Winter Arc Quotes

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To survive the Canadian winter, one needs a body of brass, eyes of glass, and blood made of brandy.
Louis-Armand de Lom d'Arce
What must life have been like in the Age of Mortality? Full of passions, both good and bad. Fear giving rise to faith. Despair giving meaning to elation. They say even the winters were colder and the summers were warmer in those days.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
I tell me: Let these words be footsteps, because I have a long way to travel. Let the words walk the dirty streets. Let them make their way across the crying grass. Let them stand and breathe and pant smoke in winter evenings. And when they're tired and have fallen down, let them buckle to their feet ad arc around me, watchful. I want these words to be actions. Give them flesh and bones, I say to me, and eyes of hunger and desire, so they can write and fight me through the night.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
And so saw, by a trick, an angle, a flaring of torchlight far down the dark river, how the arrow—white-feathered, she would remember, white as innocence, as winter in midsummer, as death—fell from the summit of its long, high arc to take the coran in the shoulder, driving him, slack and helpless, from the rope into the river amid laughter turned to screaming in the night.
Guy Gavriel Kay (A Song for Arbonne)
The wind here is a glinting abrasive thing, a perpetual, face-shredding, eyeball-poking tendency in the fabric of spacetime, inhabited by vast platinum-blond arcs of fire that are centered on the low winter sun. Crystalline
Neal Stephenson (Cryptonomicon)
Citra returned to Scythe Curie at Falling Water many weeks before Winter Conclave, when the Month of Lights had just begun, and gifts were being passed between friends and loved ones to celebrate ancient miracles that no one quite remembered
Neal Shusterman (Scythe (Arc of a Scythe, #1))
Citra returned to Sythe Curie at Falling Water many weeks before Winter Conclave, when the Month of Lights had just begun, and gifts were being passed between friends and loved ones to celebrate ancient miracles that no one quite remembered.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
It wasn’t the most glamorous of disguises, but Citra knew it was practical. No one would look her in the eye for fear of getting an earful of Tonist twaddle. She would hide in plain sight and come home just before Winter Conclave. If Scythe Curie hadn’t cleared her name by then, it wouldn’t matter anyway. She wasn’t about to spend her whole life in hiding.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
Then as she dwindled away to nothing he glided on towards me with increasing speed, his huge Jewish face growing like a great egg above the silken wings of his gown. I swung the sword in an arc before him but as it moved the blade came away and flew upwards into the winter darkness which had collected above us. Clinging in fear and guilt to what remained in my hand I recognized my father.
Iris Murdoch (A Severed Head)
I did this to myself back then, compared my accomplishments at twenty-three to those of spectacularly successful people (Picasso at twenty-three was finishing his Blue Period; Mick Jagger was writing "19th Nervous Breakdown"; Joan of Arc had rescued France, been burned at the stake, and been dead for four years).
Tom Barbash (The Dakota Winters)
I-I just want to be safe from him. From all of them.” Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard… but I wouldn’t hurt you that way. You must believe that.” The delicate nerves of her skin drank in sensations thirstily… his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. “Yes,” she managed to whisper. “Yes… I—” There was the sweet shock of a probing kiss against her lips… another… She opened to him with a slight gasp.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Earlier that morning, Escoffier ad brought up a large bucket of white rose petals, white violets and vanilla orchids that he'd been thinking of creating a dish with. The pâtissier had crystalized some of the flowers, and left him a plate of meringue shells, a handful of vanilla beans and fresh cream. He wanted to create a new dish for Sarah, a sweet, something surprising, something to engage her. She'd been playing Joan of Arc, the virgin saint, a seventeen-year-old girl. It was a role she made famous, difficult at any age, but for a woman in her mid-forties, it was nearly impossible. Escoffier tossed a handful of white rose petals into Rosa's bathwater. The white skin. The white roses. 'The essence of Saint Joan is in shades of white, like shades of innocence.' 'Spun sugar,' he thought. 'Vanilla cream, of course.
N.M. Kelby (White Truffles in Winter)
He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. “Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?” Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked. “M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer. “Maybrick?” he asked patiently. “No, th-the other one.” “Stubbins.” “Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. “How often?” she heard him ask. “More than once?” “I…i-it’s not important now.” “How often, Evie?” Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.” “Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.” “I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.” Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. "Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?" Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked. "M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer. "Maybrick?" he asked patiently. "No, th-the other one." "Stubbins." "Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. "How often?" she heard him ask. "More than once?" "I... i-it's not important now." "How often, Evie?" Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip." "Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb." "I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them." Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that." The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---" There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Common Elements of this Trope Here are some elements that are common to stories using the marriage-of-convenience trope: Characters choose to get married, either due to their personal circumstances or because of their goals. Marriage generally happens before the hero and heroine fall in love. Sex often happens before there is any emotional intimacy between the couple. The hero and heroine will usually come together in a way that is certain to generate conflict—so initially the sparks will fly but eventually an amazing love story will emerge. There is an immense romantic arc – from two strangers with no romantic aspirations through to them being fully committed to each other. There is strong attractional tension – our couple do not want to be attracted to each other. It can be challenging for a writer to come up with plausible story scenarios since there are relatively few situations or reasons for a couple to contemplate entering into this type of relationship—especially with contemporary stories where the couple could simply opt to live together. Additional tropes are often incorporated into the plot.
Karen Winter (Romance Tropes: Marriage of Convenience: A reference tool for plotting romance stories (Romance Writers' Bookshelf Book 5))
The dropping of leaves by deciduous trees is called abscission. It occurs on the cusp between autumn and winter, as part of an arc of growth, maturity, and
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Representing Far Places In the canoe wilderness branches wait for winter; every leaf concentrates; a drop from the paddle falls. Up through water at the dip of a falling leaf to the sky's drop of light or the smell of another star fish in the lake leap arcs of realization, hard fins prying out from the dark below. Often in society when the talk turns witty you think of that place, and can't polarize at all: it would be a kind of treason. The land fans in your head canyon by canyon; steep roads diverge. Representing far places you stand in the room, all that you know merely a weight in the weather. It is all right to be simply the way you have to be, among contradictory ridges in some crescendo of knowing.
William Stafford
It was six o’clock by the time I was outside, but it was already dark. Typical for late fall. The days were getting shorter and shorter, the arc of the sun getting lower in the south sky and the shadows longer. In a few more weeks it would be dark by four and by the time Christmas rolled around, we’d only be getting seven hours of daylight, not a lot for the most part, but at least the sun would be shining. People new to the city always commented on that. Even though winter was cold and the days were short, the sun shone most of the time. And the sharper angle changed the wavelength of its light to the warmer reds and oranges, so even the color of the air would change.
Wayne Arthurson (Fall from Grace (Leo Desroches #1))
It’s freezing outside and imagine you are relaxing in the water of your swimming pool. Is it possible? Will you not freeze in the cold water? Absolutely not! Pool Enclosures can make it a possible. They not only protect the pool from rain and snow but also enhance the inside air temperature and help you enjoy your most relaxing activity in the winters. The most popular enclosures are the Telescopic Swimming Pool Enclosures. These are the most suitable enclosures for long outdoor swimming pools. They enhance the overall appearance of the pool. These are quick and easy to assemble. These are among the best-selling enclosures in the markets. As the name suggests telescopic enclosures are long and slender just like the telescope. These enclosures are also used by resorts and hotel owners to cover their swimming pools. The pool enclosures for outdoor pools offer an extended living space when connected to the home. You can opt for an arc shaped pool enclosure that could be opened or closed. An enclosure with traditional design can improve the aesthetics of the area. Other styles and designs are offered by a large number of companies to turn your pool side into a beautiful and relaxing space. As it becomes very difficult to put and remove the pool covers manually, automatic pool enclosures that can be applied with a push on a button have been introduced in the market. These pool enclosures are easy to install and can be opened or closed whenever required in just a few seconds. As the pool is protected from rain, dust and snow, you will require very less time in cleaning the pool. With enclosures on you can enjoy an extended pool season all year round. In majority of the houses with swimming pool, you can find Retractable Enclosures over the swimming pool. They make the pool useful even in rain and improve the overall look of the pool. These are also easy to assemble and provide a hassle free experience. Hence if you have a pool in your house and you want to make it even more beautiful, then it is highly recommended to make use of retractable enclosures. If you want to enjoy at the pool side throughout the year, then it is high time you get a pool enclosure installed. The benefits of pool covers and enclosures are plenty and the cost is worth the pleasure. You can look for the companies that offer affordable and easy to assemble enclosure kits on the internet and take advantage of their products and services. These companies can even custom design an enclosure to match the architecture of your house. Enjoy swimming in an enclosed beautiful pool around the year!
Protect Your Pool From Rain And Snow With Stylish Pool Enclosures
Evidently, rigging cables is therapy for the Swiss: or part of their theology. What was it that he used to say? A balanced arc between mountain rows / as servant to his master shows / the power of besieged belief / in something something something, something something something-something to do with ducks, or rainbows.
Mark Helprin (Winter's Tale)