Winter's Tale Quotes

We've searched our database for all the quotes and captions related to Winter's Tale. Here they are! All 100 of them:

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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.
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Charles Dickens (A Tale of Two Cities)
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He moved like a dancer, which is not surprising; a horse is a beautiful animal, but it is perhaps most remarkable because it moves as if it always hears music.
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Mark Helprin (Winter's Tale)
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Exit, pursued by a bear.
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William Shakespeare (The Winter's Tale)
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A sad tale's best for winter: I have one of sprites and goblins.
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William Shakespeare (The Winter's Tale)
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The shelf was filled with books that were hard to read, that could devastate and remake one's soul, and that, when they were finished, had a kick like a mule.
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Mark Helprin (Winter's Tale)
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Justice can sleep for years and awaken when it is least expected. A miracle is nothing more than dormant justice from another time arriving to compensate those it has cruelly abandoned. Whoever knows this is willing to suffer, for he knows that nothing is in vain.
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Mark Helprin (Winter's Tale)
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They gave themselves up to the stars the way swimmers can surrender to the waves, and the stars took them without resistance.
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Mark Helprin (Winter's Tale)
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Seasons flow in a cycle. Life too, passes through difficult winters. But after any winter, spring will follow.
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Toshikazu Kawaguchi (Tales from the CafΓ© (Before the Coffee Gets Cold, #2))
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My love, my love Remember the cries When winter died for spring skies They roared and roared But we grabbed our seed And sowed a song Against their greed And Down in the vale Hear the reaper swing, the reaper swing the reaper swing Down in the vale Hear the reaper sing A tale of winter done My son, my son Remember the chains When gold ruled with iron reins We roared and roared And twisted and screamed For ours, a vale of better dreams
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Pierce Brown (Red Rising (Red Rising Saga, #1))
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Though I am not naturally honest, I am sometimes so by chance.
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William Shakespeare (The Winter's Tale)
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You and me Haymitch.Very cozy.Picnics, birthdays, long winter nights sitting around the fire retelling old Hunger Games tale. -Peeta Mellark
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Lonely people have enthusiasms which cannot always be explained. When something strikes them as funny, the intensity and length of their laughter mirrors the depth of their loneliness, and they are capable of laughing like hyenas. When something touches their emotions, it runs through them like Paul Revere, awakening feelings that gather into great armies.
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Mark Helprin (Winter's Tale)
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The Snow White the midnight the moon tales of the mechanics
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Marissa Meyer (Winter (The Lunar Chronicles, #4))
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Give me a night by the fire, with a book in my hand, not that flickering rectangular son of a bitch that sits screaming in every living room in the land.
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Mark Helprin (Winter's Tale)
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I do feel it gone, But know not how it went
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William Shakespeare (The Winter's Tale)
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He could say nothing. He had no right to be there, he had already been profoundly changed, he was no good at small talk, she was half naked, it was dawn and he loved her.
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Mark Helprin (Winter's Tale)
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I know the look of an apple that is roasting and sizzling on the hearth on a winter's evening, and I know the comfort that comes of eating it hot, along with some sugar and a drench of cream... I know how the nuts taken in conjunction with winter apples, cider, and doughnuts, make old people's tales and old jokes sound fresh and crisp and enchanting.
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Mark Twain
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What a fool honesty is.
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William Shakespeare (The Winter's Tale)
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Our lives are so important to us that we tend to think the story of them begins with our birth. First there was nothing, then I was born...Yet that is not so. Human lives are not pieces of string that can be separated out from a knot of others and laid out straight. Families are webs. Impossible to touch one part of it without setting the rest vibrating. Impossible to understand one part without having a sense of the whole. - Vida Winter
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Diane Setterfield (The Thirteenth Tale)
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They're not just dreams. Not anymore, I dream more than I wake now, and, at times, I have crossed over. Can't you see? I've been there.
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Mark Helprin (Winter's Tale)
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
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Charles Dickens
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Peter Lake had no illusions about mortality. He knew that it made everyone perfectly equal, and that the treasures of the earth were movement, courage, laughter, and love. The wealthy could not buy these things. On the contrary, they were for the taking.
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Mark Helprin (Winter's Tale)
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Crazy loves company, Sir Clay.
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Marissa Meyer (Winter (The Lunar Chronicles, #4))
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If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined; it is determined, or was determined, or will be determined.
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Mark Helprin (Winter's Tale)
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It is an heretic that makes the fire, Not she which burns in't.
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William Shakespeare (The Winter's Tale)
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She felt as if she knew the stars, and had been among them, or would be.
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Mark Helprin (Winter's Tale)
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All great discoveries...are products as much of doubt as of certainty, and the two in opposition clear the air for marvelous accidents.
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Mark Helprin (Winter's Tale)
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...to be paid for one's joy is to steal.
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Mark Helprin (Winter's Tale)
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The Hero cares not for a wild winter's storm. For it carries him swift on the back of the storm. All may be lost and our hearts may be worn, but a Hero fights forever.
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Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
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I am human. Like all humans, I do not remember my birth. By the time we wake up to ourselves, we are little children, and our advent is something that happened an eternity ago, at the beginning of time. We live like latecomers to the theater; we must catch up as best we can, divining the begging from the shape of later events. - Vida Winter
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Diane Setterfield (The Thirteenth Tale)
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No one ever said that you would live to see the repercussions of everything you do, or that you have guarantees, or that you are not obliged to wander in the dark, or that everything will be proved to you and neatly verified like something in science. Nothing is: at least nothing that is worthwhile. I didn't bring you up only to move across sure ground. I didn't teach you to think that everything must be within our control or understanding. Did I? For, if I did, I was wrong. I fyou won't take a chance, then the powers you refuse because you cannot explain them, will, as they say, make a monkey out of you.
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Mark Helprin (Winter's Tale)
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For what can be imagined more beautiful than the sight of a perfectly just city rejoicing in justice alone.
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Mark Helprin (Winter's Tale)
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A disturbing thought hits me,"but then our only neighbor would be Haymich!" "Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales." "I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal. "Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta. He's never sober!" I protest. That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you." " I thought that you said I was his favorite," I say. "He hates me more," says Peeta, "I don't think people in general are his sort of thing.
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Suzanne Collins (The Hunger Games (The Hunger Games, #1))
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It is time to put aside dreaming. Fairy tales are sweet on winter nights, nothing more.
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Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
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Quite possibly there's nothing as fine as a big freight train starting across country in early summer, Hardesty thought. That's when you learn that the tragedy of plants is that they have roots.
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Mark Helprin (Winter's Tale)
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I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours
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Jack Kerouac (Tristessa)
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He hated it as if he were about to love itβ€”unforgivingly, irrationally, sadly.
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Mark Helprin (Winter's Tale)
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I loved her, and a curse made me forget. But she came for me and broke the curse and now I must go.
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Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
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Let the fairy tale begin on a winter's morning, then, with one drop of blood newly-fallen on the ivory snow: a drop as bright as a clear-cut ruby, red as a single spot of claret on the lace cuff.
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Ellen Kushner (Swordspoint (Riverside, #1))
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All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
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Mark Helprin (Winter's Tale)
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I have drunk and seen the spider.
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William Shakespeare (The Winter's Tale)
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a wild dedication of yourselves To undiscovered waters, undreamed shores.
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William Shakespeare (The Winter's Tale)
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Bound souls. He had always thought the stories of men and women bound throughout all eternity by the strength of passion, either love or hate, were but pleasant tales for long winter’s nights. Bound souls, two sides of the same counter, together through all the lives of the souls, and forever before and afterward. But he recognized the woman just as surely as she recognized him, and he knew the tales were true.
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Ann Marston (The Western King (Rune Blade, #2))
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Pleasant is a rainy winter's day, within doors! The best study for such a day, or the best amusement,β€”call it which you will,β€”is a book of travels, describing scenes the most unlike that sombre one
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Nathaniel Hawthorne (Twice-Told Tales)
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And they'll vote for me because I'm the best liar, because I do it honestly, with a certain finesse. They know that lies and truth are very close, and that something beautiful rests between.
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Mark Helprin (Winter's Tale)
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What is apparent is not always what is true.
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Mark Helprin (Winter's Tale)
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Though I am not naturally honest, I am sometimes so by chance. β€”WILLIAM SHAKESPEARE, The Winter’s Tale
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Alex Michaelides (The Silent Patient)
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To be mad is to feel with excruciating intensity the sadness and joy of a time which has not arrived or has already been. And to protect their delicate vision of that other time, madmen will justify their condition with touching loyalty, and surround it with a thousand distractive schemes. These schemes, in turn, drive them deeper and deeper into the darkness and light (which is their mortification and their reward), and confront them with a choice. They may either slacken and fall back, accepting the relief of a rational view and the approval of others, or they may push on, and, by falling, arise. When and if by their unforgivable stubbornness they finally burst through to worlds upon worlds of motionless light, they are no longer called afflicted or insane. They are called saints.
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Mark Helprin (Winter's Tale)
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[When] he's here, he's always reading. He says books stop time. I myself think he's crazy...Don't tell anyone, but when he reads something that he likes he gets real happy, turns on the music, and dances by himself, or with a broom sometimes.
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Mark Helprin (Winter's Tale)
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I want Dmitrii's admiration. I want a victory. I even want power, over princes and chyerti. I am allowed to want things, winter-king.
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Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
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The beauty of truth is that it need not be proclaimed or believed. It skips from soul to soul, changing form each time it touches, but it is what it is, I have seen it, and someday you will, too.
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Mark Helprin (Winter's Tale)
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Stories have power. Gleemen's tales, and bards' epics, and rumors in the street alike. They stir passions, and change the way men see the world.
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Robert Jordan (Winter's Heart (The Wheel of Time, #9))
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Winter then in its early and clear stages, was a purifying engine that ran unhindered over city and country, alerting the stars to sparkle violently and shower their silver light into the arms of bare upreaching trees. It was a mad and beautiful thing that scoured raw the souls of animals and man, driving them before it until they loved to run. And what it did to Northern forests can hardly be described, considering that it iced the branches of the sycamores on Chrystie Street and swept them back and forth until they rang like ranks of bells.
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Mark Helprin (Winter's Tale)
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I would there were no age between sixteen and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting
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William Shakespeare
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Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
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Mark Helprin (Winter's Tale)
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Not surprisingly, he began to sing, and because no one in the world could hear him, and he sang without inhibition, he sang well.
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Mark Helprin (Winter's Tale)
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Truth is no rounder than a horse's eye.
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Mark Helprin (Winter's Tale)
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I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
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P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
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As I understand it, miracles come to those who risk defeat in seeking them. They come to those who have exhausted themselves completely in a struggle to accomplish the impossible.
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Mark Helprin (Winter's Tale)
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The blossoms fall just once each winter, yet in our memories, they fall every day.
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David Kudler (Risuko: A Kunoichi Tale (Seasons of the Sword, #1))
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through the loveliness and power of her dream world she was now, in her old frock and botched shoes, very likely the loveliest, mightiest and most dangerous person on earth
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Karen Blixen (Winter's Tales)
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As the clockwork of the millennia moved a notch in front of their eyes, it had taken their thoughts from small things and reminded them of how vulnerable they were to time.
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Mark Helprin (Winter's Tale)
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In the spring or warmer weather when the snow thaws in the woods the tracks of winter reappear on slender pedestals and the snow reveals in palimpsest old buried wanderings, struggles, scenes of death. Tales of winter brought to light again like time turned back upon itself.
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Cormac McCarthy (Child of God)
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...this marvelous graceful thing, this joy of physics, this perfect balance between rebellion and obedience, is God's own signature on earth.
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Mark Helprin (Winter's Tale)
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Justice came from a fight amid complexities, and required all the virtues in the world merely to be perceived.
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Mark Helprin (Winter's Tale)
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In spite of all the dishonour, the broken standards, the broken lives, The broken faith in one place or another, There was something left that was more than the tales Of old men on winter evenings.
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T.S. Eliot (Collected Plays)
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You wake up on a winter morning and pull up the shade, and what lay there the evening before is no longer there--the sodden gray yard, the dog droppings, the tire tracks in the frozen mud, the broken lawn chair you forgot to take in last fall. All this has disappeared overnight, and what you look out on is not the snow of Narnia but the snow of home, which is no less shimmering and white as it falls. The earth is covered with it, and it is falling still in silence so deep that you can hear its silence. It is snow to be shoveled, to make driving even worse than usual, snow to be joked about and cursed at, but unless the child in you is entirely dead, it is snow, too, that can make the heart beat faster when it catches you by surprise that way, before your defenses are up. It is snow that can awaken memories of things more wonderful than anything you ever knew or dreamed.
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Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
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I like your shoes,” I said. Because I did. They were pink and pointed, and I wanted a pair like that so bad. My mom and dad groaned. Morgan looked at me and cocked his head. β€œThank you, little one. I made them out of the tears of a succubus and a lightning-struck tree stump I found under the Winter Moon. I like your face.” I grinned. β€œThank you, big one. My parents made it when they got married. I was a honeymoon baby, whatever that means.
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T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
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Order the battleships into firing positions, and begin transmitting the surrender signal to known enemy forces.
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Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
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Darka Jorm halted. His heart quickened. No one had warned him that the Inquisitor might shoot him. Frowning, he continued with his message. β€œNo need for weapons; I am only here to deliver a message.
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Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
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And, as in all fairy tales, there was bloodshed, there was loss.
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Jennifer McMahon (The Winter People)
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Then the bow orchestra began to play an apocalyptically beautiful canon, one of those pieces in which, surely, the composer simply transcribed what was given, and trembled in awe of the hand that was guiding him.
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Mark Helprin (Winter's Tale)
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Why do people resist [engines, bridges, and cities] so? They are symbols and products of the imagination, which is the force that ensures justice and historical momentum in an imperfect world, because without imagination we would not have the wherewithal to challenge certainty, and we could never rise above ourselves.
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Mark Helprin (Winter's Tale)
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And then he found it. Found that single spark of life that suggested hope had not died. He knelt down beside the body of a small child and gently cradled her in his massive arms. A tear fell, splashing on her cheek. The girl groaned and breathed deep. She opened her eyes; radiant green and speckled with fear.
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Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
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... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesn't even flicker.
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Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
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She died on a windy gray day in March when the sky was full of darting crows and the world lay prostrate and defeated after winter. Peter Lake was at her side and it ruined him forever. It broke him as he had not ever imagined he could have been broken. He would never again be young, or able to remember what it was like to be young. What he had once taken to be pleasures would appear to him in his defeat as hideous and deserved punishments for reckless vanity.
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Mark Helprin (Winter's Tale)
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The tears I gratified him with were fake ones. Ones that set off my green eyes the way diamonds set off emeralds. And it worked. If you dazzled a man with green eyes, he will be so hypnotized that he won’t notice there is someone inside the eyes spying on him. – Vida Winters Page 268
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Diane Setterfield (The Thirteenth Tale)
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair,
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Charles Dickens (A Tale of Two Cities)
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
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Charles Dickens (A Tale of Two Cities)
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No one ever said that you would live to see the repercussions of everything you do, or that you have guarantees, or that you are not obliged to wander in the dark, or that everything will be proved to you and neatly verified like something in science. Nothing is: at least nothing that is worthwhile.
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Mark Helprin (Winter's Tale)
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"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias. That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."
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Pete Hamill (Downtown: My Manhattan)
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Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.
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A.S. Byatt (The Djinn in the Nightingale's Eye: Five Fairy Stories)
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It snowed all week. Wheels and footsteps moved soundlessly on the street, as if the business of living continued secretly behind a pale but impenetrable curtain. In the falling quiet there was no sky or earth, only snow lifting in the wind, frosting the window glass, chilling the rooms, deadening and hushing the city. At all hours it was necessary to keep a lamp lighted, and Mrs. Miller lost track of the days: Friday was no different from Saturday and on Sunday she went to the grocery: closed, of course.
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Truman Capote (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
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It is winter now, and the roses are blooming again, their petals bright against the snow. My father died last April; my sisters no longer write, except at the turning of the year, content with their fine houses and their grandchildren. Beast and I putter in the gardens and walk slowly on the forest paths. [from the poem, Beauty and the Beast: An Anniversary]
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Jane Yolen
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Mollock Bolle stared down at the outstretched skeleton nearby and sighed. Random thoughts entertained his solitude. He wondered who the man was. What dreams or torments might have inspired him to take the lonely path through the jungle? Eerie similarities sparked concern.
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Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
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You can't expect anyone to trust revelation if he hasn't experienced it himself. Those who haven't only know reason. And since revelation is a thing apart, and cannot be accounted for reasonably, they never will believe you. This is the great division of the world and always has been. When reason and revelation run together, why, then you have something great, a great age.
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Mark Helprin (Winter's Tale)
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People tend to feel happy when spring arrives, especially after a cold winter. When spring begins, however, cannot be pinpointed to one particular moment. There is no one day that clearly marks when winter ends and spring begins. Spring hides inside winter. We notice it emerging with our eyes, our skin, and other senses. We find it in new buds, a comfortable breeze and the warmth of the sun. It exists alongside winter.
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Toshikazu Kawaguchi (Tales from the CafΓ© (Before the Coffee Gets Cold, #2))
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There's some ill planet reigns: I must be patient till the heavens look With an aspect more favourable. Good my lords, I am not prone to weeping, as our sex Commonly are; the want of which vain dew Perchance shall dry your pities: but I have That honourable grief lodged here which burns Worse than tears drown: beseech you all, my lords, With thoughts so qualified as your charities Shall best instruct you, measure me; and so The king's will be perform'd!
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William Shakespeare (The Winter's Tale)
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Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
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Mark Helprin (Winter's Tale)
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Love transcends time, space, distance, universes. β€œLove can’t be confined to pages or photos or memoriesβ€”it’s forever alive and wild and free. Romance comes and goes, lust flickers and smoulders, trials appear and test, life gets in the way and educates, pain can derail happiness, joy can delete sadness, togetherness is more than just a fairy-tale...it’s a choice. β€œA choice to love and cherish and honour and trust and adore. β€œA choice to choose love, all the while knowing it has the power to break you. β€œA choice, dear friends, to give someone your entire heart. β€œBut in the end, love is what life is about. β€œAnd love is the purpose of everything.
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Pepper Winters (The Girl & Her Ren (The Ribbon Duet, #2))
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Rigel, Betelgeuse, and Orion. There was no finer church, no finer choir, than the stars speaking in silence to the many consumptives silently condemned, a legion upon the dark rooftops. The wind came down from the north like a runner in lacrosse, violent and hard, to batter every living thing. They were there, each one alone in conversation with the stars, mining ephemeral love from cold and distant light.
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Mark Helprin (Winter's Tale)
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On November Eve they are at their gloomiest, for according to the old Gaelic reckoning, this is the first night of winter. This night they dance with the ghosts, and the pooka is abroad, and witches make their spells, and girls set a table with food in the name of the devil, that the fetch of their future lover may come through the window and eat of the food. After November Eve the blackberries are no longer wholesome, for the pooka has spoiled them.
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W.B. Yeats (Irish Fairy and Folk Tales)
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Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.
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Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
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What you do Still betters what is done. When you speak, sweet. I'ld have you do it ever: when you sing, I'ld have you buy and sell so, so give alms, Pray so; and, for the ordering your affairs, To sing them too: when you do dance, I wish you A wave o' the sea, that you might ever do Nothing but that; move still, still so, And own no other function: each your doing, So singular in each particular, Crowns what you are doing in the present deed, That all your acts are queens.
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William Shakespeare (The Winter's Tale)
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A merchant, who had three daughters, was once setting out upon a journey; but before he went he asked each daughter what gift he should bring back for her. The eldest wished for pearls; the second for jewels; but the third, who was called Lily, said, 'Dear father, bring me a rose.' Now it was no easy task to find a rose, for it was the middle of winter; yet as she was his prettiest daughter, and was very fond of flowers, her father said he would try what he could do. So he kissed all three, and bid them goodbye.
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Jacob Grimm (The Complete Brothers Grimm Fairy Tales)
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Shall I show you the half-dozen other rooms in this hospital where these scenes are repeated? And what of the other hospitals? Printing House Square is small and tame. Even in the private institutions uptown you can see a show just like this: there is nothing as disgusting as an obese cadaver in which all the futile pleasures of many years finally arise to fill it full-blown with stinking rotten gases. The city is burning and under siege. And we are in a war in which everyone is killed and no one is remembered." "What am I supposed to do, then," Peter Lake asked, "if it's like you say?" "Is there someone you love?" "Yes." "A woman?" "Yes." "Then go home to her." "And who will remember her?" "No one. That's just the point. You must take care of all that now.
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Mark Helprin (Winter's Tale)
β€œ
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him goneβ€”no moreβ€”makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
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Charlotte Eriksson
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I see no justice in that plan." "Who said," lashed out Isaac Penn, "that you, a man, can always perceive justice? Who said that justice is what you imagine? Can you be sure that you know it when you see it, that you will live long enough to recognize the decisive thunder of its occurrence, that it can be manifest within a generation, within ten generations, within the entire span of human existence? What you are talking about is common sense, not justice. Justice is higher and not as easy to understand -- until it presents itself in unmistakable splendor. The design of which I speak is far above our understanding. But we can sometimes feel its presence. "No choreographer, no architect, engineer, or painter could plan more thoroughly and subtly. Every action and every scene has its purpose. And the less power one has, the closer he is to the great waves that sweep through all things, patiently preparing them for the approach of a future signified not by simple human equity (a child could think of that), but by luminous and surprising connections that we have not imagined, by illustrations terrifying and benevolent -- a golden age that will show not what we wish, but some bare awkward truth upon which rests everything that ever was and everything that ever will be. There is justice in the world, Peter Lake, but it cannot be had without mystery.
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Mark Helprin (Winter's Tale)
β€œ
Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.
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John Keats
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The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be. The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible. And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
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Mark Helprin (Winter's Tale)