Warm Hospitality Quotes

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I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
I frankly felt like the reception we received on the way in from the airport was very warm and hospitable. And I want to thank the Canadian people who came out to wave -- with all five fingers -- for their hospitality.
George W. Bush
Daylight streamed in the hospital windows, warming my spirits. Only darkness had existed while being born: Never before had I personally witnessed the startling difference between night and day.
Jack Getze (Making Hearts)
He’s a monster. I think of him as one of those pitiful things that are born in hospitals from time to time. They feed it, and keep it warm, but they don’t put it on the machines and it dies. Lecter is the same way in his head, but he looks normal and nobody could tell.
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
When Lars first held her, his heart melted over her like butter on warm bread, and he would never get it back. When mother and baby were asleep in the hospital room, he went out to the parking lot, sat in his Dodge Omni, and cried like a man who had never wanted anything in his life until now.
J. Ryan Stradal (Kitchens of the Great Midwest)
She came closer, reaching up to inspect the cut on my brow, her breasts so close to my chest, the heat of her body warmed me right through our clothes. “Jason, we need to get you to a hospital. Your brain could be swelling.” Oh, something was swelling for sure, but it was nowhere near my brain.
Lisa Kessler (Harvest Moon (Moon, #4))
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
...I found myself pondering the specific Christian American obsession with abortion and gay rights. For million of Americans, these are the great societal "sins" of the day. It isn't bogus wars, systemic poverty, failing schools, child abuse, domestic violence, health care for profit, poorly paid social workers, under-funded hospitals, gun saturation, or global warming that riles or worries the conservative, Bible-believers of America." pg33
Phil Zuckerman (Society Without God: What the Least Religious Nations Can Tell Us About Contentment)
A custom existed among the first generations of Christians, when faith was a bright fire that warmed more than those who kept it burning. In every house then a room was kept ready for any stranger who might ask for shelter; it was even called “the stranger’s room.” Not because these people thought they could trace something of someone they loved in the stranger who used it, not because the man or woman to whom they gave shelter reminded them of Christ, but because—plain and simple and stupendous fact—he or she was Christ.
Dorothy Day (Selections from Her Writings (Modern Spirituality))
I can still catch the fragrance of many things which stir me with feelings of melancholy and send delicious shivers of delight through me - dark and sunlit streets, houses and towers, clock chimes and people’s faces, rooms full of comfort and warm hospitality, rooms full of secret and profound, ghostly fears. It is a world that savours of warm corners, rabbits, servant girls, household remedies and dried fruit. It was the meeting-place of two worlds; day and night came thither from two opposite poles.
Hermann Hesse
She did think of him sometimes. Lying alone in a hospital bed at 2:00 a.m., or during bouts of writer's block. He'd appear on the fringes of her thoughts—no face, just a feeling. His warm, minty-vanilla scent. The rough softness of his skin, like velvet caressed against the grain.
Tia Williams (Seven Days in June)
Instead of finding myself in the future, I traveled about fifty metres along the sidewalk at 200mph before finding myself in a bush. When asked by the nurse filling out the hospital accident reports 'Cause of accident?' I stated, 'time travel attempt' but she wrote down 'stupidity'.
David Thorne (I'll Go Home Then, It's Warm and Has Chairs. The Unpublished Emails.)
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.
Michelle Zauner (Crying in H Mart)
a dying man in an overcrowded London hospital gathers all his remaining strength to take in one more breath. They all have far more urgent problems than global warming or the crisis of liberal democracy.
Yuval Noah Harari (21 Lessons for the 21st Century)
I feel more strongly with every recurring year that our country has no tradition which does it so much honour and which it should guard so jealously as that of its hospitality. It is a tradition that is unique as far as my experience goes (and I have visited not a few places abroad) among the modern nations. Some would say, perhaps, that with us it is rather a failing than anything to be boasted of. But granted even that, it is, to my mind, a princely failing, and one that I trust will long be cultivated among us. Of one thing, at least, I am sure. As long as this one roof shelters the good ladies aforesaid- and I wish from my heart it may do so for many and many a long year to come- the tradition of genuine warm-hearted courteous Irish hospitality, which our forefathers have handed down to us and which we must hand down to our descendants, is still alive among us.
James Joyce (The Dead)
Reborn here in this grubby old hospital, surrounded by the sick and the dying, people who deserve a second chance far more than he does. But it isn't the pink-and-white cooing kind of rebirth. It's more like being wrenched from a warm, dark, comfortable place and forced out into a bright, frightening world where nothing is certain.
Peter Blauner (The Intruder [Mass Market Paperback] by Peter Blauner)
For reasons neither I nor anyone else could gather, every time I got to the part in Mark’s story about the woman being beaten up, Tommy would laugh warmly before delivering his line. It was unsettling. It was disturbing. Take after take, Tommy/Johnny would react to the story of this imaginary woman’s hospitalization with fond and accepting laughter.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
finds Mexicans to be warm, friendly people. Much more hospitable than Americans….
Jon Krakauer (Into the Wild)
He had no desire to talk, or move. So he sat, with her still straddling his lap, in no hurry to leave, enjoying the feel of her in his arms, which he tightened around her, slipping his hands under the bottom of her sweater to warm them. They fit together like two distinct halves purposely manufactured to become one seamless whole, a feeling he wouldn’t soon forget.
Wendy S. Marcus (When One Night Isn't Enough (Madrin Memorial Hospital, #1))
Not long ago I was much amused by imagining—what if the fancy suddenly took me to kill some one, a dozen people at once, or to do some thing awful, something considered the most awful crime in the world—what a predicament my judges would be in, with my having only a fortnight to live, now that corporal punishment and torture is abolished. I should die comfortably in hospital, warm aad snug, with an attentive doctor, and very likely much more snug and comfortable than at home. I wonder that the idea doesn't strike people in my position, if only as a joke.
Fyodor Dostoevsky (The Idiot)
The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night's hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell's wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodeled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real aesthetic passion for it, so that he know all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances--which fell so softly upon the warm, weary brickwork--were of the right measure.
Henry James (The Portrait of a Lady)
It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
I remember one day - the day I had to leave after a month here alone. I had just had lunch in some small tratoria on the remotest part of the Fondamente Nuove, grilled fish and half a bottle of wine. With that inside, I set out for the place I was staying, to collect my bags and catch a vaporetto. I walked a quarter of a mile along the Fondamente Nuove, a small moving dot in that gigantic watercolor, and then turned right by the hospital of Giovanni e Paolo. The day was warm, sunny, the sky blue, all lovely. And with my back to the Fondamente and San Michele, hugging the wall of the hospital, almost rubbing it with my left shoulder and squinting at the sun, I suddenly felt : I am a cat. A cat that has just had a fish. Had anyone addressed me at that moment, I would have meowed. I was absolutely, animally happy. Twelve hours later, of course, having landed in New York, I hit the worst possible mess in my life - or the one that appeared that way at the time. Yet the cat in me lingered; had it not been for the cat, I'd be climbing the walls now in some expensive institution.
Joseph Brodsky (Watermark)
Mad Rogan was walking next to me with that same confident stride that had made me notice him back in the arboretum, and I knew precisely where he was and how much distance separated us. My whole body was focused on him. I wanted him to touch me. I didn’t want him touching me. I was waiting for him to touch me. I didn’t know what the hell I wanted. “Did you like the carnations?” I reached into my pocket and handed him a small red card. “Texas Children’s Hospital is grateful to you for your generous donation. Thanks to you, every one of their rooms has beautiful flowers this morning. They think it might be at least partially tax deductible, and if your people talk to their people, the hospital will provide the necessary paperwork.” Mad Rogan took the card, brushing my hand with his warm, dry fingers. The card shot out of his hand and landed in the nearby trash bin.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
Khalid Hosseini (The Kite Runner)
thing the church needs most today is the ability to heal wounds and to warm the hearts of the faithful; it needs nearness, proximity. I see the church as a field hospital after battle. You have to heal... wounds. Then we can talk about everything else.
Michael J. Ruszala (Pope Francis: Pastor of Mercy)
Maybe I should make the first move,” I whispered, wrapping my fingers around his wrist. “But what if he thinks I’m too easy?” “He’ll be too busy thinking he’s damned lucky.” “Well, then …” I wriggled around to face him. “Howdy, neighbor.” He traced my eyebrow with the tip of his finger. “Hi. I really like the view around here.” “The hospitality isn’t bad, either.” “Oh? Plenty of towels?” I pushed at his shoulder. “Do you want to suck face or not?” “Suck face?” His head fell back and he laughed, his chest vibrating against me. It was a lusty, full-bodied sound and my toes curled at hearing it. Gideon laughed so rarely. My hands slid under his sweater and glided over warm skin. My lips moved over his jaw. “Is that a no?” “Angel, I’ll suck on any part of your body I can get my mouth on.
Sylvia Day
When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ’gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!
Herman Melville (Moby-Dick or, The Whale)
The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that's kind to our mortalities. But in that gale, the port, the land, is that ship's direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights 'gainst the very winds that fain would blow her homeward; seeks all the lashed sea's landlessness again; for refuge's sake forlornly rushing into peril; her only friend her bitterest foe!
Herman Melville (Moby Dick)
Why, there’d be soldiers riding guard in the back of potato lorries going to the army’s mess hall—children would follow them, hoping potatoes would fall off into the street. Soldiers would look straight ahead, grim-like, and then flick potatoes off the pile—on purpose. “They did the same thing with oranges. Same with lumps of coal—my, those were precious when we didn’t have no fuel left. There was many such incidents. Just ask Mrs. Godfray about her boy. He had the pneumonia and she was worried half to death because she couldn’t keep him warm nor give him good food to eat. One day there’s a knock on her door and when she opens up, she sees an orderly from the German hospital on the step. Without a peep, he hands her a vial of that sulfonamide, tips his cap, and walks away. He had stolen it from their dispensary for her. They caught him later, trying to steal some again, and they sent him off to prison in Germany—maybe hung him. We’d not be knowing which.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society (Random House Reader's Circle Deluxe Reading Group Edition): A Novel)
She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own a car. And it wouldn't be a delivery-vehicle, because the drippings showed it had stood there a long time, an hour or more. And once he had actually glimpsed it, just rounding the far corner as he got off the bus two blocks down the other way. A second-hand Ford. She was often very flustered when he came home, hardly seemed to know what she was doing or saying at all. He pretended not to see any of these things; he was that type of man, Stapp, he didn't bring his hates or grudges out into the open where they had a chance to heal. He nursed them in the darkness of his mind. That's a dangerous kind of a man. If he had been honest with himself, he would have had to admit that this mysterious afternoon caller was just the excuse he gave himself, that he'd daydreamed of getting rid of her long before there was any reason to, that there had been something in him for years past now urging Kill, kill, kill. Maybe ever since that time he'd been treated at the hospital for a concussion. ("Three O'Clock")
Cornell Woolrich (The Cornell Woolrich Omnibus: Rear Window and Other Stories / I Married a Dead Man / Waltz into Darkness)
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
The eddies his breath set in motion were destroying the smoke sculptures I was erecting. The pipestem was warm on my lower lip and I thought of lip cancer. I often think about how I will die, what disease or surgical procedure will have me in its tarantula grip, what indifferent hospital wall and weary night nurse will witness my last breath, my last second, the impossibly fine point to which my life will have been sharpened.
John Updike (Roger's Version: A Novel)
Last of all-final argument based on the national politeness — the folk of Rouen said to one another that it was only right to be civil in one’s own house, provided there was no public exhibition of familiarity with the foreigner. Out of doors, therefore, citizen and soldier did not know each other; but in the house both chatted freely, and each evening the German remained a little longer warming himself at the hospitable hearth.
Guy de Maupassant (The Complete Short Stories)
Ove stayed there with her hand in his for several hours. Until the hospital staff entered the room with warm voices and careful movements, explaining that they had to take her body away. Ove rose from his chair, nodded, and went to the undertakers to take care of the paperwork. On Sunday she was buried. On Monday he went to work. But if anyone had asked, he would have told them that he never lived before he met her. And not after either.
Fredrik Backman (A Man Called Ove)
In northwest Seattle, there is an immensely popular 'old-fashioned' ice cream parlor. It is modern, spotless, and gleaming, bursting with comfortable looking people on a warm summer evening. The parlor is dedicated to nostalgia, from the old-time decor to the striped candy, the ragtime music, the costumes of the smiling young waiters, the Gibson-girl menu with its gold-rush type, and the open-handed hospitality of the Old West. It serves sandwiches, hamburgers, and kiddie 'samiches,' but its specialty is ice-cream concoctions, all of them with special names, including several so vast and elaborate that they cost several dollars and arrive with so much fanfare that all other activities stop as the waiters join in a procession as guards of honor. Nobody seems to care that the sandwiches and even the ice cream dishes have a curious blandness, so that everything tastes rather alike and it is hard to remember what one has eaten. Nothing mars the insistent, bright, wholesome good humor that presses on every side. Yet somehow there is pathos as well. For these patrons are the descendants of pioneers, of people who knew the frontiers, of men who dared the hardships of Chilkoot Pass to seek gold in the Klondike. That is their heritage, but now they only sit amid a sterile model of the past, spooning ice cream while piped-in ragtime tinkles unheard.
Charles A. Reich (The Greening of America)
Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.
Toni Morrison (Song of Solomon)
Je n'allume plus jamais ce poste recouvert d'un plastique jaune que l'on m'apporté avec une fausse magnanimité. J'ai trop peur de saisir cette voix chaude et tendre, trop peur de l'imaginer derrière les murs gris de cet hôpital sinistre. [I will never again turn on this yellow plastic-covered radio that was given to me with fake generosity. I'm too afraid of encountering that warm, gentle voice, too afraid of imagining it behind the grey walls of this sinister hospital.]
Valérie Valère (Le Pavillon des enfants fous)
It was a dead hole, smelling of synthetic leather and disinfectant, both of which odors seemed to emanate from the torn scratched material of the seats that lined the three walls. It smelled of the tobacco ashes which had flooded the two standing metal ashtrays. On the chromium lip of one, a cigar butt gleamed wetly like a chewed piece of beef. There was the smell of peanut shells and of the waxy candy wrappers that littered the floor, the smell of old newspapers, dry, inky, smothering and faintly like a urinal, the smell of sweat from armpits and groins and backs and faces, pouring out and drying up in the lifeless air, the smell of clothes—cleaning fluids imbedded in fabric and blooming horribly in the warm sweetish air, picking at the nostrils like thorns—all the exudations of the human flesh, a bouquet of animal being, flowing out, drying up, but leaving a peculiar and ineradicable odor of despair in the room as though chemistry was transformed into spirit, an ascension of a kind, …Light issuing from spotlights in the ceiling was sour and blinding like a sick breath. There was in that room an underlying confusion in the function of the senses. Smell became color, color became smell. Mute started at mute so intently they might have been listening with their eyes, and hearing grew preternaturally acute, yet waited only for the familiar syllables of surnames. Taste died, mouth opened in the negative drowsiness of waiting.
Paula Fox (Desperate Characters)
I’m a firm believer that everything happens for a reason. That there is a butterfly effect and everything that happens influences what will happen next. Even my mom dying. I mean, what if she hadn’t been on the road at that very minute in that very spot? Instead, what if it were a young family, or a pregnant woman in labor being rushed to the hospital? Maybe that drunk driver running into her saved other lives. And maybe one of those lives that was saved is someone who will go on to discover how to prevent cancer. Or global warming. Or nuclear war.
Samantha Christy (The Stone Brothers #1-3)
Since 1980, the planet has experienced a fiftyfold increase in the number of dangerous heat waves; a bigger increase is to come. The five warmest summers in Europe since 1500 have all occurred since 2002, and eventually, the IPCC warns, simply working outdoors at that time of year will be unhealthy for parts of the globe. Even if we meet the Paris goals, cities like Karachi and Kolkata will annually encounter deadly heat waves like those that crippled them in 2015, when heat killed thousands in India and Pakistan. At four degrees, the deadly European heat wave of 2003, which killed as many as 2,000 people a day, will be a normal summer. Then, it was one of the worst weather events in Continental history, killing 35,000 Europeans, including 14,000 French; perversely, the infirm fared relatively well, William Langewiesche has written, most of them watched over in the nursing homes and hospitals of those well-off countries, and it was the comparatively healthy elderly who accounted for most of the dead, many left behind by vacationing families escaping the heat, with some corpses rotting for weeks before the families returned.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden.
Michelle Zauner (Crying in H Mart)
Ostap Bender lay in the dvornik's room, which was warm to the point of reeking, and mentally put the finishing touches on two possible career plans. He could become a polygamist and move peacefully from town to town, dragging behind him a new suitcase full of valuable items he'd picked up from the latest wife. Or he could go the very next day to the Stargorod Children's Commission and offer them the chance to distribute the as-yet unpainted but brilliantly conceived canvas The Bolsheviks Writing a Letter to Chamberlain, based on the artist Repin's popular painting The Zaporozhian Cossacks Writing a Letter to the Turkish Sultan. If it worked out, this option could bring in something along the line of four hundred rubles. Ostap had thought up both options during his last stay in Moscow. The polygamy option had been born under the influence of the court report from the evening papers, where it was clearly indicated that some polygamist had only gotten two years without strict isolation. Option number two had taken shape in Bender's mind when he was going through the AARR exhibit on a free ticket. However, both options had their downsides. It was impossible to begin a career as a polygamist without a wondrous, dapple-gray suit. In addition, he needed at least ten rubles for hospitality expenses and seduction. Of course, he could get married in his green campaign uniform as well, because Bender's masculine power and attraction were absolutely irresistible to provincial, marriage-ready Margaritas; but that would be, as Bender liked to say, "Poor-quality goods. Not clean work." It wasn't all smooth sailing for the painting, either. Purely technical difficulties could arise. Would it be proper to paint Comrade Kalinin in a papakha and a white burka, or Comrade Chicherin naked to the waist?
Ilya Ilf (The Twelve Chairs)
Gaeltacht region. You can easily spend three fun nights here. In comparison, Kenmare (the best base for the Ring of Kerry loop) is pleasant but forgettable. Those spending a night on the west end of the Ring of Kerry find a rustic atmosphere in Portmagee (the base for a cruise to magical Skellig Michael). Both regions are beyond the reach of the Irish train system and require a car or spotty bus service to access. Both offer memorable scenery, great restaurants, warm B&B hospitality, and similar prices. The bottom line: With limited time, choose Dingle. If you have a day or two to spare, the Ring of Kerry is also a delight.
Rick Steves
If, when you say whiskey, you mean the devil’s brew, the poison scourge, the bloody monster that defiles innocence, yea, literally takes the bread from the mouths of little children; if you mean the evil drink that topples the Christian man and woman from the pinnacles of righteous, gracious living into the bottomless pit of degredation and despair, shame and helplessness and hopelessness, then certainly I am against it with all my power. But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.
Adam Rogers (Proof: The Science of Booze)
However strange my circumstances, and however out of place I might be, it was somehow very comforting to realize that these were truly other people. Warm-fleshed and hairy, with hearts that could be felt beating and lungs that breathed audibly. Bad-smelling, louse-ridden, and filthy, some of them, but that was nothing new to me. Certainly no worse than conditions in a field hospital, and the injuries were so far reassuringly minor. It was immensely satisfying to be able once again to relieve a pain, reset a joint, repair damage. To take responsibility for the welfare of others made me feel less victimized by the whims of whatever impossible fate had brought me here, and I was grateful to Colum for suggesting it.
Diana Gabaldon (Outlander (Outlander, #1))
Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that's kind to our mortalities. But in that gale, the port, the land, is that ship's direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights 'gainst the very winds that fain would blow her homeward; seeks all the lashed sea's landlessness again; for refuge's sake forlornly rushing into peril; her only friend her bitterest foe! Know ye, now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides the highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!
Herman Melville (Moby-Dick or, The Whale)
But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.
Adam Rogers (Proof: The Science of Booze)
By treating patients like customers, as nurse Amy Bozeman pointed out in a Scrubs magazine article, hospitals succumb to the ingrained cultural notion that the customer is always right. “Now we are told as nurses that our patients are customers, and that we need to provide excellent service so they will maintain loyalty to our hospitals,” Bozeman wrote. “The patient is NOT always right. They just don’t have the knowledge and training.” Some hospitals have hired “customer service representatives,” but empowering these nonmedical employees to pander to patients’ whims can backfire. Comfort is not always the same thing as healthcare. As Bozeman suggested, when representatives give warm blankets to feverish patients or complimentary milk shakes to patients who are not supposed to eat, and nurses take them away, patients are not going to give high marks to the nurses.
Alexandra Robbins (The Nurses: A Year of Secrets, Drama, and Miracles with the Heroes of the Hospital)
I think it’s important for our…for the baby to know when it gets a little older that at least we were friends.” He settled her back against the cranked-up bed and followed, kissing her tear-wet cheeks. “I understand that now. Friends who can touch each other—” and he did touch her gently, tenderly, through the soft cotton of the hospital gown and her nipple hardened against his palm “—in places no one else can touch.” “Oh, Seth.” His touch was the only balm that could soothe her aching heart. “Even deeper than this.” He slid his hand beneath the covers and warmed her belly. “Even deeper than I can go when I make love to you.” “Only you can do that,” she whispered, closing her eyes. “I can’t get deep inside you.” “Oh, yes, you can, Mariah. Yes, you have.” “If you start, I won’t want you to stop.” “Good,” he said as he nuzzled her breast. “You’ll mess up my vital signs.” He chuckled. “We’ll mess up each other’s.
Kathleen Eagle ('Til There Was You)
IV.The wounded surgeon plies the steelThat questions the distempered part;Beneath the bleeding hands we feelThe sharp compassion of the healer's artResolving the enigma of the fever chart.Our only health is the diseaseIf we obey the dying nurseWhose constant care is not to pleaseBut to remind of our, and Adam's curse,And that, to be restored, our sickness must grow worse.The whole earth is our hospitalEndowed by the ruined millionaire,Wherein, if we do well, we shallDie of the absolute paternal careThat will not leave us, but prevents us everywhere.The chill ascends from feet to knees,The fever sings in mental wires.If to be warmed, then I must freezeAnd quake in frigid purgatorial firesOf which the flame is roses, and the smoke is briars.The dripping blood our only drink,The bloody flesh our only food:In spite of which we like to thinkThat we are sound, substantial flesh and bloodAgain, in spite of that, we call this Friday good.
T.S. Eliot (Four Quartets)
He grabs my head in both hands and kisses me. I let my eyelids fall closed while I pull him in. His lips are soft and wet. He slants his mouth over mine for real. A warm tongue sweeps the seam of my lips. Then we’re making out in a hospital shower, which is just insane. It’s not about sex, though. It’s comfort kissing. I like it a lot more than a palm on a forehead. When Wes pulls back, he gives me a secretive little smile. “Tonight you’ll be home,” he whispers. “In our bed.” Swallowing hard, I nod. I’d better be. “Lift your arms,” he prompts. When I do, he washes my underarms, skimming my sensitive skin with soap-slicked hands. Those palms continue their journey down my abs and into the juncture of my legs. He nudges my knees apart and washes my inner thighs, his fingertips grazing my balls. He lets his hand linger there, giving me one slow stroke. He’s reminding me that life isn’t always such a drag, and I’m grateful for the message.
Sarina Bowen (Us (Him, #2))
The girl noticed her eyes. They seemed kind to her, despite the woman's rough look. Out of nowhere, she wanted the woman to hold her. It had been so long since she had smelled a woman's skin that even a dirty woman's embrace would have been welcome. She was still disturbed by the sight of the dead young nuns near the hospital and she wanted a woman to hold her and tell her that the whole world didn't yet belong to Death, masculine Death with his hourglass and his holes for eyes. Death with his bony arms that only embraced to take you away, like a lamb from the market. Like the pig on La Bucherie. How did Heaven come into all of this? Heaven was life, not death. Heaven was a woman holding your head in the crook of her arm and looking down at you. Heaven was a warm hand on your cheek and the smell of soup with garlic on the fire. How could people enjoy anything in heaven with their noses rotted off and their ears full of mud and worms, and no cheeks, and no hands to lay on cheeks?
Christopher Buehlman (Between Two Fires)
Life is a hospital, in which every patient is possessed by the desire to change his bed. This one would prefer to suffer in front of the stove, and that one believes he would get well if he were placed by the window. It seems to me that I should always be happier elsewhere than where I happen to be, and this question of moving is one that I am continually talking over with my soul. "Tell me, my soul, poor chilled soul, what do you say to living in Lisbon? It must be very warm there, and you would bask merrily, like a lizard. It is by the sea; they say that it is built of marble, and that the people have such a horror of vegetation that they uproot all the trees. There is a landscape that would suit you -- made out of light and minerals, with water to reflect them." My soul does not answer. "Since you love tranquillity, and the sight of moving things, will you come and live in Holland, that heavenly land? Perhaps you could be happy in that country, for you have often admired pictures of Dutch life. What do you say to Rotterdam, you who love forests of masts, and ships anchored at the doors of houses?" My soul remains silent. Perhaps Batavia seems more attractive to you? There we would find the intellect of Europe married to the beauty of the tropics. Not a word. Can my soul be dead? "Have you sunk into so deep a stupor that only your own torment gives you pleasure? If that be so, let us flee to those lands constituted in the likeness of Death. I know just the place for us, poor soul! We will leave for Torneo. Or let us go even farther, to the last limits of the Baltic; and if possible, still farther from life. Let us go to the Pole. There the sun obliquely grazes the earth, and the slow alternations of light and obscurity make variety impossible, and increase that monotony which is almost death. There we shall be able to take baths of darkness, and for our diversion, from time to time the Aurora Borealis shall scatter its rosy sheaves before us, like reflections of the fireworks of Hell!" At last my soul bursts into speech, and wisely cries to me: "Anywhere, anywhere, as long as it be out of this world!
Charles Baudelaire
We were already in school by then. Your friends had made fun of me. I was twelve. My higher brain functions weren’t fully developed. I was so in love with you.” The cold had woven its way into the fabric of my jeans and settled like a coating of ice in the folds of my jacket. Now I warmed again, puzzling through Hunter’s words. I didn’t know whether to take him seriously. “Your love for me was a symptom that your brain hadn’t developed, or-“ “Shut up.” He turned to face me. “I am drunk and I am trying to confess, so just let me do it, okay? I had fallen in love with you over the summer. Then this horrible thing happened to you and you stopped talking t me. I thought you blamed me, or my dad. Which he deserved.” “No,” I protested. “It was an acc-“ “I took it as a rejection.” He put his hand on my knee and looked me straight in the eyes. “It’s taken me all this time to figure that out. But I regretted it every day. And I’m truly sorry.” He sat back against the bench and faced the stars. The place where his hand had rested on my knee felt colder than ever. “I’m sorry, too,” I said, “so we’re even. I didn’t visit you in the hospital when you got crushed by a horse. For much the same reasons regarding love and rejection and being young.
Jennifer Echols (Love Story)
I wish you would, because I’m not sure how long I can put up with this.” “I’ll bet you can put up with it a little longer,” I said brightly, desperate to get out from under the heavy subject. “How much do you love college in New York?” He grinned. “I love college in New York. I love just being in the city. I love my classes. I love the hospital. I wish I weren’t there at two in the morning because I also love sleep, but I do love the hospital. I love Manohar and Brian. In a manly love kind of way, of course.” “Of course,” I said, the corners of my mouth stretched tight, trying not to laugh. “You get along great with everybody. Because that’s what you do.” “Because that’s what I do,” he agreed. “Do you love college in New York?” I sighed, a big puff of white air. “I do love college in New York. Lately I’ve been so busy with work and homework that I might as well be in Iowa, but I remember loving college in New York a month ago. I’m afraid it may be coming to a close, though.” He leaned nearer. “Seriously.” “If I got that internship,” I said, “I could hold on. Otherwise I’m in trouble. I wanted so badly to start my publishing career in the publishing mecca. But maybe that’s not possible for me now. I can write anywhere, I guess.” I laughed. He didn’t laugh. “What will you do, then?” “I might try California,” I said. “It’s almost as expensive as New York, though. And it’s tainted in my mind because my mother tried it with the worst of luck.” Hunter’s movement toward me was so sudden that I instinctively shrank back. Then I realized he was reaching for my hand. He took it in his warm hand again, rubbing my palm with his calloused thumb. His voice was smooth like a song as he said, “I would not love college in New York if you weren’t there.” Suddenly I was flushing hot in the freezing night. “You wouldn’t?” I whispered. “No. When I said I love it, I listed all these things I love about it. I left you out.” He let my hand go and touched his finger to my lips. “I love you.” I started stupidly at him. Was he joking again, reciting another line from my story? I didn’t remember writing this. He leaned in and kissed me. I didn’t respond for a few seconds. My mind lagged behind what my body was feeling. “Say it,” he whispered against my lips. “I know this is hard for you. Tell me.” “I love you.” Hearing my own words, I gasped at the rush of emotion. He put his hands on either side of my jaw and took my mouth with his. My mind still chattered that something was wrong with this picture. My body stopped caring. I grabbed fistfuls of his sweater and pulled him closer.
Jennifer Echols (Love Story)
tuff. Almost all of us have it in abundance. What can we do with it? One of my favorite hideaways is an old faithful: the cardboard box. Cover it with festive Contact paper and stuff away. Or hang a shelf about a foot from the ceiling, and use it to store items you don't want sitting around. It's also great in a child's room for toys that aren't played with often. Get old school lockers or trunks, paint them, and use them for storage. Clutter around your house can cause clutter in your emotional and spiritual life too, so clean up and spend your best time enjoying life. re you reluctant to share your home with others? Maybe it's not your dream house or you don't have the money right now to decorate the way you'd like to. But you know what? It's not about having a perfect home. It's about your spirit of hospitality, your willingness to share your home and your life with others. Don't wait until everything is perfect because that will never happen. Focus on making your home cozy and comfortable. Your place will always be at its most beautiful when you use it to warm hearts. aking time for your husband doesn't have to be difficult or a hassle. With a little imagination and the desire to make him happy, you can make him feel loved. Are you thinking, Oh great, now Emilie 's telling me what I'm doing wrong with my husband. Not at all! I just want to give you a few ideas to help you let your
Emilie Barnes (365 Things Every Woman Should Know)
A glance at the clock on the nightstand told me I still had several hours until morning, and I knew I was in for a long night. I wasn’t quite ready to get back in bed, and my throat felt dry, so I left the bedroom and padded into the kitchen for a bottle of cool water. On my way back through the living room, I glanced at the couch and froze. Holt was lying there with a blanket tossed over his legs. “You’re sleeping on the couch?” I said, surprise lacing my tone. “I figured it was too soon to climb into bed with you,” he drawled. A warm flush spread over my limbs. The idea of sharing a bed with him… of being tangled up in his arms and legs… was entirely too appealing. “I’m an idiot.” He chuckled. “And why is that?” Because I should have realized that he only had one bed in this house and I was hogging it. He did say my scent was on his sheets. Geez, how slow on the uptake was I? “I should be the one sleeping out here.” “No.” It sounded like a command. “Yes.” He moved so fast I barely saw him, and then he was towering over me, my eyes left to stare at the very wide expanse of his chiseled chest. “What kind of a man do you think I am?” he drawled. “What?” I said, not really listening to his words. His body was the ultimate distraction. “Do you really think I would let someone—a girl—who was just released from the hospital, still bruised and burned, sleep on my couch?” “I’m sure I would be more comfortable there than you would be.” “Go back to bed, Katie.” He crossed his arms over his chest. “And if I don’t?” I challenged. I didn’t really care for the overbearing type. “If you don’t, I’m going to rip my shirt off you right here and do things to your body that will echo through your limbs long after I stop touching you.
Cambria Hebert (Torch (Take It Off, #1))
Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn. When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ‘gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!
Herman Melville (Moby-Dick or, The Whale)
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
Herman Melville (Moby-Dick or, The Whale)
Permanent Revolution THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre. Today, the earth’s continents are home to billions of Sapiens. If you took all these people and put them on a large set of scales, their combined mass would be about 300 million tons. If you then took all our domesticated farmyard animals – cows, pigs, sheep and chickens – and placed them on an even larger set of scales, their mass would amount to about 700 million tons. In contrast, the combined mass of all surviving large wild animals – from porcupines and penguins to elephants and whales – is less than 100 million tons. Our children’s books, our iconography and our TV screens are still full of giraffes, wolves and chimpanzees, but the real world has very few of them left. There are about 80,000 giraffes in the world, compared to 1.5 billion cattle; only 200,000 wolves, compared to 400 million domesticated dogs; only 250,000 chimpanzees – in contrast to billions of humans. Humankind really has taken over the world.1 Ecological degradation is not the same as resource scarcity. As we saw in the previous chapter, the resources available to humankind are constantly increasing, and are likely to continue to do so. That’s why doomsday prophesies of resource scarcity are probably misplaced. In contrast, the fear of ecological degradation is only too well founded. The future may see Sapiens gaining control of a cornucopia of new materials and energy sources, while simultaneously destroying what remains of the natural habitat and driving most other species to extinction. In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos. Many call this process ‘the destruction of nature’. But it’s not really destruction, it’s change. Nature cannot be destroyed. Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still, the rumours of our own extinction are premature. Since the Industrial Revolution, the world’s human population has burgeoned as never before. In 1700 the world was home to some 700 million humans. In 1800 there were 950 million of us. By 1900 we almost doubled our numbers to 1.6 billion. And by 2000 that quadrupled to 6 billion. Today there are just shy of 7 billion Sapiens.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The traditional hospital practice of excluding parents ignored the importance of attachment relationships as regulators of the child’s emotions, behaviour and physiology. The child’s biological status would be vastly different under the circumstances of parental presence or absence. Her neurochemical output, the electrical activity in her brain’s emotional centres, her heart rate, blood pressure and the serum levels of the various hormones related to stress would all vary significantly. Life is possible only within certain well-defined limits, internal or external. We can no more survive, say, high sugar levels in our bloodstream than we can withstand high levels of radiation emanating from a nuclear explosion. The role of self-regulation, whether emotional or physical, may be likened to that of a thermostat ensuring that the temperature in a home remains constant despite the extremes of weather conditions outside. When the environment becomes too cold, the heating system is switched on. If the air becomes overheated, the air conditioner begins to work. In the animal kingdom, self-regulation is illustrated by the capacity of the warm-blooded creature to exist in a broad range of environments. It can survive more extreme variations of hot and cold without either chilling or overheating than can a coldblooded species. The latter is restricted to a much narrower range of habitats because it does not have the capacity to self-regulate the internal environment. Children and infant animals have virtually no capacity for biological self-regulation; their internal biological states—heart rates, hormone levels, nervous system activity — depend completely on their relationships with caregiving grown-ups. Emotions such as love, fear or anger serve the needs of protecting the self while maintaining essential relationships with parents and other caregivers. Psychological stress is whatever threatens the young creature’s perception of a safe relationship with the adults, because any disruption in the relationship will cause turbulence in the internal milieu. Emotional and social relationships remain important biological influences beyond childhood. “Independent self-regulation may not exist even in adulthood,” Dr. Myron Hofer, then of the Departments of Psychiatry and Neuroscience at Albert Einstein College of Medicine in New York, wrote in 1984. “Social interactions may continue to play an important role in the everyday regulation of internal biologic systems throughout life.” Our biological response to environmental challenge is profoundly influenced by the context and by the set of relationships that connect us with other human beings. As one prominent researcher has expressed it most aptly, “Adaptation does not occur wholly within the individual.” Human beings as a species did not evolve as solitary creatures but as social animals whose survival was contingent on powerful emotional connections with family and tribe. Social and emotional connections are an integral part of our neurological and chemical makeup. We all know this from the daily experience of dramatic physiological shifts in our bodies as we interact with others. “You’ve burnt the toast again,” evokes markedly different bodily responses from us, depending on whether it is shouted in anger or said with a smile. When one considers our evolutionary history and the scientific evidence at hand, it is absurd even to imagine that health and disease could ever be understood in isolation from our psychoemotional networks. “The basic premise is that, like other social animals, human physiologic homeostasis and ultimate health status are influenced not only by the physical environment but also by the social environment.” From such a biopsychosocial perspective, individual biology, psychological functioning and interpersonal and social relationships work together, each influencing the other.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
So much for the famous 'Hoosier hospitality.' When we moved to our new house, no one stopped by with strawberry rhubarb pie or warm wishes. Our neighbors must have taken one look at David and Jerome and locked their doors - and minds - against us
Julia Scheeres (Jesus Land: A Memoir)
On my first Sunday morning visiting Capitol Hill Baptist Church in Washington, DC, my family and I sat in front of a lovely family in the church balcony. I first noticed them because their young children sat attentively and patiently as they participated in the service. I then noticed their lovely, vigorous singing. But they really grabbed my attention when they greeted us warmly immediately after the service. The man of the family took me around and introduced me to many of the men in the church, and after about fifteen minutes or so invited my family to join his family at their home for lunch—right then. Honestly, the experience made me feel a little weirded out. First of all, his name was Jim, and literally the first three men he introduced me to were all named Jim. Strange, I thought. What kind of church is this? Will I have to change my name again? Then the quick invitation to lunch about knocked me down. It happened too fast. And with my Southern upbringing, it might have even been considered impolite. So I gave him my best polite Southern way of saying no: “That is mighty nice of you. Perhaps some other time.” Everybody down South knows that a sentence like that means no. Southerners know that that is how you must say no because saying no itself is impolite. Southerners are nothing if not polite. So I had clearly said no to this man’s kind but hasty offer of lunch. And wouldn’t you know it? The very next week, when we went to this strange church again, he insisted that we join them for lunch. I was North Carolina. He was New Jersey. There was a failure to communicate. He didn’t understand the rules of the South, but Washington, DC, apparently was too close to the Mason-Dixon Line to clearly establish which “Rome” we were in and what we should do. But I was wrong, and Jim was right. He was the godlier man. He was more hospitable than anyone I had ever met and remains more hospitable than I am today. He embodied Paul’s insistence that hospitable men lead Christ’s church. And rightly, he was a church elder.
Thabiti M. Anyabwile (Finding Faithful Elders and Deacons (9Marks))
Will you dine with me, or no?” I shook my head again, not trusting my voice. “A dance, then,” he suggested unexpectedly, with a laughing gleam in his eyes. “I must have some recompense for my hospitality.” “I do not dance.” “I’ll keep the step simple,” he promised, and I shook my head helplessly. It was unheard of, I thought, to dance in private with a man, and that man not your husband. It would be improper, wanton, and yet the thought of it set my blood racing with unladylike excitement. “There is no music,” I remarked, retreating another step. Richard de Mornay smiled. “Would you like me to call for my stableboy? He is unequaled on the lute, and I’m sure he would favor us with a danceable tune.” “No,” I said hastily. I had no desire for a witness to my folly. “Then you must make do without. Or I could sing, if you wish it.” He held out his hand. “Come, you are no coward. One dance, a simple step, and the debt is paid.” Trapped, I took his hand. He did sing, after all, softly and in French. He had a deep and pleasant voice, and his warm breath fanned my cheek as he twirled me round and round the deserted, echoing room. It was a sinful feeling.
Susanna Kearsley (Mariana)
While she tugged on her gloves, Richard reached behind her to pull her hood up over her head. He was smiling as he tied the strings loosely beneath her chin. “We need to find you someplace a little more hospitable to stay,” he said warmly. Mollie gazed up at him. “It’s not so bad. I have everything I really need.” “Mollie, I want to give you the world.
Elizabeth Camden (Into the Whirlwind)
Why are They Converting to Islam? - Op-Eds - Arutz Sheva One of the things that worries the West is the fact that hundreds and maybe even thousands of young Europeans are converting to Islam, and some of them are joining terror groups and ISIS and returning to promote Jihad against the society in which they were born, raised and educated. The security problem posed by these young people is a serious one, because if they hide their cultural identity, it is extremely difficult for Western security forces to identify them and their evil intentions. This article will attempt to clarify the reasons that impel these young people to convert to Islam and join terrorist organizations. The sources for this article are recordings made by the converts themselves, and the words they used, written here, are for the most part unedited direct quotations. Muslim migration to Europe, America and Australia gain added significance in that young people born in these countries are exposed to Islam as an alternative to the culture in which they were raised. Many of the converts are convinced that Islam is a religion of peace, love, affection and friendship, based on the generous hospitality and warm welcome they receive from the Moslem friends in their new social milieu. In many instances, a young person born into an individualistic, cold and alienating society finds that Muslim society provides  – at college, university or  community center – a warm embrace, a good word, encouragement and help, things that are lacking in the society from which he stems. The phenomenon is most striking in the case of those who grew up in dysfunctional families or divorced homes, whose parents are alcoholics, drug addicts, violent and abusive, or parents who take advantage of their offspring and did not give their children a suitable emotional framework and model for building a normative, productive life. The convert sees his step as a mature one based on the right of an individual to determine his own religious and cultural identity, even if the family and society he is abandoning disagree. Sometimes converting to Islam is a form of parental rebellion. Often, the convert is spurned by his family and surrounding society for his decision, but the hostility felt towards Islam by his former environment actually results in his having more confidence in the need for his conversion. Anything said against conversion to Islam is interpreted as unjustified racism and baseless Islamophobia. The Islamic convert is told by Muslims that Islam respects the prophets of its mother religions, Judaism and Christianity, is in favor of faith in He Who dwells on High, believes in the Day of Judgment, in reward and punishment, good deeds and avoiding evil. He is convinced that Islam is a legitimate religion as valid as Judaism and Christianity, so if his parents are Jewish or Christian, why can't he become Muslim? He sees a good many positive and productive Muslims who benefit their society and its economy, who have integrated into the environment in which he was raised, so why not emulate them? Most Muslims are not terrorists, so neither he nor anyone should find his joining them in the least problematic. Converts to Islam report that reading the Koran and uttering the prayers add a spiritual meaning to their lives after years of intellectual stagnation, spiritual vacuum and sinking into a materialistic and hedonistic lifestyle. They describe the switch to Islam in terms of waking up from a bad dream, as if it is a rite of passage from their inane teenage years. Their feeling is that the Islamic religion has put order into their lives, granted them a measuring stick to assess themselves and their behavior, and defined which actions are allowed and which are forbidden, as opposed to their "former" society, which couldn't or wouldn't lay down rules. They are willing to accept the limitations Islamic law places on Muslims, thereby "putting order into their lives" after "a life of in
Anonymous
He frowned and reached out, lifting a lock of her hair off her shoulder. “Do you have mud in your hair?” “Probably,” she said. “I was standing on the porch, appreciating the beauty of this nice spring morning when one end gave way and spilled me right into a big, nasty mud puddle. And I wasn’t brave enough to try out the shower—it’s beyond filthy. But I thought I got it all off.” “Oh, man,” he said, surprising her with a big laugh. “Could you have had a worse day? If you’d like, I have a shower in my quarters—clean as a whistle.” He grinned again. “Towels even smell like Downy.” “Thanks, but I think I’ll just move on. When I get closer to the coast, I’m going to get a hotel room and have a quiet, warm, clean evening. Maybe rent a movie.” “Sounds nice,” he said. “Then back to Los Angeles?” She shrugged. “No,” she said. She couldn’t do that. Everything from the hospital to the house would conjure sweet memories and bring her grief to the surface. She just couldn’t move on as long as she stayed in L.A. Besides, now there was nothing there for her anymore.
Robyn Carr (Virgin River (Virgin River, #1))
Somehow Frank got word to the dingo enclosure. “You’d better get to the compound,” came the message. “Graham grabbed Wes.” I felt cold chills go down my arms into my fingers. Graham was a large enough crocodile that he could easily kill prey the size of a man. I struggled through the water toward the compound. This is a nightmare, I thought. It felt like a bad dream, trying desperately to run in the waist-deep water, and yet feeling like I was in slow motion, struggling my way forward. When I got to the compound, I was shocked. Wes was conscious and standing up. I had a look at his wounds. The gaping holes torn out of his bottom and the back of his leg were horrifying. Both wounds were bigger than my fist. He was badly torn up. We discussed whether or not to call an ambulance, and then decided we would take Wes to the hospital ourselves. Wes was fluctuating between feeling euphorically happy to be alive and lashing out in anger. He was going into shock and had lost a lot of blood. Steve drove. A trip that would normally have taken half an hour took less than twenty minutes. The emergency room was having a busy night. By now Wes’s face was somewhere between pale and gray--the pain was well and truly setting in. We explained to a nurse that he needed help immediately, but because we had a blanket over him to keep him warm, the severity of his injuries didn’t really hit home. Finally the nurse peeked under the blanket. She gasped. Wes was so terribly injured, I was worried that he would still bleed out. Steve and I were both very emotional. So many thoughts went through our heads. Why Wes? Why hadn’t Steve been grabbed? What kind of chance was it that Graham had grabbed Wes in probably the only manner that would not have killed him instantly? We realized again how much we loved Wes. The thought that we almost lost him terrified us. It was a horrible, emotional Friday night. Over the course of the weekend we learned that Wes would probably make a full recovery. He would keep his leg and probably regain most movement. There was still some doubt as to whether he was going to need skin grafts. Steve laid his life on the line to defend Wes. And as severely injured as Wes was, he stopped at the top of the fence to turn back and help Steve. That was mateship; that was love. It made me think of the line from scripture: Greater love hath no man than this, that a man lay down his life for his friends. Steve and Wes were lucky, for they were truly friends.
Terri Irwin (Steve & Me)
It was a Sunday at the end of November, which meant summertime in Australia. My water broke at night, and this time I knew what was coming. I remember thinking, There’s no turning back now. Immediately after my water broke, the contractions started. I had been sleeping in Bindi’s room because I was so awkward and uncomfortable that I kept waking everybody up. Plus, Bindi loved being able to snuggle down in bed with her daddy. I crept into their room quietly. As I stood beside the bed, I leaned in next to Steve’s ear. I could feel his breath. He smelled warm and sweet and familiar. He is going to be a daddy again, I thought, his favorite job in the world. When I whispered “Steve,” he opened his eyes without moving. Bindi slept on at his side. It was about midnight, and I told Steve that we didn’t have to leave for the hospital yet, but it would be soon. Once he was satisfied that I was okay, I headed back to Bindi’s bed to get some rest. Throughout our life together, I never knew what Steve was going to say next. True to form, he came to my bedside, not long after I lay down, and said, “I’m putting my foot down.” “What?” “The baby is going to be named Robert Clarence Irwin if it’s a boy,” he said. Robert after his dad, Bob, and Clarence after my dad. “You don’t need to put your foot down,” I whispered to him. “I think it’s a beautiful name.” When my contractions were four minutes apart, I knew it was time to head to the hospital. It was five o’clock in the morning. Steve got everything organized to take me. Of course, one of the things he grabbed was a camera. He was determined that we would capture everything on film. We called Trevor, our friend and cinematographer who had filmed Bindi’s birth, to meet us at the hospital, and Thelma, Bindi’s nanny, came over to get her off to school. As we drove in the car, Steve filmed me from the driver’s seat. As he shot, the Ute slowly edged toward the side of the road. He looked up, grabbed the wheel, and corrected the steering. Then he went back to filming and the whole thing happened again. After two or three veers, I had had enough. “Stop filming,” I yelled. He quickly put the camera down. I think he realized that this was no time to argue with mama bear.
Terri Irwin (Steve & Me)
She despised her nakedness beneath the thin hospital gown and tried to wave Paul out of the room. But he shushed her and stood firmly planted beside the table where she lay. He held her gaze, forcing her to look into his eyes. He smoothed her forehead with gentle hands, and she winced, not in pain but in humiliation. Paul closed her eyes gently with his fingers and let his large warm hands rest lightly on her forehead, covering her eyes with the palm of his hand as though he could take away her self-imposed shame by sparing her his scrutiny. She loved him all the more for the act.
Deborah Raney (Because of the Rain)
Dr. Jane Collins As chief executive of the Great Ormond Street Hospital (GOSH) for Children NHS Trust, Dr. Jane Collins oversees the hospital of which Diana was president during her charitable career. GOSH specializes in the treatment and research of childhood illness and remains one of the most notable facilities in this field in the world. I’m sure we all remember the day she died as if it was yesterday and will never forget our sense of grief and personal loss. But our abiding memory is of a warm, compassionate princess, with a deep affection for babies and children, comfortable with people from every background, of whatever nationality, and in whatever circumstances they met.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
boys. If I wanted to I could delve further into the great gaping insecurity that is always responsible for this sort of bad behavior: when I was thirteen I was very ill, and in and out of the hospital for a year. By the time it was clear I was going to be all right, I weighed sixty-two pounds. While my friends were cultivating the usual romantic dramas, I read books, and resigned myself to not being part of the game; and this resignation, this astonishment that a boy would like me, lingered dangerously. It turned me into something of a monster for a little while. Somehow this feeling that I was outside the romantic comings and goings of my peers got mingled with the idea that I wasn’t going to live, that I was somehow outside of life. You can see where I am going with this. You can feel, in this explanation, the silent doctor nodding in the corner. So many exquisite explanations of appalling pieces of selfishness. And yet they are all true and not true; it may just have been a warm night and a beautiful boy.
Katie Roiphe (In Praise of Messy Lives: Essays)
But that night the future troubled nobody; the house was full of light and music, the air warm with that simple hospitality of the frontier, where people dwell in exile, far from their kindred, where they lead rough lives and seldom meet together for pleasure.
Willa Cather (Death Comes for the Archbishop)
identify your employee adjectives, (2) recruit through proper advertising, (3) identify winning personalities, and (4) select your winners. Step One: Identify Your Employee Adjectives When you think of your favorite employees in the past, what comes to mind? A procedural element such as an organized workstation, neat paperwork, or promptness? No. What makes an employee memorable is her attitude and smile, the way she takes the time to make sure a customer is happy, the extra mile she goes to ensure orders are fulfilled and problems are solved. Her intrinsic qualities—her energy, sense of humor, eagerness, and contributions to the team—are the qualities you remember. Rather than relying on job descriptions that simply quantify various positions’ duties and correlating them with matching experience as a tool for identifying and hiring great employees, I use a more holistic approach. The first step in the process is selecting eight adjectives that best define the personality ideal for each job or role in your business. This is a critical step: it gives you new visions and goals for your own management objectives, new ways to measure employee success, and new ways to assess the performance of your own business. Create a “Job Candidate Profile” for every job position in your business. Each Job Candidate Profile should contain eight single- and multiple-word phrases of defining adjectives that clearly describe the perfect employee for each job position. Consider employee-to-customer personality traits, colleague-to-colleague traits, and employee-to-manager traits when making up the list. For example, an accounting manager might be described with adjectives such as “accurate,” “patient,” “detailed,” and “consistent.” A cocktail server for a nightclub or casual restaurant would likely be described with adjectives like “energetic,” “fun,” “music-loving,” “sports-loving,” “good-humored,” “sociable conversationalist,” “adventurous,” and so on. Obviously, the adjectives for front-of-house staff and back-of-house staff (normally unseen by guests) will be quite different. Below is one generic example of a Job Candidate Profile. Your lists should be tailored for your particular bar concept, audience, location, and style of business (high-end, casual, neighborhood, tourist, and so on). BARTENDER Energetic Extroverted/Conversational Very Likable (first impression) Hospitable, demonstrates a Great Service Attitude Sports Loving Cooperative, Team Player Quality Orientated Attentive, Good Listening Skills SAMPLE ADJECTIVES Amazing Ambitious Appealing Ardent Astounding Avid Awesome Buoyant Committed Courageous Creative Dazzling Dedicated Delightful Distinctive Diverse Dynamic Eager Energetic Engaging Entertaining Enthusiastic Entrepreneurial Exceptional Exciting Fervent Flexible Friendly Genuine High-Energy Imaginative Impressive Independent Ingenious Keen Lively Magnificent Motivating Outstanding Passionate Positive Proactive Remarkable Resourceful Responsive Spirited Supportive Upbeat Vibrant Warm Zealous Step Two: Recruit through Proper Advertising The next step is to develop print or online advertising copy that will attract the personalities you’ve just defined.
Jon Taffer (Raise the Bar: An Action-Based Method for Maximum Customer Reactions)
Of all the students in Desplein’s hospital, Horace Bianchon was one of those to whom he most warmly attached himself. Before being a house surgeon at the Hotel-Dieu, Horace Bianchon had been a medical student lodging in a squalid boarding house in the Quartier Latin, known as the Maison Vauquer. This poor young man had felt there the gnawing of that burning poverty which is a sort of crucible from which great talents are to emerge as pure and incorruptible as diamonds, which may be subjected to any shock without being crushed.
Honoré de Balzac (Works of Honore de Balzac)
The most notable prizewinner on This Is My Story was 13–year-old Louise Applewhite, who appealed to President Roosevelt because the hospitals in her hometown were so packed with polio victims that she could not get proper treatment. Roosevelt sent a B-17 and a medical crew at once to fetch her to his Warm Springs Foundation. This show was replayed on the series in April 1945, the Saturday after Roosevelt’s death.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Emily and I are lying out on towels. She is so thin, I can make out every rib, the sternum, the knobby bulges of her shoulders. Her hair is golden and thick, though, which is how I know I’m dreaming. It was so brittle toward the end. I want to lie here even though I’m not sure if beside me Emily is alive or dead. When a coyote is hit on Pacific Coast Highway, the carcass will decay for weeks until all that’s left is bones and fur. I can wait, I’m willing to wait. The sun is warm, and maybe if we lie here long enough the tide will rise and the current will drag us out, maybe the sea will accept us back into it. My phone vibrates and drops onto the floor, waking me. I’ve fallen asleep in my clothes. It’s not yet eleven. I have a voice mail from Guy. It’s startling to hear his voice, casual and familiar, telling me that Mom is doing well, the production too. He doesn’t ask me to call, but I don’t want to be alone, thinking of that hideous death. How could I have known it would be quick? Paul had only called a few weeks earlier to say Emily was coming home from the hospital, that hospice had been arranged. I brought a tuna casserole, without peas, which was how Emily liked it when she was little. But she was already in a drug-induced sleep by then. Paul and the caregivers administering liquid morphine every two hours. So thin, I remember saying to Paul, who looked at me bewildered. She’s been thin for months, he said. They asked if I wanted to rub lotion into her hands, put a warm washcloth on her face. She knows you’re here, someone said. I did not want to see her die. I did not want to touch her body. Downstairs I microwaved the casserole and sat and ate it with Hannah while we watched cartoons. Guy doesn’t answer the first time, so I call again. A third time. “Pricilla, what time is it there?” I can hear car horns; a radio being turned down. I imagine he’s on a freeway stuck in traffic and I feel a twinge of homesickness. “Not that late.” I open the bedroom window.
Liska Jacobs (The Worst Kind of Want)
Gina set her notepad and pen on the hospital nightstand, then pulled the warm garlic bread from the parchment paper package meant to keep the pooling butter from escaping, but it really provided the perfect dipping spot. She bit into the crusty edge, crunchy on the outside and soft on the inside, and sprinkled with the exact right amount of garlic salt. Mama Mia's garlic bread, the ultimate comfort food- all carbs and fat. After dropping May off at home on her way back to the hospital, she'd swung by for the necessary comfort-food fix. Now that she thought about it, their iconic bread would make an amazing grilled cheese sandwich.
Amy E. Reichert (The Optimist's Guide to Letting Go)
The day before she'd died, the three of them were in the hospital room, and her grandmother had said, "What I wouldn't give for one more June day." She wanted to talk with her friends on the porch, eat a bowl of raspberries with whipped cream on top, grill out, stay up late playing cards with the two of them. And the weather would be warm, not hot. Big cloud, blue sky weather. Lena had excused herself, went to get tea, and hoped that at the end of her own life, she would only want one more good, but not special, day.
Megan Giddings (Lakewood)
But the flesh of the dead body is thick and doughy, cool where you expect it to be warm, doughy where you expect it to be resilient.
Victoria Sweet (God's Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine)
When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
At a successful party, everyone feels at home. A good hostess gives each of her guests a bit of her time throughout the evening. Warm hospitality: that’s what being a Grits is all about.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
The ride to Baptist Hospital was quiet. Baldwin drove, Taylor rested her head against the cool window and wished for summer. Truth be told, she didn’t really want winter to end. She loved the cool, crisp weather, the gray skies, the warm fires and soft clothes. But if it were summer, this would all go away. She’d be done with this case, the wedding would be over, they could go to the beach and lie in the sun, baking brown as bunnies and reading trashy novels. Make love after a few too many rum drinks; lie in a hammock under the stars, the sultry sea air lulling them into a false sense of hope. That was her one issue with winter. Not the cold, but the bleak despondence of the short days and long nights. They
J.T. Ellison (14 (Taylor Jackson, #2))
In the midst of this scene of enjoyment, a solitary horseman rode up to the house, dismounted and entered--a tall soldierly looking man in uniform of a captain of infantry. Seeing that we were a private party and believing himself to be an intruder, he was about to beat a retreat, but we pressed him to join us, and after some hesitation he consented to do so. He introduced himself as Captain Atkins of Wheat's battalion and told us that the battalion was on picket duty, and he on the grand round, and had come out of his way to warm himself by the hospital fireside of the tavern. Learning from him that Major Wheat was on the line, Meade and I started off in search of him. We found him at his headquarters, a fly tent under a tree at the crossroad, and it required no great deal of eloquence to induce him to join our dinner party. W. F. Shippey, C.S.A.
Philip van Doren Stern (The Civil War Christmas Album)
Three days after the fire, Mr. Schatzman wakes me from sleep to tell me that he and Mrs. Schatzman have figured out a perfect solution (yes, he says “perfect,” parr-fec, in his German accent; I learn, in this instant, the terrible power of superlatives). They will take me to the Children’s Aid Society, a place staffed by friendly social workers who keep the children in their care warm and dry and fed. “I can’t go,” I say. “My mother will need me when she gets out of the hospital.” I know that my father and brothers are dead. I saw them in the hallway, covered with sheets. But Mam was taken away on a stretcher, and I saw Maisie moving, whimpering, as a man in a uniform carried her down the hall. He shakes his head. “She won’t be coming back.” “But Maisie, then—” “Your sister, Margaret, didn’t make it,” he says, turning away.
Christina Baker Kline (Orphan Train)
The Warm Welcome of Hospitality. Walt Disney World is the epitome of world-class customer service. Employees must be hyper-vigilant of spatial orientation to engage, impress, and interact with guests. For simply being near a guest, employees are trained to: • Make eye contact and smile. • Greet and welcome each and every guest. • Seek out guest contact. • Provide immediate service recovery. • Always display appropriate body language. • Preserve the “magical” guest experience. • Thank each guest and demonstrate that appreciation.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
Many hospitality companies follow the "5 and 10 Rule," whereby when a customer is within ten feet of the employee, they should provide acknowledgement with eye contact and a genuine smile. When the customer is within five feet, it is encouraged to provide a warm welcome, sincere greeting, a friendly gesture, and offer to help, or to engage him or her in conversation.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
There are only two distinctions between anybody in this room and an institutionalized schizophrenic: (1) whether you have a good reality strategy and you can make that distinction, and (2) whether the content of your hallucination is socially acceptable or not. Because you all hallucinate. You all hallucinate that somebody's in a good mood or a bad mood, for example. Sometimes it really is an accurate representation of what you are getting from the outside, but sometimes it's a response to your own internal state. And if it's not there, sometimes you can induce it. "Is something wrong?" "What is bothering you?" "Now I don't want you to worry about anything that happened today while you were gone." Drinking blood in this culture is not acceptable. I've lived in cultures where that's fine. The Masai, in Eastern Africa, sit around and drink cups of blood all the time. No problem. It would be weird in their culture for somebody to say "I can see that you are feeling very bad about what I just said." They would begin to wonder about you. But in this culture it's reversed. When we trained residents in mental hospitals we used to go up early and spend time in the wards because the patients there had problems we never had the opportunity to encounter before. We would give them the task of determining for themselves which parts of their experience were validated by other people, and which were not. For instance, with the cup-of-blood guy, we immediately joined his reality. "Yeah, warm this one up for me, will you?" We joined his reality so much that he came to trust us. And then we gave him the task of discovering which parts of his reality other people in the ward could validate for him. We didn't say this was really here and that wasn't, but simply asked him to determine which parts of his reality other people could share. And then he learned - as most of us have as children - to talk about those parts of reality which are either socially acceptable hallucinations, or that other people are willing to see and hear and feel, too. That's all he needed to get out of the hospital. He's doing fine. He still drinks cups of blood, but he does it by himself. Most psychotics don't have a way of making distinctions between what's shared reality and what's not. (...) I've made a lot of jokes about the way humanistic psychologists treat each other when they get together. They have many social rituals that did not exist when i worked at an electronics corporation. The corporation people didn't come in the morning and hold each other's hands and look meaningfully into each other's eyes for five and a half minutes. Now, when somebody at the corporation sees somebody do that, they go "Urrrrhhh! Weird!" And the people in humanistic psychology circles think the corporation people are cold and insensitive and inhuman. To me, they are both psychotic realities, and I'm not sure which one is crazier. And if you think about shared realities, the corporation people are in the majority! (...) Therapists feel letters. I don't think that's any more peculiar than drinking cups of blood. Everywhere I go, people tell me they feel O and K. That's pretty weird. Or you ask people "how do you feel?" and they say "Not bad." Think about that for a moment. That's a very profound statement. "I feel not bad." That's not a feeling. Neither is "OK.
Richard Bandler, John Grinder
You don’t need an extra blanket or a sweatshirt. You’ve got me to keep you warm.
Debbie Mason (Miracle at Christmas (Christmas, Colorado #7.5))
This was a sacred homily for Borzov, and Alice respected that. Borzov lowered his glass and stared at her. “What’s vodka, Mrs. Liddell, if not all things to all men? It can be a folk medicine, a hallucinogen revealing the mysteries of the soul, a lubricant more commonly applied to sophisticated machinery than any conventional liquid—and of course it can simply be vodka too. Every aspect of the human condition finds its reflection in vodka, and its exaggeration too. Russians drink from grief and from joy, because we’re tired and to get tired, out of habit and by chance. It warms us in the cold, cools us in the heat, protects us from the damp, consoles us in grief and cheers us when times are good. Without vodka, there’d be no hospitality, no weddings, no baptisms, no burials, no farewells. Without vodka, friendship would no longer be friendship, happiness would no longer be happiness. It’s the elixir sipped sociably, spreading gregariousness and love; it’s also the anesthetic without which life would be unendurable. Vodka’s the only drug that enables the dispossessed to endure the monstrously cruel tricks life’s played on them. It’s the only solace for desperate men and women for whom there’s no other release. So where better to begin the second revolution than at the spiritual home of Russia’s vodka production, the drinker’s Mecca?
Boris Starling (Vodka)
Jim Cashman welcomed his former master back, offering him the same courtesies and warm hospitality any southern gentleman might extend to a visitor and proudly reciting his achievements. “The Lord has blessed us since you have been gone. It used to be Mr. Fuller No. 1, now it is Jim Cashman No. 1. Would you like to take a drive through the island Sir? I have a horse and buggy of my own now Sir, and I would like to take you to see my own little lot of land and my new house on it, and I have as fine a crop of cotton Sir, as ever you did see, if you please—and Jim can let you have ten dollars if you want them, Sir.
Leon F. Litwack (Been in the Storm So Long: The Aftermath of Slavery)
The audience for Channel 28, the PBS station in Los Angeles, was demographically perfect for Trader Joe’s. In those days, however, PBS did not accept overt commercials. Alice had been quite active as a volunteer at the station. Through her contacts, we made arrangements to sponsor reruns of shows that tied to Trader Joe’s, such as the Julia Child shows, The Galloping Gourmet, and Barbara Wodehouse’s series on training dogs, which proved very effective! These reruns were not expensive compared with sponsoring first-runs and they had very good audiences. All we got was a “billboard” announcing that Trader Joe’s was sponsoring the show, but this was a cost-effective way of building our presence in the community. Another way we promoted ourselves on public TV was to “man the phones” during pledge drives. Our employees, led by Robin Guentert who was running advertising at that time (Robin became one of the most important members of store supervision after 1982, then President of Trader Joe’s in 2002), would show up en masse at the station. They loved being on TV, and we got the publicity. Promoting through Nonprofits Most retailers, when they’re approached by charities for donations, do their best to stiff-arm the would-be donees, or ask that a grueling series of requirements need to be met. In general they hate giving except to big, organized charities like United Way, because that way they escape being solicited by all sorts of uncomfortable pressure groups. At the very beginning of Trader Joe’s, however, we adopted a policy of using non-profit giving as an advertising and promotional tool. We established these policies: Never give cash to anyone. Never buy space in a program. That is money thrown away. Give freely, give generously, but only to nonprofits that are focused on the overeducated and underpaid. Any museum opening, any art gallery opening, any hospital auxiliary benefit, any college alumni gathering, the American Association of University Women, the Assistance League, any chamber orchestra benefit—their requests got a very warm welcome. But nothing for Little League, Pop Warner, et al.; that was not what Trader Joe’s was about.
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
Bread will win the war. Work will win, sugar will win, peach pits will win the war. Nonsense. Not nonsense, I tell you, there's some kind of valuable high explosive to be got out of peach pits. So all the happy housewives hurry during the canning season to lay their baskets of peach pits on the altar of their country. It keeps them busy and makes them feel useful, and all these women running wild with the men away are dangerous, if they aren't given something to keep their little minds out of mischief. So rows of young girls, the intact cradles of the future, with their pure serious faces framed becomingly in Red Cross wimples, roll cock-eyed bandages that will never reach a base hospital, and knit sweaters that will never warm a manly chest, their minds dwelling lovingly on all the blood and mud and the next dance at the Acanthus Club for the officers of the flying corps. Keeping still and quiet will win the war.
Katherine Anne Porter (Pale Horse, Pale Rider)
In 1984, a psychologist named Roger Ulrich studied patients recuperating from gallbladder surgery at a Pennsylvania hospital. Some patients were assigned to a room overlooking a small strand of deciduous trees. Others were assigned to rooms that overlooked a brick wall. Urlich describes the results: “Patients with the natural window view had shorter post-operative hospital stays, had fewer negative comments in nurses’ notes . . . and tended to have lower scores for minor post-surgical complications such as persistent headache or nausea requiring medication. Moreover, the wall-view patients required many more injections of potent painkillers.” The implications of this obscure study are enormous. Proximity to nature doesn’t just give us a warm, fuzzy feeling. It affects our physiology in real, measurable ways. It’s not a giant leap to conclude that proximity to nature makes us happier. That’s why even the most no-nonsense office building includes a park or atrium (in the belief, no doubt, that a happy worker is a productive one).
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
Homegirl was not a kind, warm, hospitable costeña but a sharp dictatorial female whose smile was less an invitation than a mandatory law.
Juli Delgado Lopera (Fiebre Tropical)
Your life would have been very different if you'd been raised here." "How so?" "Well, for starters, you would have been given two very specific names. The first would be an official name that ended in -nomiya. It means imperial member." Right. His name. Makotonomiya. "The second would be a personal name. Scholars would have drafted a list of options. I would have picked one, then sent my choice to the emperor. For approval, of course." "Of course." "The emperor would have written your anointed names on washi paper and placed them in a lacquered cypress box with the gold chrysanthemum emblem. The box would have been sent to the palace, then to the hospital and placed on your pillow, right next to your head," he says in a low, warm voice. "After the naming ritual, you would have been bathed in a cedar tub." "That sounds nice." He swirls the liquid in his glass. "A floral emblem would have been chosen for you." My breath makes little clouds. The fireworks are over. Near the pond, fireflies appear, dancing over the water in concentric circles. It's cold. Even so, I'm not ready to go inside yet. "What would you have chosen?" My eyes are as wide as saucers. My heart is open. I want this to work so badly. I want my life to be different. Better. More whole. Superhero epic. "I chose the purple iris." The vase in my room----a single iris. He thought about me. He cares. My eyes sting. I bat my lashes against the tears. If he asks about them, I'll say it's the breeze. "It stands for purity and wisdom.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
Those first days his daughter, Sally, and I took twelve-hour shifts at the hospital, sitting in a chair next to his bed, listening to the beeping of monitors in the ICU. We were afraid to leave him. It was as if we were trying to hatch an egg, keeping him warm with our presence, and we didn’t want him to wake without a familiar face nearby.
Abigail Thomas (A Three Dog Life)
Trained Obstetrician and Gynaecologist in Dubai Dr Elsa de Menezes Fernandes is a UK trained Obstetrician and Gynaecologist. She completed her basic training in Goa, India, graduating from Goa University in 1993. After Residency, she moved to the UK, where she worked as a Senior House Officer in London at the Homerton, Southend General, Royal London and St. Bartholomew’s Hospitals in Obstetrics and Gynaecology. She completed five years of Registrar and Senior Registrar training in Obstetrics and Gynaecology in London at The Whittington, University College, Hammersmith, Ealing and Lister Hospitals and Gynaecological Oncology at the Hammersmith and The Royal Marsden Hospitals. During her post-graduate training in London she completed Membership from the Royal College of Obstetricians and Gynaecologists. In 2008 Dr Elsa moved to Dubai where she worked as a Consultant Obstetrician and Gynaecologist at Mediclinic City Hospital until establishing her own clinic in Dubai Healthcare City in March 2015. She has over 20 years specialist experience. Dr Elsa has focused her clinical work on maternal medicine and successfully achieved the RCOG Maternal Medicine Special Skills Module. She has acquired a vast amount of experience working with high risk obstetric patients and has worked jointly with other specialists to treat patients who have complex medical problems during pregnancy. During her training she gained experience in Gynaecological Oncology from her time working at St Bartholomew’s, Hammersmith and The Royal Marsden Hospitals in London. Dr Elsa is experienced in both open and laparoscopic surgery and has considerable clinical and operative experience in performing abdominal and vaginal hysterectomies and myomectomies. She is also proficient in the technique of hysteroscopy, both diagnostic and operative for resection of fibroids and the endometrium. The birth of your baby, whether it is your first or a happy addition to your family, is always a very personal experience and Dr Elsa has built a reputation on providing an experience that is positive and warmly remembered. She supports women’s choices surrounding birth and defines her role in the management of labour and delivery as the clinician who endeavours to achieve safe motherhood. She is a great supporter of vaginal delivery. Dr Elsa’s work has been published in medical journals and she is a member of the British Maternal and Fetal Medicine Society. She was awarded CCT (on the Specialist Register) in the UK. Dr Elsa strives to continue her professional development and has participated in a wide variety of courses in specialist areas, including renal diseases in pregnancy and medical complications in pregnancy.
Drelsa