several other dishes that symbolically represent good fortune, health, wealth, and prosperity in the coming year. Some folks still traditionally cook the black-eyed peas with a silver dime in the pot as a symbol of good fortune. Greens represent wealth and paper money. Any greens will do, but in the South the most popular are collards, mustard greens, turnip greens, and cabbage. Cornbread - a regular staple among Southerners in the absence of wheat - symbolizes gold and is very good for soaking up the juice from the greens on the plate. You should always have some cornbread on hand in your kitchen anyway. Good for dinner and in the morning with syrup. Pork symbolizes bountiful prosperity, and then progressing into the year ahead. Ham and hog jowls are typical with the New Year meal, though sometimes bacon will be used, too. Pigs root forward, so it’s the symbolic moving forward for the New Year. Tomatoes are often eaten with this meal as well. They represent health and wealth. So reflect on those stories when you sit down at your family table and enjoy this humble, uniquely Southern meal every New Year’s Day. Be thankful for what this year did give you in spite of the bad, and hope and pray for better days that are coming ahead for you.
James Hilton-Cowboy
SAFFRON SUMMER COMPOTE Compote de Pêches aux Safran A few threads of saffron add depth--- maybe even a little fancy-pants--- to this summer compote. I make mine with a mix of white and yellow peaches and juicy nectarines, whatever I have on hand. Top your morning yogurt, layer in a parfait, or serve with a slice of pound cake and a dollop of crème fraîche. When I get my canning act together, this is what I'm going to make, jars and jars of golden days to last me through the chill of winter. 2 pounds of slightly overripe fruit (a mix of peaches, nectarines, and apricots) 1 tablespoon of raw sugar 2 good pinches of saffron Cut the fruit into 1-inch cubes. I don't especially feel the need to peel. In a heavy-bottomed saucepan, combine the fruit and sugar. Bring to a boil, stir in the saffron, and let simmer over low heat until thickened and slightly reduced; mine took about 40 minutes. Serve warm or cold. Serves 6-8
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
intricately patterned. There is nothing rustic here. Only when she looks at the paintings does Elizabeth remember the dark approach through the forest. These are outdoor paintings, trees and wild cliffs, huge sunsets. Elizabeth sits with Nina on a divan before a cluster of Bierstadts. Deep trees and cerebral winter skies. The museum is nearly empty this weekday morning. The elaborate gallery still. Elizabeth looks intently at the winter landscapes. And as she looks, she whispers to Nina, “It’s marvelous, just sitting here while the girls are at camp.” Nina looks at the floor. Renée is working as a junior counselor at the camp. It was Nina’s idea. She thought the job with the Lamkins would be good for her daughter, that it would teach her responsibility and how to care for children. But Renée made a fuss. Nina had to threaten and cajole and, in the end, force Renée to go. There were tears and threats up to the day she started. Even now, Renée is sulking about working there with the little children. “Renée doesn’t like the camp,” Nina says. “I think she’d rather waste her time wandering around, doing nothing, playing with that Arab girl. Andras doesn’t care. I hear the father owns a trucking business—he just drives trucks from New York to Montreal—” She breaks off, frustrated. “She’s a good child, really,” Elizabeth says. “But Andras spoils her,” says Nina. Then Elizabeth sees that Nina is really upset. There are tears in Nina’s eyes. It’s hard for her to speak. Elizabeth sees it, and doesn’t know what to do. They are close neighbors, but they are not intimate friends. Beautiful Nina in her crisp dress, downcast among all these paintings. “He’s very … indulgent of the children, both of them,” Nina says. “He used to take them to the warehouse and let them pick out any toys they liked.” “At least he’s not in the candy business,” Elizabeth says. “Toys won’t rot their teeth.” “He’s going to let Renée quit piano,” Nina says bitterly, utterly serious, “and she’ll regret it all her life.” Elizabeth tries to look sympathetic. She’s heard Renée play. “And now that Renée is working at the Lamkins’ camp, she wants to quit that too.” “He wouldn’t let her do that,” Elizabeth ventures. “I
Allegra Goodman (Kaaterskill Falls: A Novel)
Then he began smelling the gray and sour odor even when his father wasn’t there, even when Pigeon Day was over. It might happen in the morning as he sat in school, or at night as he lay in bed. It could even happen in his father’s lap in the middle of winter, when the shotgun had been locked away for months. The smell was sure to come on his birthday. It did not spoil his birthday, as it did not spoil his father’s lap, but it changed those things so they did not feel quite as good as before.
Jerry Spinelli (Wringer (Summer Reading Edition))
If we want to benefit most from our suffering, by prayer and meditation, we will approach our suffering as a good soldier approaches war. What do I mean by that? A good soldier who has trained and trained is not surprised when he fins himself in war! He has been trained for it. Likewise, consider it your Job to be be prepared to suffer. That puts a whole different cast on Sunday morning, doesn't it? You are gathering with God's people Lord's Day after Lord's Day to train as good soldiers of Jesus Christ so that when your time of trial and testing sand suffering comes, you will be ready.
J. Ligon Duncan III (Does Grace Grow Best in Winter?)
I can tell right away by looking at you what you want to eat," he says. "I can tell how many brothers and sisters you have." After divining my favorite color (blue) and my astrological sign (Aquarius), Nakamura pulls out an ivory stalk of takenoko, fresh young bamboo ubiquitous in Japan during the spring. "This came in this morning from Kagumi. It's so sweet that you can eat it raw." He peels off the outer layer, cuts a thin slice, and passes it across the counter. First, he scores an inch-thick bamboo steak with a ferocious santoku blade. Then he sears it in a dry sauté pan until the flesh softens and the natural sugars form a dark crust on the surface. While the bamboo cooks, he places two sacks of shirako, cod milt, under the broiler. ("Milt," by the way, is a euphemism for sperm. Cod sperm is everywhere in Japan in the winter and early spring, and despite the challenges its name might create for some, it's one of the most delicious things you can eat.) Nakamura brings it all together on a Meiji-era ceramic plate: caramelized bamboo brushed with soy, broiled cod milt topped with miso made from foraged mountain vegetables, and, for good measure, two lightly boiled fava beans. An edible postcard of spring. I take a bite, drop my chopsticks, and look up to find Nakamura staring right at me. "See, I told you I know what you want to eat." The rest of the dinner unfolds in a similar fashion: a little counter banter, a little product display, then back to transform my tastes and his ingredients into a cohesive unit. The hits keep coming: a staggering plate of sashimi filled with charbroiled tuna, surgically scored squid, thick circles of scallop, and tiny white shrimp blanketed in sea urchin: a lesson in the power of perfect product. A sparkling crab dashi topped with yuzu flowers: a meditation on the power of restraint. Warm mochi infused with cherry blossoms and topped with a crispy plank of broiled eel: a seasonal invention so delicious it defies explanation.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Just a moon ago, at dawn, I was drunk. Very drunk. I wasn’t thinking of you. You were the last thing on my mind. I was trying to get up from where I lay on the riverbank without falling in. I couldn’t tell the water from the sky. I was seeing two skies and two rivers and knew that if I took a wrong step I would probably drown, and I was deciding whether or not that would be a bad thing. The next thing I knew I was in the center of the river on that flat rock you used to sit on, and I looked up into the sky, and suddenly my vision cleared. I knew that you wanted me back. I knew, at that moment, we were both seeing into your heart.” She didn’t tell him that was probably the morning the baby came, but he saw her struggle and her resignation and her surprise. There’s no real reason for this, she thought. There’s no good reason. I can’t believe such nonsense, but it happened. I don’t know my own mind even now when he’s standing right in front of me, so dear, so beautiful, and much too good. Much too good. Why can’t I have his faith? Rising Hawk watched her face, and he began to believe that if he could just touch her, kiss her the way he had on the trail, she would give in. But then she said, “Rising Hawk. Would you do something for me?” Her voice suggested some new torment. His vulnerable expression fled. He wasn’t going to be made to look like a fool. Not even by Livy, no matter how dear she was to him. He thought about the winter. She made him laugh. Most of the time, she made him happy. They all believed she still had him bewitched. Maybe she did. Against his better judgment and his gut feeling, he felt himself nod yes. She took a deep breath. “Turn around and walk away.” “What?” “Turn around and walk away.” She had done all the thinking she could. By itself it held no answers. This was her last chance. “That’s what you want?” “Yes.” His next words had to fight their way out. His teeth were set like a bear trap. “I don’t know why I love you. It never makes any sense to me. Nothing about you does.” He turned. Livy watched him walk away. His familiar stride, the way he held his head, and the slight limp helped her remember the trail, their strange journey, and the gunshot. It’s not fair, she told herself as the pain of seeing him walk away one last time took hold of her. “It’s not enough,” she said aloud in an angry sob that rose in her throat and nearly choked her next words. “But I can’t help it. I can’t, and I don’t care anymore. I don’t care. Rising Hawk, wait!” she called, and broke into a run. He slowed at the sound of her voice and looked over his shoulder. The old smile returned to his face, gentle, mocking, assured. He didn’t wait for her to reach him, but turned to meet her halfway.
Betsy Urban (Waiting for Deliverance)
It was, predictably, a morning ceremony, for nothing good comes of endeavours undertaken when the sun is in decline,
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
It is said that our people learned to make sugar from the squirrels. In late winter, the hungry time, when caches of nuts are depleted, squirrels take to the treetops and gnaw on the branches of sugar maples. Scraping the bark allows sap to exude from the twig, and the squirrels drink it. But the real goods come the next morning, when they follow the same circuit they made the day before, licking up the sugar crystals that formed on the bark overnight. Freezing temperatures cause the water in the sap to sublimate, leaving a sweet crystalline crust like rock candy behind, enough to tide them over through the hungriest time of year.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)