Wing Stop Quotes

We've searched our database for all the quotes and captions related to Wing Stop. Here they are! All 100 of them:

Imagine yourself as a living house. God comes in to rebuild that house. At first, perhaps, you can understand what He is doing. He is getting the drains right and stopping the leaks in the roof and so on; you knew that those jobs needed doing and so you are not surprised. But presently He starts knocking the house about in a way that hurts abominably and does not seem to make any sense. What on earth is He up to? The explanation is that He is building quite a different house from the one you thought of - throwing out a new wing here, putting on an extra floor there, running up towers, making courtyards. You thought you were being made into a decent little cottage: but He is building a palace. He intends to come and live in it Himself.
C.S. Lewis (Mere Christianity)
People don't get better, they just get smarter. When you get smarter you don't stop pulling the wings off flies, you just think of better reasons for doing it.
Stephen King (Carrie)
You’re making us look bad. Stop it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
Mary Oliver (New and Selected Poems, Vol. 2)
Everyone stop moving!” he bellowed. “Especially you, chickens! CHICKENS, GIVE UP! WE’RE GOING TO EAT YOU! THERE’S NOTHING YOU CAN DO ABOUT IT! STOP RUNNING AWAY RIGHT NOW!
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
I order you not to die,” Tsunami said, grabbing his shoulder. “Clay, stop, STOP IT. Stop dying RIGHT NOW.” Her normally bossy voice was full of panic.
Tui T. Sutherland (The Brightest Night (Wings of Fire, #5))
I know logically that I can live without him, but loving him has become such an integral, necessary part of my life; I am not sure I could stop, even if we parted.
Anna Bayes (Under His Wings)
Feyre Archeron,' the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. 'A request.' I leaned close. 'Anything.' Another rattling breath. 'Leave this world...a better place than how you found it.' And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness...but because it was a dreamer. And it was the heart of a dreamer that ceased beating inside that monstrous chest.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Her two worlds, two lives that she tried so hard to keep separate, were crashing together. And she felt helpless to stop it.
Aprilynne Pike (Spells (Wings, #2))
True love knows no constraints, no locks or bars. Past every obstacle it makes its way. It spreads it wings to soar toward the stars, No earthly power will make it stop or stay.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I tell of hearts and souls and dances... Butterflies and second chances; Desperate ones and dreamers bound, Seeking life from barren ground, Who suffer on in earthly fate The bitter pain of agony hate, Might but they stop and here forgive Would break the bonds to breathe and live And find that God in goodness brings A chance for change, the hope of wings To rest in Him, and self to die And so become a butterfly.
Karen Kingsbury (Oceans Apart)
So why are you here?" He lifted his hands and made as if to lay them on her arms, but just before they touched he stopped and let them fall. Then, simply, as though it were all the explanation she could ever need, he said, "Because I love you.
Aprilynne Pike (Illusions (Wings, #3))
In a world gushing blood day and night, you never stop mopping up pain.
Aberjhani (The River of Winged Dreams)
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be. “Boys, God doesn’t like you,” Fang intoned behind them. Whaaat? I thought, dumbfounded. “Wha!” they said, whirling. At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death. His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice. “What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head. I whipped my own wings open. Fun, anyway. “This was a test,” I said, using my best spooky voice. “And guess what? You both failed.” The bums stopped dead, looks of horror and amazement on their faces. Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up. “Rowr!” I said myself, shaking my wings out. “Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way. Fang and I slapped each other a quick high five—and we were out of there, jack.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Rhys shuddered, and I watched his cock twitch. “Play later,” he ground out. Indeed. His mouth found mine, the kiss open and deep, a clash of tongues and teeth. He lay me down on the pillows, and I locked my legs around his back, careful of the wings. Though I stopped caring as he nudged at my entrance. And paused. “Play later,” I snarled into his mouth. Rhys laughed and slid in. And in. And in.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I'm begging you, to come be with me." And she pressed her mouth against his and murmured against his lips. "Forever." For a few seconds he didn't respond. Then a groan escaped his throat and he thrust his fingers in her hair, pulling her mouth back to his with a fierce hunger. "Kiss me," she whispered. "And don't stop.
Aprilynne Pike (Destined (Wings, #4))
You can be a pawn, be someone’s reward, and spend the rest of your immortal life bowing and scraping and pretending you’re less than him, than Ianthe, than any of us. If you want to pick that road, then fine. A shame, but it’s your choice.” The shadow of wings rippled again. “But I know you—more than you realize, I think—and I don’t believe for one damn minute that you’re remotely fine with being a pretty trophy for someone who sat on his ass for nearly fifty years, then sat on his ass while you were shredded apart—” “Stop it—” “Or,” he plowed ahead, “you’ve got another choice. You can master whatever powers we gave to you, and make it count. You can play a role in this war. Because war is coming one way or another, and do not try to delude yourself that any of the Fae will give a shit about your family across the wall when our whole territory is likely to become a charnel house.” I stared
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In both the art and the business worlds, the difference between the amateurs and the professionals is simple: The professionals know they’re winging it. The amateurs pretend they’re not.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
I'm so sorry for everything. I never wanted to hurt you or make you doubt me. I need you to trust me. I need you. Amd I love you. I want you. You know I do. I'll never stop doing any of those things until the day I die for you." - Will
Courtney Allison Moulton (Wings of the Wicked (Angelfire, #2))
Nothing can be given or taken away; nothing has been added or subtracted; nothing increased or diminished. We stand on the same shore before the same mighty ocean. The ocean of love. There it is - in perpetuum. As much in a broken blossom, the sound of a waterfall, the swoop of a carrion bird as in the thunderous artillery of the prophet. We move with eyes shut and ears stopped; we smash walls where doors are waiting to open to the touch; we grope for ladders, forgetting that we have wings; we pray as if God were deaf and blind, as if He were in a space. No wonder the angels in our midst are unrecognizable. One day it will be pleasant to remember these things.
Henry Miller
Time was like that, though - racing forward when she wanted it to slow down, then crawling to a stop when she could least bear it.
Aprilynne Pike (Illusions (Wings, #3))
The Fraud Police are the imaginary, terrifying force of 'real' grown-ups who you believe - at some subconscious level - are going to come knocking on your door in the middle of the night, saying: We've been watching you, and we have evidence that you have NO IDEA WHAT YOU'RE DOING. You stand accused of the crime of completely winging it, you are guilty of making shit up as you go along, you do not actually deserve your job, we are taking everything away and we are TELLING EVERYBODY.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
Stop. Fucking. Coddling. Her.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The firefly only shines when on the wing, So it is with us--when we stop, we darken.
Jan Karon (At Home in Mitford (Mitford Years, #1))
Stop calling your akri your daddy. It makes my wings droop. (Xirena) My akri is my daddy. He said so and it is so, so your wings can droop all they want, ‘cause it won’t change anything! (Simi)
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
If I kiss you now, I won’t be able to stop. We’ll miss the party.
Courtney Allison Moulton (Wings of the Wicked (Angelfire, #2))
When you're three, you don't draw what you see--you draw upon your imagination. Nobody tells you to stop putting wings on people, unless you have a most unfortunate preschool teacher. You are intoxicated by your own magic.
Kirsten Hubbard (Wanderlove)
My mind, I know, I can prove, hovers on hummingbird wings. It hovers and it churns. And when it's operating at full thrust, the churning does not stop. The machines do not rest, the systems rarely cool. And while I can forget anything of any importance--this is why people tell me secrets--my mind has an uncanny knack for organization when it comes to pain. Nothing tormenting is ever lost, never even diminished in color or intensity or quality of sound.
Dave Eggers (You Shall Know Our Velocity!)
And my heart shifted a bit in my chest as I said to him with no guile whatsoever, “I won’t tell anyone unless you say so.” The weight of that jeweled knife and belt seemed to grow. “I wish I had been there to stop it. I should have been there to stop it.” I meant every word. Lucien squeezed our linked arms as we rounded a hedge, the house rising up before us. “You are a better friend to me, Feyre,” he said quietly, “than I ever was to you.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
In this place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke
But hardly anybody ever finds out that their actions really, actually, hurt other people! People don’t get better, they just get smarter. When you get smarter you don’t stop pulling the wings off flies, you just think of better reasons for doing it.
Stephen King (Carrie)
You must know that I do not love and that I love you, because everything alive has its two sides; a word is one wing of silence, fire has its cold half. I love you in order to begin to love you, to start infinity again and never to stop loving you: that’s why I do not love you yet. I love you, and I do not love you, as if I held keys in my hand: to a future of joy- a wretched, muddled fate- My love has two lives, in order to love you. -Sonnet XLIV
Pablo Neruda
How I wish I was like the water, Flowing so freely with every drop Let my every emotion wonder, No need to start, nor even stop How I wish I was like the fire, Burning with every flame up Leaving a trace of hot desire As a Phoenix raises its' wings up How I wish I was like the earth, Raising each flower from the ground Seeing the beauty of death and birth And then returning to the ground How I wish I was like the wind, Hearing each whisper, sound and thought A lonesome and wandering little wind, Shattering all that has been sought Oh, how I wish I was where you are, Not separated by empty space, so far It seems like we're galaxies apart, But we find hope within our heart And how I wish I was all of the above, So I can come below and yet forget, The beauty of angels which come down like a dove And demons who love with no regret.
Virgil Kalyana Mittata Iordache
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
You love me, and-' 'Loved,' I correct him, sidestepping so I can get some fucking space and then taking it. 'Love!' he shouts, stopping me in my tracks and earning us a glance from every rider within hearing distance. 'You love me.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Did you ever once stop to think that sometimes you can start out on the right side of a war and end up on the wrong one?
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
But I've never despised myself so much as I did that day - she was so small and - so fierce, so beautiful, it was like breaking a hawk's wings, stopping up a clear spring with bricks - digging up roses to make space to park your tank. Pointless and ugly.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
When I stopped to take a breath, I noticed I had wings.
Jodi Livon
To make myself understood and to diminish the distance between us, I called out: “I am an evening cloud too.” They stopped still, evidently taking a good look at me. Then they stretched towards me their fine, transparent, rosy wings. That is how evening clouds greet each other. They had recognized me.
Rainer Maria Rilke (Stories of God)
What makes life in Indian organizations difficult is the widespread prevalence of this very contemptuous pride. It stops us from listening to our juniors, subordinates and people down the line. You cannot expect a person to deliver results if you humiliate him, nor can you expect him to be creative if you abuse him or despise him. The line between firmness and harshness, between strong leadership and bullying, between discipline and vindictiveness is very fine, but it has to be drawn.
A.P.J. Abdul Kalam (Wings of Fire)
What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck. When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.” My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body. His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck. My blood was on fire and I was shaking. Is this really happening? I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine. But this is where I belong. I tried to push the memories back. Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress. I grabbed his wrist. “Wait.” He didn’t free his arm from my grasp but continued kissing my collar bone. “Let’s skip the waiting part,” he murmured into my skin.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Morpheus’s gaze flashes to mine, then back to the chess piece wrapped in his magic. “Stop crying,” his quirky voice scolds. “Queens don’t cry. I taught you better than that.” I bite my quivering lip, and tiny Alice strokes the caterpillar’s face. “But you’re crying . . .” Morpheus lowers a wing and shades his cheek along with the transparent glimmer of his jeweled markings. “Well”—his shrill voice cracks slightly—“contrary to my preferences for lace and velvet, I’m not the queen. So I can cry all I like.
A.G. Howard (Ensnared (Splintered, #3))
Tsunami was drilling RainWings in evasive maneuvers, although apparently what that actually meant was a lot of yelling things like “Pay attention!” and “Leave that toucan alone!” and “Why are you pink? Stop being pink!” and “THREE MOONS, ARE YOU EATING AGAIN?
Tui T. Sutherland (The Brightest Night (Wings of Fire, #5))
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
Everyone must reach a point in their life when they stop running. When it is easier to stand still than to keep being chased, even if the person chasing you is only in your head.
Sejal Badani (Trail of Broken Wings)
This is Velaris,” I explained. “The City of Starlight.” His throat bobbed. “And you are High Lady of the Night Court.” “Indeed she is.” My blood stopped at the voice that drawled from behind me. At the scent that hit me, awoke me.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Then he was there, turned half toward her with a guarded expression etched across his face. She didn't stop or even slow her step. When she reached him, she grabbed the front of his shirt in both fists, pulling him to her, pushing her mouth up into his. Heat swirled through her as she pulled his face even closer, tighter. His arms wound around her and their bodies melded with a rightness she didn't bother to question. Her lips filled with the sweetness of his mouth and Tamani held her against him as if he could somehow pull her inside him, make her part of him. And for a moment, she did feel like a part of him. As if their kiss bridged the gap between the two worlds, even if only for that one brief, sparkling moment. A sigh that held the weight of years shuddered out of Tamani as their faces drew apart. "Thank you," Tamani whispered, almost too quiet to be heard.
Aprilynne Pike (Wings (Wings, #1))
You're still looking.' ... 'You make it hard to look away.' ... 'I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair.' ... 'Told you to stop staring.' ... 'If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around-' Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. 'You're going to be the death of me.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The last cage in the hallway contained a NightWing. This was where Flame stopped and rapped on the bars with one claw. Not just any NightWing: Deathbringer.
Tui T. Sutherland (The Dark Secret (Wings of Fire, #4))
So don’t you fucking dare stop fighting, princess. It would break my damned heart.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty.
Rabindranath Tagore (Sadhana)
He didn't stop moving, seemed to know where every opponent fought both ahead and behind, seemed to breathe in the flow of the battle around him... I'd never seen anything like it-- the skill and the precision. It was like a dance. I must have said it aloud because Mor replied, 'For him, that's what battle is. A symphony.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I tugged on the hem of his shirt, and he rose onto his elbows, helping me remove his jacket, then the shirt beneath. A bruise marred his ribs, an angry splotch— “It’s fine,” he said before I could speak. “A lucky shot.” “With what?” Again, that half smile. “A spear?” My heart stopped. “A …
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
In our day and age, global society has been saturated with the wrong teaching of false positivity. The denial of darkness never equates the abundance of light. And the denial of your actual character never equates to the reality of your best character. People today are afraid to work on themselves and on their actual realities, they believe that outward appearances are enough. Outward appearances have become everything in our current day and age. People don't see what they are actually like, nor who they actually are, in reality. They live in a phantasmic version of reality. It has to stop. In the phantasmic version of reality, there is no chance to experience true love, true goodness, and true metamorphosis. The caterpillar does not become a butterfly by telling everybody it has wings. It actually buries itself in darkness and grows those wings.
C. JoyBell C.
Hey Jade?' He called out holding two packages of maxi pads. I shook my head violently to stop Dad from talking, but from where he stood, I doubted he could see I was talking to a boy. A mildly annoying, but nonetheless cute boy. 'Do you want wings or no wings?' It was official. This was shaping up to be the Most. Embarrassing. Day. Ever.
Helene Boudreau (Real Mermaids Don’t Wear Toe Rings (Real Mermaids, #1))
Will it ever stop?” he mused, more to himself than me as another finger joined the one sliding in and out of me with taunting, indolent strokes. “Wanting you—every hour, every breath. I don’t think I can stand a thousand years of this.” My hips moved with him, driving him deeper. “Think of how my productivity will plummet.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Sting told me if I love somebody I should set them free. I doubt Sting ever loved anyone with wings. If he did he might rethink such a stupid sentiment. I suppose the point is to wait for your love to come back to you voluntarily. I wonder if there’s a difference between setting something free and letting it go? I probably did it wrong. I should stop taking advice from my radio. I worry that you’re lost. I keep a heart-shaped cage unlocked for you, out on the street where it can easily be seen. So if one day you return at least you’ll have a place to stay.
Erin Morgenstern
Kiss the girl, already.” Johnson begins to sing. Badly. A cheesy tot hits his cheek, and he chucks a wing at Diaz in retaliation. It goes wide. “Isn’t that the song the little crab sings in The Lion King?” Dex asks. “It’s The Little Mermaid. And stop playing like you don’t know.
Kristen Callihan (The Friend Zone (Game On, #2))
If I get my hands on you, really, honestly get my hands on you, I don't know if I'll be able to stop.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Shiroyama’s heart stops. The earth’s pulse beats against his ear. An inch away is a go clamshell stone, perfect and smooth … … a black butterfly lands on the white stone, and unfolds its wings.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
She stared at him for long minutes, the unusual paleness of his face, the brows still scrunched with worry, as if he fretted for her even in his sleep. The sun gilded his dark hair and shone through his wings, bringing out undertones of reds and golds in both. Like a knight guarding his lady. She couldn't stop the image, sprung from the pages of her childhood books. Like a warrior-prince, with those tattoos and that muscle-bound chest. Her throat tightened unbearably, her eyes stinging. She would not let herself cry, not for herself or for the sight of him keeping watch beside her bed all night.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled—until then. Until she heard that noise of undiluted, unyielding joy. Until she echoed it, tipping her head back to the clouds around them. They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat. And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Is anyone anywhere happy? No, not unless they are living in a dream or in an artifice that they or someone else has made. For a time I was lulled in the arms of a blind organism with breasts full of champagne and nipples made of caviar. I thought she was true, and that the true was the beautiful. But the true is the ugly mixed up everywhere, like a peck of dirt scattered through your life. The true is that there is no security, no artifice to stop the unsavory changes, the rat race, the death unwish - the winged chariot, the horns and the motors, the Devil in the clock. Love is a desperate artifice to take the place of those two original parents who turned out not to be omnisciently right gods, but a rather pedestrian pair of muddled suburbanites who, no matter how bumbling they tried, never could quite understand how or why you grew up to your 21st birthday.
Sylvia Plath
We’ll be like the MudWings,” Clay said proudly. “We stick together. No matter what happens. We’re a team, and we look after one another. Which means the first thing we have to do is find Starflight. The NightWings can’t just take him away. He’s one of us, and we’ll search the whole world until we find him. It’s time for us to get our friend ba —” He stopped as a heavy thump shook the ground and wings flapped to a stop behind him. The others were staring over his shoulder. “That better not be who I think it is,” said Clay. “Found him!” Glory said gleefully. Clay turned around. Starflight stood, blinking, in the waving grass just outside the trees.
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
God gives us all wings, and I'm using mine. The sun is out, And I have to fly, My wings will carry me. The wind will blow, And with my wings, I will reach the clouds, Shall I reach the sun? Nothing can stop me, I will spread my wings, As I do not fear falling, Today, I'll surely reach the heavens and kiss them.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
Terrorism” is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence— our violence—which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing “commentators” of the American east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks.
Robert Fisk (The Great War for Civilisation: The Conquest of the Middle East)
I know. I made it my business to know everything there was to know about you the second I saw you on the parapet.' 'Because that's not creepy.' I let the coffee warm my freezing hands. 'Can't know how to ruin someone without understanding them first,' he says quietly. I lift my gaze to find that his is already on me. 'And is that still your plan?' Mira's words have haunted me for two days. He flinches. 'No.' 'What changed?' Frustration tightens my grip on the mug. 'When exactly did you decide not to ruin me?' 'Maybe it was when I saw Oren holding a knife to your throat,' he says. 'Or maybe it was when I realised the bruises on your neck were fingerprints and wanted to kill them all over again just so I could do it slowly. Maybe it was the first time I recklessly kissed you or when I realised I'm fucked because I can't stop thinking about doing more than just kissing you.' My breath catches at his admission, but he just sighs, lets his head fall back against the wall. 'Does it even matter when, as long as it changed between us?' 'Don't do that,' I whisper, and he lifts his head again to hold my gaze. 'Do what? Tell you I can't get you out of my head? Or speak directly into yours?' 'Either.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Kiss me,” I whispered slowly, a desperate plea, and I stroked my thumb across his bottom lip. My heart pounded, and I wanted him so badly it felt like I’d jump out of my skin. His mouth parted, and his eyes fell to my lips before flickering back up. His hands slid around my hips, and he pulled me against him. “No,” he said, but his body betrayed his pledge. “I order you to kiss me,” I said into his lips. My fingers dipped into his waistband and began to unbuckle his belt and jeans. He took a deep breath and his hands tightened on my hips, but he didn’t stop me. He turned his face into my neck and let out a long, frustrated groan, burning my skin with his breath and sending shivers through me. He nuzzled my hair, drinking in my scent as my fingernails ran softly down the back of his neck. “You can’t do that to me,” he said huskily, his lips brushing my skin. I slipped my hands under his shirt, and I smoothed them over his solid abdomen. “Then kiss me because you want to.
Courtney Allison Moulton
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
Nine pages, about a boy who was born with a pair of wings. All his life, people tell him that this means he should try to fly. He’s afraid to. When he finally does, jumps off a two-story roof, he falls. He breaks his legs and wings. He never gets them reset. As he recovers, the bone heals in its misshapen form. Finally, people stop telling him that he must’ve been born to fly. Finally, he’s happy.
Emily Henry (People We Meet on Vacation)
Many individuals are so constituted that their only thought is to obtain pleasure and shun responsibility. They would like, butterfly-like, to wing forever in a summer garden, flitting from flower to flower, and sipping honey for their sole delight. They have no feeling that any result which might flow from their action should concern them. They have no conception of the necessity of a well-organized society wherein all shall accept a certain quota of responsibility and all realize a reasonable amount of happiness. They think only of themselves because they have not yet been taught to think of society. For them pain and necessity are the great taskmasters. Laws are but the fences which circumscribe the sphere of their operations. When, after error, pain falls as a lash, they do not comprehend that their suffering is due to misbehavior. Many such an individual is so lashed by necessity and law that he falls fainting to the ground, dies hungry in the gutter or rotting in the jail and it never once flashes across his mind that he has been lashed only in so far as he has persisted in attempting to trespass the boundaries which necessity sets. A prisoner of fate, held enchained for his own delight, he does not know that the walls are tall, that the sentinels of life are forever pacing, musket in hand. He cannot perceive that all joy is within and not without. He must be for scaling the bounds of society, for overpowering the sentinel. When we hear the cries of the individual strung up by the thumbs, when we hear the ominous shot which marks the end of another victim who has thought to break loose, we may be sure that in another instance life has been misunderstood--we may be sure that society has been struggled against until death alone would stop the individual from contention and evil.
Theodore Dreiser (Sister Carrie)
Everybody in!" I said. Which was when we discovered the final problem. Little Echos aren't designed to hold six, count them six, larger-than-average-sized children. And their wings. And a dog. "This is like a clown car," Total grumbled front my lap in the front seat. "Why does the dog get to sit in your lap?'' Gazzy asked plaintively, as we rattled and banged down the dark streets. "How about a kid?" "Oh. 'The dog.' Very nice," said Total. "Because you're not allowed to have people on your lap in the front seats," I explained. "It's not safe. If a cop saw us, we'd be stopped for sure. You want Total back there?" Everyone in the back screamed no at the same time.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Just as he did during the Slavery at Monticello tour, David did not mince words. "There’s a chapter in Notes on the State of Virginia,” he said to the five of us, standing in front of the east wing of Jefferson’s manor, “that has some of the most racist things you might ever read, written by anyone, anywhere, anytime, in it. So sometimes I stop and ask myself, 'If Gettysburg had gone the wrong way, would people be quoting the Declaration of Independence or Notes on the State of Virginia?' It’s the same guy writing.
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
But let me ask you this: when Canaan cloaked you with his wings and you disappeared from the Terrestrial realm, did you just...stop existing?" "Of course not," I say, surprised by the question. "It's the same thing, Elle. Ali and your mother have been cloaked by death. You can't see them, but they're not gone. Not really. Our spirits will outlive our physical bodies, so it's our spirits we have to take care of." - page 285
Shannon Dittemore (Angel Eyes (Angel Eyes, #1))
He is thinking about asymmetry. This is a world, he is thinking, where you can lie in bed, listening to a song as you dream about someone you love, and your feelings and the music will resonate so powerfully and completely that it seems impossible that the beloved, whoever and wherever he or she might be, should not know, should not pick up this signal as it pulsates from your heart, as if you and the music and the love and the whole universe have merged into one force that can be chanelled out into the darkness to bring them this message. But, in actuality, not only will he or she not know, there is nothing to stop that other person from lying on his or her bed at the exact moment listening to the exact same song and thinking about someone else entirely-from aiming those identical feelings in some completely opposite direction, at some totally other person, who may in turn be lying in the dark thinking of another person still, a fourth, who is thinking of a fifth, and so on, and so on, so that rather than a universe of neatly reciprocating pairs, love and love-returned fluttering through space nicely and symmetrically like so many pairs of butterfly wings, instead we get chains of yearning, which sprawl and meander and culminate in an infinite number of dead ends.
Paul Murray (Skippy Dies)
I had been stalking the bluebottle fly for five minutes, waiting for him to sit down. He didn't want to sit down. He just wanted to do wing-overs and sing the prologue to Pagliacci. I had the fly swatter poised in midair and I was all set. There was a patch of bright sunlight on the corner of the desk and I knew that sooner or later that was where he was going to light. But when he did, I didn't even see him at first. The buzzing stopped and there he was. And then the phone rang.
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
...a new day was starting, the things of the garden were not concerned with our troubles. A blackbird ran across the rose-garden to the lawns in swift, short rushes, stopping now and again to stab at the earth with his yellow beak. A thrush, too, went about his business, and two stout, little wagtails, following one another, and a little cluster of twittering sparrows. A gull poised himself high in the air, silent and alone, and then spread his wings wide and swooped beyond the lawns to the woods and the Happy Valley. These things continued, our worries and anxieties had no power to alter them.
Daphne du Maurier (Rebecca)
There was a second scream then, from the mountains. From the Blueblood Matron, screaming for her daughter as she plummeted down to the rocks below. The other Bluebloods whirled, but they were too far away, their wyverns too slow to stop that fatal plunge. But Abraxos was not. And Manon didn't know if she gave the command or thought it, but that scream, that mother's scream she'd never heard before, made her lean in. Abraxos dove, a shooting star with his glistening wings. They dove and dove, for the broken wyvern and the still-living witch upon it.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
The voice boomed from the Throne. "One more goodbye." Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes. The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels. "Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other." "Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-" He took her hand. His wings brushed hers. He kissed the centers of her cheeks. "I'm afraid," she whispered. "What did I tell you?" She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind. She was shaking. "That you will always find me." "Yes. Always. No matter what." "Daniel-" "I can't wait to make you the love of my mortal life." "But you won't know me. You won't remember. Everything will be different." He wiped away her tear with his thumb. "And you think that will stop me?" She closed her eyes. "I love you too much to say goodbye." "It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.
Lauren Kate (Rapture (Fallen, #4))
There are two ways to illumine anger. One way is to enlarge your heart. If you have been wronged, use your power of identification. Feel that it is you yourself, or an extended part of your own consciousness, that has done the wrong thing. The sooner you can rid yourself of the idea that somebody else has done something to you, the better off you will be. The second way is to think of perfecting yourself. When you stop thinking of perfecting others and only care for your own aspiration, you will be liberated from anger. Instead of looking around to see who is obstructing you or standing in your way, just pay all attention to your own self-discovery. When you have discovered your true self, you will see that there is nobody imperfect on earth. Everybody is perfect in you.
Sri Chinmoy (The Wings of Joy: Finding Your Path to Inner Peace)
His thumbs stroke over the soft skin under my ears, and his gaze drops before he suddenly lets go and retreats a full step. 'Damn it. Touching you was a bad idea.' 'The worst.' I agree, but my tongue skims my lower lip. He groans and my core melts at the sound. 'Kissing you would be a cataclysmic mistake.' 'Calamitous.' What would it take to hear that groan again? The inches between us feel like kindling, ready to burn at the first suggestion of hear, and I'm a living, breathing flame. This is everything I should run from, and yet denying the primal attraction I feel is completely, utterly impossible. 'We'll both regret it.' He shakes his head, but there's more than hunger in his eyes as he stares at my lips. 'Naturally,' I whisper. But knowing I'll regret it doesn't stop me from wanting it- wanting him. Regretting is a problem for future Violet. 'Fuck it.' One second he's out of reach and the next his mouth is on mine, hot and insistent. Gods, yes. This is exactly what I need.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The cruelty could not register for her. Bloodlust, she understood. Bloodlust, she was guilty of. She had lost herself in battle, too; she had gone further than she should have, she had hurt others when she should have stopped. But this—viciousness on this scale, wanton slaughter of this magnitude, against innocents who hadn’t even lifted a finger in self-defense, this she could not imagine doing. They surrendered, she wanted to scream at her disappeared enemy. They dropped their weapons. They posed no threat to you. Why did you have to do this? A rational explanation eluded her. Because the answer could not be rational. It was not founded in military strategy. It was not because of a shortage of food rations, or because of the risk of insurgency or backlash. It was, simply, what happened when one race decided that the other was insignificant. The Federation had massacred Golyn Niis for the simple reason that they did not think of the Nikara as human. And if your opponent was not human, if your opponent was a cockroach, what did it matter how many of them you killed? What was the difference between crushing an ant and setting an anthill on fire? Why shouldn’t you pull wings off insects for your own enjoyment? The bug might feel pain, but what did that matter to you? If you were the victim, what could you say to make your tormentor recognize you as human? How did you get your enemy to recognize you at all? And why should an oppressor care?
R.F. Kuang (The Poppy War (The Poppy War, #1))
Tell you something," the raven said. "I was flying over the Midwest once." He stopped abruptly, closed his eyes for a moment, opened them, and began again. "I was flying over the Midwest. Iowa or Illinois, or some place like that. And I saw this big damn seagull. Right in the middle of Iowa, a seagull. And he was flying around in big, wide circles, real sweeping circles, the way a seagull flies, flapping his wings just enough to keep on the updrafts. Every time he saw water he'd go flying down toward it, yelling, "I found it! I found it!" The poor sonofabitch was looking for the ocean. And every time he saw water, he thought that was the ocean. He didn't know anything about ponds or lakes or anything. All the water he ever saw was the ocean. He thought that was all the water there was.
Peter S. Beagle (A Fine and Private Place)
Lucinda!" he shouted,but the beast had already dropped her. His whole world stopped. Daniel did not see where Lucifer went after that because he was diving across the sky toward Luce. The burning of her soul was so bright and so familiar. He shot forward, his wings clasped close to his body so that he fell faster than seemed possible, so fast that the world around him blurred.He reached out and- She landed in his arms. Immediately,his wings pulled forward, making a protective shield around her. She seemed startled at first,as if she'd just awakened from a terrible dream,and gazed deeply into his eyes, letting out all the air in her lungs. She touched his cheek,ran her fingers across the tingling ridges of his wings. "At last." He breathed into her, finding her lips. "You found me," she whispered. "Always.
Lauren Kate (Passion (Fallen, #3))
After a long time, one small hand moved, slowly, tentatively, tracing the feathers falling around her, stroking the black slashes along one huge wing. She didn't ask where he'd gotten them, didn't ask why they mimicked the marks on his shoulder. She didn't ask, just kept running her soft fingers through the down, along the spines… "How long will they last?" "A few hours," he said hoarsely. He should tell her, he thought, that the feathers weren't just a projection. That for the moment for however long the Irin's essence held out, they were an innate, physical part of him. And that her fingers stroking along the marks felt just like they once had, moving over his scars. He ought to tell her, ought to ask her to stop. It's what a gentleman would do, he knew that. But then he was half demon. And tonight, he thought maybe he'd just go with that. "They're nice," she murmured, pulling one around her. "Yes." One hand tightened in her thick soft hair. "Yes.
Karen Chance (A Family Affair (Cassandra Palmer, #4.1))
Question," says Christina, leaning forward. "The leaders who were watching your fear landscape...they were laughing at something." "Oh?" I bite my lip hard. "I'm glad my terror amuses them." "Any idea which obstacle it was?" she asks. "No." "You're lying," she says. "You always bite the inside of your cheek when you lie. It's your tell." I stop biting the inside of my cheek. "Will's is pinching his lips together, if it makes you feel better," she adds. Will covers his mouth immediately. "Okay,fine.I was afraid of...intimacy," I say. "Intimacy," repeats Chrstina. "Like...sex?" I tense up.And force myself to nod.Even if it was just Christina, and no one else was around,I would still want to strangle her right now. I go over a few ways to inflict maximum injury with minimum force in my head. I try to throw flames from my eyes. Will laughs. "What was that like?" she says. "I mean,did someone just...try to do it with you? Who was it?" "Oh,you know. Faceless...unidentifiable male," I say. "How were your moths?" "You promised you would never tell!" cries Christina,smacking my arm. "Moths," repeats Will. "You're afraid of moths?" "Not just a cloud of moths," she says, "like...a swarm of them. Everywhere. All those wings and legs and..." She shudders and shakes her head. "Terrifying," Will says with mock seriousness. "That's my girl. Tough as cotton balls." "Oh,shut up.
Veronica Roth (Divergent (Divergent, #1))
He told me that from now on, everything I did and everything he did was of the utmost importance: any word spoken, the slightest gesture, would take on a meaning, and everything that happened between us would change us continually. 'For that reason,'he said,'I wish I were able to suspend time at this moment and keep things exactly at this point, because I feel this instant is a true beginning. We have a definite but unknown quantity of experience at our disposal. As soon as the hourglass is turned, the sand will begin to run out and once it starts, it cannot stop until it's all gone. That's why I wish I could hold it back at the start. We should make a minimum of gestures, pronounce a minimum of words, even see each other as seldom as possible, if that would prolong things. We don't know how much of everything we have ahead of us so we have to take the greatest precautions not to destroy the beauty of what we have. Everything exists in limited quantity-especially happiness. If a love is to come into being, it is all written down somewhere, and also its duration and content. If you could arrive at the complete intensity the first day, it would be ended the first day. And so if it's something you want so much that you'd like to have it prolonged in time, you must be extremely careful not to make the slightest excessive demand that might prevent it from developing to the greatest extent over the longest period...If the wings of the butterfly are to keep their sheen, you mustn't touch them. We mustn't abuse something which is to bring light into both our lives. Everything else in my life only weighs me down and shuts out the light. This thing wih you seems like a window that is opening up. I want it to remain open...
Françoise Gilot (Life With Picasso)
You and he were never ...you know. You were our best fighters. You bickered all the time, but you brought out the best in each other as warriors. Going into battle to you turned him on more than any woman could.' I give her a dubious look and she laughs.'Maybe a slight exaggeration, but he really did love it.' Her smiles fades.'And you and Jude were inseparable. That's why it made no sense that you would take the opposite side to either one of them - let alone both...It got worse after you and Jude disappeared last year. We thought he'd gone back to the Sanctuary to be with you. And when we heard you'd both dies...Honestly, I though Rafa was going to harm himself. He wouldn't talk to anyone for weeks. He drifted in and out of our operations, and then a few months ago he lost interest completely and stopped answering calls. We only know he was still alive because he's send Zak an occasional text. We he told Zak about the possibility you'd resurfaced there was no doubt he's come looking for you-' A fist bangs on the door. 'Gabe' Rafa barks. 'Your boyfriend's here. Get your arse into gear.' 'Yeah' I get to my feet. 'I'm the wind beneath his wings.
Paula Weston (Shadows (The Rephaim, #1))
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.” “Yes, but we don’t have a suitable male,” Orro said. “And only one dog.” I looked at him. “What is this Christmas?” Wing asked. Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.” Sean stopped what he was doing and looked at Orro. “The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.” Sean made a strangled noise. “At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.” Sean was clearly struggling, because his head was shaking. “Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.” Sean roared with laughter.
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
Between the sleeping and the waking, it is there. Between the rising and the resting, it is there. It is always there. It gnaws on my heart. It chews on my soul. I turn aside and see it. I stop my ears and hear it. I cover myself and feel it. There are no human words for what I mean. It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down. It is what the unseeing eye sees. It is what the deaf ear heres. It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple. Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye. Our bones are bleached within our skin; our empty sockets regard the crow. Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air. Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.
Rick Yancey
New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Aren’t you a little young to be a captain? Not that I’m sure you weren’t wonderful at it,” I added hastily, “but Frank’s got to be your same age, and Mr. Graces and Mr. Liu are both older than you. How on earth did it happen?” He shut down. It was like a curtain being pulled across a window. This was a subject he definitely did not wish to discuss. “The title is honorary,” he said, not meeting my gaze. “I can’t stop them calling me that, even though I’ve asked them not to. I was the highest-ranking officer to survive the…accident.” Accident? I supposed this was another one of those things he didn’t want to tell me because it would make me hate him. Recognizing that dropping that particular topic-for now at least-would probably be best. I said, “John, I can warn you about the Furies. And I know exactly where the coffin is. All you have to do is take me back to Isla Huesos-just this one time, to help Alex-and I’ll never mention going there again. I’ll even,” I said, reaching up to straighten the collar of his leather jacket, which had gone askew, “forgive you for the waffles-“ John seized me by both shoulders, pulling me towards him so abruptly that Hope gave an alarmed flap of her wings. “Pierce,” he said. “Do you mean that?” When I pushed back some of the hair that had tumbled into my face and raised my dark eyes to meet his light ones, I saw that he was staring down at me with an intensity that burned. “You’ll never mention going back to Isla Huesos again if I take you there right now, this once, to talk to your cousin Alex?” he demanded. “You’ll give…cohabitation another chance?” His sudden fierceness was making me nervous. “Of course, John,” I said. “But it’s not like I have a choice.” “What if you did?” he asked, his grip tightening. I blinked. “But I can’t. You said-“ He gave me a little shake. “Never mind what I said. What if I was wrong?” I reached up to lay a hand on his cheek. It felt a little scratchy, because he hadn’t shaved. I didn’t care about stubble. What I cared about was the desperate need I saw in his eyes. The need for me. “I’d come back,” I said, simply, “to stay with you.” A second later, the late-and everything around it-was gone.
Meg Cabot (Underworld (Abandon, #2))
Xaden's head snaps in my direction. 'Violence?' I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross. Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts. 'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking. He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet. 'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better. What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet. 'I could ask you the same thing.' His eyes widen. 'You could have fallen and died!' 'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public. It doesn't scare me. I like him better when he's real with me, anyway. 'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps. 'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.' Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?' Fine. That's a good point. 'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.' 'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.' It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill. 'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Winter? Everything all right?” “I can’t go there,” Winter said. “Why not?” Qibli asked, startled. “It’s cursed.” Winter waved a talon at the sharp-edged shapes of the mountains. “No IceWing has ever returned from those mountains alive. They’re a legend as old as Darkstalker in our tribe.” “With a poetically ominous-sounding name, I bet,” said Qibli. “Peaks of Doom? Mountain Range of Certain Death?” Winter frowned at him. “We call them Darkstalker’s Teeth,” he said with immense dignity. “Seriously?” Qibli cried. “SERIOUSLY? A mountain range called Darkstalker’s Teeth, and you never thought maybe the old Night Kingdom was on the other side?” “It’s not like I think about it very often!” Winter objected. “And no, honestly, we all assumed he went around cursing random parts of Pyrrhia as traps for IceWings to fall into.” “What are we waiting for?” Anemone demanded, flying back to them. “Winter thinks the mountains are going to eat him,” Qibli answered. “I DO NOT,” Winter protested. “But I do think they’re going to kill me, yes.” “Um, a whole horde of dragons just flew over them a few days ago.” Anemone flicked her tail at the evening sky, dimming to purple. “And they’re all fine.” “Because they’re not IceWings,” Winter pointed out. “The mountains only eat IceWings,” Qibli explained with a straight face. “STOP THAT,” Winter hissed at him. “It’s a REAL CURSE.” “If it’s real, then it’s not a curse, it’s a spell,” Qibli said practically. “And if it’s a spell, then Darkstalker cast it, in which case the earring will protect you.” Winter touched his ear doubtfully. One piece of jewelry against centuries of nightmare stories … Qibli could practically see Winter’s courage trying to stamp out his childhood fears. “You’ll make it through,” he said. “Remember, Moon is on the other side.” He knew that would work, because it was working for him. Winter gave him a puzzled look, as though he would never understand Qibli. “Yes,” he said. “All right. Let’s fly.” “Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinally,” Anemone grouched, wheeling about in the sky. As
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))