Windy Road Quotes

And as you walk yr road, as you live yr life, RELISH THE ROAD. And relish the fact that the road of yr life will probably be a windy road.

There was nothing between the ranch and the nearest town except a windy, two-lane mountain road edged with pine trees, meadows, cliffs and boulders. No Dairy Queen, no Circle K, nothing.

What discordant vespers do the tinker's goods chime through the long twilight and over the brindled forest road, him stooped and hounded through the windy recrements of day like those old exiles who divorced of corporeality and enjoined ingress of heaven or hell wander forever the middle warrens spoorless increate and anathema. Hounded by grief, by guilt, or like this cheerless vendor clamored at heel through wood and fen by his own querulous and inconsolable wares in perennial tin malediction.

But the trouble is there aren't any bends in my road. I can see it stretching straight out before me to the sky-line…endless monotony. Oh, does life ever frighten you, Anne, with its blankness…its swarms of cold, uninteresting people?

Sometime I wonder why I walk alone on this cold, windy road. Maybe I have no one to love or no one love me at all?

You know, like when you’re driving down windy roads and you deliberately close your eyes for a second, just to see what happens. So that’s what I did.

She never forgot the day she'd met him, or how his friends had told her to be more than pretty. She never forgot Elizabeth, Yennenga, Abhaya Rani. She wore his gold coin on a chain around her neck until the day she died. But the thing she treasured most was the memory of his smile, a smaile that was a wink and a dare. A wild road on a windy night. A kiss int he dark. A smile that had given her all she'd ever wanted-a chance. A chance to be herself.

Or she may find out what is at the end of the harbor road…that wandering, twisting road like a nice red snake, that leads, so Elizabeth thinks, to the end of the world. Perhaps the Island of Happiness is there.

Life is only beginning for you now . . . since at last you're quite free and independent. And you never know what may be around the next bend in the road

I'll give her the chance to change the path she is on. The chance to make her own path." "Fool," said the crone. "You understand nothing of mortals. We Fates map out their lives because they wish it. Mortals do not like uncertainty. They do not like change. Change is frightening. Change is painful." "Change is a kiss in the dark. A rose in the snow. A wild road on a windy night." Chance countered.

Ter refused to ride buses. The people depressed him, sitting there. He liked Greyhound stations though. We used to go to the ones in San Francisco and Oakland. Mostly Oakland, on San Pablo Avenue. Once he told me he loved me because I was like San Pablo Avenue. He was like the Berkeley dump. I wish there was a bus to the dump. We went there when we got homesick for New Mexico. It is stark and windy and gulls soar like nighthawks in the desert. You can see the sky all around you and above you. Garbage trucks thunder through dust-billowing roads. Gray dinosaurs.

That ride was perhaps the most wonderful thing that happened to them in Narnia. Have you ever had a gallop on a horse? Think of that; and then take away the heavy noise of the hoofs and the jingle of the bit and imagine instead the almost noiseless padding of the great paws. Then imagine instead of the black or grey or chestnut back of the horse the soft roughness of golden fur, and the mane flying back in the wind. And then imagine you are going about twice as fast as the fastest racehorse. But this is a mount that doesn't need to be guided and never grows tired. He rushes on and on, never missing his footing, never hesitating, threading his way with perfect skill between tree trunks, jumping over bush and briar and the smaller streams, wading the larger, swimming the largest of all. And you are riding not on a road nor in a park nor even on the downs, but right across Narnia, in spring, down solemn avenues of beech and across sunny glades of oak, through wild orchards of snow-white cherry trees, past roaring waterfalls and mossy rocks and echoing caverns, up windy slopes alight with gorse bushes, and across the shoulders of heathery mountains and along giddy ridges and down, down, down again into wild valleys and out into acres of blue flowers.

Whether you consider yourself a follower of Jesus or not, a life of changing ourselves to change the world is going to be a bumpy, windy, weird road.

One thing I learned during our last few days in Delhi was that Time, which can so often move as slowly as a slug crossing a dusty road, can also move with the swiftness of cloud shadows on a windy day.

Kingsley could ‘do’ the sound of a brass band approaching on a foggy day. He could become the Metropolitan line train entering Edgware Road station. He could be four wrecked tramps coughing in a bus shelter (this was very demanding and once led to heart palpitations). To create the hiss and crackle of a wartime radio broadcast delivered by Franklin Delano Roosevelt was for him scant problem (a tape of it, indeed, was played at his memorial meeting, where I was hugely honored to be among the speakers). The pièce de résistance, an attempt by British soldiers to start up a frozen two-ton truck on a windy morning ‘somewhere in Germany,’ was for special occasions only. One held one's breath as Kingsley emitted the first screech of the busted starting-key. His only slightly lesser vocal achievement—of a motor-bike yelling in mechanical agony—once caused a man who had just parked his own machine in the street to turn back anxiously and take a look. The old boy's imitation of an angry dog barking the words 'fuck off' was note-perfect.

Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route. You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit. When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving. On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers. And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour. Now…Guess what happened? Nothing! No horns and no fingers. But why? When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak. Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily. Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!

I mean it, Stevie. I need you at home. I want you to move in with me.”  She looks up at me, brows furrowed. “Even if we’re only here for the summer, I want you to move in. And when we leave Chicago, I want to live together. If I can’t have you on the road next season, I need you every second of every day while I’m home.” A blush rushes up to her freckled cheeks, and an excited smile spreads across her lips that she tries to suppress. “I’d like that.

He drove me home, through all the windy roads of his ranch and down the two-lane highway that eventually led to my parents’ house on the golf course. And when he walked me to the door, I marveled at how different it felt. Every time I’d stood with Marlboro Man on those same front porch steps, I’d felt the pull of my boxes beckoning me to come inside, to finish packing, to get ready to leave. Packing after our dates had become a regular activity, a ritual, an effort, on my part, to keep my plans moving along despite my ever-growing affection for this new and unexpected man in my life. And now, this night, standing here in his arms, the only thing left to do was unpack them. Or leave them there; I didn’t care. I wasn’t going anywhere. At least not for now. “I didn’t expect this,” he said, his arms around my waist. “I didn’t expect it either,” I said, laughing. He moved in for one final kiss, the perfect ending for such a night. “You made my day,” he whispered, before walking to his pickup and driving away.

My mum all those years ago sensed a child who had been adopted was also a child who could feel terribly hurt. And no matter how much she loved me, no matter how much my dad loved me, there is still a windy place right at the core of my heart. The windy place is like Wuthering Heights, out on open moors, rugged and wild and free and lonely. The wind rages and batters at the trees. I struggle against the windy place. I sometimes even forget it. But there it is. I am partly defeated by it. You think adoption is a story which has an end. But the point about it is that it has no end. It keeps changing its ending.

She kissed him kind, and hard, and desperately, and the Colonel could not think about any fights or any picturesque or strange incidents. He only thought of her and how she felt and how close life comes to death when there is ecstasy. And what the hell is ecstasy and what’s ecstasy’s rank and serial number? And how does her black sweater feel? And who made all her smoothness and delight and the strange pride and sacrifice and wisdom of a child? Yes, ecstasy is what you might have had and instead you drew sleep’s older brother. Death is a lot of shit, he thought. It comes to you in small fragments that hardly show where it has entered. It comes, sometimes, atrociously. It can come from unboiled water; an un-pulled-up mosquito boot, or it can come with the great, white-hot, clanging roar we have lived with. It comes in small cracking whispers that precede the noise of the automatic weapon. It can come with the smoke-emitting arc of the grenade, or the sharp, cracking drop of the mortar. I have seen it come, loosening itself from the bomb rack, and falling with that strange curve. It comes in the metallic rending crash of a vehicle, or the simple lack of traction on a slippery road. It comes in bed to most people, I know, like love’s opposite number. I have lived with it nearly all my life and the dispensing of it has been my trade. But what can I tell this girl now on this cold, windy morning in the Gritti Palace Hotel?

The end of the war was like the beginning, with the army marching down the open road under the spring sky, seeing a far light on the horizon. Many lights had died in the windy dark but far down the road there was always a gleam, and it was as if a legend had been created to express some obscure truth that could not otherwise be stated. Everything had changed, the war and the men and the land they fought for, but the road ahead had not changed. It went on through the trees and past the little towns and over the hills, and there was no getting to the end of it. The goal was a going-towards rather than an arriving, and from the top of the next rise there was always a new vista. The march toward it led through wonder and terror and deep shadows, and the sunlight touched the flags at the head of the column.

MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe

Eventually the term ended and I was on the windy mountain road to camp, still slightly worried that I’d made a wrong turn in life. My doubt, however, was short-lived. The camp delivered on its promise, concentrating all the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.

Thrasher" They were hiding behind hay bales, They were planting in the full moon They had given all they had for something new But the light of day was on them, They could see the thrashers coming And the water shone like diamonds in the dew. And I was just getting up, hit the road before it's light Trying to catch an hour on the sun When I saw those thrashers rolling by, Looking more than two lanes wide I was feelin' like my day had just begun. Where the eagle glides ascending There's an ancient river bending Down the timeless gorge of changes Where sleeplessness awaits I searched out my companions, Who were lost in crystal canyons When the aimless blade of science Slashed the pearly gates. It was then I knew I'd had enough, Burned my credit card for fuel Headed out to where the pavement turns to sand With a one-way ticket to the land of truth And my suitcase in my hand How I lost my friends I still don't understand. They had the best selection, They were poisoned with protection There was nothing that they needed, Nothing left to find They were lost in rock formations Or became park bench mutations On the sidewalks and in the stations They were waiting, waiting. So I got bored and left them there, They were just deadweight to me Better down the road without that load Brings back the time when I was eight or nine I was watchin' my mama's T.V., It was that great Grand Canyon rescue episode. Where the vulture glides descending On an asphalt highway bending Thru libraries and museums, galaxies and stars Down the windy halls of friendship To the rose clipped by the bullwhip The motel of lost companions Waits with heated pool and bar. But me I'm not stopping there, Got my own row left to hoe Just another line in the field of time When the thrasher comes, I'll be stuck in the sun Like the dinosaurs in shrines But I'll know the time has come To give what's mine. Neil Young, Rust Never Sleeps (1979)

So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.

Sea-Fever I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel’s kick and the wind’s song and the white sail’s shaking, And a grey mist on the sea’s face and a grey dawn breaking. I must go down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the seagulls crying. I must go down to the seas again to the vagrant gypsy life, To the gull’s way and the whale’s way where the wind’s like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover, And quiet sleep and a sweet dream when the long trick’s over.

Death of an Old Seaman We buried him high on a windy hill, But his soul went out to sea. I know, for I heard, when all was still, His sea-soul say to me: Put no tombstone at my head, For here I do not make my bed. Strew no flowers on my grave, I’ve gone back to the wind and wave. Do not, do not weep for me, For I am happy with my sea. Langston Hughes

He made up his mind to see Kate, and with this view he went down to Westmoreland; and took himself to a small wayside inn at Shap among the fells, which had been known to him of old. He gave his sister notice that he would be there, and begged her to come over to him as early as she might find it possible on the’ morning after his arrival. He himself reached the place late in the evening by train from London. There is a station at Shap, by which the railway company no doubt conceives that it has conferred on that somewhat rough and remote locality all the advantages of a refined civilization; but I doubt whether the Shappites have been thankful for the favour. The landlord at the inn, for one, is not thankful. Shap had been a place owing all such life as it had possessed to coaching and posting. It had been a stage on the high road from Lancaster to Carlisle, and though it lay high and bleak among the fells, and was a cold, windy, thinly-populated place, – filling all travellers with thankfulness that they had not been made Shappites, nevertheless, it had had its glory in its coaching and posting. I have no doubt that there are men and women who look back with a fond regret to the palmy days of Shap.

I redownload my Tinder app. I never use the apps when I’m home, but one of the perks of spending a good amount of time on the road is the casual hookup with a stranger.

That was the start of a lot of the practices and philosophies that still prevail at Wal-Mart today. I was always looking for offbeat suppliers or sources. I started driving over to Tennessee to some fellows I found who would give me special buys at prices way below what Ben Franklin was charging me. One I remember was Wright Merchandising Co. in Union City, which would sell to small businesses like mine at good wholesale prices. I’d work in the store all day, then take off around closing and drive that windy road over to the Mississippi River ferry at Cottonwood Point, Missouri, and then into Tennessee with an old homemade trailer hitched to my car. I’d stuff that car and trailer with whatever I could get good deals on—usually on softlines: ladies’ panties and nylons, men’s shirts—and I’d bring them back, price them low, and just blow that stuff out the store.

And her sexy voice certainly didn’t make justifying the trip more difficult.   The directions took me past the coastal town and through a windy road along the beach. Finally, I ended up at a place that looked halfway between a lighthouse and a gothic mansion. I figured to buy that many jumbo fish tanks she’d have to be loaded, but this was much more than anything I imagined. Dollar signs started dancing in my head.       I got out of the car, trying to stop my hands from shaking, and approached the door. But just as I was about to knock, the door was opened for me.   “Greetings,

The old Church is still there, the graveyard, the road--and when the night is dark and windy, who knows who else? —The Phantom Rider of the Confederacy

steered his four-wheel drive up the windy road leading to the Castle Mountain Lodge. His tires crunched on the freshly fallen snow. The plows couldn’t keep up with the thick white stuff covering the roads and Colin was pretty sure they’d given up on trying to keep the roads clear. He hadn’t seen one in over an hour. The weather forecast had said it would

You know, Indy. Ryan doesn’t strike me as the type of man to be loud. He might not say it, might not scream it from the rooftops, but I could bet good money that he says it without words every single day.”  Cold coffee waiting for me in the fridge. Fresh flowers, though sometimes dead because he tried too hard to keep them alive, sitting on the kitchen island for me at home after every road trip.  Making sure I have food I can eat.

Navy is my sweet baby. Emotional but fierce. She loves hard and she’s a good friend to her brother. We love our girly dresses and bows, and our favorite morning activity is picking out our outfits together. But when it comes to bedtime, the only way she’ll fall asleep is if her dad reads her a story. It doesn’t matter if he’s on the other side of the country for work, she has to see Ryan’s face before falling asleep. I couldn’t count how many times he’s read to her over Facetime from the locker room before a game.  Ryan loves it. He cherishes the nights when he’s home and makes an even bigger effort when he’s on the road. I truly couldn’t ask for a better father to our kids.

The plane isn’t taxiing that fast on the runway yet. I’m sure the road rash I’d endure from the jump out the window onto the asphalt would burn a whole lot less than Zanders’ gaze.

It was June 24th, 2004, a hot, but windy, day. Leaves on the trees whistled, and the wind blew things in the road.

I thought I had found a friend but found a long, windy road until a lion roared and thought, The mind blinds a beautiful sun. If our knowledge is miniscule, our ability to love can be boundless. Is love in the moment the only thing we know that is 100%, always true? Because people change while a mountain doesn’t move during sun, wind, rain, and snow. You cannot eat fruit until a seed connects with the sun, soil, wind, and rain to grow, ripen, and taste great. Fruit that is destined to fail will fall off a branch from wind, anyway, so if you don’t love wind, rain, and snow, will you grow?

Change is a kiss in the dark. A rose in the snow. A wild road on a windy night.

Volterra,’ Olivia announced in a flat, icy voice. VOLTERRA- WE BEGAN THE STEEP CLIMB, AND THE ROAD GREW CONGESTED. As we wound higher, the cars became too close together for Olivia to weave insanely between them anymore. We slowed to a crawl behind a little tan Peugeot. ‘Olivia,’ I moaned. The clock on the dash seemed to be speeding up. ‘It's the only way in,’ she tried soothing me. But her voice was too strained to comfort. The cars continued to edge forward, one car length at a time. The sun beamed down brilliantly, seeming already overhead. The cars crept one by one toward the city. As we got closer, I could see cars parked by the side of the road with people getting out to walk the rest of the way. At first- I thought it was just impatience-something I could easily understand. But then we came around a switchback, and I could see the filled parking lot outside the city wall, the crowds of people walking through the gates. No one was being allowed to drive through. ‘Olivia,’ I whispered urgently. ‘I know,’ she said. Her face was chiseled from ice. Now that I was looking, and we were crawling slowly enough to see, I could tell that it was very windy. The people crowding toward the gate gripped their hats and tugged their hair out of their faces. Their clothes billowed around them. I also noticed that red was everywhere. Red shirts, red hats, red flags dripping like long ribbons beside the gate, whipping in the wind as I watched, the brilliant crimson scarf one woman had tied around her hair was caught in a sudden gust. It twisted up into the air above her, writhing like it was alive. She reached for it, jumping in the air, but it continued to flutter higher, a patch of bloody color against the dull, ancient walls. ‘Bell.’ Olivia spoke swiftly in a fierce, deep voice. ‘I can't see what the guard here will decide now-if this doesn't work, you're going to have to go in alone. You're going to have to run. Just keep running in the course they tell you to. Don't get lost.’ I repeated what I had said- the name repeatedly, trying to get it down. ‘Or 'the clock tower,' if they speak English. I'll go around and try to find a secluded spot somewhere behind the city where I can go over the wall.’ I nodded two times… ‘Marcel will be under the clock tower, to the north of the square. There's a narrow alleyway on the right, and he'll be in the shadow there. You have to get his attention before he can move into the sun.’ I nodded furiously. Olivia was near the front of the line. A man in a navy-blue uniform was directing the flow of traffic, turning the cars away from the full lot. They U-turned and headed back to find a place beside the road. Then it was Olivia's turn…

As Peet screamed on the road to Lamendron, morning birds chirped in the clearing where the Igibys slept. Cold blue light crept through the slit in the tent door. Janner stretched, forcing his eyes open and shaking the cobwebs from his mind. To his left, Podo snored so loudly that Janner wondered how it hadn’t woken him sooner. Oskar didn’t snore, but with every long exhale of breath, his lips made a windy pfffffhhhhhhh.

The night is dark, the weather is windy, the road is foggy, the ground is snowy, the environment is spooky, and the bends are scary! Here is a great road for you, a road worth traveling! Fall down, get up, get stuck in the snow, and get out of the snow. If you want to go a long way in this chaotic universe, you need to be a student in a school like this road!