Winnie The Pooh Love Quotes

We've searched our database for all the quotes and captions related to Winnie The Pooh Love. Here they are! All 28 of them:

Some people care too much. I think it's called love.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
How do you spell 'love'?" - Piglet "You don't spell it...you feel it." - Pooh
A.A. Milne
How lucky am I to have something that makes saying goodbye so hard.
A.A. Milne (The Complete Tales of Winnie-the-Pooh)
To her- Hand in hand we come Christopher Robin and I To lay this book in your lap. Say you're surprised? Say you like it? Say it's just what you wanted? Because it's yours- because we love you.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Oh, Bear!” said Christopher Robin. “How I do love you!” “So do I,” said Pooh.
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh, #1))
Pooh, how do you spell love?' 'You don't spell love Piglet, you feel it
A.A. Milne
Some poeople care too much....I think its called Loved
A.A. Milne
Well, look at the other characters in Winnie the Pooh. They all actually demonstrate that Pooh is the most mentally balanced. There’s Tigger, I mean, that tiger just can’t stay in the moment and enjoy it. He’s too much of a hedonist; he always wants the next adventure. That’s not healthy, he’ll burn out.” I started properly laughing. “And what about Eeyore?” “Well he’s a depressive, isn’t he? If Eeyore walked into my doctor’s office he’d be prescribed with a lifetime supply of antidepressants. And not just because US doctors dole them out like candy canes at Christmas.” The music stopped and I found myself clapping without even looking. “But Pooh?” “Pooh lives in the moment. He doesn’t fret about the past, or freak about the future. He’s an expert at mindfulness.” Kyle
Holly Bourne (How Hard Can Love Be? (The Spinster Club, #2))
Christopher Robin is going. At least I think he is. Where? Nobody knows. But he is going - I mean he goes (To rhyme with "knows") Do we care? (To rhyme with "where") We do Very much. (I haven't got a rhyme for that "is" in the second line yet. Bother). (Now I haven't got a rhyme for bother. Bother) Those two bothers will have to rhyme with each other Buther. The fact is this is more difficult than I thought, I ought - (Very good indeed) I ought to begin again, But it is easier To stop. Christopher Robin, good-bye, I (Good) I And all your friends Sends - I mean all your friend Send - (Very awkward this, it keeps going wrong.) Well, anyhow, we send Our love END.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
I love to read, but all through school I hated it when books were pulled apart and analyzed. Winnie-the-pooh as a political allegory, that sort of thing. It never really worked for me. There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her that when he wrote that poem, only God and Robert Browning knew what it meant and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment." 'The Winter Sea
Susanna Kearsley
Some people care too much. I think it’s called love. -Winnie the Pooh
Lani Lynn Vale (Last Day of My Life (Freebirds, #4))
Do go and see, Owl. Because Pooh hasn’t got very much brain, and he might do something silly, and I do love him so, Owl. Do you see, Owl?
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh, #1))
It took Lucy forty hours to die and we hardly left her side. . . .We spent those last hours kissing her frequently and telling her how deeply we loved her. Then I began to read Leah’s children’s books out loud to her. She had lived a storyless childhood, so I read in the last day of her life the books she had missed. I told her about Winnie the Pooh and Yertle the Turtle, took her Where the Wild Things Are, introduced her to Peter Rabbit and Alice in Wonderland. Each of us took turns reading to her out of Grimm’s Fairy Tales, and, at the very last, Leah insisted that I tell all the Great Dog Chippie stories I had told her during our year of exile from the family in Rome.
Pat Conroy (Beach Music)
Vespers Little Boy kneels at the foot of the bed, Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. God bless Mummy. I know that's right. Wasn't it fun in the bath tonight? The cold's so cold, and the hot's so hot. Oh! God bless Daddy -- I quite forgot. If I open my fingers a little bit more, I can see Nanny's dressing-gown on the door. It's a beautiful blue, but it hasn't a hood. Oh! God bless Nanny and make her good. Mine has a hood, and I lie in bed, And pull the hood right over my head, And I shut my eyes, and I curl up small, And nobody knows that I'm there at all. Oh! Thank you, God, for a lovely day. And what was the other I had to say? I said "Bless Daddy," so what can it be? Oh! Now I remember. God bless Me. Little Boy kneels at the foot of the bed. Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers.
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
Roo climbed off, and sat down next to him. “Oo, Tigger,” he said excitedly, “are we at the top?” “No,” said Tigger. “Are we going to the top?” “No,” said Tigger. “Oh,” said Roo rather sadly. And then he went on hopefully: “That was a lovely bit just now, when you pretended we were going to fall-bump-to-the-bottom, and we didn’t. Will you do that bit again?” “NO,” said Tigger. Roo was silent for a little while, and then he said, “Shall we eat our sandwiches, Tigger?” And Tigger said, “Yes, where are they?” And Roo said, “At the bottom of the tree.” And Tigger said, “I don’t think we’d better eat them just yet.” So they didn’t.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Guess what song they picked for their first dance.” “What song?” “‘From This Moment On’ by Shania Twain.” He frowns. “I never heard of that before.” “It’s really cheesy, but they love it, apparently. Do you realize that we don’t have a song? Like, a song that’s ours.” “Okay, then let’s pick one.” “It doesn’t work like that. You don’t just pick your song. The song picks you. Like the Sorting Hat.” Peter nods sagely. He finally finished reading all seven Harry Potter books and he’s always eager to prove that he gets my references. “Got it.” “It has to just…happen. A moment. And the song transcends the moment, you know? My mom and dad’s song was ‘Wonderful Tonight’ by Eric Clapton. They danced to it at their wedding.” “So how did it become their song, then?” “It was the first song they ever slow danced to in college. It was at a dance, not long after they first started dating. I’ve seen pictures from that night. Daddy’s wearing a suit that was too big on him and my mom’s hair is in a French twist.” “How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests. “Let’s not force it. We’ll know it when we hear it, I think.” “Maybe we’ll hear it at the prom,” Peter offers. “Oh, that reminds me. What color is your dress? My mom’s going to ask her florist friend to make your corsage.” “It’s dusty pink.” It came in the mail yesterday, and when I tried it on for everybody, Trina said it was “the most Lara Jean” dress she’d ever seen. I texted a picture to Stormy, who wrote back, “Ooh-la-la,” with a dancing woman emoji. “What the heck is dusty pink?” Peter wants to know. “It’s like a rose gold color.” Peter still looks confused, so I sigh and say, “Just tell your mom. She’ll know.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The ability to draw a connection between two things that had previously appeared to be unrelated is an important part of creativity, and it appears that it can be enhanced by electrical stimulation. Compared to participants who were given fake tDCS, those who got electricity created more unusual analogies—that is, analogies between things that seemed very unlike one another. Nevertheless, these highly creative analogies were just as accurate as the more obvious ones created by the participants whose devices were secretly turned off. Dopaminergic drugs can do the same thing. Although some patients who take dopaminergic drugs for Parkinson’s disease develop devastating compulsions, others experience enhanced creativity. One patient who came from a family of poets had never done any creative writing. After starting dopamine-boosting drugs for his Parkinson’s disease, he wrote a poem that won the annual contest of the International Association of Poets. Painters treated with Parkinson’s medication often increase their use of vivid color. One patient who developed a new style after being treated said, “The new style is less precise but more vibrant. I have a need to express myself more. I just let myself go.” Just like Winnie-the-Pooh: “It is the best way to write poetry, letting things come.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
In a way, Melanie’s feelings about Miss Justineau have changed too, after that day. Or rather, they haven’t changed at all, but they’ve become about a hundred times stronger. There can’t be anyone better or kinder or lovelier than Miss Justineau anywhere in the world; Melanie wishes she was a god or a Titan or a Trojan warrior, so she could fight for Miss Justineau and save her from Heffalumps and Woozles. She knows that Heffalumps and Woozles are in Winnie-the-Pooh, not in a Greek myth, but she likes the words, and she likes the idea of saving Miss Justineau so much that it becomes her favourite thought. She thinks about it whenever she’s not thinking about anything else.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
You don´t spell it... you feel it
Winnie the Pooh (Winnie The Pooh: Love Is...)
at eleven o’clock in the morning, and he was very glad to see Rabbit getting out the plates and mugs; and when Rabbit said, ‘Honey or condensed milk with your bread?’ he was so excited that he said, ‘Both,’ and then, so as not to seem greedy, he added, ‘But don’t bother about the bread, please.’ And for a long time after that he said nothing … until at last, humming to himself in a rather sticky voice, he got up, shook Rabbit lovingly by the paw, and said that he must be going on.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
Little things repeated over time in community have a formative effect (why do you think US public schools begin each day with their own version of a creed, the Pledge of Allegiance?). As Winnie the Pooh once said, “Sometimes the smallest things take up the most room in your heart.
James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
How lucky am I to have something that makes saying goodbye so hard.
Winnie the Pooh (Winnie The Pooh: Love Is...)
Teaching and learning that are attuned to the spiritual power of habit recognize the cumulative power of little things, the formative power of micro practices. Little things repeated over time in community have a formative effect (why do you think US public schools begin each day with their own version of a creed, the Pledge of Allegiance?). As Winnie the Pooh once said, “Sometimes the smallest things take up the most room in your heart.
James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
Lawrence hid himself in the Air Force under the name of Shaw to avoid being introduced for the rest of his life as ‘Lawrence of Arabia’. I do not want C. R. Milne ever to wish that his names were Charles Robert. The comparison between Lawrence of Arabia and Christopher Robin, which at first seems rather ridiculous, has real reverberations. Robert Graves once wrote of Lawrence, ‘He both despised and loved the legend that surrounded him’, and this was also true of Christopher Milne at different stages of his life. The great difference, of course, was that Lawrence’s legend was based on his own achievements, Christopher Robin’s on nothing he had done himself –and his mixed feelings would eventually transfer from the legend to his father, the author of it.
Ann Thwaite (Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh)